Documentos de Académico
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Racial Capitalism:
A Graduate Seminar in Criticism and Theory
Princeton University. Fall 2023.
McCosh Hall Room 24. Tuesdays 1:30–4:20pm.
COURSE DESCRIPTION
What is the “racial” in racial capitalism? The question is posed by abolitionist scholar Ruth Wilson
Gilmore, and we’ll take it up by exploring how literature, media, and art supply a critical analytic on
capitalism’s racial logics. It’s easy to read texts for descriptions of racial capitalism. The more difficult
task resides in reading for the mediation between race and capital that aesthetic forms themselves
enact. To do this, we’ll learn from Black, Asian American, Indigenous studies; Marxist aesthetic
theory; and feminist, anticolonial, environmental critiques of capitalism. By exploring the dialectic of
culture and political economy, this course should help students to define interests within the field of
Marxist theory and criticism to pursue further research and study.
COURSE REQUIREMENTS
(I) One conference-style presentation, 12-15 minutes (2,000-2,400 words). Your conference paper
must have an original critical argument about the question of racial capitalism as it relates to the
historical contexts, concepts, and arguments of the assigned text or group of texts of your choice. On
the day of your presentation, a classmate or two will be assigned to serve as official respondents.
(II) Term paper—20 pages double-spaced. You may expand on your conference presentation. Or: a
dissertation prospectus or dissertation chapter of similar length. Dissertation materials submitted for
this course must demonstrate significant engagement with seminar readings.
Since this is primarily a seminar/discussion class, your active participation is vital. As the texts will be
the focal point of class discussions, please bring them to class. Papers that are not handed in by the due
date will be accepted but no written comments will be made on late papers.
Semester Schedule
Sep 5. Wk 1: Introductions
Oct 3. Wk 5: The Dialectic of Culture and Economy, Part I: The Mediation of Art
• Raymond Williams, Marxism and Literature: Part II Cultural Theory (75-144).
• Colleen Lye, “Racial Form”
• Rizvana Bradley, “On Black Aesthesis”
• Charles L. Davis II, Building Character: “Introduction: The Racialization of Architectural
Character in the Long Nineteenth Century”
Oct 10. Wk 6: The Dialectic of Culture and Economy, Part II: Combined and Uneven Development
• Samir Amin, “The Origin and Development of Underdevelopment”
• Harry Harootunian, Marx After Marx: Introduction + Ch. 1 “Marx, Time, History”
• Benedict Anderson, Imagined Communities: Ch. 2: “Cultural Roots”
» We’ll test Anderson’s analysis by conducting our own close reading of the opening
chapter of Noli me tangere (1887) (Harold Augenbraum translation)
• Roberto Schwarz, “Misplaced Ideas”
• Sylvia Wynter, “Novel and History, Plot and Plantation”
PRINCETON UNIVERSITY / ENG 568 / FALL 2023 3
RACIAL CAPITALISM / PAUL NADAL REVISED: 9.8.2023
(FALL RECESS)
Oct 24. Wk 7: Seb Franklin, The Digitally Disposed; No presentations. Guest: Seb Franklin
• Seb Franklin, The Digitally Disposed: “Introduction: Forms of Disposal”; Ch. 1 “Things
Communicated: Messages, Persons, Goods”; Ch. 3 “ The Informatics of Dispossession”; Ch. 9
“The Digital Atlantic: Sondra Perry’s Typhoon coming on (2018)”
» Prof. Franklin will lead discussion of Marx, Capital, Vol. 1, Ch 25: “The General
Law of Capitalist Accumulation,” including sections on surplus populations (762-802),
especially sections 3 and 4 (781-802).
Event: Seb Franklin, “Value and Slavery, or the Longue Durée of the Analog-Digital
Distinction” Tuesday, October 24, 5:00pm. Room N107 (The School of Architecture).
https://mandm.princeton.edu/events/2023/seb-franklin-value-and-slavery-or-longue-
dur%C3%A9e-analog-digital-distinction%E2%80%9D-res-paul