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Cuarzos Maestros PDF
Cuarzos Maestros PDF
_uarzos
aestros
Guía de la maestría de cuarzos
y sus propiedades energéticas
+EDAF
() 2009. Nina llinares.
O 2009. De esta edición, fdi~mi•l f daf, S. L., Jorg• )u.1n. 30. 2800 1 Madrid
EdiiOrial Edaf, S. L.
Jorge Juan. 30. 2S001 M.1dricl
http:/Ji,\1\'lw.eda f.nel
edaf@cdaf.not
Ed<~ f delPl;ua, S. A.
Chile, 2222
1227 B t~\OS Aires (ArgenlinaJ
ed;.lidelploJia@edM.net
Ed;.í Anliii<~S
247 S. E. fir$1Slre.>l
Miami. Fl33131
edafanti ll a~@edai.nel
Edaí Chile, S. A.
Exequiel Femández. 2765. Man •l
Santiago. Chile
ecJ...;ic';hiiE"@edai.nel
Queda prohibida. s~lvo excepción prevista en l.'t ley. cualquier íorrna de reproc:lvcdón, dislril'M.•<:tón, romunk.c.--.dón pl1blica y 1ransfor·
n"'t~dón de esl:. ohm ~in oonrar <~ón la autorizadM de los ti!ula.réS ~ propteclad inléf.eauc1l. l;, inÍr.lCCión de 1~ ~hos mencion~clos
pvOOt :;el' cons1ilutiva de ddi!Of úll(_r., la propied.id hllei{.-'Ciut•J(,,rt. 270 y sigulenl ~ dcl Código P~¡al}. El Centro F.sp(1ñol de Dere\':hos Re--
prográfocos (CEDRO) w;la por el n.~IO de lo' ci1.1dos do:rtehos.
Abri/ 2009
Págs.
AGRADECIMIENTOS • . • . • . . •• • •• •• . • . . • •• . • . . • •. . • . • . • . . •• • •• •. . • • . • •• •• •• . 21
ADVl:RTr:NCIA DE LA AUTORA ... . . . . . . . . . . . . • . .• , ••• , • . • • .. •• •• , • •• • • . ••.• , • . 23
PRESEtliACIÓN I)EL CONTENIDO DE ESTE LIBRO , • • , , , , , • • , , •• , •• • , , , , • • , • ••• • , , , , , , , 25
INTRODUCCIÓN . . . . . . . . . . . . . . . . . . . . . . . . . . • . . . . . . • . . . • . . . • . . . . . . • . . . • . . . . . 27
La consciencia c rista 1i na . . . . . . • . . . . . . • . . . . . . . . . . • . . . • . . . . . . • . . . . . . . . . . 28
Desde el pasado al presente . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 28
En la intuición, no en la razón . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 30
Para lo que no hay respuesta: El vínculo chJmánico y el cuarzo c rista l . . . . . . . . . . 30
H erramienta sagrada . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 31
Ruedas de medicina . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 31
El vínculo crista lino . . . . . . . . . . . . . . . . . . . . . • . . . . . . . . . . . . . . . . . . . . . • . . . . . . 32
Luz cristalizada de elevada vibración . . . . • . . . . . . • . . . • . . . . . . . . . . • . . . . . . . . . 33
PRIMERA f'ARJE
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N INA LLINARES
P,ígs.
SEGUNDA PARTE
LA ACTITUD DE IMPECABIUDt\D Y APOYO DEL TERAPEUTA HOLÍSTICO QUE 1RABAJA CON CUARZOS MAESTROS. 54
Simonización, ayuda y protección 55
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CUARZOS MAESTROS
Págs.
CUIDADOS ESPECIALES DE LOS CUARZOS MAESTROS ...• • •. •••.• • .. • •.• • •.•••.• • .••• . 55
Limpieza, purificación y carga .. . . . ....... .•..••..•...•...•..••..• . .. • . . 55
. . un cns. ta 1 ................ . ... • ...... . ... . . . . • ...... . ... • ..
L1mp1ar 56
Cargar energéticamente 1111 cristal ... • .. . ... • .... . ......... • .......... 56
Purificar 1111 cristal .... . .......... . ....... . ............. • ... • .. • ... 56
Limpieza, purificación y revitalización con los cuatro elementos .... ....... . . . . 56
Luz blanca: Limpieza especial para los cuarzos con los que rea lizamos sesiones pre-
senciales . . . . . . . . . .... . ... . ................................ . ... . 58
Método de limpieza rápida .. . ..... . ...... • . . . . ...... • ... • . . .... • . . . • . . 59
Limpieza rápida por vibració n sonora ... • .. . • ...... • ....... • ...... • ... • . . 59
Limpieza chamánica de los cua rzos .. ..... . . . . .... • ... • . . . • ...... • ... • . . 59
Revitalización para los cristales de cuarzo maestros .. . . • ...... • ... • ......... 61
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N 1NA lUNARES
Pág.s.
T ERCERA PARTE
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CUAKZOS MA(STROS
Págs.
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NINA LUNARES
Págs.
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CUARZOS MAESTROS
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N INA lUNARES
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CUARZOS MAESTROS
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NINA lUNARES
Págs.
Cu ARZOS AYUDANTES ... •..•. ..•. .. •..•. ..•. ..•. ..•. . .. ..•. ..••. .. ..••.•. . 267
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CUARZOS MAESTROS
Págs.
. . . . . .
Ayudante: Cuarzo Aqua Aura opalizado . . . . . . . . . . . . . . . . . . . . . . . . . . . . 293
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NINA LI.INARES
Págs.
-20-
Agradecímíentos
A Cristian Salado, por ensei\anne a ver, con su método de enseñanza de Visión Aural, la
energía maravillosa del aura de mis cuarzos y a quien he dedicado este libro, pues a lo largo de
mi v ida y de mi formación profesiona l he tenido la oportunidad ele conocer a muchos y valiosos
profesores, pero a muy pocos maestros, y Crist ianes uno de ell os: su maestría no solo fo rma parte
ele sus enseñanzas, sino, y sobre todo, en su ca lidad humana y su corazón transparente y crista·
lino. Gracias, Cristian.
A Pedro Bellmunt, por su víncul o chamáni co con los crista les de sanación y por sus regalos
crista 1i nos.
A los modelos de las fotos: Natividad César Camacho, a mi hijo Juan Edén y a Oswaldo Ro-
cha.
A Roberto y Miriam, del Centro Armonía, Barcelona, especial istas en minerales y por orga-
ni zarme cursos de cristales de sanación, por su amistad y vínculo crista lino.
A Manuel, Helena y Goya, ele librería Albareda, Zaragoza, por facilitar que tantas personas
acudan a mis cursos de cristales durante más de una década.
A todos mis alumnos, pues gracias a ellos he pod ido descubrir maestrías maravillosas de los
cuarzos.
A m is maestros cristalinos, los Cuarzos Maestros, por la valiosa ayuda y por ser enlazadores
ele rea lidades donde encuentro a m is auténticos maestros detrás del velo transparente.
Gracias.
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Presentacíón del contenído de este líbro
libro tiene tn:.-s parte5: en la primera se define qué es un cuarzo, cómo crece un cuarzo,
E 5TE
sus cua lidades energéticas y su relación con la sanación vibracional.
En la s<.->gunda parte el enfoque está dirigido al terapeuta holístico que trabaja con cristale5
de cuarzo.
Y en la tercera parte se definen las maestrías de los cuarzos: 27 maestrías más 13 ayudante5,
que suman un tota l de 40 especializaciones del cuarzo.
Cada una de estas 40 especializaciones tiene una constante de apartados fijos que son:
• FOTO DEL CUARZO MAESTRO: para que te resulte fácil reconocer a simple vista su
forma e identi ficar su maestría.
• DIBUJO DE SUS PECULIARIDADES: claves para identificarlo visualmente.
• OTROS NOMBRES POR LOS QUE SE LOS PUEDE IDENTIFICAR: son otros nombres por
los que se los puede reconocer y que han sido divulgados a través de libros, cursos, con-
ferencias, etc., por especialistas (reconocidos o anónimos) en las cualidade5 de los cuarzos
maestros. La ma)'Oría de los nombres de los cuarzos maestros han sido divu lgados por Ka-
terina Raphael en su tri logía sobre las propiedades sanadoras de los minerales, algunos por
Janc Ann Dow, y las demás denominaciones son los nombres otorgados por especialistas
de diferentes países que trabajan con las maestrías de los cuarzos y que • descubrieron• sus
características aun a pesar de no conocerse entre sí; pero, curiosamente, el modo en el que
los nombran refleja sus cualidades ele manera univers.J I. Algunas maestrías ele los cuarzos
maestros que encontrarás en este libro han sido descubiertas por mí misma a lo largo de más
de veinte años impartiendo cursos de cristales e interactuando con ellos a traves de la me-
ditación, visualización y canalización de sus cualidades. Lo de menos es quién o quiénes
les hayamos dado nombre: lo importante es que su nombre define sus atributos de manera
aclaratoria y no cabe ninguna duda sobre las propiedades que lo definen.
• ATRIBUTOS PARA SANACION PERSONAL: define si un cuarzo maestro posee cualidades
para ser considerado un cuarzo personal, así como sus cualidades, usos y aplicaciones.
• ATRIBUTOS PARA SANACION A PACIENTES: datos para saber si un cuarzo maestro sirve
para aplicación a pacientes en sesiones de cristaloterapia. Usos, cualidades y aplicaciones.
• MÉTODO DE LIMPIEZA: define sus cuidados para su óptimo estado.
• MÉTODO DE CARGA ENERGÉTICA: la forma en la que podemos reca rgar su energía.
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NINA LU NARES
EN LA INTUICIÓN, NO EN LA RAZÓN
Sea cierto o no, lo importante es lo que en el corazón de cada persona vinculada a los cris-
ta les de cuarzo resuena, y •casualmente» hay una creencia no racional generalizada: la certeza
de que Lemuria existió, Atlántida existió, la sabiduría de civil izaciones, poderes, dones, cone-
xiones con seres evolucionados extraterrestres o intraterrenos es un hecho expresado por muchas
personas de tiempos pasados y presentes. El recuperar mensajes, enseñanzas y sabiduría graba-
das y archivadas por uno mismo en una o varias vidas vividas en estos lugares y que regresan a
través del mismo cuarzo cristal que ya sostuvieron manos y corazones sanadores ... regresa. Es lo
que sentimos muchas personas, aunque no sea ni lógico ni sensato para la mente racional, pero
el vínculo que sentimos con el cuarzo cristal nada tiene que ver con la mente, sino con el cora-
zón, y ahí no hay dudas sino certeza y entrega transparente.
El poder del cristal de cuarzo ha acompañado desde siempre a todos los hombres y mujeres de
¡xJder de todos los países y culturas; en todas las etnias aborígenes de los confines de la 1ierra en-
contramos la utili zación de cetros de poder, bastones de mando, varas mágicas, instrumentos para
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PRIMERA PARTE
¿QUÉ ES UN CUARZO?
¿CÓMO CRECE UN CRISTAL DE CUARZO?
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INA LIINAR FS
rico. El cuerpo etérico es la contrapa1te energética superpuesta al cuerpo físico y que está for-
mado, según la medicina oriental, por todo un entramado de filamentos energéticos que coinci-
den e11 varios puntos formando pequei'ios vórtices llamados nadires y siete grandes vórtices llama-
dos chakras o centros vitales. Todo este entramado ele filamentos, que según los tratados de
acupuntura son setenta y dos mil (72.000), se pueden ver mediante v ision aural (capacidad de la
vision fisica}, con videncia (capacidad de visualizar la energía a través del llamado tercer ojo) y
reconocer a través de la anatomía sutil.
Tanto la v italidad como la conexión e interactuación de los cuerpos energéticos con el cuerpo
físico dependen de un correcto equilibrio de las energías vita les que necesita la persona para su
sustento y que son:
• ca 1idad de alimentos,
• calidad de descanso,
• calidad de ingesta de agua,
• y, sobre todo, ca 1idad de pensamientos.
ENERGÍA SUTI L
'
CRISTALES DE CUARZO: HERRAMIENTAS DE SANACION
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CUARZOS MAESTROS
va a equi librar esta energía en desequilibrio c uando pasa a través del cristal, ¿y cómo pasa a tra-
vés del cristal ? Pasa a través del cristal cuando lo sostenemos, cuando lo pasamos por nuestros
chakras, cua ndo lo ponemos sobre el cuerpo, cuando meditamos con él, cuando lo tocamos, al
ponerlo debajo de la almohada por la noche, llevándolo en contacto con la piel, cte., con la in-
tención de que nos está ayudando a equilibrarnos, es decir, cuando interactuamos ele una manera
consciente con él mismo. Así pues, una vez que conozcas las propiedades de los cuarzos maes-
tros, tendrás que decidir en qué orden vas a ir adquiriéndolos y experimentando sin prisas, to-
mando notas, d isfrutando de la experiencia en cada ocasión, aplicando tu intuición y tu sentido
comlin de forma consciente.
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NINA LU NARES
En las ocasiones en las que he sido testigo ele este ritua 1, así como en las que he formado parte
del mismo, el proceso ha sido efectuado por dos personas: el chamán y su ayudante.
Pasos a seguir:
• P,1r~ mJ s iníormación sobre esle lema, consuhar el libro de Nina Uinares Masaje áurico con plumas de poder,
editorial Devas, Argentina.
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NINA LU NARES
cia pJra realizar d ichos tratam ientos a d istancia es la de ped irle (siempre que la confianza esté
afianzada paciente-terapeuta) una fotografía reciente a color y ele cuerpo entero. La mayoría de
terapeutas holísticos tienen por costumbre realiza r el los mismos a sus pacientes una fotografía
con una cámara de revelado instantáneo ele las l lamadas Polaroid y así poder realizar in situ la
fotografía a su paciente con objeto ele tener en la misma instantánea tanto el positivo como el ne-
gativo de la imagen del paciente. Esta fotografía se empleará para enviar, vía psíquica, energía de
sanación pránica (visualiz.:'lndo al paciente inibuido en un color determinado), sanación de so-
nido (real izar mantras, sonido de cuenco tibetano o de c uarzo), foca l izándolo hacia la fotografía
y sintiendo cómo se refuerza el aura del paciente, mediante imposición de minerales con cali-
dad de gema, generando patro nes de geometría con los mismos alrededor de la imagen del pa-
ciente (patrones electrónicos que generan un refuerzo de energía armonizadora en el aura del
paciente), o bien coloca ndo la fotografía en una drusa ele cuarzo o debajo del cuarzo maestro que
se haya elegido para ta l fin. Todos estos métodos constituyen una va liosa ayuda v ibracional en el
proceso de bienestar del paciente.
FACILIDAD Y AUTONOMÍA
U na vez elegido el método de sanación a distanc ia que quieras y sientas como manteni-
miento hacia tus pacientes y como complemento a sus sesiones presenciales, cabe tener en
cuenta las siguientes sugerenci as:
• Ded ica todo tu esfuerzo y concentración durante el tiempo que estés enviando la sana-
ción a distancia o configurando el patrón energético sobre la fotografía del paciente.
• O lvídate del tema cuando finali ces la sesión de sanación a distanc ia, pues toda conex ión
con el paciente, en el tratamiento o con la expectativa de resultado del mismo, solo ser·
viría para in terferir en el proceso: la energía tiene que fluir l ibremente sin ningún condi·
c ionamiento para que el paciente pueda integrarla también libremente.
• La compasió n y el desapego son de v ita l importancia por parte del terapeuta y, sobre todo,
en los tratamientos a distanc ia.
• En este sentido, uno de los mejores cuarzos maestros para enviar sanación a distanc ia es
el cristal de cuarzo maestro arcoíris, como podrás comprobar en la tercera parte de este
libro, en el apartado de Cua rzos M aestros.
• Si en alguna ocasión, después de una terapia con cristales, ><a sea presencial o a distancia,
te encuentras especialmente cansado, sin vitalidad, con somnolencia, con la sensación ele
haberte •desgastado» energéticamente, es porque, consciente o inconscientemente, te has
apegado al resul tado de la terapia y energéticamente has entregado tu propia energía v i-
tal para que esto sucediera, cuando en realidad todos los terapeutas holísticos debemos sa·
ber que el q ue se dé la sa nació n o no, no depende de nosotros, sino del mismo paciente
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NINA LLI NARES
Desequilibrado
• Fiebres.
• Disfunción sexual.
• Depresión.
• Apatía .
• Agresividad.
• Rabia.
• Ira.
• Falla de crea tividad.
SEGUNDO CHAKRA
Funciones
Desequilibrado
• Bloqueos emocionales.
• Traumas .
• Pautas destructivas por apegos o ad icciones.
• Malas d igestiones, problemas intestinales, estreñim iento, colitis, etc .
• Complejos, manías, obsesiones.
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NINA LUNARES
• M iedos, temores.
• Apego a recuerdos negativos.
• Obsesiones.
• Bipolariclad, esquizofrenia.
• Fatiga crónica.
SÉPTIMO CHAKRA
Funciones
Desequilibrado
Estos son los chakras mayores, los siete principa les, pero además tenemos los chakras me-
nores, que son también centros de energía, y de ellos los más impoltantes están situados en las
palmas ele las manos y en las plantas ele los pies.
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NINA LIINARES
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CRISTAL MAESTRO D E D05LE VÉ RT ICE
El cristal maestro Doble Vértice se llama así porque pose una doble term inación, es decir, un
vértice en cada extremo. Se ha formado de una manera muy especial, ya que no solo ha crecido
hacia •arriba•, sino que ha crecido en dos d irecciones opuestas; sigue teniendo seis caras con
su vélt ice, pero en lugar de base tiene otras seis caras con su ápice, o sea, el cristal de Doble Vér-
tice ha crecido de forma vertical y horizonta l a la vez.
El centro de este cri stal es el punto donde deben unirse, enlazarse o conectarse las dos es-
pirales moleculares de su crecim iento que han permitido su pecu li ar forma.
Los cuarzos ll amados jacintos de Compostela son de doble vértice y muy abundantes aun-
que pequeños, crecen en la sO ice (arena y arc illa). Podemos encontrarlos en la naturaleza en
cua lquier superficie de tierra rojiza.
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book.
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book.
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book.
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book.
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book.
CRISTAL DE CUARZ.O MAESTRO CANALIZADOR - - -
Se lo reconoce por tener una cara central de siete lados (comúnmente más grande que las
caras restantes), y en su parte opuesta vemos una cara en forma de triángulo perfecto que no ter-
mina en el ápice del cristal. Este triángulo puede ser más o menos grande, pero siempre perfecto.
Sirve para canalizar; hacer preguntas claras y concretas, ya que si nuestra energía es de duda,
temor, limitación, miedo, ansiedad, egoísmo, superstición, etc., la respuesta será igualmente caó-
tica.
En este, más que en ningún cuarzo maestro, su ápice ha de ser perfecto y muy transparente.
-98-
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book.
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book.
NINA LUNARES
Exponerl o a la luz del Sol, la luna, la Tierra, sobre una drusa de puntas
de cuarzo, situándolo debajo de una pirámide, en el centro de un círculo de
cobre, en medio de un triángulo de velas encendidas, rociándo lo con un
preparado tipo elixi r, impregnándolo con la vibración del latido del propio
corazón, situándolo sobre péta los de rosas . .. son los mejores métodos de
recarga energética que podemos darle periódicamente a nuestro cuarzo
maestro .
- 102-
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book.
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book.
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book.
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book.
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book.
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book.
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book.
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book.
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book.
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book.
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book.
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book.
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book.
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book.
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book.
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book.
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book.
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book.
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book.
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book.
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book.
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book.
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book.
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book.
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book.
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book.
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book.
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book.
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book.
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book.
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book.
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book.
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book.
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book.
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book.
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book.
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book.
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book.
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book.
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book.
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book.
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book.
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book.
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book.
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book.
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book.
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book.
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book.
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book.
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book.
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book.
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book.
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book.
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book.
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book.
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book.
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book.
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book.
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book.
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book.
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book.
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book.
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book.
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book.
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book.
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book.
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book.
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book.
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book.
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book.
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book.
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book.
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book.
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book.
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book.
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book.
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book.
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book.
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book.
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book.
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book.
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book.
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book.
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book.
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book.
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book.
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book.
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book.
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book.
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book.
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book.
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book.
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book.
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book.
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book.
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book.
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book.
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book.
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book.
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book.
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book.
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book.
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book.
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book.
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book.
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book.
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book.
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book.
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book.
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book.
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book.
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book.
Yo u have either reached a page that is unavai lable for vi ewi ng or reached your vi ewi ng li mit for thi s
book.
CUARZOS MAESTROS
Los cuarzos son los minerales con mayor consciencia del reino cristalino. Para que
un cuarzo sea considerado portador de una maestn'a energética. t iene que poseer. ade-
más de su particular belleza. una sene de caracten'st1cas específicas.
Algunos oi stales de cuarzo (cristal de roca, amatistaS, citrinas, ametlinos, ahuma-
dos, etc.) poseen una formación en alguna de sus caras y/o estructura que les otorga
una geometría especial llamada maest1ía.
En este libro encontrarás. de forma práctica y profusamente ilustrada, las maestrías
según sus cualidades y aplicaciones, tanto de uso personal como cristaloterapéutico.
La maestn'a de los cristales de cuarzo ha acompañado desde siempre al ser huma-
no en todos los países y culturas. Son. como decían los antiguos chamanes. la medicina
de la Madre Tierra.
Un Cuarzo Maestro es un cuarzo de aprendiza¡e. Se le llama Maestro precisamen-
te porque nos enseña, nos ayuda en nuestro camino de evolución. Por ello, es impor-
tante saber d1stinguir su maestn'a particulac
A través de sus páginas, ilustradas con magníficas fotograffas y dibujos, irás descu-
briendo las características que definen cada una de sus maestrías. para que te resulte
fácil su reconocimiento a la hora de elegir con cuál o cuáles de dichas maestn'as prefie-
res experimentar.
En cada apartado podrás profundizar en el Cuarzo Maestro de tu preferencia a
través de la descnpción, teórica y visual. de cada una de sus cualidades, usos, forma de
aplicación, otros nombres por los que se los puede conocer. recursos y datos sobre su
empleo ancestral, así como ejercicios, meditaciones. rituales de conexión, métodos de
limpieza y recarga energética específicos para cada Cuarzo Maestro.
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