Documentos de Académico
Documentos de Profesional
Documentos de Cultura
#6
Novembro de 2012
63
9 -11
7
Uma publicação da 21
SN
Companhia do Latão IS
Teatro no Brasil
por Jacobbi
O debate do Procultura
“Minha formação
na TV”
NOTA EDITORIAL
3PCFSUB$BSCPOF
Edição eletrônica
Traulito 6 BQSFTFOUBBJOEBVNQFSëMEF&SOFTUP XXXUSBVMJUPDPNCS
2 t 5SBVMJUPtOt/PWFNCSPEF
Teatro in Brasile de Ruggero Jacobbi é traduz ido no
país 51 anos depois de seu lançamento na Itália.
Divulgação
EFCSVÎB iBMHVÏN DBQB[ EF GB[FS BSUF TFSWBEPVNQBQFMQSPGÏUJDPRVBOEPTF
TPCSFBBSUFw RVFSEFëOJSBFTTÐODJBEPTÏDVMP99
&VEJTTFDVMUVSBiJUBMJBOBwQPSGB[FS 1PSRVF +BDPCCJ Ï B QPFTJB BNBSHB EB
KVT BP OBTDJNFOUP
NBT OFN NFTNP SB[ÍP JODPOGPSNBEB EJBOUF EB CBS-
iFVSPQÏJBwTFSJBTVëDJFOUFQBSBEFNBS- CÈSJF EB IJTUØSJB
Ï B CVTDB ëMPTØëDB
DBS TVB WPDBÎÍP EF NJHSBOUF JOUFMFD- JODBOTÈWFM OPT NFBOESPT EB DSJBÎÍP
UVBM F EF QJPOFJSP EBT JEFJBT "RVFMF Ï P SJTDP JOUFMFDUVBM EPT HSBOEFT QBJ-
RVFUJOIBTJEPenfant prodige da poesia OÏJTEFJEFJBTOBDPOìVÐODJBEPTNF-
IFSNÏUJDBìPSFOUJOB o
BHJUB- SJEJBOPT
Ï B DPNQSFFOTÍP JOUVJUJWB
EPSEBHFSBÎÍPEPTKPWFOTEJSFUPSFTFN F BNPSPTB EPT EFUBMIFT BUSBWÏT EPT
3PNB o
QSFTPQPSTVCWFSTÍP RVBJTPJODPOTDJFOUFDPMFUJWPNPMEBB
OPÞMUJNPBOPEBSFTJTUÐODJB
F
SFBMJEBEF 4VB PCSB DSÓUJDB F QPÏUJDB
ëOBMNFOUF
NFNCSP NBJT iPSHÉOJDPw SFDFOUFNFOUFQVCMJDBEBOB*UÈMJB
KÈP
P RVF IPKF TF EJSJB iBëSNBUJWPw
EP EFTUBDBDPNPVNEPTNBJPSFTJOUFMFD-
HSVQP EF JOUFMFDUVBJT F BSUJTUBT RVF UVBJTEPTÏDVMPF
TFNTVSQSFTBTQBSB
EFTFOWPMWF
FN .JMÍP o
B RVFNPDPOIFDFVQFTTPBMNFOUF
FOUSF
QPMÓUJDBEPTUFBUSPTiFTUÈWFJTwDPNPJOT- PTHSBOEFTQPFUBT1PSBRVJ
BJOEBIÈ
UJUVJÎÜFTEFTFSWJÎPQÞCMJDP
DIFHBOEP UFNQP
RVFNFTUÈSFDPMIFOEPFSFMBO-
ËGVOEBÎÍPEP1JDDPMP5FBUSPoBPT ÎBOEPPTFVMFHBEPOPDPOUFYUPEFFT-
BOPTFNCBSDPVOPUSBOTBUMÉOUJDP-VHB- UVEPT EB FTUÏUJDB F IJTUØSJB EP UFBUSP
OPSVNPBP3JPEF+BOFJSP
QBSBVNB Ï +BDØ (VJOTCVSH
RVF GPJ TFV BNJHP
CSFWFWJBHFN&SB/BUBMEF7PM- EPT NBJT ÓOUJNPT /ÍP RVF +BDPCCJ
UPVQBSB*UÈMJBFN DBSFÎB EF BENJSBEPSFT .BT TØ VNB
+PHBEPOPIFNJTGÏSJPTVM
POEFOÍP QPMÓUJDBFEJUPSJBMBNCJDJPTBDPNPBEB
MIFGBMUBWBNPQPSUVOJEBEFTEFSFDFCFS 1FSTQFDUJWB DPNBQPJPEPTØSHÍPTEF
OPUÓDJBT EP PVUSP
NBT DVKB DVMUVSB
Ruggero Jacobbi GPNFOUP EP (PWFSOP *UBMJBOP
QPEF
USBEJÎÜFT
DPSFT
TPOTFQBMBWSBTTFTP- BJOEÞTUSJBEPFTQFUÈDVMPTFJNQMBOUB- B IFSFTJBNPS QBSFDFOPT RVF B BSUF OPTEFWPMWFS
DPNPGSBHNFOUPEBRVF-
CSFQVOIBNBPQSJNFJSP
+BDPCCJBCBT- WBKÈFNNPMEFTEFDPOTVNPNBTTJWP BJOEB Ï VNB SFMBÎÍP EJSFUB FOUSF VN la presençaBQØTMPOHPFTRVFDJNFOUP
B
UFDJB TFV HPTUP QFMBT TÓOUFTFT GVMNJ- 6NB QFSDFQÎÍP JEFPMØHJDB NJMJUBOUF IPNFNFVNBSFBMJEBEF)PNFNIJT- TVBWP[EFNFTUSFRVFQSPDVSB
PTFV
OBOUFT
QFMBTGPSNBTEFFYQSFTTÍPOÍP RVFJOGPSNB
SFGPHBFFOSBÓ[BTVBQSP- UØSJDP
SFBMJEBEFDPODSFUBw PMIBS DVSJPTP EBT NBSHFOT F DPOUSB-
NBSHFÈWFJT%P#SBTJMWFTUJVBDBNJTB
EVÎÍPDSÓUJDBFBSUÓTUJDBOPTUFSSJUØSJPT ² DPN PMIBS MÞDJEP F OVODB CBOBM
mãos dos fatos do teatro brasileiro e
BMÓOHVB
BNÞTJDBFPTTBCPSFTGPJEF- reais da metrópole. Isso, mesmo que HFOFSPTP F TJOHVMBS
VN PMIBS TPCSF FTQFDJBMNFOUF EB iSFOPWBÎÍPw
B QFS-
WPSBEPFEFWPSPVPQBÓT
UPSOBOEPTF TFUSBUBTTFEFJOUFSQSFUBSVNDMÈTTJDP
EPJT NVOEPT EF iMÓHVSF o WFOF[JBOP TVBTÍP EF TFV EJTDVSTP o VNB MFOEB
VNNJHSBOUFFNSBSBDPNVOIÍPFOUSF QPSRVFPRVFÏVNDMÈTTJDP
BëOBM
TF EFTUJOBEPBNPSSFSMPOHFEFDBTBoQSP- OBHFSBÎÍPRVFPDPOIFDFVoFPTFV
EPJTNVOEPT OÍPVNBPCSBRVFDPOUJOVBWJWB
BQF- WBWFMNFOUF
FN 4ÍP 1BVMPw
VN PMIBS FWJEFOUFQSB[FSEFMFJUPS
RVFDPOUBHJB
/ÍPTFFOUVSNPVDPNPTJUBMJBOPT TBSEPTTÏDVMPTFEBEJTUÉODJB NBJT FVSPQFV
OB NFEJEB FN RVF TF RVFNMÐBTTVBTQÈHJOBT
POÞDMFPEFEJSFUPSFTRVF
OBEÏDBEB 5SBOTJUBOEP FOUSF QSPKFUPT F QSÈ- UPSOB DBQB[ EF JOUFSQSFUBSTF iFVSP-
EF
IFHFNPOJ[PVPNFSDBEP
QSP- UJDB
+BDPCCJ FYFSDJB B DSÓUJDB DPNP B QFVw
RVFFN
BOPEFTFVSFHSFTTP
Alessandra Vannucci é professora
UBHPOJ[BOEP B iSFOPWBÎÍPw EB DFOB NFMIPS GFSSBNFOUB EF JOUFSNFEJBÎÍP +BDPCCJ FTDSFWF FN JUBMJBOP FTUF MJWSJ- do Departamento de Artes Cenicas
CSBTJMFJSB
BP QPOUP EF QFSEFS TVB iPSHÉOJDBw FOUSF JOUFMFDUVBM F TPDJF- OIPTeatro no Brasil FNMBOÎBEP (DEART) da Universidade Federal de
NJTTÍP QSØQSJB
VNB NJTTÍP TFNJOBM EBEF BDVNVMPV
BP MPOHP EPT BOPT FNQPSUVHVÐT
QFMB&E1FSTQFDUJWB
OP Ouro Preto.
5SBVMJUPtOt/PWFNCSPEFt
Longa v iagem para
dentro do teatro
Trecho do livro 5FBUSPOP#SBTJM. Org. Alessandra Vannucci.
São Paulo: Perspectiva, 2012. Posfácio de Sérgio de Carvalho.
i2VBOEPDPNFDFJBNFJOUFSFTTBSQPSUFBUSP
FVWJOIBEPDJOFNB5JOIBFTUVEBEPVN
QPVDPEFNÞTJDBFDVMUJWBEP
QPSVNUFNQPDVSUÓTTJNP
VNBJOTBOBQBJYÍPQFMBQJOUVSB
&TUBNVMUJQMJDJEBEFEFJOUFSFTTFT
BQBSUJSEBGPSUFCBTFMJUFSÈSJB
BDBCPVEFTWJBOEPNF*TTP
NFTNPdesviou-meBUÏPUFBUSP
BUÏCFNEFOUSPEPUFBUSP
UÍPEFOUSPRVFIPKFTPCSB
QBSBB
MJUFSBUVSB
TPNFOUFPUFNQPFUFSOPEBTBVEBEFFPJOTUBOUFRVFEFEJDPBFYFSDÓDJPTQPÏUJDPT
EFTFTQFSBEBNFOUFQBSUJDVMBSFT.BT
EJTTFRVFWJOIBEPDJOFNBFEFWPFYQMJDBSDPNPFV
UJOIBDIFHBEPMÈ%PJTNPUJWPTVNBBOUJHBQBJYÍPQFMBTUÏDOJDBT
QFMPBSUFTBOBUP
QPSUVEP
RVFOBBSUFÏFNQÓSJDPFUSBCBMIPTPFNFVWFMIPQSPUFTUPEFDPMFHJBMEJBOUFEFDPODFQÎÜFT
SPNÉOUJDBTEBDSJBÎÍPBSUÓTUJDBUJEBDPNPVNiEPNwEJWJOP
VNJNQVMTPEFOBUVSF[BJS
SBDJPOBM*TTPNFMFWBWB
DBEBWF[RVFVNUÓQJDPQSPCMFNBFTUÏUJDPDBSFDJBEFTPMVÎÜFT
B
FYQFSJNFOUBS DPODSFUBNFOUF BT EJWFSTBT GPSNBT EB FYQSFTTÍP FN DBEB BSUF F B DPOTUBUBS
NFTNPTVQFSëDJBMNFOUF
BTGFSSBNFOUBTUÏDOJDBT1SPDVSBWBBiQSPWBwEPGBUPFTUÏUJDP<>
%FTDVMQFN
NBTFVTFJGBMBSBQFOBTEFNJOIBWJEB&TQFSPRVFJTUPNFEÐ
QFMPNFOPT
B
QPTTJCJMJEBEFEFTFSTJODFSP1FOTP
BUÏ
RVFPTQFOTBNFOUPTEFVNIPNFN
QPSJTTPNFTNP
oQPSTFSFNQFOTBNFOUPTEFVNTFSIVNBOPoOÍPQPTTBNOÍPNFYFSOPTQFOTBNFOUPT
EPTPVUSPT
BPDPOUSÈSJPTFFOSFEFNOPKPHPEFTFVTQSPCMFNBTWJUBJT/FTUBWJEBRVFÏEF
UPEPT<>
"HPSBTFJDPNNBJPSDMBSF[BRVBMFSBBNBJTQSPGVOEBSB[ÍPEFNFVBQFHPËJEFJBEF
FTQFUÈDVMPFSBBFTQFSBOÎB
NFVTBNJHPT
EFFODPOUSBSBMHVNBFTRVFDJEBDPNVOIÍPFOUSF
VNFNVJUPT
FOUSFUPEPTPTRVFFTUBWBNQFSEJEPTOBTBOHVTUJBEBTTPMJEÜFTEPIPNFNNP
EFSOPFEBBSUFRVFFMFQSPEV[2VFSJBTBCFS
WFSFUPDBSDPNBTNÍPTFTUBQPTTJCJMJEBEFFN
VNTÏDVMPEFJOEJWÓEVPTDBEBWF[NBJTBGBTUBEPT
NBJTJSSFDPOIFDÓWFJTVNQFMPPVUSP
um
espetáculo
JTUPÏ
BMHVNBDPJTBFNRVFPRVFÏEFUPEPTBQBSFDFBPTPMIPTEFUPEPTFQBSB
UPEPTDFMFCSBTF
DPNPVNBNJTTB
DPNPVNSJUP<>®JEFJBEPFTQFUÈDVMP
EFVNBBSUF
GFJUBOPNFJPEPQPWP
BJEFJBEPQPFNBRVFEFTDFQBSBBSVB
BFTUBFVOÍPQPEJBSFOVODJBS
0UFBUSP
BëOBM<>
&VUJOIBMJEPPMJWSPEF5BJSPW
PTFOTBJPTEF.FZFSIPME
UJOIBBTTJTUJEPFTQFUÈDVMPTEF
3FJOIBSEUFEF#BUZFDPOTUBUBEPEFQFTTPBPNÈHJDPWJSUVPTJTNPEFTTFTBSUÓëDFTNFTNP
BTTJN
NVJUBT DPJTBT EFJYBWBN JOTBUJTGFJUP P WFMIP IFHFMJBOP EPT UFNQPT EP DPMÏHJP "T
QSJNFJSBTIPSBTEBNBESVHBEB
PNPÎPRVFUJOIBPNFVOPNFFRVBTFPNFVSPTUPFRVF
BDBCBWBEFTFSBHBSSBEPQFMPUFBUSP
TBÓBEPOPWPFCSJMIBOUFUFBUSPEF#SBHBHMJBSFNPFOEP
DPOUSBEJÎÜFTFTPëTNBTQFMBSVB4JDÓMJB/BRVFMBIPSBTVBWFBMV[EF3PNB
RVFTVCJBGSJBF
EPVSBEBFJBBRVFDFOEPBDJEBEFQPVDPBQPVDP
DPOWJEBWBPFTQÓSJUPBVNBDPOTJEFSBÎÍP
JOëOJUBNFOUFIVNBOBEBTDPJTBT.VJUBTJOHÐOVBTQFSHVOUBTSFTTVSHJBN
DPNPBTRVFP
DPMFHJBMDPTUVNBWBMFWBOUBS
EJBOUFEPëMØTPGPEBT2VBUSP%JTUJOÎÜFT EP&TQÓSJUP2VFN
PVTBSÈEJTUJOHVJSEFOUSPEPIPNFN 2VFNPVTBSÈTFDDJPOBSFTUBVOJEBEFJSSFQBSÈWFM )È
VNIPNFNFTUÏUJDP
NPSBM
ëMPTØëDP )ÈVNIPNFNFDPOÙNJDP <>
&N
FVWJBKBWBQFMB*UÈMJB
DPSSFOEPQBSBSFWFS
EFQPJTEBMPOHBOPJUFEBPQSFTTÍPOB
[JTUB
BTDJEBEFTEPOPSUFëOBMNFOUFMJWSFT&ODPOUSBWBBDBEBQBTTPPTGSBOHBMIPT
PTBOHVF
EBOBÎÍPBJOEBDPOWVMTB
GSBHNFOUBEB
BJOEBGVNFHBOUFEPEFTBTUSF7JBHFOUFJSFWPMUBS
QFMBTSVBTDIFJBTEPTEFTUSPÎPTEBTDBTBTEFTUSVÓEBT1FOTBWBi"MHVNBDPJTBTFSÈQSFDJTP
GB[FSQPSFMFT2VFUFSFNPTQBSBEJ[FSBFMFT
OØT
HFOUFEFUFBUSP 0UFBUSPOÍPQPEFEFT
QSF[BSPIPNFN/ÍPUFSÈDIFHBEPBIPSBEFKPHBSNPTBPNBSOPTTPJOUFMFDUVBMJTNP
OPTTBT
TVQFSTUJÎÜFTFTUÏUJDBTFQSPDVSBSNPTBMJOHVBHFNEFUPEPT w"Ó
PWFMIPIFHFMJBOPTVSHJVF
EJTTFGSJBNFOUFi$BMNB
NFOJOP7PDÐOÍPQPEFFTDBQBSBTJNFTNP"DBCBSÈDPOGVOEJOEP
QPFTJBDPNEFNBHPHJB/ØTOÍPTPNPTOFNTFRVFSPTQSJNFJSPTEFBNBOIÍTPNPT
BQFOBT
PTÞMUJNPTEFPOUFN$POUJOVFTFOEPPRVFÏWFMIPFOPWP
BOUJHPFGVUVSPw
0DBSSPDPSSJBFOUSFBTSVÓOBTEBDJEBEF/PNFJPEBTDBTBTEFTNPSPOBEBTPFUFSOP)B
NMFUFVSPQFVJBBUSÈTEFTFVTGBOUBTNBT
DPOUJOVBWBËTWPMUBTDPNPTTFVTQSPCMFNBT5FTF
BOUÓUFTF
UFTF
BOUÓUFTF&BTÓOUFTF 0I
DPNDFSUF[B
BNBOIÍQPJTFMFKÈPVWJBBTGBOGBSSBT
EF'PSUJNCSÈTBOVODJBOEPPGVUVSPPUFNQPJOFWJUÈWFMEBEJHOJEBEFIVNBOBw
Ruggero Jacobbi e Fernando Peixoto.
t 5SBVMJUPtOt/PWFNCSPEF
Jorge Andrade
e o repensamento
do Realismo
Trecho do livro 5FBUSPOPCSBTJM. Org.
Alessandra Vannucci. São Paulo: Perspectiva, 2012.
Posfácio de Sérgio de Carvalho.
i.BTÏBJOEBTFNEÞWJEBFN4ÍP1BVMP TPCPJNQVM
TPEFVNNPWJNFOUPDVMUVSBMFDPNFSDJBMNBJTFWPMVÓEP
EPRVFFNRVBMRVFSPVUSPMVHBS
RVFBOPWBESBNBUVSHJB
UFWFBTVBFWPMVÎÍPNBJTTJOHFMBFAEPCSPVOBQSPEVÎÍP
RVFDBSBDUFSJ[BBGBTFBUVBM0SFQFOTBNFOUPEPSFBMJTNP
TPCPFGFJUPEFEJWFSTBTJOìVÐODJBT EF5DIFDPWB.JMMFS
EF8JMMJBNTB#SFDIU
F
QSJODJQBMNFOUF
BSFìFYÍPTPCSF
BQFSTQFDUJWBTPDJBMEPUFBUSPDPNPFTQFMIPEFVNQPWP
F EF TVB IJTUØSJB JOUFSJPS
EFUFSNJOBN B SJDB ìPSBÎÍP EF
OPWBT ESBNBUVSHJBT iQBVMJTUBTw &OUSF PT BVUPSFT
P QSJ
NFJSPMVHBSÏTFNEÞWJEBEF+PSHF"OESBEF
RVFTFEJTUJOHVJVDPNVNBOHVTUJBEPESBNBEFBNCJFOUF
CBODÈSJP
As Colunas do Templo
BJOEBTFNNPOUBHFN
F
DPORVJTUPVPTVDFTTPEFSFQFOUF
DPNA Moratória&TUF
GFMJDÓTTJNP ESBNB JOUJNJTUB
UBMWF[ P NFMIPS UFYUP CSBTJ
MFJSPDPOUFNQPSÉOFP
OÍPFSBRVFBTFHVOEBQBSUFEFVNB
USJMPHJB
IPKFUPEBSFQSFTFOUBEB
FRVFQPSUBOUP
ÏNFMIPS
EFTDSFWFSOBPSEFNDSPOPMØHJDB$PNFÎBDPNA Pedreira
das Almas
FWPDBÎÍPÏQJDBEFVNBSFWPMUBDPOTUJUVDJPOB
MJTUBFN.JOBT(FSBJTOPTÏDVMPQBTTBEPGBTFBëSNBUJWB
EPDBQJUBMJTNPCSBTJMFJSP
OPFOUBOUP
FNQVSSBEBFNVN
NVOEPNÓTUJDP
FNVNQBTTBEPBCTPMVUPEJTTPBEWÏNB
FTUSVUVSBEFPSBUØSJPUSÈHJDPEBEBËPCSB
DPNTPMFOFTHSV
QPTFTUÈUJDPT
ëHVSBTFTDVMUVSBJT
DPSPFNWFSTPTFNÞTJDBT
QPQVMBSFT$POUJOVBDPNA Moratória
KÈDJUBEB
RVFQJOUB
BDSJTFEBRVFMBNFTNBDMBTTFEFQSPQSJFUÈSJPT
RVBOEPPT
TFOIPSFTEPDBGÏTFSFEV[FNBTFNJQSPMFUÈSJPTOPTTVCÞS
CJPTEBHSBOEFDJEBEFJOEVTUSJBM
4ÍP1BVMPFQPSUBOUPP
UPNÏSFTJHOBEP
SFBMJTUB
FTNJHBMIBEPQFMBTHSBOEFTQBV
TBTPOEFPUFNQPQBTTBFNWÍPFPOEFTFEFQPTJUBBBOTJF
EBEFEBTFHVSBOÎBQBTTBEB
EBOBUVSF[BWJSHFNFQSØTQFSB
EFJYBEBQBSBUSÈTQBSBTFNQSF
EPPCTDVSPBNBOIÍ
EBJO
DPNQSFFOTJCJMJEBEFEFVNNVOEPBRVFQBSFDFJNQPTTÓWFM
TFBEBQUBS&DPODMVJTFDBNFOUFDPNPBUPÞOJDPO Teles-
cópio
POEFTFNPTUSBNPTÞMUJNPTEFTDFOEFOUFTEFGBNÓ
MJBTKÈJMVTUSFT
MBOÎBEPTOPiWJUBMJTNPwCVSHVÐTEFOPTTP
UFNQP
GSBHNFOUBEPTBUÏOPÓOUJNPEFTVBQTJRVF
FTWB[JB
EPTEPTWBMPSFTRVFBJOEBTFSWJEP
BJOEBQBSBPTTFVTQBJT
DPNPQPOUPEFSFGFSÐODJBQBSBPKVÓ[PFQBSBBBÎÍP
<>1BSBDPODMVJS
WPVMFNCSBS
BUÓUVMPTJNCØMJDP
VN
GBUPQFTTPBM3FDFOUFNFOUF
NFGPJEJWFSUJEPFTDSFWFSVN
SPNBODF EF BNCJFOUF CSBTJMFJSP #FN
PT NFVT QFSTPOB
HFOTWÍPNVJUPBPUFBUSP
EJTDVUFNEFUFBUSP
BKVTUBNBT
SFDPSEBÎÜFTEFTVBTWJEBTBPTBDPOUFDJNFOUPTUFBUSBJTEP
NPNFOUP4FFVUJWFTTFFTDSJUPVNSPNBODFEFBNCJFOUF
JUBMJBOP
BUVBM
VNBDPJTBTJNJMBSOÍPNFWJSJBKBNBJTËDB
CFÎB²PNFMIPSFMPHJPRVFFVQPTTBGB[FSBPKPWFN5FBUSP
OP#SBTJMFÏPSFTVMUBEPFTQPOUÉOFPEFVNBWFSEBEFRVF
OÍPBENJUFSÏQMJDBTFTUFUFBUSP
DPNUPEPTPTTFVTEFGFJUPT
QFSUFODFSBEJDBMNFOUFBPQSPDFTTPEFNPDSÈUJDPEPQBÓT
Ë
BÎÍPEFFNBODJQBÎÍPEFVNQPWP
Por to Alegre, 1959.
5SBVMJUPtOt/PWFNCSPEFt
Debate sobre reformulação das leis de
incentivo mobiliza setores da classe teatral
6 t 5SBVMJUPtOt/PWFNCSPEF
O FUNDO NACIONAL DE CULTURA QSPKFUPÏEPQSØQSJP(PWFSOP
FMFRVFBTTVNBPÙOVT&OëN
P
0 (PWFSOP FTUÈ NFYFOEP OP 'VOEP /BDJPOBM EF $VMUVSB 'VOEPOÍPWBJFYJTUJS&TFFYJTUJS
TFSÈJSSFMFWBOUF
VNBQBSUFWBJTFSEJTUSJCVÓEBBUSBWÏTEFFEJUBJT
DSJBOEPVNB /P1SPOBD
EPSFOEJNFOUPEBT-PUFSJBTUFSJBNRVFJSQBSB
EJWJTÍPEPCPMP.BTPQSPKFUPOÍPNFYFFNVNBRVFTUÍPRVF P'VOEP4ØRVFB'B[FOEBOÍPSFQBTTBQBSBP'VOEP0VTFKB
B
Ï GVOEBNFOUBM P EJOIFJSP %F POEF WFN B HSBOB %P PSÎB- 'B[FOEBWBJMÈFDPOUJOHFODJB1BTTBBNÍPOBHSBOBFOÍPDVNQSF
NFOUP & RVFN GB[ P PSÎBNFOUP 0 HPWFSOP 0 'VOEP OÍP BMFJ&OJOHVÏNGB[OBEB0RVFP1FESP&VHÐOJPFTUÈGB[FOEPÏ
PCSJHBOFOIVNHPWFSOPBBVNFOUBSPPSÎBNFOUP"SJHPS
TF BVNFOUBSEFQBSBPWBMPSBEWJOEPEBTMPUFSJBT.BTTFP
PHPWFSOPQVTFSBMJVNDFOUBWP
DVNQSJVBMFJ²TØWFSPRVF HPWFSOPOÍPQVOIB
OÍPWBJQÙS&MFTOÍPDVNQSFNBMFJ
ÏBWFSCBEP.JOJTUÏSJPEB$VMUVSB&OUÍP
P'VOEP/BDJPOBM 2VBOEP EJHP RVF P 1SPDVMUVSB OÍP BWBOÎB FN SFMBÎÍP BP
EF$VMUVSBÏVNBCPCBHFN²VNBNJSBHFNMBOÎBEBQBSBOØT
1SPOBDOÍPÏBQFOBTQFMBGBMUBEFWFSCBT²QPSRVFBNCPTUÐN
QPSRVFPHPWFSOPQSPNFUFi/ØTWBNPTGB[FSw.BTQPSRVFKÈ DPNP QSFTTVQPTUP B TFHVJOUF JEÏJB i7BNPT DSJBS VN NFSDBEP
OÍPGF[ 7PDÐOÍPQSFDJTBEF'VOEPQBSBGB[FSTFFTUÈDPNBDB- EFDVMUVSBOPQBÓTw0EFTFKPÏBVNFOUBSBGPSÎBEPDBQJUBMOB
OFUBOBNÍP#BTUBMJCFSBSPPSÎBNFOUP
DSJBSPTFEJUBJT&OUÍP ÈSFB
FOÍPNPCJMJ[BSEFGBUPBWJEBDVMUVSBM"BUVBMWBMPSJ[BÎÍP
P'VOEPOÍPFYJTUF
FëDBNPTEJTDVUJOEPBMHPRVFOÍPFYJTUFF EPGVOEPPDPSSFQPSRVFP.JOJTUÏSJPQSFDJTBEFEJOIFJSPQBSBPT
OÍPWBJFYJTUJS.BTBHPSBTFGBMBi#PN
NBTQFMPNFOPTDSJPV FEJUBJT/PQSPKFUPEF-FJ
P'VOEPTFBCSJSJBQBSBFEJUBJTFQBSB
TFVNBUSPMIBRVFP(PWFSOPWBJUFSRVFFODBSBS
QPSRVFWBJUFS QBSUJDJQBÎÍP EB 4PDJFEBEF /B QSÈUJDB TFSÈ TFNQSF DPOEV[JEP
RVFQPSBMHVNEJOIFJSPOP'VOEPw*TTPKÈFTUÈOP1SPOBD² DPNPVNBBÎÍPEPHPWFSOPOPQPEFS²VNNFDBOJTNPEFBÎÍP
EJTDVSTP5PEBWF[RVFOPTTFOUBNPTDPNHFOUFEP.JOJTUÏSJP DPOKVOUVSBMEFVNHPWFSOP
OÍPÏVN1SPHSBNBEF&TUBEP
EB $VMUVSB
FMFT EJ[FN i2VFSFNPT NBJPS EPUBÎÍP PSÎBNFO-
UÈSJB
NBTB'B[FOEBFP1MBOFKBNFOUPOÍPEFJYBNw1PSRVÐ FONTES DUVIDOSAS
1PSRVFTÍPHFTUPSFTEPDBQJUBM1PSWPMUBEFEPPSÎBNFOUP &OUÍP RVF ëRVF DMBSP P 1SPDVMUVSB
DPNP P 1SPOBD
BP
EB%JMNBWBJIPKFFNEJBQBSBQBHBSPTFSWJÎPEBEÓWJEB7BJ NBOUFSB-FJEFSFOÞODJBëTDBMUFNDPNPPCKFUJWPJODFOUJWBS
QBSBCBORVFJSP²EJTTPRVFTFUSBUB"MHPDPNPBDPOUFDFVFN PNFSDBEPBUSBWÏTEPNFDBOJTNPEFMJCFSBS*NQPTUPEF3FOEB
4ÍP1BVMPDPNB-FJEF'PNFOUPEJëDJMNFOUFWBJTFSFQFUJS'PJ QBSB P HSBOEF DBQJUBM JOWFTUJS OP TFV NBSLFUJOH 0 EFTFKP Ï
VNBDJEFOUFEFQFSDVSTPPTDBSBTDPDIJMBSBNFOØTFOUSBNPT RVFPTFNQSFTÈSJPTUPNFNHPTUPFQBTTFNBJOWFTUJSEJOIFJSP
6NDPDIJMPEPTJTUFNB
EJHBNPTBTTJN QSØQSJPOBDSJBÎÍPEFVNNFSDBEPEFDVMUVSBOPQBÓT2VBOUP
BP'VOEP
ÏVNBNBOFJSBEFTFBENJOJTUSBSPQPVDPEJOIFJSP
UMA PROPOSTA "UFSDFJSBQBSUFEPQSPKFUP
P'VOEPQBSB.FSDBEPEF"ÎÍP
Ï
1BSB RVF B DPJTB BWBOÎBTTF
TFSJB JNQPSUBOUF RVF P 'VOEP BQJBEBNBJPSBÎÜFTEFJOWFTUJNFOUPFNVNNFSDBEPRVFOÍP
OVODBUJWFTTFVNWBMPSJOGFSJPSBPNPOUBOUFEPJODFOUJWPëTDBM FYJTUF 0T DBSBT FTUÍP MPVDPT
FTUÍP CSJODBOEP
BDIBOEP RVF
MJCFSBEPOPBOPBOUFSJPS1PSFYFNQMP
TFP(PWFSOPSFTPMWFV FTUÍPFN)PMMZXPPE²EJTTPRVFTFUSBUB
RVFFMFQPEFMJCFSBS3
CJMIÜFTEFJODFOUJWPQBSBQBUSPDÓ-
OJP
FOUÍPFMFTFSJBPCSJHBEPBDPMPDBSJTTPOP'VOEPUBNCÏN PRÊMIO TEATRO BRASILEIRO
4FBDIBSRVFÏNVJUP
FOUÍPFMFEFWJBUFSRVFEJWJEJSQPSEPJT
&VOÍPUFOIPGPSÎBTQBSBEFTDBSSJMBSFTTFCPOEF0RVFEF-
2VBOEP EFNPT FTTB TVHFTUÍP
P .JOJTUÏSJP EB $VMUVSB ëDPV
WFNPTÏQSPDVSBSCSFDIBTBUVBJTQBSBJNQMBOUBSQSPKFUPTNBJT
DPOUFOUÓTTJNP i$PNP B HFOUF OÍP QFOTPV OJTTP BOUFT F CMÈ
FGFUJWPT+ÈIÈBMHVOTBOPTOØTEPUFBUSPUFNPTVNQSPKFUPEF
CMÈ
CMÈ w & JTUP FTUBWB OP 1SPKFUP EF -FJ BUÏ BHPSB & RVFN
-FJ OB NÍP
P 1SÐNJP 5FBUSP #SBTJMFJSP &MF TVSHJV FN 4ÍP
UJSPVGPJP1FESP&VHÐOJP
PBUVBMSFMBUPSEBDPNJTTÍPEFPSÎB-
1BVMP
BJOEBOBÏQPDBEP"SUFDPOUSBB#BSCÈSJF
FEFQPJTTF
NFOUP&VDPOWFSTFJDPNFMFFN#SBTÓMJB
FFMFEJTTFi"I
NBT
BCSJVQBSBP#SBTJMBUSBWÏTEPNPWJNFOUP3FEFNPJOIP2VBM
KBNBJTB'B[FOEBFP1MBOFKBNFOUPWÍPBQSPWBSw&FVQFOTP
FSBOPTTBNPUJWBÎÍPJOJDJBM 1FSDFCFNPTRVFP'PNFOUPTP[J-
i2VFFTQÏDJFEFMFHJTMBEPSÏWPDÐ
DBSJOIB *TTPEBRVJÏVNEPT
OIPOÍPTFHVSBPSPKÍP0HSBOEFBWBOÎPEP'PNFOUPEF4ÍP
QPEFSFTPVOÍPÏ "PNFOPTDSJFPDPOTUSBOHJNFOUPQPMÓUJDPw
1BVMPÏRVFP&TUBEPFTUÈPCSJHBEPBEBSEJOIFJSPQBSBFTUSV-
&MFSFDVPV
FÏVNDBSBFTDMBSFDJEP"UÏPOEFFVDPOWFSTFJDPN
UVSBSBQSPEVÎÍPBQBSUJSEFVNBGPSNBFTQFDÓëDBEFPSHBOJ-
FMF
Ï VN DBSB EFDFOUF
IPOFTUP .F EJTTF i&V WPV QÙS F OB
[BÎÍPUFBUSBM
PHSVQP
TFHVOEPBDPODFQÎÍPEFRVFPTVKFJUP
$PNJTTÍP FMFT OÍP WPUBNw 4FSJB CBSSBEP OB WPUBÎÍP .BT P
IJTUØSJDP EF VNB NFMIPSJB RVBMJUBUJWB EFTTB BSUF Ï P DPMFUJWP
UFBUSBM
POÞDMFPBSUÓTUJDPRVFUFNPUSBCBMIPDPOUJOVBEP.BT
“Exigir desse Estado uma política pública, FTTBPSJFOUBÎÍPPSJHJOBMEP'PNFOUPTFQFSEFVOBQSÈUJDB$PO-
WFSUFVTF OVNB GPOUF EF WFSCB QBSB B iQFTRVJTBw
OÍP QBSB P
democrática e universal, que atenda aos interesses USBCBMIPDPOUJOVBEP"PNFTNPUFNQPFSBJNQPSUBOUFSPNQFS
da população, é de uma ingenuidade enorme.” PJTPMBNFOUPEFTTBDPORVJTUB6NBDPJTBÏ4ÍP1BVMP
PVUSBÏ
5SBVMJUPtOt/PWFNCSPEFt
“O Fomento sozinho não segura o rojão.”
TRABALHO POLÍTICO Luiz Carlos Moreira é fundador do grupo Engenho Teatral. Este
.BTFTTBCBUBMIBOÍPFTUÈFODFSSBEB
FOUÍPPRVFQPEFNPT depoimento resulta de uma conversa com Renan Rovida, ator
GB[FSÏQSFTTJPOBSP1FESP&VHÐOJPQBSBFMFDPTUVSBSEFOUSPEP da Companhia do Latão, ocorrida em 31 de maio de 2012 no
$POHSFTTPQBSBB$PNJTTÍPBQSPWBS0(PWFSOPQPEFBUÏWFUBS Teatro de Arena Eugênio Kusnet.
t 5SBVMJUPtOt/PWFNCSPEF
Debate sobre reformulação das leis de
incentivo mobiliza setores da classe teatral
Reinaldo Ferrigno
RVFNPEPFTUÍPTFOEPDPOEV[JEPTPTTFVTUSB-
CBMIPTFNUPSOPEP1SPDVMUVSB
Pedro Eugênio o'J[FNPTSFVOJÜFTDPNSF-
QSFTFOUBÎÜFTEFBSUJTUBTFQSPEVUPSFTDVMUVSBJT
JODMVTJWFBVEJÐODJBTQÞCMJDBTFN#SBTÓMJBFFN
#FMÏN.BJTSFDFOUFNFOUF
QSPNPWJ
FNDPO-
KVOUP DPN P .JOJTUÏSJP EB $VMUVSB
VN FO-
DPOUSPDPNFOUJEBEFTDVMUVSBJTFN4ÍP1BVMP
FQBSUJDJQFJEFVNTFNJOÈSJPRVFSFVOJVNVJUB
HFOUF EB ÈSFB DVMUVSBM &TTBT SFVOJÜFT GPSBN
B GPOUF EF JOGPSNBÎÜFT RVF VTFJ QBSB JS BKVT-
UBOEPPNFVTVCTUJUVUJWP
RVFUFWFDPNPCBTF
BRVFMF QSPEV[JEP QFMB EFQVUBEB "MJDF 1PSUV-
HBM
RVFBMJÈT
GF[VNCFMPUSBCBMIP"HPSBKÈ
UFOIPVNBWFSTÍPEPTVCTUJUVUJWP
RVFDPOTJ-
EFSP QSBUJDBOUF QSPOUB
BHVBSEBOEP P FTUVEP
EF JNQBDUP ëOBODFJSP RVF P .JOJTUÏSJP EB
'B[FOEB
MFHBMNFOUF
QSFDJTB BOFYBS BP NFV
relatório.
5SBVMJUPtOt/PWFNCSPEFt
QSJWBUJTNP
QPJTPTQSPKFUPT
QBSBTFSFNJODFO-
UJWBEPT
QSFDJTBNTFSBQSPWBEPTQFMP.JO$
EF
BDPSEP DPN DSJUÏSJPT QÞCMJDPT
FNBOBEPT EB
EFëOJÎÍPEFQPMÓUJDBDVMUVSBMEPHPWFSOPGFEF-
SBM"FTDPMIBëOBMEPTQSPKFUPTFEBTFNQSFTBT
QBUSPDJOBEPSBT.BTPTQSPKFUPT
SFQJUP
QSFDJ-
TBN QBTTBS QFMP DSJWP EP .JO$ " QSPQPTUB
RVF FTUPV BQSFTFOUBOEP WJTB SFGPSÎBS P '/$
Eugênio o1SPDVSFJFGVJQSPDVSBEPQPSSF-
KVTUBNFOUF QBSB GB[ÐMP
EF GBUP
JOTUSVNFOUP
QSFTFOUBOUFTEBTFTUBUBJTRVFNBJTDPOUSJCVFN
DFOUSBM EF ëOBODJBNFOUP EB DVMUVSB OBDJPOBM
DPNBDVMUVSB
QPSJOTUJUVUPTMJHBEPTBHSBOEFT
FDSJBSNFDBOJTNPTEFEFTDFOUSBMJ[BÎÍP
UBOUP
QBUSPDJOBEPSFT
QFMPT TFDSFUÈSJPT EF DVMUVSB
QBSBP'/$RVBOUPQBSBPNFDFOBUP
EFNP-
EPTFTUBEPT
QPSSFQSFTFOUBOUFTEFQSPEVUPSFT
DSBUJ[BOEPBNCPT
JOEFQFOEFOUFT
QBSMBNFOUBSFT MJHBEPT Ë ÈSFB
DVMUVSBM
HSVQPTEFBSUJTUBT
FOëN5FOIPPC-
Traulito o0TFVSFMBUØSJPBQPOUBNFDBOJT-
UJEP JOGPSNBÎÜFT EBT NBJT EJWFSTBT PSJHFOT
NPTRVFFRVJQBSBSBNPTSFDVSTPTQBSBP'VO- ÎÍPHFSBMEPTQSPHSBNBT
NBTSFHJTUSPP.BJT
/ÍPDBSBDUFSJ[BSJBFTTFTDPOUBDUPTDPNPiQSFT-
EP /BDJPOBM EF $VMUVSB DPN PT WBMPSFT EFT- $VMUVSBFP1SPHSBNBEF'PNFOUPBPT.VTFVT
TÍP MPCJTUBw
RVF UFN VNB DPOPUBÎÍP TPDJBM-
UJOBEPT Ë SFOÞODJB ëTDBM %F RVF NPEP JTTP DPNP FYFNQMPT EF QSPHSBNBT EF HSBOEF JN-
NFOUFQFKPSBUJWB
NBTTJNEFQSPDFTTPOÍPTØ
QPEF
EFGBUP
BDPOUFDFS QPSUÉODJBQBSBBDVMUVSBOBDJPOBM
MFHÓUJNP
NBTOFDFTTÈSJPEFDPOTVMUBEPQBSMB-
Eugênio o /ÍP QPEFNPT QFSEFS EF WJTUB
NFOUPDPNBTPDJFEBEFF
FNQBSUJDVMBS
DPNP
RVFPPSÎBNFOUPEF'/$FPMJNJUFNÈYJNP Traulito o04FOIPSGPJ4FDSFUBSJPEB'B-
NVOEPDVMUVSBM-FNCSPRVFUFOIPEJTDVUJEP
EF SFOÞODJB ëTDBM TÍP EFëOJEPT QFMP 0SÎB- [FOEBEP(PWFSOBEPS.JHVFM"SSBFT
VNIP-
DPNP$/1$FDPNB$/*$
FUJEPEJÈMPHP
NFOUP(FSBMEB6OJÍPFQFMB-FJEF%JSFUSJ[FT NFNEFFTRVFSEB&NRVFNFEJEBFTUFQBTTB-
GPSUFDPNB'SFOUF1BSMBNFOUBSEB$VMUVSBFP
0SÎBNFOUÈSJBT
EFJOJDJBUJWBEB6OJÍPFBQSP- EP QPMÓUJDP FTUÈ JOìVFODJBOEP P TFV USBCBMIP
.JOJTUÏSJPEB$VMUVSBΉ
WBEPTQFMP$POHSFTTP/BDJPOBM/ÍPÏNBUÏ- OBSFMBUPSJBEP1SPKFUPEF-FJ1SPDVMUVSB
SJBBTFSUSBUBEBOBMFJEP1SPDVMUVSB
QPSUBO- Eugênio o%FTEFBMVUBDPOUSBBEJUBEVSB
Traulito o 1PSRVF P 4FOIPS BDIB RVF P
UP%FWFNPTNBOUFSCFNWJWBBEJTDVTTÍPOB RVF NF DVTUPV OPWF NFTFT EF DÈSDFSF
RVF B
.JOJTUÏSJP EB 'B[FOEB BDFJUB MJCFSBS NBJT EF
TPDJFEBEFF
KVOUPBPHPWFSOP
EFRVFP'/$ QSFPDVQBÎÍPDPNBKVTUJÎBTPDJBMFBTQPMÓUJDBT
CJMIÍPEFSFBJTWJBSFOÞODJBëTDBMFOÍPJO-
EFWFSFDFCFSNBJTSFDVSTPTPSÎBNFOUÈSJPT/P QÞCMJDBTJODMVTJWBTGB[QBSUFEFNJOIBNJMJUÉO-
WFTUFNBJPSFTSFDVSTPTEJSFUPTOP.JOJTUÏSJPEB
ÉNCJUPEP1SPDVMUVSB
QSPQVTSFDVSTPTBEJDJP- DJBQPMÓUJDB&MBTFFODPOUSBQSFTFOUFUBNCÏN
$VMUVSB $PNPPTFOIPSBWBMJBPTQSPHSBNBT
OBJTQBSBBSFOÞODJB
NBTDPOEJDJPOBOEPFTTFT OBQSPDVSBQPSGB[FSEP1SPDVMUVSBVNJOTUSV-
BUVBJTEP.JOJTUÏSJP
SFDVSTPTFYUSBTËTVBUSBOTGFSÐODJBQBSBP'VO- NFOUP EF EFTDFOUSBMJ[BÎÍP F EFNPDSBUJ[BÎÍP
Eugênio o0TSFDVSTPTPSJVOEPTEBSFOVO-
EPFBPCSJHBUPSJFEBEFEPTQBUSPDJOBEPSFTRVF EPëOBODJBNFOUPEBDVMUVSB
DJB ëTDBM QBSB B DVMUVSB GB[FN QBSUF EF VNB
RVFJSBNUFSBDFTTPBVNRVBSUPEFTTFTSFDVSTPT
QPMÓUJDBOBDJPOBMEPHPWFSOPGFEFSBMEFBQPJP
BEJDJPOBJT GB[FSFN EPBÎÜFT QSFWJBT BP '/$ Traulito o$PNPPTFOIPSBWBMJBPEFCBUF
WJBFTUFJOTUSVNFOUP
QBSBVNDPOKVOUPEFTF-
*TUPQPEFSÈBVNFOUBSFNBUÏP'/$ DVMUVSBMOPQBÓT
UPSFTPVTFHNFOUPT
DPNP&TQPSUFT
$SJBOÎBTF
Eugênio o%FTJHVBM0DBSÈUFSNVMUJDVMUV-
"EPMFTDFOUFT
$VMUVSBFNHFSBMF"VEJPWJTVBM
Traulito o2VBJTPTHSVQPTEFQSFTTÍPMP- SBMEFOPTTBTPDJFEBEFÏUBNCÏNNBSDBEPQPS
&TTBT SFOÞODJBT OÍP QPEFN VMUSBQBTTBS
CJTUBRVFUÐNQSPDVSBEPPTFOIPSFNSFMBÎÍP QSPGVOEBT EFTJHVBMEBEFT OP BDFTTP Ë DVMUVSB
EPJNQPTUPEFSFOEBEBTFNQSFTBTRVFPQFSBN
BP 1SPDVMUVSB (SVQPT MJHBEPT B GVOEBÎÜFT EFUFSSJUØSJPT1PSJTTPFTUPVQSPQPOEPBDSJB-
OPSFHJNFUSJCVUÈSJPEFMVDSPSFBM
RVFTÍPBT
DVMUVSBJT QSJWBEBT 4FUPSFT FTUBUBJT $BQUBEP- ÎÍP EF 5FSSJUØSJPT $FSUJëDBEPT
RVF QPEFSÍP
EFNBJPSQPSUFFDPOÙNJDP%FNPEPRVFFTUFT
SFT EF SFDVSTPT "SUJTUBT *OTUJUVUPT DVMUVSBJT TFS BQPJBEPT DPN QSJPSJEBEF 1SPQPOIP UBN-
SFDVSTPT TÍP HBSBOUJEPT QPS MFJ F OÍP EFQFO-
MJHBEPT B CBODPT 2VFN TÍP PT JOUFSFTTBEPT CÏNQJTPNÓOJNPQBSBFTUBEPT
EJTUSJCVJÎÍPEF
EFN EF EFDJTÍP EP NJOJTUÏSJP EB 'B[FOEB "
OFTTFEFCBUFFRVBJTTVBTQPTJÎÜFT SFDVSTPTNBJTGPSUFQBSBFTUBEPTFNVOJDÓQJPT
EFDJTÍPEFDPMPDBSNBJTSFDVSTPTOPPSÎBNFOUP
F DPODFTTÍP EF QSÐNJPT B BSUJTUBT F NBOJGFT-
EP .JO$
FN QBSUJDVMBS OP '/$
TFSÈ VNB
UBÎÜFT DVMUVSBJT DPN EJëDVMEBEF EF BDFTTP B
EFDJTÍP BOVBM RVF P FYFDVUJWP UPNBSÈ
RVF
QSPHSBNBTFTUSVUVSBEPT0EFCBUFUBNCÏNNF
QPEFFEFWFTFSQPMJUJDBNFOUFJODFOUJWBEBQBSB
QBSFDFEFTJHVBM"EJWVMHBÎÍPEPTQSPEVUPTBS-
BNQMJBSPTSFDVSTPTQPSJOJDJBUJWBEBTPDJFEB-
UÓTUJDPTEFOPTTBHFOUFUFNEJëDVMEBEFTEFTF
EFFEPQBSMBNFOUP0TQSPHSBNBTEP.JO$
SFBMJ[BS
QPS FYFNQMP "MDFV 7BMFOÎB IÈ BOPT
TÍPNVJUPT0TRVFDPOIFÎPNBJTEFQFSUPUÐN
EFOVODJBPRVFFMFDIBNBEFiGVMFSBHFNw
RVF
HSBOEFSFMFWÉODJB/ÍPDBCFBRVJVNBBWBMJB-
TPUFSSBB.1#EFRVBMJEBEFOPTNFJPTEFDP-
NVOJDBÎÍP 1PS RVF FTUF EFCBUF OÍP FTUÈ OB
PSEFNEPEJB
10 t 5SBVMJUPtOt/PWFNCSPEF
Osvaldo Pinheiro e Fernanda Azevedo
Debate sobre reformulação das leis de
incentivo mobiliza setores da classe teatral
O CAFÉ DO ESCULACHO
Um Seminár io pr ivado sobre o Procultura
enf renta protesto de ar t istas do teatro de grupo.
Manifestação do l ado
de fora do Seminár io
Procultura.
5SBVMJUPtOt/PWFNCSPEFt 11
UM PRÊMIO PARA O
TEATRO BRASILEIRO
Debate sobre reformulação das leis de
incentivo mobiliza setores da classe teatral
Por Marco Antonio Rodrigues &WJEFOUFNFOUF
P DBSÈUFS EB QSPEVÎÍP DÐOJDB NVEPV EFTEF
FOUÍP OP DBTP EF 4ÍP 1BVMP
B QSPEVÎÍP FOSBJ[PVTF FN QSBÎBT
Este é um escrito mais ou menos ficcional, porque o projeto SFDBOUPT
TBMBTEFFTQFUÈDVMPT
FTQBMIPVTFQPSUPEBBDJEBEF*O-
de Lei redigido pelo povo de teatro de São Paulo, discutido e UFSOBMJ[PVTFFFYUFSOBMJ[PVTFQPSRVFQBTTPVBUFSVNBSFMFWÉODJB
aprovado em todo o Brasil pelo conjunto dos fazedores, mofa FVNBQSFTFOÎBDPNPOVODBUFWFFNUPEPPNVOEP
nos escaninhos do Congresso Nacional, sem pauta e prazo. 0PVUSPMBEPEBNPFEBÏRVFBEJTQVUBOPTFEJUBJTBDJSSPVTF
P
RVFTFÏQPTJUJWPQPSVNMBEP
OBNFEJEBFNRVFBFYDFMÐODJBEPT
®TWÏTQFSBTEBWPUBÎÍPOP$POHSFTTP/BDJPOBMEBUÍPEFTFKBEB QSPKFUPTBQSFTJEF
QPSPVUSPMBEP
MPHJDBNFOUFUSB[VNBGSVTUSBÎÍP
-FJRVFJOTUJUVJP1SÐNJP5FBUSP#SBTJMFJSP
WÈSJBTRVFTUÜFTTFDP- TFNQSFEJGÓDJMEFTFSBTTJNJMBEBQFSBOUFVNBSFBMJEBEFEVSB"ëOBM
MPDBNFGPNFOUBNVNBSFìFYÍP1BSBRVFNOÍPTBCF
P1SÐNJP TÍPTFNQSFNVJUPTPTDPODPSSFOUFTFQPVDPTPTTFMFDJPOBEPT
QPSUBO-
DPOTJTUFOBEFTUJOBÎÍPEFSFDVSTPTQÞCMJDPTBUSBWÏTEFFEJUBJTËQSP- UP
NVJUPTPTEFTDPOUFOUFT"TTJN
OFTUBIPSBÏQSFDJTPUFSCPNTFOTP
EVÎÍP
NBOVUFOÎÍPEFDPMFUJWPT
DJSDVMBÎÍPFQFTRVJTBOPDBNQP EFOÍPBUJSBSGPSBÈHVB
CBOIFJSBFDSJBOÎBVNBTVQPTUBTFEFEFKVT-
EBDFOBUFBUSBM UJÎBQPEFMFWBSOÍPDPOUFNQMBEPTBVNBBUJUVEFBQBSFOUFNFOUFQSP-
'JOBMNFOUF
EPQPOUPEFWJTUBGFEFSBM
DPOTUJUVJTFVNBQPMÓUJDB QPTJUJWB
OÍPSBSPDPNSFTVMUBEPTEPTNBJTOPDJWPTFDFSUBNFOUFOÍP
EF FTUBEP FN GBWPS EF VNB BSUF RVF UFOIB SFMFWÉODJB QÞCMJDB o BRVFMFT EFTFKBEPT QPS TFVT JOUFSWFOJFOUFT ² QSFDJTP BOUFT EF NBJT
QPSUBOUPTJHOJëDBEPIJTUØSJDPFDVMUVSBM*TUPOÍPÏQPVDP²JN- OBEB
QFOTBSRVFBTDPORVJTUBTDPOTJHOBEBTBUSBWÏTEBTQPMÓUJDBTEF
QPSUBOUFEJ[FSRVFP1SÐNJP5FBUSP#SBTJMFJSPTFSÈDPOTFRVÐODJBEF FEJUBJTTÍPQPMÓUJDBTEFFTUBEP
OÍPEFHPWFSOP
MJNJUBOEPBTTJNPHP-
VNBNJMJUÉODJBEFNBJTEFVNBEÏDBEBEFVNBDBUFHPSJBPSHBOJ[B- WFSOBOUFEFQMBOUÍPBGB[FSPRVFCFNEFTFKB
KÈRVFBRVFMFTSFDVSTPT
EB
EJTDJQMJOBEBFDPOWJDUBEPQPEFSEPJNBHJOÈSJPOBDPOTFDVÎÍP ëOBODFJSPTQBSBBMJKÈFTUÍPEFTUJOBEPT
DVNQSJOEPMIFBTTJNJMBSP
EFVNNVOEPNBJTKVTUP SJUPEFUFSNJOBEPQFMB-FJPVQFMP1SPHSBNB
"QSPNVMHBÎÍPEP1SÐNJPDPOTBHSBEFGPSNBQFSFOFBQPMÓUJDBEF 1PSRVFUPEBFTUBDPOWFSTB &TQBOUPVOPTNVJUBNBUÏSJBSFDFO-
FEJUBJTQÞCMJDPTDPNPBGPSNBNBJTKVTUBFEFNPDSÈUJDBEFGPNFOUBS te da Folha RVF BUSJCVÓB TVQPTUB BUJUVEF BSCJUSÈSJB EP 1SFTJEFOUF
BTBSUFT
OBNFEJEBFNRVFHBSBOUFDPOEJÎÜFTVOJWFSTBJTEFBDFTTP EB'VOBSUFBPJNQFEJSPBDFTTPEFDJEBEÍPTBPTQSPKFUPTBSUÓTUJDPT
FDPODPSSÐODJBBPNFTNPUFNQPRVFTFMFDJPOB
BUSBWÏTEFDSJUÏSJPT DPODPSSFOUFTBPT&EJUBJTEF0DVQBÎÍPEFTBMBTEB'VOBSUF4VQPT-
EFFYDFMÐODJBBSUÓTUJDBFJOUFSFTTFQÞCMJDP
PTQSPKFUPTRVFTFSÍPTVC- UBNFOUFRVBMRVFSDJEBEÍP
TVHFSJBBNBUÏSJBUFSJBEJSFJUP
QFMBSF-
WFODJPOBEPT "P MPOHP EPT BOPT
DPNP SFTVMUBEP TFNQSF EF VNB DFOUF-FJEF"DFTTPË*OGPSNBÎÍPBFTUFNBUFSJBM&OUFOEFNPTJTUP
NJMJUÉODJBGSBODJTDBOB
BQPMÓUJDBEFFEJUBJTGPJTFFTQBMIBOEPBMÏN DPNPBCTPMVUBNFOUFEFTDBCJEP
OBNFEJEBFNRVFRVBMRVFSEFTUBT
EBT FTGFSBT HPWFSOBNFOUBJT
TFOEP BEPUBEB JODMVTJWF QPS FTUBUBJT F JOTUJUVJÎÜFTBPQSPNPWFSFNDPODVSTPTQÞCMJDPTBUSBWÏTEFFEJUBJT
FNQSFTBTQSJWBEBTEJTQPTUBTBGPNFOUBSBBUJWJEBEFBSUÓTUJDB&NBM- TÍP QVSB F TJNQMFTNFOUF EFQPTJUÈSJBT EPT QSPKFUPT DPODPSSFOUFT
HVOT DBTPT
DPNP P EB -FJ EF 'PNFOUP BP 5FBUSP QBSB B $JEBEF OÍP QPEFOEP UPSOÈMP QÞCMJDP
JODMVTJWF TPC QFOB EF QSFKVEJDBS
EF 4ÍP 1BVMP
NFUBEF EPT TFMFDJPOBEPSFT EPT QSPKFUPT
PV EP KÞSJ
TFVJOFEJUJTNP
OBNFEJEBFNRVFPNFTNPQSPKFUPQPTTBTFDBO-
Ï DPOTUJUVÓEB QPS QFTTPBT FTDPMIJEBT QFMB QSØQSJB DBUFHPSJB F UFN EJEBUBS FN DPODVSTPT EF WÈSJBT JOTUJUVJÎÜFT "MJÈT
OÍP TBCFNPT
DPNPTJOUFSFTTBEPTVNBSFVOJÍPBOUFSJPSFQPTUFSJPSBFTDPMIBëOBM
TFJOTUBEBQPSFTUBPOEBEFTVQPTUBFEJTDVUÓWFMUSBOTQBSÐODJBRVF
QSFTUBOEP DPOUBT EB BQMJDBÎÍP EPT DSJUÏSJPT EFMJOFBEPT OP QSØQSJP BTTPMB P QBÓT $BDIPFJSB RVF P EJHB
PVWFTF EJ[FS RVF P .JOD
NFDBOJTNPEFMFJ3FHSBQÏUSFBQBSBUPEPTPTFEJUBJTPTKVSBEPTTÍP QSFTDSFWFSÈËTDPNJTTÜFTKVMHBEPSBTEFTFVTFEJUBJT
SFHSBPCSJHBUØ-
QSPëTTJPOBJTEFOPUØSJPTBCFS
BSUJTUBT
QFTRVJTBEPSFT
FTUVEJPTPTEF SJBEFBUSJCVJÎÍPEFOPUBTEJTUSJCVÓEBTFNDSJUÏSJPTWÈSJPTBPTQSPKF-
UFBUSP
KÈRVFBFTQJOIPTBUBSFGBÏQSPDFEFSFTDPMIBTEJGÓDFJT
QPSRVF UPTDPODPSSFOUFT.BJT
BTOPUBTDPNPTSFTQFDUJWPTQSPKFUPTTFSÍP
FNHFSBMBNBJPSQBSUFEPTQSPKFUPTUFNNVJUBRVBMJEBEF EJWVMHBEBTWJBJOUFSOFU
*NQPSUBOUF SFTTBMUBS RVF B QPMÓUJDB CBUBMIBEB F DPOTJHOBEB EF 0VTFKB
P.JODWBJBDBCBSQPSDSJBSVNCBODPEFQSPKFUPTDPN
FEJUBJTQÞCMJDPTJNQMJDPV
QPSQBSUFEBDBUFHPSJBFNVNBTÏSJFEF OPUBTEF[FSPBEF[BTFSWJSEFSFGFSFODJBMQBSBRVBMRVFSJOTUJUVJÎÍP
FTDPMIBTDPOTDJFOUFT6NBEBTNBJTSFMFWBOUFTGPJPEJ[FSOÍPËT FNRVFPQSPKFUPTFDBOEJEBUF2VBJTBTDPOTFRVÐODJBTEJTUPUVEP
QPMÓUJDBTEFQVMWFSJ[BÎÍPEFEJOIFJSPRVFFSBNEFTEFTFNQSFQSB- &ORVBOUP JTTP
B WFMIB -FJ 3PVBOFU QFSNBOFDF JODØMVNF
OP
UJDBEBTBUFOEJBTFBNVJUPTDPNVNNÓOJNPEFSFDVSTPT$MBSP RVF EJ[ SFTQFJUP JODMVTJWF Ë BUSJCVJÎÍP EF DSJUÏSJPT EF FYDFMÐODJB
RVFPTSFTVMUBEPTBSUÓTUJDPTFSBNQÓëPT0QUPVTFFOUÍPQPSVNB BSUÓTUJDBFSFMFWÉODJBQÞCMJDB1BSBGFMJDJEBEFEPTNBSLFUFJSPTRVF
QPMÓUJDBRVFBUFOEFTTFEFGBUPËTOFDFTTJEBEFTCÈTJDBTEFQSPKFUPT UÐN BOVBMNFOUF NPOUBOIBT EF EJOIFJSP QÞCMJDP QBSB CSJODBS B
BSUÓTUJDPTDPOTFRVFOUFT
EFNBOVUFOÎÍPEFDPMFUJWPTBSUÓTUJDPTQF- WPOUBEFEFNFDFOBT
EFBSUFFEFDVMUVSB
SFOFT
EFQFTRVJTBTSFBMNFOUFQSPGÓDVBTQBSBBTPDJFEBEF&OëN
FOUFOEFSBBSUFFBDVMUVSBDPNPQSJPSJEBEFTEFFTUBEPKVTUBNFOUF Marco Antonio Rodrigues é encenador
QPSRVFTÍPOFDFTTJEBEFTCÈTJDBTEBDJEBEBOJB e um dos fundadores do grupo Folias d’Arte.
12 t 5SBVMJUPtOt/PWFNCSPEF
UM HOMEM DE TELEVISÃO
Entrev ista com Ernesto Hipólito
Por Roberta Carbone
/PEJBEFNBJP
B$PNQB-
OIJB EP -BUÍP SFDFCFV &SOFTUP
“Se vocês esperam que eu vá falar
)JQØMJUP QBSB VNB DPOWFSTB OP
5FBUSP EF "SFOB &VHÐOJP ,VT-
mal da Cultura, eu não vou. Mas a
OFU 6N WFSEBEFJSP DPOUBEPS EF
IJTUØSJBT
DPNVNBNFNØSJBQSJ- &TDPMBEF"SUF%SBNÈUJDBËOPJ-
TV Cultura não é mais a mesma.”
WJMFHJBEBEFTVBTMFNCSBOÎBT
FMF UF
RVF JOHSFTTBSB MPHP BQØT TVB
OBSSPVEFNPEPUFBUSBMJ[BEPUPEB FOUSBEB QBSB B 5VQJ F POEF UFWF
TVB USBKFUØSJB OB UFMFWJTÍP %F BVMBT DPN "SBDZ #BMBCBOJBO
TFVJOÓDJPDPNPoffice-boy OB57 #FBUSJ[ 4FHBMM F $BDJMEB #FDLFS
5VQJFNBUÏTFVQFEJEPEF +È OPT UFNQPT ëOBJT EB 5VQJ
EFNJTTÍPEB57$VMUVSB
OPEJB &SOFTUP BTTVNJV UBNCÏN P %F-
EFNBSÎPEF
POEFQFS- QBSUBNFOUP EF 5FBUSP EB &TDPMB &V ëRVFJ TFJT NFTFT GB[FOEP FTTF
NBOFDFV QPS BOPT 'F[ QBSUF 3VEPMG4UFJOFS
POEFQFSNBOFDFV QSPHSBNB&MFBMUFSOBWB
FSBVNB
EP 1SPHSBNB .FUSØQPMJT EFTEF EBOEPBVMBTEFUFBUSPBUÏ" TFNBOBFVFVNBTFNBOBB"SBDJ
TVBDSJBÎÍPFN/BTDJEPFN QBSUFNBJTJNQPSUBOUFEFTVBDBS- #FMBCBOJBO
B#FBUSJ[4FHHBM&N
FN VNB USBEJDJPOBM GBNÓ- SFJSBGPJSFBMJ[BEBOB57$VMUVSB
FV SFDFCJ VN UFMFGPOF QBSB
MJB EP CBJSSP EB .PPDB FN 4ÍP de São Paulo. JSBUÏB57$VMUVSBRVFFMFTFTUB-
1BVMP
&SOFTUP DPOTJEFSB P NBS- WBN RVFSFOEP DPOWFSTBS DPNJHP
DPJOJDJBMEFTVBDBSSFJBBSUÓTUJDB Traulito o & DPNP WPDÐ GPJ &OFTTFUFNQPB57$VMUVSBGB[JB
UFSTJEPDPSPJOIBEB*HSFKBEF4ÍP QBSBB57$VMUVSB OPUFBUSPPTUFMFSPNBODFTFVN
3BGBFMBPTBOPTEFJEBEFiQBSB Ernesto o &V DPOIFDJ B 57 PVUSPQSPHSBNBTPCSFBVUPSFTOB-
mim aquilo era um ato teatral, $VMUVSBFN1PSRVFP;JFN- DJPOBJT4ØRVFFVGVJËTIPSBT
² NJOIB QSPëTTÍPw i&OUÍP WPDÐ
F OVODB SFMJHJPTPw /B KVWFOUV- CJOTLJ
RVF KÈ UJOIB EJSJHJEP VN EBUBSEF
DPNIPSÈSJPNBSDBEP
F
DPNFÎB
TFHVOEBGFJSB
ËTEB
EF
BUVB OP UFBUSP BNBEPS F TF UFMFUFBUSPOB5VQJ
JBFTUSFBSVNB P DBSB RVF EFWJB NF BUFOEFS OÍP
NBOIÍw&FSBPQSJNFJSPFODPO-
FNQSFHB DPN PïDFCPZ OB 57 TÏSJFOB57$VMUVSBDIBNBEBUm NF SFDFCFV &SB P *UBMP .PSFMMJ
USP DPN PT BUPSFT QBSB GB[FS B A
5VQJ
POEF BERVJSJV P IÈCJUP EF ator na Arena &SB VN QSPHSBNB RVF B $VMUVSB FTUBWB OBT NÍPT casa de Bernarda Alba "Ó FV GVJ
PCTFSWBS PT BUPSFT USBCBMIBOEP EFNJOVUPT
RVFP;JFNCJOTLJ EFMF
NBTFVOÍPTBCJBRVFNFSB DPOUSBUPQFMB57$VMUVSB&OFTTF
BQØT TFV FYQFEJFOUF " QSFTFOÎB QFHBWBVNBUPSFEJSJHJBFMFOPBS 6NNÐTFNFJPJOEPOB$VMUVSB ÓOUFSJNUPEP
P%FOOJT$BSWBMIP
EJÈSJBEF&SOFTUPGPJOPUBEBQFMB &MFBQSFTFOUBWBVNBVUPSFQFHBWB FFTTFTDBSBTOÍPNFSFDFCJBN& F P 1BVMP 'JHVFJSFEP
RVF FSBN
BUSJ[ F EJSFUPSB 8BOEB $PTNP F B NFMIPS DFOB EF VNB EFUFSNJ- BTFDSFUÈSJBNFEJ[JBi7PMUBBNB- NFVTDPOUFNQPSÉOFPTEB5VQJ
KÈ
UFWFJOÓDJPBÓTVBWJEBEFUSBCBMIP OBEBQFÎBRVFBHFOUFFTDPMIJB& OIÍw
i7PMUBBNBOIÍw6NEJBFV UJOIBNJEPQBSBB(MPCP2VBOEP
BSUÓTUJDP OB UFMFWJTÍP i&V UJOIB UFSNJOBWBPQSPHSBNBNPTUSBOEP BNFBDFJBTFDSFUÈSJBEFJSËQPSUB GFDIPVB5VQJ
P1BVMPNFDIBNPV
FQPVDPTBOPTFFSBVNBQVUB P SFTVMUBEP EB EJSFÎÍP &SB VNB EBUFMFWJTÍPFGB[FSHSFWFEFGPNF QBSBJSQBSBB(MPCPUBNCÏN&V
SFTQPOTBCJMJEBEFGB[FSUVEPBRVJ- BSFOB UPEB QSFUB
DPN VN GPDP TFFMFTOÍPNFBUFOEFTTFNOPEJB FTUBWBOBFTDPMBFDPNPJSQBSBB
MP"NJOIBGVOÎÍPFSBNBSDBSF EF MV[ F DPNFÎÈWBNPT TFOUBEPT TFHVJOUF 1PSRVF FV RVFSJB USB- (MPCP
QBSB P 3JP EF +BOFJSP &V
FOTBJBSDPNPTBUPSFT&VBDBCB- F FMF DPOWFSTBOEP &V ë[ DPNP CBMIBS MÈ & RVBOEP FV BNFBDFJ
OÍPUJOIBFTTFPCKFUJWP&VRVFSJB
WB TFOEP P TFHVOEP EJSFUPS &V BUPS F FV UJOIB RVF FTUVEBS QBSB OP PVUSP EJB P DBSB NF BUFOEFV ëDBSBRVJ1PSRVFFVUJOIBVNMBT-
FEJUBWB
NPOUBWBBTOPWFMBTUBN- BHFOUFEJTDVUJS&SBNPTUSBEPFN i/ØT RVFSFNPT WPDÐ BRVJ OB 57 USPQPTUPBRVJ
UBOUPOBUFMFWJTÍP
CÏN &V GB[JB UVEP /ÍP UJOIB DFOB FMF EJSJHJOEP &V BHPSB FT- $VMUVSBQBSBGB[FSBTTJTUÐODJBQBSB RVBOUPOPUFBUSP&RVBOEPFVGVJ
FTDPMB EF UFMFWJTÍP
P RVF FV TFJ UPV RVFSFOEP QFHBS FTTF QSPKFUP
PT UFMFUFBUSPT
UFMFSPNBODFT F UF- DPOUSBUBEP FV MJHVFJ QBSB P 1BV-
EFUFMFWJTÍPFVBQSFOEJDPNFTTB RVF KÈFTUÈ NFJP FODBNJOIBOEP MFDPOUPT RVF B HFOUF WBJ DPNFÎBS MPi1BVMJOIP
FVBTTJOFJDPOUSBUP
HFOUFw&SOFTUPEJWJEJBBTTJNTFV QBSB B 57 #SBTJM
DPN P +VDB EF B QSPEV[JS BHPSB ² NVJUP USBCB- DPNB57$VMUVSBw&FMFi7PDÐÏ
UFNQPFOUSFPUSBCBMIPOB57FB 0MJWFJSBOPMVHBSEP;JFNCJOTLJ MIP
WPDÐUPQB w&VGBMFJi$MBSP VNëMIPEBQVUB
VNJEJPUB7PDÐ
5SBVMJUPtOt/PWFNCSPEFt
Ernesto Hipólito
OÍPWBJTBJSEBNFSEBOVODB$PNP zeram uma proposta de fazer um QSPNFTTB EF SFNPEFMBS & ëDBNPT BDFSWPEB575BOUPRVFIPKF
FFV
WPDÐ WBJ TF EBS OVNB 57 EF CPTUB QSPHSBNB QBOPSBNB EF KPSOBMJTNP GB[FOEP VOT remakes EP QSPHSBNB NFPSHVMIPEFUFSGFJUPQBSUFEJTTP
B
DPNPFTTB*TTPÏVNB57DMBOEFT- FNFDIBNBSBNQBSBDPMBCPSBS&V QBSBMFWBSBRVJMPBUÏBCSJM&NëOBM $VMUVSBUFNPNBJPSBDFSWPEFBSUF
UJOB $PN B UVB IJTUØSJB
WPDÐ WBJ UPQFJ &V OVODB UJOIB GFJUP KPSOB- EF GFWFSFJSP
GPNPT DPOWJEBEPT
B DPOUFNQPSÉOFB&UJOIBVNset pe-
GB[FSPRVF "VMJOIB 0VVNBOP- MJTNP .BT FV UJWF B HSBÎB EF ëDBS equipe do Panorama
QBSB JS BUÏ B RVFOP
DPNVNQPTUFEF4ÍP1BVMP
WFMJOIB CFN NPDPSPOHB
RVF FMFT OB57$VMUVSBRVFGPJPVUSPHSBOEF DFOPHSBëBWFSPQSPKFUPEPMetrópo- BOUJHP
FN RVF PT BUPSFT JBN GB[FS
TÍPDBQB[FTEFGB[FS 7PDÐÏVNUPO- BDIBEPOBNJOIBWJEB/B57$VM- lis"ÓBHFOUFWJVRVFFSBVNBDPJTB DFOBEFUFBUSPQBSBEJWVMHBSTFVUSB-
UP&SOFTUP&VOÍPRVFSPNBJTGBMBS UVSB FV OÍP QBSFJ EF BQSFOEFS /P NPOTUSVPTB /P NBJPS FTUÞEJP EB CBMIP BP WJWP "Ó UJOIB VN PVUSP
DPNWPDÐw&GPJVNBPQÎÍPRVFFV Panorama1 FV FEJUBWB BT NBUÏSJBT
57 $VMUVSB
DPN VOT NFUSPT
MVHBS
RVFFSBVNCBSFTFSWJBDIP-
ë[EFëDBSOB57$VMUVSB1PSRVF FVTBJBQBSBGB[FSNBUÏSJBT
FOUSFWJT- VN DFOÈSJP EF DJNFOUP DPODSFUP QF QBSB UPEP NVOEP &SB POEF TF
FVTBCJBRVFFVOÍPJBHBOIBSDPNP UBWB BT QFTTPBT OB SVB DPNP SFQØS- BSNBEP OVN FTUÞEJP EF UFMFWJTÍP GB[JBN BT FOUSFWJTUBT DPN NÞTJDPT
FVHBOIFJOB5VQJFFVOÍPJBëDBS UFS$PJTBRVFFVOVODBUJOIBGFJUP &N DJNB
VN QJBOP EF DBMEB QSF- BUPSFT
RVBOEPOÍPUJOIBDFOB6N
GBNPTP
DPNPFVOÍPëRVFJ&VBT- &VDPNFDFJBFYQFSJNFOUBSVNBPV- UP
RVF GPJ UPEP UJOHJEP F QJOUBEP PVUSPFTQBÎPFSBVNBQSBÎBPOEFTF
TVNJPQSPKFUPEB57$VMUVSBDPN USBDPJTBOBNJOIBWJEB&PVUSB
P 0QJBOPGPJQBSBPMJYP6NBQFOB
GB[JBEBOÎB.BTUVEPBPWJWP&UJ-
FTTBT EFTWBOUBHFOT 2VF FV OÍP HSBOEF DIBSNF RVF UJOIB Ï RVF FV QPEJBNUFSHVBSEBEP
FSBVNQJBOP OIBVNMJOLBPWJWPEFBMHVNMVHBS
WFKPDPNPEFTWBOUBHFOT
NBTRVFB BDSFEJUFJNVJUPOBRVFMFQSPKFUP/P NBSBWJMIPTP &V TFJ RVF BÓ
QBTTB- EB DJEBEF 1BSB DJUBS VN EFMFT RVF
NBJPSJBEBTQFTTPBTUBMWF[WFKBWPDÐ PanoramaFVëRVFJBUÏFRVFN mos todos para o Metrópolis & P FVOÍPFTRVFÎPOVODBOØTGPNPTBP
OÍPëDBSGBNPTP
WPDÐOÍPëDBSSJDP BQSFTFOUBWB FSB P -VDJBOP 3BNPT
Metrópolis OP QSJNFJSP BOP GPJ VN BQBSUBNFOUPEB.BSJB%FMMB$PTUB
B 5FSF[B $SJTUJOB " *TBCFM 3JCFJSP HSBOEFSFDPSEF&MFFOUSBWBBPëOBM FFMBQMBOUBOEPBTVBIPSUBBPWJWP
Traulito o $PNP WPDÐ NJHSPV BQSFTFOUPVPPanoramaUBNCÏN& EBQSPHSBNBÎÍPEB57$VMUVSB4Ø &OUÍP BÓ GPJ VN PVUSP NVOEP RVF
EPTUFMFUFBUSPTQBSBFTTBFYQFSJÐODJB EFQPJT
QPS VN UFNQP CFN DVSUP
RVFQBSBWPDÐNBOUFSVNQSPHSBNB FV OVODB UJOIB UJEP DPOUBUP &V
EFKPSOBMJTNPDVMUVSBM $POUBQBSB B $ÏMJB )FMFOB &N ëOBM EF BPWJWP
DPNVNBIPSBEFEVSBÎÍP
OVODBUJOIBEJSJHJEPVNQSPHSBNB
BHFOUFPRVFGF[DPNRVFWPDÐOÍP IPVWF VNB JOUFSSVQÎÍP OP QSPHSB- DPNVNUBNBOIPDFOÈSJPEBRVFMF BP WJWP & OB $VMUVSB B NJOIB BT-
RVJTFTTF ëDBS MÈ NBJT 0 RVF NV- NBFFNEFBCSJMEFUFSNJ- 0DFOÈSJPFSBEJWJEJEP
FNDJNBEB- DFOTÍP UBNCÏN GPJ NFUFØSJDB &V
EPVOB57$VMUVSBEFVOTUFNQPT OBSBN DPN P Panorama
NBT DPN RVFMBQMBUBGPSNBëDBWBVNBPCSBEF DIFHVFJMÈDPNPBTTJTUFOUFFRVBOEP
QBSBDÈ BSUF
RVFÏPGPSNBUPEFMFBUÏBHPSB DPNFÎPV P Metrópolis FV DPOUJOVFJ
1
O Panorama foi um programa de jorna-
Ernesto o 2VBOEP UFSNJOPV P $BEB BSUJTUB RVF QBTTB
B DBEB NÐT DPNP BTTJTUFOUF
NBT FV EJSJHJB PT
lístico cultural da TV Cultura, antes do
QSPKFUP EPT UFMFUFBUSPT
FMFT NF ë- Metrópolis. NVEBBPCSBEFBSUFFFMBëDBQBSBP MJOLTBPWJWP2VBOEPGPJFN
t 5SBVMJUPtOt/PWFNCSPEF
Sérgio de Carvalho
UFWF VNB SFNPEFMBÎÍP
UJSBSBN B YBWBGB[FS-JCFSEBEFÏBGPSNB&V TFNBOBT
QPSRVF FV QFEJ QBSB JS BHPSBQPSRVFFVOÍPQPEJBTBJSEB
HFOUFEBRVFMFFTQBÎP"ÓFVDPNFDFJ OVODBUJWFOJOHVÏNRVFNFGBMBTTF embora e isso quase derrubou todo $VMUVSB NFTFT
FV UJOIB P NFV
BEBSVNBDPOëHVSBÎÍP&VDPNFDFJ i/ÍP
WPDÐOÍPQPEFGB[FSw*TTPGPJ NVOEP 1PSRVF B 57 $VMUVSB F P NÐTEFGÏSJBTFQPOUP&VEFWPUFS
BDSJBSVNBMJOHVBHFNEPTBQSFTFO- NBSBWJMIPTP & FV TBJ EB $VMUVSB &SOFTUP WJSBSBN VNB TJNCJPTF & VNB DPOWJWÐODJB DPN P $BSMPT
UBEPSFTEBSFNBTOPUÓDJBTBOEBOEP BHPSB
NBTOÍPTBJNBHPBEP
EFDFQ- FV EFJYFJ MÈ EFOUSP VNB 57 JOUFJ- 4BVSBFDPNVNBEBTHSBEFTBUSJ[FT
1PSRVÐ 1PSRVFEBÓBHFOUFBTTVNJB DJPOBEP
OÍP4FWPDÐTFTQFSBNRVF SB
DPN QFTTPBT RVF NF BEPSBN F
EBFTQBOIPMB
B$PODIB7FMBTDP&
NBJT PCSBT OP FTUÞEJP F B NJOIB FVWÈGBMBSNBMEB$VMUVSB
FVOÍP TFNQSF NF BKVEBSBN "MJÈT
FV TBJ
FMFTQSPQVTFSBNRVFFVë[FTTFVNB
JEFJB FSB USBOTGPSNBS BRVJMP OVNB WPV.BTB57$VMUVSBOÍPÏNBJT EJBEFNBSÎP
PNFTNPEJBRVF
TÏSJFEFQBMFTUSBTTPCSFESBNBUVSHJB
WFSOJTTBHFWJSUVBM"JEFJBFSBPQÞ- a mesma. FV GVJ DPOUSBUBEP & FV OÍP QSFWJ
F UFMFESBNBUVSHJB CSBTJMFJSB & BÓ
CMJDP EF DBTB FTUBS BOEBOEP OVNB JTTP%JBEFNBSÎPEFF
FYQPTJÎÍP EF EFUFSNJOBEP BSUJTUB Traulito o .VEPV P RVÐ &TTB EFNBSÎPEF&FVOÍPBQBSF- NVEPVUPEPPBTTVOUP&VRVFJBMÈ
&BHFOUFQVOIBRVBUSP
DJODPPCSBT MJCFSEBEF &MBëDPVNBJTFNQSFTB- DJNBJTMÈ
NBTFVTBJNVJUPBDBSJ- DPNPBMVOP
BHPSBFTUPVJOEPDPNP
EPT BSUJTUBT &V UJOIB ëDBEP RVJO- SJBM OIBEPFFTUPVFNEFCJUPDPNFTTBT QBMFTUSBOUF&VKÈNBOEFJVNSPUFJ-
[FBOPTOB5VQJFFVQFSEJUVEP& Ernesto o.VEPVPKFJUPEFGB[FS QFTTPBT1PSRVFFVOÍPë[OBEBTP- SPDPNPUPUBMEFQBMFTUSBT"ÓFV
RVBOEP FV BTTJOFJ DPOUSBUP DPN B UFMFWJTÍP"MJCFSEBEFDPOUJOVB4Ø [JOIP 1SJODJQBMNFOUF EFQPJT RVF WFKPRVFBPTBOPTFVOÍPQPTTP
57$VMUVSBFVGBMFJi&SOFTUP
WPDÐ RVF
WFKB WPDÐ WFKB
B 57 $VMUVSB FV WJSFJ EJSFUPS EF FTUÞEJP
BRVJMP perder tempo, que a vida vai em-
FTUÈ BRVJ BHPSB
NBSBWJMIPTP
NBT OVODB NBJT GF[ VN UFMFUFBUSP &MB FTUBWBOBNJOIBNÍPMJEBSDPNDÉ- CPSB&VFTUPVOVNPVUSPNPNFO-
TJEÐVNQSB[P%BRVJBOPTWPDÐ ÏVNBUFMFWJTÍPRVBTFJHVBMËTPV- NFSB
DPOUSBSFHSB
JMVNJOBEPS'PJ UP EB NJOIB WJEB
UBOUP RVF FV KÈ
WBJ QBSB PVUSB UFMFWJTÍP "UÏ QBSB B USBT &MB UFN DPNFSDJBJT /ÍP RVF UBNCÏN VNB FTDPMB RVF FV UJWF F
SFDFCJQSPQPTUBEB(MPCPFFVOÍP
(MPCP
WBJQBSBB#BOEFJSBOUFT
WBJ JTTPUFOIBNFBGFUBEP1PSRVFQBSB RVF GF[ FV NF DPNQPSUBS EF VNB
BDFJUFJ 5BMWF[ FV WPMUF QBSB P UFB-
QBSBB3FDPSEGB[FSOPWFMBw1PSJSP- mim o Metrópolis DPOUJOVB .BT EFUFSNJOBEBNBOFJSB
RVFGPJNVJ-
USPQBSBGB[FS4USJOECFSH
RVFFVKÈ
OJBFVTJNQMFTNFOUFëRVFJBOPT QBSB NJN
BPT BOPT EF JEBEF
UP JOUFSFTTBOUF QBSB P SFTVMUBEP ë-
GVJTPOEBEP5FNVNQSPKFUPQBSB
OB$VMUVSB&QPSRVFFVOÍPëRVFJ DPNFTTBIJTUØSJBRVFFVDPOUFJQBSB OBMEBTDPJTBT&PVUSB
IÈBOPTFV
NFOPTMÈ 1PSRVFB$VMUVSBNFEFJ- WPDÐT
FV UFOIP OFDFTTJEBEF JNQF- HBOIFJVNBCPMTBFJTTPGPJPNPUF FVGB[FSQSPEVÎÍPEFFWFOUPTOVN
YPVGB[FSDPJTBTRVFFSBNNFJPRVF riosa de mudar. Seria muita falta NBJPS6NBCPMTBOB&TQBOIBQBSB PVUSPFTQBÎPFN4ÍP1BVMP.BTFV
VNBFYUFOTÍPEBTMPVDVSBTEB5VQJ EFDPSBHFNFVOÍPNFPGFSFDFSJTTP GB[FS VN XPSLTIPQ EF UFMFESBNB- RVJTNFQSPQPSDJPOBSVNNPNFOUP
&V ë[ DPJTBT OB $VMUVSB RVF TFHV- OFTTF NPNFOUP 7PDÐT OÍP JNBHJ- UVSHJB
RVFFTUÈQSFWJTUPBHPSBQBSB EFKVOUBSUVEP
UPEBBNJOIBFYQF-
SBNFOUFUFMFWJTÍPOFOIVNBNFEFJ- OBN P RVF GPJ OBT EVBT QSJNFJSBT TFUFNCSP&FVOÍPDPOTFHVJJSBUÏ SJÐODJBFEBSSVNPOJTTP
5SBVMJUPtOt/PWFNCSPEFt
Para
conhecer o
trabalho da
Companhia
do Latão