Violoncello II

Estampas Nocturnas
I. La Noche M.M. Ponce


     
Andante misterioso, non troppo lento Edición: Luis Barajas

 
          
    

p
3  
A

          

15 f
    

    
      
p
 p p f

     
        
27
  
 
p
 
f
     

f

       
   
 
37 string. a tempo string. a tempo B

              
p
  p   
f p pp sub

                  
47

a Tempo

                       
  p

                            
55    
              

animando e cresc. dim.

      calmo
62
C

3
   
         
 
pp

 
  
p dolce pp
72
                    
3

  
    p
3 3
cresc. ed animando
3

    D   
79
 
Più mosso
    
        
                   
    
ff

          
86
  
3 3 3 3 3 3

             
                 
p
 
91
   
3 3 33 3 3 3 3

                     
      

sempre p
95
 
Più tranquillo ma non troppo
 
    
3 3

                 
E
           
p
pp
 Violoncello II

        
2 110
           
3 3 3

      
p
p sempre
120

F 3
      
3 3 3 3 3
        
                 
pp

     
126

      
33 3 3

3
             
pp pp


II. En Tiempos del Rey Sol
             
Tempo di Gavotta
      
             
p

f
10
      
         

           
p f p f sf

  A         
      
18

               
p

   
B
 
Fine
    
27poco rall.
  
                                 
  espress.

                         

         
34

         

arco
                     
   
39
  
pizz
         
f

C         
 
         
47
        
 
           
  
p p
f
               
        
57

          
p f p f sf
 Violoncello II
3

  D     
       
66 poco rall.
             
    
p
76
           

       
  
  p p


f p

84
                           
         

91
  
E         
        
f p

99   
a tempo
    
                 
  

affrett. Vln I° rall. D.C. al Fine

Andantino Placido III. Arrulladora

                
      
p

15

A

               

  
31
 B
  
              
pp

                         
44 C
       


 
58
         
         
pizz

      
pp pp p ppp senza sord.
 Violoncello II
4

Vivace IV. Scherzo de Puck
 
  arco            
              
f p

         
pp
    
13
A

          
 
pizz arco

   
p


  
                  
        
25 pizz arco

    
 f ff
sfz
39
            
 

B
           
p 

   
molto espress.

      
51
        
   

  
          
   
 
63

        
ff 
 
 
 
     
77

C
    
pp

   
pp p

        
90
 
D
      
pp p

    
       

 
104

       

      cresc. molto

cresc. ff

            
117

              
E
 
      
p
  pp


     
 
                       
128

 
f p ff

 F  
             
142

                    

p p
 Violoncello II
5

        
 
155
 
 
 
G
   
f pp pp
f

  
    
          
 
171 H
  
f p p pp


     
   
184

        
cresc. f p sub f cresc.

  
  
         
198 I
        
     
ff

                
209

          
ff f

      
 
218     
      
   
rall. J a tempo

p sf sf

        
               

228
      
  
f ff


   K  
       

     

  
237

  
p cresc.

      
     
    
248 con fuoco
    
ffp sempre ff e stretto

  

    
             
258

     
      
ff ff 
ff