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FOUR-BAR SOI-OS WITH

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WARM{JP EXE RC ISES
3.
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FOUR-BAR SOLOS WITH
1116 NOTE PATTERNS FOR SNARE DRUM

WARM-UP EXERCISES
, , Cyrrrbal
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FOUR-BAR SOLOS WITH
1116 NOTE PATTERNS FOR BASS DRUM
WARM.UP EXERCISES
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2 3.

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FOUR-BAR SOLOS WITH
l,i 16 NOTE PATTERNS FOR SNARE AND BASS
WARM.UP EXERCISES
2. 3. 4.
f i.mbal Cymbal Cymbal
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S¡are
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B ass B ass

6. 7 I
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B ass

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B ass

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¡-'r'úüuqq -our, solo wi th four nreasu¡.üs rif au lil.¡ rock rl)ytlrn
t
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, !J,rJL' :j!
,Á rr-il-t¡ t_

2
a
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tt
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8.
C
Z G
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9.

lL¡
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Z ür, (F

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7.

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PART FIVE
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,U I
16 NOTE TR IPLHT PATTE RNS FOR SN/\R
I

i
I
E I
1

i
WARM-UP EX ERCISES (
I

t. 2.
3
3
I
' 4.
) CymLal
Sna¡ e
Cvrr Lal
Snrrt
Cymbal
Srrarc
I
Z Bass Bass Elass
i

,
t
3
3 3
I
5. 6. 7 B
Cvrnbal
Snar ¿
Cvn rl¡al
S,,,,r"
Cv¡¡tbal I
Srrur"
Bass
o B ass il, (
) r_f (
3 2
L
Cvrtrb¡l
S,,arc
10.
Cyr r r bal
Srrart.l
11
Cyr r rlra
1
.fl
, ff1-.]
1."¿¿^ t ,^-.1
(
Bass B ass
il,
Srt¿l e
Bass I i','/ a ,/. "ll I
0
? 'l_J I
J ,
tJ
3
13. 14. 15. ,U.fiTJ J-t (
C.ynr bal Cyrrr bal Cyrt rlrtrl

fi,"ü 'ttsr-'l(I
S naIe Sr rarr.l Slr¿rc
Bass
a2'--'a B ass
p!'-- tl ¡ lJass
It I -p J tt) r

17
J 3 3 (
Cy nr bal
18,
Cv¡rr bal
19 20. Hl
S rra rc Sn¿re 'r¿1f a I
Bass
II'
ii t¡'-
B ass
a-- -
p a
3 ,
.) .3
I
'))
.l J-¡ a
21
Cynrl-ral
Sr,att'
Cy rr rba I
23.
f-1ff
! -^¿¿ Cvr ri lr¿l
24
.J .J
. ..ll
tta¡--¡lAll
5rlüfL, Slrare
Bass
2'---'a U ass Bass il, -
'o tlot '.1 e
ilo
,L-J')
LJ
a
25.
3
26.
333 3
-' r ¡ l-Fl ¿tt l-'Fl C
Cyrr-rbol .rfl{l -ñ l

il,:r,,: ! r)
5 n arL,

r -.,1 .r, {l?jil -il,.,,,: -io:/

lll Bass ¿
r--- r
'
a
3 3 3 3
25. 30. l¡
31
I
Cvrrr bal Cyrnllar :<
Sna re Srrar,:
Bass Bass
;l
 FOU R-BAR SO LOS
: . j:: : .. ':_--.=as-1.:scÍaditl¡rockrhytlrm.
J J

3 J

Z
/
J J J
..]J
a :{
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,J J, t.J J,ff
u:ü-
U
j-
Z lt is

3 3

,J Ji I'J ,l ,l
7.
lJi'. e JJ
ltis
a ,'u
1
^t
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J

Z ltis

3 J J

I
r JJ
GU
i. r,J
J oJ_]TT']
t,
J-
-U
ltis
rl tl .1

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3 J 3

r
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JO o,
r JJa
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7.
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lt is
rl - ^.1 ^.

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bis
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IrART'slx I
FOUR-BAR SOLOS WITH 1116 NOTE TRIPLETS t
FOR SNARE AND BASS I
(
WARM-UP EXERCISES I
I
1. 2. J.
Cv n rl¡a
Snarr-,
Cyrribal a
Snar c
fr Bass
,I "l pass
I
3 J I
3 J
4.
Cynrb¿l
5.
Cy¡rbal
6. I
Snarc
Bass
,l .I
Snar,;
Bass a
3 33 e
J J
J 3 C
l B 9.
i
Cyrnb.rl
5nare
CyrnLal
Srl¿trc
a
I
Bass ll ass _T
da. I
I

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I
tt I

i
¡

I
J
3
J 3
3 J 3 J
3 .J
:
10.
F
r¿ C.ynibal
11
Cvnrbal
12 C
bftarc Snaro
Bass Bass C
3 3
a
13.
3 3
14
3 3 J 3 G
15
Cyn rbal C.ynrLal
Sn arc 5n¿t e é
Bass Bass
é

3 3
3
J
,
d
16. 17
I

CVI ¡tLral ,
Cyrtrlr.rl
18.
é
Snare
¿f-
Srrar¿ I
Bass Bass é
'l -----Y
33 3
(!
19.
3 ,1 33 t;
20. 2
Cyrrrbal
Sna¡e
Cv¡rrl-:ol
Sl'¡ore
i - t ; i -' . . r 1S
B ass

T e I LoL-- , 'l
,
C,
C
 l,'
FOU R-BAR SOLOS
J

,
r
JJ
:¿
, ]{

Z ) bis Repeaf I st measure

,3
J ., 3

I lt is Re¡teat lst meoytre

JJ J

'a r J J r¿l
tf
JJ o oo
Z lt is Repeot Isl measure

- , 3

-iJ .J .l J J
rr J J
3

r r-- ,, , "r JQ u
v
u ^ -.1
7. ltis Repeat Ist measure
^

7
3 J
J ó
r IJ
J' t JJ
] r
¡J tl .t
Z Repeol lsl metsure
a--

3
I
,3
3 3 J .,

\
'1 i

I
I JJ v
It is RepeoÍ Ist measure ;

,3 3 J J J 3
3 3 3 J J
1., J raa1J
_t_:-l 7 lt is Repeot lst measure

3 .7
J 3

- :{ f- l,J -J J
Z ltis Repeol lst meailtre

3J3 J JJ J

7, Repeat Isf measure

- r---++
- C+- bis

,J 3 3 .,
¿ /l
 ,¡

ii
t
FOUII .tsAR SOLOS WITH ¡
rHREE AGAINST TWO !
Tlris page shows lrow to play eiglrl.l¡.nc¡te tril.rlets l¡etweerr the l_¡ass and srrare,
cyrnbal rlrythm remairrs a steacly eiglrtlr note rock beat. Tlris, in effect, procluces
wlrile tlle !
tlte souncl
of tllree against two.
e
(l
aru,nO,.
ll , a
Cymbal
Snare <¡r Bass
U
J .)
U
The eigl'rth-note triplet rhylhrn in the exarrple ¿¡bove carr be l¡rol<en clown anci,
¡terlra¡ts
It
better understoocl, if the reacier !vere to coUnt it as parts of sixteenrlt.note tri¡:lets.
following example will show ltow this is done.
Ttre
c
J
txarnote'/,
:l :l
Cyrrbal
I Snarc or Bass
C
J
G
C
G
WARM-UP EXERC¡SES a
Play a measure and-a-half of an acl lil-l rock beat [¡elore eaclt exercist.r. J
1
2. 3 é
C vrnbal Cyr r rbal
2
4
Snare
Báss
5nürü
lJ ass
C
, é
J .3

4.
€
5. 6.
Cyrriba
§nare
CyrrrLal
S lrart:
é
B ass [Jass
€
o
J 1 .,
J
._)
é
7
C ynr bal
B.
9. é
C yr rt ltrrl
S¡rare rc
Bass
S ¡lr
B ass
€
J I
.) 3
-?
ts
3 3

10.
af
11 12
Cyrrrbal
S rtare
Cyrrrhal
S ¡.ife
J'
_-_L
r
Bass

tL
Bass
a I
3 3 a
.)
24
.3
C
é
 FOU R-BAR SOLOS
^ ': -;r me asures of ad lib rock rhythm

,aat-

-<-3 -]-JL
3 J3 3J 33 J
3

__a rl t
-eI
JJ 2
t_
JJ
ll-
J 3 33
IL
_:_. __ t
T
3
-¡-i
,) JJ 3
3
J
3
,]
It

3 J

__:r/, . _.
a

3J
tL tt tL I L t-l
3 J333 J333
I

.rl I

O--O i
I
ri
)
J3J 3.33J 33J3 I

(
;
I

I --,
j3J .1
3,333 3
JJJ

r3.3 JJJS JJJS

i

,
,a-

3 3
i

3,3
l
3
il; .l
J
.,
mr
.?
J J
I

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1
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I 'ü üN ú; ü.sb'u--+" - ü
:
I

I
TOUR.BAH SOLOS WITH A 12IS FEEL
i

I
WARM.UP EXERCISES
1 2 3.
Cyrnbal C vrr rbal ,l
S rtare S¡ ¡a rc a
B Bass Bass
t

4 5 6 I
Cvlrr[;¿tl C yrn birl
I
Srrarc
B ass
Srrarr.l
Bass
I
t
7. u I t
,J C y ri-r [ral Cvrrrl,¡al
Srr¿rt: S,,rr,.r
I
B ass ,+ -rl-: Bass

(
(
10. i1 12. - ,J ,.,1
CVlrttrul Cyrn l.ral :.
Srl.rrc Srt¿lrc - - (
B ass

15 Bass

I
13.
Ci vr¡r l¡a
Srrart,
I
14
t.r =JJ,J
o,
IIL

v
Cyrl lral
5rtJr u
15.
.J J
I
B ass Bass
I

16.
,,|J,l Cyrnbal
5 rt drc
17

-
JJ} J , Cyrnbal
5 rlat C
18.
.r.l.l I
B ass Bass
I

9
Cy¡ rr l.¡al
20.
1,1
a
,l
e
,JJ' l, r Cyrn ba I
21

Srrare 5rt¿tu
Bass lJass

22
Cymbal
23
Cyrrrbal
24.
.l .l .J
S nare Snare
Bass Bass

25
Cynrbal
¿lJ
r fr>i l:r Cynrbal
27

Snare Snare
Bass Bass
]
i
i
I
I
I 26
I
j

,/
 l'

FOUR-BAR SOLOS
:'. -.':: :1:* lt _ ,', :.- rtrr rreasu:-es of ad 1ib rock rflytirm (witlr a 12lB f eell
II
. \
-

, JJ. JJ- ii

Z lr
I

I
§
- !-

- I-
7
vt
:

7.

Z
;

¡
i
i
I

l
,

, a
Z *¡31 ¡ d ¡) ¡ ¡¡l ^.1.1

JJ" rJ J" JJ-

7 4 ¡¡1 -t1
!
I

:,:
v
Z
lr
LJ
I

Z
I O , a
a --=t--il.1 ,_-_i .l .1 - .l rl .l
^..1

i
l

,l J. I

Z
?a
)7 I
ñ"
,
¡

I
i
!

I
I /1
!:

B
(

2. (
,lJ:: r I
Z bis

I
3. (
I
(

4.
I
{
I
a
5.
r fi,i ,J,, I
-J]]-;,J-^J-; I --a ,
bis a
a
6.
a
e
J
7. J
ü
J
Q J
J
f
9.
f
f
lt is
ü
t
-t
 -
,i,]Jf
a
I ltis

l/l i

!¿
,,J-,l " JJ 1J IJ J
Z .).
bis
-r/ - -.t

'l
JJ
Z It is

l:
tr-

.l'
I
:rrrl ]rrl J,l
I

t. ,J JJJJ; I
!l

Z
r, t-
a
iJi:,
,
his
'l ^ ^.i
' ^.j
rr
- ^.1 ./ ¡ .1 . .
-.1 -..1

f! ! 1j ,J J- I JJ\ JIJ JJ-

7 lt is

-'
- , -
*-'-^!L ¿ .l
- ^.t .l .)

29
 $
(
I
I

PAI"TT NI INE
i

I
I

FOUR-BAR SOLOS WITH A

SHUF[:LE ROCI( FEEL
WARM-UP EX ERC ISES t
J 33 J 33 3J (
1. .) .) J .J
Cynt 3.
i
cYm. I
I' Sr¡arc
B ass
Srtar e ñ
[Jass
I
Js3 J J .3S I
')')¡
3
4.

'l Cynr.
Sllar
u.f:J Il
ü :f t:\ ,Í Cyrrr.
6 I-l
?

I; J ,)
I
Ft Ll ass
".
lL'13 _,"Í_
Snarr:
[Jass ,ü
1
I
- 'f..-
t
3 3S 't .t
3.1
7
B.
l, 3. 3 2
I
Cyrn. 9.
Cyrn.
Snare
Bass
-,j -1-
Snalc
Bass
I
I
33 33 333
10.
11
3 3J 33 t
Cyrn. 12.
Cyr"n.,
Snare
Snare
I
B ass
B ass
t
a
3 JJ
I

13.
3 3 A.)
JJ J 33 3.3 I
:i 14
cym. ^ 15.
S¡tar c -l uyrn.
Snare
e
I ass
il Bass
i
!t
I
i l.3j .l ,33 J3 ,a
I
16. .J .J 3 3
17.
I
I

^ l.: 18

E
cYm (,!n
Sr'¡a ¡e -t-
Sr-¡are
Bass
B ass I
3 I
19.
.J
33 3

Cynr.
20.
Cyrrr.
21
.3
I
Snalc
Bass
S¡rar e
a

3
3
'f-+- Bass
1*
-l a
22.
23.
J I
Cyrn., 24.
Sr¡arc
Cyrn.
Snare
;¿_::
I

_ij- ,,: I
Bass
I I
1- ass
ti o L-o.L
ry'
..- ,;J a
-
ú
 FOU R -BA R SO LOS
!r s;-. ¡ 'i i : ¡ea t.
J,J 2a
1,J 333 J
- i'- ":
:i -
[' 1, _L

J J J JJ 3J

) 3 ,

-., JJ JJ 3J

I
I

J
J

,t

,33 JS JJ 33 J

h J 3 3 3 J

-1-¡ -Y-_

b - - 3
J3
i
I
I
i

b
I
tl
31
 ijtEueüc r:oclr 5c¡lu wlll r li¡i¡l Inuu;r¡rü¡ r¡r q\i irlv t.UUk SliUfflg l,r¿at. I
33J3333 .lJl3
tl rt
.3
I
ll-:l o t,lt-r
1

ntl _A lrl*o -+ _"

4
4 1- 'l__
üyff:rr
).) I
2

1-J r

a--''3'*1]5'I
J333 .333J 33J3
3
flr ilr rl]
g tl-u--f¡ !.r..r ll ,t t- I -r
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4
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333 ,1 J33 I
5.

t
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.,, 33.33 I
6
I J I J
I

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3 .3 3 Ji
7

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7 - a
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a
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a
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a + L-a:
e
a
32
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333 J ))
JJ 3

J , J ,
7 )
a a L
t:'+
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3 ,3
a
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l-, Lrr t¡---1*4

Z ., )
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at ü--r 'at
Z ¡tl il ¡ r,l ¡tl ¡ ¡tl cl
o1.I -.1 -t/ -

J J 3333 3

a
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tat at

aó
JJ J
, JJ
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7.
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3 J

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333 l-re¿¡t
3 3J J 3

Ir JI
1
3 3 .3

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^r-o
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t
il+."
lr
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3.
J J J.3 J
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J 3S 3J
4.
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5.
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)
3S J 3J 3S J¡
'a-
s sa
.:;--:'c

6.
3 J J a
.-) 3 ?.¡
u.) JS J
I
i

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itl
7 J; 3 J

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7
3 .)2
J .l :i 3 3 3
J
J;
J
I
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C
I

,)a 3J .l ?.r
.J .J 33
d
B. JJ 3
d
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3 3
9.
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34
(l
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I

i
t
PART TEN
u

The f irst níne parts featured four-bar drum solo specifically §

cJesigned to develop independence for rock drumming. The
remaining pages demonstrate a variety of otlrer approaches H
to rock solos having nothing to do with coordination. The E]
reader will notice that although the solos continue to be H
written in an AABA form, they are presented in 214 time i

rather than 414 time. This was necessary in order to fit each
solo on one line, making them easier to read and memorize.
since four measures in 2/4 time contain eíght beats, the solos
wind up to be the equivalent of two bars in 414 time.

? ¡
a
I

I
ll
¿i,

¡
FOUR-BAR SCLOS FEATL,I R ING |I
ACCENTED 1I,'16 NOTES a
1.> >

?[l_ffiffi-l
RLRLBLRL
---t
R LR
l,
LRLRL RLRLftr-RLe

> >
I. a
2. l

l--l--l-l
J-l-)4-l )-)-)--l-¡. l)-J )-)
'-!--l-l l--J--J¡-l
FFF=
ll. ll
--a--a--a
-a --!
e
e>- ';> t,

I
4 :> I
ll ¿ I

I
5.> );- :> :> g
I¡Jffi-ffi-l*,*l I
I
6.> :>
a
é
{
7
U
(
i €
I >> :>- >

ll' -q
€
I )> /? ---€

I
I
\t
10.>- :>

I
Ffl= q
-a-_a - a
---a

Play all solos with alter.nating sticl<ing (single str-ol<es), ber¡inriing uvitlr tlre rillrt lrartrl €
'lli
Á
 > > > >
.t
:-
.-l a e o-a- a a a a
;l I

-!

l>
t-.L-J-J
-.*-*"-- t )-)
I
) ) -ll )

> >
La-- )) ) ) ) J -l ))

5 ::- > >->

) ))
I

6 >- >
))))) )
li'

7 >> > >

I >>

ll.
) _| ) ) ) ) ) ) ) )_! )))_)_))_) J :ll
t+-r-J f--J-J r+-r--J r--r-r¡-J

I >> >>-
))

> >- :>

) ))))))
I

37 I

l
 [- ,i'r [,i," ít Sü L Ut ¡ r_- r ¡ d rJ r-r ¡ ¡V Li
¡- tJ a
,11
16 NOT ES AN D "I I '16 NOTE T R IP L ETS T
3
J I
2 )) J
4
R L fi L R L BRI- RI-RLRI-.RL
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