SECUENCIA XIV

for tuba and CD

dedicated to Jesús Jara Andrés Lewin-Richter
q = 60
       versión Jesús Jara

      
Tuba       
 ff
mf p mp p
0'00" 0'08"perc 0'16" perc.+ gliss.
CD                 

6
    
          
T
    
mp
  mp mf f
p mp 0'26"metal
0'20" metal perc. 0'33" sfz 0'43" perc
CD              

12 gliss.
     
 
 

    

T 
ff pp mf mp
1'00"
pizz
             
0'46 perc 0'49" metal perc.
CD             

17
    
T
      

f fff pp mf
        1'07" trumpets  1'16" pizz--------------------
pizz  
CD                   

21
   
T     
    
f

1'20" pizz-------------------- perc perc sfz


CD                      
fff
26

T
  
        
mf f
  grave grave
 
1'36" 1'45" metal perc.
CD             
5 5 5
30
        
T    
                      
  
  
f f mf f mp
ff 2'03" sticks
1'57" vibrato
CD       
c. Andrés Lewin-Richter,2003
 SECUENCIA XIV(A.Lewin-Richter, versión Jesús Jara)
2 5 5
32
                        
T    
  
5     
mf p 5

pp p mp pp f mp mf p
2'04"
CD    

35    5        
                               
T      
5
f mp sfz mf f
2'17" sticks

CD    

37        vibrato

T
      

         

mfz pp   
2'24" sticks mf 2'35" sticks
dry
 2'40"
CD                 
6
 6
       
     
42
   
T
   
6
2'45" grave pp p
CD   


43                                  
T


6 6 6 6
mp p
2'48"
CD  

44                      3
multiphonic 3

T
        

  
7 7 7 mp f
2'52" pp p 2'57" perc
 
CD     
3 3
 3 3
49  3           
           
T
       
3
ff
3'12" 3'17" grave 3'21" horns
     
CD  
 SECUENCIA XIV(A.Lewin-Richter, versión Jesús Jara)
3
3 6 6
3
54   
      
T                    
mp
3'32" 3'39 frullato
CD    
7
6 6
56   

T              
         
mf
3'40"
CD  
6
57                           
T
   
f 7
3'44" 3'51 grave with air
CD        

3
60
 

          
     
T
       
f

3'56" 4'05" sfz sfz horns
CD        
5
65
5                     
             
T
      
4'16" 5 5 5 5
mf 5
CD     

67
      
        

.
iss

T    
gl

     
 mf f
5 5 gliss descendente
4'24" 4'32" tuba grave 4'40" gliss.descendente
CD        

72
                   
T
          
 
mf mf
grave 4'52" horns 4'56"
tuba
CD       
 SECUENCIA XIV(A.Lewin-Richter, versión Jesús Jara)
4
76

T
       

5'09" perc
5'16"
CD  
continuo
            

5 5 5 7 7 6
  6
81 
              
T              
mf
6
5'21" slapping f
5'24" horns
CD        

6 6
83   
T
         

 

   
 
  

6
6
5'28"
CD  
6
6
84
         
T
        
   
    quasi sfz sempre

5'32" perc 5'42" repetitive

CD       

87
         
         
T   
      
  
5'44" repetitive sfz 6'00" bells
CD        5'53"bells   

92    normal
  
              
T     

p
perc.
6'04"  6'11" bell melody perc 6'20" trumpets
CD                 
 SECUENCIA XIV(A.Lewin-Richter, versión Jesús Jara)
5
97     
T
               
 
f

trumpets 6'33" clarions horns 6'41" perc
CD            

103 normal

T
              
        

mf
6'48" perc 6'57" perc
CD           

107 6 6  6
6
                 
T            
 
f 6
6
7'05" trumpets 7'10" horns
CD     
5 5 3 3 3
3
3
109        
               
T
     
        
f 
7'12" 5 perc. perc
   perc +horns 
CD     
5 5 6 6
5 6
113    6   
T
                           
         
7'28"
mf
metal
f  7'32"
CD    
6 6 6 6
6
115 6
   
T                        
mp mf
  mp 
f
perc
7'36" metal 7'44"
CD      
mouth piece play=blow into the mouthpiece, not touching
118  with the lips, and slightly oscilating to vary the pitch
        
           

T
     mp
MP grave
7'48" metal horns 8'00" metal grave
CD            
MP=mouthpiece
 SECUENCIA XIV(A.Lewin-Richter, versión Jesús Jara)
6
5 5
5 6 5 5
124   
                
T           
  mf
metal,
MP grave perc+grave perc
MP 8'16" grave
CD         

6
128
   
T  
 

8'29" strings
CD    

3
130    
                 
T            
 
5 5 5 mp 3 pp mf p mf
mf
8'37" bells, grave noisy 8'40" pitches  
CD           grave


134

T
    

perc 8'56" crescendo decrescendo metal metal

CD     

normal
138 

T
 
   
                     
mf

p 5
mf f
9'08" horns metal
CD      

5
 5
141
 
T
                

9'20" metal marcia


CD          
 SECUENCIA XIV(A.Lewin-Richter, versión Jesús Jara)
7
5 5 5 5
3 5 
143
  
T
        
         
           
mp    f
mf 5

9'28"
             
CD       

5 
145
    
T              
  
sfz
sfz 5
5 5

effect horns
9'36"      
CD       

normal
147 multiphonic
   
T
       

f p
p

9'44" cresc.+decresc. horns

CD           

153   
T
          
               
mf f
10'08" trumpet finale
CD            

159
  air sounds at different pitches, rhythm ad lib.
T
     
           
10'32" perc. (finale) ff
CD         
ALR 11.04
J.Jara 02.07/rev.04.12
 SECUENCIA XIV(A.Lewin-Richter, versión Jesús Jara)
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