Lengua Castellana y Comunicacin - 1

Instituto de adultos Altazol

Lengua Castellana y Comunicacin
Profesoras: Viviana vila Alfaro, Mnica Esinoza!
"ivel: #$
LENGUA CASTELLANA Y COMUNICACIN
Control de lectura de El cepillo de dientes
Nomre ! """""""""""""""""""""""""""""""""""""""Curso!"""""""""" #ec$a! """%"""%"""
%&'etivo:( Alicar conocimientos de )eor*a Literaria a te+tos dados!
E'ercitar comrensin lectora y l,+ico!
-ealizar an.lisis sem.ntico de la o&ra /El ceillo de dientes0 de 1orge 2*az!
Alicar concetos de teor*a literaria y comunicacin!
Instrucciones: Lea atentamente cada regunta y resonda slo lo 3ue se ide! Evite &orrones y
am&ig4edades, ues ,stos anular.n su resuesta! 5i es sorrendido6a7 coiando o mirando otra
rue&a, se le retirar. la suya y ser. evaluado con nota m*nima!
I& Selecci'n m(ltiple! Mar)ue la alternati*a )ue crea correcta con una ra+a olicua ,%-& Si
comete un error. mar)ue una / + *uel*a a marcar la alternati*a ,01 puntos-
8! 9:u, reresenta el ceillo de dientes en la o&ra;
a7 la ,rdida de identidad de los 'venes de <oy!
&7 el amor 3ue am&os sienten el uno or el otro!
c7 la individualidad erdida de =l!
d7 un o&'eto sumamente valioso or ser un recuerdo familiar!
e7 ninguna de las anteriores!
#! El rincial sentido del otro t*tulo 3ue la o&ra osee es:
I! -eresentar el vac*o en la vida de los rotagonistas
II! -eresentar 3ue, a esar de tener el ar3ue al lado, no arovec<a&an el tiemo 'untos
III! -eresentar 3ue, al igual 3ue los n.ufragos, estos no ten*an un <ogar slido
IV! -eresentar la oca calidez de sus vidas y la luc<a constante entre la are'a
a7 solo IV &7 I, II, IV c7 )odas las anteriores d7 "!A e7 solo III
>! El autor de la o&ra es:
a7 1orge 2*az
&7 1orge ?onz.lez
c7 1orge 2an,s
d7 1orge Insulza
e7 "!A
@! Antona ersonifica a!!!
a7 la <ermana de =l!
&7 la <ermana de Ella!
c7 la vecina!
d7 la e+tran'era 3ue &usca&a alo'amiento!
e7 la are'a de =l, ero disfrazada de emleada!
A! 9Cu.l de los siguientes enunciados es correcto;
a7 =l olvid el aniversario de matrimonio de am&os!
&7 cada vez 3ue od*a, =l intenta&a estrangularla con el ca&le de la radio!
c7 segBn =l, el an de ascua uede comararse con el 'azz!
d7 Ella utiliz el ceillo de dientes de =l ara limiar sus zaatos!
e7 ninguno de los anteriores!
C! 9A 3u, g,nero literario ertenece /El ceillo de dientes0;
a7 g,nero l*rico!
&7 g,nero narrativo!
c7 g,nero indirecto li&re!
d7 g,nero tr.gico!
e7 ninguno de los anteriores!
Nota:
Lengua Castellana y Comunicacin - 2
D! 9Con 3u, <iere Ella a su esoso;
a7 con un tenedor 3ue /se cre*a cuc<ara0!
&7 usando una cuc<ara 3ue /se cre*a tenedor0!
c7 con un cuc<illo enorme!
d7 usando el ca&le de una radio!
e7 vierte veneno en su comida!
E! 9Cmo odemos descri&ir la tensin 3ue se vive dentro de la o&ra;
a7 casi no se erci&e tensin en la <istoria!
&7 <ay tensin moderada a intervalos regulares!
c7 es constante durante toda la o&ra!
d7 son eisodios de tensin 3ue va en aumento <asta estallar!
e7 todas las anteriores!
F! 9A 3u, corriente literaria ertenece la o&ra;
a7 Inco<erente
&7 A&surdo
c7 E+istencialismo
d7 "aturalismo
e7 )odas las anteriores
8G! Hna de las caracter*sticas rinciales de la corriente literaria de la o&ra se relaciona con 6en torno
a los ersona'es7:
a7 Los ersona'es no sa&en lo 3ue <acen
&7 Los ersona'es asumen lo a&surdo como normalidad en sus vidas y lo asumen sin advertir nada
c7 Los ersona'es asumen lo a&surdo sin darse cuenta, ero en el fondo lo sa&en
d7 Los ersona'es viven en el vac*o e+istencial con una visin cr*tica del mundo 3ue los rodea
e7 "!A
88! /Ella0 se caracteriza or:
I! el inter,s en las revistas de los medios de comunicacin enfocados a la mu'er
II! el inter,s en las revistas de los medios de comunicacin en torno a los conse'os matrimoniales
III! el inter,s en cultivar su es*ritu
IV! el inter,s de destacarse en deortes e+tremos
a7 I, II, III y IV &7 solo I c7 I, II d7 I, III e7 )odas las anteriores
8#! En el segundo acto, la aaricin de /Antona0 tiene como funcin rincial dentro de la relacin
matrimonial:
I! salvar la relacin asumiendo un rol diferente ara <acerla lBdica
II! reresentar cmo eran las nanas de esa ,oca
III! reresentar a la clase &a'a de la ,oca
IV! ser el /alter ego0 contrario de /Ella0
a7 5olo I &7 5olo III c7 I, II, III d7 I, III e7 I, IV
8>! La o&ra /El Ceillo de dientes0 tiene tam&i,n otro t*tulo, este es:
a7 Lanc<as en la &a<*a
&7 Las dificultades del e+istencialismo
c7 ".ufragos en el ar3ue de atracciones
d7 ".ufragos en el ar3ue de la locura
e7 "!A
8@! 9:u, motivo da origen a la segunda elea 3ue tiene =l y Ella;
a7 la discusin con resecto a cu.l era el me'or detergente!
&7 el e+trav*o del ceillo de dientes de Ella!
c7 la ,rdida del ceillo de dientes de =l!
d7 una discusin acerca de estilos musicales!
e7 & y c!
Lengua Castellana y Comunicacin - 3
8A! El autor de la o&ra tuvo como rofesin:
a7 escritor
&7 dramaturgo
c7 oeta
d7 narrador
e7 a y &
8C! 2e acuerdo a los actos de los ersona'es, 9:u, funcin desemeIa la rensa escrita en esta
o&ra;
a7 informa a la oinin B&lica de temas de inter,s!
&7 narra la vida de los ersona'es de la o&ra!
c7 a trav,s de noticias, informa acerca de lo 3ue acontece en la ciudad!
d7 de alguna manera da esacio ara e+licar y validar el actuar de =l!
e7 todas las anteriores!
8D! En variadas ocasiones, los rotagonistas cuando conversan:
a7 no se llegan a comunicar realmente
&7 demuestran el amor 3ue oseen el uno al otro
c7 <acen lanes ara su luna de miel
d7 confunden la conversacin entre lo 3ue dicen y leen en los eridicos y revistas
e7 a y d
8E! El autor tiene como nacionalidad:
a7 uruguayo
&7 colom&iano
c7 argentino
d7 &oliviano
e7 "!A
8F! /El0 es:
a7 el rimo de /Ella0
&7 el so&rino de /Ella0
c7 el <i'o de Antona
d7 el esoso de /Ella0
e7 "!A
#G! El autor en la o&ra realiza una cr*tica a:
a7 las are'as de la &urgues*a de la ,oca
&7 al vac*o 3ue se genera en las relaciones maritales influidas or los medios de comunicacin
c7 la vacuidad de la vida moderna
d7 el sentido de ,rdida de la rivacidad en un mal matrimonio
e7 )odas las anteriores
II& 2esarrollo! Lea atentamente. piense + lue3o procure responder de 4orma completa&
5ecuerde cuidar el orden. la limpie6a. la redacci'n + orto3ra47a. de lo contrario otendr8
descuento en su respuesta& ,90 puntos-
87 A su 'uicio, 9cu.l es el tema central de la o&ra le*da; E+li3ue! 6> untos7
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#7 9:u, <ace la are'a ara lograr llegar a un unto de encuentro mutuo y de az dentro de todo el
caos rovocado en su relacin or las discusiones; 6> untos7
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Lengua Castellana y Comunicacin - 4
>! 9Cu.l es la rincial diferencia entre el Acto 8 y el Acto #; E+li3ue cada uno de ellos y luego, las
diferencias y similitudes 6C untos7
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III& :ocaulario conte;tual! En el si3uiente e;tracto de la ora. mar)ue la alternati*a )ue crea
correcta respecto al *ocaulario )ue se presenta ,< puntos. 0 c%u-
Ella( 6e;altada7! En el m.s e3ueIo rincn de cada <ogar se 'uega el por*enir de la Kumanidad!
El( 6erdiendo el tono de moriundo7! L1osefinaM
Ella( 6adelant.ndose unos asos <acia el B&lico7! Cuando en el secreto de nuestra intimidad no se
levante ni una sola voz agresivaN Lel mundo estar. salvadoM
El( 6levantando la ca&eza y aullando7! LLCalle niIaMM
Ella( 6*ol*i=ndose con naturalidad7! 9:u,;
El( 6desu,s de una ausa y de'.ndose caer muerto7! Adis
6N7
Ella( Adis! %iga, oiga, oiga, ero todav*a no <emos terminado! 2e'en las cosas como est.n N , no
<emos terminado
El( 6Incorpor8ndose7! Ay, 93u, asa;
Ella( :ue est.n des$aciendo nuestro camo de &atalla
9& e;altada
a7 entusiasmada
&7 atemorizada
c7 asustada
d7 con alegr*a
e7 desconfiada
0& por*enir
a7 devenir
&7 futuro
c7 ro+imidad
d7 distancia
e7 garant*a
>&moriundo
a7 v*vido
&7 desmayado
c7 agonizante
d7 zom&ificado
e7 en el ocaso
?&intimidad
a7 rivacidad
&7 cercan*a
c7 ro+,mica
d7 temlanza
e7 lozan*a
@& aullando
a7 e+<alando
&7 insirando
c7 resaltando
d7 gritando
e7 e+irando
A& *ol*i=ndose
a7volte.ndose
&7 mir.ndose
c7 o&serv.ndose
d7continu.ndose
e7 mutil.ndose
B& incorpor8ndose
a7 entrando
&7 matricul.ndose
c7 me'or.ndose
d7 medic.ndose
e7 reoni,ndose
<& des$aciendo
a7 desvaneciendo
&7 desintegrando
c7 desarmando
d7 disgregando
e7 des<ilac<ando