Semana 08

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\par\pard\ql\li6820\sb55\sl-207\slmult0 \up0 \expndtw-1\charscalex100
\ul0\nosupersub\cf1\f2\fs18 BANCO DE PREGUNTAS DE LENGUAJE Y LITERATURA
\par\pard\ql \li5620\sb0\sl-253\slmult0 \par\pard\ql\li5620\sb22\sl-253\slmult0
\up0 \expndtw-2\charscalex100 \ul0\nosupersub\cf2\f3\fs22 SEMANA N� 08 \par\pard\ql
\li3921\sb7\sl-253\slmult0 \up0 \expndtw-1\charscalex100 TEMAS: EL VERBO -
LITERATURA PERUANA II \par\pard\ql \li5159\ri1473\sb2\sl-260\slmult0 \up0
\expndtw0\charscalex104 \ul0\nosupersub\cf3\f4\fs22 Coordinador: Lic. Jorge Luis
Mauriola Chuyes. \line \up0 \expndtw0\charscalex105 Responsable: Lic. Helene M. O.
Vera Zevallos. \par\pard\ql \li1132\sb0\sl-276\slmult0
\ul0\nosupersub\cf4\f5\fs24 APLIQUEMOS LO APRENDIDO \par\pard\ql \li1132\sb1\sl-
256\slmult0 \up0 \expndtw-1\charscalex100 TEMA N� 01: EL VERBO
\par\pard\li1032\sb70\sl-253\slmult0\fi0\tx1315 \up0 \expndtw0\charscalex103
\ul0\nosupersub\cf1\f2\fs18 I.\tab \up0 \expndtw0\charscalex104
\ul0\nosupersub\cf2\f3\fs22 Respondo a las siguientes interrogantes marcando la
alternativa correcta\ul0\nosupersub\cf1\f2\fs18
.\par\pard\sect\sectd\sbknone\cols2\colno1\colw6459\colsr160\colno2\colw5481\colsr1
60\ql \li1132\sb0\sl-180\slmult0 \up0 \expndtw-2\charscalex100
\ul0\nosupersub\cf5\f6\fs20 1. En los _________la simultaneidad se
expresa\par\pard\qj \li1492\ri502\sb7\sl-230\slmult0 \up0 \expndtw-3\charscalex100
con el presente, la anterioridad con el pasado y la \up0 \expndtw-3\charscalex100
posteridad con el futuro.\par\pard\ql \li1492\sb0\sl-230\slmult0 \up0
\expndtw0\charscalex100 a) Tiempos simples\par\pard\ql \li1492\sb1\sl-
230\slmult0 \up0 \expndtw0\charscalex100 b) Tiempos compuestos\par\pard\ql
\li1492\sb0\sl-230\slmult0 \up0 \expndtw-2\charscalex100 c) Tiempos
absolutos\par\pard\ql \li1492\sb0\sl-230\slmult0 \up0 \expndtw0\charscalex100 d)
Tiempos relativos\par\pard\ql \li1492\sb1\sl-230\slmult0 \up0 \expndtw-
1\charscalex100 e) Perspectivas temporales\par\pard\ql \li1132\ri504\sb116\sl-
229\slmult0\tx1492\tx1492\tx1492\tx1492 \up0 \expndtw-1\charscalex100 2. El punto
de origen puede darse en cualquiera de \line\tab \up0 \expndtw0\charscalex103 los
otros dos momentos (pasado o futuro), y la \line \tab \up0 \expndtw-2\charscalex100
acci�n se situar� entonces simult�nea, anterior o \line \tab \up0 \expndtw-
3\charscalex100 posteriormente a ese momento, en la alternativa. \line \tab \up0
\expndtw-1\charscalex100 a) Temo que ya nada ser� igual.\par\pard\ql
\li1492\sb1\sl-230\slmult0 \up0 \expndtw-1\charscalex100 b) Ayer ya estaba el auto
en el taller.\par\pard\ql \li1492\sb1\sl-230\slmult0 \up0 \expndtw-2\charscalex100
c) Mira mis manos, tiemblan por ti.\par\pard\ql \li1492\sb0\sl-230\slmult0
\up0 \expndtw0\charscalex105 d) El Presidente de la Rep�blica firm� el
TLC\par\pard\ql \li1852\sb1\sl-230\slmult0 \up0 \expndtw-3\charscalex100 con
EE.UU.\par\pard\ql \li1492\sb0\sl-230\slmult0 \up0 \expndtw0\charscalex104 e)
Todas.\par\pard\ql \li1132\sb116\sl-230\slmult0 \up0 \expndtw0\charscalex101 3.
El \up0 \expndtw0\charscalex101 _____________ es el tiempo interno
que\par\pard\ql \li1492\sb0\sl-230\slmult0 \up0 \expndtw-3\charscalex100 existe en
el verbo.\par\pard\ql \li1492\sb1\sl-225\slmult0 \up0 \expndtw0\charscalex105 a)
Modo\par\pard\ql \li1492\sb1\sl-230\slmult0 \up0 \expndtw0\charscalex107 b)
Voz\par\pard\ql \li1492\sb0\sl-230\slmult0 \up0 \expndtw-2\charscalex100 c)
Perspectiva temporal\par\pard\ql \li1492\sb1\sl-230\slmult0 \up0
\expndtw0\charscalex103 d) Aspecto\par\pard\ql \li1492\sb0\sl-230\slmult0 \up0
\expndtw0\charscalex104 e) n�mero\par\pard\qj \li1132\ri503\sb116\sl-
230\slmult0\tx1492 \up0 \expndtw0\charscalex104 4. en cu�l de las siguientes
alternativas la acci�n \line\tab \up0 \expndtw-3\charscalex100 verbal no es puntual
sino durativa.\par\pard\ql \li1492\sb0\sl-230\slmult0 \up0 \expndtw0\charscalex100
a) El 19 de noviembre el pueblo elegir� nuevas\par\pard\ql \li1852\sb1\sl-
230\slmult0 \up0 \expndtw-3\charscalex100 autoridades.\par\pard\ql \li1492\sb0\sl-
230\slmult0 \up0 \expndtw-1\charscalex100 b) Jos� beb�a vino despu�s de la
cena.\par\pard\ql \li1492\sb1\sl-230\slmult0 \up0 \expndtw-2\charscalex100 c) En
palabras simples, yo te amo.\par\pard\ql \li1492\sb0\sl-225\slmult0 \up0 \expndtw-
1\charscalex100 d) As� son los hombres, ego�stas.\par\pard\ql \li1492\sb1\sl-
230\slmult0 \up0 \expndtw0\charscalex105 e) Todas\par\pard\qj
\li1132\ri500\sb112\sl-230\slmult0\tx1492 \up0 \expndtw0\charscalex104 5. En:
\u8220?No he de morir sin antes haber amado de \line\tab \up0
\expndtw0\charscalex100 verdad\u8221? lo subrayado es:\par\pard\ql \li1492\sb5\sl-
230\slmult0 \up0 \expndtw0\charscalex100 a) Per�frasis verbal\par\pard\ql
\li1492\sb1\sl-230\slmult0 \up0 \expndtw0\charscalex100 b) Infinitivo y
participio\par\pard\ql \li1492\sb0\sl-230\slmult0 \up0 \expndtw-2\charscalex100 c)
Infinitivo compuesto\par\pard\ql \li1492\sb1\sl-230\slmult0 \up0
\expndtw0\charscalex100 d) Complemento agente\par\pard\ql \li1492\sb0\sl-
230\slmult0 \up0 \expndtw0\charscalex101 e) Objeto directo.\par\pard\qj
\li1132\ri506\sb116\sl-230\slmult0\tx1492 \up0 \expndtw-2\charscalex100 6. El
___________ es la forma no verbal que puede \line\tab \up0 \expndtw-3\charscalex100
recibir morfemas de g�nero y n�mero.\par\pard\ql \li1492\sb1\sl-225\slmult0 \up0
\expndtw0\charscalex104 a) Infinitivo\par\pard\ql \li1492\sb1\sl-230\slmult0
\up0 \expndtw0\charscalex103 b) Participio\par\pard\ql \li1492\sb0\sl-
230\slmult0 \up0 \expndtw-1\charscalex100 c) Gerundio\par\pard\ql \li1492\sb1\sl-
230\slmult0 \up0 \expndtw0\charscalex103 d) Verboide\par\pard\ql \li1492\sb0\sl-
230\slmult0 \up0 \expndtw0\charscalex105 e) a, b, c\par\pard\ql \li1132\sb0\sl-
230\slmult0 \par\pard\ql \li1132\sb1\sl-230\slmult0\tx2898 \up0
\expndtw0\charscalex103 7. Los verbos\tab \up0 \expndtw0\charscalex105
__________ no son verbos\par\pard\qj \li1492\ri503\sb0\sl-230\slmult0 \up0
\expndtw0\charscalex103 irregulares desde el punto de vista formal, sino \line \up0
\expndtw0\charscalex105 que carecen de alg�n tiempo o persona; unas \line \up0
\expndtw-2\charscalex100 veces por su especial significado y otras,
por\par\pard\ql \li1492\sb0\sl-230\slmult0 \up0 \expndtw-3\charscalex100
dificultades de pronunciaci�n.\par\pard\ql \li1492\sb1\sl-225\slmult0 \up0
\expndtw0\charscalex100 a) Terciopersonales\par\pard\ql \li1492\sb1\sl-230\slmult0
\up0 \expndtw0\charscalex101 b) Pronominales\par\pard\ql \li1492\sb1\sl-
230\slmult0 \up0 \expndtw-1\charscalex100 c) Copulativos\par\pard\ql
\li1492\sb0\sl-230\slmult0 \up0 \expndtw0\charscalex101 d)
Impersonales\par\pard\ql \li1492\sb0\sl-230\slmult0 \up0 \expndtw0\charscalex102 e)
Defectivos\par\pard\column \ql \li20\sb0\sl-180\slmult0 \up0
\expndtw0\charscalex100 8. Escriba \u8220?V\u8221? si el enunciado es verdadero o
\u8220?F\u8221? si\par\pard\qj \li380\ri646\sb7\sl-230\slmult0 \up0 \expndtw-
2\charscalex100 el enunciado es falso y luego marca la alternativa \up0 \expndtw-
3\charscalex100 correcta.\par\pard\ql \li380\sb1\sl-230\slmult0 \up0
\expndtw0\charscalex105 1. Los verbos seg�n su uso pueden ser\par\pard\ql
\li740\sb0\sl-230\slmult0 \up0 \expndtw-3\charscalex100 transitivos e
intransitivos. ( \up0 \expndtw-2\charscalex100 )\par\pard\ql \li380\sb1\sl-
230\slmult0 \up0 \expndtw0\charscalex100 2. Los verbos reflexivos pueden ser
formales y\par\pard\ql \li740\sb0\sl-230\slmult0 \up0 \expndtw-6\charscalex100
gramaticales. ( )\par\pard\ql \li380\sb0\sl-230\slmult0 \up0 \expndtw-
1\charscalex100 3. En los verbos impersonales el sujeto est�\par\pard\ql
\li740\sb1\sl-230\slmult0\tx1628 \up0 \expndtw-3\charscalex100 t�cito. \up0
\expndtw-2\charscalex100 (\tab \up0 \expndtw-2\charscalex100 )\par\pard\ql
\li380\sb0\sl-230\slmult0 \up0 \expndtw0\charscalex100 4. Los verbos
unipersonales son llamados\par\pard\ql \li740\sb1\sl-225\slmult0 \up0 \expndtw-
5\charscalex100 tambi�n terciopersonales. ( )\par\pard\ql \li380\sb1\sl-
230\slmult0 \up0 \expndtw-2\charscalex100 5. Los verbos hacer, tener y comer casi
siempre\par\pard\ql \li740\sb0\sl-230\slmult0 \up0 \expndtw-5\charscalex100 van
acompa�ados de O.D. ( )\par\pard\ql \li380\sb1\sl-230\slmult0 \up0
\expndtw0\charscalex101 6. La palabra verbo procede de la voz
latina\par\pard\ql \li740\sb0\sl-230\slmult0 \up0 \expndtw-7\charscalex100 verbum.
( ).\par\pard\ql \li380\sb1\sl-230\slmult0 \up0 \expndtw0\charscalex103 a)
VVVVVF\par\pard\ql \li380\sb0\sl-230\slmult0 \up0 \expndtw0\charscalex103 b)
FFFFFV\par\pard\ql \li380\sb0\sl-230\slmult0 \up0 \expndtw-1\charscalex100 c)
VVFFVF\par\pard\ql \li380\sb1\sl-230\slmult0 \up0 \expndtw0\charscalex103 d)
VVFVVF\par\pard\ql \li380\sb0\sl-230\slmult0 \up0 \expndtw0\charscalex104 e)
FFVFVV\par\pard\ql \li20\sb116\sl-230\slmult0\tx1536 \up0 \expndtw0\charscalex104
9. Al modo\tab \up0 \expndtw0\charscalex103 ___________en principio se
le\par\pard\qj \li380\ri646\sb0\sl-230\slmult0 \up0 \expndtw0\charscalex106
denomin� Potencial, por su significaci�n \up0 \expndtw-3\charscalex100
hipot�tica o posible.\par\pard\ql \li380\sb1\sl-223\slmult0 \up0
\expndtw0\charscalex103 a) Indicativo\par\pard\ql \li380\sb2\sl-230\slmult0
\up0 \expndtw0\charscalex103 b) Subjuntivo\par\pard\ql \li380\sb1\sl-
230\slmult0 \up0 \expndtw-2\charscalex100 c) Condicionado\par\pard\ql
\li380\sb0\sl-230\slmult0 \up0 \expndtw0\charscalex102 d)
Imperativo\par\pard\ql \li380\sb1\sl-230\slmult0 \up0 \expndtw0\charscalex102 e)
Impersonal\par\pard\ql \li20\ri646\sb115\sl-230\slmult0\tx390\tx390\tx390 \up0
\expndtw-2\charscalex100
10. Encontramos un verbo en voz pasiva en: \line\tab \up0 \expndtw-1\charscalex100
a) He comprado muchos regalos para ti. \line \tab \up0 \expndtw-1\charscalex100 b)
El le�n es temido por el mundo entero. \line \tab \up0 \expndtw-2\charscalex100 c)
Un suculento cabrito hemos comido en La\par\pard\ql \li740\sb1\sl-
225\slmult0 \up0 \expndtw-3\charscalex100 concha de sus mares.\par\pard\ql
\li380\sb1\sl-230\slmult0 \up0 \expndtw0\charscalex102 d) Ojal� haya aprobado la
triple evaluaci�n del\par\pard\ql \li740\sb1\sl-230\slmult0 \up0 \expndtw-
3\charscalex100 jurado.\par\pard\ql \li380\sb0\sl-230\slmult0 \up0 \expndtw-
2\charscalex100 e) Jhon hab�a vendido su casa a bajo precio.\par\pard\qj
\li20\ri647\sb108\sl-235\slmult0\tx390 \up0 \expndtw0\charscalex104 11. En la
oraci�n:\u8221?Ojal� me hubieras hecho caso\u8221?, \line\tab \up0 \expndtw-
3\charscalex100 el verbo subrayado se encuentra en:\par\pard\ql \li380\sb0\sl-
230\slmult0 \up0 \expndtw0\charscalex101 a) Antefuturo - subjuntivo\par\pard\ql
\li380\sb1\sl-230\slmult0 \up0 \expndtw0\charscalex101 b) Antecopret�rito -
indicativo\par\pard\ql \li380\sb0\sl-230\slmult0 \up0 \expndtw0\charscalex100 c)
Antefuturo - indicativo\par\pard\ql \li380\sb1\sl-230\slmult0 \up0
\expndtw0\charscalex101 d) Antepret�rito - subjuntivo\par\pard\ql \li380\sb0\sl-
230\slmult0 \up0 \expndtw-1\charscalex100 e) Antepospret�rito -
condicionado\par\pard\qj \li20\ri644\sb106\sl-230\slmult0\tx390 \up0
\expndtw0\charscalex106 12. En el enunciado:\u8221?Hab�amos dejado
la \line\tab \up0 \expndtw0\charscalex109 acci�n\u8230?\u8221?, el verbo esta
en \up0 \expndtw0\charscalex103 _______ del\par\pard\ql \li380\sb6\sl-
230\slmult0 \up0 \expndtw-3\charscalex100 indicativo.\par\pard\ql \li380\sb0\sl-
230\slmult0 \up0 \expndtw0\charscalex102 a) Copret�rito\par\pard\ql \li380\sb0\sl-
230\slmult0 \up0 \expndtw0\charscalex101 b) Antecopret�rito\par\pard\ql
\li380\sb1\sl-230\slmult0 \up0 \expndtw-1\charscalex100 c)
Pret�rito\par\pard\ql \li380\sb0\sl-230\slmult0 \up0 \expndtw0\charscalex101 d)
Antepret�rito\par\pard\ql \li380\sb1\sl-230\slmult0 \up0 \expndtw0\charscalex101 e)
Antepresente\par\pard\qj \li20\ri1436\sb115\sl-230\slmult0\tx390 \up0 \expndtw-
2\charscalex100 13. No es un tiempo del modo condicionado: \line\tab \up0
\expndtw0\charscalex102 a) Presente\par\pard\ql \li380\sb0\sl-225\slmult0 \up0
\expndtw0\charscalex105 b) Futuro\par\pard\ql \li380\sb1\sl-230\slmult0 \up0
\expndtw-1\charscalex100 c) Pospret�rito\par\pard\ql \li380\sb1\sl-230\slmult0
\up0 \expndtw0\charscalex102 d) Antefuturo\par\pard\ql \li380\sb0\sl-
230\slmult0 \up0 \expndtw0\charscalex100 e) Antepospret�rito\par\pard\qj
\li20\ri651\sb116\sl-230\slmult0\tx390 \up0 \expndtw0\charscalex107 14. Los verbos
cuyo morfema de persona no \line\tab \up0 \expndtw-3\charscalex100 coincide en
la realidad con ning�n sujeto
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{\bkmkend Pg2}\par\pard\ql \li6537\sb0\sl-207\slmult0 \par\pard\ql\li6537\sb0\sl-
207\slmult0 \par\pard\ql\li6537\sb55\sl-207\slmult0 \up0 \expndtw-
1\charscalex100 \ul0\nosupersub\cf1\f2\fs18 BANCO DE PREGUNTAS DE LENGUAJE Y
LITERATURA\par\pard\sect\sectd\sbknone\cols2\colno1\colw6459\colsr160\colno2\colw54
81\colsr160\ql \li1492\sb229\sl-230\slmult0 \up0 \expndtw0\charscalex102
\ul0\nosupersub\cf5\f6\fs20 a) Copulativos\par\pard\ql \li1492\sb0\sl-
230\slmult0 \up0 \expndtw0\charscalex101 b) Pronominales\par\pard\ql
\li1492\sb0\sl-230\slmult0 \up0 \expndtw-2\charscalex100 c)
Impersonales\par\pard\ql \li1492\sb1\sl-230\slmult0 \up0 \expndtw0\charscalex102 d)
Intransitivos\par\pard\ql \li1492\sb0\sl-230\slmult0 \up0 \expndtw0\charscalex102
e) Defectivos\par\pard\qj \li1132\ri502\sb107\sl-235\slmult0\tx1492 \up0
\expndtw0\charscalex109 15. En: �Si me quisieras todo te dar�a!, el verbo
\line\tab \up0 \expndtw0\charscalex104 subrayado se encuentra en \up0
\expndtw0\charscalex101 _________ del\par\pard\ql \li1492\sb1\sl-230\slmult0
\up0 \expndtw-3\charscalex100 ______________.\par\pard\ql \li1492\sb0\sl-
230\slmult0 \up0 \expndtw0\charscalex102 a) Futuro - subjuntivo\par\pard\ql
\li1492\sb1\sl-225\slmult0 \up0 \expndtw0\charscalex102 b) Pret�rito -
subjuntivo\par\pard\ql \li1492\sb1\sl-230\slmult0 \up0 \expndtw0\charscalex100 c)
Presente - indicativo\par\pard\ql \li1492\sb0\sl-230\slmult0 \up0
\expndtw0\charscalex101 d) Futuro - condicionado\par\pard\ql \li1492\sb1\sl-
230\slmult0 \up0 \expndtw-1\charscalex100 e) Pospret�rito -
condicionado\par\pard\qj \li1132\ri505\sb107\sl-235\slmult0\tx1492 \up0
\expndtw0\charscalex102 16. En : \u8220?Recordar es volver a vivir\u8221?,
el n�cleo \line\tab \up0 \expndtw-3\charscalex100 oracional es:\par\pard\ql
\li1492\sb0\sl-230\slmult0 \up0 \expndtw0\charscalex102 a) Recordar\par\pard\ql
\li1492\sb0\sl-230\slmult0 \up0 \expndtw0\charscalex110 b) es\par\pard\ql
\li1492\sb1\sl-230\slmult0 \up0 \expndtw-1\charscalex100 c) volver a
vivir\par\pard\ql \li1492\sb0\sl-230\slmult0 \up0 \expndtw0\charscalex105 d)
volver\par\pard\ql \li1492\sb1\sl-230\slmult0 \up0 \expndtw0\charscalex108 e)
vivir\par\pard\ql \li1132\sb106\sl-230\slmult0 \up0 \expndtw0\charscalex100 17. En:
\up0 \expndtw0\charscalex107 \u8220?Lamento discutir contigo\u8221?, el
infinitivo\par\pard\ql \li1492\sb5\sl-230\slmult0 \up0 \expndtw-3\charscalex100
cumple la funci�n de:\par\pard\ql \li1492\sb0\sl-230\slmult0 \up0
\expndtw0\charscalex105 a) Sujeto\par\pard\ql \li1492\sb1\sl-230\slmult0 \up0
\expndtw0\charscalex104 b) Atributo\par\pard\ql \li1492\sb0\sl-230\slmult0 \up0
\expndtw-1\charscalex100 c) Objeto directo\par\pard\ql \li1492\sb0\sl-230\slmult0
\up0 \expndtw0\charscalex101 d) Circunstancial\par\pard\ql \li1492\sb1\sl-
230\slmult0 \up0 \expndtw0\charscalex100 e) Verbo principal.\par\pard\qj
\li1132\ri512\sb115\sl-230\slmult0\tx1492 \up0 \expndtw-3\charscalex100 18. Hay un
verbo en modo condicionado, excepto en: \line\tab \up0 \expndtw-1\charscalex100 a)
Llegar�n a Piura al amanecer.\par\pard\ql \li1492\sb0\sl-230\slmult0 \up0 \expndtw-
2\charscalex100 b) El perro comi� todos los desperdicios.\par\pard\ql
\li1492\sb1\sl-225\slmult0 \up0 \expndtw0\charscalex105 c) Har� todo lo
posible para recuperar tu\par\pard\ql \li1852\sb1\sl-230\slmult0 \up0 \expndtw-
3\charscalex100 confianza.\par\pard\qj \li1492\ri792\sb0\sl-230\slmult0 \up0
\expndtw-2\charscalex100 d) Al anochecer conoceremos los resultados. \up0
\expndtw0\charscalex100 e) Todos menos b.\par\pard\ql \li1132\sb115\sl-230\slmult0
\up0 \expndtw-2\charscalex100 19. Encontramos un verbo copulativo
en:\par\pard\ql \li1492\sb1\sl-230\slmult0 \up0 \expndtw-1\charscalex100 a) Al
verla qued� estupefacto.\par\pard\ql \li1492\sb0\sl-230\slmult0 \up0 \expndtw-
1\charscalex100 b) La sonata es interpretada magistralmente por\par\pard\ql
\li1852\sb1\sl-230\slmult0 \up0 \expndtw-3\charscalex100 la
sinf�nica.\par\pard\ql \li1492\sb0\sl-230\slmult0 \up0 \expndtw-2\charscalex100 c)
Debemos ser y no parecer.\par\pard\qj \li1492\ri942\sb0\sl-230\slmult0 \up0
\expndtw-2\charscalex100 d) Estoy esperando una respuesta positiva. \up0
\expndtw0\charscalex100 e) Todas menos a.\par\pard\ql \li1132\ri500\sb106\sl-
230\slmult0\tx1492\tx1492 \up0 \expndtw0\charscalex101 20. �Cu�ntos verbos
encontramos en: \u8220?Tengo una \line\tab \up0 \expndtw0\charscalex108 pena / que
casi puedo decir que yo no tengo \line \tab \up0 \expndtw0\charscalex102 la pena /
la pena me tiene a m�\u8221??\par\pard\ql \li1492\sb6\sl-
230\slmult0\tx1782\tx3249\tx3543\tx4665 \up0 \expndtw-3\charscalex100 a)\tab
\up0 \expndtw-2\charscalex100 2\tab \up0 \expndtw-3\charscalex100 b)\tab \up0
\expndtw-2\charscalex100 3\tab \up0 \expndtw-2\charscalex100 c) 4\par\pard\ql
\li1492\sb0\sl-230\slmult0\tx1782\tx3249\tx3543 \up0 \expndtw-3\charscalex100
d)\tab \up0 \expndtw-2\charscalex100 5\tab \up0 \expndtw-3\charscalex100 e)\tab
\up0 \expndtw-2\charscalex100 6\par\pard\ql \li1132\ri501\sb117\sl-
229\slmult0\tx1492\tx1492\tx1492\tx1492 \up0 \expndtw0\charscalex103 21. En qu�
modo se encuentran los verbos \line\tab \up0 \expndtw0\charscalex102
subrayados en el siguiente enunciado: \u8220?Apunt� \line \tab \up0
\expndtw0\charscalex107 a tu coraz�n con dos ojazos certeros / y me \line \tab
\up0 \expndtw0\charscalex105 hiri� la convicci�n / de que si no te amo,
\line \tab \up0 \expndtw0\charscalex109 muero\u8221?\par\pard\ql \li2102\sb1\sl-
230\slmult0 \up0 \expndtw0\charscalex103 I. Indicativo\par\pard\ql \li2044\sb1\sl-
230\slmult0 \up0 \expndtw0\charscalex103 II. Subjuntivo\par\pard\ql
\li1991\sb0\sl-230\slmult0 \up0 \expndtw0\charscalex102 III.
Imperativo\par\pard\ql \li1968\sb1\sl-230\slmult0 \up0 \expndtw0\charscalex101 IV.
condicionado\par\pard\ql \li1492\sb0\sl-230\slmult0 \up0 \expndtw0\charscalex106 a)
S�lo I\par\pard\ql \li1492\sb0\sl-230\slmult0 \up0 \expndtw0\charscalex105 b) S�lo
II\par\pard\ql \li1492\sb1\sl-230\slmult0 \up0 \expndtw-1\charscalex100 c) S�lo
III\par\pard\ql \li1492\sb0\sl-230\slmult0 \up0 \expndtw0\charscalex105 d) I, II,
IV\par\pard\ql \li1492\sb1\sl-230\slmult0 \up0 \expndtw0\charscalex103 e) I, II.
III. IV\par\pard\ql \li1132\sb115\sl-230\slmult0 \up0 \expndtw-2\charscalex100 22.
Hay una per�frasis durativa en:\par\pard\ql \li1492\sb0\sl-230\slmult0 \up0
\expndtw0\charscalex105 a) Estuvieron hablando largo rato sobre
tu\par\pard\ql \li1852\sb1\sl-225\slmult0 \up0 \expndtw-3\charscalex100
problema.\par\pard\ql \li1492\ri504\sb1\sl-230\slmult0 \up0 \expndtw-
2\charscalex100 b) Todo el viaje vinieron cantando baladas. \line \up0
\expndtw0\charscalex107 c) Fue sigui�ndola por el campo
para\par\pard\ql \li1852\sb0\sl-230\slmult0 \up0 \expndtw-3\charscalex100
protegerla.\par\pard\ql \li1492\sb1\sl-230\slmult0 \up0 \expndtw-2\charscalex100 d)
Mariza anduvo busc�ndolo y no lo encontr�\par\pard\ql \li1492\sb0\sl-230\slmult0
\up0 \expndtw0\charscalex105 e) Todas\par\pard\column \ql \li20\sb224\sl-
230\slmult0 \up0 \expndtw0\charscalex106 23. En: \u8220?El sindicato se aun� a la
lucha\u8221?, el verbo\par\pard\qj \li380\ri1190\sb5\sl-230\slmult0 \up0 \expndtw-
3\charscalex100 se encuentra en __________ del indicativo. \up0
\expndtw0\charscalex102 a) Presente\par\pard\ql \li380\sb1\sl-230\slmult0 \up0
\expndtw0\charscalex102 b) Copret�rito\par\pard\ql \li380\sb0\sl-230\slmult0
\up0 \expndtw0\charscalex100 c) Futuro\par\pard\ql \li380\sb0\sl-230\slmult0 \up0
\expndtw0\charscalex103 d) Pret�rito\par\pard\ql \li380\sb1\sl-230\slmult0 \up0
\expndtw0\charscalex102 e) pospret�rito\par\pard\qj \li20\ri2060\sb115\sl-
230\slmult0\tx390 \up0 \expndtw-2\charscalex100 24. Se�ale el t�rmino que se
excluye: \line\tab \up0 \expndtw0\charscalex106 a) Medir\par\pard\ql
\li380\sb0\sl-225\slmult0 \up0 \expndtw0\charscalex102 b) Complacer\par\pard\ql
\li380\sb2\sl-230\slmult0 \up0 \expndtw-1\charscalex100 c) Temblar\par\pard\ql
\li380\sb0\sl-230\slmult0 \up0 \expndtw0\charscalex104 d) Correr\par\pard\ql
\li380\sb0\sl-230\slmult0 \up0 \expndtw0\charscalex104 e) Regar\par\pard\ql
\li20\sb116\sl-230\slmult0 \up0 \expndtw-2\charscalex100 25. Hay un verbo
transitivo en:\par\pard\ql \li380\sb0\sl-230\slmult0 \up0 \expndtw-1\charscalex100
a) C�sar Vallejo muri� en Par�s.\par\pard\qj \li380\ri1508\sb1\sl-230\slmult0 \up0
\expndtw-1\charscalex100 b) Aquel libro fue publicado en Madrid. \up0 \expndtw-
2\charscalex100 c) Andreina amaneci� muy contenta. \up0 \expndtw-1\charscalex100
d) Cinthya besaba a su novio.\par\pard\ql \li380\sb1\sl-230\slmult0 \up0 \expndtw-
1\charscalex100 e) Por favor, baila para m�.\par\pard\ql \li20\ri648\sb111\sl-
230\slmult0\tx390\tx390\tx390\tx390 \up0 \expndtw-2\charscalex100 26. Encontramos
una per�frasis verbal en: \line\tab \up0 \expndtw-2\charscalex100 a) Dante iba a
confesar su amor por Marianita. \line \tab \up0 \expndtw-2\charscalex100 b) Voy a
luchar para lograr todas mis metas. \line \tab \up0 \expndtw-2\charscalex100 c)
El carnero fue vendido a Don Cipriano. \line \tab \up0 \expndtw0\charscalex108 d)
Junior y Geraldine suelen ir a la playa los\par\pard\ql \li740\sb1\sl-
230\slmult0 \up0 \expndtw-3\charscalex100 fines de semana.\par\pard\ql
\li380\sb0\sl-230\slmult0 \up0 \expndtw0\charscalex104 e) Todas.\par\pard\qj
\li20\ri647\sb116\sl-230\slmult0\tx390 \up0 \expndtw-1\charscalex100 27.
Encontramos verbos terciopersonales, excepto \line\tab \up0 \expndtw-
3\charscalex100 en:\par\pard\ql \li380\sb0\sl-230\slmult0 \up0
\expndtw0\charscalex109 a) Asustado el perro, ladr� a los nuevos\par\pard\ql
\li740\sb1\sl-230\slmult0 \up0 \expndtw-3\charscalex100 vecinos.\par\pard\ql
\li380\sb0\sl-225\slmult0 \up0 \expndtw-1\charscalex100 b) Tu perrito no est� sano
a�n.\par\pard\qj \li380\ri1623\sb2\sl-230\slmult0
\up0 \expndtw-2\charscalex100 c) El caballo relinch� al sentirse libre. \up0
\expndtw-1\charscalex100 d) El cerdo gru��a desde el chiquero. \up0
\expndtw0\charscalex100 e) Todas menos b.\par\pard\ql \li20\ri648\sb116\sl-
230\slmult0\tx390\tx390 \up0 \expndtw0\charscalex106 28. �Qu� oraci�n denota en
su n�cleo verbal \line\tab \up0 \expndtw0\charscalex100 verdades universales
fuera de todo orden \line \tab \up0 \expndtw-3\charscalex100
temporal?\par\pard\qj \li380\ri1012\sb0\sl-230\slmult0 \up0 \expndtw-
2\charscalex100 a) Este viernes es mi fiesta de graduaci�n. \line \up0 \expndtw-
2\charscalex100 b) Los chicos de RBD llegan en noviembre. \line \up0 \expndtw-
3\charscalex100 c) El agua hierve a cien grados cent�grados.\par\pard\ql
\li380\sb0\sl-230\slmult0 \up0 \expndtw0\charscalex100 d) Vivo pensando en
ti.\par\pard\ql \li380\sb1\sl-225\slmult0 \up0 \expndtw-1\charscalex100 e) Miguel
Grau nace en Piura en 1834.\par\pard\ql \li20\sb116\sl-230\slmult0 \up0 \expndtw-
2\charscalex100 29. No es un verbo ca�tico:\par\pard\ql \li380\sb1\sl-
230\slmult0\tx1441\tx2857 \up0 \expndtw-9\charscalex93 a) Ir\tab \up0 \expndtw-
3\charscalex100 b) Decir\tab \up0 \expndtw-2\charscalex100 c) Ser\par\pard\ql
\li380\sb0\sl-230\slmult0 \up0 \expndtw-2\charscalex100 d) Hacer e)
Todos\par\pard\ql \li6619\sb0\sl-230\slmult0 \par\pard\ql \li20\ri780\sb1\sl-
230\slmult0\tx390\tx390\tx390\tx390\tx390 \up0 \expndtw-2\charscalex100 30. El
participio act�a como adjetivo en: \line\tab \up0 \expndtw-2\charscalex100 a) La
mercader�a fue decomisada en M�ncora. \line \tab \up0 \expndtw-2\charscalex100 b)
Ese presidente dej� empobrecido al pa�s. \line \tab \up0 \expndtw-3\charscalex100
c) Av�same cuando hayas enviado la carta. \line \tab \up0 \expndtw-
2\charscalex100 d) Comida acabada, amistad deshecha. \line \tab \up0
\expndtw0\charscalex104 e) Todas.\par\pard\ql \li20\ri651\sb111\sl-
230\slmult0\tx390\tx390 \up0 \expndtw-2\charscalex100 31. Encontramos verbos
transitivos en: \line\tab \up0 \expndtw-1\charscalex100 a) En el a�o 1983 llovi�
torrencialmente. \line \tab \up0 \expndtw0\charscalex100 b) Ese joven escogi� las
mejores frutas para su\par\pard\ql \li740\sb1\sl-230\slmult0 \up0 \expndtw-
3\charscalex100 novia.\par\pard\ql \li380\sb0\sl-230\slmult0 \up0 \expndtw-
1\charscalex100 c) Un terremoto devast� los hogares de cientos\par\pard\ql
\li740\sb1\sl-230\slmult0 \up0 \expndtw-3\charscalex100 de familias.\par\pard\qj
\li380\ri890\sb0\sl-230\slmult0 \up0 \expndtw-2\charscalex100 d) Las ni�as la
saludaron con mucho respeto. \up0 \expndtw0\charscalex100 e) Todas menos
a.\par\pard\qj \li20\ri646\sb116\sl-230\slmult0\tx390 \up0 \expndtw0\charscalex107
32. En qu� alternativa los verbos admiten \line\tab \up0 \expndtw-
3\charscalex100 construcci�n pasiva:\par\pard\qj \li380\ri1128\sb0\sl-
230\slmult0 \up0 \expndtw-2\charscalex100 a) Le propin� una golpiza por
irrespetuoso. \up0 \expndtw-1\charscalex100 b) Hern�n Cort�s quem� sus
naves.\par\pard\qj \li380\ri831\sb0\sl-230\slmult0 \up0 \expndtw-3\charscalex100 c)
El sacerdote bendijo el edificio remodelado. \up0 \expndtw-2\charscalex100 d)
Acarici� suavemente su cansada espalda. \up0 \expndtw0\charscalex104 e) Todas.
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{\shp
81\colsr160\ql \li1132\sb224\sl-230\slmult0 \up0 \expndtw-1\charscalex100
\ul0\nosupersub\cf5\f6\fs20 33. �Cu�ntos verbos encontramos en: \u8220?Cada a�o
su\par\pard\qj \li1492\ri502\sb0\sl-230\slmult0 \up0 \expndtw0\charscalex108 esposo
le enviaba un ramo. El a�o en el que \up0 \expndtw0\charscalex110 �l muri�, las
rosas llegaron a su puerta. / La \up0 \expndtw0\charscalex107 tarjeta dec�a:
\up0 \expndtw0\charscalex111 \u8220?TE AMO\u8221?, como los a�os\par\pard\qj
\li1492\ri503\sb0\sl-230\slmult0 \up0 \expndtw0\charscalex106 anteriores. Cada a�o
�l le enviaba rosas, y la \up0 \expndtw0\charscalex107 tarjeta siempre dec�a lo
mismo: \up0 \expndtw0\charscalex104 \u8220?TE AMO\par\pard\qj
\li1492\ri501\sb0\sl-230\slmult0 \up0 \expndtw0\charscalex107 M�S ESTE A�O QUE EL
A�O PASADO EN \up0 \expndtw0\charscalex105 ESTE D�A\u8221? \u8220?MI AMOR POR
TI CRECER� \up0 \expndtw0\charscalex101 CADA A�O QUE
PASE\u8221?\u8230?\u8221??\par\pard\ql \li1492\sb0\sl-
230\slmult0\tx1782\tx3249\tx3543\tx4665\tx4948 \up0 \expndtw-3\charscalex100 a)\tab
\up0 \expndtw-2\charscalex100 8\tab \up0 \expndtw-3\charscalex100 b)\tab \up0
\expndtw-2\charscalex100 9\tab \up0 \expndtw-2\charscalex100 c)\tab \up0 \expndtw-
3\charscalex100 10\par\pard\ql \li1492\sb1\sl-230\slmult0\tx1778\tx2543\tx2834 \up0
\expndtw-4\charscalex100 d)\tab \up0 \expndtw-3\charscalex100 11\tab \up0 \expndtw-
4\charscalex100 e)\tab \up0 \expndtw-3\charscalex100 12\par\pard\ql
\li1132\ri503\sb225\sl-232\slmult0\tx1492\tx1492 \up0 \expndtw0\charscalex107 34.
En:\u8221?Es posible que Marlon adeude m�s de lo \line\tab \up0
\expndtw0\charscalex100 que pensamos\u8221?, el verbo subrayado est� en \line
\tab \up0 \expndtw-3\charscalex100 _______ del ___________.\par\pard\ql
\li1492\sb1\sl-230\slmult0 \up0 \expndtw0\charscalex102 a) Presente -
indicativo\par\pard\ql \li1492\sb0\sl-230\slmult0 \up0 \expndtw0\charscalex102 b)
Presente - subjuntivo\par\pard\ql \li1492\sb1\sl-230\slmult0 \up0 \expndtw-
1\charscalex100 c) Pret�rito - condicionado\par\pard\ql \li1492\sb0\sl-
230\slmult0 \up0 \expndtw0\charscalex102 d) Futuro - indicativo\par\pard\ql
\li1492\sb0\sl-230\slmult0 \up0 \expndtw0\charscalex101 e) Copret�rito -
subjuntivo.\par\pard\qj \li1132\ri504\sb111\sl-230\slmult0\tx1492 \up0 \expndtw-
1\charscalex100 35. Hay una per�frasis de significado terminativo y
\line\tab \up0 \expndtw-3\charscalex100 regresivo en:\par\pard\qj
\li1492\ri689\sb0\sl-230\slmult0 \up0 \expndtw-3\charscalex100 1. Dec�dete,
llevamos comprando media hora. \up0 \expndtw-2\charscalex100 2. Empez� a escribir
su libro en 1999.\par\pard\qj \li1492\ri507\sb1\sl-230\slmult0 \up0 \expndtw-
3\charscalex100 3. Acabo de comer un suculento cuy con papas. \line \up0
\expndtw0\charscalex101 4. S� lo que sientes, tambi�n he llegado
a\par\pard\ql \li1852\sb0\sl-230\slmult0 \up0 \expndtw-3\charscalex100 pesar muchos
kilos.\par\pard\ql \li1492\sb1\sl-230\slmult0 \up0 \expndtw0\charscalex105 5.
Dej� de escuchar esa m�sica ante tus\par\pard\ql \li1852\sb0\sl-
230\slmult0 \up0 \expndtw-3\charscalex100 reproches.\par\pard\ql \li1492\sb1\sl-
230\slmult0 \up0 \expndtw-2\charscalex100 6. Esto debe costar mucho
dinero.\par\pard\ql \li1492\sb0\sl-230\slmult0 \up0 \expndtw-2\charscalex100 7.
Volvi� a insistir en el mismo asunto.\par\pard\ql \li1492\sb1\sl-225\slmult0
\up0 \expndtw0\charscalex107 8. Dejo de leer a Shakespeare para
leer\par\pard\ql \li1852\sb1\sl-230\slmult0 \up0 \expndtw-3\charscalex100 revistas
de Condorito.\par\pard\ql \li1492\sb0\sl-230\slmult0 \up0 \expndtw-1\charscalex100
9. Esp�ranos aqu�, vamos a ir a echar gasolina\par\pard\ql \li1852\sb1\sl-
230\slmult0 \up0 \expndtw-3\charscalex100 a la moto.\par\pard\ql \li1492\sb0\sl-
230\slmult0 \up0 \expndtw0\charscalex109 10. Debo de ir pronto a la reuni�n
o me\par\pard\ql \li1852\sb0\sl-230\slmult0 \up0 \expndtw-4\charscalex100
sancionar�n.\par\pard\ql \li1675\sb1\sl-230\slmult0\tx2207 \up0 \expndtw-
3\charscalex100 a)\tab \up0 \expndtw-2\charscalex100 1, 3, 8\par\pard\ql
\li1675\sb0\sl-230\slmult0\tx2207 \up0 \expndtw-3\charscalex100 b)\tab \up0
\expndtw-2\charscalex100 2. \up0 \expndtw-2\charscalex100 6. 9\par\pard\ql
\li1675\sb1\sl-230\slmult0 \up0 \expndtw-2\charscalex100 c)4, 7, 10\par\pard\ql
\li1675\sb0\sl-230\slmult0\tx2207 \up0 \expndtw-3\charscalex100 d)\tab \up0
\expndtw-2\charscalex100 3, 7, 8\par\pard\ql \li1675\sb0\sl-230\slmult0\tx2206 \up0
\expndtw-4\charscalex100 e)\tab \up0 \expndtw-3\charscalex100 Todas\par\pard\qj
\li1132\ri506\sb111\sl-230\slmult0\tx1492 \up0 \expndtw0\charscalex101 36. En qu�
alternativa el n�cleo oracional expresa \line\tab \up0 \expndtw-3\charscalex100
probabilidad o conjetura.\par\pard\ql \li1492\sb1\sl-230\slmult0 \up0 \expndtw-
1\charscalex100 a) Probablemente la vea hoy.\par\pard\qj \li1492\ri512\sb0\sl-
230\slmult0 \up0 \expndtw-2\charscalex100 b) Debo resolver todos los ejercicios de
algebra. \up0 \expndtw-2\charscalex100 c) Mauricio debe de ser un buen
chico.\par\pard\qj \li1492\ri545\sb0\sl-230\slmult0 \up0 \expndtw-2\charscalex100
d) Nadie imagin� que Alex ser�a un buen padre. \up0 \expndtw-2\charscalex100 e)
Quiz� est� a la espera de tu respuesta.\par\pard\ql \li1132\ri502\sb116\sl-
230\slmult0\tx1492\tx1492\tx1492 \up0 \expndtw0\charscalex102 37. Poseen una doble
naturaleza: al mismo tiempo \line\tab \up0 \expndtw0\charscalex103 son formas
verbales y sustantivos, adjetivos o \line \tab \up0 \expndtw-3\charscalex100
adverbios. Por esta doble funci�n R. Lenz los \line \tab \up0 \expndtw-
3\charscalex100 llam� ________ en ______.\par\pard\ql \li1492\sb1\sl-225\slmult0
\up0 \expndtw0\charscalex100 a) Formas no personales - 1994\par\pard\ql
\li1492\sb1\sl-230\slmult0 \up0 \expndtw0\charscalex102 b) Verboides -
1925\par\pard\ql \li1492\sb0\sl-230\slmult0 \up0 \expndtw0\charscalex100 c)
Infinitivos - 1890\par\pard\ql \li1492\sb1\sl-230\slmult0 \up0
\expndtw0\charscalex102 d) Participios - 1980\par\pard\ql \li1492\sb0\sl-
230\slmult0 \up0 \expndtw0\charscalex100 e) Gerundios - 1714\par\pard\qj
\li1132\ri502\sb108\sl-235\slmult0\tx1492 \up0 \expndtw0\charscalex104 38. \u8220?
Fue esclavizado por el vicio\u8221?, lo subrayado es \line\tab \up0 \expndtw-
3\charscalex100 un ejemplo de:\par\pard\ql \li1492\sb0\sl-230\slmult0 \up0
\expndtw0\charscalex100 a) Per�frasis incoativas\par\pard\ql \li1492\sb1\sl-
230\slmult0 \up0 \expndtw0\charscalex100 b) Per�frasis perfectivas\par\pard\ql
\li1492\sb0\sl-230\slmult0 \up0 \expndtw-2\charscalex100 c) Per�frasis
durativas\par\pard\ql \li1492\sb1\sl-230\slmult0 \up0 \expndtw0\charscalex100 d)
Per�frasis terminativas\par\pard\ql \li1492\sb0\sl-225\slmult0 \up0
\expndtw0\charscalex100 e) Per�frasis hipot�ticas\par\pard\ql \li1132\sb112\sl-
230\slmult0\tx2006 \up0 \expndtw0\charscalex100 39. En:\tab \up0
\expndtw0\charscalex109 \u8220?Ir�s donde te manden\u8221?, el
verbo\par\pard\ql \li1492\sb5\sl-230\slmult0 \up0 \expndtw-3\charscalex100
subrayado est� en:\par\pard\ql \li1492\sb1\sl-230\slmult0 \up0
\expndtw0\charscalex102 a) Imperativo\par\pard\ql \li1492\sb0\sl-230\slmult0
\up0 \expndtw0\charscalex100 b) Futuro de probabilidad\par\pard\ql \li1492\sb0\sl-
230\slmult0 \up0 \expndtw-2\charscalex100 c) Futuro de
exigencia\par\pard\column \ql \li380\sb229\sl-230\slmult0 \up0
\expndtw0\charscalex100 d) Futuro de obligaci�n\par\pard\ql \li380\sb0\sl-
230\slmult0 \up0 \expndtw0\charscalex101 e) Presente futuro\par\pard\ql
\li20\sb226\sl-276\slmult0 \up0 \expndtw-1\charscalex100
\ul0\nosupersub\cf4\f5\fs24 TEMA N� 02: LITERATURA PERUANA II\par\pard\ql
\li20\ri648\sb2\sl-230\slmult0\tx390\tx390\tx390\tx390 \up0 \expndtw-
2\charscalex100 \ul0\nosupersub\cf5\f6\fs20 40. Poema compuesto en silvas que
agrupan 335 \line\tab \up0 \expndtw-1\charscalex100 versos entre endecas�labos y
heptas�labos, cuyo \line \tab \up0 \expndtw-2\charscalex100 tema central es la
declaraci�n del amor plat�nico \line \tab \up0 \expndtw0\charscalex106 de la dama
por el renombrado poeta Lope de \line \tab \up0 \expndtw-3\charscalex100
Vega.\par\pard\ql \li380\sb0\sl-230\slmult0 \up0 \expndtw-1\charscalex100 a)
Discurso en loor de la poes�a\par\pard\ql \li380\sb1\sl-230\slmult0 \up0
\expndtw0\charscalex102 b) La cristiana\par\pard\ql \li380\sb0\sl-230\slmult0 \up0
\expndtw-2\charscalex100 c) Ep�stola de Amarilis a Belardo\par\pard\ql
\li380\sb0\sl-230\slmult0 \up0 \expndtw0\charscalex101 d) Fuente
ovejuna\par\pard\ql \li380\sb1\sl-230\slmult0 \up0 \expndtw0\charscalex100 e) Amar
su propia muerte\par\pard\ql \li20\ri648\sb117\sl-228\slmult0\tx390\tx390\tx390
\up0 \expndtw0\charscalex106 41. En sus versos ridiculiz� �cidamente a los
\line\tab \up0 \expndtw-1\charscalex100 m�dicos, a quienes llam� matasanos, ya que
los \line \tab \up0 \expndtw-2\charscalex100 consideraba responsables de la
muerte de su \line \tab \up0 \expndtw-3\charscalex100 joven
esposa.\par\pard\ql \li380\sb1\sl-230\slmult0 \up0 \expndtw0\charscalex102 a) El
lunarejo\par\pard\ql \li380\sb1\sl-230\slmult0 \up0 \expndtw0\charscalex100 b) El
solitario de Say�n\par\pard\ql \li380\sb0\sl-230\slmult0 \up0 \expndtw-
1\charscalex100 c) Concolocorvo\par\pard\ql \li380\sb0\sl-230\slmult0 \up0
\expndtw0\charscalex100 d) El Quevedo peruano\par\pard\ql \li380\sb1\sl-
230\slmult0 \up0 \expndtw0\charscalex100 e) El doctor oc�ano\par\pard\qj
\li20\ri647\sb115\sl-230\slmult0\tx390 \up0 \expndtw0\charscalex102 42. Jos�
Faustino S�nchez Carri�n conocido como \line\tab \up0
\expndtw-3\charscalex100 El solitario de Say�n dirigi�:\par\pard\ql \li380\sb0\sl-
230\slmult0 \up0 \expndtw0\charscalex102 a) El comercio\par\pard\ql \li380\sb1\sl-
225\slmult0 \up0 \expndtw0\charscalex102 b) El peruano\par\pard\ql \li380\sb1\sl-
230\slmult0 \up0 \expndtw-2\charscalex100 c) La abeja republicana\par\pard\ql
\li380\sb0\sl-230\slmult0 \up0 \expndtw0\charscalex102 d) El
zancudo\par\pard\ql \li380\sb1\sl-230\slmult0 \up0 \expndtw0\charscalex100 e) El
espejo de mi tierra\par\pard\ql \li20\ri651\sb115\sl-230\slmult0\tx390\tx390
\up0 \expndtw-2\charscalex100 43. No es caracter�stica del costumbrismo:
\line\tab \up0 \expndtw-2\charscalex100 a) Tono sat�rico, festivo, zumb�n y
burlesco. \line \tab \up0 \expndtw0\charscalex100 b) Se desarrollo
preferentemente a trav�s del\par\pard\ql \li740\sb0\sl-230\slmult0 \up0 \expndtw-
3\charscalex100 periodismo y el teatro.\par\pard\ql \li380\sb1\sl-230\slmult0
\up0 \expndtw-2\charscalex100 c) Proclam� la libertad de creaci�n.\par\pard\ql
\li380\sb0\sl-230\slmult0 \up0 \expndtw0\charscalex100 d) Busca la identidad de la
nueva estructura de\par\pard\ql \li380\ri647\sb6\sl-225\slmult0\fi360 \up0
\expndtw-3\charscalex100 la sociedad, despu�s de la independencia. \line \up0
\expndtw0\charscalex102 e) Expresa amor por lo inmediato, el
ambiente\par\pard\ql \li740\sb2\sl-230\slmult0 \up0 \expndtw-3\charscalex100 local
y las costumbres de la �poca.\par\pard\qj \li20\ri652\sb115\sl-230\slmult0\tx390
\up0 \expndtw0\charscalex101 44. Considerado como el m�ximo exponente del
\line\tab \up0 \expndtw-3\charscalex100 anticriollismo:\par\pard\ql \li380\sb0\sl-
230\slmult0 \up0 \expndtw-1\charscalex100 a) Alonso Carri� de la
Vandera.\par\pard\ql \li380\sb0\sl-230\slmult0 \up0 \expndtw-1\charscalex100 b)
Manuel Ascencio Segura.\par\pard\ql \li380\sb1\sl-230\slmult0 \up0 \expndtw-
2\charscalex100 c) Felipe Pardo y Aliaga\par\pard\ql \li380\sb0\sl-230\slmult0
\up0 \expndtw0\charscalex100 d) Pedro Paz Sold�n\par\pard\ql \li380\sb0\sl-
230\slmult0 \up0 \expndtw-1\charscalex100 e) Manuel Nicol�s
Corpancho\par\pard\ql \li20\ri642\sb118\sl-228\slmult0\tx390\tx390\tx390 \up0
\expndtw-2\charscalex100 45. Comedia de Pardo y Aliaga dividida en tres actos
\line\tab \up0 \expndtw-3\charscalex100 y en verso, en donde critica a la \u8220?
familia de medio \line \tab \up0 \expndtw-3\charscalex100 pelo\u8221? lime�a que
busca el ascenso social a trav�s \line \tab \up0 \expndtw-3\charscalex100 de
matrimonios convenidos.\par\pard\ql \li380\sb2\sl-230\slmult0 \up0
\expndtw0\charscalex100 a) El espejo de mi tierra\par\pard\ql \li380\sb0\sl-
230\slmult0 \up0 \expndtw0\charscalex101 b) Don Leocadio\par\pard\ql
\li380\sb1\sl-230\slmult0 \up0 \expndtw-2\charscalex100 c) Una hu�rfana en
Chorrillos\par\pard\ql \li380\sb0\sl-230\slmult0 \up0 \expndtw0\charscalex100 d)
Frutos de la educaci�n\par\pard\ql \li380\sb0\sl-230\slmult0 \up0
\expndtw0\charscalex100 e) La jeta del guerrero\par\pard\ql \li20\ri651\sb116\sl-
230\slmult0\tx390\tx390 \up0 \expndtw-2\charscalex100 46. Comedia de Manuel
Ascencio Segura en que \line\tab \up0 \expndtw-3\charscalex100 plantea
claramente su posici�n antimilitarista. \line \tab \up0 \expndtw0\charscalex100 a)
La saya y el manto\par\pard\ql \li380\sb0\sl-230\slmult0 \up0
\expndtw0\charscalex103 b) �a Catita\par\pard\ql \li380\sb1\sl-225\slmult0 \up0
\expndtw-1\charscalex100 c) El cacharpari\par\pard\ql \li380\sb1\sl-
230\slmult0 \up0 \expndtw0\charscalex100 d) Lances de Amancaes\par\pard\ql
\li380\sb0\sl-230\slmult0 \up0 \expndtw0\charscalex100 e) El sargento
Canuto\par\pard\qj \li20\ri651\sb116\sl-230\slmult0\tx390 \up0 \expndtw-
1\charscalex100 47. Son representantes del romanticismo en el Per�, \line\tab
\up0 \expndtw-3\charscalex100 excepto:\par\pard\ql \li380\sb1\sl-230\slmult0
\up0 \expndtw-1\charscalex100 a) Luis Benjam�n Cisneros\par\pard\ql \li380\sb0\sl-
230\slmult0 \up0 \expndtw0\charscalex100 b) Pedro Paz Sold�n\par\pard\ql
\li380\sb0\sl-230\slmult0 \up0 \expndtw-2\charscalex100 c) Mariano
Melgar\par\pard\ql \li380\sb1\sl-230\slmult0 \up0 \expndtw-1\charscalex100 d)
Carlos Augusto Salaverry\par\pard\ql \li380\sb0\sl-230\slmult0 \up0 \expndtw-
1\charscalex100 e) Jos� Arnaldo M�rquez
{\shp
}}
{\shp
}}
{\shp
}}
{\shp
81\colsr160\ql \li1132\sb0\sl-230\slmult0 \par\pard\ql \li1132\sb114\sl-230\slmult0
\up0 \expndtw-1\charscalex100 \ul0\nosupersub\cf5\f6\fs20 48. Es la obra l�rica m�s
importante de la producci�n\par\pard\qj \li1492\ri502\sb0\sl-230\slmult0 \up0
\expndtw0\charscalex102 de Salaverry, destaca el poema eleg�aco \up0
\expndtw0\charscalex105 \u8220?Acu�rdate de m�\u8221?, de marcada
inspiraci�n \up0 \expndtw-3\charscalex100 becqueriana.\par\pard\ql \li1492\sb0\sl-
230\slmult0 \up0 \expndtw0\charscalex100 a) Albores y destellos\par\pard\ql
\li1492\sb1\sl-230\slmult0 \up0 \expndtw0\charscalex100 b) Misterios de la
tumba\par\pard\ql \li1492\sb0\sl-230\slmult0 \up0 \expndtw-2\charscalex100 c)
Cartas a un �ngel\par\pard\ql \li1492\sb1\sl-230\slmult0 \up0
\expndtw0\charscalex100 d) Diamantes y perlas\par\pard\ql \li1492\sb0\sl-
230\slmult0 \up0 \expndtw0\charscalex101 e) El bello ideal\par\pard\qj
\li1132\ri507\sb111\sl-230\slmult0\tx1492 \up0 \expndtw-2\charscalex100 49. \u8220?
Anales de la inquisici�n de Lima\u8221? y \u8220?Monteagudo \line\tab \up0
\expndtw-3\charscalex100 y S�nchez\u8221?, son obras hist�ricas de:\par\pard\ql
\li1492\sb0\sl-230\slmult0 \up0 \expndtw0\charscalex101 a) Ricardo
Palma\par\pard\ql \li1492\sb1\sl-230\slmult0 \up0 \expndtw-1\charscalex100 b)
Manuel Ascencio Segura\par\pard\ql \li1492\sb0\sl-230\slmult0 \up0 \expndtw-
2\charscalex100 c) Mariano Jos� de Larra\par\pard\ql \li1492\sb1\sl-
230\slmult0 \up0 \expndtw-1\charscalex100 d) Carlos Augusto
Salaverry\par\pard\ql \li1492\sb0\sl-230\slmult0 \up0 \expndtw0\charscalex100 e)
Abelardo Gamarra\par\pard\ql \li1132\ri502\sb118\sl-
228\slmult0\tx1492\tx1492\tx1492 \up0 \expndtw0\charscalex105 50. Fund� un
c�rculo literario que se llam� \line\tab \up0 \expndtw-2\charscalex100
simplemente \u8220?El c�rculo\u8221?, que se transformar�a en \line \tab \up0
\expndtw-2\charscalex100 el partido pol�tico \u8220?La Uni�n Nacional\u8221?, con
el que \line \tab \up0 \expndtw-3\charscalex100 llega a ser candidato
presidencial.\par\pard\ql \li1492\sb1\sl-230\slmult0 \up0 \expndtw-1\charscalex100
a) Manuel Ascencio Segura\par\pard\ql \li1492\sb1\sl-230\slmult0 \up0 \expndtw-
1\charscalex100 b) Mercedes Cabello de Carbonera\par\pard\ql \li1492\sb0\sl-
230\slmult0 \up0 \expndtw-2\charscalex100 c) Abelardo Gamarra\par\pard\ql
\li1492\sb0\sl-230\slmult0 \up0 \expndtw-1\charscalex100 d) Manuel Gonz�lez
Prada\par\pard\ql \li1492\sb1\sl-230\slmult0 \up0 \expndtw0\charscalex100 e)
Leonidas Yerovi\par\pard\qj \li1132\sb0\sl-230\slmult0 \par\pard\qj
\li1132\ri617\sb1\sl-230\slmult0\tx1492 \up0 \expndtw-3\charscalex100 51. No
pertenece a los ensayos de Gonz�lez Prada: \line\tab \up0 \expndtw0\charscalex100
a) Propaganda y ataque\par\pard\ql \li1492\sb0\sl-230\slmult0 \up0
\expndtw0\charscalex101 b) Bajo el oprobio\par\pard\ql \li1492\sb1\sl-
230\slmult0 \up0 \expndtw-1\charscalex100 c) Anarqu�a\par\pard\ql \li1492\sb0\sl-
225\slmult0 \up0 \expndtw0\charscalex100 d) Figuras y figurones\par\pard\ql
\li1492\sb2\sl-230\slmult0 \up0 \expndtw0\charscalex102 e)
Min�sculas\par\pard\ql \li1132\ri504\sb115\sl-230\slmult0\tx1492\tx1492 \up0
\expndtw0\charscalex101 52. Fue disc�pula de Gonz�lez Prada, y sigui� su
\line\tab \up0 \expndtw-1\charscalex100 ideolog�a, defendiendo al indio en forma
cr�tica y \line \tab \up0 \expndtw-3\charscalex100 pedag�gica.\par\pard\ql
\li1492\sb0\sl-230\slmult0 \up0 \expndtw-1\charscalex100 a) Mercedes Cabello de
Carbonera\par\pard\ql \li1492\sb1\sl-230\slmult0 \up0 \expndtw0\charscalex104 b)
Amarilis\par\pard\ql \li1492\sb0\sl-230\slmult0 \up0 \expndtw-2\charscalex100 c)
Clorinda Matto de Turner\par\pard\ql \li1492\sb1\sl-230\slmult0 \up0
\expndtw0\charscalex100 d) Micaela Bastidas\par\pard\ql \li1492\sb0\sl-230\slmult0
\up0 \expndtw0\charscalex101 e) Blanca Varela\par\pard\ql \li1132\ri502\sb119\sl-
227\slmult0\tx1492\tx1492 \up0 \expndtw0\charscalex101 53. El Modernismo en el Per�
se inicia en 1906 con \line\tab \up0 \expndtw-3\charscalex100 la publicaci�n de
_________ de __________. \line \tab \up0 \expndtw0\charscalex102 a) Azul - Rub�n
Dar�o\par\pard\ql \li1492\sb1\sl-230\slmult0 \up0 \expndtw-1\charscalex100 b) Alma
Am�rica - Jos� Santos Chocano\par\pard\ql \li1492\sb0\sl-230\slmult0 \up0 \expndtw-
1\charscalex100 c) Historia Malignas - Clemente Palma\par\pard\ql \li1492\sb1\sl-
230\slmult0 \up0 \expndtw0\charscalex100 d) Reinos del alma - Alberto
Ureta\par\pard\ql \li1492\sb0\sl-230\slmult0 \up0 \expndtw-1\charscalex100 e)
Poes�as completas - Jos� Santos Chocano\par\pard\ql \li1132\ri501\sb116\sl-
230\slmult0\tx1492\tx1492\tx1492\tx1492 \up0 \expndtw0\charscalex102 54. Asesin� al
periodista de El Comercio, Edwin El \line\tab \up0 \expndtw0\charscalex100 more,
por haber trascrito afirmaciones del \line \tab \up0 \expndtw-
2\charscalex100 intelectual mexicano Jos� Vasconzuelos, el la \line \tab
\up0 \expndtw0\charscalex102 que dec�a que �l no alcanzaba la dimensi�n de \line
\tab \up0 \expndtw-3\charscalex100 Dar�o.\par\pard\ql \li1492\sb1\sl-225\slmult0
\up0 \expndtw0\charscalex100 a) Clemente Palma\par\pard\ql \li1492\sb1\sl-
230\slmult0 \up0 \expndtw-1\charscalex100 b) Jos� Santos Chocano\par\pard\ql
\li1492\sb1\sl-230\slmult0 \up0 \expndtw-1\charscalex100 c) C�sar
Vallejo\par\pard\ql \li1492\sb0\sl-230\slmult0 \up0 \expndtw-1\charscalex100 d)
Francisco Ventura Calder�n\par\pard\ql \li1492\sb0\sl-230\slmult0 \up0 \expndtw-
1\charscalex100 e) Jos� G�lvez Barrenechea.\par\pard\ql \li1132\sb116\sl-
230\slmult0\tx1890 \up0 \expndtw0\charscalex101 55. El\tab \up0
\expndtw0\charscalex100 ______________ propici� una reacci�n\par\pard\qj
\li1492\ri502\sb0\sl-230\slmult0 \up0 \expndtw0\charscalex103 nativista y
provinciana que se denomin� \up0 \expndtw-3\charscalex100 Movimiento
Col�nida.\par\pard\ql \li1492\sb0\sl-230\slmult0 \up0 \expndtw0\charscalex102 a)
Modernismo\par\pard\ql \li1492\sb0\sl-230\slmult0 \up0 \expndtw0\charscalex103 b)
Arielismo\par\pard\ql \li1492\sb1\sl-230\slmult0 \up0 \expndtw-1\charscalex100 c)
Romanticismo\par\pard\ql \li1492\sb0\sl-225\slmult0 \up0 \expndtw0\charscalex102 d)
Simbolismo\par\pard\ql \li1492\sb2\sl-230\slmult0 \up0 \expndtw0\charscalex103 e)
Realismo\par\pard\ql \li1132\sb115\sl-230\slmult0 \up0 \expndtw-2\charscalex100 56.
No es obra de Abraham Valdelomar:\par\pard\ql \li1492\sb1\sl-230\slmult0 \up0
\expndtw0\charscalex100 a) Ha vivido mi alma\par\pard\ql \li1492\sb7\sl-
267\slmult0 \up0 \expndtw-2\charscalex100 \ul0\nosupersub\cf4\f5\fs24 AFIANCEMOS LO
APRENDIDO\par\pard\column \ql \li380\sb227\sl-230\slmult0 \up0
\expndtw0\charscalex100 \ul0\nosupersub\cf5\f6\fs20 b) Cuentos
chinos\par\pard\ql \li380\sb1\sl-230\slmult0 \up0 \expndtw-2\charscalex100 c) La
psicolog�a del gallinazo\par\pard\ql \li380\sb0\sl-230\slmult0 \up0
\expndtw0\charscalex101 d) Yo pecador\par\pard\ql \li380\sb1\sl-230\slmult0
\up0 \expndtw0\charscalex100 e) Hombres y bestias\par\pard\ql
\li20\ri646\sb115\sl-230\slmult0\tx390\tx390\tx390 \up0 \expndtw-1\charscalex100
57. En sus obras desatacan la ubicaci�n de escenas \line\tab \up0 \expndtw-
1\charscalex100 po�ticas en el pasado, la descripci�n del paisaje \line \tab
\up0 \expndtw0\charscalex100 desde una perspectiva impresionista y no
\line \tab \up0 \expndtw-3\charscalex100 realista.\par\pard\ql \li380\sb1\sl-
230\slmult0 \up0 \expndtw0\charscalex100 a) Abraham Valdelomar\par\pard\ql
\li380\sb0\sl-225\slmult0 \up0 \expndtw-1\charscalex100 b) Jos� Santos
Chocano\par\pard\ql \li380\sb2\sl-230\slmult0 \up0 \expndtw-2\charscalex100 c)
Jos� Carlos Mari�tegui\par\pard\ql \li380\sb0\sl-230\slmult0 \up0
\expndtw0\charscalex100 d) Jos� Mar�a Eguren\par\pard\ql \li380\sb0\sl-230\slmult0
\up0 \expndtw0\charscalex101 e) Percy Gibson\par\pard\ql \li20\ri650\sb116\sl-
230\slmult0\tx390\tx390 \up0 \expndtw0\charscalex102 58. En su narrativa se
solidariza con el oprimido, el \line\tab \up0 \expndtw0\charscalex101 explotado, el
d�bil y denuncia el maltrato de los \line \tab \up0 \expndtw-3\charscalex100
poderosos.\par\pard\ql \li380\sb0\sl-230\slmult0 \up0 \expndtw-1\charscalex100 a)
Jos� Carlos Mari�tegui\par\pard\ql \li380\sb1\sl-230\slmult0 \up0
\expndtw0\charscalex101 b) C�sar Vallejo\par\pard\ql \li380\sb0\sl-230\slmult0
\up0 \expndtw-2\charscalex100 c) Carlos Oquendo de Amat\par\pard\ql
\li380\sb0\sl-230\slmult0 \up0 \expndtw0\charscalex101 d) C�sar
Moro\par\pard\ql \li380\sb1\sl-225\slmult0 \up0 \expndtw0\charscalex101 e) Mart�n
Ad�n\par\pard\ql \li20\ri646\sb117\sl-230\slmult0\tx390\tx390\tx390 \up0
\expndtw0\charscalex101 59. La casi totalidad de sus obras narrativas se
\line\tab \up0 \expndtw0\charscalex104 ambientan en la sierra del sur del Per�,
regi�n \line \tab \up0 \expndtw0\charscalex104 que �l conoci� muy bien ya que era
natural de \line \tab \up0 \expndtw-3\charscalex100 Andahuaylas.\par\pard\ql
\li380\sb0\sl-230\slmult0 \up0 \expndtw0\charscalex102 a) Ciro Alegr�a\par\pard\ql
\li380\sb0\sl-230\slmult0 \up0 \expndtw0\charscalex101 b) C�sar
Moro\par\pard\ql \li380\sb1\sl-230\slmult0 \up0 \expndtw-2\charscalex100 c) Jos�
Mar�a Arguedas\par\pard\ql \li380\sb0\sl-230\slmult0 \up0 \expndtw0\charscalex101
d) C�sar Vallejo\par\pard\ql \li380\sb1\sl-230\slmult0 \up0
\expndtw0\charscalex101 e) Mart�n Ad�n\par\pard\ql \li20\ri649\sb226\sl-
230\slmult0\tx390\tx390\tx390 \up0 \expndtw0\charscalex106 60. Obra de Ciro Alegr�a
en la que los hechos se \line\tab \up0 \expndtw-3\charscalex100 ambientan
en un pueblo ribere�o de r�o Mara��n. \line \tab \up0 \expndtw-2\charscalex100 Es
el planteamiento de la lucha cotidiana del \line \tab \up0 \expndtw-
3\charscalex100 hombre con la naturaleza.\par\pard\ql \li380\sb0\sl-230\slmult0
\up0 \expndtw0\charscalex100 a) La serpiente de Oro\par\pard\ql \li380\sb0\sl-
230\slmult0 \up0 \expndtw0\charscalex100 b) Los perros hambrientos\par\pard\ql
\li380\sb1\sl-230\slmult0 \up0 \expndtw-2\charscalex100 c) El mundo es ancho y
ajeno\par\pard\ql \li380\sb0\sl-230\slmult0 \up0 \expndtw0\charscalex100 d) Duelo
de caballeros\par\pard\ql \li380\sb1\sl-230\slmult0 \up0 \expndtw-1\charscalex100
e) Mucha suerte con harto palo\par\pard\qj \li20\ri1047\sb120\sl-225\slmult0\tx390
\up0 \expndtw-3\charscalex100 61. Son obras de Jos� Mar�a Arguedas, excepto:
\line\tab \up0 \expndtw-1\charscalex100 a) La agon�a de Rasu �iti\par\pard\ql
\li380\sb1\sl-230\slmult0 \up0 \expndtw0\charscalex100 b) El sue�o del
Pongo\par\pard\ql \li380\sb1\sl-230\slmult0 \up0 \expndtw-2\charscalex100 c)
Cuentos andinos\par\pard\ql \li380\sb0\sl-230\slmult0 \up0 \expndtw-1\charscalex100
d) Amor mundo y todos los cuentos\par\pard\ql \li380\sb0\sl-230\slmult0 \up0
\expndtw-1\charscalex100 e) Diamantes y pedernales\par\pard\ql \li20\sb116\sl-
230\slmult0 \up0 \expndtw-3\charscalex100 62. Cuento(s) incluido(s) en \u8220?La
palabra del mudo\u8221?:\par\pard\ql \li380\sb0\sl-230\slmult0 \up0 \expndtw-
1\charscalex100 a) Las botellas y los hombres\par\pard\ql \li380\sb1\sl-
230\slmult0 \up0 \expndtw0\charscalex100 b) Silvio en rosedal\par\pard\ql
\li380\sb0\sl-230\slmult0 \up0 \expndtw-2\charscalex100 c) Cuentos de
circunstancias\par\pard\ql \li380\sb0\sl-230\slmult0 \up0 \expndtw0\charscalex102
d) Los cautivos\par\pard\ql \li380\sb1\sl-230\slmult0 \up0 \expndtw0\charscalex105
e) Todos\par\pard\qj \li20\ri1445\sb111\sl-230\slmult0\tx390 \up0 \expndtw-
2\charscalex100 63. Son obras de Javier Sologuren, excepto: \line\tab \up0
\expndtw0\charscalex102 a) El morador\par\pard\ql \li380\sb0\sl-230\slmult0
\up0 \expndtw0\charscalex100 b) Bajo los ojos del amor\par\pard\ql \li380\sb1\sl-
230\slmult0 \up0 \expndtw-2\charscalex100 c) Mutatis mutandis\par\pard\ql
\li380\sb0\sl-230\slmult0 \up0 \expndtw0\charscalex100 d) La gruta de la
sirena\par\pard\ql \li380\sb1\sl-230\slmult0 \up0 \expndtw0\charscalex101 e) Vida
continua\par\pard\qj \li20\ri650\sb115\sl-230\slmult0\tx390 \up0 \expndtw-
1\charscalex100 64. No es una obra teatral de la producci�n de Mario \line\tab \up0
\expndtw-3\charscalex100 Varga Llosa:\par\pard\ql \li380\sb1\sl-230\slmult0 \up0
\expndtw0\charscalex100 a) La se�orita de Tacna\par\pard\ql \li380\sb0\sl-
230\slmult0 \up0 \expndtw0\charscalex100 b) Kathie y el hipop�tamo\par\pard\ql
\li380\sb1\sl-230\slmult0 \up0 \expndtw-2\charscalex100 c) La cultura de la
libertad\par\pard\ql \li380\sb0\sl-225\slmult0 \up0 \expndtw-1\charscalex100 d)
Ojos bonitos, cuadros feos\par\pard\ql \li380\sb2\sl-230\slmult0 \up0
\expndtw0\charscalex100 e) La huida del Inca
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LITERATURA \par\pard\li1132\sb229\sl-253\slmult0\fi0\tx1487 \up0 \expndtw-
3\charscalex100 \ul0\nosupersub\cf2\f3\fs22 1.\tab \up0 \expndtw-3\charscalex100
Escriba al costado de cada obra el autor correspondiente:\par\pard\li1132\sb1\sl-
207\slmult0\fi360\tx6763 \up0 \expndtw-2\charscalex100 \ul0\nosupersub\cf1\f2\fs18
1. Travesuras de la ni�a mala. ________________\tab \up0 \expndtw-2\charscalex100
17. Agua. ___________________________________\par\pard\li1132\sb206\sl-
207\slmult0\fi360\tx6763 \up0 \expndtw-2\charscalex100 2. Tantas veces Pedro.
______________________\tab \up0 \expndtw-2\charscalex100 18. L�zaro.
_________________________________\par\pard\li1132\sb205\sl-207\slmult0\fi360\tx6763
\up0 \expndtw-2\charscalex100 3. �ngeles novas.
___________________________\tab \up0 \expndtw-2\charscalex100 19. Nuevos cuentos
andinos.___________________\par\pard\li1132\sb0\sl-
207\slmult0\par\pard\li1132\sb4\sl-207\slmult0\fi360\tx6763 \up0 \expndtw-
2\charscalex100 4. Tromba de agosto. ________________________\tab \up0 \expndtw-
2\charscalex100 20. La mano desasida.
________________________\par\pard\li1132\sb206\sl-207\slmult0\fi360\tx6763 \up0
\expndtw-2\charscalex100 5. Pedestal para nadie. _______________________\tab \up0
\expndtw-2\charscalex100 21. Cinco metros de poemas.
___________________\par\pard\li1132\sb206\sl-207\slmult0\fi360\tx6763 \up0
\expndtw-2\charscalex100 6. El viaje. _________________________________\tab
\up0 \expndtw-2\charscalex100 22. Entre dos orillas corre el r�o.
_________________\par\pard\li1132\sb205\sl-207\slmult0\fi360\tx6763 \up0 \expndtw-
2\charscalex100 7. Casa nuestra. ____________________________\tab \up0 \expndtw-
2\charscalex100 23. El hipocampo de oro.
_______________________\par\pard\li1132\sb0\sl-207\slmult0\par\pard\li1132\sb4\sl-
207\slmult0\fi360\tx6763 \up0 \expndtw-2\charscalex100 8. Lima en rock.
_____________________________\tab \up0 \expndtw-2\charscalex100 24. Fiat Lux.
_________________________________\par\pard\li1132\sb206\sl-207\slmult0\fi360\tx6763
\up0 \expndtw-2\charscalex100 9. El
hablador.______________________________\tab \up0 \expndtw-2\charscalex100 25.
Baladas Peruanas._________________________\par\pard\li1132\sb206\sl-
207\slmult0\fi360\tx6763 \up0 \expndtw-2\charscalex100 10. el cantar de Agapito
Robles._________________\tab \up0 \expndtw-2\charscalex100 26. Verbos y
Gerundios.________________________\par\pard\li1132\sb205\sl-
207\slmult0\fi360\tx6763 \up0 \expndtw-2\charscalex100 11. Para vivir
ma�ana._________________________\tab \up0 \expndtw-2\charscalex100 27. Tradiciones
en Salsa verde. _________________\par\pard\li1132\sb0\sl-
207\slmult0\par\pard\li1132\sb4\sl-207\slmult0\fi360\tx6763 \up0 \expndtw-
2\charscalex100 12. La torre de los alucinados.___________________\tab \up0
\expndtw-2\charscalex100 28. Albores y destellos.
________________________\par\pard\li1132\sb206\sl-207\slmult0\fi360\tx6763 \up0
\expndtw-2\charscalex100 13. El tacto de la ara�a. ________________________\tab
\up0 \expndtw-2\charscalex100 29. La constituci�n pol�tica.
_____________________\par\pard\li1132\sb206\sl-207\slmult0\fi360\tx6763 \up0
\expndtw-2\charscalex100 14. Recinto. _________________________________\tab
\up0 \expndtw-2\charscalex100 30. Duelo de
Caballeros.______________________\par\pard\ql \li1492\sb195\sl-216\slmult0 \up0
\expndtw-3\charscalex100 15. Santiago, el pajarero. ______________________
\par\pard\ql \li1492\sb204\sl-216\slmult0 \up0 \expndtw-3\charscalex100 16.
Kikuyo. _________________________________ \par\pard\ql \li1132\sb0\sl-
276\slmult0 \par\pard\ql\li1132\sb0\sl-276\slmult0 \par\pard\ql\li1132\sb103\sl-
276\slmult0 \up0 \expndtw-2\charscalex100 \ul0\nosupersub\cf4\f5\fs24 CONSOLIDEMOS
NUESTRO APRENDIZAJE \par\pard\ql \li1132\sb203\sl-253\slmult0 \up0
\expndtw0\charscalex105 \ul0\nosupersub\cf2\f3\fs22 1) Escribe la forma correcta
de los verbos
resaltados\par\pard\sect\sectd\sbknone\cols2\colno1\colw6819\colsr160\colno2\colw51
21\colsr160\ql \li1492\sb0\sl-207\slmult0 \par\pard\ql \li1492\sb56\sl-
207\slmult0\tx2846\tx3703\tx4442\tx5077 \up0 \expndtw0\charscalex111
\ul0\nosupersub\cf1\f2\fs18 1. Volti� \tab \up0 \expndtw-3\charscalex100 para\tab
\up0 \expndtw-5\charscalex100 ver\tab \up0 \expndtw-3\charscalex100 el\tab \up0
\expndtw-3\charscalex100 accidente.\par\pard\ql \li1492\sb0\sl-207\slmult0
\par\pard\ql \li1492\sb206\sl-207\slmult0 \up0 \expndtw0\charscalex103 2. Mis
compa�eros exponieron el trabajo de\par\pard\qj \li1492\ri862\sb23\sl-
307\slmult0\fi360\tx2510\tx3802\tx4517\tx5669 \up0 \expndtw-3\charscalex100
econom�a.________________________________ \line \up0 \expndtw0\charscalex109 3.
El \tab \up0 \expndtw-3\charscalex100 sacerdote \tab \up0 \expndtw0\charscalex101
ha \tab \up0 \expndtw0\charscalex106 bendito \tab \up0 \expndtw-3\charscalex100
las\par\pard\qj \li1492\ri861\sb1\sl-312\slmult0\fi360 \up0 \expndtw-
3\charscalex100 ofrendas.________________________________ \line \up0
\expndtw0\charscalex108 4. El chofer no frene� a tiempo y
lo\par\pard\qj \li1492\ri864\sb0\sl-312\slmult0\fi360\tx3322\tx4574\tx5760 \up0
\expndtw-3\charscalex100 atropell�.________________________________ \line \up0
\expndtw0\charscalex107 5. Conduje \tab \up0 \expndtw-3\charscalex100 herido \tab
\up0 \expndtw-3\charscalex100 hacia \tab \up0 \expndtw-5\charscalex100
el\par\pard\ql \li1852\sb82\sl-207\slmult0 \up0 \expndtw-3\charscalex100
hospital._________________________________\par\pard\column \ql \li6979\sb0\sl-
207\slmult0 \par\pard\ql \li20\sb57\sl-207\slmult0 \up0 \expndtw0\charscalex110 6.
A�n no ha volvido de su viaje a\par\pard\qj
\li20\ri643\sb14\sl-312\slmult0\fi360 \up0 \expndtw-3\charscalex100
Tumbes._________________________________ \line \up0 \expndtw0\charscalex102 7. No
fue justa la sanci�n que le imponieron por su\par\pard\qj \li20\ri651\sb5\sl-
307\slmult0\fi360 \up0 \expndtw-3\charscalex100 falta.
____________________________________ \line \up0 \expndtw0\charscalex106 8.
Bendec� el rosario que me regalaron.\par\pard\ql \li6979\sb0\sl-
207\slmult0 \par\pard\ql \li20\sb193\sl-207\slmult0 \up0 \expndtw0\charscalex110 9.
Llegastes un poco tarde a la reuni�n. \par\pard\sect\sectd\sbknone
\li1132\sb0\sl-253\slmult0\par\pard\li1132\sb107\sl-253\slmult0\fi0 \up0
\expndtw0\charscalex106 \ul0\nosupersub\cf2\f3\fs22 2) Subraya los verbos que
encuentres en las siguientes coplas e indica la clase a la
qu�\par\pard\sect\sectd\sbknone \li1132\sb1\sl-253\slmult0\fi359 \up0
\expndtw0\charscalex105 pertenecen sint�ctica y
morfol�gicamente.\par\pard\sect\sectd\sbknone \li1132\sb1\sl-
203\slmult0\fi359\tx6979 \up0 \expndtw0\charscalex105 \ul0\nosupersub\cf1\f2\fs18
1. El tiempo pasa y del hombre\tab \up0 \expndtw0\charscalex105 2. La pena y la
que no es pena\par\pard\sect\sectd\sbknone \li1132\sb101\sl-
207\slmult0\fi763\tx7382 \up0 \expndtw0\charscalex105 La pena se hace mayor\tab
\up0 \expndtw0\charscalex105 Todo es pena para m�:\par\pard\sect\sectd\sbknone
\li1132\sb105\sl-207\slmult0\fi763\tx7382 \up0 \expndtw0\charscalex105 No importa
que el hombre pene:\tab \up0 \expndtw0\charscalex105 Ayer penaba por
verte\par\pard\sect\sectd\sbknone \li1132\sb105\sl-207\slmult0\fi761\tx7382 \up0
\expndtw0\charscalex105 Mientras m�s pene, mejor.\tab \up0 \expndtw0\charscalex105
Y hoy peno porque te vi.\par\pard\sect\sectd\sbknone \li1132\sb115\sl-
207\slmult0\fi551\tx2827\tx4631\tx6863\tx8015\tx9945 \up0 \expndtw0\charscalex105
Verbo\tab \up0 \expndtw0\charscalex105 C. Morfol�gico\tab \up0
\expndtw0\charscalex105 C. Sint�ctico\tab \up0 \expndtw0\charscalex105 Verbo\tab
\up0 \expndtw0\charscalex105 C. Morfol�gico\tab \up0 \expndtw0\charscalex105 C.
Sint�ctico\par\pard\ql \li6979\sb0\sl-207\slmult0 \par\pard\ql\li6979\sb0\sl-
207\slmult0 \par\pard\ql\li6979\sb193\sl-207\slmult0 \up0 \expndtw0\charscalex103
3. En una cara de palo
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{\*\shpinst\shpleft11409\shptop14563\shpright11419\shpbottom14572\shpfhdr0\shpbxpag
e\shpbypage\shpwr3\shpwrk0\shpfblwtxt1\shpz510\shplid49
}}
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LITERATURA \par\pard\li1363\sb0\sl-207\slmult0\par\pard\li1363\sb17\sl-
207\slmult0\fi532\tx7377 \up0 \expndtw0\charscalex103 Se cincel� un ceno adusto\tab
\up0 \expndtw0\charscalex103 El mundo de los dem�s\u8230?\par\pard\li1363\sb105\sl-
207\slmult0\fi532\tx6815\tx7977\tx9816 \up0 \expndtw0\charscalex103 Lo creyeron
hombre malo\tab \up0 \expndtw0\charscalex103 Verbo\tab \up0 \expndtw0\charscalex103
C. Morfol�gico\tab \up0 \expndtw0\charscalex103 C.
Sint�ctico\par\pard\li1363\sb105\sl-207\slmult0\fi532 \up0 \expndtw0\charscalex103
Y era s�lo un hombre justo.\par\pard\li1363\sb114\sl-
207\slmult0\fi0\tx2625\tx4569 \up0 \expndtw0\charscalex103 Verbo\tab \up0
\expndtw0\charscalex103 C. Morfol�gico\tab \up0 \expndtw0\charscalex103 C.
Sint�ctico\par\pard\li1492\sb0\sl-207\slmult0\par\pard\li1492\sb0\sl-
207\slmult0\par\pard\li1492\sb0\sl-207\slmult0\par\pard\li1492\sb0\sl-
207\slmult0\par\pard\li1492\sb120\sl-207\slmult0\fi5486 \up0
\expndtw0\charscalex103 8. Yo pens� que no mor�a\par\pard\li1492\sb105\sl-
207\slmult0\fi5884 \up0 \expndtw0\charscalex103 Que estaba hecho para
siempre\par\pard\li1492\sb0\sl-162\slmult0\fi0 \up0 \expndtw0\charscalex103 4.
Olvidos matan olvidos;\par\pard\li1896\sb0\sl-162\slmult0\fi5481 \up0
\expndtw0\charscalex103 Pero hoy un dolor me obliga\par\pard\li1896\sb0\sl-
162\slmult0\fi0 \up0 \expndtw0\charscalex103 Es la ense�anza del
viento:\par\pard\li1895\sb0\sl-162\slmult0\fi5481 \up0 \expndtw0\charscalex103 A
reabrir ese expediente.\par\pard\li1895\sb0\sl-162\slmult0\fi0 \up0
\expndtw0\charscalex103 Al no escuchar ni un
suspiro,\par\pard\sect\sectd\sbknone\cols2\colno1\colw6713\colsr160\colno2\colw5227
\colsr160\ql \li1895\sb68\sl-207\slmult0 \up0 \expndtw0\charscalex104 Pues \u8220?
Si te vi, no me acuerdo\u8221?\par\pard\ql \li1363\sb120\sl-
207\slmult0\tx2620\tx4564 \up0 \expndtw0\charscalex102 Verbo\tab \up0
Sint�ctico\par\pard\column \ql \li20\sb0\sl-162\slmult0\tx1345\tx3366 \up0
\expndtw0\charscalex102 Verbo\tab \up0 \expndtw0\charscalex104 C.
Morfol�gico\tab \up0 \expndtw0\charscalex104 C. Sint�ctico
\par\pard\sect\sectd\sbknone \li1492\sb0\sl-207\slmult0\par\pard\li1492\sb0\sl-
\expndtw0\charscalex104 9. Yo, con vida que bien
duele;\par\pard\sect\sectd\sbknone \li1492\sb100\sl-207\slmult0\fi5884 \up0
\expndtw0\charscalex104 T�, con muerte sin
sentido\par\pard\sect\sectd\sbknone\cols2\colno1\colw6689\colsr160\colno2\colw5251\
colsr160\ql \li1492\sb38\sl-207\slmult0 \up0 \expndtw0\charscalex104 5. Re�r es
bueno para todo\par\pard\ql \li1895\sb100\sl-207\slmult0 \up0
\expndtw0\charscalex101 Nada m�s que hay que elegir\par\pard\ql \li1895\sb105\sl-
207\slmult0 \up0 \expndtw0\charscalex103 La ocasi�n, pues de otro
modo\par\pard\ql \li1896\sb105\sl-207\slmult0 \up0 \expndtw0\charscalex103 Puedes
con la risa herir.\par\pard\column \ql \li548\sb105\sl-207\slmult0 \up0
\expndtw0\charscalex102 T� est�s en m� y me sostienes:\par\pard\ql \li548\sb105\sl-
207\slmult0 \up0 \expndtw0\charscalex103 A�n no estamos perdidos.\par\pard\ql
\li20\sb119\sl-207\slmult0\tx1283\tx3227 \up0 \expndtw0\charscalex102 Verbo\tab
\up0 \expndtw0\charscalex104 C. Morfol�gico\tab \up0 \expndtw0\charscalex104 C.
Sint�ctico \par\pard\sect\sectd\sbknone \li1348\sb115\sl-
207\slmult0\fi0\tx2577\tx4488 \up0 \expndtw0\charscalex104 Verbo\tab \up0
Sint�ctico\par\pard\li1372\sb0\sl-207\slmult0\par\pard\li1372\sb0\sl-
\expndtw0\charscalex103 10. S� que la de hoy es verdad\par\pard\li1372\sb113\sl-
207\slmult0\fi120\tx7377 \dn3 \expndtw0\charscalex103 6. Yo quisiera estar
contigo\tab \up0 \expndtw0\charscalex103 Que ma�ana ser�
olvido;\par\pard\li1372\sb113\sl-207\slmult0\fi523\tx7377 \dn3
\expndtw0\charscalex103 Como los pies del se�or:\tab \up2 \expndtw0\charscalex103
Mas, a�n as�, quedar�\par\pard\li1372\sb93\sl-207\slmult0\fi523\tx7382 \dn3
\expndtw0\charscalex103 Uno encimita del otro\tab \up0 \expndtw0\charscalex103
Fuego en cenizas dormido.\par\pard\li1372\sb158\sl-
207\slmult0\fi523\tx6849\tx8107\tx10046 \dn3 \expndtw0\charscalex103 Y un clavito
entre los dos.\tab \up0 \expndtw0\charscalex103 Verbo\tab \up0
Sint�ctico\par\pard\li1372\sb119\sl-207\slmult0\fi0\tx2659\tx4636 \up0
\expndtw0\charscalex103 Verbo\tab \up0 \expndtw0\charscalex103 C.
Morfol�gico\tab \up0 \expndtw0\charscalex103 C. Sint�ctico\par\pard\ql
\li6619\sb0\sl-230\slmult0 \par\pard\ql\li6619\sb0\sl-230\slmult0
\par\pard\ql\li6619\sb0\sl-230\slmult0 \par\pard\ql\li6619\sb0\sl-230\slmult0
\ul0\nosupersub\cf5\f6\fs20 De: FUEGO EN CENIZAS DORMIDO \par\pard\li1492\sb60\sl-
230\slmult0\fi0\tx6619\tx9134 \dn4 \expndtw0\charscalex101
\ul0\nosupersub\cf1\f2\fs18 7. De tus ojos para dentro\tab \up0
\expndtw0\charscalex101 \ul0\nosupersub\cf5\f6\fs20 Autor: JULIO CARMONA\tab
\up0 \expndtw0\charscalex101 - FEBRERO 2006\par\pard\ql \li1895\sb79\sl-207\slmult0
\up0 \expndtw0\charscalex102 \ul0\nosupersub\cf1\f2\fs18 Es tu mundo y nada m�s
\par\pard\ql \li1890\sb93\sl-207\slmult0 \up0 \expndtw0\charscalex103 De tus labios
para el viento
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LITERATURA \par\pard\ql \li2577\sb215\sl-253\slmult0 \up0 \expndtw-
3\charscalex100 \ul0\nosupersub\cf2\f3\fs22 HOJA DE
CLAVES\par\pard\sect\sectd\sbknone\cols2\colno1\colw6459\colsr160\colno2\colw5481\c
olsr160\ql \li1132\sb0\sl-253\slmult0 \par\pard\ql \li1132\sb12\sl-253\slmult0 \up0
\expndtw0\charscalex103 Curso: Lenguaje y Literatura\par\pard\ql \li1132\sb0\sl-
249\slmult0 \up0 \expndtw-3\charscalex100 Semana: 08\par\pard\ql \li1132\sb0\sl-
253\slmult0 \par\pard\ql \li1132\sb4\sl-253\slmult0 \up0 \expndtw-1\charscalex100
LENGUAJE\par\pard\ql \li1175\sb16\sl-207\slmult0\tx2327\tx3263\tx4180 \up0
\expndtw0\charscalex103 \ul0\nosupersub\cf1\f2\fs18 Pregunta\tab \up0
\expndtw0\charscalex101 Clave\tab \up0 \expndtw0\charscalex103 Tiempo\tab \up0
\expndtw0\charscalex107 Dificultad\par\pard\ql \li3345\sb0\sl-206\slmult0 \up0
\expndtw0\charscalex101 (Min.)\par\pard\ql \li1463\sb10\sl-
207\slmult0\tx2519\tx3532\tx4535 \up0 \expndtw-2\charscalex100 01\tab \up0
\expndtw-2\charscalex100 c\tab \up0 \expndtw-2\charscalex100 1\tab \up0 \expndtw-
2\charscalex100 F\par\pard\ql \li1463\sb9\sl-207\slmult0\tx2515\tx3532\tx4526
\up0 \expndtw-2\charscalex100 02\tab \up0 \expndtw0\charscalex107 b\tab \up0
\expndtw-2\charscalex100 3\tab \up0 \expndtw-2\charscalex100 D\par\pard\ql
03\tab \up0 \expndtw0\charscalex107 d\tab \up0 \expndtw-2\charscalex100 1\tab
\up0 \expndtw-2\charscalex100 F\par\pard\ql \li1463\sb9\sl-
\expndtw-2\charscalex100 e\tab \up0 \expndtw-2\charscalex100 2\tab \up0 \expndtw-
2\charscalex100 M\par\pard\ql \li1463\sb14\sl-207\slmult0\tx2519\tx3532\tx4516 \up0
\expndtw-2\charscalex100 05\tab \up0 \expndtw-2\charscalex100 c\tab \up0 \expndtw-
2\charscalex100 2\tab \up0 \expndtw-2\charscalex100 M\par\pard\ql \li1463\sb9\sl-
\expndtw0\charscalex107 b\tab \up0 \expndtw-2\charscalex100 1\tab \up0 \expndtw-
\up0 \expndtw-2\charscalex100 07\tab \up0 \expndtw-2\charscalex100 e\tab \up0
\expndtw-2\charscalex100 1\tab \up0 \expndtw-2\charscalex100 F\par\pard\ql
\up0 \expndtw-2\charscalex100 D\par\pard\ql \li1463\sb14\sl-
\expndtw-2\charscalex100 2\tab \up0 \expndtw-2\charscalex100 M\par\pard\ql
\up0 \expndtw-2\charscalex100 M\par\pard\ql \li1463\sb9\sl-
2\charscalex100 M\par\pard\ql \li1463\sb9\sl-207\slmult0\tx2519\tx3532\tx4535
\up0 \expndtw-2\charscalex100 13\tab \up0 \expndtw-2\charscalex100 a\tab \up0
14\tab \up0 \expndtw-2\charscalex100 c\tab \up0 \expndtw-2\charscalex100 1\tab \up0
\expndtw-2\charscalex100 F\par\pard\ql \li1463\sb8\sl-
\expndtw-2\charscalex100 16\tab \up0 \expndtw0\charscalex107 b\tab \up0 \expndtw-
2\charscalex100 1\tab \up0 \expndtw-2\charscalex100 F\par\pard\ql \li1463\sb9\sl-
19\tab \up0 \expndtw-2\charscalex100 a\tab \up0 \expndtw-2\charscalex100 2\tab \up0
\expndtw-2\charscalex100 M\par\pard\ql \li1463\sb9\sl-
22\tab \up0 \expndtw-2\charscalex100 e\tab \up0 \expndtw-2\charscalex100 3\tab \up0
\expndtw-2\charscalex100 D\par\pard\ql \li1463\sb9\sl-
\expndtw0\charscalex107 d\tab \up0 \expndtw-2\charscalex100 2\tab \up0 \expndtw-
\expndtw-2\charscalex100 24\tab \up0 \expndtw0\charscalex107 d\tab \up0 \expndtw-
27\tab \up0 \expndtw0\charscalex107 b\tab \up0 \expndtw-2\charscalex100 2\tab
2\charscalex100 D\par\pard\ql \li1463\sb9\sl-207\slmult0\tx2519\tx3532\tx4516
\up0 \expndtw-2\charscalex100 36\tab \up0 \expndtw-2\charscalex100 c\tab \up0
37\tab \up0 \expndtw0\charscalex107 b\tab \up0 \expndtw-2\charscalex100 2\tab
\expndtw-2\charscalex100 39\tab \up0 \expndtw0\charscalex107 d\tab \up0 \expndtw-
2\charscalex100 2\tab \up0 \expndtw-2\charscalex100 M\par\pard\column \ql
\li6619\sb0\sl-253\slmult0 \par\pard\ql \li20\sb12\sl-253\slmult0 \up0
\expndtw0\charscalex100 \ul0\nosupersub\cf2\f3\fs22 LITERATURA\par\pard\ql
\li457\sb11\sl-207\slmult0\tx1465\tx2406\tx3385 \up0 \expndtw0\charscalex103
\ul0\nosupersub\cf1\f2\fs18 Pregunta\tab \up0 \expndtw0\charscalex101 Clave\tab
\up0 \expndtw0\charscalex103 Tiempo\tab \up0 \expndtw0\charscalex107
Dificultad\par\pard\ql \li2578\sb4\sl-207\slmult0 \up0 \expndtw0\charscalex101
(Min.)\par\pard\ql \li788\sb9\sl-207\slmult0\tx1810\tx2775\tx3797 \up0 \expndtw-
2\charscalex100 40\tab \up0 \expndtw-2\charscalex100 c\tab \up0 \expndtw-
\li788\sb9\sl-207\slmult0\tx1810\tx2775\tx3797 \up0 \expndtw-2\charscalex100 43\tab
\up0 \expndtw-2\charscalex100 c\tab \up0 \expndtw-2\charscalex100 2\tab \up0
\up0 \expndtw-2\charscalex100 45\tab \up0 \expndtw0\charscalex107 d\tab \up0
49\tab \up0 \expndtw-2\charscalex100 a\tab \up0 \expndtw-2\charscalex100 3\tab \up0
\expndtw-2\charscalex100 D\par\pard\ql \li788\sb9\sl-
2\charscalex100 D\par\pard\ql \li788\sb9\sl-207\slmult0\tx1810\tx2775\tx3797
\up0 \expndtw0\charscalex107 b\tab \up0 \expndtw-2\charscalex100 2\tab \up0
\up0 \expndtw-2\charscalex100 57\tab \up0 \expndtw0\charscalex107 d\tab \up0
\up0 \expndtw0\charscalex107 b\tab \up0 \expndtw-2\charscalex100 1\tab \up0
64\tab \up0 \expndtw-2\charscalex100 c\tab \up0 \expndtw-2\charscalex100 2\tab \up0
\expndtw-2\charscalex100 M
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{\shp
LITERATURA \par\pard\sect\sectd\fs24}

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