De Obras Bolivianas

1ª Edición
Composiciones, Partituras, Transcripciones y Arreglos
De Obras Bolivianas
(en dominio público y creative commons)
Revisión 1.x
Piano de la tapa del libro hecho por freepik - www.freepik.es
Este libro es una recopilación de Obras Musicales Bolivianas

para piano y demás instrumentos en dominio público o bajo la
licencia creative commons.
Su objetivo principal es la difusión de obras de manera gratuita.

Todas las obras incluidas en este libro se encuentran gratuitamente
en Youtube.com, Musescore.com y IMSLP.org en formato digital y
auditivo.
Este libro está bajo la licencia Creative Commons 4.0

Attribution International. La copia física o el PDF digital puede:
● Distribuirse
● Imprimirse
● Fotocopiarse
● Editarse
De manera GRATUITA, con la única restricción de atribución.

Es decir, se debe incluir el link al libro en formato digital en
cualquier trabajo derivativo
El link de descarga de las ediciones de este libro en formato digital es

https://elmuso.github.io , también puedes escanear el código QR, su
distribución gratuita es permitida, es más, es recomendada.
Atte: El Muso - https://www.youtube.com/c/ElMusoOficial

Tabla de Contenidos
A Pleno Sol - Miguel Ángel Valda ..................................................................................1
Calla no llores - Teófilo Vargas.......................................................................................4
Inquietud - Miguel Ángel Valda .....................................................................................6
Julia - Simeón Roncal .....................................................................................................9
La Ausencia - Simeón Roncal .......................................................................................11
La Brisa - Simeón Roncal .............................................................................................14
La Chuquisaqueñita - Jose Lavadenz ..........................................................................16
Noche Tempestuosa - Simeón Roncal...........................................................................18
Ollantay - Teófilo Vargas ..............................................................................................21
Paceñita - Alberto Ruiz Lavadenz ................................................................................22
Panchita - Miguel Ángel Valda.....................................................................................26
Verbenita - Teófilo Vargas ............................................................................................29
A Pleno Sol

Cueca
       
     
Miguel Ángel Valda Paredes
               

 = 184
         
     

   

         

          
      
1. 2.
Cueca

4
        
          

   


      
 
        
7
                
            
 


           
         
    
10
             
    
               
   

        
       

13
     
        
   
 
     
 

1
https://elmuso.github.io - CC 4.0 Attribution International

    
2

            
 
16
1. 2.
   
 
   
      
           
   


     
             

19
   
 
                     
     
   

   
           


 
22
 
                   
     
   

    
    


       

   
25
    
                   
    


            
    

  


28
 
                      
      
   
2

          
3
         
 
31
                  

           
 sonoro
     
   

         
       

34
  
                     
           
    

      
              

37

                    
      
           
 

             
       
40
 
 
                 
         
     
3
Calla no llores

Yaraví Incaico Recopilación de Teófilo Vargas
                
      
 = 140
         
          
     
       

 
         


          
  
6
  
  
    
   

        

               
   
11

       
       
     

          
     
16

   
      
 

 

   

                      
21

      
     
       
4

2
               
 
26
 
      
         

   
  
         
31
 
    
      

 


  
 

        
         
36
      
          

  

                
  
41
 
    
              
 



          
     
46

     
             

     
5

Inquietud
Cueca
 = 168   
Miguel Ángel Valda Paredes
       
                     
            
 
   cantado     

 
 


 
 1.    2. 
                     
4

     
            
melancólico
  

  
             
   
7

            

      
     

   

 
  

      

 
         
    
 
10
 
                  
          

  


       

  
          
13
 
         
                
 

6

     2. 
2
     
        
16
1.
     
           
      
      



       
         
19

           
                 


 

      

    
          

 
22

         
       

     
 

  

       
 
         
 

 
25
 
       
          
 



  

 

  
  
            
 

     
28
       
    

     
       
      
7

               
3
      
31

                    

                

   
  

        

 
    
       
34

  
                 
 
     

          
 
 
 

            
     
37

      
       

                  
     

  

 
 

     
    
    
40

     
       

        

       
    
8
Julia

Cueca
Simeón Roncal
  1.
                     
 = 184
    
Introducción.
      
               
         


   
    
          
        

          
 
2.

5 Cueca.
 

        
 
          


        

   

   
   
     
  

                
     
   
10

 
    
           
                   

  


   


 
      
  
                  
       
15

       
                          
 
  

  
            

           
      

 
 
20
 
1. 2.


 
  
                 
      
       
 

     



9

  
                      
2
      
            
26
 

   
 
                        
  
              





                               
             

 
31

   
 
 
                     

 sonoro
      
     





                  
 
                   
 

 
36

    
          
              

 energico  
         
         

 
               
                


                
      
41
  
   


 
              
                

   
     

 
                           

                       

46
 
    
       
       
 
secco
     

  
      
10
La Ausencia

Cueca
    
   
Simeón Roncal
                   
      
 
 = 168 1. 2.
      








               
                 

  
 

       
                  

6
 
  
    

          
legato con melancolia
 
   
 

 
     
                      

10
    
  

             

     
   
    


     
                      
14
     
1. 2.
   
  

   
      

     
     
 

  
        
11


     
   

           
2
  
 
     
19
 
  
           
   

      
 
con dolor




 

      
    
         

22
   
 
             
      
      
  

  


  


             
         
      

 
25
  
  
 
                
      

 
 
    


  


 
     
        
 
   
    
                    

 
28
    

        
  
    
         
 y sonoro
    


        
 

 
12

     
                       
3
                  

33
   
   
      
      
     
 
   

   
 

    
 
   
                 
                        
38
      
   
  

        
    

      

      
      
    
13
La Brisa

Cueca
Simeón Roncal

 = 200
2. 
                
Introducción
      
                
1.

  
 
                



        

    












                        
             
6 Cueca


 

 

   
                 

     


 
       

       
           
10
 

   




     
        
  

    
 

 
2. 
             1.   
      
    
  



  
 
14



  


  


         
    
       

        

   

 
                     
      
19
   
          
  
  
     


     
   
14

 
                     
2
          
23


         
        
       
           
 


  
                
     
            
27


        
          

              
   

  
                        
           
31


                      
              
       
enérgico
   
 


          

        
            
35
       




 


         

             
          
  
     
 

             
 
             

39
 




            
                       
   

 

15
La Chuquisaqueñita

Arreglo: Arold Valda
Cueca
    
Autor: Jose Lavadenz
   
   
 


  
 = 170

1. 2.
        
           








           
   
6

    
          
     






   



     
         
9
       
          
   



 
      
   


    
      
12

     
              
     


 
        

  
      
15 To  1. 2.
     
         

    
6


 
16

       
      
2
  
19
     

    
       


 





       
     
 
22
   
    
      
     

   



   
    

       
 
25

        
             
     


         
     
   
28 D.S. al Coda

     
 
   
6
   





    
31
    

17
Noche Tempestuosa

Cueca
Simeón Roncal
 = 208
             
Introducción.
                             
             
                             

              
   
  


  


                                  
           
 
5


               

       
              

 
  
 Cueca. 
                        
            

9
    
con expresión dolente
                   
3 3 3 3
 

        
 
   
   
    
           
                   
   
13
 
         
 
  
3
       
3
3
     

  
  
18

                      
   
2

         
16
          

 
3
        
3
   
3
 

  
  
    
                      
  
19 1. 2.
 
      
 
3
           
3
           

     





            
              
     

       
22
              

                 
            

     

                    

   
      
27
    
   
        
   
      
   



                      


     
 
30
        
      
        
         

19

                  
3
         
    
33
        


                            
fieramente
         
     


                  
              
     
37
     

     
 
    

        
   
       
     

            
          
      
   
40

     

                      

           
     
 

    
                 
             
43

  
 
       
 secco
           

   
        
         
20
Ollantay

Yaraví Recopilación de Teófilo Vargas
     
  = 80
        
             
 
  
  
                 
   



    
    
5
                
         
      
  
                  


 
    
     
  
                    
 
 
9
    
  
               

    
cresc.
 

 
 
                     
Fine

13
   
      
    
          
  
(cresc.)   

  
   

                    
 
     
       
17
     
      
      
      

     
cresc.

   


     
D.S. al Fine
 
21
     
    
 


21
Paceñita

Arreglo: Arold Valda
Khaluyo Autor: Alberto Ruiz Lavadenz
     
                
    
 = 165
  

    
 

    
        
  


                    
  
         
7
    
       
 
        

   



   

              
    
  
  
13 1. 2.
  
                  
       

   
          
19

        
     
     
  

            
     
    

24
  
      
  
 

 

 

  

22

             
2
       

30
 
      
      
      

   

                
     
36
 
   
         

       

  

    
                    
42
  
         
         
 

         
              
48
 
    

 
  
           

           
       
54 1. 2.

    
            

       
23

        
3
        
   
61
 
             
      


        
        
67
 
          

      



             
       
73
 
           
     
 

            
    
    


79
  
     
  
 

 

 

  

             
     
 
 
85 

      
          


     
24

           
4
         


91
 
   
         

       

  

  
         
         
 
97 

  
         
         
 

  
         
          
103 
   
      
  
           

    
  
109


     

 
25
Panchita

Cueca Miguel Ángel Valda Paredes
  = 168
                  
        
   
                       

    
  

 
             

  
4
   
       

 

               
   




               
   
7
  

               

           
  

 
  
   
              

10
 

 
         
            
    


 



  
  
      
    
13
 
      
    
       
  
       
  
26

      
       
2
         
 
16

1.
 
      
      
      

   
  

           
   
  
19
2.
 
                      
 (con dulzura)
  

          

    
  
  
22

        
            
    
 

          
        
       
25
 
        
 
     
       
    


        


            
  
28

   
         
     
    
 
   

27


        
    
3
   
31
 
     
                 

               
       

 

    
   
       
34
        
                         

       


         
           
 
37
 
     
               
      
      
 


 
  
              

        
  
40

             
               
           

    
  
28
Verbenita

Huayño
 
        
Recopilacion de Teófilo Vargas
 
        
 = 116
              
       


 
       

       
6

              
     

     
    
  
        
11

                      


   
        
       
  
16
              
    


             
     
          
21
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       
         
3
29
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         
2
   
26
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     
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    
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       
31
   
                 
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       
36
   
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  

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
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

41
 

30

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De Obras Bolivianas

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Este libro es una recopilación de Obras Musicales Bolivianas

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                  

                       

                  

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        

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