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Psicologia de La Vestimenta
Psicologia de La Vestimenta
Teniendo en cuenta estos los fines a lograr, se puede crear una cobertura o
vestido. Dependiendo de la calidad con que se mezclen y cantidad de fines
mezclados obtendremos mejores o peores resultados.
La psicología de la moda influye en muchos aspectos dentro del ser humano, por
ejemplo: el hecho de como el color de una prenda puede llegar a cambiar tu
estado de ánimo, o bien como te quita o te da seguridad para unirte a un grupo
social.
Características
Historia
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Vestido de noche
Durante los primeros años del siglo XX, prácticamente toda la alta moda se originó
en París y en menor medida en Londres. Las revistas de modas de otros países
enviaban editores a los espectáculos de moda de París. Las tiendas de
departamentos mandaban compradores a los desfiles de París, donde compraban
prendas para copiar (y robaban abiertamente las líneas de estilo y el corte de
otras). Tanto en los talleres que fabricaban trajes sobre medidas como las tiendas
de ropa lista para usarse (prêt à porter) aparecían las últimas modas de París,
adaptadas a las características económicas y cotidianas de los clientes de las
tiendas.
En este momento la división entre alta costura y ropa lista para usar no estaba
todavía claramente definida. Los dos modos independientes de producción todavía
no llegaban a ser competidores, y, de hecho, coexistían en casas donde las
modistas elaboraban prendas de ambos modos.
En los primeros años del siglo, las revistas comenzaron a incluir también
fotografías de los conjuntos y se volvieron aún más influyentes que en el pasado.
En las ciudades alrededor del mundo estas revistas tenían un gran efecto en el
gusto público y eran muy solicitadas. Ilustradores talentosos como Paul Iribe,
Georges Lepape, Erté y George Barbier dibujaban cuadros de modas exquisitos
para estas publicaciones, que cubrían los más recientes desarrollos en moda y
belleza. Tal vez la revista de moda más famosa del momento era La Gazette du
bon ton, que había sido fundada en 1912 por Lucien Vogel y regularmente
publicada hasta 1925, con la excepción de los años de la Primera Guerra Mundial.
Psychology of the gear
Keeping in mind these the ends to achieve, you can create a covering or dress.
Depending on the quality with which they mix and quantity of blended ends will
obtain better or worse results.
The psychology of the fashion influences in many aspects inside the human being,
for example: the fact of as the color of a garment it can end up changing your state
of spirit, or I eat he/she takes off or he/she gives you security to unite to a social
group.
When the individual's psychology tilts among that settled down as normal, an
analysis can be made through the gear of its personality, cultural level, ambition,
hobbies, origin place, musical likes, condition physical, complex...
In case there are picks of some type in the function of that settled down as
psychological normality, the image could be unfaithful to the individual's reality
demonstrating this way a lack adaptativa, dependence, introspection, image
intelligence, low self-esteem, vanity... that is to say, all more distance is between
the projected image and the reality, higher it is the positive or negative value of the
function of the normal psychology.
The covering can be a faithful reflection of the soul or totally the opposite
depending on the individual's mental health, so, it should be considered the gear
like analytic tool in psychology.
Characteristic
The design of fashions differs of the wardrobe design because its main product
spreads to be obsolete after an or two seasons, usually. A season is defined as
autumn-winter or spring-summer. It is generally considered that the design of
fashions was born in the XIX century with Charles Frederick Worth that was the
first one in sewing to the garments a label with its name. While all the articles of
gear of any period of the history are studied by the academics as wardrobe design,
the clothes created after 1858 can only be considered as design of fashions.
The designers of fashions believe clothes and accessories. Some designers of
high seam are independent laborly and they design for individual clients. Others
cover the necessities of specialized stores or of stores of departments of high
seam. These designers believe original garments, likewise as those that follow
tendencies in fashion established. However, most of the designers of fashions
work for makers of clothes, creating designs for men, women and children in the
market masificado. Designer's marks that have a "it names", such as Calvin Klein
or Ralph Lauren, is generally created by a team of individual designers under the
supervision of a design director.
History
The first designer of fashions that was not simply a tailor, was Charles Frederick
Worth (1826-1895). before it established his maison couture (house of fashions) in
Paris, the design and creation of clothes was managed by a great number of
anonymous tailors, and the high fashion was based on the styles used in real
courts. The success of Worth was such that it could order its clients what you/they
should use, instead of following its address like the tailors used to make. The term
couturier (sewing case) it was, in fact, coined to refer to him. It was during this
period that many houses of fashions began to hire artists to sketch or to paint
designs of garments. The images for themselves could be presented to the clients
in a much more economic way that producing a sample garment in the work shop.
If the client liked the garment, this was ordered and paid. Therefore, the tradition of
sketches of garments began as a method of the houses of fashions to economize.
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Dressed at night
During the first years of the XX century, practically the whole high fashion
originated in Paris and in smaller measure in London. The magazines of fashions
of other countries sent editors in fashion to the shows of Paris. The stores of
departments sent buyers to the parades of Paris, where they bought garments to
copy (and they stole the lines of style and the cut openly of other). So much in the
shops that manufactured suits on measures as the clothing stores list to be used
(prêt à porter) the last fashions of Paris appeared, adapted to the economic and
daily characteristics of the clients of the stores.
At this time the division between high seam and clever clothes to use was not still
clearly defined. The two independent ways of production didn't still end up being
competitors, and, in fact, they coexisted at homes where the tailors elaborated
garments in both ways.
In the first years of the century, the magazines began to also include pictures of the
groups and they became even more influential that in the past. In the cities around
the world these magazines had a great effect in the public pleasure and they were
very requested. Talented illustrators as Paul Iribe, Georges Lepape, Erté and
George Barbier drew exquisite squares of fashions for these publications that
covered the most recent developments in fashion and beauty. Perhaps the
magazine in fashion more famous of the moment it was The Gazette du bon rhyme
that had been founded in 1912 by Lucien Vogel and regularly published up to
1925, with the exception of the years of the First World War.