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(U J Cartografias Criticas Critic Cartographies Roberto Lombardi Seminario levado a cobo el 18 y25 de octubre, y el 14 de noviembre de 2019 en el marco de lo Moestria en Investigacisn Proyectual cel Centro POIESIS, de la Focultad de Arquitecture, Disero y Urbanismo de le Universidad de Buenos Aires, Extractos de Clase! Transeripcién: Detina Ameljiras ‘Comteccion: Sontioge Mires, Roberto Lombordl aloes camo pastisayosumendo ue fos tn nvettos copeelgadesrefenves: esta icregrstencntrosa nemo de Fepresentart luda ytertitorio o parte los practices slgunas complejdedes del estatto de lo tipscsinente en aane actual a programas Y stinuigos por eorporaciones que tienen Sel software. Sus protocols, sus modos de podemos encontroran numero my seated smportariento cal global de os modes Seintrmacion giograhen acre plototormos de Google, En sinteis,estormes Muy manera y consumir eras fom Ge prodvceén conceptuelesy prdcticos sean, de hecho, muy heterogineory especificos por algunas lecturos de Per Vittore Aurli en ota interroger lo funeion de [a urbonizocn [Kstomente en camine de tener clgune func mos ralvante y moe partinante en lox démicos | propose to analyze the function of the project oso prectice and assuming tht the ‘der of proceecing ore high influential in our interrogate projecting modalities if not through the representation? | want to focus onthe relationship between stchitectue, ety ene teritory based on Cortographic practices, where some complestas ofthe status of representation become ‘visent.Imeon thot we receive 0 universoized Scope of digital representation progtems, ‘eveloped and dinributed by corporations ‘that hove hegemonic postions inthe world of sofewore. ts protocols, ts ways of doing, tte practically nouraizes both in the Rals cof architecture - where we con find o very limited numberof general procedures that define cn almest global behowor nthe ways of representing ~and in urban plenaing, based tn the influenes thot goographie information ‘models ond the prliferation of Seog blotforms In short, we are used 0 ee ond do things in certain way, and consume these forms of production os close systems, othough {oct very heterogeneous ana spect | want 9 deal with this problem by being guided by tome readings by Pier Vittoria Auraliin The Possibility of on Absolute Architecture, co {querton the function of urbanisation an the way to having @ more relevant and pertinent function inthe eulturl and socio-plities! dynamics ofthe ety. Ese marco conceptual puede ayudarnos, a abordar la investigacion a Moy TLemeTe1t entendiendo al proyecto como una practica crifica Architecture, from the formal point’ of view, must confront urbanization as an Tet<¥- a nae Ae Se origin of capitalism Peery Fiera meer etna tony cers setcc rere eee caterer or eee oar et oie eet) Fates arngnnin peventrmpeira ernment peered et elie eager Peper ernment Lerner aree moet Re oO er Poheeterserieatenrureitny eee ere ea eres er rcs posrahremueet seer pita re erent pian ner ree eeene rer ta Peer eee Fenn Enero nes entetee ieee nA aero ent oa Pere eee area Perron etree nel a Be er ain error per celery trerreNreny permease pier oan eeS eS area eee oer tas Scere rented hare oR error ieee eer aennnegt rere net ee aan rs ea PEt eee renee ey Perourpreerear spanner sats Peer acne peere ten Pyeon eee Teheran ten Par seperoeipeeen eran cours acinar eer Preteen Ce ere erg pe coeeen cierre er Eee Ot Pepecircrreir cee cece peeerarerenmacern ate Poorer eee ah Preteen bei Coens Sega bone Rersiopeneipiireapenieheteenpety ee ee ee Ce Ee ae Berea aac Cerrina teenie pe Nene] eee ete Poernee ener beeen Eaarehegeucuet oie bad River ee pence ens Pree ponte terre eee Rie taroseenet ec av eae Poa ert porter rennin) Oe eines artnet Cries er rien oan erring] rere reer y Seer arene iy always with the seme cardinal orientation vires eres 7 eee ree occ ac pect tector os feu penone iii ene rany rr eee rere ns pene eee rety structural ganization of the national territory ee enor! Leatoininenr herr perce pottery ere naepeneretecarany prereset ere er sera neers rrr et Pachanleianarierer oui Sean ener ey Peco aera erie rats Seen eet aad Tresesiace seep ipa oei ene gett earned Ppoariiee neen estore eer en ros pooleichipeerpaneueeeee chy eerste Po one ee AM Seana Ponteeen nate reentry parses ecco Taree nena piste cca etre ter mecca teetey Sree passin ois abiratieirctortiainn reaper rah onan eran eae aera Papen ron reeenmnneenari ney Herrera imei arr ran Preirinan preven mney ee nee reat eerie see rer Perea ae erin teers er rier cro arinu ieee ped preteen arte Se ne Seite eranenrmec teen gmene nati Cee ee rary rooney Pee a yeeneue sei renicmecr ire peace ees Pricer abaiane remained [ocorehereneennececrat ones Pi sep eeiroraabeabera braid Poorer aerate piyerieereenrepinenn rere trey Poor eae Perea ane NT Fenestra oa eee sein ear ere mee eect Poetry arn ord Peet ec ae pieerhob erence setae ial entice ee ee Glslecve between integration and closure. And inphriaepeaeh etre pieuecearepieurcersiy pel baie eeenneed Senet EC ete eee eta ‘the hyglenist Pedro Monlau for Barcelona in pra rearabetnanna Orne Ete fracture of the wall, the change of quality of iia eaeepaieaoramenaeecy beaker ener ra coe Pcie teen ree ry free land, but of renewing urban fabrics, eaenpleniprion penta eee errenin et ian orton eaten peta If all cartography is both an encrypted symbolic notation Tle 1U-e 0 OT image, these imaginaries FD -Lea mee function of the survey to the aa n=] =a LO AID BTC o ask ourselves about what is veiled in each document one Jers interpretar Peper rele eter ree ey rn Ernree yeti ysren fae e nae Renee en eee ents Seber eran eee een yeneaty eee er peer nee nti ee erent oe acd eco oe sean eer Ee erates Pee rerenie meerer ener tis ener neermsinincenceet Ser rere arenes ena parC eee nee neeaieeg ore oneeerer remnant erat ee ee Seer Heer cae Peieeea ones dare aera eee eetean ate Seer eats preps mr petite a enna Pyemeoteee Pesos aeer tener poate] eee pease See feats eeioecemelee Peep ene ofthe city systematically used for the first time Sp hiecceaonieccnat leo ee ere eines Per Canam rend irae cree pent as Rela dietarenaetanenan Peeters Ptr mar tid the first engraved and printed horizontal fat pranarenyfererinnen pn ree ee eee ere forchtectures ond current fabrics Buta pabeeeere ters overn) value ore represented with thelr Roors o8 they eee ea ne ere ere eae ete eee een fieerenengeenonensna reer ntinag Peain repre npenrinoreeiny Ca Lae enfoca la intima relacion entre el espacio publico y los interiores de la edilicia publica, y las formas de construir y de habitar que TUT Met =1 ame =e9 = ]Se BTTUIet=)S) ci Teepeceinionenentroneury ice obey Mate Pr ey era en te Leen reser ae sono aim 1geeugtne on para ie encarceis pr Nosole 1852-180, roger regal swoon nov 0h OO po yes (10 C8) mee Slotheque na eae om aor eo The Voisin plan imagines the project not as an urbanizafion, but as an autonomous — architecture, as a difference eet oer) co eeae ne ee ener a eae eee ee ene ee arr eee a ee eee ths eae Teeny ener eer eee payin tenr anne eerie Sonny Pecrieernireineeny Pesaran Cee ere ee etre eer et et een eT en ey eee een pereltespeniy pay seionepeey pt flee paras onpenreen earner een arene arn oa ee ert es eee eeenpe net enns arated Piece erent oe Ra opted Papeoretieah einen nre ial Eeremoaneetinmnne rerum eee creer Pare oe ee ores enn area een rarer reread parish eer err Meer ater eer eater rene Cosa ten poe erat tat Paros ees oar teeta Pe eer Piro enter eeccnt eee eee ere eee Poles peeve pea rection feseretoiramptracat etree Percents rserriniraaese ra nee cea Preyer ern eto) Pipe ceaeaperrnarren iat rena aleiacsatueas ional RoNer ri memee emimeet ieets Eee remeraie a Canter erry fabipstretioeiiverseronnnetl Sons Loneaiepenrepeenpeu nicer Peer aT anNnr yn Preeieioecepetiter ieee oid rarer ate Sear

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