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Quinteto de sopros
Flauta I Thiago Sias

Solene ( = 96 )

 
Trompa
      
3

        
        


3

 
10

    
3

   
           
     3

         
             
A

            
16 3

 
  3

             


B

        
21

 
tp.   
fg.

           
          
6

   
29 C

   
 3 3  

    
  
   
   
7

     
              
37 3
3


3

 3  

             
           
    
41


6 6 3 5

 
  
fg. tp. ob. cl.

fg.


    
D

     
       
E

 
45


com ob. e cl. até 60

   
fg.   


 
         
3



tp. 3

    
         
             
54


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         


F


           
       
62 3 6

 3
3

     
          
agitado, angústiado ...

   
        
      
66

7
  3
7  3
      
         G        
               
69


 3 3 3



          

H

                
  
                
5

  
72

  
3
 3 3
 

      
 
                 
             
    
3 6
77


7   3
3 
 
   
                              
6

    
83 3

7
 5


I

   
rit.

   
88 cl.

     
5 com tp. rall . . . a tempo
  
3 expressivo


3

         


 cl. 3
  

       
        
J

 

  
ob.cl.

 
(95-96) tp.fg.
   
 

3 3
 
    
    
 
   
 
     
 
  
      
K

          
103


ob.

 
   
fg.

         
             
111

2
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  
              (121-122)         
rit.

    
      
118

 

 
   

a tempo M

    
126 L
ob. cl. 
     
(129-131)

 
 
3
fg.  
       
       

        
              
136


3

   3 5
5 5

                 
    
N

          
141
  

    cl.

149
            

tp.

         
3

    
fg.  

           
            
          
O


159


3 3
7

                       
  
  
  

166


3 3
 6  3

      
P

    
173 (175-176) cl.

   
3 3

   
  

3 3

          
            
179 3 (183-186)

 
  3 3


com ob.   
rit.

 
      
     
 
(187-191) molto rall . . .
 
a tempo

    
cl.  
tp.    3
fg.  3
 
3
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II Thiago Sias
Flauta

Andante (lento religioso)

a tempo
7 rit.

13
crescendo poco

19

rit.
25 a tempo

31

38

40
rall.
3

a tempo
44

14
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Flauta Animado ~

13

16 crescendo poco a poco . . .

rall... a tempo
19

24

27

3 3

rall... a tempo
31

35

38

16
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Quinteto - III
41

rall... Meno mosso ~

44

54

3 3 3 3

expressivo
61

3 3 3 3

Tempo I
67

71

74

77
crescendo poco a poco . . .

80

rall...
a tempo
83

3 3 3

molto rit. a tempo

87

17
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Quinteto - III

95

18
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Quinteto de sopros
Oboé I Thiago Sias

Solene ( = 96 )

 
Trompa
      
3

        
        
 3

  
10

   
3

   
          
      3

       
         
A

              

16

  
3

  5

 
      
B

                        
21


fg. tp.
 

    
     
    
                          
5


29


  3      
3
7

     com
                         
C
o cl.


35

 

3 3

     
D
          
 
43
   
5

 
 fl.
  
E

            
com fl. e cl. até 60

 
50


     

fg. 


  
            
       
56

 
 Thiago Sias www.superpartituras.com.br

     

F agitado, angústiado ...

           
             
62

  
3

        
3 3

 

    
                
  
                   
67 5

 
3
5 3
6 3

              

  
G

                              
3
70 3

  5
3 3

 

   
H

         
6

                        
73 3 6 3

  

       


                      
79 5 6


7 3

 

                          
3 5


84 5

  
6

   
com cl.

    
 3 

 
I

      

rit.

    
expressivo

 
88 rall . .a. tempo

      
 3

   
J

      
 
  
fl.

  
97 com cl. tp e fg.

     

3 3
 

               
102

    
 

2
 Quinteto de sopros - Oboé www.superpartituras.com.br

                              
K

          
109 3

  
 3

   
                            

117


3



                        
       
L a tempo


rit.

 
123

3 

      
 
M

          
129

       
3 3


 
fg.
fl.  

   
7

           
137

        
         
3 3 3 3

    
N



          
141

          
3 3 3


  3

           
7
   
              
145

3

        
 cl. fg. fl.

    
O

                       
tp.

   

153

    

3

  
 
  
3 3

            

                 
162 3

     
3

 
P

          
169

       
  
3
 Thiago Sias www.superpartituras.com.br

 
     

(177-179)
  
fl.


    



  
3 3 

 
   
                  
183 3 (187-191)
3 3

      


    

rit.

   
  
   
192 molto rall . . . com fl.
a tempo
 
     
cl.
tp.     3

fg.  3
 

4
 www.superpartituras.com.br

II Thiago Sias
Oboé

Andante (lento religioso)

a tempo
7 rit.
3

12

19

24 rit. a tempo

30

36 3

41 rall. a tempo
3
 www.superpartituras.com.br

Animado ~
Oboé

12

15 crescendo poco a poco . . .

18 rall...

a tempo

21

25
3

3
3

29 3 rall...

16
 www.superpartituras.com.br
Quinteto - III

33 a tempo

36

rall...
40

Meno mosso ~
0 3 1 3 2 3 3 3
45

4 3 5 3 6 3 7 3 8 3
49

9 3 10 3 11 3 12 3 13 3
54

14 3
59

3 3 3

64 3

17
 www.superpartituras.com.br
Quinteto - III

68

70

73

77
crescendo poco a poco . . .

80

rall...
83
a tempo
3

3 3

86

91 molto rit. a tempo

18
 www.superpartituras.com.br

Quinteto de sopros
Clarinete (B ) I Thiago Sias

Solene ( = 96 )

     
3 3 3 3 3 6

                         


         
6 6
3 3 3 3

                    
 
 

    
11

 
 
3 3 3 3 7 3

         
        
     
A

              
14


3 3 3

             
 fl.  

B
     
(19-20)

  
ob.
  
fl. ob. 3 3 3

 
            

fg. tp.

       
27
3 3 3 3 3 3 3

                         
   

       
C


       
34 com o ob.
3 3

          

                
D

  


40

      
5

3
3
 fl. 
E

           
46

   
  fg.
   
 
 Thiago Sias www.superpartituras.com.br


                                  
52 com fl. e ob. até 60

 


F

                  
7


60

        
3 3 5

       
 3

         
agitado, angústiado ...

                
65

          
3 5


3 5


           
 
3
5

  G
  
                   
68 3

       
5

       

    
H

      
72

 
                    
 
com tp. 3 3

 
 
 

  
 
  
6

                  

 
         
79 3


3

 
    3

  
                     
rit.

      
85 5 5


com ob. 6

       
3


I


rall . . . a tempo

       
89 expressivo
3 3 3 3

                 
    

     
J

           
95 com ob. tp e fg.

    3
  

  

           
102

 

2
 Quinteto de sopros - Clarinete (B ) www.superpartituras.com.br

    
        
K

 
      
fl.
 
(109-112) 5

      
 

   

3
ob. 3

   
               
118

            

 

rit.

 
a tempo


      
L


     
5


124

  
7

               
  3
3

                                  
       
127

 
 3

       
M

            
133

    
3

 

fg.
fl.    3

      

N

    
7

                   
141 (146-147)
3 3

      


              
 
149 tp.

            
3

     
fg. fl. e ob. fg. 

  
O

 
                 
159

 
3 3 3

          


                 
166

      
3 3 3 3 3


     

3
 Thiago Sias www.superpartituras.com.br

  
P

      
172

 
3 3

  
   

  
ob.

  
tp.
         
3 3

    
fg.  

       
179

   

      ob. 
               3
               
fl.
  
3 3
3

    
  3 3  

      
185


    

fg.
       
    
5

  
               

      a tempo 
190

   
molto rall . . .

    

           
              
3
tp.
 
 3 3 3 fg.

 tutti  
     
194 al niente


3

    
 

       
 
3

     
 

4
 www.superpartituras.com.br

II Thiago Sias
Clarinete (A)

Andante (lento religioso)

a tempo
7 rit.

12

19

rit.
23

28 a tempo

33

39 3
3

43 rall. a tempo
 www.superpartituras.com.br

Clarinete Animado ~
(B )

11

crescendo poco a poco . . .

15

18 rall... a tempo

21

25

3 3

29
3

1
 www.superpartituras.com.br
Quinteto - III
32 rall... a tempo
3

35

38

rall... Meno mosso ~

43

47

52

56

60

64
3

2
 www.superpartituras.com.br
Quinteto - III
68

70

72

74
3

77
crescendo poco a poco . . .

80

rall... a tempo
82

87
3

92 molto rit. a tempo

3
 www.superpartituras.com.br

Trompa (F) Quinteto de sopros

Thiago Sias

Solene ( = 96 )
3 3

A
10
3

B
17
fl. ob.

fg.

25

C
35 bouché 3
3 3 3

3 3 3

D
41 3 3 aberto

5
fl.

E fl. ob.
46 cl.

3
53 3 3
3

fg.
3
3

F
58
 Thiago Sias www.superpartituras.com.br

64 agitado, angústiado ... 3

3 3 5

G
69 3
bouché

H
72 aberto bouché

fg cl. fg fl. 3

! !
3
6 3

5
79 aberto bouché

3
!
rit. I
85 cl.
3 3

93 bouché rall . . . a tempo

J
99 aberto

com cl. ob e fg.

fl.

3 3

K
107

fl. + ob.

2
 Quinteto de sopros - Trompa (F) www.superpartituras.com.br

115 3
3

rit. L a tempo
122
com fg.

"

127 cl. ob.

3 ob. cl. fl.

fg.

M
135 3

# #
fl. 3

"
fg.

$
N
141 (145-156) fg. solo
bouché

" 3

%
O
159
aberto

3 3 3

165
% bouché
3
3 3

P
171 aberto 3 3

cl.

3
 Thiago Sias www.superpartituras.com.br

177

3 3 fl. 3

3 3

182

ob. 3
3 3
fg. 5

187 bouché
3 3 3

&
190 molto rall . 3. .
3 3 3

&
cl.

fg.

&
193 a tempo aberto al niente
3

"
tutti

&
"

4
 www.superpartituras.com.br

II Thiago Sias
Trompa (F)

Andante (lento religioso)

rit. a tempo

11

20

rit.
26 a tempo

32
3

41 rall. a tempo
 www.superpartituras.com.br

Trompa
(F)
Animado ~

9
3 3

14 crescendo poco a poco . . .

18 rall... a tempo

22

25 3

29
3

32 rall... 3 a tempo

36 3

40

3
16
 www.superpartituras.com.br
Quinteto - III
rall...
Meno mosso ~
43
3

53 3

59
!

68

72
3 3

77
crescendo poco a poco . . .

81 rall... a tempo

86 3 3

a tempo
93 molto rit.
!
"

17
 www.superpartituras.com.br

Quinteto de sopros
Fagote I Thiago Sias

Solene ( = 96 )
        
             

      
 . . .
3 3

tp. 
             


            
9

              

   
      
3 3


   


           
       
17

 

     
     
      

   
...
fl.  
3

 ob.  
fl. B

 
 
                              
22 tp. 3 3 3 3 3

 


                           3
         
29 3 3 3 3 3 3

  

             
C

              
     
  
36

      
3



   
D E

           
43


      
 
     
       
5

...
fl 
 Thiago Sias www.superpartituras.com.br

     
                     
51

3 3
3

     
tp.
          . . .  
3

 
3

 
fl. ob.

   
cl.
3
3

 
        
F

        
58

  


      
   
agitado, angústiado ...

  
64


 3

                   
3


cl. 3 5
7
3

           

        
                                     
        
67

 
3 6 3 3 3

                                                       
G

  
3
70 3

  
  
3 3 3
3

    

                        
H

          
73

  
3 
3
7 3
6

      
cl.

          . . .
   

          
              
78

  
3
  
    
    
rit.

         
   
84

3 
2
 Quinteto de sopros - Fagote www.superpartituras.com.br

 
expressivo
  
89 rall . . . a tempo

   
 

      
fl. cl. 3 3 3 3

                 
     


J

              
95 com fl. ob e cl.

 
    
        
  
3


 
fl. 

...
 3 


K

           
103

    
 
        
ob. + fl.

   


              
         
110

     
  3
3

      
   ...

         
 
            
119

   



L

  
rit. a tempo
      
  
125 (129-130)

     
com tp

   
 
 
      
M

      
133 cl. ob.

          


  
N

                    
140 (143-144) 3

   
3
 
3
 Thiago Sias www.superpartituras.com.br

         
148


 
               
  
cl.

ob.fl. 

           

O

   
 

 
tp.

     
155

3

  
   5

          
             
      
163

  
3 3


     
P

    
170 (178-181)

            
3

    

          
       
182

  5

              
cl.

   
3
ob.

    
3 3

       

187
                     


                      
           
tp. cl. + tp.


bouché

        
 3 3 3 3 3 3

   
           
192 molto rall . . . a tempo al niente
tutti

   
 
  3     
    
   
   
           
   
  
 3


4
 www.superpartituras.com.br

II Thiago Sias
Fagote

Andante (lento religioso)

a tempo
7 rit.

13

20

rit. a tempo
26

30

36

41 rall. a tempo
 www.superpartituras.com.br

Fagote
Animado ~

12

15
crescendo poco a poco . . .

18 rall... a tempo

21

25
3 3

29
3

32 rall... a tempo

36

1
 www.superpartituras.com.br

39
Quinteto - III

44 rall... Meno mosso ~

expressivo
53

3 3
3 3

60

64

69

72

75

crescendo poco a poco . . .

79

82
rall...
a tempo

86 molto rit. a tempo