BIBLIOGRAFA:

Ediciones de Longino:
De sublimitate
Peri hypsous : [Libellus de sublimitate Dionysio Longino Fere
Adscriptus] / [edizione curata da D.A. Russell]
PseudoLong!" s. #
[s.l.] : [s.n.]" [$%%&']
( )ni*ersitat Aut+noma de
,arcelona
Ms detalls
Descripci- ./ p.0 $1 cm
2ota Reproducci- de l3edici- a cura de D.A. Russell" editada per 456ord )ni*ersity Press el $%17
Autor addicional Russell" D. A.
8D) 7/&
#nstituci-
)ni*ersitat de ,arcelona Lletres 9 8a:Lon;456ord
:$%/.;
4n the sublime / Longinus 0 edited <ith introduction
and commentary by D.A. Russell
PseudoLong!" s. #
456ord : At the 8larendon Press" cop. $%1.
( )ni*ersitat de
,arcelona
Ms detalls
Descripci- #=" >?7 p.0 >? cm
,ibliogra6ia 2otes. ,ibliogra6ia. @nde5s
#dioma Ae5t en grec" introducci- i comentaris en anglBs
Autor addicional Russell" D. A." ed.
#nstituci-
)ni*ersitat de ,arcelona Lletres 9 8a:Lon;
La edicin definitiva.
Longino:
Hegel
Herder: Marsh, J., The Spirit of Hebrew Poetry, Burlington, Vt.,
1833. Ltras
Lletres 177/7/33
Burke: http://www.bartleby.com/24/2/
Franois Trmolires, Fnelon et le sublime. Littrature,
anthropologie, spiritualit, Paris : Honor Champion, coll. Lumire
classique , 200, !2! p., "#$ !%2!&'(2020.
#l C*oDue en particulier lEou*rage pionnier de Famuel G. HonI :The
Sublime" $%J&; et les Ku*res dEA. Litman :Le Sublime en France, $%/$;
et de F. Gache :La Langue du ciel, >???;
Dr. Cynthia Freeland, University of Houston
Negative Aesthetics
Seminar in Philosophy of Art, Spring !!"


The Sublime: Selected Bibliography

Kant
#mmanuel $ant, The Critique of Judgement, %&'!, trans. (ames
Creed )eredith, on*line at
http+,,---.s-an.ac.u.,poli,te/ts,.ant,crit0u.t/t.

Donald Cra-ford, Kants Aesthetic Theory 1)adison+ University
of 2isconsin Press, %'&34.
Paul Cro-ther, The Kantian Sublime: From Morality to Art
15/ford+ Clarendon Press, %'6'4.
Ahe Lantian Aesthetic: From Lno<ledge to the
A*ant9arde
Paul 8ro<ther
ABSTRACT
This book explains the perceptual knowledge involved in aesthetic
judgements. It does so by linking Kant's aesthetics to a critically upgraded
account of his theory of knowledge. This upgraded theory emphasizes
conceptual and imaginative structures which Kant terms respectively
!categories" and !schemata". #y describing examples of aesthetic
judgement it is shown that these judgements must involve categories and
fundamental schemata $even though Kant himself and most other
commentators have not fully appreciated the fact%. It is argued in turn
that this shows the aesthetic to be not jus ... More
Ley<ords: aesthetic Mudgement" perceptual" categories" schemata" uni*ersal *alidity"
art" aesthetic ideas" genius" comparati*e" a*antgarde
BIBLIOGRAPHIC INFORMATION
Print publication date: >?$? Print #F,2$J: %/7?$%%&/%%/1
Published to 456ord Fcholarship 4nline: Hay >?$? D4#:$?.$?%J/acpro6:oso/%/7?$%%&/%%/1.??$.???$
(ac7ues Derrida, The Truth in Painting, trans. 8eoff 9ennington
and #an )c:eod 1Chicago+ University of Chicago Press, %'6&4,
esp. %3*%3&, ;<he Parergon.=
Ferguson, Frances Solitude and the sublime : romanticism and
the aesthetics of indi!iduation 1Ne- >or. + ?outledge, %''4.
<imothy 8ould, ;#ntensity and its Audiences+ <o-ard a Feminist
Perspective on the $antian Su@lime,= in Feminism and Tradition
in Aesthetics, ed. Peggy Aeglin 9rand and Carolyn $orsmeyer
1University Par.+ Penn State University Press, %''B4, pp. CC*6&.
Paul 8uyer, ;$antDs Distinction @et-een the 9eautiful and the
Su@lime,= "e!ie# of Meta$hysics "B 1%'64+ &B"*6".
*****$ant and the E/perience of Freedom 1Cam@ridge+ Cam@ridge
University Press, %''"4.
(ean*Francois :yotard, %essons on the Analytic of the Sublime
&Kants Critique of Judgement sections '()'*4, trans. EliFa@eth
?otten@erg 1Stanford+ Stanford University Press, %''34.
$ir. Pillo-, Sublime understanding : aesthetic reflection in Kant
and +egel (Cam@ridge, )ass.+ )#< Press, !!!4.
Eva Schaper, ;<aste, su@limity, and genius+ <he aesthetics of
nature and art,= in The Cambridge Com$anion to Kant ed. Paul
8uyer 1Cam@ridge, Ne- >or., and )el@ourne+ Cam@ridge
University Press, %''4, pp. "C&*"'".
(ohn H. Aammito, The ,enesis of Kants -Critique of Judgment.
1Chicago+ University of Chicago Press, %''4.

Burke
Tom Furniss, Edmund Burke's aesthetic ideology : language,
gender, and political economy in revolution (Cambridge ; Ne
!ork : Cambridge "ni#ersity $ress, %&&'() Fotocoiado
)ni*ersitat Pompeu Fabra D#FP42#,LN
Poblenou :Planta $" soterrani DA&?1.,% F7/ $%%J
Samuel *) +onk, The Sublime: A Study of Critical Theories in
EighteenthCentury England (Ne !ork: +odern ,anguage
-ssociation, %&'.(, &/01)
2st3 pedido en $4
#ntroducciGn a la En7uiry de Adam Philpps 1Ne- >o., %''!4,
Hdem de 9oulton
5eneral
Peg 9rand and )yles 9rand, The /eautiful and the Sublime,
course sylla@us -ith reading lists from #ndiana University, %''&,
on*line at
http+,,---.aesthetics*online.org,teaching,@rand.t/t.
Elmer H. Duncan, Syllabus for Aesthetics course at /aylor
0ni!ersityI helpful tips on aesthetics @i@liographies,
http+,,---".@aylor.edu,JElmerKDuncan,AestheticsSyl.htm
Cynthia A. Freeland, ;<he Su@lime in Cinema,= in Passionate
1ie#s: Film Cognition and 2motion, ed. Carl Plantinga and
8reg ). Smith 19altimore and :ondon+ <he (ohns Hop.ins
University Press, %'''4, pp. CB*6".
:onginus, 3n the Sublime 2. ?hys ?o@erts translation on*line at
http+,,classicpersuasion.org,p-,longinus,.
Peter 8. Platt, ed., 4onders mar!els and monsters in early
modern culture 1Ne-ar. + University of Dela-are Press I
:ondon + Associated University Presses, c%'''4. C9"C%.2CC
%'''.
Slavo0 AiFe., The Sublime 3b5ect of 6deology 1:ondon+ Lerso,
%'6'4.

Pedro Aulln de Haro: La sublimidad y lo sublime
Ediin: =erbum" Hadrid
A!o: >??1
Abrams" Heyer Go<ard. Ahe Hirror and the Lamp: Romantic Aheory and
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Albrecht" Qilliam Price. Ahe Fublime Pleasures o6 Aragedy: A Ftudy o6
8ritical Aheory 6rom Dennis to Leats. La<rence: )P Lansas" $%/&.
Altieri" 8harles. RPlato3s Per6ormati*e Fublime and the Nnds o6 Reading.R
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Armstrong" Heg. R3Ahe N66ects o6 ,lacIness:3 9ender" Race" and the
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Aesthetics and Art 8riticism &..J :$%%1;: >$JJ1.
As"#ield$ Andre%$ and Peter de Bolla$ eds& T"e Su'li(e: A Reader in
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Ca('rid)e ,P$ -../&
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,al6e" Sudith Guggins. RFociology and the Fublime.R 2e< Literary Gistory
$1.> :$%7&;: >J/.%.
,araIorisIa" Liliana" and Ha gorzata 2ilIa. RA Reading o6 Distance in the
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,arnou<" Se66rey. RAhe Horality o6 the Fublime: Ao Sohn Dennis.R
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,atchelor" Ftephen. =erses 6rom the 8enter: A ,uddhist =ision o6 the
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8reati*ity.R 8ontemporary 8ritical Aheory. Nd. D. Latimer. Fan Diego:
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PPPPP. Freud: A 8ollection o6 8ritical Nssays. Nd. P. Heisel" Nngle<ood
8li66s: PrenticeGall $%7$.
PPPPP. Poetry and Repression. 2e< Ga*en: Oale )P" $%/1.
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,oileau :Despreau5;" 2icolas. RAraite du Fublime ou du Her*eilleu5 dans
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par Antoine Adam. Ae5tes etablis et annotes par Francoise Nscal"
Nditions 9allimard" $%11.
,oitani" Piero. Ahe Aragic and the Fublime in Hedie*al Literature.
8ambridge: 8ambridge )P" $%7%.
,oulton" S. A. #ntroduction. A Philosophical NnDuiry into the 4rigin o6 our
#deas o6 the Fublime and ,eauti6ul. ,y N. ,urIe. Nd. S. A. ,oulton.
London: Routledge and Legan Paul" $%&7. 5*c5.
,rennan" Hatthe<. Qords<orth" Aurner" and Romantic Landscape: A
Ftudy o6 the Araditions o6 the PicturesDue and the Fublime. 8olumbia.:
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,rody" Sules. ,oileau and Longinus. 9enc*e: Librairie N. Droz" $%&7.
,rooIs" Linda Harie. Ahe Henace o6 the Fublime to the #ndi*idual Fel6:
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,urIe" Lenneth. Rhetoric o6 Hoti*es. ,erIeley: ) o6 8ali6ornia P" $%1%.
8archia" 9ianni. Retorica del Fublime. Roma,ari: Laterza" $%%?.
8ascardi" Anthony S. RFrom the Fublime to the 2atural: Romantic
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8ascardi. ,altimore: Sohns GopIins )P" $%7/. $?$>%.
8iesliIo<scy" Fla<omir" and Aeresa 8iesliIo<scy. RLa langage indirect:
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8ourtine" SeanFrancois. RAragedy and Fublimity: Ahe Fpeculati*e
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. Sa(uel Holt Mon6 :$%J&;. The Sublime: A Study
of Critical Theories in Xviii-Century England 2e<
OorI" Hodern Language Association o6 America.Aesthetics
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Si(ilar 'oo6s and artiles
Andre% As"#ield [ Peter Be Bolla :$%%1;. The Sublime: A Reader in British
Eighteenth-Century Aesthetic Theory. 8ambridge )ni*ersity Press.
Ahis collection o6 te5ts on the Fublime pro*ides the historical conte5t 6or the 6oundation
and discussion o6 one o6 the most important aesthetic debates o6 the Nnlightenment.
Ahe signi6icance o6 the Fublime in the eighteenth century ranged across a number o6
6ields literary criticism" empirical psychology" political economy" connoisseurship"
landscape design and aesthetics" painting and the 6ine arts" and moral philosophy and
has continued to animate aesthetic and theoretical debates to this day. Go<e*er" the
una*ailability o6 many o6 the crucial te5ts o6 the 6ounding tradition has resulted in a
conception o6 the Fublime o6ten limited to the de6initions o6 its most 6amous theorist
Ndmund ,urIe. Andre< Ash6ield and Peter de ,olla3s anthology" <hich includes an
introduction and notes to each entry" o66ers students and scholars ready access to a
much deeper and more comple5 tradition o6 <ritings on the Fublime" many o6 them
ne*er be6ore printed in modern editions.
$/th/$7th 8entury ,ritish Philosophy" Hisc in $/th/$7th 8entury PhilosophyNdmund
,urIe in $/th/$7th 8entury PhilosophyAhe Fublime in Aesthetics
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Peter Be Bolla :$%7%;. The !iscourse of the Sublime: "eadings in #istory, Aesthetics,
and the Sub$ect ,asil ,lacI<ell.
Ahe Fublime in Aesthetics
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TadeusE Ra"%al [ TadeusE Sla%e6 :$%%.;. The %ost Sublime Act: Essays on the
Sublime Qyda<nict<o )ni*ersytetu ]l^sIiego.
Aesthetics Polish Philosophy in Nuropean Philosophy
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2a(es No))le :>??$;. The Skeptical Sublime: Aesthetics Ideology in ope and
the Tory Satirists. 4)P )FA.
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modern ,ritish literature. Sames 2oggle dra<s on philosophy" intellectual history" and
critical theory to illuminate the aesthetic ideology o6 Pope" F<i6t" Dryden" and
Rochester among other important <riters o6 the period. Ahe FIeptical Fublime
compares the *ie< o6 sublimity presented by these authors <ith that o6 the dominant"
liberal tradition o6 eighteenthcentury criticism to o66er a ne< understanding o6 ho<
these <riters helped construct protoaesthetic categories that stabilized ,ritish culture
a6ter years o6 ci*il <ar and re*olution" <hile at the same time their scepticism allo<ed
them to e5press ambi*alence about the emerging social order.
2o categories
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P"ili0 S"a% :>??1;. The Sublime. Routledge.
46ten labelled as Rindescribable"R the sublime is a term that has been debated 6or
centuries amongst <riters" artists" philosophers and theorists. )sually related to ideas
o6 the great" the a<einspiring and the o*erpo<ering" the sublime has become a
comple5 yet crucial concept in many disciplines. 466ering historical o*er*ie<s and
e5planations" Philip Fha< looIs at: _ Ahe legacy o6 the earliest" classical theories o6 the
sublime through the romantic to the postmodern and a*antgarde sublimity _ Ahe maMor
theorists o6 the sublime such as Lant" ,urIe" Lyotard" Derrida" Lacan and VizeI"
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o6 literary readings including the 4ld and 2e< testaments" Gomer" Hilton and <riting
6rom the romantic era _ Go< the concept o6 the sublime has a66ected other art 6orms
such as painting and 6ilm" 6rom abstract e5pressionism to Da*id Lynch3s neonoir Ahis
remarIably clear study o6 <hat is" in essence" a term <hich e*ades de6inition" is
essential reading 6or students o6 literature" critical and cultural theory.
Ahe Fublime in Aesthetics
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Ti(ot"+ M& Costelloe :>?$>;. The Sublime: From Anti&uity to the 'resent 8ambridge
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Hachine generated contents note: 3Ahe sublime3. A short introduction to a long history
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ancient sublime Halcolm Geath0 >...And the beauti6ul' re*isiting Ndmund ,urIe3s
3double aesthetics3 Rodolphe 9asche0 J. Ahe moral source o6 the Lantian sublime
Helissa Heritt0 .. #magination and internal sense: the sublime in Fha6tesbury" Reid"
Addison" and Reynolds Aimothy H. 8ostelloe0 &. Ahe associati*e sublime: Lames"
9errard" Alison" and Fte<art Rachel VucIert0 1. Ahe 3prehistory3 o6 the sublime in early
modern France: an interdisciplinary perspecti*e a Hadeleine Hartin0 /. Ahe post
Lantian 9erman sublime Paul 9uyer0 7. Ahe postmodern sublime: presentation and its
limits Da*id ,. Sohnson0 Part ##. Disciplinary and 4ther Perspecti*es: %. Ahe 3subtler
sublime3: in modern Dutch aesthetics Sohn R. S. NycI0 $?. Ahe 6irst American sublime
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the sublime Andre< 8hignell and Hatthe< 8. Galteman0 $J. Ahe ,ritish romantic
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Architecture and the sublime Richard Ntlin.
$/th/$7th 8entury ,ritish Philosophy" Hisc in $/th/$7th 8entury PhilosophyAhe Fublime
in Aesthetics
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1alter 2o"n Hi00le :$%&/;. The (eautiful, the Sublime, ) the 'ictures&ue in
Eighteenth-Century (ritish Aesthetic Theory 8arbondale" Fouthern #llinois )ni*ersity
Press.
Aesthetics
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2a(es Fir%an :>??&;. Sublimity: The *on-"ational and the +rrational in the #istory of
Aesthetics Routledge.
#n the history o6 aesthetics" 6e< concepts ha*e been as po<er6ul and as elusi*e as the
idea o6 the sublime" the Renthusiastic terrorR that can possess us <hen <e behold a
mountain or a miracle. #n his ne< booI" Sames Lir<an traces the history o6 the sublime
6rom its emergence in the eighteenth century to its resurgence in contemporary
aesthetics. Fublimity addresses the nature o6 the sublime e5perience itsel6" and the
6unction that e5perience has played" and continues to play" <ithin aesthetic discourse.
Ahe booI both updates and re*ises e5isting treatments o6 the sublime in the eighteenth
century" e5amines its neglected role in the nineteenth century aesthetics" and analyzes
the signi6icance o6 the modi6ications the concept has undergone in order to ser*e the
interests o6 contemporary aesthetics. Ahe booI thus o66ers the most comprehensi*e
co*erage o6 the history o6 the sublime a*ailable. Qith its appeal 6or readers in
aesthetics" art history" religion" and literary theory" Fublimity <ill beo6 <ide use to
students and scholars.
Ahe Fublime in Aesthetics
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Sa(uel Holt Mon6 :$%1?;. The Sublime [Ann Arbor])ni*ersity o6 Hichigan Press.
Aesthetics
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T"eodore E& B& 1ood :$%/>;. The ,ord -Sublime- and its Conte.t, /012 - /302 Ahe
Gague"Houton.
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