Obras Primas Da Arte Portuguesa - Arquitectura PDF

C7H?7:;BKH:;I9H7L;?
HE
OBRAS-PRIMAS
DA ARTE
PORTUGUESA
7hgk_j[YjkhW
E8H7I#FH?C7I
:77HJ;FEHJK=K;I7
7HGK?J;9JKH7
'( '* '.

?=H;@7:7Ix:;8H7=7 ?=H;@7:7IxL;B>7:;9E?C8H7 ?=H;@7:EI7BL7:EH
H[\kdZWeiYkbeN? <kdZWeÆiYkbeN?? 9$''.-
(& (( (,
?=H;@7:;I7DJ7C7H?7 ?=H;@7:7Ix:;xLEH7 JEHH;:;C;D7=;C
:ECEIJ;?HE:;7B9E87w7 :ec_d]eiF_h[i%CWhj_c:ec_d]k[i% IYkbeiN?L#NL
IYkbeiN??#N??? %@ee<h[Z[h_YeBkZel_Y["iYkbeiN???#NL???
(. )& )(
?=H;@7:;I7DJ7C7H?7:7L?JãH?7 ?=H;@7:; ?=H;@7:;I$<H7D9?I9E
7\edie:ec_d]k[i%C[ijh[>k]k[j" DEII7I;D>EH7:7=H7w7 IYkbeiNL#NL?
iYkbeiN?L#NL ').&# Y$'*+&
)* ), ).
Ix:7=K7H:7 ?=H;@7:ECEIJ;?HE:;I7DJ79HKP ?=H;@7:EH;7BCEIJ;?HE
Fhe[<_b_f[>[dh_gk[i"iYkbeiNL#NL? C[ijh[8eojWY%:_e]eZ[9Wij_bê" :EI@;HãD?CEI
fh_c[_hegkWhj[bZeiYkbeNL? C[ijh[8eojWY%@eeZ[9Wij_bê%
%@[hd_ceZ[Hke"Y$'+'&# '+-(
*( *, *.
?=H;@7:E9EDL;DJE:;9H?IJE JEHH;:;8;BxC ?=H;@7C7JH?P:;CxHJEB7
@eeZ[9Wij_bê":_e]eZ[7hhkZW" <hWdY_iYeZ[7hhkZW"'+'*#'+'/ IYkbeN??%IYkbeNL?
iYkbeiN??#NL?
+& +( +,
9B7KIJHE:7Ix:;L?I;K ?=H;@7:;DEII7I;D>EH7 F7wE# <EHJ7B;P7
<hWdY_iYeZ[9h[cedW"'+(,#'+)( :77IIKDwÁE :_e]eZ[7hhkZW%<hWdY_iYeZ[7hhkZW"'+)'
@eeZ[9Wij_bê%@eeZ[Hke"'+(.
+. ,( ,*
F7BÜ9?E:78797B>E7 ?=H;@7:;DEII7I;D>EH7 ?=H;@7%7DJ?=7Ix
<hWdY_iYeZ[7hhkZW5%:_e]e :79EDIEB7wÁE :;C?H7D:7:E:EKHE
Z[JehhWblW5"Y$'+)&#'++* 9$'+*&#'++- C_]k[bZ[7hhkZW"'++(#'+,,
,. -& -(
?=H;@7:7C?I;H?9ãH:?7:;J7L?H7 9B7KIJHE:ECEIJ;?HE 97F;B7:EF7wEH;7B
7dZhF_bWhj["'+*' :7I;HH7:EF?B7H C_]k[bZ[7hhkZW"'+*-
:_e]eZ[9Wij_bê%@eeZ[Hke"'+*(
-) -* -,
97F;B7:;DEII7I;D>EH7 7DJ?=E7wEK=K; 9B7KIJHEFH?D9?F7B
:79ED9;?wÁE :_e]eZ[JehhWblW5"'+*.# '++& :E9EDL;DJE:;9H?IJE
@eeZ[9Wij_bê:_e]eZ[JehhWblW"'+*- :_e]eZ[JehhWblW%<_b_f[J[hp_"'++.
-. .& .(
?=H;@7:E;IFßH?JEI7DJE ?=H;@7:;I$HEGK; ?=H;@7:7C?I;H?9ãH:?7:;<7HE
7\edieÜblWh[i5"'+,,# '+-* 7\edieÜblWh[i%8WbjWiWhÜblWh[i% D_YebWkZ[<h_Wi5%<hWdY_iYeNWl_[h<WXh_"
%<_b_f[J[hp_"'+,- '+.'#'+.+%IYkbeNL???
.* .. /(
?=H;@7:;I$L?9;DJ;:;<EH7 IxDEL7:;9E?C8H7 9ÚC7H7CKD?9?F7B:;JEC7H
@kWdZ[>[hh[hW%<_b_f[J[hp_% 8WbjWiWhÜblWh[i"'+/. IYkbeiNL?#NL??
%8WbjWiWhÜblWh[i"'+.(#',(/
/* /. '&(
?=H;@7:;DEII7I;D>EH7 <EHJ7B;P7:;7BC;?:7 9B7KIJHE:ECEIJ;?HE
:7=H7w7:;I7DJE7=EIJ?D>E F_[hh[=_bb[iZ[IW_dj# FWkb"',*, :;I7DJ79B7H7# 7# DEL7
J[eZi_eZ[<h_Wi??5"',)+#',-- CWdk[bZe9ekje%9kijZ_eL_[_hW%9Whbei
CWhZ[b"bj_ceiWdeiZeiYkbeNL??#'-,&
'&, ''& ''*

?=H;@7:;I7DJ7;D=HÜ9?7 8?8B?EJ;97@E7D?D7:7 I7B7:E97FßJKBE:EH;7B
ÆF7DJ;ÁED79?ED7B KD?L;HI?:7:;:;9E?C8H7 F7BÜ9?E# 9EDL;DJE:;C7<H7
@ee7djkd[i"',/& 7kjehZ[iYed^[Y_Ze"'-'-#'-(. @ee<h[Z[h_YeBkZel_Y["'-'-# Y$'-)-
''. '(& '((

7GK;:KJE:7IÜ=K7IB?LH;I IEB7H:;C7J;KI JEHH;:EI9BxH?=EI
CWdk[bZWCW_W%9kijZ_eL_[_hW%9Whbei D_YebWkDWied_5%@eiZ[<_]k[_h[Ze D_YebWkDWied_"'-+-# '-,)
CWhZ[b%H[_dWbZeCWdk[bZeiIWdjei" I[_nWi"fh_c[_hWc[jWZ[ZeiYkbeNL???
'-)'#'-//
'(* '(, '(.
97F;B7:;I7DJ7C7H?7 87IßB?97:7;IJH;B7 B78EH7JãH?EGKßC?9E%
C7:7B;D7:;<7BF;HH7 CWj[kiL_Y[dj[Z[Eb_l[_hW%H[_dWbZe %CKI;K:79?ÛD9?7:7
7dZhIeWh[i"'-+)#'-++ CWdk[bZeiIWdjei"'--.#'-./ KD?L;HI?:7:;:;9E?C8H7
M_bb_Wc;biZ[d"'--(
')( ')* '),

J;7JHED79?ED7B:;I$97HBEI F7B79;J;:;CEDI;HH7J; F7BÜ9?E:7F;D7
@eiZW9eijW[I_blW"'-/(# '-/) M_bb_Wc;biZ[d%@Wc[iJ$Ademb[i[@$ M_bb[bcBkZm_]led;iY^m[]["'.*(#'.*-
IWck[b8[dd[jj"Y$'-/&# Y$'.,&
'*& '*(
F7BÜ9?E:78EBI7 F7B79;# >EJ;B:E8Kw79E
@eWgk_cZW9eijWB_cWIWcfW_e% Bk_]_CWd_d_"'...
%=kijWle7Zeb\e=edWbl[i[IekiW%
%Jec|i7k]kijeIebb[h"'.*(#'/'&
?DJHE:KwÁE
7i[b[YeZeiYed`kdjei[Z_ÓYWZeiWfh[i[djWZWd[ij[lebkc[deWb[W#
jh_W$;bWh[ikbjWZ[kcW[iYeb^Wgk[j[l[[cWj[dekcbWh]e[if[Yjhe
j[cfehWbZeiYkbeN??WeiYkbeN?N[fh[j[dZ[k_hWe[dYedjheZei
[ifWeiWhgk_j[Yjd_YeicW_ih[fh[i[djWj_leiZ[kci[dj_ZeYkbjkhWb[c
Fehjk]Wb$x\hkjejWcXcZWd[Y[ii_ZWZ[Z[f[hif[Yj_lWhkcY_hYk_je
ckbj_\WY[jWZegk[_diYh[l[WWhgk_j[YjkhWY_l_bekh[b_]_eiW"WXiehl[dZe
]hWkigkWb_jWj_leidW][ijeZ[kcWjhWZ_e_dijWbWZWekdWWfh[i[djW#
eZ[del_ZWZ[i\ehcW_i[[ifWY_W_i$CWi"[cikcW"eh[ikbjWZeZ[kc
]eije[Z[kcWb_]WeW\[Yj_lW"i[ceigkW_iW^_ijeh_e]hWÓWi[jehdW|h_#
ZW[[cfeXh[Y_ZW$
7ebed]eZeYWc_dêjhWWZe"dkcWfj_YWZ[Yedj_dk_ZWZ[[ikY[i#
ieYhedeb]_YW"ÓYWcYbWhWiZ_l[hiWii_jkW[i$7fh_c[_hWfWiiWf[bW
f[hY[feZWh_gk[pW[ZWZ_l[hi_ZWZ[Z[iebk[igk[WWhgk_j[YjkhW
fehjk]k[iWiekX[[dYedjhWhWebed]eZej[cfe$:[i[dlebl[dZeceZ[bei
_dif_hWZeh[igk[lcZ[\ehWekWf[bWdZeWkci[dj_ZeZ[eh_]_dWb_ZWZ[
bWj[dj[dWce#Z[#eXhWfehjk]k[iWek[ijhWd][_hWgk[fhe`[YjW[_dj[]hW
ei[ijWb[_hei"WZ_c[dieYh_Wj_lWZWWhgk_j[YjkhWdee\[h[Y[Zl_ZWi$7e
c[icej[cfe"WYediY_dY_WZ[gk[Wi\ehcWi[ei[ifWei\eh`WZeide
Z[l[ci[h_iebWZeiZei[gk_fWc[djeigk[eiikijcWf[bW}d[Y[ii_ZWZ[
Z[_dj[]hWhWb[_jkhWdkcYedj[njeWbWh]WZegk[\kdZWc[djWekik\hkje$
CWi"i[gk[ij_ed|l[bW_cfeiil[bi[fWhWedWeXi[hlWeieXh[Wi
Z_l[hiWiZ_iY_fb_dWiWhjij_YWi"jWcXcY[hjegk[YWZWkcWZ[bWii[cel_#
c[djW[cj[hh_jh_eifh|j_Yei[Yh_Wj_leick_je[if[YÓYei"b[]_j_cWdZe"
Wii_c"ei[k]hWkZ[_dZ[f[dZdY_W\WY[}[dlebldY_W$FeZ[h#i[#_W[dje
Z_p[hgk[WWhgk_j[YjkhWj[ckcfWf[bfh[fedZ[hWdj[dWYed`k]WeZ[
[i\[hWiWfWh[dj[c[dj[Z_ijWdY_WZWi1de[djWdje"WeWYeb^#bWi"deZ[_nW
Z[Wih[Wb_pWhdkcWjejWb_ZWZ[cW_iekc[deiYedijhkZW[c^Whced_W$
Ei[Z_\Y_ei[iYeb^_Zei[dYedjhWc#i[[ijkZWZeiZ[cWd[_hWZ_\[#
h[dY_WZW$I[WWb]kdiW^_ijeh_e]hWÓWh[i[hlekbk]WhZ[[b[_e"ekjhei
cWdjc#i[dkcWiecXhWc_dWZWfehef[i"jWcXc[bWiZ[cWjh_pYkb#
jkhWb[_Z[eb]_YW$DeZ_\Y_bYed\hedjeYecWieXhWi#fh_cWiYedY[_jeZ[
dWjkh[pW^_ijeh_Y_ijW"ekjhWl[pgk[ij_ed|l[b"YecegkWbW_dZWi[fWYjkW"
jehdWhWc#i[eXh_]Wjh_WiWiZ_h[Y[iW7bYeXWW"8WjWb^W"8[bc"JecWh
ekCW\hW"cWiWiik][ij[ifhefeijWijhWXWb^Wcdkci[dj_Zegk[YeXh[
kcW_dj[hfh[jWecW_ifbkhWb"cW_ih_YW[cW_iWj[djW}h[Wb_ZWZ[YedYh[#
jWZej[hh_jh_e$
:[Wb]kcWcWd[_hW"fehWgk_i[feZ[i[]k_hjWcXcW^_ijh_Wfeb#
j_YW[YkbjkhWbZeFWi$Feh_iie"WIZ[8hW]Wgk[WXh[[ijWjhW`[Yjh_W1
dWXWjWb^Wf[bWYedi_ijdY_Wfebj_YW[h[b_]_eiWjhWlWZWf[beWhY[X_ifWZe"
/
Z[Ód_h#i[#_Wcei]hWdZ[ifh_dYf_eigk[_h_Wc[d\ehcWhWifh|j_YWiZ[i_]#
dWZWiYecec[Z_[lW_i[ZWh#i[#_WYehfeWkcWYkbjkhWfb|ij_YW"i_ckbjW#
d[Wc[dj[kd_\ehc[[Z_l[hiW$DefhejW]ed_iceWiikc_Zef[bW?]h[`W[de
YedÔ_jeÇ[j[hd_pWZeÈ[djh[eifeZ[h[ij[cfehWb[[if_h_jkWb"WiYedijhk#
[ic[dZ_YWdj[idWiY_ZWZ[ifWjheY_dWZWif[beh[_ie[if[bêÓ[bZe
fheY[iieZ[Y[djhWb_pWeh]_Wgk[\[h[jWcXcei_dj[h[ii[iZWfhe#
fh_[ZWZ[\kdZ_|h_W$xefeZ[hZWEhZ[cZ[I$@[hd_cegk[Z[if[hjWdW
i[]kdZWc[jWZ[ZeiYkbeNL[[bWgk[i[hl[eiZ[i]d_eiZe;ijWZe
CeZ[hde[c[h][dj["jWbYeceW9ecfWd^_WZ[@[iki_h_W"WfWhj_hZW
i[]kdZWc[jWZ[ZeiYkbeNL?"Wii[]khWhW[ÓY|Y_WZ[kcWfWijehWbYedjhW#
#h[\ehc_ijW$D[iiWWj_jkZ[YWj[gkj_YW[cehWb_pWZehWi[f[hÓbWh|WZec_#
dWeÓb_f_dW[dkcWWYeZ[h[i_ijdY_Wi[[dYedjhWh|eFehjk]WbZW
H[ijWkhWe$7Çnova JerusalémÈ[cCW\hW[W\WdjWi_WYh_Wj_lWZeiYkbe
NL???ZWhebk]WhWkccW_ehYec[Z_c[dje[}[djhWZWZWÇWhgk_j[YjkhW
Ze\[hheÈ"dWYebW][cfehjk]k[iW}h[lebke_dZkijh_Wb"cWijWcXcWe
Z[bh_ehec~dj_Ye[h[l_lWb_ijW$EFWbWY[#>ej[bZe8kWYe"Wbj_cW]hWdZ[
h[Wb_pWeZ[kcWcedWhgk_Wfh[ij[iWikYkcX_h"[dY[hhWeiY_YbeiZ[kcW
Whgk_j[YjkhWedZ[W\ehW^kcWdW\e_fWhWWbcZ[Fehjk]Wb$
H[cWjWZeef[hYkhieikY_dje"Z[cWi_WZejWbl[p"[i[cfh[YedjW#
c_dWZef[beiZ[il_ei}h[]hW"ÓYWWdeijWb]_WZWWkidY_W0Zegk[de\e_
WXehZWZe"Zegk[dej[l[YWX_c[dje"Zegk[\e_fh[j[h_Zeem favor de$
CWiW_dj[hfh[jWeZWcWjh_WjehdWZWfh[i[dj[ifeiil[bWjhWli
ZWgk_begk[de1dWiedZW][cZWWkidY_WZ[iYeX[hjWf[beb[_jehi[
[dYedjhWh|"WÓdWb"W[d[h]_WZ[ij[lebkc[$
'&
?=H;@7:7Ix:;8H7=7
H[\kdZWeiYkbeN?
8hW]W
7IZ[8hW]Wf[hcWd[Y[Yecei_dWbZ_ij_dj_leZ[cWhYWeh[b_]_eiWYed#
gk_ijWZedeYedjkhXWZef[heZeZWH[Yedgk_ijW$H[ijWkhWZWWZ_eY[i[[c
'&-&"eiYedÔ_jeiieXh[W`kh_iZ_e[Yb[i_|ij_YW[djh[eiWhY[X_ifWZeiZ[
8hW]W[9ecfeij[bWWYWXWh_Wcfehi[hh[iebl_ZeiW\WlehZW_dZ[f[dZdY_W
Z[8hW]W"[dgkWdjei[cWdj_d^Wf[dZ[dj["WjWeiYkbeN???"WZ_\Y_bgk[i#
jeZWfh_cWp_WYecJeb[Ze$;cFehjk]Wb"WWÓhcWeZeWhY[X_ifWZeZ[
8hW]WWYecfWdêkefheY[iieZ[h[eh]Wd_pWeZej[hh_jh_e"[cj[hcei
febj_Yei[h[b_]_eiei"[Z[i[dlebl[kefhejW]ed_iceZWZ_eY[i[dehj[d^W$
7YWj[ZhWb"fehjWdje"e\WhebZWYh_ijWdZWZ[[edYb[eedZ[i[
YedY[djhWcjeZWiWiWj[d[i$Feh_iiei[h|"Webed]eZeij[cfei"Wble
Z[l_]eheiWiYWcfWd^Wigk[W][cieXh[e[ifWe[eWYjkWb_pWc$Àfh_#
c[_hWI"Zef[heZeYedZWbZWgkWbW_dZWikXi_ij[cl[ij]_ei"ikY[Z[k
ekjhe[Z_\Y_ej[Yd_YWc[dj[cW_iWhhe`WZe[Z[WYehZeYecWZ_]d_ZWZ[
[f_iYefWb}gkWbeFWiZ[l_WeX[Z_dY_W$7fWhj_hZeiYkbeN??i[Yedi#
jhk_h|"Wii_c"WXiehl[dZejhWeiZe[Z_\Y_eWdj[h_eh[fhe`[YjWdZeW\ehW
ZeiceZ[beiX[d[Z_j_deiYbkd_WY[di[i"WdelWI"[cYhkpbWj_dW"Yec
jhWdi[fje"jhidWl[iYecYeX[hjkhWZ[cWZ[_hW[WhYei#Z_W\hW]cW[djh[
eijhWcei[YWX[Y[_hWWXeXWZWZW$
Dei_dY_eiZeiYkbeNL?"ieXeiWkifY_eiZei]el[hdeiZ[:$@eh#
][ZW9eijWYWhZ[WbZ[7bf[Zh_d^W[:$:_e]eZ[IekiW"WI]hWd`[_WkcW
Z_c[diekhXWdij_YWZ[]hWdZ[h[b[l~dY_W1W[bWi[Z_h_][WHkWZe9WX_#
Ze"l[hZWZ[_he[_neZ[fhejW]ed_pWeZWi[Z[ZeWhY[X_ifWZe"Z[i[cXe#
8_Xb_e]hWÓW[ii[dY_Wb
77$LL$"IX centenário da
YWdZedW]Wb_bZ[jhiWhYeieY[djhWbh[ZedZe[eibWj[hW_iWfedjWZei
dedicação da Sé de Braga" 7YjWi fhej[]_ZWf[bWcW]dÓYW]hWZ[Z[\[hhe[i[dj_d[bWWlWdWZWZW]bh_WZW
Ze9ed]h[iie?dj[hdWY_edWb"8hW]W"
Kd_l[hi_ZWZ[9Wjb_YWFehjk]k[iW"
?]h[`W$DWieXhWifWhWWYedijhkeZW]Wb_b"YecWXXWZWi[c[ijh[bWZ[
'//&$ gkWjhefedjWi"\WXh_Yek#i[ekjhefehjWbYecWhYeYedkf_Wb"ikfh_c_dZeZe_i
CWkhY_e"Hk_"O mecenato
de D. Diogo de Sousa, arcebispo
WhYeiZeiYkbeN??"cWicWdj[dZeW[ijhkjkhWZ[YehWj_lWgk[j[h_W\ehji#
de Braga, 1505-1532. Urbanismo e i_cWh[f[hYkiie[cjeZWWWhgk_j[YjkhWhec~d_YWZeDehj[hkhWb$
arquitectura"8WjWb^W"CW]de"(&&&$
Eb_l[_hW";ZkWhZeF_h[iZ["Ç7I 7fhe`[Ye[e_cfWYjeZWYWf[bW#ceh'+&/Z[l[c#i[jWcXc
Z[8hW]W[:ecHeZh_]eZ[CekhW }_d_Y_Wj_lWZ[:$:_e]eZ[IekiW'+&+#)([}f[hY_WZeWhgk_j[Yje@ee
J[b[i'-&*#'-(.È"7YjWiZeI_cfi_e
?dj[hdWY_edWb"Struggle for synthesis. Z[9Wij_bêgk[Wgk_Yedijhk_kWfh_c[_hWWXXWZWZ[YecXWZei[cFeh#
A obra de arte total nos séculos XVII jk]Wb$EWhY[X_ife:$HeZh_]eZ[CekhWJ[b[i'-&*#(.h[Z[Ód_kW\WY^W#
e XVIII" leb$'"B_iXeW"'//.$
HeY^W"CWdk[b@eWgk_cCeh[_hW ZWYecWiZkWijehh[i[\[pYedijhk_hep_cXh_eieXh[eYhkp[_he"eXhWi
ZW"Manuel Fernandes da Silva. WYWh]eZ[CWdk[b<[hdWdZ[iZWI_blW$
Mestre e arquitecto de Braga.
1693-1751"Fehje"9[djheZ[;ijkZei 7ebed]eZeiiYkbei"WI\e_i[dZe[d]hWdZ[Y_ZWYecei[gk_fW#
:$:ec_d]eiZ[F_dê8hWdZe"'//,$ c[djeifhel_dZeiZ[ekjhWiZ_iY_fb_dWiWhjij_YWiÆceX_b_|h_e"f_djkhW"
HeZh_]k[i"@eh]["ÇEckdZe
hec~d_YeiYkbeiN?#N???È"História jWb^WekWpkb[è\ehWcWi|h[Wigk[Z_dWc_pWhWce[ifWe[[ijWX[b[Y[#
da arte portuguesa Z_h$FWkbe
F[h[_hW"leb$?"B_iXeW"9hYkbe
hWcei[kfhejW]ed_iceÆ"jWbYece\e_WYedj[Y[dZeYecefhe]hWcW
Z[B[_jeh[i"'//+$ jkckbWhZ[[nY[bdY_Wgk[WYecfWdêkWl_ZWZW9Wj[ZhWb$
'(
?=H;@7:7IxL;B>7:;9E?C8H7
<kdZWeÆiYkbeN??
9e_cXhW
7Wdj_]WIZ[9e_cXhWi_jkW#i[[cbeYWb[ijhWj]_Ye"Wc[_eZWYeb_dW"[
f[hcWd[Y[Yecee[Z_\Y_ecW_iYWj[]eh_pWZeZeHec~d_Yefehjk]ki$
7ii[djWdec[ice[ifWeedZ[i[beYWb_pWh_WWc[igk_jWYehh[ifedZ[d#
j[WeZecd_e_ib~c_YedWY_ZWZ[[edZ[i[Yedijhk_kjWcXcWfh_c[_hW
I$7_]h[`Wgk[ieXh[l_l[ZWjWZeiYkbeN??WYWf[bW#ceh\e_iW]hWZW[c
'(.*"[ccec[djeYkbjkhWbgk[Z[i[dlebl[eilWbeh[ihec~d_Yei"_dj[#
]hWdZeWi[ijhWj]_Wi\ehcW_i[[ifWY_W_iZWWhgk_j[YjkhW_dj[hdWY_edWb
cW_i[hkZ_jW$EWhgk_j[Yje\hWdYiHeX[hjej[h_Wi_Zeh[ifedi|l[bfehkc
[ijWb[_hegk[WYeb^[kkcWce#Z[#eXhWZ_l[hi_ÓYWZW[fehkcWfheZk#
eedZ[iel_il[_ieih[ikbjWZeifhel[d_[dj[ijWdjeZeiYedjh_Xkjei
[njhWZeiZWihejWiZWf[h[]h_dWeZej[hh_jh_e\hWdYiWjIWdj_W]eZ[
9ecfeij[bW"YeceZWYecfb[nW[ijhkjkhWieY_WbZWY_ZWZ[gk[_dj[]hWlW
Yh_ijei[ce|hWX[i$
'*
7_]h[`W"ÇXWbkWhj[ÈWYWij[bWZeZW<[cj[cfeiZ[h[bWj_lW_di[#
]khWdW"eX[Z[Y[WkcWeh]Wd_pWe[ifWY_Wb[cYhkpbWj_dWZ[jhidWl[i
YecjhWdi[fje"]Wb[h_WiZ[jh_\h_e[YWX[Y[_hWjh_fWhj_ZW"YecWXXWZWi
Z[X[heWZ_\[h[dj[iWbjkhWi$?diYh[l[kcWZ[YehWeh[c[j_ZWieXh[jk#
ZeWeiYWf_j_i[WefehjWb"[leYWdZekcWi[di_X_b_ZWZ[[nfh[iiWWebed#
]eZeiYWc_dêiZWf[h[]h_dWe[fh_l_b[]_WdZeWYedÔkdY_WZ[kc
ckdZe_dj[hfh[jWj_leZ[X_pWhhWi\WdjWi_WiehdWc[djW_iYece_dY_f_[dj[
WÔehWc[djel[][jWb_ijWgk["[c[nfbeieYedjhebWZWZWdWjkh[pW"^Wl[h_W
Z[Zec_dWheiiYkbeii[]k_dj[i$JWbYeceWik][ij_lW_dÔkdY_W_ib~c_YW
fWj[dj[defehjWbh[[djhWdj[_diYh_jedW\WY^WZWfe[dj[edZ[WieXhWi
Z[h[ijWkheZeiYkbeN?Nj[djWhWcWh[Ykf[hWeZWWjcei\[hWgk[e
iYkbeN??b^[_cfh_c_ki[[i]ejWh_WdWikXi[gk[dj[YkbjkhWc[Z_[lWb$
7ebed]eZeiiYkbei"WIiekX[YWf_jWb_pWhW[hkZ_eZ[kcW
fbWij_Y_ZWZ[gk["[cYWZWcec[dje"i[[nfh[iiWlWjWcXcdeFWi$FWhW
_iie"YedYehh[hWcWWYeZeiX_ifeigk[]el[hdWhWcWZ_eY[i["W_dj[h#
l[deZeiWhj_ijWiYh[Z[dY_WZeigk[Wgk_Z[i[dlebl[hWckcWfh|j_YW
gkWb_ÓYWZWekWYWfWY_ZWZ[Z[fh[iiegk[W[ijhkjkhWYWj[ZhWbY_Wiek#
X[_cfb[c[djWhdeiY_hYk_jei_dj[hdeiek[nj[hdei}Z_eY[i[$
Cec[djeiWbjeiZ[ii[f[hYkhieÓYWhWcfWj[dj[ide]el[hdeZ[
:$@eh][Z[7bc[_ZW'*.(#'+*)[dWl_jWb_ZWZ[Yecgk[ikij[djekWYWj[#
',
ZhWb$Epodiumgk[^Wl[h_WZ[cWdj[h#i["YecceZ_ÓYW[i"Wj}ZYWZW
Z[)&ZeiYkbeNNedZ[eX_ife\[pWii[djWhW_]h[`W_WWe[dYedjheZW
Yh[Z_X_b_pWeZWYkbjkhWYb|ii_YW[[ijWX[b[Y_We[gk_bXh_eYeceh[j|Xk#
beYedijhkZe[c'*/.#'+&(fWhWWYWf[bW#cehZWWkjeh_WZeiÔWc[d]ei
Eb_l_[hZ[=WdZ[@[WdZÊOfh[i"Yeckcfhe]hWcWZ[iWblWeWb_d^WZe
YecWi_ij[c|j_YW_cfei_eZWiWhcWiZeX_ife$:WikWWYec[Y[d|#
j_YW"h[ÓhWc#i[W_dZWeh[l[ij_c[djeWpkb[`WhZW_]h[`W"WYWf[bWZ[I$F[Zhe
ebeYWbZ[i[fkbYheZeX_ifeYeceh[j|XkbeZ[D_YebWk9^Wdj[h[d["W
f_WXWfj_icWbZ[:_e]eF_h[i#e#Ceefhel[d_[dj[ZW_]h[`WZeFWe;f_i#
YefWbekWFehjW;if[Y_eiW"Wkjdj_Yec[ceh_WbZWYkbjkhW^kcWd_ijW$
Fh[i[hlWc#i[ekjheii_dW_iZ[kcf[hYkhiegkWb_ÓYWZegk[\e_i[dZe
YedijhkZeWebed]eZej[cfe$7i[]kdZWc[jWZ[ZeiYkbeNL?WÓhcek#
#i[dWYWf[bWZeIWYhWc[dje@eeZ[Hke"'+,,[dWh[bWe[djh[kcW
Wjcei\[hWYedY_b_Wh[kcY_hYk_jeY[djhWb_pWZe[h[cWjWZef[bWYfkbWZ[
^[hWdW^kcWd_ijW$EiYkbeNL??cWhYeke_dj[h_ehZW_]h[`WYeceigkW#
jheWhYeiZ[h[iied~dY_WYb|ii_YWedZ[i[_diYh[l[hWcWif_djkhWiYecei
j[cWiWbki_lei}HW_d^WIWdjW?iWX[b"I$I[XWij_e"IWdje7djd_e[IWdjW
çhikbW[Wi''c_bl_h][di$
7H[\ehcWFecXWb_dWZWKd_l[hi_ZWZ[WhhWijekYedi_]eWf[hZW
ZWi\kd[iYWj[ZhWbY_Wigk[fWiiWhWc'--(fWhWW_]h[`WZW9ecfWd^_W
Z[@[iki$7fWhj_hZW"Wl[b^WI"Z[ife`WZWZeij[iekheiWYkckbWZei
ZkhWdj[iYkbei"i[h_WWbleZ[kcWXWdZedegk[ii[h_WkbjhWfWiiWZe
YecWi_dj[hl[d[iZ[h[Ykf[hWeZeiÓdW_iZeiYkbeN?N[fh_dYf_ei
ZeiYkbeNN"_diYh_jWidWYkbjkhWhec~dj_YWZeh[]h[iie}ieh_][di$
77$LL$"Sé Velha de Coimbra.
Culto e cultura"9e_cXhW"(&&+$
=ec[i"FWkbeLWh[bW"ÇIn choro
clerum$EYehedWiiifehjk]k[iWi
ZeiiYkbeiNL[NL?È"Museu"
?LIh_["d$±'&"Fehje"(&&'$
=edWbl[i"7djd_eDe]k[_hW"
Estudos de história da arte medieval"
9e_cXhW";fWhjkh"'/.&$
CWY[Ze"<hWdY_iYeFWjeZ["
ÇEh[j|Xkbe# cehZWIL[b^WZ[
9e_cXhWÈ"Estudos sobre esculturas
e escultores do Norte da Europa em
Portugal: época manuelina"B_iXeW"
9D9:F"'//-$
LWiYedY[bei"7djd_eZ["
A Sé -Velha de Coimbra.
Apontamentos para a sua história"
(lebi$"9e_cXhW"?cf$ZW
Kd_l[hi_ZWZ["'/)&"'/)+$
'-
?=H;@7:EI7BL7:EH
9$''.-
8hWl[i"Fedj[ZW8WhYW
9eckcWfh_c[_hW\kdZWe[djh['&.&[''(+[djh[]k[WeiX[d[Z_j_dei
[Z[fe_iWeiYd[]eih[]hWdj[iZ[IWdje7]eij_dê"gk[Wj[heYedijhk#
ZeY[hYWZ[''.-"W?]h[`WZeIWblWZeh[c8hWl[ie[if[bêbcf_ZeZ[
kcWYkbjkhWhec~d_YWgk[WXhWd][kcj[hh_jh_ebWh]e[djh[eih_ei:ekhe
[C_dê$Ck_jWil[p[i[cYedj[njeZ[hkhWb_ZWZ["[deeXijWdj[Wb]kcWi
iebk[iWbj[hdWj_lWi"[ijWi_]h[`WiWiikc[ckcWeh]Wd_pWeZ[]hWdZ[
i_cfb_Y_ZWZ[YecYeX[hjkhWiZ[cWZ[_hW[dWl[d_YWgk[Z|WY[iieW
kcWiYWf[bW"dkcW\hckbWgk[fh_l_b[]_WWÓ]khWZeh[Yj~d]kbe$
xieXh[jkZedWYed`k]We[djh[WWhgk_j[YjkhW[W[iYkbjkhWgk[
i[[nfh[iiWW\ehWZ_iYkhi_lWZW?]h[`WZ[8hWl[i$9eceWYedj[Y[dek#
jhWi_]h[`WiZ[ij[Y_hYk_je"eikfeije_iebWc[djeZW?]h[`WZeIWblWZehde
Z[_nWZ[_dj[]hWhkci[dj_Ze[iYkbjh_YeWb_c[djWZef[bWY[djhWb_ZWZ[Z[
IWdj_W]eZ[9ecfeij[bW[[nfWdZ_Zef[beiYWc_dêiZWf[h[]h_dWe$
EfehjWbWn_Wb[h[[djhWdj[Z[8hWl[i_dj[]hW"[c[nfbeief[ZW#
]]_YW[YWj[gkj_YW"kcWZ_d~c_YWehdWc[djWbgk[Whj_YkbWe9h_ijeFWd#
jeYhWjehdWcWdZehbWWcfWhWZWfehZkWiÓ]khWidejcfWde"cej_lei
][ecjh_Yei[peechÓYeiedZ[]Wd^Wch[b[lei[hf[dj[i[Y^WYW_i"W
h[fh[i[djWeZ[Z[pÓ]khWiWfijebei5dWWhgk_lebjWY[djhWb[ej[cW
ZW7dkdY_WeYecWL_h][c[e7hYWdè=WXh_[bdWYebW][cWeiYebk#
d[beibWj[hW_i$
EfehjWbbWj[hWbikbYec[f]hW\[Yedj[dZeedec[Zefh_eh;][Wi
C[d[dZ[p"fehl[djkhWefhecejehZWeXhWeij[djWeAgnus Dei"[dgkWd#
jeeZedehj[Wfh[i[djWecej_leZWheiW# Yhkp$7Yecfb[c[djWh_ZWZ[
8_Xb_e]hWÓW[ii[dY_Wb [djh[WWhgk_j[YjkhW[WiekjhWiZ_iY_fb_dWiWhjij_YWiYecfhelW#i[jWcXc
7bc[_ZW"9Whbei7bX[hje<[hh[_hW
Z["Arquitectura românica de Entre
de_dj[h_ehZW_]h[`W[dekd_l[hief_djWZeYecgk[WZ[i_]dWZW?ZWZ[
Douro e Minho":_ii[hjWeZ[ CZ_Wh[\ehekkcWl_jWb_ZWZ[dekik\hkjeZej[cfbe$
:ekjehWc[dje"feb_Y$"Fehje"
<BKF"'/-.$
7bc[_ZW"CWh_W@eiF[h[p
>ec[cZ[, San Salvador de
Bravães: una encrucijada en el
Románico portugués"Fehje"9[djhe
Z[;ijkZei>kcWdij_Yei"'/.*$
8Whh[_hei"FWZh[CWdk[bZ[
7]k_Wh"Egrejas e capelas românicas
da Ribeira Lima"Fehje"'/(,$
hec~d_Ye0iYkbeiN?#N???È"História
da arte portuguesaYeehZ$FWkbe
F[h[_hW"leb$?"B_iXeW"9hYkbeZ[
B[_jeh[i"'//+$
HeZh_]k[i"@eh]["O modo
românico"leb$(Z[Arte portuguesa.
Da pré-história ao século XX YeehZ$
:Wb_bWHeZh_]k[i"i$b$"<kXk;Z_jeh[i"
(&&/$
'.
?=H;@7:;I7DJ7C7H?7
:ECEIJ;?HE:;7B9E87w7
IYkbeiN??#N???
7bYeXWW
ECeij[_heZ[7bYeXWW`kij_ÓYWW_cfehj~dY_WZWEhZ[cZ[9_ij[hde
Fehjk]WbZeiYkbeN??$9ec[ÓY|Y_WYecfhelWZWde~cX_jeZWih[bW[i
YecWYh_WhecWdW_cfehjWdj[ifWhWeh[_7\edie>[dh_gk[ideh[Yed^[#
Y_c[djefWfWbgk[iY^[]Wh_W[c''-/[deZ[i[dlebl_c[djeW]hYebW"
l_jWb}h[eh]Wd_pWeZej[hh_jh_eh[Yc#Yedgk_ijWZe"eiced][iY_ij[h#
Y_[di[iÓnWhWc[c7bYeXWWkcW[ijhkjkhWh[b_]_eiWZ[feZ[h"}iecXhW
ZWgkWbdWiY[h_WWfeleWe$FWhWWgk_[iYeb^[keh[_:$F[Zhe?ei[k
beYWbZ[i[fkbYhe[eZWikWWcWZW?di$
7_]h[`W"_d_Y_WZW[c''-.[iW]hWZW[c'(+("eh]Wd_pWkcceZ[beZ[
jhidWl[iYecjhWdi[fjeiWb_[dj[[YWX[Y[_hWi[hl_ZWZ[Z[WcXkbWjh_e
Yecdel[YWf[bWihWZ_W_i$?dWk]khW#i[[cFehjk]WbWWhgk_j[YjkhWZe]j_#
Yel[hj_YWb"YecWiYeX[hjkhWiZWidWl[i}c[icW_cfh[ii_edWdj[WbjkhW"[
_dijWbWc#i[eifh_c[_heii_dW_iZ[kcWdelWjYd_YWZ[YedjhW\ehjW][cÆ
eiWhYeXejWdj[i[cgk[i[Wfe_WeZ[WcXkbWjh_e$EZ[ife`Wc[dje][hWb
ZW_]h[`WlW_We[dYedjheZ[kcWYkbjkhWWhgk_j[Yjd_YWgk[h[W][Webkne
[Ykcfh[WiZ_ifei_[iZ[I$8[hdWhZefWhWei[Z_\Y_eiY_ij[hY_[di[i$
DW\WY^WZW"gk[\e_eX`[YjeZ[]hWdZ[h[\ehckbWe`|deiYkbeNL???"
ikfh_c_dZeW]Wb_bedZ[i[_diYh[l[kefWdj[eh[WbZWfh_c[_hWZ_dWij_W"
efehjWbZ[WhYeie]_lW_iW_dZWfh[i[hlW[ii[i[dj_ZeZ[fkhWZe$
?diYh_jWdWcWjh_pgk[9_ij[hckbj_fb_Yekf[bW;khefWEY_Z[djWb"W
?]h[`WZ[7bYeXWW_dj[]hWeceij[_hegk[h[fheZkpefhejj_fe\hWdYiZ[
9bWhWlWb???"[cXehWYecW_dl[hieZ[fbWdeifWhWe[Z_ÓYWZe[cjehdeZe
YbWkijhe[Z[f[dZdY_WiWd[nWi$7ÓZ[b_ZWZ[WeceZ[beYecfh[[dZ[#i[
WfWhj_hdeWf[dWiZWkcWj[eh_WWhgk_j[Yjd_YW\kdY_edWb"cWi"ieXh[jkZe"
ZW_j_d[h~dY_WZWce#Z[#eXhWY_ij[hY_[di[gk[Wii[]khWlWWYedij~dY_W
Z[[ifWei[\ehcWiZ[WYehZeYecWifh|j_YWiZ[ehWe[Z[jhWXWbê$
77$LL$"Arte e arquitectura nas
abadias cistercienses nos séculos XVI,
XVII e XVIII"B_iXeW"?FF7H"(&&&$
77$LL$"Cister. Espaços, territórios,
paisagens"(lebi$"B_iXeW"?FF7H"
(&&&$
:_Wi"F[Zhe"A arquitectura gótica
portuguesa"B_iXeW";Z$;ijWcfW"'//*$
I_blW"@ei9kijZ_eL_[_hWZW"
O panteão régio do Mosteiro de
Alcobaça"B_iXeW"?FF7H"(&&)$
Jh_dZWZ["CWh_W7k]kijW"
Mosteiro de Alcobaça"B_iXeW"(&&+$
(&
?=H;@7:7Ix:;xLEH7
:ec_d]eiF_h[i%CWhj_c:ec_d]k[i%@ee<h[Z[h_YeBkZel_Y["iYkbeiN???#NL???
xlehW
D[d^kcWekjhWYWj[ZhWbZeFWiYed`k]Wei[dj_Zecedkc[djWbYecW
l[hiWj_b_ZWZ[[WZ[b_YWZ[pWkik\hkZWidWIZ[xlehW$9ecWi[Z[[f_i#
YefWbh[ijWkhWZW[c''.,"e[Z_\Y_egk[Yh[iY[kWfWhj_hZeiYkbeN???"ieX
WWYe[dh]_YWZeX_ife:$:khWdZeFW_i[ZefWjheYd_eZeh[_:$7\ed#
ie???"_h_WWXiehl[h[_dj[]hWhWil|h_WiYkbjkhWi[ijj_YWigk[lWhh[hWce
j[cfe$7gk_i[_dijWbWhWc^Whced_eiWc[dj[hec~d_Yei"]j_Yei"h[dWiY_#
c[djei[XWhheYei"ZWdZei[dj_ZeWkcW[ijhWj]_WZ[WYjkWb_pWe[]hWd#
Z[pWgk[^Wl[h_WZ[j[hh[Ô[neideiZ[ij_deiZWY_ZWZ[$
:ec_d]eiF_h[i[CWhj_c:ec_d]k[iieeidec[iYed^[Y_ZeiZei
c[ijh[igk[h[cWjWc"feh')*&"kcWYWcfWd^WWbWh]WZWWeYbWkijhegk[
e\[h[Y[WIeh]Wd_pWZW[cfbWdjWZ[YhkpbWj_dW"YecjhWdi[fjeiWb_[dj["
[dWl[iYecWXXWZWiWfedjWZWi[ikfehjWZWifehf_bWh[iYhkY_\ehc[i
WZ_\[h[dj[iWbjkhWiWf[hc_j_heWb_d^Wc[djeZWi]Wb[h_WiZejh_\h_e$E
((
Yhkp[_heZejWZeYecWjehh[#bWdj[hdWYech[l[ij_c[dje[iYWcWZe[Z[
fbWdjWeYje]edWb[n[cfbWhd_YedeFWigk["[nj[h_ehc[dj["i[\WpWYec#
fWd^WhZ[e_jejehh_d^WijWcXceYje]edW_i"Yh_WdZekcW[ijhkjkhWZ[
]hWdZ[eh_]_dWb_ZWZ[gk[[dYedjhWfWhWb[beidWiikWiYed]d[h[iZ[FbW#
i[dY_W"PWcehW[IWbWcWdYW$Ei[dj_ZeZ[l[hj_YWb_ZWZ[eXj_Zef[beiWhYei
WfedjWZeiWgk[eXh_]WkcYedj[njeYkbjkhWbÇ]j_YeÈ"Z[_]kWbceZei[
[dj[dZ[dZee_dl[ij_c[djedWYWh]Wbkcd_YWgk[_dlWZ[e[ifWe$EYehe
WbjeYecWikWWXXWZWWXWj_ZW[d[hlkhWZWeXhWZef[heZecWdk[#
b_de[WbX[h]WecW]dÓYeYWZ[_hWbZWjWZeZ['+,("l[hZWZ[_he[nfe[dj[Ze
h[ÓdWc[djeWgk[Y^[]ek"[cxlehW"WjhWZkeZWYkbjkhWYb|ii_YW[
h[dWiY[dj_ijWZ[cWjh_pdhZ_YW$7YedY_b_WeZeilWbeh[i^kcWd_ijWi[c
j[cfeiZ_\[h[dY_WZei[nf[#i["Wb_|i"jWdjedW[djhWZWWfWhWjeiWZWYWf[#
bW'+(/#)&ZeiC[dZ[iZ[LWiYedY[bei"ceh]WZeiZe;ifehe"Yece
WhYejh_kd\Wb_diYh_je[cWbÓp[Z[YehWZeÇWehecWdeÈ"YecedecW_iiXh_e
[dj[dZ_c[djedejhWXWbêZefbf_je'+-&$CWiYecWYWf[bW#cehi[j[#
Y[dj_ijW'-'.#*,"fWjheY_dWZWfeh:$@eeL[h[\ehckbWZWieXfhe`[Yje
ZeWhgk_j[Yje#ekh_l[iik|X_e@ee<h[Z[h_YeBkZel_Y[eh[ifedi|l[bf[bW
eXhWcW_i[nfh[ii_lWZeh[_dWZe"[cCW\hW"gk[W_]h[`WWj_d][kc[ijW#
jkjecW_ehZ[iW]WY_ZWZ[dWWhj_YkbWeZ_d~c_YWZeij[cfei$E8WhheYe"
dWih[l[hX[hW[icWhch[WiZ[XhWdYei"l[hZ[i"heiWi[Wpk_igk[fh[[d#
(*
Y^[cWYWf[bW"]Wd^WWgk_kc[ifWeZ[Wkjedec_W[YehheXehWWc[diW#
][cZ[]bh_WZ_\kdZ_ZWfehekjhWii[di_X_b_ZWZ[ic[Z_[lW_i[ceZ[hdWi$
7\WY^WZWfh_dY_fWbZW_]h[`W"edZ[W_dZWiel_il[_ieijhWeiZWi
YWcfWd^Wi_d_Y_W_i"eh]Wd_pWWiZkWijehh[igkWZhWd]kbWh[ibWZ[WdZeW
]Wb_bgk[WYeb^[efehjWbZ[WhYeiWfedjWZeiYeceWfeijebWZel_]eheie
ZWj|l[bZ[Y[hYWZ[')*&"i[cfWhWb[beidWWhgk_j[YjkhWfehjk]k[iWd[i#
jWiZWjWi$;djh[Wijehh[i"kcW[ifY_[Z[cWjW#Y[iYece]hWdZ[`Wd[#
be"h[Ykf[hWdZe_Zdj_YW\hckbWWZefjWZWdWiiiZ[9e_cXhWekB_iXeW$
FehWgk_fWiiWlWjWcXcei[dj_ZeZ[Wkjdj_YW\ehjWb[pWZW<[ZWWkje#
h_ZWZ[[f_iYefWb$
9^_Y"C|h_eJWlWh[i"A catedral
de Évora na Idade Média"xlehW"
;Z$DWpWh[j^"'/*,$
;ifWdYW"Jb_e"Évora"9eb[Ye
9_ZWZ[i[L_bWiZ[Fehjk]Wb"B_iXeW"
;Z$Fh[i[dW"'//)$
<hWdY_iYe";h[Z[ZW9edY[_e"
O bispo D. Pedro II e o “modo gótico”
em Évora de 1322 a 1340"(lebi$"
B_iXeW"'//.$
F[h[_hW"FWkbe" A arquitectura
gótica"leb$)Z[Arte portuguesa.
(&&/$
hec~d_YeiYkbeiN?#N???È"História
da arte portuguesa Z_h$FWkbe
F[h[_hW"leb$?"B_iXeW"9hYkbe
Z[B[_jeh[i"'//+$
(+
JEHH;:;C;D7=;C
IYkbeiN?L#NL
8[`W
7Jehh[Z[C[dW][cZeYWij[bec[Z_[lWbZ[8[`W"YecY[hYWZ[).c[jhei
Z[WbjkhW"[h]k[#i[W_dZWê`[YecefedjeZec_dWdj[def[hÓbZWY_ZWZ[$
?diYh_jedkcYedj[njeZ[\ehj_ÓYWeYeceh_][digk[h[cedjWc}eYk#
fWehecWdW"eYWij[beZ[8[`Wj[l[jWcXckcfWf[b\kdZWc[djWbde
YedjkhXWZef[heZeZWH[Yedgk_ijW"\kdY_edWdZeYeceW][dj[ZWc_iie
Z[\[di_lW[Z[Z[i[dlebl_c[djej[hh_jeh_Wb[djh[]k[}EhZ[cC_b_jWhZ[
IWdj_W]eZ[7l_i$<hkjeZ[kcWfh[eYkfWeYedijWdj[dWiWblW]kWhZWZe
H[_de"Wjehh[\e__d_Y_WZWYec:$:_d_i[WbleZ[WhhWdèiikY[ii_leiWj
c[WZeiZeiYkbeNL"dWi[gkdY_WZeiYedÔ_jeiYec9Wij[bWgk[dei[
[i]ejWhWc[c').+$
H[ifedZ[dZe}ij|Yj_YWic[Z_[lW_iZW]k[hhW[Wei[dj_ZeZ[WYjkW#
b_pWejhWdifeijWfWhWWWhgk_j[YjkhWc_b_jWh"Wjehh[Z[i[dlebl[#i[[cjhi
f_ieiWXeXWZWZei"_dYehfehWdZeeXWbYei[c_Y_hYkbWhekYehh_Ze[cjeh#
deZW[ijhkjkhW[nj[h_eh"Yh_WdZeWii_ceWZWhl[[kcWjYd_YWieÓij_YWZW
b_]WZW}d[kheXWbij_YW$7Z[YehWedWjkhWb_ijW[W_dib_jWWXXWZW[ijh[#
bWZWZef_ie_dj[hcZ_eceijhWcWb_eXWjWb^_dW[[l_Z[dY_WceYWh|Y#
j[hZ[YedjWc_dWe[djh[WWhgk_j[YjkhWh[b_]_eiW[c_b_jWh$FehekjhebWZe"
W_dZW"W[b[]~dY_WZei[b[c[djei[ijhkjkhW_iZebj_cef_ieh[]_ijWW\ehj[
[leYWefWbWY_WdWZWjehh["gk[[dYedjhWh|[nfh[iie"feh[n[cfbe"de
YWij[beZ[IWdjWCWh_WZW<[_hW$
9Wd[bWi"9Whbei7k]kijeFedY["
Ç8[`W[WiikWi\ehj_ÓYW[iÈ"Arquivo
de Beja"leb$NN???#N?L"8[`W"9~cWhW
Ckd_Y_fWbZ[8[`W"'/,,$
9ehh[_W"BkiC_]k[bCWbZedWZe
Z[LWiYedY[bei"Castelos em
Portugal. Retrato do seu perfil
arquitectónico"9e_cXhW"?cfh[diW
ZWKd_l[hi_ZWZ["(&'&$
;ifWdYW"Jb_e"Inventário artístico
de Portugal — distrito de Beja"leb$N??"
B_iXeW"7YWZ[c_WDWY_edWbZ[
8[bWi#7hj[i"'//($
Cedj[_he"@ee=ekl[_W"Castelos
portugueses"B_iXeW"?FF7H"(&&($
(,
?=H;@7:;I7DJ7C7H?7:7L?JãH?7
7\edie:ec_d]k[i%C[ijh[>k]k[j"iYkbeiN?L#NL
8WjWb^W
ECeij[_heZW8WjWb^WeYed`kdjeWhgk_j[Yjd_Yec[Z_[lWbcW_iY[b[#
XhWZe[cFehjk]Wb$<kdZWZe[c')..dWi[gkdY_WZ_h[YjWZWYedgk_ijW
ZW_dZ[f[dZdY_W\WY[W9Wij[bW').+[[cbeYWbfhn_ce}eYehhdY_W
ZWXWjWb^WZ[7b`kXWhhejW"eceij[_he[djh[]k[}EhZ[cZ[I$:ec_d]ei
fei_Y_edek#i[Yece_cW][cZ[cWhYWZeh[_:$@ee?[ZWZ_dWij_WZ[7l_i
[Whlehek#i[[c_dj[hbeYkjehZ[h[if[_jedWjhWcWZWih[bW[ifebj_YWi
[Z_fbec|j_YWiYecW;khefW"i[hl_dZeWiWif_hW[iZ[Yh[Z_X_b_ZWZ[
_dj[hdW[[nj[hdWZedeleh[_$
7_]h[`W"Yec[WZWfeh7\edie:ec_d]k[i')..#'*&("i[h_Weh[ikb#
jWZe]hWdZ_eieZ[kcW[nf[h_dY_Wc[dZ_YWdj[gk[Wj_d]_kdW8WjWb^Wei[k
cec[djecW_i[nfh[ii_le$JejWbc[dj[WXeXWZWZW"YecjhidWl[iWZ_\[h[d#
j[iWbjkhWi"jhWdi[fjefhedkdY_WZe[YWX[Y[_hWYecY_dYeYWf[bWi"Yehh[i#
fedZ[WeifbWdei[bWXehWZeif[bec[ijh[fehjk]ki$CWiWiYeX[hjkhWi
i[h_Wc`|[n[YkjWZWifehc[ijh[>k]k[j_d]bi5'*&(#)."_cfh_c_dZeW
jeZWW_]h[`Wei[dj_ZeZ[YehWj_leZ[i_]dWZeYeceÇ]j_YeÔWc[`Wdj[È[
Yed\[h_dZe}[nfh[iieêh_pedjWbZW\WY^WZWe_cfkbieZ[l[hj_YWb_ZWZ[
Wd_cWZWgk[hecf[[kbjhWfWiiWWb_d[Wh_ZWZ[ZWiYWcfWd^WiZ[7\edie
:ec_d]k[i$7>k]k[ji[Z[l[jeZWWl_XhWeÇÔWc[`Wdj[Ègk[fWiiekWe
fh[[dY^_c[djeZ[leiek}Z[YehWeZ[h[cWj[i"[c\h_ieiZ[[bWXe#
hWZeh[Yehj[Ób_]hWdWZe"YedjhW\ehj[iekf_d|Ykbei$
;cWhj_YkbWeZ_h[YjWYecW_]h[`W"W9Wf[bWZe<kdZWZeh'*(,#
#)*"jWcXcZ[c[ijh[>k]k[j"[ijWX[b[Y[WZ_c[dieYic_YWl[hj_ZW
defbWdeY[djhWZe[_cf[eZ_|be]e[djh[eifeZ[h[i"iW]hWZe[fhe\W#
de$7YWf[bW"Wii_c"[[cYbWhWc_iiefhefW]WdZij_YWZeh[_:$@ee?"
efh_c[_hefWdj[eZWZ_dWij_WZ[7l_i"gk[^Wl[h_WZ[j[hYedj_dk_ZWZ[
dWiÇ9Wf[bWi?cf[h\[_jWiÈ_d_Y_Wj_lWZ[:$:kWhj[[c'*)*fWhWkcfhe#
`[YjedkdYWYedYbkZe"hecf[dZeWb_d^WZ[iWYhWb_ZWZ[ZWYWX[Y[_hWZW
8_Xb_e]hWÓW[ii[dY_Wb _]h[`W[_dijWkhWdZekci[dj_ZeYkbjkhWbZ[ceZ[hd_ZWZ[gk[eceij[_he
portuguesa"B_iXeW";Z$;ijWcfW"'//*$ ^Wl[h_WZ[WXiehl[h[Z_\kdZ_h$
=ec[i"IWb7djd_e"Fontes
históricas e artísticas do Mosteiro
e da Vila da Batalha: séculos XIV
a XVII"*lebi$"B_iXeW"?FF7H"(&&($
=ec[i"IWb7djd_e"Vésperas
batalhinas, estudos de história da
arte"B[_h_W"CW]de"'//-$
F[h[_hW"FWkbe"A arquitectura
gótica"leb$)Z[Arte portuguesa.
(&&/$
IeWh[i"9bWhWCekhW"O restauro
do Mosteiro da Batalha"B[_h_W"
CW]de"(&&'$
(.
?=H;@7:;
DEII7I;D>EH7:7=H7w7
').&# Y$'*+&
IWdjWhc
7?]h[`WZW=hWW[cIWdjWhc"ZeWdj_]e9edl[djeZei;h[c_jWi9WbW#
ZeiZ[IWdje7]eij_dê"Yedij_jk_kc[n[cfbeZ[Yedj_dk_ZWZ[Z[ceZ[#
bei[ifWY_W_ij[ijWZeiZ[iZ[eiYkbeN???l[`W#i[W_]h[`Wj[cfb|h_WZ[
IWdjWCWh_WZeEb_lWb"[cJecWh"W]ehWdkcWZ[Ód_ec[dZ_YWdj["We
c[icej[cfegk[_dYehfehWkci[dj_ZeZ[Yecfb[n_ZWZ[Z[YehWj_lW
delW[Z[Yehh[dj[ZW[nf[h_dY_WÇÔWc[`Wdj[ÈZ[fheZkeXWjWb^_dW"gk[
j[h|W_dZWh[f[hYkii[idWh[Z[jkckbWhgk[jWcXci[[dYedjhWdW_]h[`W$
;dgkWdjeW[ifWY_Wb_ZWZ[_dj[hdWZ[Yehh[Z[kcWjhWZ_e_dijW#
bWZWf[bWYecfei_eZ[jhidWl[iYecZ_\[h[dj[iWbjkhWi"YWX[Y[_hWjh_#
fWhj_ZWWXeXWZWZW[][d[heiei_ij[cWbkcd_YeWfe_WZedWfhe\kieZei
leiYeceYb[h[ijh_e"WZ_c[dieZWi`Wd[bWiZejhWdi[fjeeke_cfWY#
jeÔWc[`Wdj[ZW\WY^WZW"YecefehjWb_diYh_jedeWbÓp[Whei|Y[WZ[bWc#
f[`Wdj[i[\[_jei"fhecel[W_]h[`WWkcZeiYWieicW_iYWj[]eh_pWZei
Z[ij[Y_Ybe$
7l|h_eidl[_i"W?]h[`WZW=hWWj[h_WfWhWb[beidec[iceWhYe
j[cfehWb"Z[iZ[eYedl[djeZ[IWdjWCWh_WZe9Whce[cB_iXeW')./#Y$
'*()"ZW_d_Y_Wj_lWZeYedZ[ij|l[b:$DkdeÜblWh[iF[h[_hW"}cW_iceZ[i#
jW_]h[`WcWjh_pZWBekh_d^ZWfh_c[_hWc[jWZ[ZeiYkbeNL"ZWc[icW
\ehcWgk[eceZ[be[ifWY_Wbi[fhebed]Wh_W"jh_kd\Wdj["WjWef[heZe
cWdk[b_de$
9kijZ_e"@eh]["Ç?]h[`WZ[DeiiW
I[dêhWZW=hWWIWdje7]eij_dêÈ"
Património monumental de Santarém"
leb$??"IWdjWhc"9~cWhWCkd_Y_fWb
Z[IWdjWhc"'//,$
:_Wi"F[Zhe" A arquitectura gótica
F[h[_hW"FWkbe"ÇEÇceZeÈ]j_Ye
iYkbeiN???#NLÈ"História da arte
portuguesa Z_h$FWkbeF[h[_hW"leb$?"
B_iXeW"9hYkbeZ[B[_jeh[i"'//+$
I[hhe"@eWgk_cL[hii_ce"
Santarém: história e arte"IWdjWhc"
9ec_iieCkd_Y_fWbZ[Jkh_ice
Z[IWdjWhc"'/+'$
I[hhe"Ljeh"Santarém"B_iXeW"
;Z$Fh[i[dW"'//&$
)&
?=H;@7:;I$<H7D9?I9E
IYkbeiNL#NL?
xlehW
7_]h[`W\hWdY_iYWdWZ[xlehW_dj[]hekkcW\ehjii_cW[ijhkjkhWZ[feZ[h"
[njhWZWZWikWZkfbWdWjkh[pWYedij_jkZWf[beceij[_he[f[befWe
h]_e$
?dijWbWZeidWY_ZWZ[W_dZWdWfh_c[_hWc[jWZ[ZeiYkbeN???"ei
\hWdY_iYWdei\ehWcWZgk_h_dZekcfWjh_cd_eYh[iY[dj["i[cfh[dW][ije
ZeiYedÔ_jeiYeceiX_ifei[WiekjhWiEhZ[dih[b_]_eiWi$CWiW_cfehj~d#
Y_WZeceij[_heZ[Yehh[ZWikWeYkfWef[befWe"be]eWfWhj_hZ[:$
7\edie?L$:$<[hdWdZeÓnWWgk_Wi_dijWbW[ih]_Wi[:$7\edieL[ijW#
X[b[Y[kcYecfhec_iieWiikc_Ze[djh[e[ifWeh[b_]_eie[e[ifWeYeh#
j[ie$I[:$@ee??gk[Yedijh_kcW[ifY_[Z[ÇYWf_jWb_ZWZ[È[cxlehW
[c'*/&"eceij[_he\e_fWbYeZWiY[b[XhW[i\[ij_lWifWhWeYWiWc[dje
[djh[efhdY_f[:$7\edie[:$?iWX[b"i[h|Wf[dWiYec:$CWdk[bgk[e
Yed`kdjeWj_d][kcWZ_c[die_delWZehW[h[l[ij_ZWZ[Wkjeh_ZWZ[$
7_]h[`W"gk[_dYehfehW[b[c[djeiWdj[h_eh[i[W_dZW[ceXhWicWh#
YWZWif[bWYb[Xh[_bkc_dkhWZ['+&'"eh[ikbjWZeZWieXhWiZ[h[Yedi#
jhke_d_Y_WZWidWi[]kdZWc[jWZ[ZeiYkbeNL[cWhj_YkbWe}ikW
YWj[]eh_W[if[YÓYWZ[YWf[bWfWbWj_dW"Yk`Wi[l_ZdY_Wii[YedijWjWcdW
fh[i[dWZWijh_XkdWiZWYWf[bW#ceh"ehdWZWiYeccej_leiZ[YehWj_lei
Y^Wdj[h[d[iYei$7ikWYedZ_edeX_b_jWZWb[lWWe[cfh[]eZ[iebk[i
Wbj[hdWj_lWijhWdi[fje[YWX[Y[_hWYecYedjhW\ehj[iZ_ifeijeieXb_gkW#
c[dj[1fWh[Z[j[ij[_hWh[YjWdWYWf[bW#cehÆi[]kdZeeceZ[beZ[IWd#
j_W]eZ[FWbc[bW"Yedj[cfeh~d[eZW_]h[`WZeCeij[_heZW9edY[_eZ[
8[`W[feij[h_ehc[dj[i[]k_ZedWi_]h[`WiWb[dj[`WdWi$7ikWcW_eheh_]_#
dWb_ZWZ[h[i_Z["de[djWdje"[cZkWii_jkW[i0Wfh_c[_hWYedi_ij[dW
Wfb_YWeZW]Wb_bcWdk[b_dWYecik][ij[ickZ`Wh[igk[h[YedÓ]khW
W\WY^WZWWdj[h_eh[jWdjW_dÔkdY_Wj[h_WdWWhgk_j[YjkhWh[b_]_eiWZWY_ZW#
Z[[ZeFWi1Wi[]kdZWh[bWY_edW#i[Yece[ifWe_dj[hdeedZ[WdWl[
8_Xb_e]hWÓW[ii[dY_Wb d_YWZ|WY[iie}YWf[bW#ceh"YecYeX[hjkhW[ijh[bWZWZ[Ze_ijhWcei[
77$LL$"Monumentos, d$±'-"H[l_ijW
I[c[ijhWbZ[;Z_\Y_ei[Cedkc[djei" Z_\[h[dY_WZWZWWXXWZWZWdWl[$7dWl[Whj_YkbW#i[YeceYed`kdjeZWi
B_iXeW":=;CD"I[j[cXheZ[(&&($ YWf[bWibWj[hW_i_dj[hYeckd_YWdj[igk[W^_ijeh_e]hWÓWj[ccWhYWZeYece
portuguesa"B_iXeW";Z$;ijWcfW"'//*$ cec[dje_dWk]khWZehZ[kcfheY[Z_c[dje\kjkhe"YeckcWei`[ikjWi
>Wkfj"7bXh[Y^j"A arquitectura ek}][d[hWb_ZWZ[ZWiEhZ[dih[b_]_eiWi$CWi"iebkel[hZWZ[_hWc[dj[
do Renascimento em Portugal"
B_iXeW";Z$Fh[i[dW"'/.,$ [d][dêiW"Wl[hj_YWb_ZWZ[ZW_]h[`WWii[]khWZWf[bWiZ[iYWh]WieYkbjWi
F[h[_hW"FWkbe"Ç:eÉceZeÊ]j_Ye Z[ÇWhYeXejWdj[iÈgk[i[Z_ii_ckbWcdWÇYW_nWZ[WhÈ_Z[dj_ÓYWZWdWi]W#
WecWdk[b_deiYkbeiNL#NL?È"
História da arte portuguesa b[h_Wigk[Yehh[cWY_cWZWiYWf[bWibWj[hW_i}dWl[$;ijW_dj[b_]dY_W\kd#
Z_h$FWkbeF[h[_hW"leb$??"B_iXeW" Y_edWb[WYWfWY_ZWZ[Z[[nf[h_c[djWe\ehWc"WÓdWb"egk[b[leke
9hYkbeZ[B[_jeh[i"'//+$
I_blW"@ei9kijZ_eL_[_hWZW" Whgk_j[Yje8hkd[bb[iY^_WZ[i[dlebl[hWiYW_nWiZ[WhdWYedijhkeZW
O Tardo -Gótico em Portugal.
A arquitectura no Alentejo"B_iXeW"
YfkbWZ[<beh[dW$Feh[ijWl_W"jWcXc"i[Z[l[h[_l_dZ_YWhkc[ijWjk#
B_lhei>eh_pedj["'/./$ jeZ[fb[dW[Wiikc_ZWceZ[hd_ZWZ[fWhWW_]h[`W\hWdY_iYWdWZ[xlehW$
)(
Ix:7=K7H:7
Fhe[<_b_f[>[dh_gk[i"iYkbeiNL#NL?
=kWhZW
<e_dWfh_c[_hWc[jWZ[ZeiYkbeN???gk[W_dij_jk_eZWZ_eY[i[ZW
=kWhZWWYj_lekWZ[YWZdY_WZWWdj_]W;]_j~d_W[Z[ibeYekeY[djhefeb#
j_Ye[h[b_]_eiefWhWeh_[dj["Wii[]khWdZeeZ[i[dlebl_c[djeZ[ijW|h[W
\hedj[_h_W$
F[beiÓdW_iZeiYkbeN?L"Wifh_c[_hWi\kdZW[iYWj[ZhWbY_Wi
\ehWcikXij_jkZWif[bWYedijhkegk[i[[h]k[k"de\kdZWc[djWb"We
bed]eZeiZe_iiYkbeii[]k_dj[i[ch[]_ijeigk["fbWij_YWc[dj["i[_dj[#
]hWcdeiZ[i_]dWZeiÇ=j_Ye<bWc[`Wdj[È[ÇCWdk[b_deÈ$:[iZ[efehjWb
i_cfb[igk[i[WXh[dWYWX[Y[_hWdWYWf[bW};fijebW[eij[djWeXhWie
Z[:$BkiZW=k[hhW\Wb[Y_Ze[c'*+.WjWecW_i[bWXehWZefehjWbdW
\WY^WZWdehj["YecYbWhWiWÓd_ZWZ[iYeceifehjW_iZeCeij[_heZW8WjW#
b^WdejefeikbZejhWdi[fje[defehjWbWn_WbZW_]h[`W"WIZW=kWhZW
ceijhWWYWfWY_ZWZ[Z[WYjkWb_pWeWeih_jcei[ijj_Yeigk["YedikXi#
jWdY_WZeidejhWXWbêZeiWhgk_j[Yjei7\edie:ec_d]k[i[>k]k[j"Z_dW#
c_pWlWcefh_c[_hefWdj[eZWZ_dWij_WZ[7l_i[WXiehl_WcWiWj[d[i
h]_Wi$7I"feZ[heiW[ijhkjkhWZ[jhidWl[i[cYhkpbWj_dW"_dj[]hWh_W
W_dZWei[dj_ZecWdk[b_degk[Z[Ód[ei[kf[hÓbcW_ih[fh[i[djWj_le"W
efef[beH[dWiY_c[dje^kcWd_ijWdWYWf[bW\kd[h|h_WZ[@eeZ[F_dW
Y$'+)&ekeYWh|Yj[hZ[ife`WZeZ[kcYbWii_Y_iceYedjhW#h[\ehc_ijW
gk[WYWXWh_Wfehj[hYecfb[c[djWh_ZWZ[_Z[eb]_YWÆde\ehcWbÆde
h[j|XkbeY$'++)Z[@eeZ[Hke"kcW[dYec[dZWZeX_ife:$9h_ij#
leZ[9Wijhe$
<e_YeceX_ife:$F[ZheLWp=Wl_e'*/,#'+',[fh_eh#cehZe
Ceij[_heZ[IWdjW9hkpZ[9e_cXhW'+&-#',gk[WieXhWiWlWdWhWcW
kch_jce_dj[dieieXWh[ifediWX_b_ZWZ[Z[Fhe[<_b_f[>[dh_gk[i"Óbêi
8_Xb_e]hWÓW[ii[dY_Wb ZeWhgk_j[YjeCWj[ki<[hdWdZ[i$7ii_ci[[nfb_YWcjWdjeWiWÓd_ZWZ[i
7jWd|p_e"CWdk[bC[dZ[i"Para
um estudo crítico da catedral da
Yececeij[_heYhp_eWedl[bZWeh]Wd_pWeZW\WY^WZW"YeceYec
Guarda"=kWhZW"7ii[cXb[_W kcWfheZkeYed_cXh_Y[di[l[`W#i[Wh[bWe[djh[efehjWbfe[dj[ZW
:_ijh_jWb"'//&$
9hWl[_he"CWh_WZ[BkhZ[i"Ç7I I[eifehjW_iZW_]h[`WZW;]WekZWYWf[bWZ[I$C_]k[b"WcXeiZ[CWh#
ZW=kWhZW0WYedijhkeZeiW]hWZe YeiF_h[i"eWhgk_j[Yjegk[ikXij_jk_8eojWYde[ijWb[_heZeCeij[_heZ[
[c[ifWeZ[\hedj[_hWÈ"Actas do
Congresso Histórico -Teológico do IWdjW9hkp$;"jWbYeceWYedj[Y[[cIWdjW9hkpZ[9e_cXhW"Wfh[i[dW
VIII Centenário da Diocese da ZW^[h|bZ_YWZeX_ife[nfb_Y_jWWWYec[Y[d|j_YW_diYh_jWdWYkbjkhW
Guarda"=kWhZW"(&&&$
=ec[i"@$F_d^WhWdZW"História ^kcWd_ijWZecW_iÓdeh[Yehj[$
da diocese da Guarda"8hW]W"
;Z_jehWFWn"'/.'$
Sé Catedral da Guarda: as formas
no tempo"=kWhZW"Cki[kZW=kWhZW"
'//&$
I[hhe"Ljeh"História da arte
em Portugal — o Renascimento
e o Maneirismo (1500 -1620)"B_iXeW"
;Z$Fh[i[dW"(&&($
)*
?=H;@7:ECEIJ;?HE
:;I7DJ79HKP
C[ijh[8eojWY%:_e]eZ[9Wij_bê"fh_c[_hegkWhj[bZeiYkbeNL?
9e_cXhW
;c'')'"\e_bWdWZWWfh_c[_hWf[ZhWZeCeij[_heZ[IWdjW9hkp$7Zef#
jWdZeWh[]hWZ[IWdje7]eij_dê"eiYd[]eih[]hWdj[iYedijhkhWc[c
9e_cXhWkcW[ijhkjkhWZ[feZ[hgk["WjWeiYkbeNL?"Wf[dWih_lWb_pek
YeceCeij[_heZ[7bYeXWWekYece9edl[djeZ[9h_ije[cJecWh$
Eceij[_hec[Z_[lWb\e_WcfbWc[dj[_dj[hl[dY_edWZedef[heZe
cWdk[b_de"ieXWZ_h[YeZeWhgk_j[Yje8eojWY"[lebjWh_WWh[YedÓ]khWh
[ijhWj]_Wi\ehcW_i[[ifWY_W_iWfWhj_hZWh[\ehcWèWd_dW_cfb[c[djWZW
[c'+(-$7iikc_h_W"Wii_c"[Webed]eZWfh_c[_hWc[jWZ[ZeiYkbeNL?"
kcfWf[b\kdZWc[djWbdeWfe_eWeiZ[i]d_eih]_eifWhWWYedieb_ZWe
ZWi[ijhkjkhWifebj_Ye#_Z[eb]_YWiZe;ijWZeCeZ[hde"WefheY[iieZ[
jhWdi\[hdY_WZWKd_l[hi_ZWZ[fWhW9e_cXhW[}fh[i[dWh[\ehWZWZWi
EhZ[dih[b_]_eiWigk[i[eh]Wd_pWh_Wc[cjehdeZWKd_l[hi_ZWZ[$7ec[i#
cej[cfe"eceij[_heYhp_e\ehcWlWkc[ijWb[_heZ[eXhWigkWb_ÓYWZe
edZ[i[Z_bkWkcckdZec[Z_[lWb[i[YedijhkWcjeZWiWi[ijhkjkhWiZ[
WY[iie}YkbjkhW[b_j_pWZWZeH[dWiY_c[dje$Feh[b[fWiiWhWceidec[i
cW_iYh[Z[dY_WZeiZ[kcWfbWij_Y_ZWZ[Z[i[dlebl_ZW[cjehdeZeilWbe#
h[i^kcWd_ijWi[WfWhj_hZ[b[i[Z_\kdZ_hWcfh|j_YWiZ[jhWXWbêgk[^Wl[#
h_WcZ[ZWhW9e_cXhWkc[ijWjkjecW_ehdeZecd_eZWfb|ij_YWZ[cWjh_p
Yb|ii_YW$C[ijh[8eojWY":_e]eZ[9Wij_bê"D_YebWk9^Wdj[h[d[ek@ee
Z[Hkeieei_dZ_YWZeh[iYh[Z[dY_WZeigk[[ijWX[b[Y[cdeceij[_he
kcfWjWcWhZ[[hkZ_egk[i[fhebed]Wh_Wdej[cfe$
7\WY^WZWZW_]h[`W"[cè]eWhj_YkbWZeYecWYedijhkefh_c_j_lW"
}gkWbi[Yebek[djh['+((#(+efehjWb#h[j|Xkbe:_e]eZ[9Wij_bê[D_Ye#
77$LL$"Igreja de Santa Cruz
bWk9^Wdj[h[d[Z[i[dj_ZeWfebe]j_Yel_hWZe}fhWW"Z_jWkcfhe]hWcW
de Coimbra,história, conservação [nfbY_jeZ[iWblWe[Wkjeh_ZWZ[ZW_]h[`W$E_dj[h_eh"\hkjeZWi_dj[hl[d#
e restauro da fachada e arco
triunfal"B_iXeW"?FF7H"(&&'$
[igk_d^[dj_ijWiiWZWiZWh[\ehcWZ['+(-"Wb_d^WWiYWf[bWibWj[hW_i
9hWl[_he"CWh_WZ[BkhZ[i" [ci[gkdY_WYecef[hYkhieh[cWjWZedWYWf[bW#cehgk[WbX[h]Wei
A arquitectura “ao romano”"leb$/Z[
Arte portuguesa. Da pré-história ao jckbeiZeifh_c[_heih[_i"7\edie>[dh_gk[i[IWdYê?$Eijckbei
século XX YeehZ$:Wb_bWHeZh_]k[i" '+'.#(("eh]Wd_pWZei}cWd[_hWZ[WhYeijh_kd\W_i[c\ehjii_cWh[jh_YW
i$b$"<kXk;Z_jeh[i"(&&/$
9hWl[_he"CWh_WZ[BkhZ[i$ Z[feZ[h"[nf[ckcfhe]hWcWZ[[nWbjWeWei\kdZWZeh[iZWcedWhgk_W
O Renascimento em Coimbra: [Yedij_jk[c#i[YececWhYWi[nfbY_jWiZWWkjeh_ZWZ[Zeh[_:$CWdk[b$
modelos e programas arquitectónicos"
:_ii[hjWeZ[:ekjehWc[dje" ;c(&&)"f[bWiWblW]kWhZWZei[fkbYheh]_e"W_]h[`WjhWdi\ehcWlW#i[de
feb_Y$"9e_cXhW"<BK9"(&&($ deleFWdj[eDWY_edWb$
:_Wi"F[Zhe"A arquitectura de
Coimbra na transição do Gótico
para a Renascença, 1490 -1540"
9e_cXhW"'/.($
CWhj_di"7hcWdZe7bX[hje"
O Mosteiro de Santa Cruz de
Coimbra. Séc. XII-XV. História e
instituição"(lebi$"B_iXeW"'//,$
),
?=H;@7:EH;7B
CEIJ;?HE:EI@;HãD?CEI
C[ijh[8eojWY%@eeZ[9Wij_bê%@[hd_ceZ[Hke"Y$'+'&#'+-(
8[bc"B_iXeW
7?]h[`WZeH[WbCeij[_heZei@[hd_ceikcZei[ifWei[cXb[#
c|j_YeidWWhgk_j[YjkhWfehjk]k[iW$9edY[X_ZeYececWhYW_cf[h_WbZe
h[_dWZeZ[:$CWdk[b[\kjkhefWdj[eh]_eikXij_jk_dZeeceij[_he
Zec_d_YWdeZW8WjWb^W"eCeij[_heZ[8[bcjWcXcW[l_ZdY_WZ[
kcWfebj_YW_Z[eb]_YW[YkbjkhWbceZ[hdWgk[[dYedjhWlWdW[if_h_jkWb_#
ZWZ[_dj[b[YjkWbZWEhZ[ch[b_]_eiWZ[I$@[hd_cefeZ[heiWiWb_WdWi$
7_]h[`W"cec[djeZ[Y^[]WZWZ[kcf[hYkhiec[Z_[lWb["i_ckb#
jWd[Wc[dj["WhhWdgk[[Ç\WhebÈZ[kchkceWi[]k_h"YediW]hWjeZWiWi
Yedgk_ijWiÇ]j_YWiÈdWeXj[de"Yecjh[c[dZWl_i_X_b_ZWZ[[_cfWYje"
ZWZ[i_]dWZWÇ_]h[`W#iWbeÈ$7iWXXWZWigkWi[fbWdWigk[YeXh[cWi
dWl[i[ejhWdi[fje"Wii[dj[iieXh[Ódeif_bWh[i"ekWYWh]Wbkcd_YWgk[
f[dZ[ieXh[e[ifWeWhj_YkbWc#i[YecdelWfbWij_Y_ZWZ[gk[WfedjW
).
fWhWh[delWZWl_ieZe[j[hdeYed\hedje[djh[e>ec[c[:[ki$Ie
ceZ[hdeiWYedY[feZ[\ehcWi[lebkc[iZW_]h[`Wekei[dj_ZeZ[Ye#
hWj_legk[fh[[dY^[ei[b[c[djeiWhgk_j[Yjd_YeiZWidWl[i[ZejhWd#
i[fje[edZ["def_bWhdehj[gk[i[fWhWWdWl[ZeYhkp[_he"i[[dYedjhW
Æfeii_l[bc[dj[Æeh[jhWjeZ[@eeZ[9Wij_bê"YececeZ[hdeefhe#
]hWcW_Yede]h|ÓYeZeii[kiZe_ifehjW_i$7YbWhW_dj[debWkZWjh_W[
fhefW]WdZij_YWZeh[_h[jhWjWZedefehjWbWn_WbÆZWh[ifediWX_b_ZWZ[Z[
D_YebWk9^Wdj[h[d[ÆYecI$@[hd_ce[WYecfWd^WZeZWhW_d^W:$CWh_W"
YecI$@ee8Wfj_ijW"edZ[dkdYW\WbjWcei[cXb[cWigk[e_Z[dj_ÓYWc"
fWiiW}][d[hWb_ZWZ[ZeiY_hYk_jeiced|ij_Yei[eXh_]WWkc_dl[ij_c[dje
Yedj_dkWZedeceij[_hef[beiikY[iieh[iZ[:$CWdk[b$7ii_ci[`kij_ÓYW
kcWih_[Z[ZeW[ih]_Wigk[Z_]d_ÓYWc[[dh_gk[Y[ceceij[_he"W
YedijhkeZeYeheWbjeieXZ[i[dêZ[:_e]eZ[JehhWblWY$'++&[ZW
cW]dÓYWeXhWZ[ÇhecWdeÈZeYWZ[_hWbY$'++&":_e]eZ[wWhWekWh[\eh#
ckbWeZWYWf[bW#cehZ[@[hd_ceZ[Hke'+,+#-($;ijW"ZW_d_Y_Wj_lW
ZWhW_d^Wl_lW:$9WjWh_dW"Ykcfh_WeiZ[i]d_eiZWifh[ii[ifebj_YWi[
h[b_]_eiWiZW9edjhW#H[\ehcW[_WWe[dYedjheZ[kcWWhgk_j[YjkhWl_]ehe#
iW[Z[fkhWZWgk[kbjhWfWiiWlW"Wkcj[cfe"ei[dj_Ze^kcWd_ijWZe[ifW#
e[eiedêèWd_deZei[fkbYhe[cJecWh$7gk_i[i[fkbjWh_Wc:$CWdk[b
*&
[:$CWh_WWe;lWd][bê[:$@ee???[:$9WjWh_dW};fijebW"YecWi
WhYWiieXh[ei[b[\Wdj[ikcj[cWYWhe}YkbjkhWZeH[dWiY_c[dje[jhW#
jWZefeh<hWdY_iYeZ[>ebWdZW"[c'+-'"dWikWFábrica que falece à cidade
de Lisboa"[dgkWdjeejhWdi[fjeWbX[h]WlWei_d\Wdj[i"YeceYWhZ[Wb#h[_"
:$>[dh_gk[$7[nWbjWeZWic[ch_WidWY_edW_ib[lWh_WW_dZWWgk["[c
'/*&"i[YebeYWii[cdeikXYeheWiWhYWijkckbWh[iZ[LWiYeZW=WcW[
BkiZ[9Wc[i$
Eic[djeh[iZe[ifWe\i_Ye[[if_h_jkWbYediW]hWZedW_]h[`Wie
i[cfh[Zeic[bêh[iWhj_ijWiZeH[_de0c[ijh[8eojWYY$'*,&#'+(.gk[
Z[k_dY_e}Yedijhke"@eeZ[9Wij_bêY$'*-+#'++(gk[fhWj_YWc[dj[
YedYbk_kW_]h[`W"D_YebWk9^Wdj[h[d[gk[Z|edec[WefehjWbWn_Wb'+'-"
:_e]eZ[JehhWblWY$'+&&#'+,,[@[hd_ceZ[Hke'+)&#',&'$
:_Wi"F[Zhe"Os portais
manuelinos do Mosteiro dos
Jerónimos"9e_cXhW"?>7# <BK9"
'//)$
Ceh[_hW"HW\W[b"Jerónimos"
B_iXeW"?FF7H%;Z$L[hXe"'//+$
CkY^W]Wje"@eh][[IWf_[^W"
D_YebWi"Jerónimos. Memória e lugar
do Real Mosteiro"B_iXeW";Z$?dWfW"
I7"'//-$
F[h[_hW"FWkbe"Ç:eÉceZeÊ]j_Ye
WecWdk[b_deiYkbeiNL#NL?È"
História da arte portuguesa
Z_h$FWkbeF[h[_hW"leb$??"B_iXeW"
F[h[_hW"FWkbe"Mosteiro dos
Jerónimos"B_iXeW"?FF7H%IYWbW
FkXb_i^[hi"(&&)$
*'
?=H;@7:E9EDL;DJE:;9H?IJE
@eeZ[9Wij_bê%:_e]eZ[7hhkZW"iYkbeiN??#NL?
JecWh
EYed`kdje[Z_ÓYWZegk[i[[h]k[dWYeb_dWieXhWdY[_hWWJecWhf[hcWd[Y[
YecekcZeicW_i_djh_dYWZeiZ[iWÓei_dj[hfh[jWj_leiZ[jeZWWWhgk_j[Yjk#
hWfehjk]k[iW$DWiY_ZeZ[kcYedj[njej[cfb|h_edef[heZeZWH[Yedgk_i#
jW[h[Yedl[hj_ZefWhWWEhZ[cZ[9h_ijedeifh_c[_heiWdeiZeiYkbeN?L"
\e_h[\ehWdZekcWYecfb[n_ZWZ[[kcWgkWb_ZWZ[Yecfei_j_lWigk[WYec#
fWd^WhWc"fWhj_YkbWhc[dj[WjWeiYkbeNL??"eii[kih_jceiYedijhkj_lei$
GkWdZe:$CWdk[bWiikc_kWh[][Zeh_WZWEhZ[cZ[9h_ije[c
'*.*"eYedl[dje][h_WW[ijWX_b_pWeZ[f[hYkhieieh]Wd_pWZWf[be_d\Wd#
j[:$>[dh_gk[$xYeceZkgk[Z[8[`W[\kjkheh[_gk[_h|eYehh[hel[d#
ZWlWbZ[jhWdi\ehcW[igk[Z[Ód_kfWhj[Zef[hÓbZeYedl[dje[ZW
fhfh_WY_ZWZ[$Deh[Y_djeZWY[hYWYedl[djkWb"Wh[\ehcWZ_iY_fb_dWh[c
Ykhiedei[_eZW?]h[`WZ_jWh_WjWcXcW[nj_deZWL_bWZ[9_cW[W
_dj[diWh[\ehckbWeef[hWZWdeiY_hYk_jeiZWpedW[Z_ÓYWZW$
*(
7?]h[`WZe9edl[djeZ[9h_ije"Wii_c"eh[ikbjWZeZ[l|h_WiYWc#
fWd^Wigk[i[_d_Y_WcYecefhe`[Yjej[cfb|h_eZeiYkbeN??$:Wfhelc
e[ifWeY[djhWZeZWY^WhebWZeiYWlWb[_heiZWEhZ[cZeJ[cfbe[le#
YWeZeIWdjeI[fkbYheZ[@[hkiWbc"YeceYehkY^kgk[WYb[Xh[
_bkc_dkhWZ['+&)dWLeitura NovaW_dZWceijhW$7Z[hheYWZWZeYehk#
Y^k'+&.ieXh[WY^WhebWj[h|i_Ze"Wb_|i"Wefehjkd_ZWZ[gk[Z[i[dYW#
Z[ekWYedijhkeZWdelW_]h[`Wgk["de\kdZWc[djWb"ê`[f[hcWd[Y[$
JhWdi\ehcek#i[WY^WhebW[cYWf[bW#ceh"YecW[djhWZWWdj[h_eh"WdWi#
Y[dj["h[Yedl[hj_ZW[c`Wd[bW"[Yedijhk_k#i[eYehfeWlWdWZeZWdWl[
WfWhj_hZe]hWdZ[WhYejh_kd\Wbgk[ikXij_jk_keiZe_ijhWceiZWY^WhebW"
Wfe[dj[$7dWl[cWdk[b_dWi[h_Wh[cWjWZWf[beYehfegk[[d]beXWlWW
iWYh_ij_Wdef_ie_d\[h_eh}gkWbi[j[cWY[iief[bW[djhWZWYec[iYWZW
ZeiYkbeNN[eYehedef_ieikf[h_eh$;ij[Yed`kdjei[h_W[dYkhjWZe
def[heZeÓb_f_de"f[hc_j_dZeWiWX[hjkhWifhn_cWiWdehj[[Wikb}
YejWZWdWl[ZW_]h[`W$7fWh[Z[fe[dj[ZWiWYh_ij_W_dj[]hekW`Wd[bW'+'&
edZ[:_e]eZ[7hhkZWfbWicekW\WY[cW_iZ_lkb]WZWZWi]bh_WiZeh[_#
dWZe"[W_]h[`WWYeb^[k"Wikb"efehjWb'+'+Z[@eeZ[9Wij_bê"eWhgk_#
j[Yjegk[dWiZYWZWii[]k_dj[iWgk_Yedijhk_h_We_Z[WbZ[f[h\[_e
Yic_YW[njhWZeZWYkbjkhW[hkZ_jWZe^kcWd_iceh[dWiY[dj_ijW$
**
Efhe]hWcWZ[YehWj_legk[fh[[dY^[jWdjeWi[ijhkjkhWicWdk[b_dWi
YeceWiYeX[hjkhWiZWY^WhebWYedij_jk_l[hZWZ[_hec[ceh_WbfhefW]Wd#
Zij_Ye$7f_djkhWckhWbdWY^WhebW"_d_Y_WZW[c'*//[Z[fe_iYecfb[c[d#
jWZWYec[ijkgk[i"_dj[]hW"ieXh[\kdZeYWhc[i_cekl[hZ[#[iYkhe"kcW
eZ[}dWjkh[pWedZ[de\WbjWccej_leiWhgk_j[Yjd_Yei"Wd_cW_i"Wdèi"
Ó]khWi\Wdj|ij_YWiekW^[h|bZ_YWh]_W$Ei[b[c[djeiZeYkYed`k]Wc#i[
YeceiZWj[hhW[[dYedjhWce[gk_bXh_eYic_Yedkckd_l[hieYedjhe#
bWZef[beh[_$7eÓY_dWZef_djeh@eh][7\edieYecWYedjh_Xk_efei#
j[h_ehZ[=h[]h_eBef[iYehheXehWkcfhe]hWcWZ[[nWbjWegk[i[
[ij[dZ[kWejhWXWbê[iYkbjh_YeZ[Eb_l_[hZ[=WdZjWcXceh[ifed#
i|l[bf[bW[n[YkeZeZ[iWfWh[Y_ZeYWZ[_hWb[<[hdeCkep$
7ckZWdW[ijWjkj|h_WZWEhZ[cZ[9h_ije[dYWhh[]ek#i[Z[jhWdi#
\ehcWh[chkdWWYWiWZeYWfjkbefWhW\h[_h[i[YWlWb[_heigk[i[YedijhkW
WfWhj_hZ['+('"fhn_cWZW_]h[`W"h[YedÓ]khWdZel_ldY_Wi[[ijhWj]_Wi
Z[Y_hYkbWe$CWiWifh|j_YWicWdk[b_dWidefbWdeZeYedijhkZe"ZW
l_jWb_ZWZ[Z[YehWj_lWekZe_dl[ij_c[djekhXWde"Z[j[hc_dWdj[fWhWe
\kjkheZWl_bW#Y_ZWZ[Wiikc[ckcYWh|Yj[hZ[fhe]hWcWgk[eXh_]WcW
f[diWheh[_dkcfWjWcWhZ[WXiebkjWceZ[hd_ZWZ[[jhWdi\ehcWce9ed#
l[djeZ[9h_ijedefhe`[YjecW_igkWb_ÓYWZeZ[jeZWWWhgk_j[YjkhWfeh#
jk]k[iWZeiYkbeNL?$
8[dje"CWh_W@eiJhWlWiiei
Z[7bc[_ZWZ[@[iki"O Convento
de Cristo em Tomar: do Infante
D. Henrique às empreitadas
manuelinas"9e_cXhW"<BK9"(&&.$
B[_j["Ibl_W"A arte do Manuelino
como percurso simbólico"i$b$"
9Wb[_ZeiYf_e"(&&+$
Ceh[_hW"HW\W[bet al., O Coro
do Convento de Cristo em Tomar,
B_iXeW"<kdZWe9WiW<hedj[_hW
[7behdW"'/./$
F[h[_hW"FWkbe"A obra silvestre
e a esfera do rei: iconologia da
arquitectura manuelina na Grande
Estremadura, 9e_cXhW"?>7# <BK9"
'//&$
F[h[_hW"FWkbe"De aurea aetate:
o coro do Convento de Cristo em
Tomar e a simbólica manuelina"
B_iXeW"?FF7H"(&&)$
*+
JEHH;:;8;BxC
<hWdY_iYeZ[7hhkZW"'+'*#'+'/
8[bc"B_iXeW
Efhe]hWcWZ[Z[\[iWZWXWhhWZeJ[è"YedY[X_Zefeh:$@ee??[_dj[#
]hWZedeZ[YkhieZWWl[djkhWcWhj_cWfehjk]k[iW"_cfb_YekjWcXce
h[\eheZ[kcfej[dY_WbY_[djÓYejhWZkp_ZedWWhgk_j[YjkhWc_b_jWhgk[
ideiYkbeNL?[Yec:$CWdk[bl_h_WWi[h_cfb[c[djWZe$
:[Z_YWZWWI$L_Y[dj[[Whj_YkbWdZe#i[de\e]eYhkpWZe[djh[9Wi#
YW_i[Wjehh[\hedj[_hWZ[I$I[XWij_eZW9WfWh_YW"WJehh[Z[8[bc
Wiikc[kcYecfhec_iie[djh[el[bêckdZeZWYWlWbWh_Wc[Z_[lWb[Wi
fh|j_YWiceZ[hdWiZW]k[hhW$7jehh[WbjW}cWd[_hWZ[jehh[Z[c[dW#
][c[eXWbkWhj[[cYed`k]Weie"Wii_c"Ze_iceZ[beiZ_ij_djeigk[
YediW]hWcWd[kheXWbij_YW[Wf_heXWbij_YW[h[Ô[Yj[cZkWil_i[iZ_\[#
h[dj[iZeiWX[hWhgk_j[Yjd_Ye$CWiei[dj_ZeZ[YehWj_le[\[ij_leZWJehh["
f[`WZeZ[cej_leigk[[d]beXWcYehZWi"di"Wd_cW_i"Wbki[icekh_iYWi
ekW^[h|bZ_YWh]_WWdkdY_WckcW[ijhkjkhWYd_YWgk[_dj[]hWWfh[i[d#
WZefeZ[h$D[cZ[ekjheceZei[feZ[h_WYecfh[[dZ[heWfWhWjeZW
loggiacedjWZWdWjehh[[gk[h[fehjWlWWeY[h_ced_Wb_cfeijef[bWfh[#
i[dWZWYehj[dWY^[]WZW[bWh]WZWZeidWl_ei$
7<hWdY_iYeZ[7hhkZWi[Z[l[WYedY[fe[[n[YkeZWJehh[
Z[8[bc$H[]h[iiWZeWFehjk]Wb[c'+'*"Z[fe_iZeWYecfWd^Wc[dje
ZWi\ehj_ÓYW[icWhhegk_dWiIWÓc"7pWceh"7hp_bW[9[kjW"edZ[Yed#
jWYjekYec<hWdY_iYe:Wdp_bê"7hhkZWeWhgk_j[YjeWf[jh[Y^WZeYec
WYWh]WZ[ceZ[hd_ZWZ[gk[_cfehjWWeh[_:$CWdk[b$7gk_i[fbWicek"
fehl[djkhW"W_dj[hfh[jWefehjk]k[iW[cWdk[b_dWZeiZ[i[dêigk[e
[d][d^[_hec_b_jWh_jWb_Wde<hWdY[iYeZ_=_eh]_eCWhj_d_[djeZ_lkb]WlW
fWhWeiYhYkbeiZ[kcW;khefWYkbjW[h[ÓdWZW$
:_Wi"F[Zhe"A arquitectura
manuelina"Fehje"B_lhWh_W
9_l_b_pWe;Z$"'/..$
Ç7jehh[#XWbkWhj[Z[8[bcÈ"Ocidente"
leb$BNL??"B_iXeW"'/,*$
>Wkfj"7bXh[Y^j"A arquitectura
do Renascimento em Portugal"
B_iXeW";Z$Fh[i[dW"'/.,$
Ceh[_hW"HW\W[b"Ç7Jehh[Z[
8[bcÈ"O Livro de Lisboa"B_iXeW"
B_lhei>eh_pedj["'//*$
F[h[_hW"FWkbe"Torre de Belém"
B_iXeW"7dj_gk[9ebb[YjehiÊ9bkXBjZ$"
(&&+$
*,
?=H;@7C7JH?P:;CxHJEB7
IYkbeN??%IYkbeNL?
ChjebW
7?]h[`WCWjh_pZ[ChjebWkcZeicW_i_cfehjWdj[ij[ij[ckdêi"[c
Fehjk]Wb"ZWYWfWY_ZWZ[Z[WZWfjWe[h[Yedl[hieZ[Wdj_]Wi[ijhkjkhWi
fehjWZehWiZ[i[dj_ZeiYkbjkhW_i[h[b_]_eieiZ_\[h[dY_WZei$
7cWgk_b^W][cYh_ijb[lWZWWYWXedef[heZecWdk[b_deieXh[W
Wdj_]Wc[igk_jWWbcWZWZ[ChjebWZWi[]kdZWc[jWZ[ZeiYkbeN??["
:_Wi"F[Zhe"A arquitectura
feii_l[bc[dj["ikXij_jk_dZeekjhe[Z_\Y_eWdj[h_ehdeWdkbekW[ifWY_W#
manuelina"leb$+Z[Arte b_ZWZ[Ôk_ZWgk[WidWl[ie\[h[Y[cY_dYeYecgkWjhejhWceidWZ_c[d#
portuguesa. Da pré-história ao
século XX YeehZ$:Wb_bWHeZh_]k[i" iegkWZhWd]kbWhZeYed`kdje"d[ceih[]_ijei_ib~c_YeiYediW]hWZeidWi
i$b$"<kXk;Z_jeh[i"(&&/$ fehjWiZ[WhYekbjhWfWiiWZe[WbÓp"dec_^hWXekdeWbc_dWhh[Yedl[hj_Ze
:_Wi"F[Zhe"Ç7hgk_j[YjkhW
ckZ`Whfehjk]k[iW0j[djWj_lW [cjehh[Yh_ij$7YeX[hjkhW"kd_ÓYWZWfehWXXWZWiZ[YhkpWh_Wi_cfb[i"
Z[i_ij[cWj_pWeÈ"Mare Liberum" WYecfWd^Weh_jceZWiYebkdWi"[dgkWdjee[nj[h_ehh[cWjWZefeh
d$±.":[p[cXhe'//*$
CWY_Wi"IWdj_W]e"Mértola Wc[_WiZ[YehWj_lWifhn_cWiZWiZ[C[Z_dW7p^WhW$@|efehjWbfh_dY_fWb"
Mesquita: Igreja Matriz"ChjebW" [ch[Z[Ód_eèWd_dW"_dj[]hWkcWWbj[hdWj_lWYb|ii_YWedZ[i[fh[ii[d#
9$7$"(&&($
CWY_Wi"IWdj_W]eet al." j[cei[YeiZW[iYebWZ[7dZhF_bWhj[$
O legado islâmico em Portugal" De]eijeckZ`WhWgk[eFWii[[djh[]WlWdeh[_dWZeZ[:$CWdk[b"
B_iXeW"9hYkbeZ[B[_jeh[i"'//.$
I_blW"@ei9kijZ_eL_[_hWZW" W?]h[`WZ[ChjebWedZ[jhWXWbêkec[ijh[<[hdeF_h[ijWcXcfeZ[
O Tardo -Gótico em Portugal, a
arquitectura no Alentejo"B_iXeW"
i[h[dj[dZ_ZWf[bWledjWZ[Z[_dj[]hWeYkbjkhWbÇkd_l[hiWbÈ"edZ[h[i#
B_lhei>eh_pedj["'/./$ iWbjWWl_jh_WZWfebj_YWYh_ijieXh[ekjhWief[ih[b_]_eiWi$
*.
9B7KIJHE:7Ix:;L?I;K
<hWdY_iYeZ[9h[cedW"'+(,#'+)(
L_i[k
E9bWkijheZWIZ[L_i[kWfh[i[djW#i[Yecel_ie[iYbWh[Y_ZWZeÇckd#
ZeWdj_]eÈ_diYh_jW[cj[hh_jh_eYedjWc_dWZeW_dZWf[bei[dj_ZecWdk[#
b_de[cgk[i[cel_WWYkbjkhWWhgk_j[Yjd_YW[cFehjk]Wb$;njhWZejWdje
ZeYed^[Y_c[djeZWYkbjkhWYb|ii_YWYeceZWj[dWY_ZWZ[[cYedijhk_h[c
L_i[kW`|Z[i_]dWZWÇYehj[X[_hÈ"eYbWkijheh[`[_jWWfbWij_Y_ZWZ[l_XhWd#
j[gk[j_d^W"^|Y[hYWZ[')Wdei"fh[[dY^_ZeZ[diWYeX[hjkhWZWI[
[dl[h[ZWZ[Y_i_lWc[dj[fehkcWfh|j_YWedZ[Wb_cf_Z[pdeh_jce[ijWX[#
b[Y_Zef[bWiWhYWh_Wi"YecYebkdWiZ[\kij[[ijh_WZe[YWf_j_iYecfi_jei
Z[_hh[l[h[dj[Yh_We"Z_jWkcWWjcei\[hWgk[`|\e_Wfhen_cWZWWef|j_e
fh_dY_fWbZefWb|Y_eZkYWbZ[KhX_de$EiYkbeNL???WYh[iY[djWh#b^[#_We
f_ieikf[h_eh"Whgk_jhWlWZe[i[hl_ZeZ[XWbWkijhWZW"dkcWi[gkdY_Wgk[
deWZkbj[hekWYedY[fe[b[]Wdj[ZeckdZefhe`[YjWZWfehc[ijh[
<hWdY_iYe$
7Y^Wl[fWhWWZ[Y_\hWeZ[ij[cec[dje[cgk["f[bWfh_c[_hW
l[p[cFehjk]Wb"i[Yh_ijWb_pWWYkbjkhWWhgk_j[Yjd_YWZeH[dWiY_c[dje
[dYedjhW#i[dW[dYec[dZW"eX_ifeZ[L_i[k:$C_]k[bZWI_blW"[dei[k
Whgk_j[Yjefh_lWZe"<hWdY_iYeZ[9h[cedW$7eX_ife"h[]h[iiWZeZ[HecW
[c'+(+"Z[fe_iZ[kcZ[i[cf[dêYece[cXW_nWZehZeh[_:$CWdk[b
dWYehj[fWfWb"\eh`WdZekcWj[_WZ[h[bW[iWecW_iWbjedl[b[WbYWd#
WdZekcfh[ij]_egk[b[lWh_W8WbZWiiWh[9Wij_]b_ed[WZ[Z_YWh#b^[ei[k
Libro del cortegiano'+(."[ijWh_Wh[i[hlWZWkcWWYec[Y[d|j_YWgk[
i[WbWh]ek}<epZe:ekhe}YWf[bWZ[I$C_]k[b#e#7dè[}_]h[`WZ[I$
@eeZW<ep"i[cfh[dWYh[Z_X_b_pWeZeÇceZeWdj_]eÈh[\ehWZefeh
8_Xb_e]hWÓW[ii[dY_Wb iWX[h[Wkjeh_ZWZ[$;c<hWdY_iYe"ec[ijh[Yh[cediYecjhWXWbêdW
77$LL$"Monumentos"d$±')"
H[l_ijWI[c[ijhWbZ[;Z_\Y_ei[
XWib_YWZ[I$F[ZheieXWiehZ[diZ[HW\W[bZ[KhX_de"[dYedjhek:$
Cedkc[djei"B_iXeW":_h[Ye# C_]k[bZWI_blWe_dj[hbeYkjehWZ[gkWZeWeii[kiZ[i]d_eiZ[kcW]hWd#
#=[hWbZei;Z_\Y_ei[Cedkc[djei
DWY_edW_i"I[j[cXhe(&&&$
Z[pWh[gk_djWZWYec[nj[dieWegkWi[Z[iWfWh[Y_ZeFWeZe<edj[be
9hWl[_he"CWh_WZ[BkhZ[i" [cL_i[k$;ijWÇfWhY[h_WÈXh_b^Wdj[[i]ejek#i[[c'+*&"gkWdZeeX_ife\e_
Arte portuguesa. Da pré-história ao \ehWZeWWXWdZedWheFWi[h[]h[iiWh}?j|b_W$
século XX YeehZ$:Wb_bWHeZh_]k[i" DWYWZ[_WWf[hjWZWZeifeZ[h[i"e_dZ[f[dZ[dj["Ykbje[[hkZ_jeX_i#
:[imWhj["Iobl_["Il “Perfetto feZ[L_i[kWc[WWlWWYehh_ZWWeifh_l_b]_eicedjWZWf[beh[_:$@ee???
Cortegiano” D. Miguel da Silva" [iWblWlWWl_ZW\k]_dZe$EWhgk_j[YjeÓYWlW[cFehjk]Wb[Yedj_dkWlWe
HecW"8kbped_;Z$"'/./$
Ceh[_hW"HW\W[b"Ç7hgk_j[YjkhW0 [n[hYY_eZ[kcWfheÓiiedkcFWi`|h[dZ_ZeWeilWbeh[iZe9bWii_Y_ice$
H[dWiY_c[dje[9bWii_Y_iceÈ"
Ceh[_hW"HW\W[b"Ç:$C_]k[bZW
I_blW[Wieh_][diZWWhgk_j[YjkhWZe
H[dWiY_c[dje[cFehjk]WbÈ"Mundo
da Arte"($°ih_["d$±'"B_iXeW"FkXb$
9_dY_W[L_ZW"'/..$
+&
?=H;@7:;DEII7I;D>EH7
:77IIKDwÁE
@eeZ[9Wij_bê%@eeZ[Hke"'+(.
7jWbW_W"L_bWDelWZW8Whgk_d^W
7?]h[`WCWjh_pZW7jWbW_W"Z[Z_YWZWWDeiiWI[dêhWZW7iikde"Z[i[d#
lebl[_dj[h[iiWdjii_cWWXehZW][cZWfbWij_Y_ZWZ[Z[YehWj_lW}Whgk_j[Y#
jkhW$7[ijhkjkhWfhebed]WkcceZ[beYh_ijWb_pWZedWijhidWl[iYecW
Y[djhWbcW_i[b[lWZW"YWf[bW#cehWXeXWZWZW[YeX[hjkhWZ[cWZ[_hWde
YehfeZW_]h[`W$CWi"i[dei[h[]_ijWcdel_ZWZ[idWeh]Wd_pWe[ifW#
Y_Wb"dei[dj_ZeZ[YehWj_le_diYh_jedeWhYeYhkp[_he"deiZe_id_YêibWj[#
hW_i["fWhj_YkbWhc[dj["defehjWbfh_dY_fWbcW_iiXh_eieiekjheigk[W
7jWbW_W]Wd^WkcWZ_c[dieZ[h[b[le[Wdj[Y_fWeZ[fheY[Z_c[djei
gk[i[jehdWh_WcYehh[dj[idWWhgk_j[YjkhW[dWic_YheWhgk_j[YjkhWih[jW#
XkbWh[i[cFehjk]Wb$
7[dYec[dZWeiC[d[i[i"i[dêh[iZ[9WdjWd^[Z["YeceeZ_pe
XhWieYebeYWZede\h_ieZefehjWb[Wce#Z[#eXhWi_jkWc#i[defWjWcWh
+(
ZWcW_iWbjWgkWb_ÓYWe$7ZWjWgk[WfWh[Y[dkcWZWif_bWijhWiZeWhYe
jh_kd\WbÆ'+(.ÆZ_jWh|kcfedjecZ_edWYedijhkeekh[Yedijhke
_d_Y_WZWdef[heZecWdk[b_de[W[bWgk[W^_ijeh_e]hWÓWj[c"fWY_ÓYW#
c[dj["YebWZeefehjWbfh_dY_fWb[ei[kWkjeh"@eeZ[Hke$:[ijW\ehcW"
efehjWbWhlehW#i[dWfh_c[_hWeXhWYed^[Y_ZWZeWhj_ijW\hWdYigk["[c
'+)&"[ijWh|dWLWhp_[bW9WdjWd^[Z[["[c'+)("i[[dYedjhW`|[c9e_c#
XhW"cedjWdZeWeÓY_dWZ[[iYkbjkhWcW_iYh[Z[dY_WZWdeFehjk]WbZeiYk#
beNL?$EfehjWbZW7jWbW_W_dWk]khW"Wii_c"kcceZ[be_dif_hWZedeiWhYei
jh_kd\W_iYb|ii_Yei"Whj_YkbWdZekcW_Yede]hWÓWh[b_]_eiWI$F[Zhe"I$FWkbe
[gk[hkX_di[Z[YWh_pcehWb_pWZehWYWl[_hWYeceWbkie}omnia vanitas
Yech[\[hdY_Wifhe\WdWih[j_hWZWiZW7dj_]k_ZWZ[0h[j[d^Wc#i[W_dj[diW
[nfh[iieZeiXkijeiZeèl[c[Zec_b_jWhdeic[ZWb^[idWiYWdjed[_hWi
ZeWhYeZ[lebjWf[h\[_jWekWfhe\kieZ[cej_leiZ[]hkj[iYegk[Z_dW#
c_pWWYecfei_e$;ijWZ[YehWeÇao romanoÈj[cYehh[ifedZdY_Wde
_dj[h_ehZW_]h[`WedZ[W_d][dk_ZWZ[Çf_jeh[iYWÈZeehdWc[dje[Zei[k
jhWjWc[dje[iYkbjh_Yedef[hc_j[W_Z[dj_ÓYWeYecHke$I[h|Wdj[i}
[iYebWZ[JecWh"edZ[fedj_ÓYW@eeZ[9Wij_bê"gk[j[cZ[[djh[]Wh#i[
jWdjeefhe]hWcWZ[YehWj_le_dj[hde"YeceW_dY_f_[dj[Z[Ód_eYWf_j[bWh
`d_YWZWiYebkdWigk[Z_l_Z[cWidWl[i"YeceW_dZWWfhe`[Ye[ijh[bWZW
ZWWXXWZWZWYWf[bW#cehgk[i[h_WjWdjWil[p[ih[f[j_ZW"Yeceki[c
lWh_Wdj[i"f[be_hce:_e]eZ[9Wij_bê$
CWhYW_dZ[bl[bZW\WY^WZWfh_dY_fWbWjehh[i_d[_hW$7Y[djkWdZe
kcWfei_eZ[Y[djhWb_ZWZ[dWi_c[jh_W[ijWX[b[Y_ZW"Wjehh[[h]k[#i[W
c[_e[Z[Ód_ZWfehl|h_eih[]_ijeijWbl[p"eikf[h_ehcW_ijWhZ_e"h[`[_#
jWdZeeceZ[bejhWZ_Y_edWbZWijehh[ibWj[hW_i"kcWefegk[[dYedjhW#
h_WfWhWb[bei[nfbY_jeidWi_]h[`WiZ[7h[_WiJecWh"ZYWZWZ[*&ek
F[Zh]e=hWdZ[_d_Y_WZW[c'+),"i_djecWj_YWc[dj["jeZWiZ[XW_neZW
+*
[i\[hWZ[WYeZ[@eeZ[9Wij_bê[ZW_dÔkdY_WZW[iYebWZ[JecWh$
DWZ[i_]dWZW8[_hWJhWdicedjWdW"[dWf[hc_ii_l_ZWZ[\hedj[_h_WZW
h[]_e"deZ[_nekZ[i[_dYehfehWh[ij[[gk_fWc[dje"Wjehh[[cfei_e
Z[Y[djhWb_ZWZ[[[ci_dWbZ[eh]kbêbeYWb$CWie[b[c[djecW_i_dki_jWZe
ZW\WY^WZWZW7jWbW_WieeifWdeibWj[hW_i[cYkhlWjkhW[Wii[dj[i[c
f_bWh[igkWZhWd]kbWh[i$9ecÇ[djhWZWiÈgk[Yedj_dkWcWZWhfWhWe[nj[#
h_eh"[ijW[ijhkjkhW[ij|feh[nfb_YWh$:[ij_dWh#i[#_WWkcWhhWdèY[de]h|#
ÓYeZ[WfWhWje"fehl[djkhWdkcekjhej[cfegk[deeZWiYWcfWd^Wi
Z['+(.$
I[f[bWZ[YehWegk[i[WÓhcW"fh_c[_he"W[hkZ_e^kcWd_ijW
dWWhgk_j[YjkhWfehjk]k[iW"}?]h[`WZW7jWbW_WYWX[kcbk]WhY_c[_hed[i#
i[è]e_djh_dYWZeZ[kcWYkbjkhWfb|ij_YWgk[dej_d^WW_dZWZWZejeZei
eifWiiei$
8eh][i"D[bied9ehh[_W"João
de Ruão. Escultor da Renascença
Coimbrã"9e_cXhW"<BK9"'/.&$
9hWl[_he"CWh_WZ[BkhZ[i"
Arte portuguesa. Da pré-história ao
século XX YeehZ$:Wb_bWHeZh_]k[i"
Ç7_]h[`WZ[7jWbW_W[Wfh_c[_hW
feYWZ[@eeZ[HkeÈ"Estudos
de história da arte da Renascença"
9e_cXhW";fWhjkh"'/-/$
Ceh[_hW"HW\W[b"Ç7hgk_j[YjkhW0
História da arte portuguesaZ_h$
FWkbeF[h[_hW"leb$??"B_iXeW"9hYkbe
Z[B[_jeh[i"'//+$
;Z$Fh[i[dW"(&&($
++
F7wE# <EHJ7B;P7
:_e]eZ[7hhkZW%<hWdY_iYeZ[7hhkZW"'+)'
xlehWcedj[
EgkWZhWZe[WY_hYkd\[hdY_WieWiÓ]khWi][ecjh_YWiZec_dWdj[idW
YedijhkeZeFWe#<ehjWb[pWZ[xlehWcedj[$Eh[Y_djegkWZhWd]kbWh
eh]Wd_pWZe[cjhif_iei"Yecj[hhWeikf[h_eh[YeX[hjkhWiYecWXXWZWi
WXWj_ZWieki[c_Y_hYkbWh[iikfehjWZWifeh]heiiWiYebkdWi"_dYehfehWdZe
dei~d]kbeieiXWij_[iY_hYkbWh[iZejWZeiZ[YWdê[_hWi$EYed`kdjelW_
[ijh[_jWdZe[cWbjkhW"Yh_WdZekcWik][ijef[hifYj_YWgk[WY[djkWW
l[hj_YWb_ZWZ[[h[Ykf[hWei[dj_Zec[Z_[lWbZWjehh[Z[c[dW][c$CWi
eYed`kdje"Yeckcf[hÓbYd_Yegk[i[_cf[deêh_pedj[Wbed]WZ_i#
j~dY_W"jh_Xkj|h_eZ[ekjhWi_dÔkdY_Wi$8WijWh|_dleYWheijehh[[ii[c_#
Y_hYkbWh[igk["WfWhj_hZeiYkbeNL[fehhWp[ib_]WZWi}ij|Yj_YWiZW
]k[hhW"i[YebWcWeifWhWc[djeiZeiYWij[bei1eifbWdeiY[djhWZeigk["
fWhj_YkbWhc[dj[def[heZecWdk[b_de"_dkdZWcWWhgk_j[YjkhWh[b_]_eiW
9Wf[bWi?cf[h\[_jWiZW8WjWb^W"9Wf[bWZ[@[ikiZeCeij[_heZ[IWdjW
9hkpekWHejkdZWZ[9[bWi[c9e_cXhW[Y_l_bYece[n[cfbecW_eh
dWJehh[ZWiÜ]k_Wi[c8hejWi1Wik][ijefhel_dZWZWfbWdjWgkWZhWd#
]kbWhYecZe_iXWbkWhj[iY_hYkbWh[i[c~d]kbeiefeijeiZeYWij[behegk[_he
Z[L_bWL_eiWYec[WZefeh:_e]eZ[7hhkZW1ek"[cikcW"jeZekch[\[#
h[dY_WbZ[_d\ehcW[igk[Y^[]WcZ[\ehW[gk[i[[dYedjhWcgk[hdei
Z[i[dêic_b_jWh[iZ[<hWdY[iYeZ_=_eh]_eCWhj_d_[B[edWhZeZWL_dY_"
gk[h"W_dZW"dWWhgk_j[YjkhWfWbWY_WdWZ[c[bêhh[Yehj["YeceeYWij[be
\hWdYiZ[9^WcXehZ$
7ZkfbWlWbdY_WZeFWeZ[xlehWcedj["\ehj_ÓYWe[h[i_ZdY_W
Z[YWWZ[:$@W_c[?%:$J[eZi_e?[ZeZkYWZeZ[8hW]WdW"[nfb_Y_jWW
Yecfb[n_ZWZ[ZWih[\[hdY_Wi[b[lW}Yecfh[[dieZWYWh]WZ[[hkZ_e
[[nf[h_dY_WjhWdifehjWZWf[bei_hcei7hhkZW$7ikW[ijWZ_WdWifhWWi
8WhheYW"C|h_e@eh]["ÇJ[cfeiZ[ cWhhegk_dWi"Wh[ifediWX_b_ZWZ[dWfhe`[Ye[ÓiYWb_pWeZeicW_ii_]d_#
h[i_ijdY_W[Z[_delWe0WWhgk_j[YjkhW
c_b_jWhfehjk]k[iWdeh[_dWZeZ[
ÓYWj_lei[ifWeiY_l_iekh[b_]_eieiZeFWiek"fWhj_YkbWhc[dj["ei[k[dleb#
:$CWdk[b?'*/+#'+('È"Portugalia" l_c[djedWieXhWiZ[JecWh[8[bcjehdWcf[hY[fjl[_ijWdjeWiWbki[i
leb$NN?L"Fehje"<BKF"(&&)$
;ifWdYW"Jb_e"Ç7Y[hYW[e cWdk[b_dWidWiYebkdWijehiWi[dei[dj_ZeZ[YehWj_leZeiYWf_j_iZWi
YWij[beZ[xlehWCedj[È"A cidade YebkdWi[Ze]hWdZ[d[nj[h_ehÆjWcXc[cXb[cW^[h|bZ_YeZ[:$@W_c["
de Évora"d$±+'# +("xlehW"9ec_iie
Ckd_Y_fWbZ[Jkh_iceZ[xlehW"'/,($ YeceWifh|j_YWiceZ[hdWib_]WZWi}\ehj_ÓYWeWXWbkWhjWZWgk[<hWdY_i#
=k[hh[_he">k]e7b[nWdZh[ Ye"cW_iZegk[:_e]ecehjede[nWYjeWdeZ['+)'"iWX[h_Wb[lWhWYWXe$
Dkd[i"Évoramonte: um contributo
para a sua história e património
cultural edificado"xlehWcedj["
@kdjWZ[<h[]k[i_W"(&&'$
Ceh[_hW"HW\W[b"Ç7hgk_j[YjkhWÈ"
9Wj|be]eZWXVII Exposição Europeia
de Arte, Ciência e Cultura do
Conselho da Europa"?"Cki[k
DWY_edWbZ[7hj[7dj_]W"B_iXeW"'/.)$
F[h[_hW"FWkbe"Évoramonte:
a fortaleza"B_iXeW"?FF9"'/./$
+,
F7BÜ9?E:78797B>E7
<hWdY_iYeZ[7hhkZW5%:_e]eZ[JehhWblW5"Y$'+)&#'++*
L_bW<h[iYWZ[7p[_je
+.
EFWb|Y_eZW8WYWbêW"[c7p[_je"f[hcWd[Y[YeceWcW_i[cXb[c|j_YW
h[Wb_pWeZWWhgk_j[YjkhWfh_lWZW[Y_l_bgk[ikXi_ij[ZWYkbjkhW^kcWd_i#
jWZeiYkbeNL?[cFehjk]Wb$9ecl[ij]_eih[i_ZkW_iZef[heZecWdk[#
b_deedZ[WWdj_]Wfhefh_[j|h_WZWgk_djW":$8h_j[i"c[Zeh[_:$CWdk[b"
j_d^WfheY[Z_Ze}[Z_ÓYWeZ[kcW[ijhkjkhWZ[YedjehdeiZ[iYed^[Y_#
Zei"eFWb|Y_ei_jkW#i[dWfhen_c_ZWZ[ZWI[hhWZW7hh|X_ZW"dkcWWfei#
jW][e]h|ÓYWgk[fh_l_b[]_ekWYedY[djhWeZ[kcWb_d^W][cdeX_b_jWZW
[l_il[bdWigk_djWiZWh[]_e$
78WYWbêW"Yk`WZ[i_]dWeh[cedjWh|jWbl[pWeiYkbeNL??"\e_
YecfhWZW[c'+(.feh:$8h|i7\edieZ[7bXkgk[hgk["ÓbêZei[]kdZe
]el[hdWZehZWßdZ_W"7\edieZ[7bXkgk[hgk[$7fWhj_hZW[h]k[h#i[#_WW
YedijhkefWbWY_Wbgk[WZgk_h_kkcWfbWdjW[cB"WbWh]WdZe#i[Wekjhei
<hWdYe"7di_e"O Palácio e a Y_hYk_jeigk[Yed`k]WcWGk_djWYecei`WhZ_di"ebW]eYecWYWiWZ[\h[i#
Quinta da Bacalhoa"Z_ii[hjWeZ[
C[ijhWZe"feb_Y$"B_iXeW"<9I># KDB"
Ye[eijehh[[igkWZhWd]kbWh[iYed^[Y_ZeiYeceÇYWiWZWifecXWiÈ[
'///$ ÇYWiWZWßdZ_WÈedZ[i[f[dZkhWlWcgkWZheiYecY_ZWZ[iZeEh_[dj[$
CWhab":W]eX[hje"O Renascimento"
9eb[YeHistória da arte em Eh[Yehj[_jWb_Wd_pWdj[[^kcWd_ijWZeYed`kdjedee\[h[Y[Zl_ZWi$?dj[#
Portugal"leb$L?"B_iXeW";Z$7b\W" ]hWZedWYec_j_lWgk[WYecfWdêk"[c'+('"W_d\WdjW:$8[Wjh_pW?j|b_W"
'/.,$
Ceh[_hW"HW\W[b"Ç7hgk_j[YjkhW0 fWhWeYWiWc[djeYeceZkgk[Z[IWX_W":$8h|iZ[7bXkgk[hgk[j[h_W
H[dWiY_c[dje[9bWii_Y_iceÈ"História h[]h[iiWZeWFehjk]WbZ[l_ZWc[dj[Wf[jh[Y^WZeYeckcWYkbjkhWl_ikWb
da arte portuguesaZ_h$FWkbe
F[h[_hW"leb$??"B_iXeW"9hYkbe gk[b^[f[hc_j_kYedijhk_hW9WiWZei8_Yei[cB_iXeW["be]eWi[]k_h"de
Z[B[_jeh[i"'//+$ kik\hkjeh[gk_djWZeZWdWjkh[pW"eFWb|Y_eZW8WYWbêW$EiZe_i]hWdZ[i
F[h[_hW"FWkbe"Enigmas. Lugares
mágicos de Portugal. Espírito da XbeYeih[YjWd]kbWh[ieh]Wd_pWckcWikY[iieZ[]Wb[h_Wi"YeckcWlog-
terra"B_iXeW"9hYkbeZ[B[_jeh[i" giaZ[Ze_if_iei[jehh[[iY_hYkbWh[iYecYeX[hjkhWi]ecWZWi$7ik][i#
(&&+$
I[hhe"Ljeh"História da arte jeWdj_gk_pWdj[[ij[dZ[#i[}iYWiWiZ[\h[iYeZ[Ód_ZWiYec[gk_bXh_e[
em Portugal — o Renascimento e o
Maneirismo (1500 -1620)"Fh[i[dW"
fhefehe"l[hZWZ[_he[if[bêZ[YediW]hWe^kcWd_ijW$Efhe]hWcW
B_iXeW"(&&($ Z[YehWj_le"X[ccW_i[nj[dieZegk[Wgk[b[gk[ikXi_ij["fWiiWh_Wf[bW
,&
_dj[]hWeZ[c[ZWb^[iZ[_dY[hjWh[fh[i[djWe"c[ZWb^[iY[h~c_Yei
ZWeÓY_dWZei:[bbWHeXX_W"Ó]khWiZ[j[hhWYejW_diYh_jWi[cd_Yêiek
fW_d_iZ[Wpkb[èckZ`Wh[Ó]khWj_le[ij[h[cWjWZe[c'+,+$
7Wkjeh_WZ[kcfhe`[YjeZ[jWb[dl[h]WZkhWj[ceiY_bWZe[djh[
<hWdY_iYeZ[7hhkZW[:_e]eZ[JehhWblW$DWh[Wb_ZWZ["i[WZ[Ód_e
]ecWZWZeijehh[[i[cYbWhW[leYWeZeceZ[bedWJehh[Z[8[bc
WfedjWfWhWefh_c[_he"Wb_d]kW][checWd_pWZWgk[i[f[hÓbWdW8WYW#
bêWjhWpWikif[_jWZe[dlebl_c[djeZ[JehhWblW$Ek"[c^_fj[i[ck_je
fhel|l[b"Z[l[h|Wjh_Xk_h#i[WeiZe_iie]he[][dheWjkj[bWZ[kcckd#
Zec|]_Yegk[Yed`k]WY_dY_W[i[di_X_b_ZWZ[[ijj_YW$
7Gk_djW[eFWb|Y_eieê`[fhefh_[ZWZ[ZW<kdZWe8[hWhZe
gk[Wgk_Z[i[dlebl[kcWfheZkel_dYebWZ[fhe`[Ye_dj[hdWY_edWb$
,'
?=H;@7:;DEII7I;D>EH7
:79EDIEB7wÁE
9$'+*&#'++-
;blWi
7_]h[`WZec_d_YWdWZWI[dêhWZW9ediebWe"[c;blWi"deWf[dWi
WYh_ijWb_pWeZ[kcWYkbjkhWh[dWiY[dj_ijWgk[i[cWj[h_Wb_pWdefehjWb
Z[[djhWZW[_dl[ij[deifbWdeiY[djhWb_pWZei$;bWjhWdifehjWjWcXckc
i[dj_Zegk[lW_\kdZedej[cfe[[djhedYWjWdjedeimartyriahecWdei
Y_hYkbWh[iYecedWYWf[bWZeIWdjeI[fkbYhe[c@[hkiWbc[dYedjhWdZe
WikWc|n_cW[nfh[iiefehjk]k[iWdWY^WhebWZe9edl[djeZ[9h_ije
[cJecWh[Ób_W#i["Z[Y_Z_ZWc[dj["dkcYedj[njeYkbjkhWb[Whjij_Yegk[
h[_l_dZ_YWlW"fWhWWY_ZWZ[gk_d^[dj_ijWZ[;blWi"kc[ijWjkjeZ[deX_b_#
jWel_hWZeWeÇWdj_]eÈ$
IkXij_jk_dZekcW_]h[`Wj[cfb|h_W"Z[Z_YWZWWIWdjWCWh_WCWZW#
b[dW[feii_l[bc[dj[jWcXcY[djhWZW"W_]h[`WZecd_YWZ[;blWiWii[djW
dkcfhe]hWcWgk[YedY_b_WkcWZ_h[Ye[ijWX[b[Y_ZWf[be[_nebed]_jk#
Z_dWbgk[Z[i[cXeYWdWYWX[Y[_hWYeckcW[ifY_[Z[ZkfbWY[djhWb_ZWZ[
Z[fbWdei$EiZe_ieYj]edei[ci_djed_W\ehcWdZekcZ[WcXkbWjh_e
[h[cWjWZeif[beiZ_l[hieifWdeiZWiWXXWZWi_dj[]hWckcWZ[YehWe
f_djWZW[Wpkb[`Whgk[YedleYekeXh_bê[h[\ehWZWl_jWb_ZWZ[fWhWW
_]h[`WWfWhj_hZeiYkbeNL??$CWiie"ieXh[jkZe"W_dib_jWZ[Ód_eZWi
ÓdWiYebkdWii[]c[djWZWiZeeYj]edeY[djhWb[WikWb_]We}Whgk_jhW#
l[ikf[h_ehgk[jc][hWZeWf[hfb[n_ZWZ[dW^_ijeh_e]hWÓW"^[i_jWdj["
Wjê`["dWWjh_Xk_eZWiWkjeh_WifWhW[ij[fhe`[Yje$=[eh][AkXb[h
WlWdekYecWfeii_X_b_ZWZ[Z[kcW_dj[hl[de[ifWdêbW["fehl[djk#
hW"j[h_WhWpe$
77$LL$"Monumentos"d$±(."
Cedkc[djei"B_iXeW":=;CD"
:[p[cXheZ[(&&.$
=ec[i"FWkbeLWh[bW"
7hgk_j[YjkhW"Religião e política em
Portugal no século XVII: a planta
centralizada"Fehje"<7KF
FkXb_YW[i"(&&'$
AkXb[h"=[eh]["A arquitectura
portuguesa chã. Entre as especiarias
e os diamantes, 1521 -1706"B_iXeW"
;Z$L[]W"'/..$
HeZh_]k[i"@eh][et al."Elvas"
B_iXeW";Z$Fh[i[dW"'//,$
;Z$Fh[i[dW"(&&($
,(
?=H;@7%7DJ?=7Ix
:;C?H7D:7:E:EKHE
C_]k[bZ[7hhkZW"'++(#'+,,
C_hWdZWZe:ekhe
;cc[WZeiZeiYkbeNL?"feh_d_Y_Wj_lWZ[:$@ee???"[hWcYh_WZWiWi
delWiZ_eY[i[iZ[B[_h_W"FehjWb[]h[[C_hWdZWZe:ekhe$7efh_c[_he
X_ifeZ[C_hWdZW":$JkhX_eBef[i'+*+#+*"YWX[h_W"Wii_c"bWdWhei
\kdZWc[djeiZWdelW[ijhkjkhW[Yb[i_|ij_YW_diYh_jWdeYecfb[nefheY[i#
ieZ[Y[djhWb_pWeh]_W[ZWhlepWkcWWYeYh_j[h_eiW"Z_iY_fb_dWZW[
fWijehWbc[dj[YedjhebWZW$FWhWWdelW?]h[`WZ[C_hWdZW"YecZ_\[h[dj[i
h_jceiYedijhkj_lei[edZ[_dj[h\[h_k=edWbeZ[JehhWblW"\e_bWdWZWW
fh_c[_hWf[ZhW[c'++("i[dZeeWbjWh#cehiW]hWZe[c'+,,$
J[ci_ZeWZ[Ód_eZe[ifWe[ZWi\ehcWijWbYeceWYedj[Y[[c
B[_h_W[FehjWb[]h["WfWh[dj[c[dj[Z_iiedWdj[iWej[cfe"eeX`[YjeZ[
cW_ehf[hfb[n_ZWZ[dW^_ijeh_e]hWÓW$7efefbWd_cjh_YWZWijhidWl[i
YecYeX[hjkhWid[hlkhWZWifWh[Y["Yec[\[_je"_hWe[dYedjheZ[kcWl_jW#
b_ZWZ[[i]ejWZWdef[heZecWdk[b_de[bed][ZWifhefeijWigk[WYkbjk#
hW_jWb_Wd_pWdj[Z_jWlWW]ehWfWhWWWhgk_j[YjkhW$CWi"i[W_dZWde\e_
Z[l_ZWc[dj[_dj[hfh[jWZWW[d[h]_WZ[Yehh[dj[ZWYed`k]We][ecjh_YW
[cWj[c|j_YWgk[i[[nfh[iiWdWi[gkdY_WZWiWXXWZWiZeijhWcei"`|
\e_"fehekjhebWZe"Y^WcWZWWWj[defWhWefWf[bgk[WWhgk_j[YjkhW
c_b_jWhZ[i[cf[d^WdW[ijhkjkhWeZWWhgk_j[YjkhWh[b_]_eiW$
xWii_cgk[i[`kij_ÓYWe_di_ij[dj[fhe]hWcWÇYêÈ"gk[Z[i_ij[
ZeehdWc[dje[ikXij_jk_WYebkdWf[bef_bWhYhkY_\ehc["[Wii_cgk[i[
Yecfh[[dZ[WWkjeh_WZ[C_]k[bZ[7hhkZW'+,)fWhWC_hWdZWedZ[i[
[dYedjhWZeYkc[djWbc[dj[h[]_ijWZe[c'++(["[cfh|j_YWfebj_YWYed#
Y[hjWZW"jWcXcfWhWB[_h_W[FehjWb[]h[$EWhgk_j[Yjegk[Wiikc[ei
fhe]hWcWiYedijhkj_leiZ[cW_ehh[ifediWX_b_ZWZ["Wei[hl_eZ[:$@ee
???[ZeYWhZ[Wb:$>[dh_gk["Çc[ijh[ZWieXhWiZ[\ehj_ÓYWeZeh[_de"
bk]Wh[iZÊWbc[ßdZ_WÈYWh]e[if[Y_Wbc[dj[Yh_WZefWhWi_WfWhj_hZ['+*."
eWhWkjeYh[Z[dY_WZeZWh[Ykf[hWe[ijhWj]_YWZW_]h[`W#iWbecWhYW#
ZWjWcXcdWC_i[h_YhZ_WZ[IWdjWhcekdWÇ_]h[`WZ[\ehWÈZeCeij[_#
heZ[7bYeXWWgk[dWZWj[cW]ehWZ[WhYW_pWdj[$
7\WY^WZWZW?]h[`WZ[C_hWdZWh[if_hWZ[Wiikc_ZWWjcei\[hWh[b_#
]_eiW[ifWdêbWZ[f[hÓbfWbWY_Wded[bWjhWXWb^WhWceic[ijh[iF[heZ[bW
<WoW[<hWdY_iYeL[bWigk[i"Yecjehh[ibWj[hW_i[dgkWZhWdZeeYehfeY[d#
jhWb[efhj_YeYecZe_ih[]_ijeiieXh[feijei$9ecZ_\[h[dWii[dil[_i"
[ij[ceZ[bedeZ[_nWh_WjWcXcZ[fWYjkWhYeckcZ_iYkhieYedjhW#
#h[\ehc_ijWgk[YedZkp_h_W}l[hie[b[]Wdj[[Yehj[iZWcW_ijWhZ_W_]h[#
`Wb_iXe[jW[Ób_f_dWZ[I$L_Y[dj[Z[<ehW$
<hkjeZWYedY[hjWe_Z[eb]_YW[djh[eh[_[W?]h[`WZ_iY_fb_dWZW"
WIZ[C_hWdZWh[fh[i[djWWii_cYecB[_h_W[FehjWb[]h[kcWZ_h[Ye
,*
gk[WYkbjkhWcWj[h_Wb[[if_h_jkWbZ[Jh[djeeYedYb_ej[l[_dY_edefh[#
Y_ieWdeZ['+*+deZ[_nWh_WZ[Z[i[dlebl[h$9ec:$@ei"Wi[Z[Yed#
j[ijWZWWebed]eZeij[cfeiZWZ_eY[i[fWiiWh_WfWhW8hW]WdW1[c'-.&"
8_Xb_e]hWÓW[ii[dY_Wb dWiY_WWZ_eY[i[Z[8hW]WdW[C_hWdZWYeci[Z[[c8hW]WdW$
9ehh[_W"@ei;ZkWhZe>ehjW"
Ç7Whgk_j[YjkhWÆcWd[_h_ice
[É[ij_be# YêÊÈ"O Maneirismo"
9eb[YeHistória da arte em
Portugal"leb$L??"B_iXeW";Z$7b\W"
'/.,$
;Z$L[]W"'/..$
Cekh_dê"7djd_eHeZh_]k[i"
A arquitectura religiosa na antiga
diocese de Miranda do Douro"
C_hWdZWZe:ekhe"9~cWhW
Ckd_Y_fWb"'//+$
Hke"9Whbei"“O Eupalinos
moderno”. Teoria e prática da
arquitectura religiosa em Portugal
(1550 -1640)"Z_ii[hjWeZ[
:ekjehWc[dje"feb_Y$"9e_cXhW"
<BK9"(&&-$
,,
,-
?=H;@7:7C?I;H?9ãH:?7:;J7L?H7
7dZhF_bWhj["'+*'
JWl_hW
7?]h[`WZWC_i[h_YhZ_WZ[JWl_hW"Z[jhidWl[ih[]kbWZWifehWhYWh_Wi
cebZkhWZWi"jhWWeYWc_dêZWi[ijhkjkhWibWlhWZWiZ[hecWdegk[W
[iYebWZ[7dZhF_bWhj[Z_lkb]ek[cbWh]W[iYWbWdWh[]_eWb]Whl_W$
DWl[hie\WdjWi_WZW[_diYh_jW[c_Zdj_YWi[di_X_b_ZWZ[Yecgk[
IW]h[ZefkXb_Y_jWlW[cB_iXeW"defh[Y_ieWdeZ['+*'"eiceZ[beiZ[Ye#
hWj_leiZeH[dWiY_c[dje"eiYWf_j_i[efehjWbfh_dY_fWbZWC_i[h_YhZ_W
Yedj[cfbWckcW[ifY_[Z[fWhWZ_]cW\[ij_legk[_dYbk_WZ[gkWZW[
[nfh[ii_lWZ_l[hi_ZWZ[ehdWc[djWb$Eh]Wd_pWZe[ccebZkhWh[YjWd]kbWh
gk[_dj[]hWWif_bWijhWibWj[hW_i"eleZ[Ód_Zef[beiWhYeiZ[lebjWf[h#
\[_jW"eic[ZWb^[i[eZkfbe\h_ieikf[h_eh"efehjWbZW_]h[`WWfeijWdW
ieXh[YWh]WZ[YehWj_lWedZ[i[YedY_b_Wccej_leil[][jWb_ijWiYecih_[i
ehZ[dWZWiZ[ehdWjeipeechÓYei"Ó]khWe^kcWdW[W]hkfWc[djeiZ[
jWWieklWiei$Eh[cWj[ikf[h_eh'++'Z|bk]Wh}YebeYWeZWiÓ]khWi
lebkceiWiZ[I$F[Zhe[I$FWkbe"WeYkbefWhY_Wbc[dj[Z[Ód_ZeYece
dWYWf[bWZW9edY[_eZ[JecWh[}eXh_]Wjh_W_Yede]hWÓWZWC_i[h_#
YhZ_WieXkcXWbZWgk_deZ[\[_e_jWb_Wd_pWdj[$
7dZhF_bWhj[edec[ZeWhgk_j[Yjegk[fedj_ÓYWd[ij[fheY[iie
gk[b[lWh_W}_dijWbWeZ[kci[dj_Ze[ifWY_Wb[Z[YehWj_leh[Yed^[Yl[b
jWcXcdWi_]h[`WiZ[9WY[bW"CedYWhWfWYê"7bYekj_c"ChjebWek"[c
i_djec|j_YWWdkbWeZ[\hedj[_hWi"dWl_p_d^W7oWcedj[fehjWbbWj[hWbZW
_]h[`WZeIWblWZeh$9ec\ehcWeZeYkc[djWZWde[ijWb[_heZ[8[bc
[Yec^_fejj_YW[ijWZ_W[cI[l_b^W"F_bWhj[eêc[cgk[Wii[]khW"W
fWhj_hZ[JWl_hW"WYe[ieZ[kcceZ[begk[YedÓ]khWefh_c[_heH[dWi#
8_Xb_e]hWÓW[ii[dY_Wb Y_c[djeZe7b]Whl[$
Ç7Whgk_j[YjkhWZeH[dWiY_c[dje
[cJWl_hWÈ"I Jornadas de História de
Tavira"JWl_hW"9bkX[Z[JWl_hW"'//($
Arquitectura religiosa do Algarve
de 1520 a 1600"B_iXeW"FkXb_YW[i
9_dY_W[L_ZW"'/.-$
F_dje"CWh_W>[b[dWC[dZ[i[
F_dje"L_YjehHeX[hjeC[dZ[i"
As Misericórdias do Algarve"B_iXeW"
C_d_ijh_eZWIWZ[[7ii_ijdY_W#
#:=7"'/,.$
I[hhe"Ljeh"Ç7Whgk_j[YjkhW
h[dWiY[dj_ijWWb]Whl_W0ZeceZe
hecWdeWeCWd[_h_iceÈ"O Algarve,
da Antiguidade aos nossos dias"
B_iXeW"9eb_Xh_"'///$
,.
9B7KIJHE:ECEIJ;?HE
:7I;HH7:EF?B7H
:_e]eZ[9Wij_bê%@eeZ[Hke"'+*(
L_bWDelWZ[=W_W
EYbWkijheW]eij_dêZeCeij[_heZeIWblWZehdWI[hhWZeF_bWhfWhW
edZ[jhWdi_jWhWceiYd[]eiZ[=h_`kcZei[nfe[dj[icW_eh[iZ[
kcWWhgk_j[YjkhWgk["[cc[WZeiZeiYkbeNL?"WYeb^[kcWfbWij_Y_ZW#
Z[Y[djhWZW[[njhWZWZeilWbeh[ih[dWiY[dj_ijWi"l[hj_ZeidWZ[Ód_e
ZWi\ehcWi[Ze[ifWe"Wj_d]_dZeWgk_kcW[iYWbWfhn_cWZWcedkc[d#
jWb_ZWZ[$
EYbWkijheWhj_YkbW#i[YecW_]h[`WZeiÓdW_iZeiYkbeNL?"jWc#
Xch[ZedZW"gk[ikXij_jk_ekjhWZWZYWZWZ[jh_djWZeiYkbeNL?$7
b[_jkhWZeYed`kdjeYedZkp}ikW_dj[hfh[jWeYeceÇkcWWb[]eh_WZWi
[i\[hWij[hh[ijh[[Y[b[ij[[jWcXckcWWb[]eh_WZWY_ZWZ[iWdjWZ[
-&
77$LL$"Monumentos"d$±/" @[hkiWbc$$$kceh]Wd_icefedjkWZefehZe_i]hWdZ[icedkc[djei
Cedkc[djei"B_iXeW":_h[Ye#
h[ZedZei0ej[cfbeZWHeY^WekZ[IWbeceÆZ[\WYje"WC[igk_jWZ[
#=[hWbZei;Z_\Y_ei[Cedkc[djei EcWhÆ[WXWib_YWZeIWdjeI[fkbYhe"[bWfhfh_W\ehcWZWf[be[dYed#
DWY_edW_i"I[j[cXheZ['//.$
77$LL$"O Mosteiro da Serra do
jheZ[Ze_ieh]Wd_iceiY[bkbWh[iÈ=ec[i"(&&'$
Pilar"9eb[YeMonumentos de Vila EifhejW]ed_ijWiZ[ij[fhe]hWcWieeic[iceigk[YedijhkWc
Nova de Gaia"'"L_bWDelWZ[=W_W"
9~cWhWCkd_Y_fWbZ[L_bWDelWZ[ [c9e_cXhW"WfWhj_hZeCeij[_heZ[IWdjW9hkp"kcWYkbjkhWWhjij_YW[
=W_W"'/.*$ l_i_ed|h_WZ[_dj[diWh[Ô[neieXh[Wih[bW[i[djh[e>ec[c[:[ki0
7bl[i"@W_c[<[hh[_hW"ÇDjkbW
fWhWW^_ijh_WZeCeij[_heZ[ \h[_8h|iZ[8WhheiekZ[8hW]W":_e]eZ[9Wij_bê[@eeZ[Hke$7ii_c
IWdje7]eij_dêZWI[hhWÈ"Revista i[Yecfh[[dZ[efWhj_ZeY_hYkbWh"Yecei[`kij_ÓYWceiWhj_\Y_eiZ[YehW#
da Faculdade de Letras"??ih_["
leb$L???"Fehje"'//'$ j_lei[cWbj[hd~dY_WÆ[ijh_Wi[[iYWcWiÆdeiYWf_j_i_Zdj_YeiWeigk[
=ec[i"FWkbeLWh[bW" @eeZ[9Wij_bê\Wp_W"f[bWic[icWiZWjWi"[cJecWh"Yece"[cikcW"
Arquitectura, religião e política em
Portugal no século XVII — a planta i[YbWh_ÓYWei[dj_ZeYb|ii_Ye[jhWjWZij_Ye[dlebl_Ze$
centralizada"Fehje"<7KF ;djh[',/&[',/'"eYbWkijheie\h[kkcWZ[ibeYWeZ[i[dYWZ[WZW
FkXb_YW[i"(&&'$
Hke"9Whbei"A arquitectura f[bWYedijhkeZ[deleYehe1Z[Yehh_ZeicW_iZ['&&Wdei"ej[cfeW_d#
maneirista no Noroeste de Portugal:
italianismo e flamenguismo"
ZWfWYjkekYecW\ehWZWl[hieY_hYkbWh[njhWZWZWYkbjkhW^kcWd_ijW
9e_cXhW"?>7ZWKd_l[hi_ZWZ[ [Z_dWc_pekW[ijhkjkhWZeh[cWj[Yeceif_d|Ykbeiikf[h_eh[i[ecej_#
Z[9e_cXhW"'//,$
leZ[rollwerk Z[YkdêÔWc[d]k_pWdj[$
-'
97F;B7:EF7wEH;7B
C_]k[bZ[7hhkZW"'+*-
IWblWj[hhWZ[CW]ei
79Wf[bWZ[IWblWj[hhWkcZei[ifWeiY[djhWZeiZWYkbjkhWZeH[dWi#
Y_c[djeedZ[i[Yed`k]Wceh_]_dWb_ZWZ[[Yecfb[n_ZWZ[$CWj[c|j_YW"
][ec[jh_W"Z[i[dê[Yed^[Y_c[djejhWjWZij_YeWhj_YkbWc#i[cW]_ijhWb#
c[dj[fWhW\ehcWhkcWYecfei_e[cZkfbegkWZhWZegk["fehi[kjkh#
9ehh[_W"@eWgk_cCWdk[bZWI_blW
de"i[Z[iZeXhW[ccbj_fbWi\ehcWi[\kd[i0kc"Wiikc_dZeW\kde
[=k[Z[i"DWj|b_WZ[8h_je9ehh[_W" Z[YWf[bW#cehfhe\kdZW"Z[ÇjhidWl[iÈWZ_\[h[dj[iWbjkhWi1eekjhe"[c
O Paço Real de Salvaterra de Magos.
A corte. A ópera. A falcoaria"B_iXeW"
b_]WeZ_h[YjW[\ehcWb_pWdZeeeYj]ede"e[ifWefWhWWjh_XkdWh]_W"
B_lhei>eh_pedj["'/./$ fei_Y_edWZWikf[h_ehc[dj[[de[_neZWl_i_X_b_ZWZ[ZeWbjWh$;cè]eiZ[
=ec[i"FWkbeLWh[bW"Arquitectura,
religião e política em Portugal no ]hWdZ[h_gk[pWYh_Wj_lW[Wb_c[djWZWf[bei[b[c[djeiWhgk_j[Yjd_YeiZ[
século XVII — a planta centralizada" ieXh_[ZWZ[[_dZ[f[dZdY_WYWbYkbWZWiYebkdWiZh_YWi"\h_iei"Whgk_jhW#
Fehje"<7KFFkXb_YW[i"(&&'$
AkXb[h"=[eh]["A arquitectura l[i[Z_\[h[dj[iceZ[beiZ[YeX[hjkhW"eikhfh[[dZ[dj[fbWdeZWYWf[#
portuguesa chã. Entre as especiarias bW[ijhkjkhWkc[ifWebcf_ZeedZ[eY[h_ced_Wbb_jh]_YeZWYehj[feZ[
;Z$L[]W"'/..$ Z[i[dhebWh#i[deh[YWjegkWb_ÓYWZeZeFWeH[Wb$
Ceh[_hW"HW\W[b"Ç7hgk_j[YjkhW0 F[beic[WZeiZeiYkbeNL?"W[dYec[dZW[cjehdeZe_d\Wdj[:$
História da arte portuguesa Bki`kij_ÓYWjWcXcWh[YehhdY_WWeWhgk_j[YjeC_]k[bZ[7hhkZW"efhe#
Z_h$FWkbeF[h[_hW"leb$??"B_iXeW" `[Yj_ijWZW_]h[`WZ[LWbl[hZ[[cxlehW["i_ckbjWd[Wc[dj["e_dj[b[YjkWb
I[hhe"Ljeh"História da arte Wf[jh[Y^WZeYecei[dj_ZeYkbjkhWbZWWhgk_j[YjkhWc_b_jWhgk["feh[ijWi
ZWjWi[fehl_WZW9edjhW#H[\ehcW"[n[hY[feZ[heiW_dÔkdY_WieXh[W
;Z$Fh[i[dW"(&&($ Wjcei\[hWh[b_]_eiW$
-(
97F;B7:;DEII7I;D>EH7
:79ED9;?wÁE
@eeZ[9Wij_bê%:_e]eZ[JehhWblW"'+*-
JecWh
@_WZWWhgk_j[YjkhWZeH[dWiY_c[dje[cFehjk]Wb"W9Wf[bWZW9edY[_#
e\e_YeceWlWdekHW\W[bCeh[_hWkcW[dYec[dZWZ[:$@ee???Yec
kceX`[Yj_le[if[YÓYe0h[Yh_Wh[cJecWhkccWkiebkÇ}Wdj_]WÈ"[ifWe
9e[bê"CWh_WZW9edY[_e \d[Xh[Zeh[_[ZWikWZ[iY[dZdY_W$9ecfWhWb[beidWCW_ied9Whh[
F_h[i"A Igreja da Conceição e o
claustro de Dom João III do
Z[Dc[iekdej[cfbecWbWj[ij_WdeZ[H_c_d_"WYWf[bWjWcXckcW
Convento de Cristo de Tomar" [ifY_[Z[YediW]hWe_cf[h_WbfWhWeh[_"gk[dkdYW^Wl[h_WZ[h[fek#
IWdjWhc"7ii[cXb[_W:_ijh_jWb"'/.-$
iWhWgk_$Efhe`[YjeZ[@eeZ[9Wij_bê"eWhgk_j[YjecW_iYh[Z[dY_WZe
A arquitectura “ao romano”"leb$/Z[ ZeH[_de"h[_l_dZ_YWe[cfh[]eZ[jeZeiei\ehckb|h_ei^kcWd_ijWide
século XX YeehZ$:Wb_bWHeZh_]k[i" [ifWeedZ[WYWl[_hWekWh[fh[i[djWeZW\d_nYedij_jk[cWbki[i
i$b$"<kXk;Z_jeh[i"(&&/$ YbWhWi}cehj["}h[][d[hWe[}[j[hd_ZWZ[$
H[dWiY_c[dje[9bWii_Y_iceÈ" DWZYWZWZ[+&":_e]eZ[JehhWblWYedj_dkekWieXhWi[[dY[hhek
História da arte portuguesa e[ifWeYecWfhe`[YeZWiWXXWZWi"cWii[c'+-(i[h_WcÓdWbc[d#
9hYkbeZ[B[_jeh[i"'//+$ j[h[cWjWZWiYecWYebeYWeZWYfkbW$9ecWcehj[Zeh[_[c'++-"\e_
Ceh[_hW"HW\W[b"Ç7[hc_ZWZ[ Z[iWYj_lWZWWWcX_e\kd[h|h_WZWYWf[bW$9ec[bWi[Z_bkWjWcXcW
DeiiWI[dêhWZW9edY[_e"
cWkiebkZ[:$@ee???5È"Boletim [nf[h_dY_W^kcWd_ijWZWWhgk_j[YjkhW[cJecWh$
Cultural e Informativo"?"JecWh"
9~cWhWCkd_Y_fWbZ[JecWh"'/.'$
;Z$Fh[i[dW"(&&($
-)
7DJ?=E7wEK=K;
:_e]eZ[JehhWblW5"'+*.#'++&
8[`W
7Yedijhkegk[h[cWjWWFhWWZWH[fXb_YW[c8[`W\e_kcW[dYec[d#
ZWZe_d\Wdj[:$Bki[cc[WZeiZeiYkbeNL?$:[ij_dWZWWeiWek]k[i"
\e_feij[h_ehc[dj[WZWfjWZW}i_dijWbW[iZWC_i[h_YhZ_W"\kdZWZW[c
'+&&["fh_c[_he"beYWb_pWZWdW_]h[`WZ[IWdjWCWh_WZW<[_hW$
EWdj_]eWek]k[\e_"Wii_c"h[Yedl[hj_Ze[cfhj_YedeX_b_jWZe
gk[Z_]d_ÓYWlWW_dij_jk_e[WfhWW$:[iWYj_lWZWWC_i[h_YhZ_W"f[hZ[k#
#i[Wb[_jkhWjWdjeZe[dgkWZhWc[djeh[b_]_eieZeYed`kdjeYeceZWW]_#
jWeieY_Wb[c[hYWdj_bYedj_ZWdefhe`[Yjegk_d^[dj_ijWZeWhgk_j[Yje
:_e]eZ[JehhWblW$
;ifWeh[YjWd]kbWhehZ[dWZedkcWfhefeheZ[jhiWhYeifeh
Ze_i"eWek]k[Yedij_jk_W[l_ZdY_WZWl[hiWj_b_ZWZ[ZWWhgk_j[YjkhW[hk#
Z_jWfehjk]k[iWd[ij[f[heZe$7d[Y[ii_ZWZ[Z[h[`[_eZeihjkbei^_i#
jeh_e]h|ÓYeiYbWh_ÓYW#i[dkcfhe`[Yjegk[eh]Wd_pWWiÇdWl[iÈ[ci_djed_W
9hWl[_he"CWh_WZ[BkhZ[i" YecWiYeX[hjkhWid[hlkhWZWiZ_\kdZ_ZWif[bWYkbjkhW]j_YW"gk[[cfh[#
A arquitectura “ao romano”"leb$/Z[ ]WYebkdWiYecZ[YehWeYWf_j[bWhZ[h[Yehj[h[dWiY[dj_ijWekgk[_di_i#
século XX YeehZ$:Wb_bWHeZh_]k[i" j[deh[l[ij_c[djei[hb_WdeZ[hkij_YWZe$
i$b$"<kXk;Z_jeh[i"(&&/$ B[_jehWj[djeZeijhWjWZeiZ[Whgk_j[YjkhWYecefhelek[cJecWh"
H[dWiY_c[dje[9bWii_Y_iceÈ" :_e]eZ[JehhWblWj[h|i_ZeW[iYeb^WY[hjWfWhW_dj[hfh[jWhkcW[nf[h_#
dY_WYh_Wj_lWgk[[dYedjhWlWW_dZW[Yede_d\Wdj[:$Bki[dkcW\W_nWZ[
9hYkbeZ[B[_jeh[i"'//+$ _dj[b[YjkW_i[Whj_ijWijh[_dWZeidWYkbjkhW^kcWd_ijW$
-*
9B7KIJHEFH?D9?F7B:E
9EDL;DJE:;9H?IJE
:_e]eZ[JehhWblW%<_b_f[J[hp_"'++.
JecWh
EYeckcc[dj[Z[i_]dWZe9bWkijheÇ:$@ee???È"ekÇÓb_f_deÈ"WeXhWZ[
Whgk_j[YjkhWgk["[cFehjk]Wb"c[bêhYediW]hWWÓZ[b_ZWZ[}YkbjkhWjhW#
jWZij_YW[WI[hb_e"deiLivros IV[III$
Deh[cWj[Z[kcfhe]hWcWZ[h[]kbWh_pWeb[lWZeWdj[iWYWXe
feh@eeZ[9Wij_bê"eYbWkijheZ[JehhWblWjWcXcW_dZ_YWeZ[kc
h[if[_jefWjh_ced_Wbgk[[iYedZ[kcWideZ[ijhk_kW[nkX[hWdj[`Wd[#
bWZWiYWcfWd^WiZ[:_e]eZ[7hhkZW[fWYjkekYecWWbkieWeckdZe
^kcWd_ijWZ[_nWZef[beWhgk_j[YjeZ[[b[_eZeh[_:$@ee???$
8_Xb_e]hWÓW[ii[dY_Wb 7YWh]WehdWc[djWb"edZ[YWX_WcjWcXce]hkj[iYe[Wi_cfb_YW[i
[hWic_WdWiÇWehecWdeÈ"ZWlWW]ehWbk]WhWkcWekjhWYedY[feZ[Ód_ZW
Arte portuguesa. Da pré-história ao f[beè]ehjc_YeZ[b_d^Wi[lebkc[idWYedijhkeYd_YWZe[ifWe[dW
i$b$"<kXk;Z_jeh[i"(&&/$ _dj[hfh[jWeZ[kci[dj_ZeYWj[gkj_YeZWdelW?]h[`WYedjhW#h[\ehc_ijW$
AkXb[h"=[eh]["A arquitectura JehhWblWYeb^[kZ[I[hb_eWZ_ifei_e[eÇcej_leÈgk[i_ij[cWj_YW#
e os diamantes, 1521 -1706"B_iXeW" c[dj[eh]Wd_pWWi[gkdY_WWbj[hdWZWZeilei1\e_We[dYedjheZWb_j[hWjk#
;Z$L[]W"'/..$ hWZeijhWjWZeidWieXh[fei_eZWiehZ[diW`d_YWieXh[WZh_YW1_dj[]hek
H[dWiY_c[dje[9bWii_Y_iceÈ" Wik][ijec_b_jWhdeiYkX[beiZei~d]kbei[Yedijhk_kkcWeXhWZ[jh[c[d#
História da arte portuguesa Ze_cfWYjegk[dej[l[l[hZWZ[_hWh[f[hYkiie[cFehjk]Wbf[i[[cXe#
9hYkbeZ[B[_jeh[i"'//+$ hWWb_edej[d^WfWiiWZe[cYbWhe"cWiYbWcW[l_Z[dj[ifWhWb[b_iceidW
Hke"9Whbei"ÇO Eupalinos Whgk_j[YjkhW_jWb_WdWikXb_d^[#i[FWbbWZ_ecW_ih[gk_djWZW$
modernoÈ. Teoria e prática da
arquitectura religiosa em Portugal :_e]eZ[JehhWblWY$'+&&#'+,,del_keYbWkijheYedYbkZe$;iiW
(1550 -1640)"Z_ii[hjWeZ[
:ekjehWc[dje"feb_Y$"9e_cXhW"
c_iie"`|Z[djheZ[kcWfh|j_YWfebj_YWÓb_f_dW"YWX[h_WWeWhgk_j[Yje
K9"(&&-$ Xebedî<_b_f[J[hp_'+(&#'+/-$
-,
?=H;@7:E;IFßH?JEI7DJE
7\edieÜblWh[i5"'+,,#'+-*
xlehW
7_]h[`W`[ikj_YWZe;ifh_jeIWdje"[cxlehW"[n[cfbecW_ehZWYh_Wj_#
l_ZWZ[[_dZ[f[dZdY_WdW\k]W}iÇh[]hWiÈZ[Ód_ZWifWhWWWhgk_j[YjkhW
ZWiEhZ[dih[b_]_eiWi$
Eh]Wd_pWZWdeWf[be}[ÓY|Y_WZ[kcWfWijehWbYedjhW#h[\ehc_ijW"
WÇ_]h[`W#YW_nWÈZe;ifh_jeIWdjeWhj_YkbWWiYWf[bWibWj[hW_i_dj[hYeckd_#
YWdj[iWiZkWibj_cWicW_iWbjWi"dW[leYWeZejhWdi[fje_d[n_ij[dj[
YecWdWl[d_YWh[cWjWZWdWfWh[Z[ZWYWX[Y[_hWYecWYWf[bW#ceh
fekYefhe\kdZW[bWZ[WZWfehZe_id_Yêi$À]Wb[h_Wikf[h_ehYecWijh_#
XkdWi"ikY[Z[eh_jcei[YeZWWXXWZWZ[X[heW\[Y^WhkcWWjcei\[hW
Wkij[hW[][ec[jh_pWZWgk[ZWh_WlepWeZ[i_]dWZeÇ[ij_beYêÈZWi_]h[#
`WiZW9ecfWd^_W[gk["fehi[kjkhde"i[_dÓbjhWh_WdW][d[hWb_ZWZ[ZW
Whgk_j[YjkhWZWiehZ[di$
De\ehWWYecfed[dj[ehdWc[djWb"fehl_WZWiYecfei_[ih[jW#
XkbWh[i"ZWf_djkhW"ZW[iYkbjkhWekZWekh_l[iWh_Wb_]WZW}iWb\W_Wib_jh]_YWi"
WieXh_[ZWZ[Whgk_j[Yjd_YWWb_d^Wh_Wkcfhe]hWcWl_i_ed|h_edWb_cf_Z[p
Ze[ifWe$7ii_c"cW_iZegk[f[diWh"Z[cWd[_hW\hW]c[djWZW"Wi[YkhW
ZWWhgk_j[YjkhWdWh[Wb_ZWZ["Z[Y[hhWZef[dZeh][ecjh_Ye[cWj[c|#
j_Ye"\Wpi[dj_ZeWYecfh[[dieZ[gk[ei[b[c[djeiWhgk_j[Yjd_Yei
W]h[]WcÇ}dWiY[dWÈWfh[l_i_X_b_ZWZ[Z[kcW[d[h]_WehdWc[djWbfhe#
l_dZWZ[ekjhWiZ_iY_fb_dWiWhjij_YWi$
FehekjhebWZe"i["Wl|h_eidl[_i"W?]h[`WZe;ifh_jeIWdjeZ_jWkc
ceZ[beWi[]k_hdWi_]h[`WiZW9ecfWd^_W"e\[h[Y[jWcXciebk[iWbj[h#
dWj_lWigk[delebjWh_WcWgk_Wi[hkj_b_pWZWi0W\WY^WZW"W\WijWdZe#i[Zei
8_Xb_e]hWÓW[ii[dY_Wb \ehckb|h_eihecWdeiZe=[i"_dYehfehWkcW]Wb_bgk["jWbYeceWYedj[#
Y[dWWfeijWZ[dWl[d_YWgk[HW\W[bCeh[_hWÓb_WdWfehjk[di[_]h[`WZ[
e os diamantes, 1521 -1706"B_iXeW" I$@eeZW<ep"i[h|Z[l[ZehWZW_]h[`WZ[I$<hWdY_iYe"[cxlehW$
;Z$L[]W"'/..$
BeXe"Hk_"O Colégio-
DkcWWjh_Xk_eZ[fhe`[Yjegk[eiY_bW[djh[7\edieÜblWh[i[
-Universidade do Espírito Santo :_e]eZ[JehhWblWcWiedZ["i[]khWc[dj["CWdk[bF_h[i"@[hd_ceZ[
de Évora"i$b$"9>7?7"(&&/$
CWhj_di"<WkijeIWdY^[i" Jehh[i"8WbjWiWh<[hdWdZ[i[CWj[kiD[jeWiikc_hWcWih[ifediWX_b_ZW#
A arquitectura dos primeiros Z[iYedijhkj_lWi"W_]h[`W\e_[dYec[dZWZeYWhZ[Wb:$>[dh_gk[fWhWe
colégios jesuítas de Portugal:
1542 -1759. Cronologia. Artistas. Yeb]_eZW9ecfWd^_WZ[@[iki"feZ[heiW[ijhkjkhWh[b_]_eiWdeYedjheb[
Espaços"Z_ii[hjWeZ[ ZWKd_l[hi_ZWZ[h[Yc#\ehcWZW'++/$
<BKF"'//*$
F[h[_hW"FWkbe"Ç7Whgk_j[YjkhW
`[ikjW$Fh_c[_hWi\kdZW[iÈ"
Oceanos"d$±'("B_iXeW"9D9:F"
'//($
-.
?=H;@7:;I$HEGK;
7\edieÜblWh[i%8WbjWiWhÜblWh[i%<_b_f[J[hp_"'+,-
B_iXeW
<e_deh[Yc#h[]kbWh_pWZefbWdekhXWdij_YefWhWe8W_hhe7bjegk[i[
_cfbWdjekWYWiW#c[ZW9ecfWd^_WZ[@[iki[cFehjk]Wb$7?]h[`WZ[
I$Hegk[dWiY_WZ[kcW_dleYWeb_]WZW}[hc_ZWfh[[n_ij[dj[debeYWb
[_cfb[c[djWlWkcWWfeijWfbWd_cjh_YWgk["[cXehWYecWdj[Y[Z[dj[i
dWi_]h[`Wi[Xeh[di[iZ[I$<hWdY_iYe[Ze;ifh_jeIWdje"cWhYWlWWZ_h[Y#
e^[][cd_YWi[]k_ZWdWWhgk_j[YjkhWfehjk]k[iWZWi[]kdZWc[jWZ[
ZeiYkbeNL?$
H[Yedl[hj[dZeejhWZ_Y_edWbfbWdeZ[jhidWl[i"I$Hegk[[dl[#
h[ZWlWfehkcWeh]Wd_pWeZ[dWl[d_YWYecYWf[bWibWj[hW_i_dj[hYe#
ckd_YWdj[i[YWf[bW#cehfekYefhe\kdZW"d[ccW_id[cc[deiZegk[
W[ijhWj]_W[ifWY_WbcW_iYWhW}9edjhW#H[\ehcW[Yedi_Z[hWZWWcW_i
[ÓYWpjWcXcdWfh|j_YW`[ikj_YW$
7b_d[Wh_ZWZ[_cfeijWdW\WY^WZWfehl[djkhW"W_dZWZWh[ifediW#
X_b_ZWZ[Z[7\edieÜblWh[iYed`k]W#i[Yeckcfhe]hWcWZ[_dj[diWcWh#
YWefhefW]WdZij_YWedZ[eiY_Ybeif_djWZeiZWl_ZWZ[IWdje?d|Y_eZ[
BeoebW[I$<hWdY_iYeNWl_[h[ij[dZ_Zei}iWYh_ij_W[}][d[hWb_ZWZ[Zei
Yeb]_ei`[ikj_Yei"eih[j|Xkbei[ci[gkdY_WdeWb_d^Wc[djeZWiYWf[#
bWiekWYecfb[c[djWh_ZWZ[ZWf_djkhW[ZeWpkb[ègk[ij_edWcWikfei#
jWieXh_[ZWZ[Zeifhe]hWcWiYedjhW#h[\ehc_ijWi[ZeÇ[ij_beYêÈ$
7YWf[bWZ[I$@ee8Wfj_ijW'-*(# +("[dYec[dZWZWf[beh[_
:$@eeL[fhe`[YjWZW[cHecWBk_]_LWdl_j[bb_[D_YebWIWbl_"f[hcW#
d[Y[W_dZWYece[nfe[dj[cW_ehZ[Xh_bê[[hkZ_edWfbWij_Y_ZWZ[
XWhheYWZeicWj[h_W_i$
FehekjhebWZe"i[ê`[dei[feZ[\WbWhl[hZWZ[_hWc[dj[[cÇ[ij_#
be`[ikj_YeÈ"Z[iZ[be]ef[be]hWkZ[i_djed_Wgk[kd[eifheY[Z_c[djei
AkXb[h"=[eh]["A arquitectura Yedijhkj_leiYecekjhWiEhZ[dih[b_]_eiWi"feZ[Z_p[h#i[gk[W9ecfW#
d^_WZ[@[ikideZ[_nekZ[\eh`WhkcW_Z[dj_ZWZ[gk[Y[hhWÓb[_hWi[c
;Z$L[]W"'/..$ jehdeZ[kcWkd_ZWZ[YedijhkZWf[bWiZ_h[Yjh_p[iZW9ecfWd^_WZ[
H[dWiY_c[dje[9bWii_Y_iceÈ" ]hWdZ[cWb[WX_b_ZWZ[dWWfb_YWefh|j_YWWe[Z_ÓYWZe"f[bWkj_b_pWe
História da arte portuguesa Z[ce#Z[#eXhW`[ikj_YWekf[bWYedY[djhWeZ[[i\eheidkch[Zkp_Ze
9hYkbeZ[B[_jeh[i"'//+$ bWijheZ[Ó]khWiZ[iWdjeiYh[Z[dY_WZeif[bWEhZ[c$
F[h[_hW"FWkbe"Ç7Whgk_j[YjkhW 7igkWb_ÓYW[iZeiWhgk_j[YjeiZ[I$Hegk["7\edieÜblWh[i"8WbjW#
`[ikjW$Fh_c[_hWi\kdZW[iÈ"
Oceanos"d$±'("B_iXeW"9D9:F" iWhÜblWh[i[<_b_f[J[hp_"ZeYedjWZ[kcW[ijhkjkhWZ[feZ[hgk["hWf_#
'//($ ZWc[dj["[h]k[h_W"[cFehjk]Wb[dW[nj[diekbjhWcWh_dW"kcÇ_cfh_eÈ
HeZh_]k[i"CWh_W@eeCWZ[_hW"
Arquitectura: igreja e casa professa h[b_]_eie_cfh[iY_dZl[b}cWdkj[deZ[ekjhei_cfh_ei$
de São Roque"B_iXeW"IWdjW9WiW
ZWC_i[h_YhZ_W"'/..$
em Portugal. O Renascimento
;Z$Fh[i[dW"(&&($
.&
?=H;@7:7C?I;H?9ãH:?7:;<7HE
D_YebWkZ[<h_Wi5%<hWdY_iYeNWl_[h<WXh_"'+.'#'+.+%IYkbeNL???
<Whe
7YedijhkeZW?]h[`WZWC_i[h_YhZ_W_Z[dj_ÓYW#i[YecWfh[i[dWZe
X_ife:$7\edie9Wij[be8hWdYe"[c<Whe"[djh['+.'['+.+$EfbWde[c
Yhkp]h[]Wgk[[ijhkjkhWW_]h[`WhWZ_YW\kdZedej[cfeYeceefhelW"
[cj[hh_jh_edWY_edWb"W_]h[`WZ[I$<hkjkeieZ[Cedjb_ei"ZWfeYWl_i_#
]j_YW"]Wd^WkcW[ifY_[Z[deX_b_jWedWYkbjkhWZ_lkb]WZWf[bWjhWjW#
Zij_YWZeH[dWiY_c[dje[fhe`[YjW#i[dW_dj[deh[]kbWh_pWZehWZ[<Whe"
j[dZ[dY_Wbc[dj[_diYh_jWdegkWZhWZe$
H[c[j_ZWfWhWZWjWijWhZ_Wi[Ye_dY_Z[dj[iYeckcW9edjhW#
#H[\ehcWWYj_lW[l_]_bWdj[ieXh[j[dZdY_WiZ[Ykdê^kcWd_ijW"W_]h[`W
gk[ei[]kdZeX_ifeZe7b]Whl[\[pYedijhk_hdWpedWZW7b\~dZ[]W"}FhWW
ZWHW_d^W"WdZWWiieY_WZWWeêif_jWb[[hc_ZWZe;ifh_jeIWdjeYeceh_#
][digk[h[cedjWcWef[heZecWdk[b_de[}_dij_jk_eZWC_i[h_YhZ_W
\kdZWZWWdj[iZ['++*$'+('5gk[j[c}ikWZ_ifei_ekcYed`kdjeZ[
h[\[hdY_Wifhel_dZWiZ[|h[WijeZ_l[hiWiYeceeZ[iWfWh[Y_Zeêif_#
jWbb_iXe[jWZ[JeZei#ei#IWdjeiekW_]h[`WZe;iYeh_Wb"eXhWcW_ehZeh[_
<_b_f[??$
:WWYeZ[:$7\edie9Wij[be8hWdYe"f[hcWd[Y[cefbWdeY[d#
jhWZeZW_]h[`W[efehjWb"[cZ_iYkhiebWkZWjh_eWeX_ife"Wiikc_dZeW
YediY_dY_WYb|ii_YWl[hj_ZWdW[ÓY|Y_WZWYebkdWgk[efh[bWZe^Wl[h_W
Z[kj_b_pWhWXkdZWdj[c[dj[[c9e_cXhW'+.+#','+$
xYeceX_ifeZe7b]Whl[:$<hWdY_iYe=ec[iZe7l[bWh'-./#'.',
[YeceWhgk_j[Yje<hWdY_iYeNWl_[h<WXh_Yec\ehjii_cefhe]hWcWWhgk_#
j[Yjd_Ye[khXWdij_Ye[ij[dZ_Ze}l_p_d^WfehjWZWY_ZWZ[gk[WC_i[#
8_Xb_e]hWÓW[ii[dY_Wb h_YhZ_WZ[<Whe[dY[jWWZ_c[dieYedijhkj_lWgk[ê`[i[cWdjc$7
A arquitectura religiosa do Algarve
_dYkcXdY_WZeWhgk_j[Yje_jWb_WdefWhWWh[YedijhkeZeêif_jWbWdeh#
de 1520 a 1600"B_iXeW"FkXb_YW[i j[ZW_]h[`Wfhecel[eWb_d^Wc[djeZWiZkWi\WY^WZWiZeêif_jWb[ZW
9_dY_W[L_ZW"'/.-$
_]h[`WYedj_dkWZWif[bWWhYWh_WZeêif_jWb$EH[Yeb^_c[djeWikb"[ijW#
O significado do mecenato do bispo X[b[Y[dZeWi_c[jh_WZ[jeZeeYed`kdje"`|ZeiÓdW_iZeiYkbeN?N"
do Algarve D. Francisco Gomes do
Avelar"<Whe"9~cWhWCkd_Y_fWb" fh_dYf_eiZeiYkbeNN$
'///$
=ec[i"FWkbeLWh[bW"
Arquitectura,religião e política em
Portugal no século XVII: a planta
FkXb_YW[i"(&&'$
portuguesa chã, Entre as especiarias
;Z$L[]W"'/..$
IWdjei"Bki<_b_f[7fWhY_e
<[hdWdZ[iZei"A Misericórdia de
Faro":_ii[hjWeZ[C[ijhWZe"
feb_Y$"<Whe"<9>IZWKd_l[hi_ZWZ[
Ze7b]Whl["(&'&$
.(
?=H;@7:;I$L?9;DJ;:;<EH7
@kWdZ[>[hh[hW%<_b_f[J[hp_%8WbjWiWhÜblWh[i"'+.(#',(/
B_iXeW
<e_Wkd_eZ_d|ij_YW"[c'+.&"gk[Z_jekWh[YedijhkeZeceij[_heW]ei#
j_dêZ[I$L_Y[dj[Z[<ehW"Z_bkZWiWij[djWj_lWiZ[h[\ehckbWeWdj[#
h_ehf[beiYd[]eih[]hWdj[iZWYWiW#c[Z[IWdjW9hkpZ[9e_cXhW$7
delW_]h[`Wb_iXe[jWikh]_WZWledjWZ[[nfh[iiWf[beh[_<_b_f[??[Wiikc_W
kcYecfhec_iie[djh[Wh[delWe[Weh_]_dWb_ZWZ[fhe]hWc|j_YWgk[
_h_Wj[h_dÔkdY_WZ[Y_i_lWdWWhgk_j[YjkhWh[b_]_eiW[cFehjk]Wb$EWYje
febj_YeZWh[\kdZWeW(+Z[7]eijeZ['+.(_cfb_YWlWkci[dj_Ze
fhefW]WdZij_Yegk[h[f[j_WefheY[iieZ[b[]_j_cWeZefeZ[h"We[dYed#
jheZWZWjWZWYedgk_ijWZ[B_iXeW[c''*-"feh7\edie>[dh_gk[i"[kd_W
Wc[ch_WZW]hWdZ[pWZei\[_jei$FehekjhebWZe"WdWjkh[pWZ[fWdj[e
h]_egk[i[h[i[hlWlWfWhWW_]h[`W[cYedied~dY_WYecI$Bekh[deZe
;iYeh_WbZWlWYehfe}ifhec[iiWi\[_jWidWi9ehj[iZ[JecWh[c'+.'de
~cX_jeZ[kcWcedWhgk_WZkWb[h[\ehWlWef[hÓbZ[kch[_`kije[Yed#
j[cfeh_pWZehdeh[if[_jeWeii[kiiXZ_jei$
.*
7_cfed[dj[\WY^WZWZW_]h[`W_dj[]hWed|hj[n[Z[i[dlebl[#i[
WcfWhWZWf[bWiZkWijehh[igk["[c[nfbeie_dWk]khWbdWWhgk_j[YjkhW
ced|ij_YW"i[Whj_YkbWcYeckcWZ_d~c_YWZ[Yed`kdjeZ_jWZWfehh_jcei
Z[Wbj[hd~dY_WZ[lebkc[i[b_d^WiYkhlWi[h[YjWi$7ec[icej[cfe"e
i[dj_ZefWbWY_WdeYedj_Zedeh[cWj[ikf[h_ehè]WdWWcX_]k_ZWZ[Yh_W#
j_lWgk[deZ[_nWh_WjWcXcZ[ikiY_jWhekjhWijWdjWi[nf[h_dY_Wi[c
_]h[`WifWhegk_W_iekekjhWiehZ[dih[b_]_eiWi$
E_dj[h_eheX[Z[Y[Wkc[igk[cWZ[dWl[d_YW[YWf[bWibWj[hW_i
_dj[hYeckd_YWdj[i"YecjhWdi[fje_diYh_je[h[jheYehe"ceZ[bei[cle]W
dWi[]kdZWc[jWZ[ZeiYkbeNL?[^[hZ[_heijWdjeZWifh|j_YWiYedjhW#
#h[\ehc_ijWi[ZWifh[iYh_[iZ[I$9Whbei8ehhec[k"YeceZWeh]Wd_pW#
eZ[Z[i[dêYWj[ZhWbY_e$
C[icegk[i[`WYbWhWWÓb_WedeijhWjWZeiZ[Whgk_j[YjkhWI[hb_e
[cfWhj_YkbWh"WI$L_Y[dj[W_]h[`WYecZkfbW_dleYWe"jWcXcWI$I[#
XWij_eWii_ij[kcWZ_c[dieZ[b_X[hZWZ[Yecfei_j_lW[nfh[iiWdei
YWf_j_iYece_dib_jej[cWZWii[jWikd_ZWifehkcWjWh`W$CWi[hWieXh[#
jkZef[bW[iYWbWcedkc[djWbZ[kc[ifWeh[cWjWZef[bWWXXWZWZ[
X[he"ieXe_cfkbieZWif_bWijhWiZkfbWi"[f[bWYfkbWieXh[ejhWdi[fje
gk[W_]h[`WX[cfeZ_WWif_hWhWefWjWcWhZ[eXhWh[Yed^[Yl[bZWdelW
Z_dWij_WÓb_f_dW$
.,
7gk[ijeZWWkjeh_WZefhe`[YjefWhWW_]h[`Wj[cb[lWdjWZe_dj[d#
iWZ_iYkiie"Wb_c[djWZWfehZ_l[hieij[ij[ckdêiYedjhWZ_jh_ei"[de\e_
Wjê`[Yecfb[jWc[dj[h[iebl_ZW$;djh[>[hh[hW"gk[h[]h[iiWh_W[c'+.)
W9Wij[bW[}iikWih[ifediWX_b_ZWZ[ide;iYeh_Wb"<_b_f[J[hp_'+/-[8Wb#
jWiWhÜblWh[i',(*"Wi_dZW]W[i^_ijeh_e]h|ÓYWijc[dl[h[ZWZefeh
kcWiebkeZ[Yed`kdje0eiZe_ifh_c[_heij[h_Wci_Ze\kdZWc[djW_idW
YedijhkeZ[kcW_Z[_W_d_Y_Wb"Z[fe_icWj[h_Wb_pWZWf[beWhgk_j[Yjefeh#
jk]kiWgk[ci[h[Yed^[Y[jWcXckcW_dj[h\[hdY_Wfhe`[YjkWbdeZ[Yeh#
h[hZWeXhW"Yecjh[c[dZe_cfWYjekhXWdij_YedWY_ZWZ[Z[B_iXeW$
77$LL$"Monumentos"d$±("
DWY_edW_i"CWheZ['//+$
77$LL$"Mosteiro de São Vicente
de Fora. Arte e história"B_iXeW"
9[djhe9kbjkhWbFWjh_WhYWZeZ[
B_iXeW"(&'&$
em Portugal. O Renascimento
;Z$Fh[i[dW"(&&($
Iehec[dê"C_]k[b"Ç9bWii_Y_ice"
_jWb_Wd_ice[É[ij_beYêÊ$EY_Ybe
Ób_f_deÈ"História da arte portuguesa"
leb$??"B_iXeW"9hYkbeZ[B[_jeh[i"
'//+$
Iehec[dê"C_]k[b"A arquitectura
do ciclo filipino"leb$'&Z[Arte
.-
IxDEL7:;9E?C8H7
8WbjWiWhÜblWh[i"'+/.
9e_cXhW
7_]h[`Wgk[W9ecfWd^_WZ[@[iki\[p[h]k[hWfWhj_hZ['+/."[c9e_c#
XhW"W]hWdZ[Wbj[hdWj_lWWkcWfbWij_Y_ZWZ[[djh[]k[}Z_d~c_YWZeehdW#
c[djegk[W[iYebWZ[@eeZ[HkeZ_lkb]Wh_WWjWeiÓdW_iZeiYkbe
NL?$Dei[dZeWfh_c[_hWl[pgk[efbWdecW_iWYWh_d^WZef[bW9edjhW#
#H[\ehcWWeh]Wd_pWe[cdWl[d_YW[YWf[bWibWj[hW_i_dj[hYeckd_YWd#
j[iYecjhWdi[fje_diYh_je[hWfeije[cfh|j_YW"\e_W_]h[`WZe9eb]_e
Z[@[ikigk[_cfh_c_k[c9e_cXhWei[dj_ZeZ[cedkc[djWb_ZWZ[[]hWd#
Z_begkdY_Wgk[WWhgk_j[YjkhWYeb[]_Wbdej_d^WWZefjWZe[WY_ZWZ["
^WX_jkWZWWkcW[iYWbW^kcWd_pWZW"dej_d^WW_dZW[nf[h_c[djWZe$
7\WY^WZWYedij_jk_Wh[fh[i[djWel_il[bZWiZ[j[hc_dW[i_c#
feijWidWYWiW#c[Ze=[i[cHecW["ieXh[jkZe"ZWh[_dj[hfh[jWe
Z[=_WYeceZ[bbWFehjWWeiceZ[beiZ[L_]debW$C[icegk[i[l[h_Ógk[c
fheY[Z_c[djeij_f_ÓYWZeidW_]h[`W`[ikj_YW"W9ecfWd^_WZ[@[ikifWY#
..
jkek"dWh[Wb_ZWZ["Yecei[kfhfh_ej[cfe"Yec_dijhk[iikf[h_eh[i
[YecWYedjWc_dWeZei[b[c[djeiWkjYjed[i$
7h_]_Z[p][ecjh_YWZW\WY^WZWZWI"YedijhkZWWfWhj_hZeZ[#
i[dlebl_c[djeZecZkbeZegkWZhWZe"ikWl_pWZWfehkcW_dj[de
Z_d~c_YWgk[]Wd^Wkci[dj_Zeh[l_]ehWZef[bWWbj[hd~dY_WZ[lei[ceb#
ZkhWiZ_\[h[dY_WZei"f[bWiiebk[i_cfeijWideih[cWj[iikf[h_eh[iek
f[bWfh[i[dWZW[iYkbjkhWZ[YehWj_lWgk[_dj[]hWeifh_dY_fW_iWfijebei
I$F[Zhe[I$FWkbe[eiiWdjeicW_iYWh_ic|j_YeiZW9ecfWd^_WIWdje
?d|Y_e"I$Bki=edpW]W"I$<hWdY_iYeNWl_[h[I$<hWdY_iYeZ[8eh`W$?cf[#
#i[kcWb[_jkhWWiY[di_edWb[Z_h_]_ZWf[bWY[djhWb_ZWZ[_cfeijWf[bWb_d^W
[ijWX[b[Y_ZW[djh[WfehjWfh_dY_fWb[dY_cWZWfeh\hedjejh_Wd]kbWh"W
`Wd[bWikf[h_ehgk[ikXij_jk_keYWcfeedZ[i[_diYh[l_W"WjWeiÓdW_i
ZeiYkbeNL???"e[cXb[cWZW9ecfWd^_WZ[@[iki"e]hWdZ[`Wd[be
ikf[h_eh"WiWhcWiYece[iYkZedWY_edWb[eh[cWj[[cWfWhWjeie[\[_je
Z[jhfb_Y[\hedje$7[ijWX_b_ZWZ[Z[Ód_ZWf[bWWhj_YkbWeZWiÓ]khWi
][ecjh_YWiZegkWZhWZe"ZeYhYkbe[Zejh_~d]kbe]Wd^W"[cbj_cWWd|#
b_i["ed[hlei_ice[Wl_lWY_ZWZ[jhWp_Zeif[bWW]_jWeZej[cfe$7kj_b_#
pWeZ[f_bWijhWi[cZ[jh_c[djeZ[YebkdWi"eè]e[djh[b_d^WiYkhlWi[
h[YjWi"kcWY[de]hWÓWcedjWZWWfWhj_hZWWbj[hd~dY_W[ZWceZkbWe
\Wp[cZW\WY^WZWZWIkc[n[cfbWhZ[h[\[hdY_WdWWhgk_j[YjkhWfeh#
jk]k[iWZeiYkbeNL??$
E_dj[h_ehcWdjcW[ijhkjkhWedZ[i[ÓnWceilWbeh[i_Yede]h|#
ÓYeiZW9edjhW#H[\ehcW"dkcWWj[deYh_j[h_eiW}_cfehj~dY_WZWb_jkh#
]_W[ZWfh[]We[dkcW[ijhWj]_Wgk[W9ecfWd^_WZ[@[ikiW`kZekW
Z_\kdZ_hWkcW[iYWbWgk[[nY[Z[eYedj[nje[khef[k$7YeX[hjkhW"[c
WXXWZWZ[X[heehdWZWYeciXh_eiYW_nej[i"[ij[dZ[#i[jWcXcWei
XhWeiZejhWdi[fje[}YWf[bW#ceh"[dgkWdjeieXh[eYhkp[_hei[[h]k[
WYfkbWi[c_[i\h_YWYeheWZWZ[bWdj[hd_c$7YWf[bW#ceh"gk[ii[h_W
/&
iW]hWZW[c',/."\e_Wkc[djWZWfWhWeZeXhedWiYWcfWd^WiZ[WZWfjWe
WI"WfWhj_hZ['--($;jeZWWWjcei\[hWÇY^ÈZWWhgk_j[YjkhWWfe_WWi
[ijhkjkhWiZ[YehWj_lWi"i[cWigkW_ie[ifWedefeZ[i[hb_Ze$FhefW]Wd#
ZW[feZ[hieWiYWj[]eh_WiZ_iYkhi_lWigk[Wb_c[djWcWiYecfei_[i
h[jWXkbWh[i"eWpkb[è"Wf_djkhW[jeZeiei[gk_fWc[djei_cfh[iY_dZl[_i
}fhe`[YeYWj[gkj_YWZW_]h[`W$
8WbjWiWhÜblWh[i',(*eWhgk_j[YjeYeckcc[dj[WY[_j[fWhWW
Wkjeh_WZefhe`[Yje"Z[fe_iZ[ekjhei[diW_eib[lWZeiWYWXefeh:_e]e
Z[9Wij_bêekZ[i[d^WZeifeh8Whjebec[e8kijWcWdj[$7_]h[`W"_diYh_jW
de]hWdZ[9eb]_eZ[@[iki"ie\h[h_WjWcXcel[dZWlWbh[\ehc_ijWYec
eCWhgkiZ[FecXWb[W_dijWbWeZWH[\ehcWFecXWb_dWZWKd_l[hi_#
ZWZ[WfWhj_hZ['--($:[iWYj_lWZWZWi\kd[iYWj[ZhWbY_WiWl[b^WI"
dWiY[h_W[djeWIDelW$
ÇE[ifWe`[ikj_Ye[c9e_cXhW
Æ[cjehdeZW[nfkbie[Z[fe_iÈ"
Cristianismo e cultura. A expulsão
dos jesuítas. 250 anos. 1759 -2009"
H[l_ijWBrotéria, leb$',/"i$b$"
7]eije%I[j[cXheZ[(&&/$
Ç7ib_d^WiZ[fhefeheZW\WY^WZW
ZWIDelWZ[9e_cXhWÈ"Estudos
de história da arte da Renascença"
9e_cXhW";fWhjkh"'/-/$
e os diamantes 1521 -1706"B_iXeW"
;Z$L[]W"'/..$
CWhj_di"<WkijeIWdY^[i"
A arquitectura dos primeiros colégios
jesuítas de Portugal: 1542 -1759.
Cronologia. Artistas. Espaços"
Z_ii[hjWeZ[:ekjehWc[dje"
feb_Y$"Fehje"<BKF"'//*$
/'
9ÚC7H7CKD?9?F7B:;JEC7H
IYkbeiNL?#NL??
JecWh
E[Z_\Y_egk[Wiikc[Wi\kd[iYWcWh|h_Wi[cJecWhZ[iZ[Wi[]kdZW
c[jWZ[ZeiYkbeNL?ikXij_jk_kkcekjheZWiYWcfWd^WicWdk[b_dWi$;c
]hWdZ[fWhj[feh[ijkZWh"dej[ci_ZeZWZeed[Y[ii|h_eh[b[leW[ij[
cW]dÓYe[n[cfbWhZW[hkZ_eWhgk_j[Yjd_YW[cFehjk]Wbd[ij[f[heZe$
:[iYed^[Y[c#i[WiYedZ_[iZWikW[Z_ÓYWe"eiWkjeh[iZe
fhe`[YjeekWce# Z[#eXhW[dlebl_ZW"cWiegk[ÓYek[f[hcWd[Y[
cWjh_WZ[iZ[i[cfh[jhWjWZWYeceh[if[_je_dl_eb|l[bWgk[WêdehW#
X_b_ZWZ[Ze[Z_\Y_eeXh_]W$
<[Y^WdZeWfhWW[[ijWX[b[Y[dZeWh[]kbWh_ZWZ[ZeYed`kdje"W
9~cWhWe[ifWe[cXb[c|j_Yegk[Z_dWc_pWe[gk_bXh_eZeifeZ[h[i
9kijZ_e"@eh]["Ç7dj_]eiFWei
Ze9edY[bêZW9~cWhWCkd_Y_fWbÈ"
Património monumental de
Santarém"IWdjWhc"'//-$
<hWdW"@ei#7k]kije"Tomar"
B_iXeW";Z$Fh[i[dW"'//*$
HeiW"7ceh_c"História de Tomar"
(lebi$"JecWh"=WX_d[j[Z[;ijkZei
JecWh[di[i"'/,+$
I[gk[_hW"=kijWleZ[CWjei"
Inventário artístico de Portugal —
distrito de Santarém"B_iXeW"
7YWZ[c_WDWY_edWbZ[8[bWi#7hj[i"
'/*/$
/(
ÆfXb_Yei"fh_lWZei[h[b_]_eieiÆWgk_fh[i[dj[i$:[l[ZehWZep[beÓb_#
f_defWhWYecWY_ZWZ[gk[WYeb^[kWifh_c[_hWi9ehj[iZWKd_e?Xh_YW
[cWdj[dZeeZ_|be]eZWWbj[hdWj_lWWeZ_iYkhieZW\hedj[_hW_]h[`WZ[I$
@ee8Wfj_ijW"W9~cWhWZ[JecWhkcWf[Wl_jWbfWhWe[dj[dZ_c[dje
ZWh[jh_YWZefeZ[hZei<_b_f[i"jWbYeceeieWieXhWib[lWZWi[djeW
YWXede9edl[djeZ[9h_ijeekeWgk[ZkjeZeiF[][i$
7\WY^WZWfh_dY_fWb"eh]Wd_pWZW[ci_c[jh_Wgk[_dYehfehWkcW
]Wb_bZ[jhiWhYeiYeci[hb_WdW[djh[eiZe_iYehfeibWj[hW_i"defeZ[
d[]b_][dY_WhW\WY^WZWjhWi[_hW$Bed][Z[i[Wfh[i[djWhi[c_dj[h[ii[
Whgk_j[Yjd_Ye"[ijWYedj[cfbWjhi]Wb[h_WiieXh[feijWiYecfWhj[Zei
WhYei[djW_fWZei[Z[Ód[[ijhWj]_WiYedijhkj_lWiZ[\ehjii_cW_cfbWd#
jWekhXWdW$x"dWh[Wb_ZWZ["kcW[ijhkjkhWfWbWY_WdWYecW[iYWZWZ[
WfWhWjegk[[ijWX[b[Y[Wb_]We[djh[eif_ieigk[efeZ[hh]_eYec
eih[if[Yj_lei[cXb[cWiÆeXhWie"W[i\[hWWhc_bWh[WYhkpZWEhZ[c
Z[9h_ijeYecW^Wij[Ób_f_dWfhebed]WZWjhWdi\ehcek[c_dj[h[ii[
fXb_Ye$
/)
?=H;@7:;DEII7I;D>EH7:7
=H7w7:;I7DJE7=EIJ?D>E
J[eZi_eZ[<h_Wi??5"',)+#',--
L_bWL_eiW
/*
7?]h[`WZ[DeiiWI[dêhWZW=hWWfWhj_YkbWhc[dj[_cfehjWdj[feh#
gk[i[fhe`[YjWYecei_dWbZ[h[i_ijdY_W$7Çcidade ideal em mármoreÈ
Yece`|b^[Y^WcekHW\W[bCeh[_hWgk[eiZkgk[iZ[8hW]WdWYedijhk#
hWc[cL_bWL_eiWWebed]eZeiYkbeNL?"Z[iZ[WWYecW_iikc|h_W
Z[:$@W_c["^[h_ZWYhkpWZWcWhhegk_dW"WjWei[kÓbê":$J[eZi_e?"
êc[cZ[bWh]Wl_iefebj_YW[[ijhWj]_YWgk["[c'+)-"f[beYWiWc[d#
jeZ[ikW_hc:$?iWX[bYece_d\Wdj[:$:kWhj["_hceZeh[_:$@ee???"
WXh_WWifehjWi}b_d^WZejhede_dj[]hekkcWZ_c[dieZ[Yehj[Wbj[hdW#
j_lW[dW[nf[YjWj_lWZ[kc\kjkhegk[WYWXWh_Wfehi[hYediW]hWZe[c
',*&$Efhe]hWcWWhgk_j[Yjd_Ye"_Yede]h|ÓYe[khXWdij_Ye"gk[`|\e_
[djh[]k[We[d][d^[_he_jWb_Wde8[d[Z[jjeZ[HWl[dWHW\W[bCeh[_hW"
_cfb_YWlWW\ehc_Z|l[bh[Yedl[hieZWil[b^Wi[ijhkjkhWifWbWY_WdWiWkc
[igk[cWceZ[hde[l_jhkl_Wdegk[eh]Wd_pWlWkcWYedY[feYedY[hjW#
ZW[djh[efWb|Y_e"WfhWW"eiYedl[djeiZ[IWdje7]eij_dê[ZWi9^W]Wi"
\kdZWZeWej[cfeZ[:$@W_c["[c'+'*"[Z[ij_dWZeWbeYWbZ[i[fkbYhe
ZWii[dêhWiZW9WiWZ[8hW]WdW[W\ehjWb[pW$9edleYek#i[kcYbWi#
i_Y_ice[hkZ_je[jhWjWZij_Ye[W`kijek#i[kcWÇ_cW][cÈh[WbWfWhj_hZW
feZ[heiW[leYWeZeJ[hh[_heZeFWe[ZW\ehjii_cW[nfh[iie\kd[#
h|h_WYedj[cfbWZWdWFhWW$
;djh['+.&[',*&"ei8hW]WdWYedij_jkhWcf[h_]efWhWW[ijWX_#
b_ZWZ[febj_YWZWZ_dWij_WÓb_f_dW"cWie_dl[ij_c[djeZeiZkgk[ifWiiek"
d[iiW[ifY_[Z[Çh[i_ijdY_WfWii_lWÈ"f[be[d]hWdZ[Y_c[djeZWikW9eh#
j[[f[bWYedijhkeZWb[]_j_cWeZeii[kiZ[ij_dei$;c',&'"Wej[cfe
Z[:$J[eZi_e??"ec[ijh[CWdk[bH_X[_heWdZWlWeYkfWZedW[n[Yke
Zebj_cef_ieZefWb|Y_ei[]kdZeZ[i[dêZWZe[c'+.)fehD_YebWkZ[
<h_Wi1[c',)+"e\kjkhe:$@ee?L:$@ee??Z[8hW]WdWh[cWjWlW"d[i#
iWWfhen_cWeYedi[dj_ZWWeY[h_ced_Wbh]_e[YecWh[YedijhkeZW
_]h[`WZ[DeiiWI[dêhWZW=hWWZ[IWdje7]eij_dê"kcfhe]hWcWZ[
[nWbjWe}9WiW:kYWbgk[\[pZ[L_bWL_eiWebk]WhZ[[b[_eWfjefWhW
eZ[iWÓeZ[',*&$
EYedl[djegk[i[[h]k[kWfWhj_hZ['(,-"[djh[]k[Wei[h[c_jWi
YWbWZei"j[ckcbed]e^_ijeh_WbZ[fhej[Yeh]_W[ZeiZkgk[i$xYec
:$@W_c["Wec[icej[cfegk[]Wd^W\ehcWW_Z[_WZefWdj[e[c8[bc
[W_]h[`WZeCeij[_heZ[IWdjW9hkpZ[9e_cXhWWYeb^[WZ_c[dieiWYhW#
b_pWZWZeifh_c[_heih[_i"gk[i[_dWk]khWdW_]h[`WW]eij_d^WZ[L_bWL_e#
iWW\kdeZei[fkbYhe$CWiW_dj[diWh[Z[Ód_e\ehcWb[[ifWY_Wbgk[
i[ef[hWYecefWjheYd_eZ[:$@ee??Z[8hW]WdWj[cYbWhe[h[\ehW#
Ze_djk_jeWfebe]j_Ye[Y[b[XhWjh_e$DWWn_Wb_ZWZ[Z_Wbe]Wdj[\ehcWZW
YecWb_d^WZ[\WY^WZWZefWb|Y_e[\[Y^WdZeWfhWW"eYedl[dje_dj[]hW
W_]h[`W#fWdj[eZeiZkgk[i$7ieXhWiZ[Yehh[h_WcWjc[WZeiZeiYk#
beNL???"cWie[ii[dY_WbfeZ_WZWh#i[fehj[hc_dWZe[c',--"WdeZWjhWi#
bWZWeZeieiieiZW\Wcb_WZkYWb$
De^|fhefh_Wc[dj[del_ZWZ[dWeh]Wd_pWe[ifWY_WbZW_]h[`W$
KcW[ijhkjkhWZ[dWl[d_YW[YWf[bWibWj[hW_i_dj[hYeckd_YWdj[i"Yec
jhWdi[fje_diYh_je"h[f[j[kc[igk[cWfbWd_cjh_YekikWb[cFehjk]Wb
/,
Z[iZ[c[WZeiZeiYkbeNL?"jWbYeceejhWjWc[djeÇYêÈZei[b[c[d#
jeiWhgk_j[Yjd_Yeii[Z[i[d^WlWdeFWiYecWc[icW\ehW[_Zdj_YW
Wdj[h_eh_ZWZ[$xieXh[jkZedWfhen_c_ZWZ[Wei[dj_ZeZ[fWdj[eh]_e
_dijWbWZe"fh_c[_hedeCeij[_heZei@[hd_ceiikXij_jk_dZeW8WjWb^Wfeh
hWp[iZ[[ÓY|Y_Wfebj_YW[_Z[eb]_YW[Z[fe_idW_]h[`WZ[I$L_Y[dj[
Z[<ehW"gk[W?]h[`WZW=hWW[cL_bWL_eiW]Wd^Wjh[c[dZWfhe`[Ye
[_cfWYje$7_Z[dj_ZWZ[Zeijckbei[WikWbeYWb_pWe[if[YÓYW"fh_l_b[#
]_WdZeejhWdi[fje[WYWf[bW#ceh"leWe[dYedjheZ[kcfhe]hWcWgk[
@[hd_ceZ[Hke_d_Y_ekdei@[hd_cei"ZWc[icW\ehcWgk[efbWde
_dYbk_dZeWYfkbWeYje]edWbgk[h[Ykf[hWeceZ[befh_c_j_lWc[dj[_di#
jWbWZedW_]h[`Wl_Y[dj_dWZ[B_iXeW[W\hedjWh_WZW_]h[`W_dYehfehWckcW
Wbkie[nfbY_jW}eh]Wd_pWeZe[ifWe[}\WY^WZWZ[I$L_Y[dj[Z[<ehW$
Ec[djehZ[kc_Z[|h_eYecjWbZ_iYkhieZ[\ehcWjWeh]_W
C_]k[bIehec[dê`|e[djh[]ekWJ[eZi_eZ[<h_Wif[hcWd[Y[W_dZW
_dY[hje$CWi"WfWhj_hZ[',*&":$@ee?L"fehl[djkhWYece[cfkhheZ[
:$9WjWh_dW["i[]khWc[dj["YeceWfe_eZ[kcW^[hWdWl_dZWZ[L_bWL_#
eiW"[ijWlWWfjeW[d\h[djWhWjehc[djWZWb_X[hZWZ[[ZW_dZ[f[dZdY_W$
77$LL$" Monumentos, d$ei,"(-"
Cedkc[djei"B_iXeW":=;CD"
CWhe'//-":[p[cXheZ[(&&-$
;ifWdYW"Jb_e"Inventário artístico
de Portugal. Distrito de Évora (Zona
Sul)"leb$?"j$?N"B_iXeW"7D87"'/-.$
;Z$L[]W"'/..$
J[_n[_hW"@ei"O Paço Ducal
de Vila Viçosa"B_iXeW"<kdZWe
ZW9WiWZ[8hW]WdW"'/.)$
/-
<EHJ7B;P7:;7BC;?:7
F_[hh[=_bb[iZ[IW_dj# FWkb"',*,
7bc[_ZW
7fh_c[_hW[cW_ehkh]dY_WZeh[_dWZeZ[:$@ee?L\e_fWhWWid[Y[ii_#
ZWZ[iZ[Z[\[iWZej[hh_jh_e$E9edi[bêZ[=k[hhW"_dij_jkZeW_dZW[c
',*&"Wii[]khek[djeWl_]_b~dY_W[W[n[YkeZWcWjh_Wc_b_jWh\WY[We
f[h_]el_dZeZ[;ifWd^W$Fehjk]WbYedjWlWYecbWh]W[gkWb_ÓYWZW[nf[#
h_dY_WdWiWhj[iZW]k[hhW[Yece_cfehjWdj[Yedjh_Xkje\ehd[Y_Zef[bei
Whgk_j[Yjei[[d][d^[_hei_jWb_Wdeide~cX_jeZW\ehj_ÓYWe$DWiYeijWi
W\h_YWdWiekdWßdZ_W"fh_c[_he"[iZ[fe_ide8hWi_b"eYed^[Y_c[dje][hWZe
[cjehdeZWijYd_YWiZ[\[di_lWi[e\[di_lWi[ZWkj_b_pWeZWfblehW
ekZeii_ij[cWiZ[\ehj_ÓYWeYedZkp_keFWiWkcfWjWcWhY_[djÓYe
Z[h[Yed^[Y_c[djedkcW|h[Wi[dil[bWef[heZeZWH[ijWkhWe$
7eiYkbeNL??Y^[]ek"Wii_c"kcfej[dY_Wb\WXh_YWZef[bWd[Y[i#
i_ZWZ[ZWiWblW]kWhZWZe?cfh_e"f[bW[ÓY|Y_WZ[kc[di_decedjWZedW
;iYebWZ[7hgk_j[YjkhW[cB_iXeWek[cCWZh_Z"f[beiYed^[Y_c[djei
jhWdic_j_Zei[cY_hYk_jeifWhWb[beiYecedW7kbWZ[;i\[hWZeYeb]_e
`[ikj_YeZ[IWdje7dje"f[bWWXkdZWdj[b_j[hWjkhWZ[jhWjWZeiieXh[ei
fheXb[cWiZW\ehj_ÓYWeekf[bWWX[hjkhWWeiWX[h_jWb_Wde"_dÔk[dj[Wj
Wef[heZeÓb_f_de$
7_dZ[f[dZdY_WjhWh_WWckZWdWZ[hejWdWYWfjWeZ[ceZ[#
bei[êc[dib_]WZei}]k[hhW"`|de_jWb_WdeicWi"ieXh[jkZe"dhZ_Yei[
\hWdY[i[i"Wfhel[_jWdZeWYed`kdjkhWZW]k[hhW[khef[_Wgk[efkd^W
<hWdW[;ifWd^W$7WiY[diefheÓii_edWbZe[d][d^[_hec_b_jWhYWj[]e#
/.
h_WWYjkWdj[`|deiYkbeWdj[h_ehZWh_Wdele\b[]e}ifh|j_YWiZW]k[hhW"
ikij[djWZWi"WfWhj_h',*-"f[bW_dij_jk_eZW7kbWZ[<ehj_ÓYWe[7hgk_#
j[YjkhWC_b_jWh"ieXWh[]dY_WZeYeic]hW\e#cehBkiI[hheF_c[dj[b$
;c7bc[_ZW"el[bêYWij[beZ[i[d^WZefeh:kWhj[ZÊ7hcWi[c
'+&/`|ik`[_jeWdelWiiebk[ijYd_YWideh[_dWZeZ[:$CWdk[b"f[bW
ceZ[<hWdY_iYe:Wdp_bê"[c'+&.\e_[djeWZWfjWZeWfW_eb"eh_]_dWd#
ZeWYedijhkeZ[kci_ij[cWgk[h[ifedZ[[cjeZWiWi\h[dj[i}i[n_#
]dY_WiceZ[hdWiZ[[ÓY|Y_W[[ijhWj]_Wc_b_jWh[i$
7\ehjWb[pWgk[i[[h]k[kWfWhj_hZ[',*,f[be[d][d^[_heF_[hh[
Z[IW_dj#FWkbkcZei\hWdY[i[igk[WYecfWdêk9^Whb[iBWiiWhjWFeh#
jk]Wb[c',*'"i[dZeZ[fe_iikXij_jkZefeh:_e]eJhk[bZ[9eêd["dei
ÓdW_iZeiYkbe"f[beiWh][dje#ceh@[hd_ceL[bêZ[7p[l[Ze[Yk`Wi
eXhWii[^Wl[h_WcZ[[ij[dZ[hWeiYkbeNL???"Wfh[i[djWkcWfbWdjW
[ijh[bWZWYeci[_ifedjWi[cgk[WZ_ifei_eZ[ckhWb^Wi"XWbkWhj[i"
h[l[b_di"fehjWi"YWiWcWjWiek\eiieieh]Wd_pWWcW_i_dj[h[iiWdj[[ijhk#
jkhWfehjk]k[iW_diYh_jWdei_ij[cWZW\ehj_ÓYWeWXWbkWhjWZW$
DWfehjWZ[I$<hWdY_iYefehl[djkhWZWWkjeh_WZ[F_[hh[=Whi_d
feh',,'#-,"_Z[dj_ÓYWc#i[WieX[hWd_Wfehjk]k[iW[e]eije\hWdYi"We
[dYedjheZ[kcWfWhWjehkij_YWZe"[eYhkpWc[dje[djh[\kdY_edWb_ZWZ[
[Z[b_YWZ[pW[nfh[ii_lWZei[b[c[djeiYebkdWi"\hedj[iYkhlei_dj[hhec#
'&&
f_Zei"]kWh_jWi$Àih[ijWdj[ifehjWiWdZWcb_]WZeii[cYecfhelWeei
dec[iZ[@[hd_ceL[bêZ[7p[l[Ze[7djd_eL[bêZ[7p[l[Ze$
8[d[ÓY_WdZeZWÇjh]kWÈYehh[ifedZ[dj[We[dlebl_c[dje[ifWdêb
dW=k[hhWZeiJh_djW7dei[dWh[iebkeZeifheXb[cWiYecW9WjWbkd^W"
e_dl[ij_c[djefehjk]ki\e_"Z[_c[Z_Wje"Z_h[YY_edWZefWhWWYedieb_ZW#
eZWi[ijhkjkhWiZ[\[di_lWi[cB_iXeW[Fehje[fWhWWb_d^WZ[\hedj[_hW$
:[ijW\ehcWi[^Wl[h_WZ[iedZWhkcWZ_c[die_d[nfk]d|l[bfWhWWiÇY_ZW#
Z[i\ehj_ÓYWZWiÈZ[;blWiekLWb[dW"[Wii_ci[\eh`WlW[c7bc[_ZWWcW_i
ib_ZW[eh_]_dWbfhWW#\ehj[ZeFehjk]WbZWH[ijWkhWe$
9Wcfei"@ee"Almeida: portas
e poternas da praça-forte, 7bc[_ZW"
9~cWhWCkd_Y_fWb"(&&-$
9edY[_e"CWh]Wh_ZWJWlWh[iZW"
Da vila cercada à praça de guerra,
formação do espaço urbano em
Almeida (séculos XIV-XVIII), B_iXeW"
B_lhei>eh_pedj["(&&($
Ceh[_hW"HW\W[b"Ç:eh_]ehj[h_Ye
}kh]dY_Wfh|j_YW0WWhgk_j[YjkhW
c_b_jWhÈ"O limiar do Barroco"
9eb[YeHistória da arte em
Portugal"leb$."B_iXeW";Z$7b\W"
'/.,$
'&'
9B7KIJHE:ECEIJ;?HE
:;I7DJ79B7H7#7# DEL7
CWdk[bZe9ekje%9kijZ_eL_[_hW%9WhbeiCWhZ[b"bj_ceiWdeiZeiYkbeNL??#'-,&
9e_cXhW
E]hWdZ[cedkc[djegk[i[Yedijhk_k[c9e_cXhWWfWhj_hZ[',*/[
b[lWh_WWi\h[_hWiYbWh_iiWiZe\kij_]WZeCeij[_heZ[IWdjW9bWhW#W#L[b^W
fWhWedele[Z_\Y_egk[WiWYeb^[k[c',--"_dYehfehWlWjWcXckcfWjh_#
cd_ecWj[h_WbWYkckbWZeWebed]eZ[iYkbei[eYehfeZWhW_d^W:$?iW#
X[b"iWdjWZ[iZ[',(+$EWYjeZ[h[\kdZWeZeceij[_he"W]ehWIWdjW
'&(
9bWhW#W#DelW"h[l[ij_W#i[Z[]hWdZ[i_]d_ÓYWZefebj_Ye"dWkbjhWfWiiW][c
ZW_dYWfWY_ZWZ[Ób_f_dWgkWdje}fhec[j_ZWYedijhke[cêc[dW][c}
HW_d^WIWdjW$Feh_iie"WeXhWj[h_WeWbjefWjheYd_eZ[:$@ee?L"[Wi
WhcWiZei8hW]WdWWZgk_h[cje\ehj[[nfh[ii_l_ZWZ[defehjWbfh_dY_fWb
Z[CWj[kiZe9ekjeZWdelW_]h[`W"fhe`[YjWZWfeh\h[_@eeJkhh_Wde$
7ieXhWiZW_]h[`W"iWYh_ij_W[êif[ZWh_WYedYbkhWc#i[[c',/'"be]e
i[]k_ZWiZeiZehc_jh_ei"h[\[_jh_e[jehh[i#c_hWZekhe$EifheXb[cWifeh
h[iebl[h_dY_Z_hWcfWhj_YkbWhc[dj[ieXh[eWXWij[Y_c[djeZ[|]kWidei
_dY_eiZeiYkbeN?NeWgk[ZkjeZ[CWdk[b7bl[iCWYecXeWY^[]Wh_WWe
ceij[_he"WfehjWh_WYedYbkZW[c'--&"ieXh_iYeZ[9WhbeiCWhZ[b[Yec
ei[cfh[_j[_hei=WifWh<[hh[_hW[:ec_d]eiCeh[_hWC[_h[b[iÆWgk[ci[
Z[l[cWi[iYkbjkhWii[djWZWide\hedjeZefehjWb[eYbWkijhe$
'&)
:[iYed^[Y[c#i[eiYedjh_XkjeiZ[\h[_@eeJkhh_Wdei[eiêk#
l[[Z[CWj[kiZe9ekjeieXh_dêfWhWWZ[Ód_eZeYbWkijhe$FWhj[
ZWieXhWih[Wb_pWZWifehCWdk[bZe9ekjeWfWhj_hZ[',/,WYWXWh_Wc
fehhk_h"\Wp[dZef[h_]WheYed`kdje$:[fe_iZWikWcehj["[c'-))"9ki#
jZ_eL_[_hWgk[Wiikc[WZ_h[YeZe[ijWb[_heZ[IWdjW9bWhW[Yec
[b[gk[eYbWkijhe[dYedjhWWhejWZ[kc_dZ_l_ZkWbii_cef[hYkhiegk[
ii[h_Wh[cWjWZeZ[fe_iZWcehj[Z[L_[_hW"[c'-**Yece^d]Whe
9WhbeiCWhZ[b$Eh[ikbjWZeÓdWbZeYbWkijhe_cfb_YW"fehjWdje"kcfheZk#
jefWhj_b^WZeWfWhj_hZ[kcWbeYWb_pWeZ[j[hc_dWZWf[bW_]h[`W[Z[Ó#
d_ZWfehCWdk[bZe9ekje$9WX[h|W9kijZ_eL_[_hWWdeX_b_jWeZ[kcW
[ijhkjkhWgk["def_iejhh[e"]Wd^WW_dki_jWZWiebkeZei~d]kbeiWhh[#
ZedZWZeiYec_Yede]hWÓWWbki_lWW9h_ije[}hW_d^W[\edj[iZ[YehWZWi
feh]ebÓdêi[djh[bWWZei1e[dY[hhWc[djeZeilei[djh[eiWhYeigk[
b[lekWei[kfh[[dY^_c[djefehjWX[bWiZ[cebZkhWih[b[lWZWi[fWh[i
Z[YebkdWigk[jcYehh[ifedZdY_Wdef_ieikf[h_eh1WYebeYWeZ[\h_#
ie[Whgk_jhWl[[ijWX[b[Y[dZekcWY_djkhWZ[i[]khWdWfWhWWigkWjhe
WbWi1Wi`Wd[bWiikf[h_eh[iZejWZWiZ[iWYWZWh[dZ_b^WZW$9WhbeiCWhZ[b
jhWXWbêkieXh[jkZeWedl[bZWY_cWb^W"`kdjWdZeeif[gk[deij[cfb[#
j[iieXh[eid_Yêi"WfbWj_XWdZWikf[h_eh"]|h]kbWi[f_d|Ykbei$=WifWh
'&*
<[hh[_hW'-,("Z[iZ['-()"ec[ijh[gk[Wii[]khWW[n[YkeZWi
eXhWi$
DWYedÔkdY_WZWi_dj[hl[d[ifbkhW_i[dWi[h[d_ZWZ[cedkc[d#
jWbZWh[fheZkeZeijhWcei"eYbWkijhe"gkWZhWZeYecWfhen_cWZWc[dj[
+&c[jheifehbWZe[cW_iZ['&c[jheiZ[WbjkhW"Yedij_jk_kcWh[[Z_e
cel_c[djWZWZeijhWjWZei[Z[I[hb_e"Wfh[i[djWdZekcWb_ei[cfh[#
Y[Z[dj[idWWhgk_j[YjkhWYbWkijhWb[cFehjk]Wbbed][Zeh_jce_cfeije
deYed_cXh_Y[di[YbWkijheZeYeb]_eZ[IWdje7]eij_dê[Ykèi_d]h[#
Z_[dj[idelebjWh_WcWh[f[j_h#i[$
9WbZWi"@eeL_[_hW"Ç9bWkijheiÈ
Dicionário de arte barroca em
PortugalZ_h$@ei<[hdWdZ[i
F[h[_hW"B_iXeW";Z$Fh[i[dW"'/./$
Ç9WhbeiCWhZ[bÈ"Dicionário de arte
barroca em PortugalZ_h$@ei
<[hdWdZ[iF[h[_hW"B_iXeW"
;Z$Fh[i[dW"'/./$
9hWl[_he"CWh_WZ[BkhZ[i
9hWl[_he"Ç7i[]kdZWc[jWZ[
ZeiYkbeNL???[c9e_cXhW$
JhWZ_e[_delWedeZ_iYkhie
Whgk_j[Yjd_YeÈ"Oficinas regionais"
7YjWiZeL?I_cfi_eBkie# ;ifWdêb
Z[>_ijh_WZW7hj[L_i[k"'//'"
JecWh"?dij_jkjeFeb_jYd_YeZ[
JecWh"'//,$
<[hhe"B[edeh"A real obra de
Nossa Senhora das Necessidades"
B_iXeW"Gk[jpWb;Z$"'//*$
<[hhe"B[edeh"ÇQDeSIeheiWi"
I[dêh$IeXh[WieXhWiZeYbWkijhe
'-&*#'-,&È"Monumentos"d$±'."
B_iXeW":_h[Ye# =[hWbZei;Z_\Y_ei
[Cedkc[djeiDWY_edW_i"CWheZ[
(&&)$
'&+
?=H;@7:;I7DJ7;D=HÜ9?7
ÆF7DJ;ÁED79?ED7B
@ee7djkd[i"',/&
B_iXeW
xck_je]hWdZ[ei_]d_ÓYWZeZW?]h[`WZ[IWdjW;d]h|Y_WfWhWB_iXeW$;bW
fhe`[YjW"debj_cegkWhj[bZeiYkbeNL??"eZ[XWj[[cjehdeZeij[cWi
ZWWhgk_j[YjkhW[Yedij_jk_eh[ikbjWZeZWij[di[i^[hZ[_hWiZeYedj[nje
febj_Ye[YkbjkhWbZWH[ijWkhWe$
7h_]eheiWik`[_eWkcfbWdeY[djhWb_pWZe"[cYhkp]h[]W_diYh_jW
degkWZhWZegk[fhecel[W\ehcWYX_YW"fWYjkWYecjeZWiWi_dZ_YW#
[ifhel[d_[dj[iZe_Z[WbZ[Çf[h\[_eÈZ[i[dlebl_Zef[beiYkbeNL?
[fehI[hb_e"cWijWcXcZ[l[ZehWZ[kcWYkbjkhWWhjij_YWgk[i[gk[i#
j_edek[cHecWieXh[Wc[bêhiebkefWhWW_]h[`WZ[I$F[Zhe1Yece"
W_dZW"hWZ_YWdekjhWi[ik][ij_lWifei_[igk[deZ[_nWlWcZ[WYedj[#
Y[hde[ifWe[khef[kl[`W#i["je#i"WYWf[bWZe9^~j[WkZÊ7d[jÆY$
'++&ÆZ[F^_b_X[hjZ[BÊEhc[gk[Z[i[dlebl["dkcWekjhW[iYWbW^kcW#
d_pWZW"Wc[icWYhkp]h[]WZ[ikf[h\Y_[iWhh[ZedZWZWi[YehfeigkW#
ZhWd]kbWh[idei~d]kbei_dj[hcZ_ei$
FehekjhebWZe"Çcedkc[djeZWWkjedec_WZWdeXh[pW\WY[}YeheWÈ
=ec[i"FWkbeLWh[bW"(&&'0(.."IWdjW;d]h|Y_WjhWdifehjWeeh]kbêZW
Wh_ijeYhWY_Wb[jhWZW"YkbjW[Whh[_]WZWWeilWbeh[ic_b_jWh[ijeYWhei}Ykb#
jkhW_cfb[c[djWZWf[bW;iYebWZ[7hgk_j[YjkhW"Yech[\ehWZe[cf[dê
WfWhj_hZ[',*-$
;cbj_cWWd|b_i["[f[bWikWbeYWb_pWeZec_dWdj["W_cfed[dj[
_]h[`W\kdY_edWh_WYecekcW[ifY_[Z[XWij_eZ[\[di_leZWY_ZWZ[Z[
B_iXeW["Wec[icej[cfe"Z[kcW<hecWdW[YWjb_YWgk[[hWd[Y[i#
i|h_eiWblW]kWhZWh$
IejWcXcei[YeiZW_]h[`WZ[I$L_Y[dj[Z[<ehWgk[i[fhe`[Y#
jWcdW\WY^WZWÇfWbWY_WdWÈZ[IWdjW;d]h|Y_W[cXehWWgk_Yeceh[Ykh#
ieWefWf[bZ_dWc_pWZehZWYebkdW"Yeced[bWi[Yed]h[]WcWib_[iZW
Whgk_j[YjkhWh[b_]_eiWÇY^È[Wh[YehhdY_W}ieXh[fei_eZWiehZ[diZh_#
YW[`d_YWZ[Ób_WejhWjWZij_YW$7]hWdZ[del_ZWZ[de[nj[h_eh"h[c[#
j_ZWWeè]eZ[ikf[h\Y_[iYdYWlWi[Yedl[nWi"[dYedjhWkcfWhWb[bede
_dj[h_eh"YecWefeZ[YehWj_lWf[beÇ[cXkj_ZeÓdeÈ[[cYbWhWhkfjkhW
Yece[cfh[]ejhWZ_Y_edWbZWjWb^W$Ei[\[_jeibkcd_YeiWY[djkWZeif[bW
YfkbWYecjWcXehWii[dj[ieXh[f[dZ[dj[iYedijhkZWWf[dWideiYk#
beNNYed`k]Wc#i[YeckcW[iYWbWbknkeiW[cedkc[djWbgk[fh_l_b[]_W
Wkj_b_pWeZWehZ[cYecfi_jW$
EYkbjeWIWdjW;d]h|Y_W\e__dij_jkZe[cFehjk]Wbf[bW_d\WdjW:$
CWh_W"Ób^WZeh[_:$CWdk[b?"[j[h|i_Ze[bWW\Wp[hYedijhk_hWfh_c[_hW
_]h[`WYec[ijWZ[Z_YWe$7bed]W^_ijh_WZ[ijW_]h[`W_dj[]hWl|h_ei
cec[djeiYedijhkj_lei[l|h_eiWhgk_j[Yjei$
'&,
;c',.'"eZ[icehedWc[djeZWYWf[bW#cehfhecel[Wh[Yedl[hie
jejWbZeifbWdei[WZ[ijhk_eZW_]h[`W[chkdWi$;[djegk[[c[h][
@ee7djkd[i"`|jhWXWb^WdZedWieXhWiZ[IWdjW;d]h|Y_W[Wiikc_dZe"
WfWhj_hZWgk_"kcfhejW]ed_ice[iYkZWZedWfhej[YeZei_dÔk[dj[igk[
eYedZkp_h_WWekjhWieXhWi$C[icegk[WfbWdjWZe[Z_\Y_egk["d[ijWZWjW"
[djh[]ek}c[iWZW?hcWdZWZ[Zei;iYhWleiZeIWdjii_ceIWYhWc[dje
deYehh[ifedZWWefbWdegk[\e_i[]k_Ze[cIWdjW;d]h|Y_W"eWhgk_#
j[Yjegk[b^[ZWh|WZ[Ód_eÓdWb"[c'-/&$
77$LL$"Lisboa no tempo de
7ieXhWifheY[iiWhWc#i[Wkch_jceb[dje[YecfWhW][digk[
D. João V (1869 -1750)"B_iXeW"?FF7H" WhhWijWhWcWikWYedYbkieWj}ZYWZWZ[,&ZeiYkbeNN"WbjkhW[c
'//*$
8_h]"CWdk[bW[9WbWZe"J[h[iW=_b" gk[i[[h_]_k[cFWdj[eDWY_edWb$
Igreja de Santa Engrácia, Panteão
Nacional"B_iXeW"?FF7H"'/..$
9WhlWbê"7oh[iZ["As obras de
Santa Engrácia e os seus artistas"
B_iXeW"7YWZ[c_WDWY_edWbZ[
8[bWi#7hj[i"'/-'$
=ec[i"FWkbeLWh[bW"
Arquitectura, religião e política em
Portugal no século XVII — a planta
FkXb_YW[i"(&&'$
;Z$L[]W"'/..$
'&.
8?8B?EJ;97@E7D?D7:7
KD?L;HI?:7:;:;9E?C8H7
7kjehZ[iYed^[Y_Ze"'-'-#'-(.
9e_cXhW
78_Xb_ej[YWgk[i[[h]k[ieXh[eiWdj_]eiY|hY[h[iZWKd_l[hi_ZWZ[Z[
9e_cXhW"deXbeYefe[dj[Zef|j_e[dWYedj_dk_ZWZ[ZWYWf[bWgk_d^[d#
j_ijWZ[I$C_]k[b"h[cWjWkcf[hYkhiefebj_Ye[YkbjkhWbZ[iYkbei$?d_#
Y_WZWWYedijhke[c'-'-"dec[iceWde[cgk[WhhWdYWcWieXhWiZ[
CW\hW"Yedij_jk_"Wec[icej[cfe"kci_dWbYbWheZ[gk[i[W]_]WdjWkc
fheY[iiej[dZ[dj[}cWhYWeZW_cW][cZeh[_gk[WWhgk_j[YjkhWi[
[dYWhh[]Wh|jWcXcZ[[nfh_c_h$F[bW8_Xb_ej[YWi[l_ibkcXhWe]hWkZ[
h[ÓdWc[djeYebWZe}ledjWZ[h]_W"[cYbWhWWfhen_cWe}iYehj[iWb[c
[WkijhWYWgk[eYWiWc[dje"[c'-&."[djh[:$@eeL[:$CWh_W7dWl[_e
h[\ehWh"Yecei[f[hY[fY_edWe_dl[ij_c[djedeiY_hYk_jeiZ[kcW[b_j[
_bkijhWZWl[`W#i[_Zdj_Ye[i\ehede[dh_gk[Y_c[djeZWX_Xb_ej[YWh[WbZe
FWeZWH_X[_hW[dWYedij_jk_eZWiX_Xb_ej[YWiZ[CW\hWekZWiD[Y[i#
i_ZWZ[i"Yecei[Yecfh[[dZ[c"[dÓc"WiWcX_[ifebj_YWiZeh[_fWjhe#
Y_dWZeh$
;egk[W8_Xb_ej[YWZ[9e_cXhWjWcXcceijhWkcWYbWhW_dj[d#
eZ[h[\ehcWZWKd_l[hi_ZWZ[gk[icW_ijWhZ["YececWhgkiZ[
FecXWb"j[h_WYedZ_[iZ[h[Wb_pWe$
FWhWjWb[ifWeYWj[]eh_pWZedei[[dYedjhekW_dZWkcWWkjeh_W
YecfhelWiZeYkc[djW_i$7Z_h[YeZWieXhWi'-'-#(.\e_ZWh[ifediW#
X_b_ZWZ[Z[=WifWh<[hh[_hW"c[ijh[ZWKd_l[hi_ZWZ[gk[j[h_WWi[kYWh#
]e_cfehjWdjii_cefWf[bdWWhgk_j[YjkhWZeiYkbeNL???[c9e_cXhW[
dWpedWY[djheZeFWi$
7\WY^WZWl_hWZWWef|j_eZWKd_l[hi_ZWZ[Wfh[i[djW#i[Z[WfWhWje
YeheWZef[bWiWhcWih]_Wi[dkcW\hckbWZ[ÇWhYeZ[jh_kd\eÈ"bWZ[WZe
fehZe_ifWh[iZ[YebkdWiZ[Z[Ód_e`d_YW[h[cWjWZWif[bWikhdWigk[
WYecfWd^Wc[nj[h_ehc[dj[WcWhYWeZeh_jceZWif_bWijhWi$
CWide_dj[h_ehgk[i[h[l[bWjeZWWWjcei\[hWZ[]hWdZ[pW"Wfe_W#
ZW[c\ehjii_cei_cXeb_ice$Eh]Wd_pWZW}cWd[_hWZ[_]h[`WYec[_ne
Z_h[YY_edWZefWhWeÇWbjWhÈ"_Z[dj_ÓYWZef[bW[ijhkjkhWh[jWXkbWhgk[Yed#
j[cfbWW[nfei_eYd_YWZW_cW][cZeh[_f_djWZe:kfh|5"e[ifWe
h[YjWd]kbWhZWX_Xb_ej[YWÇ[iYeW#i[È[cjhicec[djeiYehh[ifedZ[dj[i
WjhiiWbWiYeckd_YWdj[i[_dZ[f[dZ[dj[idWikWi_d]kbWh_ZWZ[_Yd_YW
[Z_iYkhi_lW$
Eh[l[ij_c[djeWY^WheWZeieXh[\kdZeWpkb"l[hc[bê[l[hZ[
_cf[b[}eXi[hlWeZWiYeX[hjkhWiYecj[cWif_djWZei[ctrompe l’oeil
7djd_eI_ceH_X[_he[L_Y[dj[Dkd[i0WUniversidade recebe o saber
das Quatro Partes do Mundo"eEspelho da Sabedoria[eEspelho do
Conhecimento$7Yehh[ifedZdY_W[djh[WiYeX[hjkhWi[eiWhj_\Y_eiZ[Ye#
hWj_leiZeifWl_c[djei"[cY[djhWb_ZWZ[Yecfei_j_lW"eh_gkii_ceceX_#
''&
b_|h_e"edZ[de\WbjWejegk[[nj_YeZeicej_leiZ[chinoiserief_djWZei
fehCWdk[bZWI_blWieXh[Wi[ijWdj[iekW_dj[di_ZWZ[ZekhWZWZ[jeZe
e[ifWeWY[djkWceYWh|Yj[h[cXb[c|j_YeZW8_Xb_ej[YWZWKd_l[hi_ZWZ[
7p[l[Ze"9WhbeiZ[" [jhWdifehjWc#dWWbk]WhY_c[_hedWWhgk_j[YjkhWgkWb_ÓYWZWZeh[_dWZe$
ÇIec[Fehjk]k[i[B_XhWh_[iÈ"
The Connoisseur Yearbook"
D[ijWYedÔkdY_W[djh[efhe\Wde[WZ_c[dieiWYhWb_pWZWZW8_Xb_ej[YW
BedZed"'/+,$ i[[dYedjhWlW"WÓdWb"W\ehc_Z|l[bfhe`[YeZefWb|Y_egk[jWcXc[hW
8Wp_d"=[hcW_d"ÇBWX_Xb_ej^gk[
bWfbki\Wijk[ki[gk[`ÊW_`WcW_ilk[È"
Yedl[dje[cCW\hW$
Connaissance des Arts"d$±'&&"
FWh_i"'/,&$
F_c[dj[b"7djd_e<_b_f["
Ç78_Xb_ej[YWZWKd_l[hi_ZWZ[
[eii[ki[ifWeiÈ"Tesouros da
Biblioteca Geral da Universidade
de CoimbraYeehZ$7$;$CW_WZe
7cWhWb"9e_cXhW"?cfh[diWZW
Kd_l[hi_ZWZ[Z[9e_cXhW"(&&/$
Ç8_Xb_ej[YWiÈ"Dicionário de arte
barroca em PortugalZ_h$@ei
<[hdWdZ[iF[h[_hW"B_iXeW"
;Z$Fh[i[dW"'/./$
F_c[dj[b"7djd_e<_b_f["ÇE]eije
eh_[djWbdWeXhWZWi[ijWdj[iZW
9WiWZWB_lhWh_WZWKd_l[hi_ZWZ[Z[
9e_cXhWÈ"Portugal e Espanha entre
a Europa e Além-Mar, 7YjWiZe IV
Simpósio Luso -Espanhol de História
da Arte, 9e_cXhW"?>7# <BK9"'//($
''(
I7B7:E97FßJKBE:EH;7B
F7BÜ9?E# 9EDL;DJE:;C7<H7
@ee<h[Z[h_YeBkZel_Y["'-'-# Y$'-)-
CW\hW
EFWb|Y_e# 9edl[djeZ[CW\hWkcZeiYed`kdjeiY[b[XhWZeidWWhgk_#
j[YjkhW[cFehjk]Wb$7ikWZ_c[dieYWj[]eh_pWZW"]hWkZ[Yecfb[n_ZWZ[
[[if[iikhWi_cXb_YWdkckd_l[hieehZ[dWZef[bWf[hif_YWpYedYWj[dW#
eZ[\ehcWi[[ifWeiijcfWhWb[bedW[ifY_[Z[ÇY_ZWZ[_Z[WbÈ
YedijhkZWdeiYkbeNL?[cJecWh$
;cCW\hW"edZ[i[è]WceiY_hYk_jeiZeiW]hWZe[Zefhe\Wde"
i_ckbjWd[Wc[dj[fWb|Y_e[Yedl[dje"iecej_lecW_ehZ[[nWbjWeW
_]h[`W"Wbed]W\WY^WZWWcfWhWZWf[beiZe_ijehh[[igk[leWe[dYedjhe
ZeceZ[begk_d^[dj_ijWZeJ[hh[_heZeFWe[cB_iXeW"WX_Xb_ej[YW"W[ifWd#
jeiW_dj[b_]dY_WdWehZ[dWeZW[iYWZWh_WdWpedWYedl[djkWbek"[c
ikcW"WikWdWjkh[pWZ[[Z_\Y_ecW_i[cXb[c|j_YeZeh[_dWZeZ[:$@eeL"
fhe`[YjWdZe"Wkcj[cfe"Wh]_WWb_WdW[djh[W?]h[`W[W\ehWZ[kc
feZ[hgk[i[gk[hWXiebkje$
DefehWYWie"deiceZ[beihecWd_pWZeigk[jhWdifehjWekdei
[\[_jeiYd_Yeigk[WiZ_\[h[dj[ijedWb_ZWZ[icWhch[WiWY[djkWc"YWX[#
h_WWCW\hWkcfWf[bZ_\kiehZ[kci[dj_Zegk[WjhWl[iiWh_WjeZeeiYk#
beNL???1Wgk_i[Yh_ijWb_pW"Wii_c"kcWl[hZWZ[_hW[iYebWZ[Whgk_j[YjkhW
[[iYkbjkhWgk[Wce#Z[#eXhWYedleYWZWWj_d]_dZebWh]eic_b^Wh[iZ[
ef[h|h_eii[[dYWhh[]Wh_WZ[ckbj_fb_YWh$
ÀIWbWZe9Wfjkbe"c[icegk[W^_ijeh_e]hWÓWdeWj[d^WZ[iYk#
hWZe"de\e_W_dZWZWZee`kijeh[b[le$I[[bWdefeZ[i[hb_ZW_iebWZW#
''*
c[dj["Wdj[i_diYh_jWdW][d[hWb_ZWZ[Z[kcY[d|h_eZ[cedkc[djWb_ZWZ[
eh]Wd_pWZW[hWY_edWb_pWZW"jWcXce[ifWegk[\e][}b_d[Wh_ZWZ[
]beXWbfh_l_b[]_WdZei[cfh[WiÓ]khWiZegkWZhWZe[Zeh[Yj~d]kbe[
Wiikc["Z[cWd[_hW\hedjWb"kcW[nfh[iieYkhl_bd[Wl[hj_ZWdW\ehcW
[bfj_YW$CWideWf[dWiWi_d]kbWh_ZWZ[ZWÓ]khWelWbgk[i[h[f[j[
Ç[dYW_nWZWÈdej[cWhW_WZeZWYeX[hjkhW[dWicebZkhW[i[cè]eZ_d~#
c_YeYecegkWZhWZe[eh[Yj~d]kbegk[jhWdi\ehcW[ij[[ifWe[cXh_#
b^Wdj[[n[hYY_egk[Yed`k]WjWb[dje[_cW]_dWe$x[if[Y_Wbc[dj[e
jhWjWc[djef[hif[Yj_lWZe[[cfhe\kdZ_ZWZ[Zeileigk[_bkc_dWcW
iWbWgk[\WpZ[BkZel_Y[kc]d_eZ[Z_\Y_bikf[hWe$
DkcekjheYedj[nje"deCeij[_heW]eij_dêZ[IWdjW9hkp[c
9e_cXhW"eIWdjk|h_eYedijhkZef[bei[]kdZegkWhj[bZeiYkbeNL???5
fWhWWbX[h]WhWih[bgk_WiZ_if[hiWif[beceij[_heh[f[j_h_Wck_jeiZei
_d]h[Z_[dj[i_dijWbWZeidWIWbWZe9WfjkbeZ[CW\hW0Wc[icW\ehcWelWb
_diYh_jWdeh[Yj~d]kbe"_Zdj_YWeh]Wd_pWeZWicebZkhWi[cjhiÇWdZWh[iÈ
gk["[c9e_cXhW"i[hl[cieXh[jkZeW_dijWbWeZeih[b_Y|h_ei"WZkfbW
f_bWijhWgk[[dgkWZhWW[djhWZW[eh[j|Xkbe#ceh[c9e_cXhW"eZ[i[d#
lebl_c[djeZWicikbWieke[_nebed]_jkZ_dWbZ_h[YY_edWZe[djh[WfehjW
Z[[djhWZW[cCW\hW"i[hl_ZWZ[jh_XkdW1[c9e_cXhW"Z[Yecfei_e
h[jWXkbWh[ejefeYech[j|Xkbe[c[iWZ[WbjWh[c9e_cXhW1Yecc|h#
ceh[h[b[lWZe[cZ[Ód_eh[jWXkbWh"[cCW\hW$IWb_[dj[#i[jWcXcW
YedYehZ~dY_W[djh[eicej_leiZ[YehWj_leiY[djhW_iZefWl_c[djeZeIWd#
jk|h_e[c9e_cXhW"Z[_dj[diWfhe`[YeÇ_bki_ed_ijWÈ"[eigk[Z[YehWc
efWl_c[djeZW8_Xb_ej[YWZ[CW\hWfWhWedZ[CWdk[b9W[jWdeZ[Iek#
iW\Wh_Wefhe]hWcWZWi[ijWdj[i[c'--'"e[nWYjeWde[cgk[eiYd[]ei
h[]hWdj[iZ[IWdje7]eij_dêeYkfWh_Wce[Z_\Y_e$7eIWdjk|h_eYhp_e
'',
Wii_ij_h_WcekjhWi^[hWdWih[j_hWZWijWcXcZ[kcfei_Y_edWc[djeZ_i#
Ykhi_leYb|ii_Ye"cWiWfh[i[dWZeYkc[djWZWZ[BkZel_Y[WjhWXWb^Wh
[c'-(-fWhWW9ecfWd^_WZ[@[iki[c9e_cXhWjehdWfeiil[b"i[deW
Wjh_Xk_eZ_h[YjWZefhe`[YjeWeWhgk_j[YjeZ[CW\hW"f[bec[deiW[nj[d#
ieZ[kcceZ[be_dif_hWZedWIWbWZe9WfjkbecW\h[di[$
EFWb|Y_e# 9edl[djeZ[CW\hWikh]_kZ[kclejef[bW\[hj_b_ZWZ[
ZWhW_d^W[Yedj[cfbWZededWiY_c[djeZWfh_dY[iWCWh_W8|hXWhW'-''$
Eh[_:$@eeL[djh[]ek#eWei\hWdY_iYWdeiZWFheldY_WZW7hh|X_ZW[
Yedijhk_k"YecWWhj[[e[d][dêZ[BkZel_Y["eiedêWYWb[djWZeZ[
Wkjeh_ZWZ[febj_YW[h[b_]_eiW$
A[bb[dX[dp">[hcWdd"João
Frederico Ludovice: o construtor
do Convento de Mafra"?cfh[diW
8Whh[_he"B_iXeW"'/+/$
F[h[_hW"@ei<[hdWdZ[i"
Arquitectura e escultura de Mafra,
retórica da perfeição"B_iXeW"
Fh[i[dW"'//*$
Estética barroca I: arquitectura e
escultura"leb$'(Z[Arte portuguesa.
(&&/$
Arquitectura e poder, o Real Edifício
de Mafra"B_iXeW$B_lhei>eh_pedj["
(&&($
Ic_j^"HeX[hj9$"Ç@ee<h[Z[h_Ye
BkZel_Y[Wd[_]^j[[dj^Y[djkho
WhY^_j[Yj_dFehjk]WbÈ"Art Bulletin"
leb$NL???"d$±)"9^_YW]e"'/),$
''-
7GK;:KJE:7IÜ=K7IB?LH;I
CWdk[bZWCW_W%9kijZ_eL_[_hW%9WhbeiCWhZ[b%H[_dWbZeCWdk[bZeiIWdjei"'-)'#'-//
B_iXeW
:[fe_iZ[CW\hW"e7gk[ZkjeZWiÜ]kWiB_lh[ih[_l_dZ_YWkc[ijWjkjeZ[
eXhWcW_ehZeh[_dWZeZ[:$@eeL$I[Wfh_c[_hWlW_We[dYedjheZ[kcW
h[jh_YWZ[feZ[hdW[nfei_eZWh]_WWkjeh_ZWZ["eWgk[Zkjefei_Y_edW#
#i[dkcekjheYecfhec_iiefWhWYecWfefkbWeZ[B_iXeW$DWZ_c[d#
ieWXiebkj_ijWZefeZ[h"Weh[_gk[Yecf[j[p[bWhf[beX[c#[ijWhZe
i[kfele[fhel_Z[dY_Whei[gk_fWc[djeij[dZ[dj[i}ikW\[b_Y_ZWZ[$
De[hWdelWWfh[eYkfWeYeceWXWij[Y_c[djeZ[|]kWWB_iXeW$
@|eiYkbeNL?Wj_d^Wi[dj_ZeZWW_di_ijdY_WZ[<hWdY_iYeZ[>ebWdZW
d[ij[YWfjkbe"[eiYkbeNL??fh[fWhekWiYedZ_[iZWikWh[Wb_pWe$CWi
iW_d`[YeÓdWdY[_hWfhel[d_[dj[Ze8hWi_bf[hc_j_kgk["[c'-(/"efhe#
Y[iie\eii[Z[i[dYWZ[WZe"WfWhj_hZ[jWnW[i[if[YÓYWi[[ijkZei"d[c
i[cfh[Ye_dY_Z[dj[i"fehfWhj[Z[kcW[gk_fWZ[jYd_Yei[if[Y_Wb_pWZei$
77$LL$"D. João V e o
abastecimento de água a Lisboa"
YWj|be]eZ[[nfei_e"B_iXeW"
9~cWhWCkd_Y_fWbZ[B_iXeW"'//&$
8[h][h"<hWdY_iYe@ei=[dj_b"
Lisboa e os arquitectos de D. João V0
Manuel da Costa Negreiros no
estudo sistemático do barroco
joanino na região de Lisboa"B_iXeW"
9eicei"'//*$
9W[jWde"@eWgk_cEb_l[_hW"
ÇE7gk[ZkjeZWiÜ]kWiB_lh[iÈ"
O Livro de LisboaYeehZ$?h_iWblW
Ce_jW"B_iXeW"B_lhei>eh_pedj["
'//*$
HeiiW"MWbj[h"Além da Baixa —
indícios de planeamento urbano
na Lisboa setecentista"B_iXeW"
?FF7H"'//.$
I[gk[_hW"=kijWleCWjei"
Catálogo da exposição cultural
relativa ao Aqueduto das Águas
Livres e abastecimento de água à
cidade de Lisboa"B_iXeW"'/*&$
''.
7ieXhWiYec[WhWc[c'-)'"ieXWZ_h[Ye[f_iZ_YWZe_jWb_Wde
7djd_e9Wd[lWh_"ikXij_jkZebe]e[c'-))f[be[d][d^[_heCWdk[bZW
CW_Weh[ifedi|l[bf[bejhWWZeZ[Ód_j_le"feh9kijZ_eL_[_hW'-),"
9WhbeiCWhZ[b'-*,[H[_dWbZeCWdk[bZeiIWdjei'--($;c'-//"[nj_d#
]k_h#i[#_W"ÓdWbc[dj["e]WX_d[j[ZWieXhWi$
7_cfed[dj[Yedijhke"gk[deY^[]ekWi[hZWd_ÓYWZW[c'-++"
Wb_d^W#i[fehi[gkdY_WiZ[jheeiikXj[hh~d[eiekieXh[WhYeif[hÓbWd#
Ze#i[Z[\ehcW[if[YjWYkbWhdeêh_pedj[[Y^[]WWei'.,&+c[jhei
Z[iZ[WdWiY[dj[dWpedWZ[8[bWiWj}c[#ZÊ|]kWdWi7ceh[_hWi"i
j[hc_dWZW[c'.)*$
DeYecfb[nei_ij[cWZ[Z_ijh_Xk_e}Y_ZWZ["eiY^W\Wh_p[i]Wd^Wc
[if[Y_Wbh[b[l~dY_WdkcWZ_d~c_YWedZ[W|]kW"[b[c[djeYd_Ye[l_jWb
}ieXh[l_ldY_W"[ijWX[b[Y[WcW]dWd_c_ZWZ[Zeh[_$xZ_iiejWcXcgk[
\WbWceWhYejh_kd\Wb}i7ceh[_hWiYec[cehWdZeW[djhWZWZW|]kW[c
B_iXeW"[c'-*.[W[ijhkjkhWiWYhWb_pWZWdWc[#ZÊ|]kW"eh]Wd_pWZW}
_cW][cZ[Ç_]h[`W#iWbeÈ"Yecefej[dY_WbZ[Yed^[Y_c[djeb_]WZe}Yedi#
jhkeZWiY_ij[hdWi$
''/
IEB7H:;C7J;KI
D_YebWkDWied_5%@eiZ[<_]k[_h[ZeI[_nWi"fh_c[_hWc[jWZ[ZeiYkbeNL???
CWj[ki"L_bWH[Wb
EIebWhZ[CWj[kikcZei[n[cfbeicW_idej|l[_iZWWhgk_j[YjkhWY_l_bZe
8WhheYefehjk]ki$Ei[kfhefh_[j|h_e"7djd_e@ei8ej[bêCekhe"[i[k
ÓbêBki7djd_eCekhe"ceh]WZeiZ[CWj[ki"Óp[hWcYedijhk_h[cL_bW
H[WbkcW[ijhkjkhWgkWb_ÓYWZWgk[W_dZWê`[i[cWdjcWYj_lWWfWhj_hZe
Z[i[dlebl_c[djeZWfheZkel_dYebW"Z[]hWdZ[fhe`[Ye_dj[hdWY_edWb$
9ed`k]WdZe[d][dê[\WdjWi_W"eIebWheh]Wd_pWkcWfbWdjW[c
K"dWcWdkj[deZ[kcWj_febe]_WYeckc}iYWiWideXh[iZeiYkbe
7p[l[Ze"9WhbeiZ["Solares
portugueses"B_iXeW"B_lhei
>eh_pedj["'/..$
8eh][i"D[bied9ehh[_W"
Do Barroco ao Rococó"história
da arte em Portugal"leb$/"B_iXeW"
FkXb$7b\W"'/.,$
8kho"@e^d"ÇBWj[8Whegk[WdZ
HeYeYe_dDehj^Fehjk]WbÈ"Armas
e Troféus"($°ih_["jece?L"'"
B_iXeW"'/,)$
=k[hhW"BkiZ[8_lWh"Ç7^[h|bZ_YW
ZeIebWhZ[CWj[kiÈ"Armase Troféus"
,"B_iXeW"'/--$
Ic_j^"HeX[hj9$, Nicolau Nasoni,
arquitecto do Porto"B_iXeW"B_lhei
>eh_pedj["'/,,$
'(&
NL??"[Z[i[dlebl[#i[dWWhj_YkbWeZ[kcYehfej[dZ[dY_Wbc[dj[gkW#
ZhWd]kbWhYeceiZe_iXbeYeigk[Wdj[Y[Z[cW[djhWZWWfWhWjeiW[
ZejWZWZ[[iYWZWh_WWd_cWZWfehbWdeiYedl[h][dj[i[Z_l[h][dj[i
YecejWcXci[\Wp_WdWc[bêhWhgk_j[YjkhWY_l_b[h[b_]_eiW"fXb_YW
[fh_lWZW$
CWiieXh[jkZeW_cW]_dWeZ[YehWj_lW"gk[kj_b_pWWedZkbWe
Zeilebkc[i[c\hedj[i"XWbWijh[i"\e]Whki"f_d|YkbeiXeb[WZeiek
dWhejkdZ_ZWZ[ZWh[fh[i[djWeÓ]khWj_lW[cZ_|be]eYecWb_d[Wh_ZW#
Z[ZWWhgk_j[YjkhW"gk[W]_jWjeZeeYed`kdje[jhWdi\ehcWWZ[YehWe
[c[ijhkjkhW$DefehWYWiegk[eIebWhZ[CWj[ki`|\e_Wjh_XkZeWe
Whgk_j[Yje[Y[d]hW\eD_YebWkDWied_"[Wh[if[Yj_lWYWf[bWZ['-*)"
[ci_jkWeh[YkWZW[fWYjkWdZeW]ehWYece[cfh[]eZWYebkdW"We
i[ki[]k_Zeh"@eiZ[<_]k[_h[ZeI[_nWi$
'('
JEHH;:EI9BxH?=EI
D_YebWkDWied_"'-+-#'-,)
Fehje
7Jehh[ZW?hcWdZWZ[Zei9bh_]eif[hcWd[Y[Yece[n#bXh_iZWYWf_jWb
dehj[d^W$DeiYWfjkbeiZe_cfWYjekhXWdij_YeekZWfhe`[YeY[de]h|Ó#
YW"WJehh[Z[i[dlebl["[cWhj_YkbWeYecW_]h[`W"kcceZ[beZ[h[fh[i[d#
jWed_Ye[Yecfh[[dil[bWf[dWiWfWhj_hZW[nf[h_dY_WZeWhgk_j[Yje
_jWb_WdeD_YebWkDWied_deYWcfeZeZ[i[dê"ZWekh_l[iWh_WekZWf_d#
jkhWZ[[\[_jeiYd_Yeil_hWZei}\WdjWi_W[We[if[Yj|Ykbe"dkcY_hYk_je
gk[`|j_d^WfWiiWZef[befhe`[YjeZ[Whgk_j[YjkhWfWhWW]Wb_bZWIZe
Fehje'-'-[i[WZ[diWh_W[ch[Wb_pW[ifeij[h_eh[i$
7Jehh["gk[deZ[l[i[hb_ZWZ[\ehcW_iebWZW"Yedij_jk_eh[cWj[
Z[kc[_negk[Yec[WdW_]h[`W'-)'"Yec_cfh[ii_edWdj[\WY^WZWZ[
_hh[gk_[jecel_c[dje[_dki_jWZWfbWdjW[c[b_fi[YecYWf[bW#cehfhe#
\kdZW"[Yedj_dkWdWYWiWgk[i[hl[ei9bh_]ei$CWiWJehh["ikXc[j_ZWW
_cfkbiel[hj_]_deieWY[djkWZef[bWZ_c_dk_efhe]h[ii_lWZeicZkbei
[ckj_b_pWef[hifYj_YWZWl_ie"YeckcWWbjkhWikf[h_ehW-+c[jhei
[eh]Wd_pWdZeeil|h_eiWdZWh[iedZ[i[_diYh[l[ceii_dei[WeXh_]W#
jh_W_Yede]hWÓWWjWeÓdWbZ[Z[b_hWdj[fh[[dY^_c[djeehdWc[djWb[
i[hl_ZefehXWbWkijhWZWehdWZWYeceic[icei\e]Whkigk[WYecfW#
d^Wcef[hYkhieWiY[di_edWb"jWcXc\kdY_edWYecei[dj_d[bWZe[ifW#
eh[b_]_eie$DWZX_Wh[bWegk[i[[ijWX[b[Y[[djh[Wi\WY^WZWi"de
[_ne\ehcWZe[djh[W_]h[`W[WJehh["[ijWgk["dWh[Ykf[hWeZ[kcW
Z_c[diejhWZ_Y_edWbZ[Wkjeh_ZWZ[[deYecfhec_iie\ehcWb[djh[e
iW]hWZe[efhe\Wde"Z_\kdZ[l[hZWZ[_hefhejW]ed_icedeêh_pedj[khXW#
77$LL$"Niccolò Nasoni:
de[dWYediY_dY_WZWYeckd_ZWZ[$
1691-1773: un artista italiano a 7cWd_fkbWeZei[b[c[djeiYb|ii_Yei\hedj[i"Yehd_`Wi"f_bWi#
Oporto, III Centenario della nascita"
<_h[dp["Fedj[Wbb[=hWp_["'//'$
jhWi$$$"Yed`k]WZWYecW[nkX[h~dY_W\[ij_lWZeehdWc[djeXWhheYe[e
9ekj_dê"8$NWl_[h"Ç7?]h[`W Zecd_eWXiebkjeZWh[bWe[djh[b_d^Wi"lebkc[i[è]eiZ[bkp"fheZk#
[W?hcWdZWZ[Zei9bh_]ei$
7fedjWc[djeifWhWWikW>_ijh_WÈ"
p[cWj[WjhWb_ZWZ[gk[[ij_ckbW"[dje"WfbWij_Y_ZWZ[[njhWZWZe]hWd_je
Documentos e memórias para a deFehje[i[[nfWdZ_h_WWYhYkbeiWbWh]WZeiYece8hW]WekL_bWH[Wb$
história do Porto"NNNL?"Fehje"
9~cWhWCkd_Y_fWbZeFehje"'/,+$
(&&/$
HeZh]k[pZ[9[XWbbei"7b\edie"
ÇBWJehh[Dk[lW"Z[=$8$9edj_d_"
[dPWhW]epW"obWJehh[Z[Ie
F[ZheZei9bh_]ei"Z[D$DWied_"
[dEfehjeÈ"BracaraAugusta"
8hW]W"'/-*$
Ic_j^"HeX[hj9$, Nicolau Nasoni,
arquitecto do Porto"B_iXeW"B_lhei
>eh_pedj["'/,,$
'((
97F;B7:;I7DJ7C7H?7
C7:7B;D7:7<7BF;HH7
7dZhIeWh[i"'-+)#'-++
8hW]W
79Wf[bWZW<Wbf[hhWYedij_jk_kcZeicec[djeicW_iikhfh[[dZ[dj[i
ZWWhgk_j[YjkhWfehjk]k[iWgk[i[[djh[]W}Z[Ód_erocaille$;cekiW#
ZehWi]e_cW]_dWj_le"7dZhIeWh[iYed`k]WWgk_WiÓ]khWi][ecjh_YWi
ZegkWZhWZe"Zeh[Yj~d]kbe[ZebeiWd]e"[ci_djed_WYeceil|h_eibWd#
eiZW[iYWZWh_W'-+-gk[_cfh_c[ckc[_nel_]eheie[cZ_h[YeWe
YehfeY[djhWbZW\WY^WZW$
E[ifWe_dj[hde"eh_[djWdZeWYWX[Y[_hWde[_neZ[Ód_Zef[bW
[djhWZWfh_dY_fWb"Wiikc[WY[djhWb_ZWZ[ZefbWdeedZ[YeWX_jWWfbWij_#
Y_ZWZ[ZWjWb^W"jWcXcZWWkjeh_WZeWhgk_j[Yje$Eh[ikbjWZe"[cWjcei#
\[hWZ[_dj[diW[cej_l_ZWZ[[ij[dZ_ZW}\WY^WZW"jWdje^[hWdWZW
eXi[hlWeWj[djWZWi]hWlkhWiWb[cifhel[d_[dj[iZ[7k]iXkh]e"
YeceZWWfh[dZ_pW][cYece[djWb^WZehCWhY[b_WdeZ[7hWèekZW
Yh_Wj_l_ZWZ[_cfkbi_lWZ[7dZhIeWh[i$;"`kijWc[dj["W\WY^WZWgk[
e\[h[Y["[cZ[bh_eYecfei_j_le[WkZ|Y_WdWZ[iYedijhkeZei[b[c[d#
jeiYb|ii_Yei"ecW_iYedi[]k_Ze[\[_jeYbWhe#[iYkheZ[jeZeiei\hedj_i#
fY_eiZWWhgk_j[YjkhWh[b_]_eiW[cFehjk]Wb$
7edZkbWed[hleiWZ[jeZeieij[cWi[ijWX_b_pW#i["[dÓc"dW\eh#
WZWiZkWijehh[ibWj[hW_igk[deZ[_nWcZ[kj_b_pWheic[iceiWhj_\Y_ei
Z[YehWj_lei$
77dZhIeWh[i"YWX[h_WjWcXcikf[hl_i_edWhejhWXWbêZ[@ee
HeZh_]k[i":ec_d]eiÜblWh[i[F[ZheZ[9WhlWbê"eic[ijh[if[Zh[_hei
h[ifedi|l[_if[bW[n[YkeZeYed`kdje$
7YWf[bW"Yd_YWdWY[de]hWÓWZWfW_iW][cl_hWZWW8hW]W"_diYh[l[#
#i[de~cX_jeZWf[h[]h_dWe[\e_Z[Z_YWZWWIWdjWCWh_WCWZWb[dW$
7Xh[k"B[edZ_eZ["A Falperra"
8hW]W"'/+.$
8Wp_d"=[hcW_d"ÇHÔ[n_ediikh
bÊeh_]_d[[jbÊlebkj_edZk8Whegk[
ZWdib[DehZZ[Fehjk]WbÈ"
Belas-Artes"d$±("B_iXeW"'/+&$
(&&/$
HeY^W"CWdk[b@eWgk_cCeh[_hW
ZW"Ç7iYWf[bWiZ[IWdjWCWZWb[dW
ZeCedj[ZW<Wbf[hhW0delW
WXehZW][cÈ,Humanística e Teologia"
'-"Fehje"'//&$
Ic_j^"HeX[hj9$"André Soares"
arquitecto do Minho"B_iXeW"B_lhei
>eh_pedj["'/-)$
'(*
87IßB?97:7;IJH;B7
CWj[kiL_Y[dj[Z[Eb_l[_hW%H[_dWbZeCWdk[bZeiIWdjei"'--.#'-./
B_iXeW
;Z_\Y_e#Y^Whd[_hW[djh[Ze_icec[djeiYkbjkhW_i[Whjij_YeiYecfhefei#
jWiZ_\[h[dY_WZWi"W8Wib_YWZW;ijh[bWWfeijWdWYedY_b_WeZ[j[cWi"
[ifWei[\ehcWiiWZeijWdjeZ[kcWZ_c[dieXWhheYWfh[ij[iW[i]ejWh#
#i["YeceZ[kcWfbWij_Y_ZWZ[cW_iY[djhWZWdW[ÓY|Y_WZ_iYkhi_lWZe
9bWii_Y_ice$
xZ_h[YjWc[dj[Z[l[ZehW"fehl_WZei[kfh_c[_heWhgk_j[Yje"Z[
kc]eijeXehhecd_Ye"gk[CWj[kiL_Y[dj[h[f[j_h_WdekjhWieXhWi"[ZW
[nfh[iieWhgk_j[Yjd_YWZ[CW\hW"cWiZ[c_j_dZe#i["Wec[icej[cfe"
Zei[dj_Ze]hWdZ_begk[dj[gk[BkZel_Y[e\[h[Y[kWeh[_:$@eeL$7kcW
[iYWbWh[Zkp_ZW"W;ijh[bWYecf["Wii_c"ck_jeiZeiWh]kc[djeikj_b_pW#
ZeidW_]h[`WZ[CW\hW0_Zdj_YWeh]Wd_pWeZW\WY^WZWdeih_jceii[gk[d#
Y_W_iZeif_ieih[cWjWZeif[be\hedjejh_Wd]kbWhkcWefeZ[H[_dWbZe
CWdk[bZeiIWdjei"dWYecfWhdY_Wf[hikWi_lWZWiYebkdWi[dgkWZhWd#
ZeeileiZ[[djhWZW"dWijehh[igk[bWZ[_WcW_]h[`WgkWi[hfb_YWii_c#
fb_ÓYWZWi"dWWbj[hd~dY_W[djh[WYebkdW[Wf_bWijhW"dWiXWbWkijhWZWi
ikf[h_eh[iZ[b_]We}ijehh[iekdWZ_ifei_eZeid_Yêigk[WbX[h]Wc
W_Yede]hWÓWh[b_]_eiW$De_dj[h_ehZW_]h[`W"h[f[j[#i[efbWde[cYhkp
bWj_dWYecYfkbWieXh[eYhkp[_he"cWiWiYWf[bWibWj[hW_iZ[CW\hWie
Wgk_ikXij_jkZWifehekjhWZ[Ód_e[cYWf[bW#d_Yêgk[Yedjh_Xk_fWhW
WYh_WeZ[kcWWjcei\[hWcW_iiXh_W[Yedj_ZW$
LW_cW_ibed][eeXh_]Wjh_eYed\hedjeYecCW\hW$JWbYeceefWb|#
Y_e#Yedl[djej_d^WdWiY_ZeZ[kclejeh[Wb"W8Wib_YWZW;ijh[bW"[djh[]k[
WeIW]hWZe9ehWeZ[@[iki"cWj[h_Wb_pek#i[WfWhj_hZ[_Zdj_YeYecfhe#
c_iie\[_je[c'-,&f[bW\kjkhWhW_d^W:$CWh_W?"YWieikh]_ii[ÓbêlWhe
77$LL$"Lisboa barroca e o
ZeYWiWc[djeYeci[kj_e":$F[Zhe$
Barroco de Lisboa" 7YjWiZe ?d_Y_WZWiWieXhWi[c'--."eWhgk_j[YjeZW9WiWZe?d\WdjWZe"
9ebgk_eZ[>_ijh_WZW7hj["
B_iXeW"B_lhei>eh_pedj["(&&-$
CWj[kiL_Y[dj["^Wl[h_WZ[[dh_gk[Y[hefh_c[_hefhe`[Yje"Wfh[i[djWdZe
77$LL$"Monumentos"d$±'," kci[]kdZebe]e[c'--/edZ[i[Yedj[cfbWWfh[i[dWZWijehh[i$7fi
Cedkc[djei"B_iXeW":_h[Ye# WikWcehj[[c'-.+"\e_ikXij_jkZefehH[_dWbZeCWdk[bjWcXch[]_i#
#=[hWbZei;Z_\Y_ei[Cedkc[djei jWZe[cCW\hW[Yech[ifediWX_b_ZWZ[idWh[YedijhkefecXWb_dWZ[
DWY_edW_i"CWheZ[(&&($
8eh][i"D[bied9ehh[_W" B_iXeW"Wgk[ci[Z[l[cWh[Yedl[hieZe\hedjeYedjhWYkhlWZefWhWe
Do Barroco ao Rococó"história \hedjejh_Wd]kbWhdW\WY^WZW[eWbed]Wc[djeZejWcXehZWYfkbWh[cW#
da arte em Portugal"leb$/"B_iXeW"
FkXb$7b\W"'/.,$ jWZWfehbWdj[hd_c$
9ehh[_W"@ei;ZkWhZe>ehjW" 9ecW;ijh[bWj[hc_dWh_W"fe_i"eY_YbeZWi]hWdZ[ih[Wb_pW[iZe
Ç8Wib_YWZW;ijh[bWÈ"Dicionário
da arte barroca em Portugal 8WhheYe[HeYeY[WXh_W#i[[djeYWc_dêWkcWfbWij_Y_ZWZ[Wbj[hdWj_lW$
Z_h$@ei<[hdWdZ[iF[h[_hW"
B_iXeW";Z$Fh[i[dW"'/./$
IWbZWd^W"IWdZhW9eijW"
A Basílica da Estrela: Real Fábrica
do Santíssimo Coração de Jesus"
B_iXeW"B_lhei>eh_pedj["(&&.$
'(,
B78EH7JãH?EGKßC?9E%CKI;K
:79?ÛD9?7:7KD?L;HI?:7:;
:;9E?C8H7
M_bb_Wc;biZ[d"'--(
9e_cXhW
EBWXehWjh_eGkc_YeZWKd_l[hi_ZWZ[h[\ehcWZW[c'--(Yedij_jk_W
l[hiecW_ifkh_ijWZWYkbjkhW[ijj_YWgk[i[WYh[Z_jWlWc[bêhi[hl_h
kc;di_defhW]c|j_Ye[[nf[h_c[djWb_ijW[c9e_cXhW$<hkjeZ[kcdele
ceZ[beZ[;ZkYWe"ieXWjkj[bWZ[kc;ijWZefhej[YjehedZ[W;iYebW
]Wd^Wkci[dj_Zeh[][d[hWZeh"]WhWdj[Z[[ÓY|Y_Wfebj_YW"cehWb[Y_[d#
'(.
jÓYW[edZ["Wb[]WZWc[dj["ei`[ikjWidejcbk]Wh"eBWXehWjh_e
jWcXc"jWbYeceWYedj[Y[dW][d[hWb_ZWZ[Zei[ifWeiZWKd_l[hi_ZW#
Z[h[\ehcWZW"eh[ikbjWZeZe_dl[ij_c[djeZ[kcWjhWZ[Z[j[hc_dWZW[
YeceX`[Yj_lei[if[YÓYei0WWfhen_cWeZW;iYebW}iZ_h[Yjh_p[i_bkc_#
d_ijWi[cjehdeZWHWpe[Zefhe]h[iie[WceZ[hd_pWe[WZ[gkWe
Zei[ifWei}Y_dY_W$
7YWZ[_WZefeZ[hcel_ZeWfWhj_hZecWhgkiZ[FecXWb"Ze
h[\ehcWZeh#h[_jeh:$<hWdY_iYeZ[B[cei[Ze[d][d^[_hec_b_jWh_d]bi
fhelWl[bc[dj[ecej_lefehgk[\e_[iYeb^_ZeM_bb_Wc;biZ[ddWY^[ÓW
Ze=WX_d[j[ZWiEXhWiW]_k[cck_jWi\h[dj[i"cWifh[eYkfek#i[ieXh[#
jkZeYecWWYjkWeieXh[eYecfb[ne`[ikj_Ye$7YWcfWd^W\[hep[dje
ehgk[ijhWZWYedjhWW9ecfWd^_WZ[@[ikib[]_j_cWlWjWcXcefheY[iie
h[\ehc_ijW[Z[i\[h_We]ebf[ÓdWbdkcWXWjWb^Wgk[ei`[ikjWi`|j_d^Wc"
Z[\WYje"f[hZ_Ze[c'-+/$
'(/
Efh_dY_fWbeX`[Yj_leZeCompêndio histórico do estado da Univer-
sidade de Coimbra"j[nje\kdZWc[djWbdWfheii[YkeZe_Z[|h_efecXW#
b_defWhWWKd_l[hi_ZWZ["WYbWh_ÓYWeZWiWb[]WZWiÇYkbfWiÈ`[ikj_YWi
dWcWdkj[deZ[kc;di_def[h_fWjj_Ye"eXieb[je"_dZ[i[`|l[b[_cfei#
il[bdkci_ij[cW[ZkYWj_le_bkc_dWZe"ÓdWbc[dj["f[bWHWpe[f[bW[nf[#
h_dY_W$DWh[Wb_ZWZ["[cc[WZeiZeiYkbeNL???[c9e_cXhW"[Wdj[i
ZWiYedlkbi[ih[\ehc_ijWi"WKd_l[hi_ZWZ[de[ijWlW\[Y^WZW}iYehh[d#
j[iZ[Yed^[Y_c[dje[nf[h_c[djWb_ijWd[c}ief[id[eYb|ii_YWi"jWb
YeceW9ecfWd^_WZ[@[ikiZ_lkb]WlW[[dWbj[Y_W"WjhWliZeiY_hYk_jei
Yeb[]_W_i_dijWbWZeideFWi"WifhefeijWiZ[9efhd_Ye"A[fb[h"=Wb_b[k"
:[iYWhj[iek?iWWYD[mjed$
<h[dj[WeCki[kZ[>_ijh_WDWjkhWb"\e_dWWdj_]WpedWZWiYep_#
d^Wi[h[\[_jh_e`[ikj_Yeil_il[b[c]hWlkhWZ['-)(gk[i[_dijWbeke
BWXehWjh_eGkc_Ye"YeceX`[Yj_leiY_[djÓYeiZ_h_]_Zei}Z[iYeZ_ÓYW#
eZWYecfei_eZeiYehfei$Ikfh_c_dZe#i[Wb_]WeWe]hWdZ[gkW#
Zh_b|j[he`[ikj_Ye"\WXh_Yek#i[WYbWh[pWhWY_edWb_pWZWdeiZe_iYed`kdjei
[\ehèk#i["Wec[icej[cfe"WikWkd_edWfhWWjkj[bWZWf[becWhgki
Z[FecXWb"W`kij_ÓYWhYe[h[dj[fh[eYkfWekhXWdij_YW$?dj[hdWc[dj["
Weh]Wd_pWeh[]kbWZWZWiiWbWiZeBWXehWjh_e\e_WZWfjWZWfWhWWh[Ye#
b^WZei_dijhkc[djeigk[W[gk_fWZe=WX_d[j[ZWiEXhWijWcXcZ[i[#
')&
dêkdW<kdZWe8_Xb_ej[YWZeH_eZ[@Wd[_he"dkcZei|bXkdigk[W
9ehj[Z[:$@eeL?jhWdifehjekfWhWe8hWi_b$
9eckcWfbWdjW[cB"W\WY^WZWfh_dY_fWbh[ifedZ[[cjeZWWb_d^W
WY[hhWZeiYh_jh_eid[eYb|ii_YeiZ[cWjh_pd[efWbbWZ_WdW"[cYecfei_e
gk[fh_l_b[]_WWi_c[jh_WYecYehfeY[djhWbWlWdWZe[h[cWjWZef[be
\hedjejh_Wd]kbWh"h[Z[Ód_ZedWieXhWiZeiYkbeN?N$Eh_jceZh_Ye
[ijWX[b[Y[WYWZdY_WZ[kcW[hkZ_egk[Whj_YkbWWhgk_j[YjkhW[Y_d#
Y_W"\Wp[dZeYe_dY_Z_heiceZ[beiYb|ii_YeiYecWl[hj[dj[_dj[b[YjkWb_pW#
ZWZeYed^[Y_c[dje$
>e`["êdhWdZekcWjhWZ_egk[h[cedjWWeiÓdW_iZ['--+"Wde[c
gk[eBWXehWjh_e[ijWlWWfjeWh[Y[X[hWib_[i[[nf[h_dY_Wigk[b^[
YWX_Wc"[ij|Wgk__dijWbWZeeCki[kZW9_dY_WZWKd_l[hi_ZWZ[$
77$LL$"O Marquês de
Pombal e a UniversidadeYeehZ$
7dW9h_ij_dW7hWè"9e_cXhW"
?cf$ZWKd_l[hi_ZWZ["(&&&$
Ç7Whgk_j[YjkhWZWY_dY_WÈ"
Laboratório do mundo. Ideias e
saberes do século XVIII"YWj|be]e
Z[[nfei_e"IeFWkbe"(&&*$
Ç=k_b^[hc[;biZ[d[W_djheZke
ZeD[eYbWii_Y_ice[cFehjk]WbÈ"
Portugal e Espanha entre a Europa
e Além-Mar"9e_cXhW"?>7# <BK9"
'//($
ÇE[ifWe`[ikj_Ye[c9e_cXhW
Æ[cjehdeZW[nfkbie[Z[fe_iÈ"
Cristianismo e cultura. A expulsão
dos jesuítas. 250 anos. 1759 -2009"
H[l_ijWBrotéria, leb$',/"i$b$"
7]eije%I[j[cXheZ[(&&/$
=ec[i"FWkbeLWh[bW"Expressões
do Neoclássico"leb$'*Z[Arte
')'
J;7JHED79?ED7B:;I$97HBEI
@eiZW9eijW[I_blW"'-/(#'-/)
B_iXeW
?jWb_WdedeÇ[ifh_jeÈ[fehjk]kif[bWledjWZ[febj_YW[ieY_Wbgk[e\[p
[h]k[h"eJ[WjheDWY_edWbZ[I$9WhbeilW_We[dYedjheZ[kcceZ[beYWf#
jWZedeBWIYWbWZ[C_be[Z[kcWXkh]k[i_Wfi#fecXWb_dWh[Y[fj_lW}
_Z[_W_bkc_d_ijWZ[fhe]h[iie$?WjWcXc"dWkbjhWfWiiW][cZ[kcekjhe
ÇfWbYeÈZ[[dY[dWe[[if[Yj|YkbeZ[Yehj[_Z[dj_ÓYWZe[cGk[bkp"
Z_h[YY_edWZefWhWdelWi[Wbj[hdWj_lWi\ehcWiZ[Yecfei_e$Feh_iie"[
è]WdZedWfhen_c_ZWZ[ZWib_]W[i[djh[W[dYec[dZW[eWhgk_j[Yje"
efhe`[Yje\e_[djh[]k[W@eiZW9eijW[I_blW'-*-#'.'/"[c8ebed^W[
?j|b_W[djh['-,/['-.&1feh_iie"jWcXc"eJ[WjheZ[I$9Whbeih[fh[i[djW
fWhWB_iXeWegk[e>eif_jWbZ[IWdje7djd_e@e^d9Whh"'-,/h[fh[i[d#
jWfWhWeFehje0Wfh_c[_hW_dZ_YWecWj[h_Wb_pWZWZ[kc]eijed[eYb|i#
i_Yedkc[Z_\Y_efXb_YefWhWi[hl_hefXb_Ye$
;c'-/("_d_Y_W#i[WYedijhkegk[[ijWh_WYedYbkZWdeYkhje[ifW#
eZ[i[_ic[i[i$Eh[ikbjWZeeXj_ZeYeceiYedjh_XkjeiZWb[_jkhWZe
jhWjWZeieXh[Whgk_j[YjkhWZ[j[WjheiZe\hWdYiF_[hh[FWjj["Z['-.(\e_
kch[Yj~d]kbejhWXWb^WZeYecf[h_ij_beWlWdWZeWcWhYWhW[djhWZW[W
lWhWdZWikf[h_eh"dkcWZ[Ód_eZ[i_c[jh_W]beXWb_hh[fh[[dil[b$7iYebk#
dWideYehfeY[djhWb_dj[hcZ_e[WXW_neZej[hY[_hef_ie"cW_ifeXh["W
i_b^Wh_WZ[`kdjW\[dZ_ZWekWi_ckbWeZ[f_bWijhWijhWdi\ehcWZWi[cÇ\W_#
nWiÈYedjh_Xk[cfWhWZWh}\WY^WZWfh_dY_fWbeZ_dWc_ice[W]hWdZ[pW
gk[i[Z[iYeXh[cde_dj[h_eh"Y[djhWZedWiWbW[bfj_YWZe[if[Yj|Ykbe$
7c[deh_ZWZ[Z[jhWjWc[djeZWih[ijWdj[i\WY^WZWi\WpYecgk[
jeZWWeXi[hlWe_dY_ZWieXh[W\WY^WZWfh_dY_fWbWfWhj_hZWh[]kbWh_pWe
77$LL$"Monumentos e edifícios khXWdWYedijhkZWfWhWeBWh]e$7fWhj_hZWgk_"\WXh_YW#i[kcW[iYWbW_bk#
notáveis do distrito de Lisboa"leb$+"
B_iXeW"@kdjW:_ijh_jWbZ[B_iXeW"
ih_W"[eJ[WjheZ[I$9Whbei]Wd^WkcWZ_c[die[kc_cfWYjegk[e
'/,(#(&&&$ i[dj_Zed[eYb|ii_YedeZ[_nWh_WZ[[nfbehWh$?iiec[icefhelWh_Wefh#
7dWYb[je"H[]_dW"Ç@eiZW9eijW
[I_blW"Whgk_j[YjeZ[:$@eeL?
fh_eWhgk_j[Yje"@eiZW9eijW[I_blW"dekjhWieXhWi"Yecee;h|h_eH]_e
DjkbWiZ[kcW_dl[ij_]We[c deYedijhkZeekeFWb|Y_eZW7`kZW$
YkhieÈ"Biblos. Revista da Faculdade
de Letras"leb$BNNL???"9e_cXhW"
<BK9"(&&($
9Whd[_he"BkiIeWh[i"Teatros
portugueses de raiz italiana. Dois
séculos de arquitectura de teatros
em Portugal"Z_ii[hjWeZ[
<7KF"(&&($
<hWdW"@ei#7k]kije"A arte
em Portugal no século XIX"B_iXeW"
8[hjhWdZ"'//&$
=ec[i"FWkbeLWh[bW"Expressões
do Neoclássico"leb$'*Z[Arte
')(
F7B79;J;:;CEDI;HH7J;
M_bb_Wc;biZ[d%@Wc[iJ$Ademb[i[@$IWck[b8[dd[jj"Y$'-/&# Y$'.,&
I_djhW
7YWiWgk[i[Z[iYeXh[dWi_c[Z_W[iZ[I_djhW"[cdj_cWYed[neYec
WfW_iW][c[dlebl[dj["Wfh[i[djW#i[YecefWhWieWYWij[bWZe[cWjcei#
\[hWZ[[dYWdje[i[Zke$
Cedi[hhWj[j[h_WZkWi\Wi[iYedijhkj_lWi0Wfh_c[_hW"[c'-/&"feh
l_WZW[dYec[dZWZ[=hWhZ:[l_ic[WM_bb_Wc;biZ[d"eWhgk_j[Yje\Wce#
ief[bei[kZ[i[cf[dêde~cX_jeZWH[\ehcWFecXWb_dWZWKd_l[hi_#
ZWZ[Z[9e_cXhW[gk[`|j_d^WYedijhkZedeCeij[_heZ[7bYeXWWÆdW
iWbWZeijckbeiÆefh_c[_he[ifWeh[l_lWb_ijW[cFehjk]Wb1Wi[]kdZW"
Z[Y[hYWZ['.,&"Z[fe_iZeWXWdZedeZWYWiW[Z[ei[kdelefhefh_[#
j|h_e"<hWdY_i9eea"Wj[hh[YedijhkZe[cdelWZ[Ód_eeh_[djWb_pWdj["
ieXfhe`[YjeZ[@Wc[iJ$Ademb[i$FWhWWZ_h[YeZWieXhWi"Y^Wcek#i[
IWck[b8[dd[jj"gk[jWcXcfbWd[ekei`WhZ_di$
;djh[efh_c[_he[ei[]kdZecec[djei"lW_kcWZ_\[h[dWZ[]ei#
jegk[eiY_bekZ[kcWiebkecW_iYbWii_Y_pWdj[fWhWWWZefeZ[kc
\ehckb|h_e\WdjWi_ijW[[djh[]k[Wed[e]j_YeZ[f[hÓbeh_[djWb[ckZ`Wh$
Cedi[hhWj[?Wb_d^WkcWfbWdjWh[YjWd]kbWhh[cWjWZWdeijefeifehjeh#
h[iY_bdZh_YWi[YehfeY[djhWbZ[Ze_if_iei"[ci_c[jh_WZ[fbWde[WbW#
Zei1Cedi[hhWj[??cWdj[l[WfbWdjW[eijehh[[i"W]ehWZejWZeiZ[
j[b^WZeiYd_YeiWfe_WZei[ccikbWifhe[c_d[dj[i"h[\ehckbeke_dj[#
h_ehYeceYehfeY[djhWbZ[Z[Ód_eYX_YW"Yedijhk_kkcW]Wb[h_Wfeh#
j_YWZWgk[WYecfWd^WjeZee[Z_\Y_e_dkdZWZeZ[kcWbkp[nj_YW[
_cfh_c_kkci[dj_Zerevival"[cle]WdWi[b_j[iXkh]k[iWi`|Z[iZ[ÓdW_i
ZeiYkbeNL???"gkWdZe@Wc[iCkhfô[dWbj[Y_WWil_hjkZ[iZe]j_Yede
Ceij[_heZW8WjWb^W$
7dWYb[je"H[]_dW"Arquitectura
:[fWl_bê_d_Y_Wb"Cedi[hhWj[jhWdi\ehcek#i[[djedWYWiW[dYWd#
neomedieval portuguesa. 1780 -1924" jWZW_diYh_jW[cfW_iW][cZ[iedêgk["fh[cWjkhWc[dj["iei_d]b[i[i
B_iXeW"<kdZWe9Wbekij[
=kbX[da_Wd#@D?9J"'//-$
fWh[Y[j[h[cYecfh[[dZ_Ze$
7hWè"7]eij_dê"ÇEfWb|Y_e
d[e]j_YeZ[Cedi[hhWj[[WikW
b[_jkhWWebed]eZefh# hecWdj_ice
'-/'#'.),È"Romantismo, Sintra nos
itinerários de um movimento"I_djhW"
?dij_jkjeZ[I_djhW"'/..$
9eijW"<hWdY_iYe"História da
Quinta e Palácio de Monserrate"
I_djhW"9~cWhWCkd_Y_fWbZ[I_djhW"
'/.+$
9ekj_dê"=bh_W7p[l[Ze"
Monserrate: uma nova história"
B_iXeW"B_lhei>eh_pedj["(&&.$
F[h[_hW"FWkbe"ÇEh[l_lWb_ice0
WWhgk_j[YjkhWZeZ[i[èÈ"História
F[h[_hW"leb$???"B_iXeW"9hYkbe
Z[B[_jeh[i"'//+$
')*
F7BÜ9?E:7F;D7
M_bb[bcBkZm_]led;iY^m[]["'.*(#'.*-
I_djhW
'),
I[^|kc[ifWe[cFehjk]WbedZ[i[WZ[diWW\WdjWi_Whec~dj_YWZ[
iWXeh[YbYj_Ye[dWY_edWb_ijW"eFWb|Y_eZWF[dW$7\[b_pYed`k]We
[djh[kcWYkbjkhWh[l_lWb_ijW"gk[[dYedjhWdef[heZecWdk[b_deW\ehW
ZW[nfh[iie_Z[dj_j|h_Wfehjk]k[iWikXb_d^WZWdefh[Y_ieWdeZ['+*(
f[bW_dl[deZeÇ[ij_becWdk[b_deÈ"YecWfWj[hd_ZWZ[Z[7Zeb\eLWh#
d^W][d"[Wjcf[hWZeh[_Yediehj[:$<[hdWdZeZ[IWn[9eXkh]e#=ej^W
fheZkp_k[cI_djhWecW_iYWfh_Yêie[Z_\Y_eZ[gkWdjeii[_Z[WhWc[c
Fehjk]Wb$
H[WX_b_jWdZeeWhhk_dWZeceij[_he`[hd_ce[Yec[b[Yedl_l[dZe
dWcWdkj[deZWi[ijhkjkhWicW_i_cfehjWdj[ieYbWkijhe[W_]h[`WYec
eh[j|XkbeZ[D_YebWk9^Wdj[h[d["eFWb|Y_eikh][[cdj_cWYed[ne
Yececeij[_he[Zec_dWef[hÓbZWi[iYWhfWiZWi[hhW$
7ikW[ijhkjkhWX|i_YWWii[djW[cfbWdei[iYWbedWZei[_hh[]kbWh[i
gk[YedZkp[cWe]hWdZ[XbeYe[djh[eceij[_he[ejehh[eYkfkbWZe"W
ikb$CWiW]hWdZ[del_ZWZ[Yedi_ij[dW[nfbeieehdWc[djWbgk[i[YebW
}iikf[h\Y_[i[YWfjWkci[dj_Ze[nj_Ye"h[X[bZ[[Yecc_ij[h_eiWiWbk#
i[igk[feZ[c_hWe[dYedjheZeiicXebeih[bWY_edWZeiYeckcWYkbjk#
hWZ[j[eh_d_Y_|j_Ye[j[eiÓYeWgk[de[hW[ijhWdêefhfh_eh[_"kcW
[ifY_[Z[ÇYWj|be]eZWi\ehcWid[ec[Z_[lWb_pWdj[i[[nj_YWiZ_ifed#
l[_idWWbjkhW$
').
:eD[e]j_YeWeD[ecekh_iYe"fWiiWdZefehik][ij[i_dZ_WdWi
[f[be_d[l_j|l[bCWdk[b_de"jkZeWb_WfWh[Y[i[]kdZekc[igk[cWZ[
\WiY_dWdj[bricolageÈF[h[_hW"FWkbe"'//+$7gk_i[h[Yed^[Y[c"Wii_c"
eii_dW_i[nfbY_jeiZWWhgk_j[YjkhW_Z[ebe]_YWc[dj[YediW]hWZWZeH[_de0
W_d[l_j|l[bJehh[Z[8[bc"ei@[hd_cei"W9WiWZei8_Yei"e9edl[dje
Z[9h_ijeekeFWb|Y_eZWL_bW$
<e_WeXWheZ[;iY^m[]["c_d[hWbe]_ijW][hc~d_Ye[êc[cÇZe
ckdZeÈ"gk[eh[_[dYec[dZekefhe`[Yjegk[j[h_WhWf_Zii_cW[n[Yk#
e$;c'.*-"[ijWlW"de\kdZWc[djWb"YedYbkZeecW_i[cXb[c|j_Ye[Z_#
\Y_eZeh[l_lWb_icehec~dj_Yefehjk]ki"_diYh_jed[iiWfW_iW][cgk[j[c
Wb_c[djWZe"Wjê`["iedê[\WdjWi_W$
77$LL$"O Neomanuelino ou
a reinvenção da arquitectura dos
Descobrimentos, YWj|be]eZ[
;nfei_e"B_iXeW"9D9:F"'//*$
neomedieval portuguesa. 1780 -1924"
=kbX[da_Wd#@D?9J"'//-$
9Whd[_he"@eiCWdk[bCWhj_di"
O imaginário romântico da Pena"
Fehje"9^Wl[i<[hh[_hW"(&&/$
F[h[_hW"FWkbe"ÇEh[l_lWb_ice0
WWhgk_j[YjkhWZeZ[i[èÈ"História
F[h[_hW"leb$???"B_iXeW"9hYkbe
Z[B[_jeh[i"'//+$
F[h[_hW"FWkbe[9Whd[_he"@ei
CWhj_di"O Palácio da Pena"BedZh[i"
?FF7H%IYWbWFkXb_i^[hi"'///$
')/
F7BÜ9?E:78EBI7
@eWgk_cZW9eijWB_cWIWcfW_e%=kijWle7Zeb\e=edWbl[i[IekiW%Jec|i7k]kijeIebb[h"'.*(#'/'&
Fehje
EFWb|Y_eZW8ebiW"[dYec[dZWZW7iieY_We9ec[hY_WbZeFehje"kc
ZeihWhei[n[cfbei"[cFehjk]Wb"YWfWpZ[Yed`k]WhWieXh_[ZWZ[_cfei#
jWf[beh_jced[eYb|ii_YeZW\WY^WZWYeckci[dj_ZeZ[b[l[pWgk[i[
Z[iYeXh[de_dj[h_eh$Ed[efWbbWZ_Wd_ice_d]bi"cWhYWdj[dWY_ZWZ[Ze
FehjeZ[iZ[e>eif_jWbZ[IWdje7djd_e[W<[_jeh_W?d]b[iW"_cfh_c[dW
8ebiWkcWi[gkdY_WZ[leiYecb_d^WiYkhlWi[h[YjWigk[fh[[dY^[c
eiY_dYeYehfeiZW\WY^WZW"i[dZeeY[djhWbZ[ijWYWZe[YeclWhWdZW
ikf[h_ehh[cWjWZWf[be\hedjejh_Wd]kbWh$7jehh[Zeh[b]_eYehheXehWW
i_c[jh_WZ[kcbed]eXbeYeYec,&c[jheiZ[Yecfh_c[djegk[i[fhe#
`[YjWYech_]eh[[b[]~dY_W$
E_dj[h_ehWZWfjek#i[}[ijhkjkhWZeWhhk_dWZe9edl[djeZ[I$
<hWdY_iYe[[dYedjhekWgk_eifh[j[njeifWhWW[lWieZerevival$EIWbe
ÜhWX[=edWbl[i[IekiW"YedijhkZe[djh['.,(['..&dW[nfh[iie
_ib~c_YWh[j_hWZWZe7b^WcXhWZ[=hWdWZW"W]hWdZ[iWbWZ[WfWhWjeZei
Yec[hY_Wdj[iZeFehje$EF|j_eZWiDW[iJec|iIebb[h"'..&Yehh[i#
fedZ[We[ifWeZeWdj_]eYbWkijhe[lW_We[dYedjheZ[kcWl_iekd_#
l[hiWb_ijWZWiWYj_l_ZWZ[iYec[hY_W_i$JeZWW_Yede]hWÓWcedjWZW"[edZ[
YebWXehWhWcgkWb_ÓYWZeif_djeh[i"[iYkbjeh[iekZ[YehWZeh[i"Z_h_][#i[
WkcWfhefW]WdZWedZ[eiYec[hY_Wdj[ii[h[Yed^[Y[cdeZecd_eZe
ckdZe$xkcf|j_eZ[Ze_if_ieigk[è]WdeWhj_\Y_eZ[YehWj_le[djh[W
f_djkhW[kcWWhgk_j[YjkhWgk[Whj_YkbWecel_c[dje[Wh[f[j_eZei
j[cWi$7YeX[hjkhW"kcW[ijhkjkhWc[j|b_YW[c\[hhe[l_Zhe"Z[i[d^Wkc
]eije`|[diW_WZedeFWb|Y_eZ[9h_ijWb"Z['.,'gk[WfeijWdWil_hjkZ[i
Z[kcW_dY_f_[dj[Çh[lebke_dZkijh_WbÈ[WfedjWeYWc_dêfWhWWYedie#
77$LL$"Centésimo aniversário
b_ZWeZWÇWhgk_j[YjkhWZe\[hheÈ$7fWhj_hZeF|j_eZWiDW[i"WcW]d#
da abertura do Palácio da Bolsa: ÓYW[iYWZWh_W[c]hWd_je[iYkbf_ZeZejWZWZ[p_cXh_e[bWdj[hd_c[
1908 -2008: história e retrato de uma
reabilitação"Fehje"7iieY_We
fhe`[YjWZWW_dZWfeh=edWbl[i[IekiW[deXh[Y[Wb_]WeWeiZe_if_iei
9ec[hY_WbZeFehje"(&&.$ [h[Yeb^[ik][ij[iZ[cj_YW]hWdZ[pW$
9WhZeie"7djd_e"OPalácio
da Bolsa"Fehje"7iieY_We DWYedÔkdY_WZej[cfe[ZWfbWij_Y_ZWZ[Yed`k]WZWf[bWWhgk_#
9ec[hY_WbZeFehje"'//*$ j[YjkhW[f[bW[d][d^Wh_W"eFWb|Y_eZW8ebiW"i_ckbjWd[Wc[dj["e[dY[h#
Dedd[b"7dd_[=dj^[h"Porto
1763/1852 — a construção da cidade hWc[djecedkc[djWb[[begk[dj[Z[kcY_Ybe_d]bi[d[efWbbWZ_Wde[
entre despotismo e liberalismo" W[ijhkjkhWZ_iYkhi_lWgk[Z[Ód[ekjheihkceigk[WfeZ[heiWYeckd_#
Fehje"<7KF"(&&($
Eb_l[_hW"9WhbeiZ["O magnífico ZWZ[_d]b[iWZeFehjedeZ[_nWh_WZ[ikXiYh[l[hdWdec[dei[nfh[i#
edifício: percurso iconográfico e i_lWWb_WdW[djh[jYd_YW[[d][dê$
mensagem"i$b$"9$Eb_l[_hW"(&&+$
Feh\h_e"@eiBki[8Whh[_hei"
CWh_W>[b[dW"Da expressão
romântica à estética naturalista"
leb$'+Z[Arte portuguesa.
(&&/$
'*&
F7B79;# >EJ;B:E8Kw79E
Bk_]_CWd_d_"'...
8kWYe
7EhZ[cZei9Whc[b_jWi:[iYWbei_dijWbek#i[dWcWjWZe8kWYe[c
',(.1WfWhj_hZ[[dje"eÇ:[i[hjeÈYWhc[b_jWZ_dWc_pekkcWh_gk[pWdWjk#
hWbYWfWpZ[ceX_b_pWhWWj[deZW9WiWH[WbdWi[]kdZWc[jWZ[ZeiYk#
beN?N$H_lWb_pWdZeYecei[dj_Zefebj_Ye[YkbjkhWbZ[Ód_ZedeFWb|Y_e
ZWF[dW[cI_djhW"edele[Z_\Y_eZe8kWYeikfh_c_k]hWdZ[fWhj[Ze
Yed`kdjeYWhc[b_jW[WXh_kWifehjWiZ[kcfWhWieWdj[i\[Y^WZeWeiY_h#
Yk_jei[h[cj_Yei$
?diYh_je[cYedj[njefWjh_ced_WbZ[[nY[fe"eFWbWY[#>ej[bfhe#
`[YjeZeY[d]hW\e_jWb_WdeBk_]_CWd_d_'.*.#'/),fh[i[hlWkcWWjcei#
\[hWh[l_lWb_ijW[hec~dj_YW"deYhkpWc[djeYkbjkhWbgk[WXiehl[eid[ei
Z[h[iied~dY_WcWdk[b_dW[h[dWiY[dj_ijW$
7ec[icej[cfegk[W^_ijeh_e]hWÓW_cfkd^WkcW_Z[dj_ÓYWe
YecWi]bh_WidWY_edW_ifhe`[YjWZWifWhWef[heZecWdk[b_de[fWhWW
][ijeZ[kc_cfh_ekbjhWcWh_de"\eh`WlW#i[de8kWYeekjhW_Z[_WZ[
]hWdZ[pWgk[b[]_j_cWlWkcWYWZ[_WZ[feZ[h[WWXh_WWekik\hkjefXb_#
Ye$7YedY_b_We[djh[WJehh[Z[8[bc[eCeij[_heZei@[hd_cei"W
]hWdZ[[i\[hWWhc_bWhgk[YeheWWjehh["ei[cXb[cWicWdk[b_dei"WZ[Ó#
d_eehdWc[djWbgk[YedjehdWeZ[bh_e\WdjWi_ijWZWF[dWekWi[leYW#
[ifh[i[dj[idefhe]hWcWWpkb[`WhZ[@eh][9ebWe_diYh[l[c[ij[
Yed`kdjegk[j[h_WekjhWi[jWfWiikfb[c[djWh[iYecWiYedjh_Xk_[i
l_dZWiZ[D_YebW8_]W]b_WÆW9WiWZei9[ZheiÆekDehj[@d_eh"WkjehZW
9WiWZei8hWi[idkcfWjWcWhWb_c[djWZe"Wkcj[cfe"f[bWWkhWcj_YW
ZW]hWdZ[pW[f[beiedêhec~dj_YeZ[h[YedijhkeieY_WbWfWhj_hZ[kcW
f[ZW]e]_W_dijWbWZW[cjehdeZWcWj[h_Wb_ZWZ[\i_YWZeckdZe[ZeZec#
d_eZWdWjkh[pW$
7gk_jhWXWb^WhWceiYWdj[_heigkWb_ÓYWZeiZW[iYebWZ[9e_cXhW
edZ[fedj_ÓYWceidec[iZ[7djd_e7k]kije=edWbl[i[@eeCWY^W#
Ze[Wgk_i[\ehcWb_pekWYedi_ijdY_Wfb|ij_YWZeh[l_lWb_ice^_ijeh_Y_ijW
gk[fh[[dY^[h_WWh[]_e$
77$LL$"Monumentos"d$±(&"
DWY_edW_i"CWhe(&&*$
neomedieval portuguesa. 1780 -1924"
=kbX[da_Wd%@D?9J"'//-$
'*(
7kjeh 8WX[b"(&''
CWh_WZ[BkhZ[i9hWl[_he
9hZ_jei\eje]h|ÓYei
9eb[Ye 7hgk_le;Z_jeh_WbL[hXe$
OBRAS-PRIMAS DA 9WhbWF_pWhhe$
ARTE PORTUGUESA 9WhbeiFecXemmm$YWhbeifecXe$fj$
:_h[YeH[]_edWbZ[9kbjkhWZe
9eehZ[dWeZWYeb[Ye 9[djhe"9e_cXhW%F[ZheC[Z[_hei$
:Wb_bWHeZh_]k[i :_l_ieZ[:eYkc[djWe
<eje]h|ÓYWÆ?dij_jkjeZeiCki[ki[
:[i_]d ZW9edi[hlWe"?$F$%7hdWbZeIeWh[i"
L_l[kiX_e 9WhbeiCedj[_he[@eiF[iieW$
Cki[kZ[IeHegk["B_iXeW%@b_e
FW]_dWe CWhgk[i$
=h|ÓYW//
H[l_ie
7djd_e@eiCWiiWde
?cfh[iie
9;CÅ7hj[i=h|ÓYWi
?I8D
/-.#/./#)'#&'/#,
:[fi_jeb[]Wbd$±
&&&&&&%''

Obras Primas Da Arte Portuguesa - Arquitectura PDF

Cargado por

Información del documento

Descripción original:

Título original

Derechos de autor

Formatos disponibles

Compartir este documento

Compartir o incrustar documentos

Opciones para compartir

¿Le pareció útil este documento?

¿Este contenido es inapropiado?

Copyright:

Formatos disponibles

Obras Primas Da Arte Portuguesa - Arquitectura PDF

Cargado por

Copyright:

Formatos disponibles

C7H?7:;BKH:;I9H7L;?

'( '* '.

'&, ''& ''*

''. '(& '((

')( ')* '),

También podría gustarte

Obras Primas Da Arte Portuguesa - Arquitectura PDF

Cargado por

Información del documento

Descripción original:

Título original

Derechos de autor

Formatos disponibles

Compartir este documento

Compartir o incrustar documentos

Opciones para compartir

¿Le pareció útil este documento?

¿Este contenido es inapropiado?

Copyright:

Formatos disponibles

Obras Primas Da Arte Portuguesa - Arquitectura PDF

Cargado por

Copyright:

Formatos disponibles

C7H?7:;BKH:;I9H7L;?

'( '* '.

'&, ''& ''*

''. '(& '((

')( ')* '),

También podría gustarte

C7H?7:;BKH:;I9H7L;?