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Time consciousness in Nuovo Cinema Paradiso (1988) by Giuseppe Tornatore

Abstract
We approach the importance that cinema has in our civilisation, taking time as the parameter that is best able to
define it. The consciousness of time, our certainty about the past, the present and the future, is an element charac-
teristic of the human being and, possibly, that which has fertilised our culture. Likewise, the Arts, –and especially the
cinematography– has helped us to portray and reflect on our two great preoccupations. Firstly, the idea of time in its
relationship with the present and the past, in which we can detect the prominence of memory and the remembrance
of as the fight against time. In the same way, the relationship between the present and the future where we observe
the importance of some concepts like the individual utopia and the visions or beliefs in the future, that project the
greater light upon our destiny. We will analyse the representation of the relationship between present and past, and
present and future in the cinematographic discourse Nuovo Cinema Paradiso (1988) by Giuseppe Tornatore.

Key words: Time Consciousness. Cinema Paradiso. Memory. Prometheus. Textual Analysis.

Resumen
Nos acercaremos a la importancia que pensamos que tiene el cine en nuestra civilización desde el que pensamos
es el parámetro que mejor lo define: el tiempo. La conciencia del tiempo, nuestra certidumbre sobre el ayer, el ahora
y el mañana, es un elemento característico del ser humano y, posiblemente, aquello que ha fecundado nuestra cul-
tura. Asimismo, las Artes, –y especialmente la cinematografía– nos han ayudado a representar y reflexionar sobre
nuestras dos grandes preocupaciones: la idea del tiempo en su relación con el presente y el pasado, en la que pode-
mos detectar el protagonismo de la memoria y el recuerdo como lucha contra el tiempo. De igual manera, la relación
entre el presente y el futuro donde observamos la importancia de conceptos como la utopía individual, las visiones
o creencias en el mañana, que proyectan mayor luz sobre nuestro destino. Analizaremos la representación de la
relación presente-pasado y presente-futuro en el discurso cinematográfico Nuovo Cinema Paradiso (1988) de
Giuseppe Tornatore.

Palabras clave: Conciencia del tiempo. Cinema Paradiso. Memoria. Prometeo. Análisis textual.

ISSN. 1137-4802. pp. 145-156

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ALFREDO
Ahora que he perdido mi vista veo más. Veo todo lo que antes no veía. Por ejemplo,
en este momento el film está fuera de foco. ¡Mira a ver!
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ALFREDO
No regreses más, no pienses en nosotros No escribas, no cedas ante la nostalgia.
¡Olvídanos!

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SPA
Hace seis años que cerramos. Nadie venía.
Tú sabes mejor que yo que, la crisis, la televisión, videos…
El negocio del cine es un sueño.

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SALVATORE
Elena, quizás en el futuro podríamos…

ELENA
No, Salvatore... No hay futuro.
Solo hay pasado. El encuentro de anoche solo fue un sueño, un bonito sueño.
Nunca lo hicimos cuando éramos más jóvenes, ¿recuerdas?
Habiéndolo hecho ya, no creo que pueda haber mejor final.
SALVATORE
Nunca estaré de acuerdo contigo. Nunca, Elena.

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