Está en la página 1de 21

Acta Poetica 35y2

JULIO-DICIEMBRE
2014 (97-117)

El proceso místico en Del templo de su cuerpo,


poemario de Rubén Bonifaz Nuño

Jocelyn Martínez Elizalde

(VWHWUDEDMRSURSRQHXQDLQWHUSUHWDFLyQGHODHVWUXFWXUDHVWUy¿FD\VLPEyOLFD
de Del templo de su cuerpo  OLEURGHSRHPDVGH5XEpQ%RQLID]1XxR
9HUDFUX]0p[LFR GHDFXHUGRFRQVXUHODFLyQFRQODFiEDOD/DFiEDOD
HV³XQPpWRGRGHFRQWHPSODFLyQUHOLJLRVDXQVLVWHPDWHRVy¿FREDVDGRHQODV
VH¿URWRHPDQDFLRQHVGHODGLYLQLGDGTXHXWLOL]DDOJXQDVWpFQLFDVSDUDLQWHU-
SUHWDUODVOHWUDVGHODOIDEHWRKHEUHRFRQHO¿QGHOOHJDUDODHOHYDFLyQPtVWLFD´
Pero en Del templo de su cuerpoHOOHFWRUREVHUYDUiTXHODFiEDODHVWDPELpQ
XQSURFHVRTXHFRQGXFHDOFRQRFLPLHQWR\EXVFDOD³HOHYDFLyQPtVWLFD´FRQ
ODGLIHUHQFLDGHTXHQRHVHODOPDORTXHVHVXEOLPDVLQRHOFXHUSRDel templo
de su cuerpo HV XQ FRPSOHMR VLVWHPD GH VtPERORV SRpWLFRV TXH SUHVHQWD XQ
HMHPSORGHODSRHVtDHUyWLFRPtVWLFD(VWHOLEURFRQWLHQHDOJXQRVVtPERORVTXH
UHSUHVHQWDQHODFWRVDJUDGRHOFtUFXORSHUIHFWRHODEUD]RGHORVDPDQWHV\HO
DQGUyJLQR$GHPiVFDGDXQDGHODVVH¿URWWLHQHXQDFRQH[LyQHODERUDGDFRQ
RWURVVtPERORVSDUWHVGHOFXHUSRFRORUHVGtDVGHODVHPDQDSODQHWDVHOHPHQ-
WRVQDWXUDOHVVLJQRV]RGLDFDOHVWRGRIXQFLRQDHQXQSHUIHFWRHTXLOLEULRTXH
VHIXQGDPHQWDHQHOFXHUSRGHODPXMHU/DSRHVtDGH5XEpQ%RQLID]1XxRHV
XQDE~VTXHGDGHODVDOYDFLyQGHOFXHUSRDWUDYpVGHODPRU\GHODSDODEUDXQ
EUHYHLQWHQWRSRUSHUPDQHFHU

PALABRAS CLAVE: &iEDOD VtPERORV SRHVtD PtVWLFD DQGUyJLQR VH¿URW


PtVWLFDHUyWLFD

7KLVZRUNSURSRVHVDQLQWHUSUHWDWLRQRIWKHVWURSKLFVWUXFWXUHRIDel templo de
su cuerpo  ERRNRISRHPVE\5XEpQ%RQLID]1XxR 9HUDFUX]0p[LFR
 DFFRUGLQJWRLWVV\PEROLFUHODWLRQZLWKWKH.DEEDODK.DEEDODKLV³D
PHWKRGRIUHOLJLRXVFRQWHPSODWLRQDWKHRVRSKLFDOV\VWHPEDVHGRQWKHVH¿URW

[ 97 ]
RUHPDQDWLRQVRIGLYLQLW\ZKLFKXVHVFHUWDLQWHFKQLTXHVWRLQWHUSUHWWKHOHWWHUV
RIWKH+HEUHZDOSKDEHWLQRUGHUWRUHDFKWKHP\VWLFDOHOHYDWLRQ´+RZHYHULQ
Del templo de su cuerpoWKHUHDGHUZLOO¿QGWKDW.DEEDODKLVDOVRDSURFHVV
WKDWOHDGVWRNQRZOHGJHDQGVHHNVWKH³P\VWLFDOHOHYDWLRQ´ZLWKWKHGLIIHUHQFH
WKDWZKDWLVVXEOLPDWHGLVQRWWKHVRXOEXWWKHERG\Del templo de su cuerpo
LVDFRPSOH[V\VWHPRISRHWLFV\PEROVWKDWSUHVHQWVDQH[DPSOHRIP\VWLFDO
HURWLF SRHWU\ 7KLV ERRN FRQWDLQV V\PEROV WKDW UHSUHVHQW WKH VDFUHG DFW WKH
SHUIHFWFLUFOHWKHHPEUDFHRIWKHORYHUVDQGWKHDQGURJ\QH$OVRHDFKRIWKH
VH¿URWKDVDQHODERUDWHFRQQHFWLRQZLWKRWKHUV\PEROVSDUWVRIWKHERG\FRO-
RUVGD\VRIWKHZHHNSODQHWVQDWXUDOHOHPHQWV6WDU6LJQV«HYHU\WKLQJZRUNV
LQDSHUIHFWEDODQFHKHOGE\WKHIHPDOHERG\7KHSRHWU\RI5XEpQ%RQLID]
1XxRLVDTXHVWIRUWKHVDOYDWLRQRIWKHERG\WKURXJKORYHDQGZRUGVDEULHI
DWWHPSWWRUHPDLQ

KEYWORDS: .DEEDODK, V\PEROVP\VWLFDOSRHWU\DQGURJ\QHVH¿URWP\V-


tical erotic.

)HFKDGHUHFHSFLyQGHDJRVWRGH
)HFKDGHDFHSWDFLyQGHHQHURGH

98 MARTÍNEZ / El proceso místico en Del templo de su cuerpo


Acta Poetica 35y2
JULIO-DICIEMBRE
2014 (97-117)

Jocelyn Martínez Elizalde


Universidad Nacional Autónoma de México
Facultad de Filosofía y Letras

El proceso místico en Del templo de su cuerpo,


poemario de Rubén Bonifaz Nuño

'HDFXHUGRFRQ$QJHOLQD0XxL]+XEHUPDQODFiEDODHV³XQPpWRGR
GHFRQWHPSODFLyQUHOLJLRVDXQVLVWHPDWHRVy¿FREDVDGRHQODVVH¿URW
RHPDQDFLRQHVGHODGLYLQLGDGTXHHPSOHDFLHUWDVWpFQLFDVSDUDLQWHU-
SUHWDUODVOHWUDVGHODOIDEHWRKHEUHRFRQHOSURSyVLWRGHDOFDQ]DUODHOH-
YDFLyQPtVWLFD´ Las raíces y las ramas (QHOFDVRGHOSRHPD-
rio Del templo de su cuerpo  GH5XEpQ%RQLID]1XxR &yUGRED
9HUDFUX]   &LXGDG GH 0p[LFR   HO OHFWRU HQFRQWUDUi TXH
HIHFWLYDPHQWHVHWUDWDGHWRGRXQSURFHVRTXHFRQGXFHDOFRQRFLPLHQWR
\TXHSUHWHQGHXQHQFXHQWURGLYLQRFRQODGLIHUHQFLDGHTXHQRHVHO
DOPDODTXHVHVXEOLPDVLQRHOFXHUSR(QDel templo de su cuerpo, la
H[SHULHQFLDFDUQDOGHODPRUOOHYDUiDORVDPDQWHVDDOFDQ]DUHOp[WDVLV
PtVWLFRXQRUJDVPRFyVPLFRTXHHTXLOLEUDWRGDVODVIXHU]DV1pVWHVH
GHULYDH[FOXVLYDPHQWHGHODSHUIHFFLyQ\GHODDUPRQtDGHODFWRHUyWLFR
\VHUHSUHVHQWDUiHQHOSRHPDULRGHGLYHUVDVIRUPDVHOFtUFXORHODEUD-
]RODURVDFUX]\HODQGUyJLQR
(QFXDQWRDOWtWXORGHOSRHPDULRDel templo de su cuerpo, es necesa-
ULRUHVDOWDUTXHGLItFLOPHQWHXQSRHPDULRLQLFLDFRQODSUHSRVLFLyQ³GH´

1
(VWiUHODFLRQDGRFRQOD³+LHURJDPLD´RPDWULPRQLRVDJUDGRHOFXDOUHSUHVHQWDOD
XQLyQHQWUH'LRVHVRSDUHMDVGLYLQDV YHU*LRYDQQL)LORUDPRDiccionario Akal de las
Religiones 

[ 99 ]
PiVH[WUDxRHVHQFRQWUDUORHQIRUPDGHFRQWUDFFLyQ³GHO´HOWtWXORDel
templo de su cuerpoSRVHHGHLQLFLRFLHUWDDPELJHGDGHQHODGMHWLYR
SRVHVLYRPLVPRTXHQRVREOLJDDSUHJXQWDUQRV¢GHOFXHUSRGHTXLpQ"
¢VHWUDWDGHXQHQWHIHPHQLQRRPDVFXOLQR"pVWHVHUiXQMXHJRFRQVWDQWH
HQODSRHVtDGH%RQLID]1XxRHVSHFt¿FDPHQWHHQVXVSRHPDVGHWRQR
PtVWLFRHQORVTXHFRQIUHFXHQFLDODDPELJHGDGGHOJpQHURFUHDGRV
SRVLELOLGDGHVGHOHFWXUDDYHFHVVHWUDWDGHXQDLQYRFDFLyQDO$PDGR
\HQRWUDVDODDPDQWH/DIUDVH³GHOWHPSORGHVXFXHUSR´SURYLHQH
HVSHFt¿FDPHQWH GH XQ SDVDMH EtEOLFR DPSOLDPHQWH FRQRFLGR -XDQ II,
 FXDQGR-HV~VHQFXHQWUDHOWHPSORSODJDGRGHFRPHUFLDQWHV\
OOHQRGHLQGLJQDFLyQDGYLHUWHDORVMXGtRV³'HVWUXLGHVWHWHPSOR\HQ
WUHVGtDVOROHYDQWDUp´SHURHOORVLQFUpGXORVUHVSRQGHQ³(QFXDUHQWD
\VHLVDxRVIXHHVWHWHPSORHGL¿FDGR¢\W~HQWUHVGtDVOROHYDQWDUiV"´
$ORTXH-XDQH[SOLFD³0DVpOKDEODEDdel templo de su cuerpo3RU
WDQWRFXDQGRUHVXFLWyGHORVPXHUWRVVXVGLVFtSXORVVHDFRUGDURQTXH
KDEtDGLFKRHVWR´6HHYLGHQFLDHQWpUPLQRVJHQHUDOHVODDPELJHGDG
GHHVWDIUDVHLQFOXVRGHVGHHOUHIHUHQWHEtEOLFRHOWHPSORHVODFRQV-
WUXFFLyQVDJUDGDKHFKDSDUDODDGRUDFLyQODPHGLWDFLyQ\HOHQFXHQWUR
FRQODGLYLQLGDGHVHOOXJDUGRQGHVHOOHYDDFDERHOULWXDOSRUORWDQWR
QRGHEHVHUPDQFLOODGRSHURDOPLVPRWLHPSRHOWHPSORHVWDPELpQHO
FXHUSRPLVPRHOFXDOGHEHSDVDUSRUXQSURFHVRGHSUXHEDVSDUDVHU
GLJQRGHOHQFXHQWURFRQODGLYLQLGDG
(OWtWXORGHHVWHSRHPDULRWLHQHDGHPiVGRVUHIHUHQFLDVLPSRUWDQ-
WHV/DSULPHUDSURYLHQHGHOMXGDtVPRODShejiná\ODVHJXQGDGHOD
WUDGLFLyQPDVyQLFD HO7HPSOR GH 6DORPyQ /DShejiná VLPEROL]D³OD
PRUDGDLQWHULRUGH'LRVHQHOPXQGRODSUHVHQFLDGLYLQD\UHFyQGLWD
TXHKD\TXHOOHJDUDGHVFXEULU(QHVWHVHQWLGRHTXLYDOHDODGpFLPD
HVIHUDHVGHFLUMaljut (o Malkuth HOUHLQRGHHVWHPXQGR´ 0XxL]
+XEHUPDQLas raíces y las ramas 
'HDFXHUGRFRQ0XxL]+XEHUPDQHQODWUDGLFLyQFDEDOtVWLFDODShe-
jiná ³HQFDUQDHOSULQFLSLRIHPHQLQRODPDGUHODHVSRVDODKLMD2WUDUH-
IHUHQFLDHVWDEOHFLGDSRUHVWDQXHYDLQWHUSUHWDFLyQGHODShejiná es la de
DWULEXLUOHODPRUDGDGHODOPD´$PEDVDFHSFLRQHVGHODShejiná, tanto
ODGH³PRUDGDGHODOPD´FRPRODGHODUHSUHVHQWDFLyQGHORIHPHQLQR
FRQFXHUGDQSHUIHFWDPHQWHFRQDel templo de su cuerpoDOVHUpVWHXQ
SRHPDULRFX\RWHPDSULQFLSDOHVHOFXHUSRIHPHQLQRFRPRKDELWDFLyQ

100 MARTÍNEZ / El proceso místico en Del templo de su cuerpo


HTXLOLEUDGD\SHUIHFWDGHODOPD(QHVWHVHQWLGR³ODShejiná, relaciona-
GDFRQHOPXQGRIHPHQLQR\FRQHODOPDHVXQDUHSUHVHQWDFLyQOXQDU
\FRPRWDOHVWiVXMHWDDFDPELRVIDVHV\RSXHVWRV3XHGHVHUODSDUWH
LOXPLQDGRUDRODSDUWHRVFXUHFHGRUDODSLHGDGRODVHYHULGDG´  /D
FDUDFWHUtVWLFDGHORVRSXHVWRVVHHQFXHQWUDGHIRUPDHYLGHQWHFRPRVH
YHUiPiVDGHODQWHHQODUHSUHVHQWDFLyQGHODFiEDODGRQGHSXHGHQDSUH-
FLDUVHGRVFROXPQDVODGHOULJRU\ODGHODFRPSDVLyQTXHVLPEROL]DQ
ORVRSXHVWRVIHPHQLQRPDVFXOLQRL]TXLHUGDGHUHFKDDJXDIXHJR\HQ
PHGLRODFROXPQDGHOHTXLOLEULRTXHFRQGHQVDORVRSXHVWRV\TXHVH
VRVWLHQHSRU0DONXWKHO5HLQRGH'LRV
/DVHJXQGDUHIHUHQFLDUHODFLRQDGDFRQHOWtWXORGHOSRHPDULRSHUWH-
QHFHDODWUDGLFLyQPDVyQLFDHQHVSHFt¿FRDOVLPEROLVPRDWULEXLGRDO
7HPSORGH6DORPyQFX\RVSLODUHV%RD]\-DFKLQIRUPDQSDUWHGHOD
UHSUHVHQWDFLyQGHODFiEDOD\HTXLYDOHQDODVFROXPQDVGHOULJRU\GH
OD FRPSDVLyQ$GHPiV HO 7HPSOR GH 6DORPyQ GH DFXHUGR FRQ -HDQ
&KHYDOLHU³HVXQPRGHORGHVLPEyOLFDJHRPpWULFD\DTXHVXVPHGLGDV
VRQVLPpWULFDV\HQpODEXQGDQODVIRUPDVFXDGUDQJXODUHVSRUORTXH
SRVHHXQVLPEROLVPRFyVPLFR(OWHPSORUHSUHVHQWDHOFRVPRV\FDGD
REMHWRFRQWHQLGRHQHOWHPSORVHHQFXHQWUDRUGHQDGR´ Diccionario de
los símbolos 
Del templo de su cuerpoHVWiFRQVWLWXLGRSRUSRHPDVTXHHQVX
HVWUXFWXUD\HQVXWHPiWLFDJXDUGDUHODFLyQFRQODFiEDOD/RFRQIRU-
PDQSRHPDVWLWXODGRVFRQORVQRPEUHVGHODVVH¿URW³I.HWKHU´³II
%LQDK´³III&KRNPDK´³IV&KHVHG´³V*XHEXUDK´³VI7LSKDUHWK´
“VII1HW]DFK´³VIII+RG´³IX<HVRG´\³X0DONXWK´(QWUHFDGDXQR
GHHVWRVSRHPDVVHHQFXHQWUDQGLVWULEXLGRV²GHWUHVHQWUHV²ORVRWURV
SRHPDVWLWXODGRVFRQODVOHWUDVGHODOIDEHWRDel templo de su cuerpo
VHEDVDHQXQDHTXLYDOHQFLDFRQODVOHWUDVGHODOIDEHWRHVSDxROHQ
FRPSDUDFLyQFRQODVOHWUDVGHODOIDEHWRKHEUHRORFXDOKDEODGHOD
LPSRUWDQFLD TXH HO DXWRU OH EULQGD D OD OHQJXD HVSDxROD SXHV SUH¿H-
UHXQDYHUVLyQSDUFLDOPHQWHFDVWHOODQL]DGDGHODFiEDODVLQHPEDUJR
HQORVQRPEUHVGHODVVH¿URWXWLOL]DXQDYHUVLyQHQLQJOpV2$XQTXHHV

2
'HDFXHUGRFRQ(VWKHU&RKHQORVQRPEUHVFDVWHOODQL]DGRVGHODVVH¿URWVRQ.H-
WHU-RMPDK%LQDK-HVHG*HYXUDKR'LQ7LIHUHW1HW]DK-RG<HVRG0DOMXW Zohar.
Libro del esplendor,  

Acta Poetica 35y2, 2014, pp. 97-117 101


FRP~QKDOODUODFRUUHVSRQGHQFLDHQWUHODVOHWUDVKHEUHDV\HODOIDEHWR
ODWLQRHQHOFDVR HVSHFt¿FRGHHVWHSRHPDULRHOSRHWDDJUHJD²DGH-
PiV²ODVOHWUDV³)´³,´³f´³2´³8´³9´³;´H³<´
(QODVGLVWLQWDVLQWHUSUHWDFLRQHVGHODFiEDODMXGtDVHKDHQFRQWUDGR
TXHH[LVWHXQDFRPSOHMDHTXLYDOHQFLDHQWUHVXVHOHPHQWRV\ODVSDUWHV
GHOFXHUSRORVDUFDQRVGHOWDURWORVVLJQRVGHO]RGLDFRORVPHVHVGHO
DxR\ORVGtDVGHODVHPDQD/DVLJXLHQWHLPDJHQFRQWLHQHSRUXQDSDU-
WHORVHOHPHQWRVFRQORVTXHQRUPDOPHQWHVHOHUHODFLRQDDODFiEDOD\
SRURWUDHQODHVTXLQDVXSHULRUGHUHFKDODUHSUHVHQWDFLyQFDEDOtVWLFD
GHODWUDGLFLyQPDVyQLFDFX\RVVtPERORVVHHQFXHQWUDQHQFDGDXQRGH
ORVSRHPDVGHODVVH¿URW de Del templo de su cuerpo/DVVH¿URWHVWiQ
UHSDUWLGDVHQWUHVFROXPQDVODFROXPQDGHODVHYHULGDGRHOULJRUUHSUH-
VHQWDDVXYH]ODSDUWHIHPHQLQDHODJXDHOFRORUURMR\ODLQWHOLJHQFLD
ODFROXPQDGHODL]TXLHUGDHVODFRPSDVLyQRPLVHULFRUGLDUHSUHVHQWDOD
SDUWHPDVFXOLQDHOIXHJR\HOFRORUEODQFR/DFROXPQDGHOFHQWURHV
ODXQLyQ\HOHTXLOLEULRGHODVODWHUDOHVHQHOODVHFRQMXJDQODVIXHU]DV
RSXHVWDV3

3
 %RD] \ -DFKLQ VRQ ORV GRV SLODUHV GH EURQFH IXQGLGRV SRU +LUDP$ELI GH7LUR
OODPDGR³HO+LMRGHOD9LXGD´SDUDHO7HPSOR PDVyQLFR GH6DORPyQ YHU-XDQ&DUORV
Daza, Diccionario Akal de Francmasonería /DLQWHUSUHWDFLyQGHORVHOHPHQWRV
VLPEyOLFRVUHODFLRQDGRVFRQODFiEDODPDVyQLFDSULQFLSDOPHQWHORVTXHVHVHxDODQHQ
HVWHHVTXHPD\ORVFRORUHVTXHVHQRPEUDQHQORVSRHPDVVHKDFHDSDUWLUGH'LRQH
Fortune, La cábala mística

102 MARTÍNEZ / El proceso místico en Del templo de su cuerpo


Ubicación 'LVWULEXFLyQGHODVHVIHUDV\VXVDWULEXWRV
6H¿URW Atributos 6tPEROR
en el cuerpo HQHOFXHUSRIHPHQLQR
.HWKHU Corona Cabeza Punto
$OD'HUHFKD
&KRNPDK 6DELGXUtD Línea
de la cabeza
$OD,]TXLHUGD
%LQDK ,QWHOLJHQFLD &iOL]
de la cabeza
&KHVHG *UDFLDR$PRU %UD]RGHUHFKR Tetraedro
*XHEXUDK Fuerza %UD]RL]TXLHUGR 3HQWiJRQR
7LSKDUHWK Corazón o Belleza Corazón Rosacruz
1HW]DFK Victoria 3LHUQDGHUHFKD /iPSDUD
+RG *ORULD 3LHUQDL]TXLHUGD 1RPEUH
)XQGDPHQWRR
<HVRG *HQLWDOHV $URPD
(TXLOLEULR

Cruz de
0DONXWK Reino Pies brazos
LJXDOHV
(TXLYDOHQFLD
Parte Día de la 0HVGHODxRKHEUHR 6LJQR
/HWUDVGHODOIDEHWRKHEUHR con las letras del (OHPHQWR Astro
del cuerpo VHPDQD \VXHTXLYDOHQWH del zodiaco
DOIDEHWRFDVWHOODQR
 $OHSK A Aire 3HFKR
Letras
 0HP M $JXD Vientre
PDGUHV
 6KHLQ 6+ )XHJR Cabeza
 %HWK B 6iEDGR 6DWXUQR
 *LPHO * 'RPLQJR Júpiter
Letras
 Dalet D Lunes Marte
GREOHV
representan  &DI C Martes 6RO
los contra-
 Pei P 0LpUFROHV Venus
rios
 5HLFK R -XHYHV Mercurio
7DZ TAU Viernes Luna
+DL + 1LVDQ0DU]R Aries
9DY W I\\DU$EULO Tauro
Zain Z 6LOYDQ0D\R *pPLQLV
&KHW &+ 7DPPX]-XQLR &iQFHU
7HKW T $E-XOLR Leo
Letras <RG J (OXO$JRVWR 9LUJR
VLPSOHV /DPHG L 7LVKUL6HSWLHPEUH Libra
0HP M 0DUHVKYDQ2FWXEUH Escorpión
6DPHFK 6 .LVOHY1RYLHPEUH 6DJLWDULR
$LP E 7HEHW'LFLHPEUH Capricornio
Tzaddi TZ 6FKHEDW(QHUR Acuario
4RSK Q $GDU)HEUHUR Piscis
/HWUDVTXHQRHQFXHQWUDQHTXLYDOHQ-
FLDSHURTXHHOSRHWDDJUHJD
),f289;<
(VWHHVTXHPDHVXQDSURSXHVWDGHOHFWXUDSDUDDel templo de su cuer-
poHOFXDOQRVSHUPLWHD¿UPDUTXHKD\FRLQFLGHQFLDV\GLYHUJHQFLDVHQ
ODUHSUHVHQWDFLyQTXH5XEpQ%RQLID]1XxRKDFHGHODFiEDOD(QSULPHU
OXJDUFRPRVHPHQFLRQyDQWHULRUPHQWHHOSRHPDULRXWLOL]DHODOIDEHWR
GHODOHQJXDHVSDxROD\QRHOGHOKHEUHR(QVHJXQGROXJDUHOSRHWDSUL-
YLOHJLDODUHODFLyQHQWUHODVHVIHUDVGHOiUEROVH¿UyWLFR\VXVDWULEXWRV\
GLVPLQX\HHOVLPEROLVPRUHODFLRQDGRFRQODVOHWUDV
5HVSHFWRDODVFRUUHVSRQGHQFLDVGHODVOHWUDV ORVHOHPHQWRVODVSDU-
WHVGHOFXHUSRORVGtDVGHODVHPDQDORVDVWURVORVPHVHVGHODxR\ORV
VLJQRV]RGLDFDOHV QRVHHQFXHQWUDQUHIHUHQFLDVFODUDVHQHOSRHPDULR
GHIRUPDHVSHFt¿FDSRUSRQHUXQHMHPSORHQHOSRHPD³&´QRKD\QLQ-
JXQDUHIHUHQFLDDOVROQLDOGtDPDUWHV\DVtVXFHGHUiFRQHOUHVWRGHORV
SRHPDVWLWXODGRVFRQOHWUDV6LQHPEDUJRODLGHDJHQHUDOGHHTXLOLEULR
\RUGHQFyVPLFRTXHUHSUHVHQWDQODVOHWUDVGHODOIDEHWR\VXVFRUUHV-
SRQGHQFLDV HQ OD FiEDOD VH KDOODUi VLHPSUH SUHVHQWH HQ HO SRHPDULR
7DPELpQVHHQFRQWUDUiQFRUUHVSRQGHQFLDVHYLGHQWHVHQHOSRHPD³0´
HQHOTXHVHKDFHDOXVLyQDODJXD\DOYLHQWUH HQHVWHFDVRPDWHUQR 
HOHPHQWRGHODQDWXUDOH]D\SDUWHGHOFXHUSRTXHWLHQHQUHODFLyQFRQOD
³PHP´KHEUHD
5HVSHFWRDODVLPERORJtDFRQFDGDXQDGHODVVH¿URWVHHQFXHQWUDQ
FRUUHVSRQGHQFLDVHYLGHQWHVHQORVDWULEXWRVODVSDUWHVGHOFXHUSR\HO
VtPERORPDVyQLFRUHVSHFWLYR$GHPiVFDGDSRHPDHVWiFRQVWLWXLGRSRU
FXDWUR HVWURIDV WUHV GH VLHWH YHUVRV \ OD FXDUWD GH VHLV HQ ODV TXH VH
HQFRQWUDUiFLHUWDFRQVWDQFLDHQODSULPHUDHVWURIDVLHPSUHVHKDFHUHIH-
UHQFLDDODSDUWHGHOFXHUSRTXHOHFRUUHVSRQGHDODVH¿UiFRQODTXHVH
WLWXODHOSRHPDHQODVHJXQGD\WHUFHUDHVWURIDKD\XQDFRQVWDQWHPHQ-
FLyQGHFRORUHV\OD~OWLPDHVWURIDKDFHUHIHUHQFLDDOVtPERORPDVyQLFR
DFRUGHORVDWULEXWRVGHFDGDHVIHUDWDPELpQVHHQFXHQWUDQPHQFLRQDGRV
HQFDGDSRHPDSHURQRGHXQDIRUPDUtJLGD\DTXHSXHGHQDSDUHFHUHQ
FXDOTXLHUDGHODVFXDWURHVWURIDV4&RPRHMHPSORGHHVWDFRQVWDQFLDVH

4
(QODREUDSRpWLFDGH5XEpQ%RQLID]1XxRVHOHGDJUDQLPSRUWDQFLDDODHVWUXFWXUD
GHORVSRHPDVTXHFRQIRUPDQFDGDXQRGHVXVOLEURV$OJXQRVHVWiQHODERUDGRVFRQ
EDVHHQXQDPpWULFDWUDGLFLRQDO3RUHMHPSORMadrigal del adolorido FD HVXQD
JORVDGHO³0DGULJDO´GH*XWLHUUHGH&HWLQDHOSRHPDULRHVWiFRPSXHVWRSRUSRHPDV
GRQGHDOWHUQDQVRQHWRV\PDGULJDOHVHO~OWLPRYHUVRGHFDGDSRHPDHVXQYHUVRLQLFLDO
GHO³0DGULJDO´GH&HWLQD3RUVXSDUWHFuego de pobres  HVWiFRPSXHVWRSRU

Acta Poetica 35y2, 2014, pp. 97-117 105


PXHVWUDXQDQiOLVLVFRPSDUDWLYRGHGRVSRHPDV³IV&KHVHG´\³V*XH-
EXUDK´ODVFXUVLYDVVRQPtDV

Atributo*UDFLDRDPRU
IV&KHVHG Parte del cuerpoEUD]RGHUHFKR
Símbolo masónico7HWUDHGUR
Columna: GHUHFKDGHORPDVFXOLQR\GH
ODPLVHULFRUGLD

Él la misericordia
DPDQWHHObrazo izquierdo
&RURQDGR\VROHPQH
UH\\SDVWRUSHUIHFWR
/DPDMHVWDGHQpO
VHFRQVXPDHOJRELHUQR
MXVWRWUDVHOFRPEDWH
HOGHVFDQVRVHUHQR
AzulSURIXQGR\GHDVWURV
amarillosVXFLHOR
ORVVDJUDGRVSRGHUHV
HMHUFHMXVWLFLHUR
6RQVX\RVODDUPRQtD
cabal del tetraedro,
ODFUX]GHLJXDOHVEUD]RV
HOEiFXOR\HOFHWUR
7UDVSRQLHQGRHODELVPR
HVWDEOHFHVXUHLQR

'HVGHXQLQLFLRHVSRVLEOHQRWDUTXHDPERVSRHPDVUHÀHMDQODVUH-
SUHVHQWDFLRQHVGHODFiEDOD\DPHQFLRQDGDV(QHOSULPHUYHUVRGHFDGD

SRHPDVFRQVWLWXLGRVSRUYHUVRVGH\VtODEDVFRQLPLWDFLyQGHULWPR\¿JXUDVGHOD
SRHVtDQiKXDWOLQWHJUDFLyQGHUHIUDQHVIUDVHVSRSXODUHV\P~VLFDSRSXODUPH[LFDQD/D
HVWUXFWXUDGHORVSRHPDULRVGH%RQLID]1XxRWDPELpQSXHGHHVWDUEDVDGDHQUHODFLRQHV
VLPEyOLFDVSRUHMHPSORSiete de espadas HVWiLQWHJUDGRSRUSRHPDVFRPSXHVWRV
SRUHVWURIDVGHVLHWHYHUVRVGHRQFHGLH]\QXHYHVtODEDVGHDFXHUGRFRQHODXWRUHVWD
HVWUXFWXUDVHFRUUHVSRQGHFRQORVGtDVGHODVHPDQDHODUFRtULVODHVFDODPXVLFDOORV
SHFDGRV\ODVYLUWXGHVHOFRUD]yQGHOD'RORURVDODFDUWDGHODEDUDMDFRQVXVVLJQL¿FD-
FLRQHV8QHMHPSORPiVHVEl ala del tigreSRHPDULRFRQVWLWXLGRSRUSRHPDVGHWUHV
HVWURIDVGHVHLVYHUVRVFDGDXQDHQORVTXHDOWHUQDQGHFDVtODERV\HQHDVtODERVHQHVWH
SRHPDULRODHVWUXFWXUDHVUHJXODUODSULPHUD\ODWHUFHUDHVWURIDVHFRQWUDSRQHQ\ODGH
HQPHGLRHTXLOLEUDDODVRWUDVGRV

106 MARTÍNEZ / El proceso místico en Del templo de su cuerpo


Atributo)XHU]D V*XHEXUDK
Parte del cuerpoEUD]RL]TXLHUGR
Símbolo masónico3HQWiJRQR
Columna: L]TXLHUGDGHORIHPHQLQR\
GHOULJRU

%pOLFRUH\severo
VXVLJQR\HOdiestro brazo
UREXVWR\FRPEDWLHQWH
ULJHHQDUPDVVXFDUUR
(OWHPRUORDFRPSDxD
GHVWUXFWRUGHOHQJDxR
FRQHOPLHGRHODPRU
FRPSOHWDDFUHFHQWiQGROR
9DOLHQWHVLQGHIHFWR
FRUWD\PDWDORLQVDQR
sus resplandores rojos
son de negroKRUDGDGRV
<VX\RVVRQODURVD
UHJXODUGHOpentágono
y la espada y el asta,
ODFDGHQD\HOIDOR
<QRLQGXOJHQWHOXFKD
\KLHUHIXHUWH\VDQR

SRHPDDSDUHFHQODVSDODEUDV³PLVHULFRUGLD´\³VHYHUR´FDUDFWHUtVWLFDV
RSXHVWDV TXH UHSUHVHQWDQ ORV GRV SLODUHV GH OD FiEDOD GH OD WUDGLFLyQ
PDVyQLFD OD FROXPQD GHO ULJRU \ OD FROXPQD GH OD FRPSDVLyQ (Q HO
VHJXQGRYHUVRGHFDGDSRHPDVHHQFXHQWUDQPHQFLRQDGDVODVSDUWHVGHO
FXHUSRHQGRQGHVHXELFDFDGDVH¿UiFRPRVHSXHGHYHUHQHOSRHPD
DSDUHFHQGHIRUPDFRQWUDULD³EUD]RL]TXLHUGR´\³GLHVWUREUD]R´7DQWR
HQORVVLJXLHQWHVGRVYHUVRVFRPRHQODVHJXQGDHVWURIDHQFRQWUDUHPRV
SDODEUDVFRQVLJQL¿FDGRVHPHMDQWH\TXHFRUUHVSRQGHQQXHYDPHQWHD
ORVSLODUHV3RUXQODGRHQ³&KHVHG´HVIHUDXELFDGDHQHOODGRGHOD
PLVHULFRUGLD WHQHPRV ³PDMHVWDG´ ³SHUIHFFLyQ´ ³MXVWR´ ³MXVWLFLHUR´
³DUPRQtDFDEDO´WRGDVpVWDVVRQUHIHUHQFLDVDOHTXLOLEULR\DODHQWHUH-

Acta Poetica 35y2, 2014, pp. 97-117 107


]DFXDOLGDGHVTXHWDPELpQHVWiQUHODFLRQDGDVFRQORVDWULEXWRVTXHOH
FRUUHVSRQGHQDGLFKDHVIHUDGHODFiEDODOD*UDFLD\HO$PRU3RURWUD
SDUWHHQHOSRHPD³*XHEXUDK´HVIHUDORFDOL]DGDHQHOODGRGHOULJRU
VHOHH³EpOLFR´³VHYHUR´³FRPEDWLHQWH´³YDOLHQWH´³QRLQGXOJHQWH´
HVWDVFXDOLGDGHVDVXYH]VHUHODFLRQDQFRQHODWULEXWRTXHOHFRUUHV-
SRQGHOD)XHU]D
$VLPLVPR HV QRWDEOH TXH HQ DPERV SRHPDV VH KDEOH GH UH\HV \
TXH ²DXQTXH FRQ FDUDFWHUtVWLFDV FRQWUDULDV² HQ ORV GRV VH ORJUH HO
HTXLOLEULR 0iV DGHODQWH VH YHUiQ RWURV HMHPSORV HQ ORV TXH WDPELpQ
VHPXHVWUDQHOHPHQWRVRSXHVWRVHQORVSRHPDVTXHFRUUHVSRQGHQDODV
HVIHUDV GH ODV FROXPQDV ODWHUDOHV ,QFOXVR DXQTXH HQ ³&KHVHG´ \ HQ
³*XHEXUDK´QRDSDUHFHODFRUUHVSRQGHQFLDFRQORVJpQHURVIHPHQLQR
\PDVFXOLQR\DTXHHQORVGRVVHSUHVHQWDHOUH\FRPR¿JXUDPDVFXOL-
QDVtDSDUHFHUiHVWHHQFXHQWURHQWUHJpQHURVHQRWURVSRHPDVGHODGR
L]TXLHUGR\GHUHFKRSDUWLFXODUPHQWHHQ³&KRNPDK´\³%LQDK´FX\R
DQiOLVLVGHDOJXQRVGHVXVYHUVRVVHYHUiPiVDGHODQWH
(Q³&KHVHG´\HQ³*XHEXUDK´HQFRQWUDPRVTXHHQODWHUFHUDHVWURID
GHDPERVVHHQFXHQWUDQPHQFLRQDGRVGRVFRORUHVHQHOSULPHUR³D]XO´
\³DPDULOORV´\HQHOVHJXQGR³URMRV´\³QHJUR´&RPRPHQFLRQpDQWH-
ULRUPHQWHHQWRGRVORVSRHPDVWLWXODGRVFRQORVQRPEUHVGHODVHVIHUDV
DSDUHFHUiQ HQWUH OD VHJXQGD \ OD WHUFHUD HVWURID GRV R PiV FRORUHV R
SDODEUDVUHODFLRQDGDVFRQpVWRV(Q³I.HWKHU´³%ODQFDlumbre, / de es-
trellas de oroUHFRUULGD´(Q³II&KRNPDK´³GHgualda,5 azul y púrpura
EODQFXUDSHUGXUDEOH´(Q³III%LQDK´³/DluzDJULVDRVFXUDODURFtD
GHURVDV´(Q³VI7LSKDUHWK´³GLYLQRsol propicio, / y su luzVHGLIXQGH
HQiPEDUGHoroPtVWLFR´(Q³VII1HW]DFK´³(OYHUGHROLYDHOoro, /
LOXPLQDQVXHVIHUD´(Q³VIII+RG´³(OQHJURamarillento / con blanca
luzDGRUQD´(Q³IX<HVRG³&RQD]XO\amarillo LOXPLQDVXPXQGR´
En “X0DONXWK´³HQWUHUHMDVdoradas FRQ¿QDODVWLQLHEODV´
&RPRSXHGHREVHUYDUVHHOFRORUTXHVHUHSLWHHQWRGDVODVHVIHUDVHV
HODPDULOORRHOGRUDGRGHLJXDOIRUPDSXHGHQLGHQWL¿FDUVHSDODEUDVTXH
UHVSRQGHQDODLVRWRStDGHHVWRVFRORUHVFRPR³OXPEUH´³RUR´³VRO´
³OX]´\³iPEDU´(VGHHVSHUDUVHTXHHVWHFRORUSUHYDOH]FDSXHVWRTXH
HO DPDULOOR VLPEROL]D SDUD GLYHUVDV FXOWXUDV HO SRGHU \ OD VDELGXUtD

5
*XDOGRGDDGM'HOFRORUDPDULOORGHODÀRUGHODJXDOGD DRAE 

108 MARTÍNEZ / El proceso místico en Del templo de su cuerpo


GHORVUH\HVSHURWDPELpQODSXUH]D\ODHWHUQLGDGGHORVHOHPHQWRV
DVt FRPR HO UHQDFHU GHO GtD GHO VRO \ GH ODV HVWDFLRQHV H[SOLFD -HDQ
&KHYDOLHU³HODPDULOORHVHOPiVFDOLHQWHH[SDQVLYR\DUGLHQWHGHORV
FRORUHVGLItFLOGHHQWHQGHUGHVERUGDVLHPSUHORVPDUFRVGRQGHVHOH
TXLHUHFHxLU´ Diccionario de los símbolos (QWRGRVORVYHUVRVHQ
TXHHODPDULOORDSDUHFHORKDFHHQIRUPDGHOX]RGHIXHJRTXHDOXPEUD
\TXHPDFRQORTXHVHLQWX\HODSUHVHQFLDGHXQULWXDO\GHXQDWUDQV-
IRUPDFLyQ
3RU~OWLPRHQODFXDUWDHVWURIDGHFDGDSRHPDDSDUHFHUiQORVVtP-
ERORVGHODPDVRQHUtDTXHVHFRUUHVSRQGHQFRQODVH¿UiTXHOOHYDQSRU
WtWXOR&KHVHGHOWHWUDHGUR\*XHEXUDKHOSHQWiJRQR$GHPiVVHLQ-
FOX\HQRWURVVtPERORVSHUWHQHFLHQWHVDHVWDPLVPDWUDGLFLyQODFUX]GH
LJXDOHVEUD]RV\ODURVDWRGRVHOORVVtPERORVGHOHTXLOLEULRODSHUIHF-
FLyQ\ODXQLyQGHFRQWUDULRV
$VLPLVPRHQFDGDXQDGHODV~OWLPDVHVWURIDVGHORVRWURVRFKRSRH-
PDVWLWXODGRVFRQORVQRPEUHVGHODVHVIHUDVVHHQFRQWUDUiHOVtPEROR
PDVyQLFRFRUUHVSRQGLHQWHHQ³I.HWKHU´ HOSXQWR ³3ULQFLSLRHOHPHQ-
WDO\IXHQWHJHRPHWUtD´(Q³II&KRNPDK´ ODOtQHD ³6X\RVGHVSXpV
KR\DQWHVODWRUUHHQJHQGUDGRUDHOFHWURIHFXQGDQWH´(Q³III%LQDK´
HO FiOL]  ³6X\DV OD YXOYD HWHUQD  OD KRQGXUD GH OD copa´ (Q ³VI
7LSKDUHWK´ ODURVDFUX] ³6X\DVODcruz, la rosa TXHHQODcruz tiene
DVLORODSLUiPLGHWUXQFDHOFXERVRQVXVtPEROR´(Q³VII1HW]DFK´
ODOiPSDUD ³(OEODQFRFHxLGRUODlámparaGHVSLHUWD´(Q³VIII+RG´
HOQRPEUH ³/RVnombresVRQORVX\RHOPDQGLOODVHVWURIDV´(Q
“IX<HVRG´ HOSHUIXPH ³6X\DVVRQODVVDQGDOLDVHOaroma es lo suyo
>@FRQVHUYDUODVesencias HQWHUDVVXDWULEXWR´(Q³X0DONXWK´ OD
FUX]GHEUD]RVLJXDOHV ³6X\RVODcruzHOFtUFXORTXHODPDJLDDEUH
\FLHUUD´
&RPR SXHGH YHUVH QR WRGRV ORV VtPERORV DSDUHFHQ WDO FXDO SRU
HMHPSOR HQ HO FDVR GH .HWKHU QR DSDUHFH OD SDODEUD ³SXQWR´ SHUR VH
WUDWDGHOSULQFLSLRHOHPHQWDOGHODJHRPHWUtDWDOFRPRORSRHWL]DHODX-
WRU(QHOFDVRGH&KRNPDK\%LQDKWDPSRFRDSDUHFHGHIRUPDOLWHUDO
HVQHFHVDULROOHYDUDFDERXQDVHULHGHDQDORJtDVHQODVTXHODWRUUH\
HO FHWUR SRGUtDQ FRQVLGHUDUVH LPiJHQHV FRQ IRUPD OLQHDO TXH HQ HVWH
FDVRDOXGHQWDPELpQDVtPERORVIiOLFRV\DTXHHQHOSRHPDODWRUUHHV
³HQJHQGUDGRUD´\HOFHWURHV³IHFXQGDQWH´(VWRVVtPERORVVHFRUUHV-

Acta Poetica 35y2, 2014, pp. 97-117 109


SRQGHQDGHPiVFRQODVH¿UiTXHVHXELFDSDUDOHODD&KRNPDKSHUR
HQODFROXPQDFRQWUDULDHVGHFLU%LQDKFX\RDWULEXWRHVHOFiOL]PHQ-
FLRQDGRHQHOSRHPDFRPRODFRSD(QHOSRHPDWDPELpQVHDJUHJD³OD
YXOYDHWHUQD´UHODFLRQDGRDVXYH]FRQORIHPHQLQR(Q³7LSKDUHWK´QR
DSDUHFHFRPRWDOODURVDFUX]SHURVt³ODURVDTXHHQODFUX]WLHQHDVLOR´
(Q OD WUDGLFLyQ KHEUHD ODV HVIHUDV VH HQFXHQWUDQ GLVWULEXLGDVHQ HO
FXHUSRGH$GDP.DGPRQRVHUSULPRUGLDOHQHOSRHPDULRGH5XEpQ
%RQLID]1XxRODVHVIHUDVWDPELpQVHHQFXHQWUDQHQHOFXHUSRSHURHQ
HVWHFDVRHQXQFXHUSRIHPHQLQR(VQRWDEOHTXHDXQTXHVHFRQVHUYDQ
ODVFDUDFWHUtVWLFDVGHODVHVIHUDVGHORVFRVWDGRVHQHOSRHPDULRpVWDV
FDPELDQGHOXJDUFRPRVLIXHUDQSHUFLELGDVDWUDYpVGHXQHVSHMR6L
UHJUHVDPRVDOHVTXHPDYHUHPRVTXH&KRNPDK&KHVHG\1HW]DFKFR-
UUHVSRQGHQ D ODV SDUWHV GHUHFKDV GHO FXHUSR FDEH]D EUD]R \ SLHUQD
SRUVXSDUWH%LQDK*XHEXUDK\+RGVHORFDOL]DQHQODSDUWHL]TXLHUGD
6LQHPEDUJRUHLWHURTXHHQHOSRHPDULRDel templo de su cuerpo, se
HQFXHQWUDQGHIRUPDRSXHVWD3RUHMHPSORHQHOSRHPD³II&KRNPDK´
VHOHHHQODSULPHUDHVWURID³$PRUPLVHULFRUGLDGHOURVWURL]TXLHUGD
SDUWH6XSUHPRGHODIXHU]DOLEUH\VLQPXHUWHSDGUH´<SRVWHULRU-
PHQWHHQ³III%LQDK´³0DJQDPDWUL]ODPDGUHGHODPXHUWHGDGRUD
GLHVWUDSDUWHGHOURVWURODWRGRSRGHURVD´
1yWHVHTXHHQHOSRHPDERQLIDFLDQR&KRNPDKVHXELFDHQODSDUWH
L]TXLHUGDWLHQHFRPRFDUDFWHUtVWLFDODPLVHULFRUGLD\VHUHODFLRQDFRQOR
PDVFXOLQRHOSDGUHSRUVXSDUWH%LQDKVHHQFXHQWUDHQODSDUWHGHUHFKD
\VHUHODFLRQDFRQORIHPHQLQRODPDGUH(VGHFLUFDPELDQORVODGRVL]-
TXLHUGR\GHUHFKRSHURQRORVDWULEXWRVGHODVFROXPQDVTXHWLHQHQODV
VLJXLHQWHVFRUUHVSRQGHQFLDVODGRL]TXLHUGRGHORIHPHQLQRGHOULJRU
GHODLQWHOLJHQFLDODGRGHUHFKRGHORPDVFXOLQRGHODPLVHULFRUGLDGH
ODVDELGXUtD
(VWH PLVPR LQWHUFDPELR GH ODGRV SHUR QR GH DWULEXWRV VXFHGHUi
FRQRWURVGRVSRHPDVTXHVHUH¿HUHQDODVHVIHUDVTXHVHHQFXHQWUDQ
HQORVFRVWDGRVGHOFXHUSR*XHEXUDK\&KHVHG3RUORWDQWRVHOHHHQ
“IV&KHVHG´³eOODPLVHULFRUGLDDPDQWHHObrazo izquierdo´IUHQWHD
“V*XHEXUDK´³%pOLFRUH\VHYHURVXVLJQRHOdiestro brazo´FXDQGR
DOSULPHUROHFRUUHVSRQGHHOEUD]RGHUHFKR\DOVHJXQGRHOL]TXLHUGR
$VLPLVPRHVQHFHVDULRGHVWDFDUTXHODSURWDJRQLVWDGHHVWHSRH-
PDULR HV SHUFLELGD SRU PHGLR GH WRGRV ORV VHQWLGRV VDOYR OD YLVWD

110 MARTÍNEZ / El proceso místico en Del templo de su cuerpo


\D TXH HO VXMHWR OtULFR VH DVXPH FRPR FLHJR HO FXHUSR GH OD PXMHU
DSDUHFHUi VLHPSUH VLQ FDEH]D WDO FRPR OR FRPHQWD HO SRHWD HQ XQD
HQWUHYLVWD³6LOHHVWRGRVORVSRHPDVYHUiVTXHQRVHKDEODGHRMRVQL
GHERFDVQLGHQDULFHVQLGHFDEHOORVHVDSDUWHGHOFXHUSRVHRPLWH\
VHKDEODVLPSOHPHQWHGHOFXHOORSDUDDEDMR´ (VWUDGDDe otro modo
el hombre 

/DH[SOLFDFLyQTXHEULQGDHOSRHWDHVODVLJXLHQWH

6RQ SRHPDV HVFULWRV D XQD DWOHWD GH WULDWOyQ 3DUD Pt IXH VRUSUHVD HO
FRQFHSWRTXHHVDDWOHWDWLHQHGHVXSURSLRFXHUSR&XDQGRHVFULEtSRH-
PDVSDUDXQDEDLODULQDVDEtDTXHSDUDHOODHOFXHUSRHUDXQLQVWUXPHQWR
GH DUWH HO LQVWUXPHQWR GH H[SUHVLyQ HV HO FXHUSR SDUD H[SUHVDU FRVDV
LQWHULRUHV>@6
(QFDPELRSDUDODDWOHWDVHJ~QPHSHUFDWpFRQHVWDSHUVRQDHOFXHU-
SRHVXQD¿QDOLGDG/DDWOHWDFRQVLGHUDVXFXHUSRFRPRVXSURSLDHVHQ-
FLDSRUHVRHQDOJXQDRFDVLyQGLJR³7XDUPDHVWXFXHUSR´7

3RUORWDQWRHOFXHUSRIHPHQLQRVREUHHOTXHVHGLVWULEX\HQORVHOH-
PHQWRVGHODFiEDODGHEHVHUFRQVLGHUDGRVLQFDEH]D\FRQODVHVIHUDVGH
ORVFRVWDGRVLQYHUWLGDV(VWDYLVLyQGHHVSHMRSRUVXSXHVWRQRDIHFWDUi
DODVHVIHUDVGHOFHQWURHQORVSRHPDVFRUUHVSRQGLHQWHVDODFROXPQDGH
HQPHGLR .HWKHU7LSKDUHWK<HVRG\0DONXWK SXHVKDEUiVLHPSUHUH-
IHUHQFLDDOFHQWUR\DOHTXLOLEULR(Q³.HWKHU´³9pUWLFHVREUHHOYpUWLFH
HQFLPDGHODFLPD´HQ³7LSKDUHWK´³%HOOH]DFRQVXPDGDFHQWURGHO
HTXLOLEULR´HQ³<HVRG´³(VStULWX\PDWHULDUHFRQFLOLDHQORXQR´\HQ
³0DONXWK´³/DPDWHULDHQpUJLFDGHIXHJRGHDJXDGHDLUHGHWLHUUD´
(QFXDQWRDODHVWUXFWXUDHVWUy¿FDGHORVSRHPDVGHDel templo de
su cuerpo, WLWXODGRV FRQ OHWUDV QR H[LVWH XQD FRQVWDQFLD FDGD SRHPD
HVWiFRPSXHVWRGHWUHVDVLHWHHVWURIDVGHYHUVRVGH\VtODEDV
²ORVPHWURVPiVXWLOL]DGRVHQODSRHVtDERQLIDFLDQD²\FRPR~QLFR
HOHPHQWRSHUVLVWHQWHDSDUHFHHOXVRGHOHQFDEDOJDPLHQWR\GHOKLSpUED-
6
5HVSHFWRDODEDLODULQDVHUH¿HUHDLos demonios y los díasSRHPDULRGHGLFDGRD
0DJGD0RQWR\D -XFKLWiQ2D[DFD TXLHQHQIXQGyHO%DOOHWGHODUNAM
7
+D\DTXtXQDHUUDWDSRGUtDGHEHUVHDXQHUURUGHWUDQVFULSFLyQGHODHQWUHYLVWDRHO
DXWRUUHFXHUGDVXYHUVRGHIRUPDLQFRUUHFWD\DTXHHQHOSRHPD³1´GHDel templo de
su cuerpoVHOHH³7XalmaHVWXFXHUSR´\QR³WXDUPD´

Acta Poetica 35y2, 2014, pp. 97-117 111


WRQGHORVFXDOHVWDPELpQVHKDGLFKRTXHIRUPDQSDUWHGHOHVWLORSHFX-
OLDUGH%RQLID]1XxR1RREVWDQWHODHVWUXFWXUDGHORVSRHPDVTXHOOHYDQ
SRUWtWXORORVQRPEUHVGHODVGLH]HVIHUDVHVLQYDULDEOH\DTXHWRGRVHVWiQ
FRQIRUPDGRVSRUFXDWURHVWURIDVGHYHUVRVKHSWDVtODERVODVSULPHUDVWUHV
HVWURIDVVHFRPSRQHQGHYHUVRV\OD~OWLPDGH/DFRPELQDFLyQ\
SXHGHVHULQWHUSUHWDGDFRPRODUHSUHVHQWDFLyQGHOFXERUHFRUGHPRV
TXHHQHVWHSRHPDULRODV¿JXUDVJHRPpWULFDVVRQGHJUDQLPSRUWDQFLD
\DTXHVLPEROL]DQODSHUIHFFLyQ\HTXLOLEULRFyVPLFRWDOFRPRVHFR-
PHQWDGHODHVWUXFWXUDGHO7HPSORGH6DORPyQ
$GHPiVORVQ~PHURV\UHSUHVHQWDQHOOODPDGRVHOORGH6DORPyQ

fuego tierra aire agua

plata-Luna

Marte-hierro cobre-Venus

oro-Sol

Júpiter-estaño mercurio-Mercurio

plomo-Saturno

(OVHOORGH6DORPyQIRUPDXQDHVWUHOODGHVHLVSXQWDVFRPSXHVWDGH
GRVWULiQJXORVHTXLOiWHURVHQWUHFUX]DGRV&RQWLHQHORVFXDWURHOHPHQWRV
IXHJRDLUHWLHUUD\DJXD \UHSUHVHQWDODVtQWHVLVGHORVRSXHVWRV\OD
H[SUHVLyQGHODXQLGDGFyVPLFD&RQWLHQHDGHPiVORVVLHWHPHWDOHV\ORV
VLHWHSODQHWDV &KHYDOLHUDiccionario de los símbolos 
5HVSHFWRDODLPSRUWDQFLDGHOFXHUSR\DODVGRVHVWUXFWXUDVGHORV
SRHPDVGHHVWHOLEUR9LFHQWH4XLUDUWHFRPHQWD

en Del templo de su cuerpo HOSRHWDQRFDQWDDEVWUDFWDPHQWHHOFXHUSRIH-


PHQLQRVLQRGHXQDPDQHUDFRQFUHWDHOFXHUSRGHXQDPXMHUHQSOHQLWXG
GHVXVFDSDFLGDGHVItVLFDV\DWOpWLFDV(VXQFXHUSRSXOLGR³SRUORVHVPHUL-
OHVGHOPDUDWyQ\ODDOEHUFD´GRORULGRHLOXPLQDGRSRUHOHMHUFLFLR'HWDO
PDQHUDGRVVRQODVKLVWRULDVGHVDUUROODGDVHQHOOLEURXQDGRQGHHODPDQ-

112 MARTÍNEZ / El proceso místico en Del templo de su cuerpo


WHUHFRQVWUX\HORVIUDJPHQWRVGHOLQVWDQWHWRWDO\~QLFRGHODSRVHVLyQ
RWUDGRQGHHOFXHUSRDFW~DFRPRVtPERORGHODYLFWRULDSUHVHQWH  

(VWDV³GRVKLVWRULDV´FRPRODVOODPD4XLUDUWHVRQGRVHVWUXFWXUDVD
ODVTXHUHVSRQGHQORVSRHPDVODSULPHUDFRUUHVSRQGHDODVGLH]HVIHUDV
GHODFiEDODFRQXQDIRUPDSHUIHFWDPHQWHGH¿QLGDGHFXDWURHVWURIDV
FRPSXHVWDV SRU  YHUVRV KHSWDVtODERV GLYLGLGRV HQ  ²FX\DV
LPSOLFDFLRQHVVLPEyOLFDV\DVHKDQFRPHQWDGR²\HQHOTXHFDGDHVWUR-
IDWHQGUiORVDWULEXWRVGHODHVIHUDTXHOOHYDSRUWtWXORFDGDXQRGHHVWRV
SRHPDV UHSUHVHQWD OD SHUIHFFLyQ GHO FXHUSR KXPDQR /D VHJXQGD HV-
WUXFWXUDSHUWHQHFHDORVSRHPDVWLWXODGRVFRQODVOHWUDVGHODOIDEHWR
FX\RUDVJRFRP~QHVHOHQFDEDOJDPLHQWRSUREDEOHPHQWHODUHLWHUDFLyQ
GHHVWHUHFXUVRPpWULFRVHGHEHDTXHpVWRVVRQSRHPDVGLQiPLFRVHV
GHFLU FRQ PD\RU FDSDFLGDG QDUUDWLYD (Q ORV WLWXODGRV FRQ ODV HVIHUDV
VHHQFXHQWUDHOFXHUSRLQPyYLO\SHUIHFWRSHURHQORVWLWXODGRVFRQODV
OHWUDVVHHQFXHQWUDXQFXHUSRHQPRYLPLHQWR
(QWRGRHOSRHPDULRVHKDFHQFRQVWDQWHVDOXVLRQHVDFRQFHSWRVUH-
ODFLRQDGRV FRQ OD FRQVWUXFFLyQ \ FRQ OD HVWUXFWXUD GH XQD FDVDFRPR
UHSUHVHQWDFLyQGHOFXHUSRSHURVREUHWRGRFRQODSHUIHFFLyQGHVXVIRU-
PDV\FRQHOYDORUGHORTXHDOOtVHUHVJXDUGD(QHOSRHPD³-´VHGLFH

6LQYHUWHQLRtUWHYR\IRUPiQGROH
el moldeGHXQLQVWDQWHWX\R
el estuche justo, tu morada
Espacio puro, impenetrable,
GRQGHJXDUGDUORDSULVLRQDGR

6LJXLHQGRORVLQQXPHUDEOHV
SHOGDxRVLQ¿QLWHVLPDOHV
de tu olor, bajando y ascendiendo,
ODVVXSHU¿FLHVUHFRQR]FR
PDUDYLOODGDVGHWXFXHUSR

<FRQpOFRPSOHWRODarmadura
del perfecto espacioWXrecinto
inequívoco, el sitioGHWLPLVPD

Acta Poetica 35y2, 2014, pp. 97-117 113


(VWHSRHPDHVXQHMHPSORGHODPDQHUDHQTXH%RQLID]1XxRGHVFUL-
EHHOFXHUSRIHPHQLQRFRPSDUiQGRORFRQXQiPELWRHVSDFLDO ³PROGH´
³HVWXFKH´³PRUDGD´³HVSDFLR´³DUPDGXUD´³UHFLQWR´³VLWLR´ FX\DV
FDUDFWHUtVWLFDVVRQOR³MXVWR´OR³SXUR´OR³LPSHQHWUDEOH´OR³SHUIHF-
WR´\OR³LQHTXtYRFR´
2WURGHORVSRHPDVHQORVTXHDSDUHFHHOVtPERORGHODPRUDGDHV
HO ³)´ OD FRQVWDQWH HQ DPERV HV SRHWL]DU HO FXHUSR IHPHQLQRFRPR
XQWHPSORHQHOTXHKDELWDHODOPDGHODDPDGD\DOTXHDODPDQWHOHHV
FRQFHGLGRHQWUDUDGHPiVVHLQVLVWHHQTXHODHVWUXFWXUD\HOFRQWHQLGR
HVGHFLUHOFXHUSR\HODOPDVRQXQRVRORWDOFRPRVHOHHHQHOSRHPD
³1´³<FRPSUHQGHVFRPSUHQGLHQGRHOPXQGR\FDUQH\DOPDVRQXQ
VRORSURGLJLRGHVHUWXDOPDHVWXFXHUSR´
'HVGHHVWDSHUVSHFWLYDHQHOSRHPDULRGH%RQLID]1XxRHODFWRVH[XDO
ORJUDODFRH[LVWHQFLDWRWDOGHORVFRQWUDULRVGDQGROXJDUDODQGUyJLQR

/D DQGURJLQLD DSDUHFH SRU WDQWR WDPELpQ FRPR XQ VLJQR GH WRWDOLGDG
UHVWDXUDQRVRODPHQWHHOHVWDGRGHOKRPEUHRULJLQDOFRQVLGHUDGRFRPR
SHUIHFWRVLQRHOFDRVSULPLWLYRDQWHULRUDODVVHSDUDFLRQHVFUHDGRUDVXQ
FDRVTXHHVWDYH]VHKDYXHOWRRUGHQDGRVLQKDEHUSHUGLGRQDGDGHVX
ULTXH]DQLKDEHUURWRQDGDGHVXXQLGDG>«@/DXQLyQGHORPDVFXOLQR
\ORIHPHQLQRGHORDOWR\OREDMRGHORFHOHVWLDO\ORWHUUHQDOFRPSRUWD
WDPELpQODXQLyQGHORH[WHULRU\ORLQWHULRUORGHIXHUD\ORGHGHQWUR
&KHYDOLHU Diccionario de los símbolos 

/DLPDJHQGHODXQLyQPtVWLFDHQWDQWRODUHFRQVWUXFFLyQGHXQWRGR
FRLQFLGH WDPELpQ FRQ HO PLWR GHO DQGUyJLQR GH 3ODWyQ FRPR HVFULEH
0RVKH,GHO

$OJXQDVIXHQWHVSRVLEOHVGHODYLVLyQGHOKRPEUHFRPRXQVHPLFtUFXOR\
GHVXDOPDFRPRSDUWHGHODOPDXQLYHUVDOSRGUtDQVHU ODGHVFULSFLyQ
SODWyQLFDGHODGLYLVLyQGHODQGUyJLQRSULPRUGLDOHVIpULFRHQGRVPLWD-
GHVPDFKR\KHPEUD\ ODVYHUVLRQHVPHGLHYDOHVGHHVWHPLWRWDQWR
iUDEHFRPRMXGtDTXHWUDQV¿ULHURQODGLYLVLyQGHOFXHUSRDODOPD  

/RV SRHPDV WLWXODGRV FRQ OHWUDV HQ ORV TXH DSDUHFH FODUDPHQWH OD
LPDJHQGHODQGUyJLQRVRQGRVHOSRHPD³$´HQHOTXHHODQGUyJLQR
HVWiVLPEROL]DGRSRUHODEUD]RGHORVDPDQWHV\HVPiVSDUHFLGRDODQ-

114 MARTÍNEZ / El proceso místico en Del templo de su cuerpo


GUyJLQRHVIpULFRGH3ODWyQ(QHVWHSRHPDGHDel templo de su cuerpo
VHGHVFULEHDORVDPDQWHVSUHFLVDPHQWHFRPRXQVHUGREOH\HVIpULFR
³)XHHQHOSULQFLSLRQXHVWURDEUD]RHOFHQWURPHOOL]RGHHVDHVIHUD´
3RURWUDSDUWHHQHOSRHPD³1´HOFXHUSRGHODPXMHUHVSRVHtGRSRU
HOKHUPDIURGLWD\SRVWHULRUPHQWHSDUHFLHUDHQFDUQDUHQHOODPLVPDHO
FXHUSRGHORVGRVVH[RV\HQHOORUDGLFDQVXSODFHU\VXSOHQLWXG(Q
HVWHSRHPDWDPELpQVHKDFHDOXVLyQDODFRPSOHPHQWDFLyQGHFXHUSR\
DOPDKDFLHQGRPD\RUpQIDVLVHQORFDUQDOTXHHQORHVSLULWXDO

3DSDORWHGHFDUQH\JOiQGXODV
YXHODVVLQVROWDUWHGHODWLHUUD
\HQWXFDUQHVHFRQYLHUWHHODOPD
GHWRGRDOPDHQFDUQDGDWX\D
ODOOXYLDHOYLHQWRKHUPDIURGLWD
TXHHQWUDSRUWXSLHOHQWXVHQWUDxDV
HOGREOHVH[RDTXLHQWHHQWUHJDV
\WHUHVLVWH\WHVXVWHQWD

(UHVWXSODFHU\HUHVODPtVWLFD
XQLyQVH[XDOGRQGHWHLQWHJUDV
FRPRODVSLHGUDV\ORViUEROHV
DOFRUD]yQGHODH[LVWHQFLD

2UJDVPRDWOpWLFRJHPLGRV
SXOVDQHQWUHJULWRVMXELORVRV

2WURWH[WRTXHDKRQGDHQODLPSRUWDQFLDGHOFXHUSRFRPRWDOHV³(O
FXHUSRGHOHQJHQGUDPLHQWRHQOD%LEOLDKHEUDLFDHQODWUDGLFLyQUDEtQL-
FD\HQOD&iEDOD´GH&KDUOHV0RSVLNTXLHQFLWDDXQFDEDOLVWDGHOVLJOR
XVII5DEEL,VDtDV+RURZLW]

(QXQGHWHUPLQDGRJUDGRHOFXHUSR\HODOPDVRQLJXDOHVHVGHFLUDP-
ERVVRQHVSLULWXDOHVFRPRORHUDHOSULPHUKRPEUHDQWHVGHOSHFDGR\
FRPRORVHUiHQHOSRUYHQLU>@WDOHVOD¿QDOLGDGTXHHOFXHUSR\HODOPD
VHDQHWHUQRV  

Acta Poetica 35y2, 2014, pp. 97-117 115


$VLPLVPRHQHOSRHPD³IX<HVRG´GH5XEpQ%RQLID]1XxRVHOHH
³(VStULWX\PDWHULDUHFRQFLOLDHQORXQR´(QDel templo de su cuer-
po DEXQGDQGLYHUVDVLPiJHQHVVLPEyOLFDVTXHFRQVWLWX\HQODHVWUXFWXUD
FRVPROyJLFDGHOSRHPDULR\TXHGDQPXHVWUDGHOXQLYHUVRGHUHIHUHQ-
FLDVHQODREUDGH5XEpQ%RQLID]1XxR$OLJXDOTXHHQODFiEDODHQ
HOSRHPDULRVHQRPEUDQORVDWULEXWRVGHFDGDXQDGHODVHVIHUDVDVL-
PLVPRVHDJUHJDQFRORUHVDURPDV¿JXUDVJHRPpWULFDV\Q~PHURVDVt
FRPRVtPERORVGHODWUDGLFLyQPDVyQLFD\GHOKHUPHWLVPRWRGDVHVWDV
UHIHUHQFLDVHQFRQMXQWRKDFHQGHHVWHSRHPDULRXQFRPSOHMRVLVWHPD
GHVtPERORVSRpWLFRVTXHUHTXLHUHQVHULQWHUSUHWDGRVSDUDDOFDQ]DUOD
Pi[LPDFRPSUHQVLyQGHOSRHPDULRTXHHQWUHRWUDVFRVDVVHFRQVWLWX\H
FRPRXQOLEURGHSRHVtDDPRURVDXQKRPHQDMHDODSHUIHFFLyQGHOFXHU-
SRIHPHQLQR\DOHURWLVPR
1RHVpVWDODSULPHUDYH]TXH5XEpQ%RQLID]1XxRSRHWL]DHOFXHUSR
IHPHQLQRFRPRXQHVSDFLRGHDGRUDFLyQHQWRGRVORVVHQWLGRVGHHVWD
SDODEUDHVGHFLUFRPRHOHPHQWRSULYLOHJLDGRFRPRHVSDFLRGLJQRGH
DGPLUDU\JR]DU\FRPRUHFLQWRVXSUHPRGHODFUHDFLyQ1RREVWDQWH
FRQIUHFXHQFLDHVWDDGRUDFLyQGHOFXHUSRIHPHQLQRHVPiVHQXQWRQR
FRORTXLDO(OFXHUSRGHODPXMHUVHHVWUXFWXUDFRPRDOJRWHUUHQDO\SRU
ORWDQWRSHUHFHGHURSRUORJHQHUDOVHWUDWDGHXQFXHUSRUHDOTXHVHGH-
JUDGDPX\DSHVDUGHORVGHVHRVGHOVXMHWROtULFRTXLHQSUHWHQGHSHUSH-
WXDUHVHHVSDFLRGHM~ELOR(QFDPELRFRPRVHKDHVWDEOHFLGRGHVGHXQ
inicio, Del templo de su cuerpoXWLOL]DXQPpWRGRGHFRQWHPSODFLyQTXH
SUHWHQGHDOFDQ]DUODLQLFLDFLyQPtVWLFDSHURpVWDVHORJUDUiVyORDWUDYpV
GHODFDUQHHVWDD¿UPDFLyQDXQTXHXQSRFRHVFDQGDORVDQRHVFRQWUD-
GLFWRULD\DTXHGHQWURGHODWUDGLFLyQFDEDOtVWLFDHOFXHUSRHVHQVtXQD
FRPSRVLFLyQ SULYLOHJLDGD HVWUXFWXUDGD DQDWyPLFD \ ¿VLROyJLFDPHQWH
SHUIHFWD (O SRHWD KDFH XQD HODERUDGD IXVLyQ HQWUH OD GHVFULSFLyQ GHO
FXHUSRIHPHQLQRODHVWUXFWXUDGHODFiEDOD\ODGLVSRVLFLyQGHOSRHPD-
ULRDVLPLVPRVHOOHYDDFDERXQDVHULHGHFRUUHVSRQGHQFLDVHQFXDQWR
DORVVtPERORV\XQULWXDOGHLQLFLDFLyQLQKHUHQWHTXHSHUPLWHSHQVDUD
Del templo de su cuerpoFRPRXQDYtDKDFLDODGLYLQLGDGFRUSRUDO\DO
HQFXHQWURHUyWLFR

116 MARTÍNEZ / El proceso místico en Del templo de su cuerpo


REFERENCIAS

BIBLIA 5HLQD9DOHUD$PHULFDQ%LEOH6RFLHW\ 1991.


BONIFAZ NUÑO5XEpQDel templo de su cuerpo en Versos (1978-1944)0p[L-
FR)RQGRGH&XOWXUD(FRQyPLFD
CHEVALIER-HDQ\$ODLQ*KHHUEUDQWDiccionario de los símbolos, Barcelona,
+HUGHU
COHEN(VWKHULa palabra inconclusa. Ensayos sobre Cábala, 0p[LFR8QL-
YHUVLGDG1DFLRQDO$XWyQRPDGH0p[LFR
DAZA, Juan Carlos, Diccionario Akal de Francmasonería, Madrid, Ediciones
$NDO
ELIADE, Mircea, Iniciaciones místicas0DGULG7DXUXV
ELIADE, Mircea, Mitos sueños y misterios0DGULG*UXSR/LEUR ³/L-
EURVSHUGLGRV´ 
ESTRADA-RVH¿QDDe otro modo el hombre. Retrato hablado de Rubén Bonifaz
Nuño, 0p[LFR(O&ROHJLR1DFLRQDO
FERNÁNDEZ-CHECA-RVp)HOLSH$ORQVRDiccionario de alquimia, cábala y sim-
bología0DGULG0iVWHU
FILORAMO*LRYDQQLDiccionario Akal de las Religiones, Madrid, Ediciones
$NDO
FORTUNE, Dione, La cábala místicaWUDG9LFHQWH0RUHO%XHQRV$LUHV.LHU
 3ULPHUDHGLFLyQLQJOHVDThe Mysthical Qabalah 
IDEL0RVKHCábala. Nuevas perspectivas0DGULG6LUXHOD
LIBIS, Jean, El mito del andrógino, 0DGULG6LUXHOD
MOPSIK&KDUOHV³(OFXHUSRGHOHQJHQGUDPLHQWRHQOD%LEOLDKHEUDLFDHQOD
WUDGLFLyQUDEtQLFD\HQOD&iEDOD´HQFragmentos para una historia del
cuerpo humano 5DPRQD 1DGDII 1DGLD7D]L \ 0LFKHO )HKHU FRRUGV 
0DGULG7DXUXV
MUÑIZ HUBERMAN$QJHOLQDLas raíces y las ramas. Fuentes y derivaciones de
la Cábala hispanohebrea, 0p[LFR)RQGRGH&XOWXUD(FRQyPLFD
QUIRARTE9LFHQWH5XEpQ%RQLID]El dolorido sentir. Antología de la poesía
amorosa, 0p[LFR&RQVHMR1DFLRQDOSDUDOD&XOWXUD\ODV$UWHV / Centro
&XOWXUDO7LMXDQD8QLYHUVLGDG1DFLRQDO$XWyQRPDGH0p[LFR, 1998.
Zohar, Libro del esplendorWUDGXFFLyQVHOHFFLyQSUyORJR\QRWDVGH(VWKHU
&RKHQ0p[LFR&RQVHMR1DFLRQDOSDUDOD&XOWXUD\ODV$UWHV

Acta Poetica 35y2, 2014, pp. 97-117 117

También podría gustarte