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R e f l e x i ó n y r e v i s i ó n
El folclor y el patrimonio
frente a la hibridación y la globalización
en la música colombiana.
Tensiones tradicionalistas
vs. modernizadoras: políticas culturales,
poder e identidad1
Darío Blanco Arboleda

Docente e investigador, Departamento de Antropología
Facultad de Ciencias Sociales y Humanas
Universidad de Antioquia
Dirección electrónica: darioblanco1@gmail.com
Blanco Arboleda, Darío (2013). “El folclor y el patrimonio frente a la hibrida-

ción y la globalización en la música colombiana. Tensiones tradicionalistas vs
PRGHUQL]DGRUDVSROtWLFDVFXOWXUDOHVSRGHUHLGHQWLGDG´(QBoletín de An-
tropología. Universidad de Antioquia, Medellín, Vol. 28, N.o 45, pp. 180-211.
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Resumen. El presente artículo busca discutir y evidenciar cómo se han solucionado las tensiones
entre tradición-folclor-patrimonio y modernidad-hibridaciones-globalización, sobre el escenario de la
música colombiana y cómo afecta su función principal que es la de brindar identidad a las personas y a
las comunidades. En esta relación compleja, cruzada por variables de poder, por discursos y acciones de
personas y comunidades que creen y construyen sus vidas en torno a estos conceptos, se dan grandes
disputas, contradicciones, desplazamientos y negociaciones.
Palabras clave: música colombiana, folclor, patrimonio, tradición, autenticidad, hibridación, bam-
buco, política cultural, poder, hegemonía.
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El folclor y el patrimonio frente a la hibridación y la globalización en la música colombiana... / 181
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and globalization of Colombian music. Tensions
between tradition and modernization: cultural politics,
power and identity
Abstract. This article seeks to discuss and make evident how the tensions between tradition-
folk-heritage and modernity-hybridizations-mass-media on colombian music scene have been solved
and how this solution affects their main function which is to provide identity to people and communities.
Within this complex relationship, crossed by power variables, by speeches and actions of individuals
and communities to create and build their lives around these concepts, there are major disputes, con-
tradictions, shifts and negotiations.
Keywords: colombian music, folklore, heritage, tradition, authenticity, hybridization, bambuco,
cultural policy, power, hegemony.
Introducción
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tardomodernidad tradicionalista?
El medio de comunicación amor no es en sí mismo un sentimiento, sino un código

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R e f l e x i ó n y r e v i s i ó n

Darío Blanco Arboleda

Blanco Arboleda, Darío (2013). “El folclor y el patrimonio frente a la hibrida-

El folclor y el tradicionalismo como fortines del Estado.

El bambuco. Los sentires melancólicos andinos

(QFXHQWUDQ&KDYDUURHWDOTXHHVWHWUDEDMRLPSOLFDXQGLVWDQFLDPLHQWRGHOD

El Plan Nacional de Músicas para la Convivencia (PNMC). El arte

La música vive en cada habitante de nuestro país, un mensaje de convivencia

5HVXOWDSDUDGyMLFRHOXVRGDGRDODFXOWXUDHQVXDFHSFLyQURPiQWLFD\FyPR

El Gran Concierto Nacional, ritual para la construcción

13 3DUDSURIXQGL]DUHQHVWDUHÀH[LyQYpDVH%ODQFR

El patrimonio como eufemismo del folclor

Cuanto más cambia algo, más se parece a lo mismo.

Conclusiones —¡Un patrimonio comunicativo!— ¿Hacia una

El medio de comunicación amor no es en sí mismo un sentimiento, sino un código

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BlancoDario PDF

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R e f l e x i ó n y r e v i s i ó n

Darío Blanco Arboleda

Blanco Arboleda, Darío (2013). “El folclor y el patrimonio frente a la hibrida-

El folclor y el tradicionalismo como fortines del Estado.

El bambuco. Los sentires melancólicos andinos

(QFXHQWUDQ &KDYDUURHWDO TXHHVWHWUDEDMRLPSOLFDXQGLVWDQFLDPLHQWRGHOD

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5HVXOWDSDUDGyMLFRHOXVRGDGRDODFXOWXUD HQVXDFHSFLyQURPiQWLFD \FyPR

El Gran Concierto Nacional, ritual para la construcción

13 3DUDSURIXQGL]DUHQHVWDUHÀH[LyQYpDVH%ODQFR  

El patrimonio como eufemismo del folclor

Cuanto más cambia algo, más se parece a lo mismo.

Conclusiones —¡Un patrimonio comunicativo!— ¿Hacia una

El medio de comunicación amor no es en sí mismo un sentimiento, sino un código

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