Original Title/Título Original:

Лебединое Озеро
Swan Lake
El lago de los cisnes

Introducción al Acto I
Prologue to Act 1

Author/Autor:
P.L Tchaikovsky
Op.20

Arreglo por:/ Arrangement by:

Santiago Andres Barrero Salinas

Imperial Music House 2020

1era Edición
IMH 2020

Dominio Público
Public Domain
Únicamente de uso educativo
Use only for educative purposes
Prohibido el uso Comercial
 EXPERIENCIA/EXPERIENCE

En esta pieza se condensa en inicio del mundialmente reconocido balé “El Lago De Los
Cisnes”, donde se nos enseña como la princesa Odette es convertida en la reina cisne bajo
los hechizos del malvado Rothbart en su plan de conseguir la corona para su propia hija
Odile.
La pieza debe interpretarse cuidando el toque mágico y dramático que nos cuenta la
historia.
This piece shows us the beginning of the world-renowned ballet “Swan Lake”, where we
can see how Princess Odette is turned into the Swan Queen under the spells of the evil
Rothbart in his plan to get the crown for her own daughter Odile.
The piece must be interpreted taking care of the magical and dramatic touch that the story
tells us.
 SWAN LAKE
PROLOGUE
INTRODUCTION TO ACT.1
Arrangement for Cello and Piano
(Bassoon or Trombone)

P.L Tchaikovsky

Swan Lake Ballet

Op.20

Arrangement by:
Santiago Andres Barrero Salinas

IMH2020
IPT 125
IMH 2020 - IPT.125
                    
     
 = 80

   
Moderato

     
Violoncello

                        




   




      
                  

Grand Piano 




          
       
 
7


Vc.

               
                 


         
3 3

 
 




       
    
 
      
Pno. 3

      
   
3


11

      
Vc.

            
 
              
3
3 

    
3

           
 
3





Pno. 3


3

      
                    
   
14

      cresc.

Vc.

   
              
  


      


  



                            
 

    
Pno. cresc.














2 IMH 2020 - IPT.125

     
                
      
 
19

 
Vc.

              
   
         
   
                  
Pno. 

   

           
              

24


             
Vc.

          

      
               
        
Pno.

  
    
               

     

 
29

   
Vc.

 
                                 
  
cresc.



            
  
       
Pno. cresc. cresc.

  = 125 
     Allegro    
 
             
      
34

    
Vc.

     
        
              
3
3 3

        
  
                
3

  
Pno. 


(cresc.)

        
IMH 2020 - IPT.125 3
  
            
37

         

Vc.

             
              
3


3 3

                 
                
              
Pno. 3

    
3 3 3 3 3 3


3 3

    
 
40

        

Vc.

           
                  
3 3

      
3 3
3 3

                       
                 
Pno. 3 3

 
 
3 3 3

    
3

     
    
43

        
Vc.

  
            
   
 
          
                       
  
3


Pno.

  
3 3 3 3 3

       
3

 
3

    

45

   
               
Vc.

              
          

                   

    
3 3 3 3 3 3 3 3

  
Pno.

   
4 IMH 2020 - IPT.125
    
  
                  
  
47

   
           
Vc.

                    
          

 

                   

     
3 3 3 3

   
Pno. 

         

          
     
   

 = 80
51 Moderato

       
Vc.

 
       
    



 
       
Pno. 

       

              
      
55


     
Vc.


         
 


  
 
       
Pno. 

       

 


    
  
59

  
Vc.

 
            




       
   
Pno. 

     
IMH 2020 - IPT.125 5
Cello SWAN LAKE
PROLOGUE Op.20
INTRODUCTION TO ACT.1
Arrangement by: Arrangement for Cello and Piano Swan Lake Ballet

                     
Santiago Andres Barrero Salinas P.L Tchaikovsky

 
(Bassoon or Trombone)
   
 = 80

   
Moderato


Violoncello

             
              


 
7

 
Vc.

               
         
   

13

     
Vc.

     
           
 cresc.

    

18

Vc.

                         
       



23

Vc.

                   
         

  
29

Vc.

   

cresc.

       
                  
 = 125

 
Allegro
35

Vc.

                         
                  
        
43


Vc.


 
 

                    
          
 = 80


48 Moderato
Vc.

                                



55

Vc.

 

IMH 2020 - IPT.125

Grand Piano SWAN LAKE
PROLOGUE
INTRODUCTION TO ACT.1
Arrangement for Cello and Piano Swan Lake Ballet
P.L Tchaikovsky
Arrangement by: (Bassoon or Trombone) Op.20
Santiago Andres Barrero Salinas

     
                            
 = 80
Moderato

    




               
             

Grand Piano 





                
        
    

      
3 3

 
8

    



             
Pno.  3

 
              3  
3


    
     
  
3
3

    
11

     


3


Pno. 3 3

   
        
        

13


        


                
 
   

 
 


cresc.


Pno.







  
       
 
17

      


              
     


   
Pno.

   





IMH 2020 - IPT.125

  
 
                     
     
21

   
                     
  


  
Pno.

  
  
 
        



          
  
   
26

      
          
  
    
      
Pno. cresc.

  
    
 

           
           
      
31

          

        
  
Pno. cresc.

      
 
       
      
 = 125

          
Allegro

    
35
3


3 3

          
           
Pno. 3
(cresc.) 

    
        
          
         
37
3


3 3


       
            
      
Pno. 3


         
  
3 3 3

            
3

       
3
39 3
3

       
            
      
Pno. 3

3
3 3 3 
2 IMH 2020 - IPT.125
              
          

3

     
41 3
3

           
             

 


Pno. 3


          
3 3 3

           
3

  
    
43

          
                       
  
3


Pno.

   
                              
3 3 3 3 3

      
3 3

   
45

               

         
3 3 3 3 3 3 3 3

  
Pno.

   
   
                  
           
            

 
47

                   

     
3 3 3 3

   
Pno. 

         
        
   
            
 = 80

     
Moderato

  
51

 
           
Pno.  

           
  
       
   



   

   



57


       
       
Pno. 

         
IMH 2020 - IPT.125 3