Então Profetiza-Partitura e Partes

Então Profe za
Letra: André Freire e Samuel Messias Orquestração: Renato Pimenta
      
Versão: Maria Marçal
   
= 100 Quem...
                 
3 3 3 3 3 3

Voz
     
       
Quem nun ca cho rou aos pés da ca ma Quem nun ca cla mou sem nem fa lar

Flautas
   
        

Oboé
    
       
       
  

Clarinete 1
   
            
       
  

Clarinete 2, 3
    
        

Clarone
  
           
 
Fagote

Sax Alto              
 
Sax Tenor            
              
Sax Barítono

          
Trompas   
          
Trompete 1   
 
   
Trompetes 2, 3
       
          
Trombone 1 
          
Trombones 2, 3 
           
Tuba
  
Bateria          
          

E C♯m7 E C♯m
Base
  
        
    

Violino 1

         

  
 

Violino 2
           
  
 
Viola
  
           
 
Violoncelo
         
    

Contrabaixo
(11) 96019-2525 - renatodspimenta@gmail.com

h ps://www.youtube.com/@Par turasGra ss

Então Profe za 2
                        
9
                  
3 3 3
Vo.
  
 
        
se sen tiu num va le de os sos se cos sem ter for ça e â ni mo pra le van tar ho je ve nho com au to ri da de pra te o lhar nos o lhos e fa lar

Fl.
 
          

Ob.
  
       
   
Cl. 1
 
     
      
Cl. 2, 3
     
    
Clr. B.
     
          
Fgt 
       
A. Sax 
         
Sax. Tn.   
        
Bar. Sax

        
Tpa  
        
Tpt. 1  
         
Tpt. 2, 3   
Tbn. 1
        
Tbn. 2, 3
        
        
Tba.

               
        

Bat.
        
A F♯m B C♯m B A
Base
 
      
    
Vln. 1

  
Vln. 2
       

                
Vla
 
     
          
Vc. 
      
Cb.
    

Então Profe za 3
                                   
      
16 Ossos secos...
   
Vo.
           
 
pro fe ti zo que ho je teus so nhos em no me de Je sus vão se re a li zar Os sos se cos ho je res sus ci ta rão to do va le tem um tem po pra fin
Fl.    
     
Ob.      
 
    
 
           
    


Cl. 1
 
          
    

 
Cl. 2, 3
  
         

Clr. B.
 
              
Fgt  
     
            

A. Sax
   
            
 
Sax. Tn.
         
  
 
Bar. Sax
    
             

Tpa
          
   
 
Tpt. 1
 
             
 
Tpt. 2, 3
       
     
 
Tbn. 1
        
     
 
Tbn. 2, 3
        
   
 
Tba.
                           
Bat.                           
  
   
C♯m B A B E C♯m
  
Base
         
Vln. 1         
       
Vln. 2          
       
Vla            
 
               
Vc. 
     
Cb.
      

  
Então Profe za 4
                                              
24
3
Vo.
          
dar e se os teus ca cos se es pa lha ram pe lo chão Deus faz um re bo li ço pra te jun tar so bre es se ven to que traz a fli ção Deus vem
Fl.      

Ob.   
          
        
Cl. 1      
 
         
Cl. 2, 3
   
  
      

Clr. B.
       
    
Fgt
 
  
         

A. Sax
 
  
      
   

Sax. Tn.
       
  

Bar. Sax
     
       

Tpa
 
            

Tpt. 1
      
      

Tpt. 2, 3
   
        

Tbn. 1
    
       

Tbn. 2, 3
       
  

Tba.
                           

Bat.                             
 
 
F♯m A Bsus B E
Base
    
           
   
Vln. 1    
 
  
            
   
Vln. 2
          
        
Vla

        
Vc.
   
       
Cb.
   

  
Então Profe za 5
                                           
  
31

Vo.
   
com ou tro que traz res tau ra ção e o ce ná rio que e ra va le de os sos se cos, Deus faz ter vi da a í ter um no vo co me ço E o que se en con tra mor to
Fl.           
         
Ob.    
     
        
 
Cl. 1
 
      
   

 
      

Cl. 2, 3
        
  
Clr. B.
   
 
       
Fgt     
     
A. Sax            
 
 
       
Sax. Tn.           
  

        
Bar. Sax
  
  
             
  
Tpa
          
Tpt. 1      
        
Tpt. 2, 3       
        
Tbn. 1
     
            
Tbn. 2, 3  
     
   
     
Tba.
                                                       
Bat.                             
 
   
C♯m C♯m7 F♯m A Bsus B C♯m
Base
       
      
         
Vln. 1  
      
 
            
Vln. 2


Vla             
  
 
 
     
Vc.
        
         

Cb.
     

  
Então Profe za 6
                                
      
Então profe za...
 
38
 
Vo.
           
          
pas sa a ter vi da En tão pro fe ti za en tão pro fe ti za E o que se en con tra mor to pas sa a ter vi da en tão pro fe
Fl.  
   
Ob. 
                
      
              

Cl. 1
       
               

Cl. 2, 3
 
               
  
Clr. B.
         
Fgt       

A. Sax                   
            
        
  
Sax. Tn.
                  
 


Bar. Sax
       
Tpa      
     
    
             
  

Tpt. 1
 

            
    

Tpt. 2, 3
    
    

      
  
Tbn. 1
              
   
  
Tbn. 2, 3
       
           
  
Tba.

                    
Bat.            
 
      
F♯m A C♯m G♯m7 F♯m7 A
Base
         
      
Vln. 1                
      
Vln. 2               
 
  
  
   
      
Vla

          
Vc.
     
                
Cb.
    


Então Profe za 7
                            
  
Ossos secos...

49
  
Vo.
          
     
ti za en tão pro fe ti za E o que se en con tra mor to pas sa a ter vi da Os sos
Fl.     

               
  
Ob.
      
Cl. 1     
       
 
  
    
Cl. 2, 3
  
       
         
Clr. B.          
               
          
Fgt
     
   
    
A. Sax       
    
   
Sax. Tn.            
                                 
Bar. Sax

  
Tpa                   
 
Tpt. 1                  
       
Tpt. 2, 3           
              
Tbn. 1
 
         
      
Tbn. 2, 3
 
                        
       
Tba.
               
                        
Bat.                                 
 
       
C♯m G♯m7 F♯m7 A
               
       
Base
       
Vln. 1 
         
     
          
  
Vln. 2
        
          
Vla

          
Vc.
                          
Cb.
         

  
Então Profe za 8
                                           
57
3
Vo.
    
se cos ho je res sus ci ta rão to do va le tem um tem po pra fin dar e se os teus ca cos se es pa lha ram pe lo chão Deus faz um re bo li ço pra te jun tar
Fl.        

Ob.          
       
      
 

Cl. 1
 
           
   

Cl. 2, 3
       
Clr. B.    
Fgt
         

            
A. Sax        
 
               
Sax. Tn. 
            
       
Bar. Sax

 
        
        
Tpa
 
       

 
   

Tpt. 1
     
       
  

Tpt. 2, 3
   
   
    
   
Tbn. 1
     
Tbn. 2, 3
         
 
             
    
Tba.

 
                                                
Bat.            
 
  
E C♯m F♯m A
              
Base
        
Vln. 1 
       
Vln. 2   

Vla          
Vc.
        
         
Cb.
 
 
Então Profe za 9
                                         
64
Vo.
      
 
so bre es se ven to que traz a fli ção Deus vem com ou tro que traz res tau ra ção e o ce ná rio que e ra va le de os sos se cos, Deus faz ter vi da a
         

Fl.

   
 
     
     
Ob.
       
Cl. 1     
 
   
    
Cl. 2, 3
   
   
                

Clr. B.
          
      

Fgt
 
     
A. Sax
      
 
   
Sax. Tn.
      
            
Bar. Sax

     
Tpa       
 
Tpt. 1          
       
Tpt. 2, 3   
  
Tbn. 1
      
        
Tbn. 2, 3 
        
Tba.
    
                                             
Bat.              
 
 
B E C♯m F♯m
              
Base
     
   

     

Vln. 1
 
  
 
     
     
Vln. 2
     
            

Vla
          
      

Vc.
        
     
      

Cb.

  
Então Profe za 10
                     
       
71 Então profe za...
 
Vo.
        

             
í ter um no vo co me ço E o que se en con tra mor to pas sa a ter vi da En tão pro fe ti za
     
           
Fl. 
            

                  
Ob.     
        
    
   
    

  
Cl. 1
        
       
       
  
Cl. 2, 3
 
         
     
Clr. B.
   
     
                      
Fgt
     

                   
 
     

A. Sax
              
Sax. Tn.              
                      

Bar. Sax
 
     
          
             

Tpa
        
Tpt. 1        

  
     
             
 
    
Tpt. 2, 3
             
  
   
Tbn. 1
        
           
Tbn. 2, 3
      
            
    
Tba.
               
                               
Bat.                   
          

                       
A B C♯m F♯m A C♯m
Base
    
                  

         
Vln. 1        
             

        
         
  
Vln. 2
             

              
  

 
Vla
   
     
Vc.
                      
                        
                     
Cb.
 
 
Então Profe za 11
                  
        
78
 
Vo.
         
         
en tão pro fe ti za E o que se en con tra mor to pas sa a ter vi da en tão pro fe
   
Fl. 
    
3

Ob.      
         
   
      
  
3
     
Cl. 1           
      
3
           
Cl. 2, 3    
  
3
   
     
Clr. B.
    
Fgt
       

              
A. Sax

    
  
3
Sax. Tn.          
  
3
                    
Bar. Sax
        
   
           
  
3
Tpa
         
Tpt. 1   
      
   
    
  
Tpt. 2, 3
       
    
  
Tbn. 1
   
      
3
Tbn. 2, 3  
 
3
                          
   
Tba.
            
                                            
Bat.                            
  
               
G♯m7 F♯m7 A
                                  
Base
         
        
    
Vln. 1 
   
3
       
Vln. 2 
         
         
            
3
Vla 
    
       
3
Vc.
                                                       
  
Cb.
 

Então Profe za 12
                        
  
85
  
Vo.
          
 
ti za en tão pro fe ti za E o que se en con tra mor to pas sa a ter vi da
Fl.     
   
        
 
Ob.
    
       
Cl. 1
   
 
Cl. 2, 3     

     

 

 
Clr. B.     
    
    
Fgt
         
      
                   
    
A. Sax
       
                
    
Sax. Tn.
 
            
           
      
Bar. Sax
   
                 
        
Tpa
      
                
    
Tpt. 1
   
                
        
Tpt. 2, 3
        

     
    
Tbn. 1
        
    
      
    
Tbn. 2, 3
    
  
          
       
Tba.

              
                                       
Bat.                            
        A       
   
C♯m G♯m7 F♯m7
                             
Base
     
Vln. 1          

             
  
 
Vln. 2
    
Vla            
          
Vc.
   
                                                       
  
Cb.
 

Então Profe za 13
                            
      
92

Vo.
         
en tão pro fe ti za en tão pro fe ti za E o que se en con tra mor to pas sa a ter vi da en tão pro fe
Fl.         
  
Ob.              
        
Cl. 1      
 
Cl. 2, 3              
     
  
   

Clr. B.
          

Fgt

   
A. Sax
          
 
           
Sax. Tn.     
              
Bar. Sax

       
Tpa       
 
Tpt. 1              
         
Tpt. 2, 3       
              
Tbn. 1
               
Tbn. 2, 3
        
    
 
Tba.
 

          
Bat.       
 
C♯m
  
G♯m7 F♯m7 A
   
 
Base
 
       
  

Vln. 1
 
  
      
  
Vln. 2

           
Vla
 
          

Vc.
         
   

Cb.


Então Profe za 14
     

101
Vo.
   
ti za

Fl.       
  
Ob.     
  
    
                             
    
Cl. 1
     
                              
    
Cl. 2, 3
  
Clr. B.       
  
Fgt    

A. Sax        
       
Sax. Tn.   
      
Bar. Sax

      
Tpa  
       
Tpt. 1   
      
Tpt. 2, 3  
Tbn. 1
      
Tbn. 2, 3
      
      
Tba.

Bat.      
  
E C♯m E2
    
Base
  
Vln. 1      
  
Vln. 2       

Vla       
  
Vc.
   
   
  
Cb.
   

Flautas
Então Profe za
Letra: André Freire e Samuel Messias

Versão: Maria Marçal Orquestração: Renato Pimenta
   = 100  
      
Quem...


         
   

14

           
   
Ossos secos...

20
    
 
       
27
              

        

     
46
             
 
Ossos secos...
54
      
        
64

   
        
    
        
69
   
       
            
    

           
      
Flautas Então Profe za 2

78
 
   
      
 
83
 
    
 
    

87
         
    
95
    


103

Oboé
Então Profe za

   = 100
        
Quem...

          
   
14
 
    
       
   
20 Ossos secos...
  
     
     
27
           
   
      
    
   
46
 
            
54 Ossos secos...
     
         
64

    
          
   
69
         

          

     
Oboé Então Profe za 2
       
     
78
 
  
         
83
    
        

87
       
     
95
  
   
103

Clarinete 1
Então Profe za
Orquestração: Renato Pimenta

    = 100 
               
          
   
    
  
Quem...
 
4
  

       
            
11
   
              
Ossos secos...

20
    
      
   
29
         
      

       
     
  
46
  
             
  

Ossos secos...

55

             
  
64
                  

     
Então profe za...

74
 3

  
Clarinete 1 Então Profe za 2
         
     
79
     
    
       
84
         
   
   
89
    
        
99
 
  
       
104
  

Clarinete 2, 3
Então Profe za
Orquestração: Renato Pimenta

    = 100 
               
          
   
     
Quem...

4
   

  
       
     
10
       
       
Ossos secos...
 
18
    
       
    
25
  
            
           
    
42

   
           
  
48 Ossos secos...
  
    
         
57

      
        
66

          
Clarinete 2, 3 Então Profe za 2
   
    

           
         
78
       
         
83
      
          
89
   
                    
98
  
             
  
103
 

Clarone
Então Profe za

    = 100
      
Quem...
  

  
   
Ossos secos...

14
    
  
      
 
23
        
         
36
 
   
Então profe za...
 
40
       
 
     
       
45
 
                 
51
      
        
55 Ossos secos...
  
            
64

    
        
69

 
Clarone Então Profe za 2
 
Então profe za...
         
75
  
 
       
81
   
      
      
91
  
      
101

Fagote
Então Profe za
  
          

 = 100 Quem...
 
            
   
9
              
 
15 Ossos secos...
   
       

23
    
          
  
30
         
 
          
  
45
   
       
52 Ossos secos...
       
 
    
66
         
       
           
73

   
  
Fagote Então Profe za 2
        
    
           
80
             
 
86
           
 
94

Sax Alto
Então Profe za
 = 100 
   
           
Quem...
Ossos secos...

 
 
       

            
22

      
              
 
            
   
43
               
   
55 Ossos secos...
  
   
        
61

         

 

    
          
Então profe za...
73


           
   
78
     
3
     
             
85
    
 
        
91

Sax Tenor
Então Profe za
 = 100 
   
         
Quem...
Ossos secos...
 
    
           
    
22

   
            
Então profe za...

33
 
       
       
     
42

               
     
54 Ossos secos...
  
         
62
           Então profe

                    
72 za...
     
              
77
      
 
    
       
83
   
    
          
  
89

Sax Barítono
Então Profe za
 = 100 

          
Quem...
Ossos secos...

 

         
 
22
  

                  
35

            
     
                     
50
      
            
56 Ossos secos...

             

62

                      
72
               

                    
81

    
Sax Barítono Então Profe za 2

        

   
85
  

                 
90

Trompas
Então Profe za
 = 100 
 
          
Quem...
Ossos secos...

    
   
            
22

 
               
  
 
            
  
43
      
          
55 Ossos secos...
 
         
  
61
  
        
        
   
Então profe za...
    
73

         
       
78 3

                  
       
85

 
       
91

Trompete 1
Então Profe za
 = 100 
     
      
Quem...
      
         
20 Ossos secos...
 
     
        
Então profe za...
33
 
                
48
   
         
    
56 Ossos secos...

  
 
           

65
 
     
       
76
Então profe za...
       
            
85
    
   
       
91

Trompete 2, 3
Então Profe za
 = 100 
  
        
Quem...


   
       
       
20 Ossos secos...
 
    
         
Então profe za...
 
33
 
                
48
   
        
     
56 Ossos secos...
 
    
            
 
65
    
        
Então profe za...

76
                
 
       
85

   
        
91

Trombone 1
Então Profe za
 = 100        
   
Ossos secos...

Quem...
 
          
      
22

  
           
Então profe za...
 
34
 
 
43           
   

          
   
55
Ossos secos...
   
   
  

61
             
 
          
Então profe za...
72
     
     
   
77
      
3
      
84
    
  
         
90

Trombone 2, 3
Então Profe za
 = 100  
   
       
   
Quem... Ossos secos...
 
      
         
23
Então profe
       
         
36
za...
  
  
             Ossossecos...   
50

            
  

59
  
                   
     
Então profe za...
72
  
           

78
        
      
     
85
    

         
92

Tuba
Então Profe za
  
  
 = 100
     
Quem...

Ossos secos...
  

      
  
28
    


  
           
 
 
   
                       
49
 
         
Ossos secos...
    
56
      

  
     
64
    
 
                 
 
                  
80
        
    
85
        


  
       
91
 
Bateria
Então Profe za
 = 100 
         
           

Quem...

           
                 
Ossos secos...
 
18
    

                    
24
    

                    
29
                      
                               
34
     
                               
       
         
                                        
51
  
   
                                     
      
Ossos secos...
56
    
                                      
61
                                          
66

          
                                       
Bateria Então Profe za 2
71
       
                             
Então profe za...
76
       
                            
80
  
                         
              
   

   
84
       
                            
88
    
   
   
     
92

Base
Então Profe za
E    
 = 100
    
Quem...
  
C♯m7 C♯m

E A F♯m B C♯m B A
 
Ossos secos...
    
C♯m B A B E C♯m F♯m
 
16
   
  
 
A Bsus B E C♯m C♯m7F♯m A
 
27
   
 
      
Bsus B C♯m F♯m A
   
36
   
 

C♯m G♯m7 F♯m7
 
Então profe za...
 
40
 
 
 
A C♯m G♯m7
       
47
       
 
Ossos secos...
       
F♯m7 A E
          
53
 
    
C♯m F♯m A B
      
58
    
 
  
E C♯m F♯m A
         
65
    
                         
72 B C♯m F♯m
  
 
Base Então Profe za 2
       
               
A Então profe za... C♯m
  
75
         
G♯m7
                  
78
 
       
F♯m7 A
                
81
                 
        
C♯m
    
84
 
G♯m7 F♯m7
                       
87
     
                


90 A C♯m
 
  E2
 
G♯m7 F♯m7 A E C♯m
   
95
    

Violino 1
Então Profe za
   = 100
        
  
Quem...
 

 
     
  
9
 
      
      
Ossos secos...

16
          
    
22
  
 

 
 
28
        
         

34
         
      
  
            
45
           
   
55 Ossos secos...

      
       
67

             
Violino 1 Então Profe za 2
         
   
72
       
    
 
     
       

80
 
            

84
      
       
88
    

     
97

Violino 2
Então Profe za
   = 100
      
    
Quem...
 

 
  
   
9
  
     
       
Ossos secos...

16
       
       
22
  
   
28
 
        
         

34
         
      
  
         
  
45
 
         
  
55 Ossos secos...
 
    
   
     
67

            
Violino 2 Então Profe za 2
          
   
72
     
      

Então profe za...

76
     
       
80
   
           
84
  
           
88
 
       
97
 

Viola
Então Profe za
 
  
           
 = 100 Quem...
   
                
10
         
          
Ossos secos...
17
     
  
  
25
    
      
  
 
31

              

       
     
46
       
       
53 Ossos secos...
    
              
64

           
            
 
70

             
    
Viola Então Profe za 2
  

   

     
 
  
81
 
                 

86
          
93

     
102

Violoncelo
Então Profe za
  
          

 = 100 Quem...
 
            
   
9
  
               
16 Ossos secos...
       
   
24

          
  
33
        
   

            
47
  
          
56 Ossos secos...
          
       
  
68
 
               
Então profe za...
        
74

      

    
Violoncelo Então Profe za 2
77
 
            

82
             
89
     
 
100

Contrabaixo
Então Profe za

       
     
 = 100 Quem...
      
      
17 Ossos secos...
      
            
29
      
  
          
           
48
       Ossos
 secos...  
       
54
               
    
65
           

                          
72
               
          

                                  
79

                        
Contrabaixo Então Profe za 2
  
83
        
                         
86
  
                            
90
          
 
95


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Então Profe za

Letra: André Freire e Samuel Messias Orquestração: Renato Pimenta

(11) 96019-2525 - renatodspimenta@gmail.com

(11) 96019-2525 - renatodspimenta@gmail.com

                           

(11) 96019-2525 - renatodspimenta@gmail.com

(11) 96019-2525 - renatodspimenta@gmail.com

(11) 96019-2525 - renatodspimenta@gmail.com

(11) 96019-2525 - renatodspimenta@gmail.com

(11) 96019-2525 - renatodspimenta@gmail.com

        

            

                      

          

                  

             

             

Sax. Tn.          

(11) 96019-2525 - renatodspimenta@gmail.com

(11) 96019-2525 - renatodspimenta@gmail.com

(11) 96019-2525 - renatodspimenta@gmail.com

(11) 96019-2525 - renatodspimenta@gmail.com

         

(11) 96019-2525 - renatodspimenta@gmail.com

(11) 96019-2525 - renatodspimenta@gmail.com

                  

(11) 96019-2525 - renatodspimenta@gmail.com

(11) 96019-2525 - renatodspimenta@gmail.com

(11) 96019-2525 - renatodspimenta@gmail.com

(11) 96019-2525 - renatodspimenta@gmail.com

(11) 96019-2525 - renatodspimenta@gmail.com

(11) 96019-2525 - renatodspimenta@gmail.com

(11) 96019-2525 - renatodspimenta@gmail.com

(11) 96019-2525 - renatodspimenta@gmail.com

           Então profe

(11) 96019-2525 - renatodspimenta@gmail.com

(11) 96019-2525 - renatodspimenta@gmail.com

(11) 96019-2525 - renatodspimenta@gmail.com

(11) 96019-2525 - renatodspimenta@gmail.com

(11) 96019-2525 - renatodspimenta@gmail.com

(11) 96019-2525 - renatodspimenta@gmail.com

(11) 96019-2525 - renatodspimenta@gmail.com

           

    

    

(11) 96019-2525 - renatodspimenta@gmail.com

(11) 96019-2525 - renatodspimenta@gmail.com

(11) 96019-2525 - renatodspimenta@gmail.com

(11) 96019-2525 - renatodspimenta@gmail.com

(11) 96019-2525 - renatodspimenta@gmail.com

(11) 96019-2525 - renatodspimenta@gmail.com

(11) 96019-2525 - renatodspimenta@gmail.com

(11) 96019-2525 - renatodspimenta@gmail.com

(11) 96019-2525 - renatodspimenta@gmail.com

(11) 96019-2525 - renatodspimenta@gmail.com

(11) 96019-2525 - renatodspimenta@gmail.com

(11) 96019-2525 - renatodspimenta@gmail.com

(11) 96019-2525 - renatodspimenta@gmail.com

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