351 Cancion de Paz

Canción de Paz (Finlandia)
  
(q = 95)
Coro mixto 4 SATB Jean Sibelius (1865-1957)

Soprano                    
 
Es mi can - ción, oh Dios, can - to de paz por mi pa - ís y_o -
Alto      
                
Tenor    
                  

                  
  
Baritone
 
   
7
S.                      
 
tros le - jos de_a - quí Es te_es mi_ho - gar don - de to - dos mis sue ños mi co - ra -
A.             
         
           
T.  
         
 tros le - jos de_a - quí

      
Es te_es mi_ho - gar don - de to - dos mis sue ños mi co - ra -
   
Bar.
              
   
14
S.                     
          
zón y mi_es pe - ran - za_es - tán; pe - ro o_tros co - ra - zo - nes van la - tien - do
A.          
               
    
 zón
T.
 
              
y mi_es pe - ran - za_es - tán; pe - ro o_tros co - ra - zo - nes van la - tien - do

Bar.
      

21

     
1. 2.
S.                

en o - tras tie - rras al mis mo com - pás Es mi can - pás Dios,
A.                       
     
               

T.
     
en o - tras tie - rras al mis mo com - pás Es mi can - pás Dios,
              
Bar.
 
www.musicaparatodos.com
 
(q = 95)
Soprano, Alto y Piano Jean Sibelius (1865-1957)

Soprano                      


Alto           
           

        

   
   
     



               
           
Piano
 
        
7
S.                
    
 
tros le - jos de_a - quí Es -te_es mi_ho - gar don - de to - dos mis sue - ños mi co - ra -
A.
                 
        
    
  
           
 
               
        
Pno.
            

   
14
S.                     
  
zón y mi_es - pe - ran - za_es - tán; pe - ro o_tros co - ra - zo - nes van la - tien - do
A.                  
  
  
      
         
   
  
    
   
            
    
Pno.
    

21

      
1. 2.
S.                


en o - tras tie - rras al mis - mo com - pás Es mi can - pás Dios,
A.                       
      
              
 



    
            
        
  
Pno.
     
 
  
(q = 98)
Partes 1C(upper), 1C, 1Eb, 1Bb Jean Sibelius (1865-1957)

1C-up                    

         
1C            

1Eb                      
 
        
1Bb               
   
7
1C-up                      
  
          
tros le - jos de_a - quí Es- te_es mi_ho - gar don - de to - dos mis sue ños mi co - ra -
1C           
  
1Eb                      
        
1Bb
               
   
14
1C-up                    
  
         
1C          

1Eb                     
  
           
1Bb         

21

      
1. 2.
1C-up                

      
en o - tras tie - rras al mis mo com - pás Es mi can - pás
1C                

1Eb                       

      
1Bb                
  
(q = 98)
PArtes 3Bb, 3Eb, 3Bb(upper), 3F Jean Sibelius (1865-1957)

3Bb                    
 
3Eb                      
         
3Bb-up         

    
 
       
3F              
 
7
3Bb  
                    
       
    
3Eb           
                    
  
3Bb-up



3F                      
 
14
3Bb   
                  
  
3Eb                     
                
3Bb-up      
 
3F
                   
 
21
 
1. 2.
3Bb    
                


3Eb                       
                     
3Bb-up  

  
3F                    
  
Jean Sibelius (1865-1957)
(q = 98)
     
2Bb               

                     
2Eb

                   
4Bb-up   

                 

  
4C   
 
7
 
2Bb                      
     
2Eb                  
 
                    
4Bb-up 
  
                    

 
4C  
 
14
2Bb                    
      
             
2Eb
 
                
4Bb-up      
                     
 

4C
 
  
21
      
1. 2.
2Bb               
     
2Eb                 
     
                
4Bb-up

                   


4C   
  
(q = 98)
Partes 5Bb(upper), 5Eb(upper), 5C(upper), 5C Jean Sibelius (1865-1957)
5Bb-up                    
                 
 
5Eb-up    
                    
5C-up   
 
        

5C
           
     
7
5Bb-up        
       
    
      
tros le - jos de_a - quí Es - te_es mi_ho - gar don - de to - dos mis sue- ños mi co - ra -
      
5Eb-up           
             
5C-up           

      
 
5C
          
    
 
14
5Bb-up                
    
               
zón y mi_es - pe - ran - za_es - tán; pe - ro o_tros co - ra - zo - nes van
la - tien - do
5Eb-up        
             
5C-up

       
  
           
  
    

5C
  
21
      
1. 2.
5Bb-up     
         
          
en o - tras tie - rras al mis - mo com - pás Es mi can - pás
5Eb-up            
    
                
5C-up 

      
    
5C
            
  
(q = 98)
Cuarteto de Cuerda Jean Sibelius (1865-1957)

Violin 1                    
         
Violin 2             
Viola                      
                  
 
Violoncello   
   
7
Vln. 1                      
             
tros le - jos de_a - quí Es te_es mi_ho - gar don - de to - dos mis sue ños mi co - ra -
Vln. 2         
                      
Vla.

           
Vc.
            
   
14
Vln. 1                    
 
zón y mi_es- pe - ran - za_es - tán; pe - ro o_tros co - ra - zo - nes van la - tien- do
Vln. 2                     
                 
Vla.
    
               
  
Vc.    

21

      
1. 2.
Vln. 1                

      
en o - tras tie - rras al mis- mo com - pás Es mi can - pás
Vln. 2                 
       
Vla.                
                     

Vc. 

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