Partituras de Tango Empa PDF

Compilado de
Síntesis de
Melodía y
Cifrado de
Tangos
EMPA AREA TANGO 1

9 de Julio
José Padula
Gm

D7 D7 Gm
                                  
A
                           
G7 Cm D7 Gm D7 Gm (D7)
          
Gm D7 D7 Gm

                                 

1. 2.
G7
         
Cm
Gm D7Gm
Gm D7 D7

para el trío
           
B
   
G Am

D7
   
G G

D7
                      
    
D7
 
G G

D7 D7
                             
  
G G
      
              
Am D7 G D7 G
    

 C                       
G G D7 G
       
                        
C C Am C
       
                          
D7 G D7 G

               
D7 G A7 D7 G D7 G
         
El Yerta Javier Cohen
EMPA AREA TANGO 2

Absurdo
Homero Expósito
Virgilio Expósito
A
Am Am/G B7/F# F7 E7 
                  
 
  
Am G7 C
   
Dm7
            


F#m7b5 B7 Dm7/F E7
             
  
Am Am/G B7/F# F7 E7 
               
EØ A7 Dm G7
           
C F7 Bb E7 Am

               
B
Am E7 Am E7 Gm6 A7
                     
Dm7  
Dm7

G7 C
            
F
 
Bb B7 BØ E7
                 
Am E7 Am E7 Gm6 A7
       
              

G7 C
  
Dm7
   
Dm7
      

F Bb E7
   
Am
     
1. 2. Am
          
EMPA AREA TANGO 3

Adiós Nonino
Astor Piazzolla
versión 1
 
A1
  
Fm Fm Eb Db C7 Bbm6 Fm/Ab C7/G
                   
  
  Bbm7 Ab
  
Fm7 Fm/Ab Eb/G Db/F C7/E C7/G
                    
  

   
Fm7 G/F Gb/F F Bbm Eb7b9 Abmaj7
                     
   

Dbmaj7 G7
   G7 Eb7 Bbm7 Eb7
      
            

Ebm/Gb

Ab Eb/G F7sus4 F7
      
     
B1

Bbm Bbm7/Ab Gm7b5 Dm7b5 G7
   
          
3
  
Cm7 Bb Ab G7
                   
 
Gm7b5 C7 F/A Db9/Ab G7 Bbm7 Eb7b9

   
             
Ab Eb/G Ebm/Gb F7sus4 F7

    
B2
   
     
 
Bbm Bbm7/Ab Gm7b5 C7
      
  

  
3
accel.
  
Fm7 Fm7/Eb Dm7b5 rall. Db79+11
   
            

Gm7b5 C7b9 Fm G/F Gb/F Fm
             
EMPA AREA TANGO 4

A2

2 Fm C7
        
     


 
 
   
Fm C7
        
     


 
 

      
Am E7
  





  
  


        
Am E7
  
 


  
 

Cm
   G7
  
           
   
      

Cm G7
     


   
  

B3

Ab Eb/G Ebm/Gb F7sus4 F7
          
 
Bbm Bbm7/Ab Gm7b5 Dm7b5 G7

      
  
    
3
Cm7 Bb Ab G7
   
                  
    
Gm7b5 C7 F/A Db9/Ab G7sus4 G7

   
            
B4

C G/B Gm/Bb A7sus4 A7
          
       
Dm Dm7/C Bm7b5 E7
    
3

accel.
 Am7/G
rall.
Am7
 
F#m7b5
F79  
       
    
Bm7b5 E7b9 Am B/A Bb/A Am
       
EMPA AREA TANGO 5

Adiós Nonino
versión 2
Astor Piazzolla
A1
 
       
     
Am Am G F E7 Dm6 Am/C E7/B
        
 Am/C G/B  Dm7

         
Am7 F/A E7/G# C E7/B
            
 
   G7b9
   
Am7 B/A Bb/A A Dm Cmaj7
              
 
  

Fmaj7 B7 B7 G7 Dm7 G7
               
 
B1
      
C G/B Gm/Bb A7sus4 A7 Dm Dm7/C
           
3
                  
Bm7b5 F#Ø B7 Em7 D C F#Ø/C B7
      

 
BØ E7 A/C# F9/C B7sus4 B7
    
           
B2
 
E
  
B/D#
  Bm/D

C#7sus4

C#7 F#m7
  F#m/E 
         
3
   C#m/B
accel.
  G#7sus4  A79 G7
 
rall.
 
D#Ø
  G#7
C#m7
      
A#Ø
    
 
F#7
F7
  
E7 Eb7
  
D7
      
Referencia Nuevo Quinteto
EMPA AREA TANGO 6

A2
   
C#m7 G#7
         
2
           
    
C#m7 G#7
                      
   
        
Dm7 A7
          
       
    

Dm7 A7
         
Ebm7                

Bb7
       
Ebm7   
     
Bb7
      
 
      
     
              
Em7 B7
     
   
             
Em7 B7
       
  Am7/G   
B3
   D/F#   Dm/F  
    
G BØ E7 Am7
     

3


F#m7b5
   
C#m7b5 F#7 Bm
  
A
  G       C#m7b5
  
F#7
    
    
       
F#m7b5 B7 E/G# Em7/G F#7sus4 F#7
       
   F#/A#   F#m/A    G#7sus4

   C#m7/B   
B4
    
B G#7 C#m7
       
3
   D#7
accel. rall.
      
FØ
   
A#Ø G#m G#m/F# E79
          
     
A#Ø D#7 G#m A#/G# A/G# G#m
                       

Referencia Nuevo Quinteto
EMPA AREA TANGO 7

Afiches
Homero Expósito
Atilio Stampone
Cm Fm Cm Fm7 Bb7

                             

Eb Cm7 D7 G7 Fm7
      
                  
Bb7 Ebmaj7 Fm7 Ab7 G7sus4 Db7 C7

        
         
     

Dbmaj7 Cm7 Cm7/Bb D7/A G7 Cm7 Dm7 G7

  
            
            
Cmaj7 D7 G7 Cmaj7 Dm7 G7

     
            
Cmaj7 Ebmaj7 Cm7 Fm7 Bb7 Ebmaj7 G7

                    

Fmaj7 B7 Em7 EØ A7

                      
Dm7 A7 Dm7 D7 G7 Cmaj7

        
             
D7 G7 C G7 C
   3
      
Referencia Editorial Julio Korn
EMPA AREA TANGO 8

A Homero Aníbal Troilo
Cátulo Castillo

Gm D7 Gm
              
A7 D7 Gm

          
3
 Dm7b5      Cm
   G7    F7
    Bb
 
        

Am7b5

D7 Gm

A7
       
D7
             
     
Gm D7 Gm A7 Eb7 D7 Gm D7 Gm
       
       
 

    
D7 D7 Gm Cm7
    
    
      
  
F7 Bb A7 A7
  
       
       G7
Dm7
            
Cm7 D7 Gm

Am7b5

 

D7 Gm

Gm/F
   Eb7
Eº7
 D7
      Gm
 D7 Gm
  
             
EMPA AREA TANGO 9

a la gran muñeca
miguel oses / jesús ventura
E7 E7 Am Am (G F7) E7
                  
         

E7 Am Am A7 A7

6
  
                      
  
Dm

(Bb7 A7)
Dm     Am
     
E7
   
11
    
 (      )
Am Am Am E7
                   
16 Am E7


E7 E7 Am Am Am A7
   
22
                           

28 Dm Bb Am E7 Am
              
          
 A     
A Am Em
  
33 E7 E7
           


E7 Am A E7 A7
               
39
      
  

Am E7 Am

44 D Dm Am E7
    
                 
Hernán Possetti
EMPA AREA TANGO 10

A Media Luz
Carlos Lenzi
Edgardo Donato
                
Am (A7) Dm E7 Am (B7 E7)
         
  
     
Am (Bm7b5) E7 Am
           
Am E7 (Bm7b5) E7 Am
           
   
   
      E7
      
A7 Dm Am E7
 
       
                          
Am E7 Am E7 A
    
                     
A (Bm) E7 A
 
       
             
A (Bm7) E7 A E7 A
        
  
Referencia Editorial A. Perrotti
EMPA AREA TANGO 11

AMURADO
pedro maffia / pedro laurenz
(G7 G7/F Cm/Eb Cm Dm/5b G7/9b Db7 C7)

Cm Ab7/9 G7 Cm
  C7  
              
G7
 
Cm
 
        
    
Dm7/5b G7 G7/F
Dm7/5b/Ab G7 Cm Ab7/9 G7
  
Fm7 G7/9b Cm7 Cm7/Bb
                       
          
Cm/Eb Cm Dm/5b G7/9b Db7 Gm7/5b C7/9b

Cm G7

Cm C7
               G7   
Fm7 C7
 
     
Dm7/5b G7 Cm Cm/Bb Fm/Ab G7 A7
       
Fm G7 Cm G7
       
Cm G7 Cmaj7 C#º7 Dm7

         
 
  

Dm7 G7 Cmaj7 Fm6

Cmaj7 Cm Fm G7
       
G7
                 

Cmaj7 Am7 D7 G7 A7 Dm7 G7

Cmaj7 G7 Cmaj7 C#º7 Dm7 G7
    
              

Cmaj7 Gm7 C7
Cm7 Bb7 Ab7
Cmaj7 C7 Eb
         
Fm7 Bb7 G7 G7 Cm Cm
         
  
Hernán Possetti
EMPA AREA TANGO 12

A San Telmo
Roberto Grela
Hector Ayala
A G7 C

G7 C F

                             
                      
B7 E F#m7 B7b9 E
         
F#m7 B7 E F#m7 B7 E
    
    
                 


G7
                      
Dm7 G7 C (E7 Am A7) D7 C
    
  
B Am (G F) E7 (F7) Am Em7b5 A7
E7
      
                       
3
       
E7 Am E7 Am E7 E7
  3 
Dm
                          
              
                          
Am Em7b5 A7 Dm E7 Am C7
        
     
   
F
            
C G7 C6 A7 Dm F7 E7 E7 Am
        
   3    3           
E7 Am F7 E7 Am E7 Am
   
     
Final
 Bm7b5
      Dm/Bb
 
1.F7 E7 Am7 E7 C/G Bb/F E7 Am E7 Am
       
      
Referencia versión de Roberto Grela
EMPA AREA TANGO 13

AVE DE PASO
enrique cadícamo / charlo
Dmaj7 B7 A7/E D/F# F Em7 B7/9b
                       
  
     
 
F#m7 B7/9b Em7 E7 A7 Eb7 D6/9 A7

  
              
 
Dmaj7 D#º7 Em7 A7 D/F# Fº7 Em7 B7/9b F#m7 B7/9b

            
         
 
Em7 Em6 E7 Bb7 A7 D A7 D Dmaj7 A7 F#m7 B7/9b
    
                   
 

Em7 A7/9b Dmaj7 C7 B7 Em7 C#m7/5b F#7 Bm7
     
                 
E7 A7 Dmaj7 A7 F#m7 B7/9b
 
                  
  
Em7 A7/9b Dmaj7 Em7 Fº7
      
               

D/F# B7 E7 A7 D A7 D
  
  
 


        
Hernán Possetti
EMPA AREA TANGO 14

BARRIO DE TANGO
Ánibal Troilo / Homero Manzi
F F#º Gm7 Db7 C7

                           
    
(Bbm6) (Ab Eb/G Ebm/Gb F7
 
F Gm F Gb7 F Ab Cm/G CØ/Gb

                           
Db/F Dbm/E Ab/Eb)
Db Dbm Ab Bbm Fm G7 (Db7) C7 F

 
                      
     
      

Gm7 C7 F Gm7 C7 F Gm7 C7 F
 
                              

(Fm/Eb G7/D Db7 C7)
 
Db7 C7 Bbm Fm Fm

Db7
                                  

(F7
Fº7 Fm GØ (Db7) C7 F D7
             
 

       

Bb Bº7 F/C)
Gm7 C7 D7 Gm7 C7 F C7 F

F
           
         
Hernán Possetti
EMPA AREA TANGO 15
Berretín
Pedro Laurenz
  F   F7
A
  Bb    
Gm7
 
C7
      
F
             
3
 

(
)
 
F/A Abº7
      
Gm7 C7
 F C7
 
   
5
          
3
   (
 )

F    Dm7
     
Gm7
     
C7
      
F
       
 
         
F/A Abdim7 Gm7 G7 C7 F C7 F
    
          
 
 
B
           
Fm Gm7b5 C7
     
    
         

Fm G7

C7
  
Fm
  
Eb7
   Ab
      
Db7
                
 

 C7
                      

 
C7

Db7 Fm Gm7b5
    

   
               
C7 Fm G7 C7
    
       


Fm7
   
C7
        Fm
 
Db7 C7 Fm C7 Fm
  
      
      
EMPA AREA TANGO 16

Boedo Julio De Caro
Dante Linyera
 G  A G
A
                   
D A D A7 D
       
     
  
D B7 Em7 A7 D
 
5
         
   

      
  
   
       
D A7 A7 D
                           
  
D B7 Em7 A7 D
                       
      
    

D D7 G G#º7 A7 D A7 D

              
     

 
                       
B
Em7 A7 D F#7 Bm7
             
   D/A
           Em7
        
G G#º7 A7 D
          
  
                      
Em7 A7 D F#7 Bm7
              
   D/A
       
    
G G#º7 Em7 A7 D A7 D
    
           
  3
C
   
A7 D F#7 Bm7 D7
  
3
         

G
   
A7

D Bm7
   
Em7 A7
   
D
    

Em7
  A7 D G7 F#7
  
Bm7 D7
             
3 3

G
   
A7

D
 Bm7
   
Em7

A7
  
D
   
    

 G   A
      Gm  D  
A A D A7 D
            
    
Referencia Editorial Ricordi
EMPA AREA TANGO 17

CAMBALACHE
E. S. DISCÉPOLO
D A7 A7 D

                           
  
D B7/D# Em7 A7 Em7 A7 D D7 Gmaj7 C7

    
                                
 
Dmaj7 Bm7 E7 A7 D Am7 D7 Gmaj7 C7

      
                      
Dmaj7 Bm7 Em7 A7 D E7 A7 D D D7


                     
G B7/F# Em Em7 A7 D A7/5# D B7/D#

    
               
  
 
Em A7 D A7/5# D D#º Em7

            
     
   
A7 D D D7 G B/F# Em7
  
                      
Em7 A7 D B7 E7 A7 D A7 D

                         
Hernán Possetti
EMPA AREA TANGO 18

Caminito
Juan De Dios Filiberto

Em B7 Em E7 Am E7 Am
  

                      

5 Am Am/G B7/F# F#7 C7 B7 C7 B7
      
             

Em B7 Em E7 Am
                      
 
Am7 D7 G Em7 F#Ø B7
               
INTERLUDIO
                    
E C#7 F#m7 B7 E C#7 F#m7 B7 E C#7
 
      


F#m7 B7 E G#m7 C#7 F#m7
     
    
 

 
 
B7

E B7 E
  
C#7  
F#m7

      
 
           F#m7    E B7 E
 
B7 E C#7 B7
       
EMPA AREA TANGO 19

Chorra
Enrique Santos Discépolo
                   
Bm F#7 Bm F#7 Bm F#7 Bm
          
                         
5 Bm F#7 Bm F#7 Bm F#7 Bm
    
          D              
Bm
 
A7 F#7 C#Ø F#7
     
      
    
F#7 Bm A7
   
D
 
                   
          
A7 D A7
          
D
         
B
   

                             
F#7 Bm A7 D
  

                                
 A7 D
   
                          
F#7 Bm Em Bm F#7 Bm
  
EMPA AREA TANGO 20

COMO DOS EXTRAÑOS
LAURENZ / CONTURSI
Gm7 C7
Gm7 C7 Am7 D7/9b
 
                
     
(Am7/5b)
F D7 Gm Bbm F/A Abº7 Gm7 C7 F D7
                   
       

Gm7 C7 Am7 D7/9b Gm7 C7 Am7/5b D7
                    
  
  
Gm Bbm F/A Abº7 Gm7 C7 F Gm7 C7
 
                         


Am7 D7 Gm7 C7 F Gm7 C7

   
   
                
 
F D7 Gm7 C7 (F F7 E7 Eb7 D7)

       
F Am7 D7
   
   
         
G Gm7 C7 F D7 Gm7 C7
         
           
 


Am7 D7 Gm7 C7 F C7 F

  
          
Hernán Possetti
EMPA AREA TANGO 21

Comme il faut Eduardo Arolas
 
A
E7 Am E7 Am

         

 

        
E7 Am E7 Am E7 Am
                      
 
 
E7 Am E7 Am
         

 

        
E7 Am E7 Am E7 Am
                       
 
         
B
   
F C7 G7 C7 F (C7)
             

        
F Am E7 Am Am (C7)
            
    
 
    
F C7 G7 C7 F (C7)
                 

   
   
F Am E7 Am E7 Am
         
            
C
     
A7 A7 A7 Dm E7 E7
              
E7 Am Am G7 G7
        
             
C C E7 E7 Am E7 Am
                     
EMPA AREA TANGO 22

Contraluz
Rodolfo Mederos
Am E7/B
  
Am7/C A7/C# Dm7 Eb7 Dm

       
A
               
Bm7b5 E7 Am Am/G F#dim7 F7 E7


       
5
            
    
Am E7
   
Am7 A7
  Dm7
  
G7
 C    
           
           
   
B7/D# Bm7b5/D A7/C# D7 G7
    
 
 C7 F7
     
B7
 
E7 Am
           
 
Am E7 E7 Am
        
B
       


                
Am B7 B7 E7
      
   
Am A7 Dm7 Dm/C Bm7b5 E7 Am
         
  

   
     
Am G7 G7 C
   
       
Am E7 Bm7b5 E7 Em7b5 A7
          
C
       

   A7
 
       
Em7b5 Dm Dm7b5 G7 C E7
     
Am E7 E7 Am E7 Am
              
   
EMPA AREA TANGO 23

Corralera
Milonga Anselmo Aieta
    
                 
Cm Cm Dm7b5 G7 Cm
          

 
Cm D7 G7 Cm
          
5
             

                   
Cm Dm7b5 G7 C7 F7 Bb7 Eb7
           
 
Ab7 Db G7 C
           
      
  
Dm7 G7 C Am7
                              
  
Dm7 G7 C
                     
       
Dm7 G7 C6 A7
                
 
  
Dm7 G7 C
                 
    
Gm7 C7 F F
                    
     
C7 C7 F
          
        
   
 
C7
 
A7
  Dm
        
Bb C7
             
1. 2.
        
F D7 G7 C7 F G7 F
   
               
EMPA AREA TANGO 24

Cuando tú no estás
M. Battistella y A. Le Pera C. Gardel y M. Lattes
 
Ab9
    
Eb-7
  
Db6 Dbº Eb-7 Ab7 Ab7sus4
                  
3
 
3
 
7
          
Db/F Eb-7 Ab9 Db6 Bb- Eb7 Ab Ab6

     
3

13
       
  
Bb-7 Eb9sus4 Ab7 Abº Ab7 Bb-7/Ab Ab9
    
Eb7
 
3
17
 
Db6 Dº  3
    
Ab7/Eb Ab7/Eb Ab9(#5)
           
3
 
3 3
   
23
 
Eº
      
Db6 Bb-7/F Eb-11 Ab7
        
Ab7 Db/F Eb-11 Ab9 Db6 Dº


29 Ab7/Eb
                 

3

Ab7/Eb Bbº 3 F-/Ab

35 Ab9/Eb Ab13 C7(b9)
           
 
3
 

Bb13(b9) Ab7sus4 Ab9
 
41 Gb^ Dbº Db6Db Eb-11
                       
3
Adrián Lacruz 3
EMPA AREA TANGO 25
Cuando tú no estás
M. Battistella y A. Le Pera C. Gardel y M. Lattes
  
A6     Aº
     B-7  E7
   
3
   B-7
5
  
B-7 E9 A/C#
  
E7sus4 E9
     
3
9
 A6     F#-
 
B7
  
E

E6
    
3
13
    
B9sus4

E7 Eº

E7

F#-7/E
 
B7 E9

F#-7
    
3

        
17

A6 A#º

E7/B
   
3 3

          
21 E7/B E9(#5) A6
   

3 3
          E7
25 F#-7/C# B#º B-11
 
    
29
 
E7/B E7 B-11 E9
 
A/C#
  
       
33 E9/B
  
A6 A#º E13
  
3 3

        
E7/B C#-/E
 
37 G#7(b9) F#º

3 3
      
41 D^

Aº A6 F#13(b9)
     
45
  B-11
   
E7sus4
 E9  
 A
 
3 3
Adrián Lacruz
EMPA AREA TANGO 26

Cuesta Abajo
Carlos Gardel
A
Alfredo Lepera

Em Em B7 Em C7 B7 C7 B7
              

B7 C7 B7 F#m7b5 B7 Em B7
                          

Em Em E7 Am E7
       
                 
 
Am Am7 D7 G Em F#Ø B7 Em B7
   
        
 

B
E F#m7 G#m7 F#m7 E F#m7 G#m7 C#7
                     
  

F#m7 C#7 F#m C#7 F#m7 F#m7 C#7
                     
       
F#m7 B7 E B7 E F#m7 G#m7 F#m7
             

 
E Bm7 E7 A Am7 Am6 E
            
             

C#7 F#m7 B7 E B7 E
            
  

Referencia Editorial Soubern Music Publishing
EMPA AREA TANGO 27

Danzarín
Julián Plaza
             B7    
 

D7
 
    
A
      
5
                       
C Cm6 G/B Bbº7 Am7 D7
   G    
  
            B7  

D7      
                  
                              
C Cm6 G/B Bbº7 Am7 D7 G D7 G

  
G
 
Am7
     
D7
        
G

                                
G Am7 D7 G
       
         Bbdim7
 
  
C (Cmaj7) G/B Am7 D7 G
        
      
 
        
C Cm6 G/B Bbdim7 Am7 D7 G D7
          
  
    
C
     
Gm Gm6 Cm7 Cm6
        
   
   
   

 
Eb7 Am7b5 D7 Gm Eb7 D7 Gm D7
    
     


    
Gm7 Gm7 G7 Cm7 Cm6
 
   


    
       
( Ebm7 Ab7 )
Am7b5 ) D7
 
Eb7 Gm D7 Gm6
    
(
          
 
EMPA AREA TANGO 28

DERECHO VIEJO
C7 C7 Fm Fm E. Arolas
       

                            
 
C7 C7 Fm Fm C7 C7
      
                
              
Fm Fm C7 C7 Fm C7 Fm
       
                    
      
Fm Bbm Bbm Fm Fm
                           
       
C7 C7 Fm Fm Bbm
             
                
Bbm Fm Fm C7 Db7 C7 Fm
   
                                
Fm Bbm Eb7 Ab C7 Fm
                               
   
C7 Fm Fm Bbm Eb7 Abmaj7
                   
             
C7 Fm C7 Fm C7 Fm
             
           


Hernán Possetti
EMPA AREA TANGO 29

De Vuelta y Media
Milonga Máximo Barbieri

Em B7/F#
     
        B7/F#        
     
Em
           
 

Em B7/F#
        
                        

Em
     
B7
           
       
    
         
Em B7
    
 

Em Em Dm6 C#m Cm6 E7/B Bbm Am6 Em/G B7/F#
 
           
      B7            
  
Em
  
    
      B7/F#
   
Em C7 B7 Am6 Em/G
        

 
Em Em F#7 B7 Am6 Em/G B7/F#

                           
 
          
Em D C B7 F#dim7
               
        
   
                       
Em B7
    
   
Em B7 Em7 A7 D/F# G G7
     
           
  
    
G
   
B7
        Bm7
C7
   
Am7
      
C Eb7 D7
       
               
Bm7 Am7 G7 F#7 F7 Em
   

El Yerta Javier Cohen EMPA AREA TANGO 30
DIVINA
JOAQUIN MORA / J. DE LA CALLE
     F   
Dm (Gm7) C7
 
Dm Gm7 EØ

            
   

Dm
 
(Eb9(#11) D7/9) Gm7 A7 (F7) E7 A7
   
 

Dm Gm7 Dm
     
(Gm7) C7

F F7(#5) Bb7 D7
 
Gm7

C7
 
   
F Eb Dm (Bb7 Eb A7) Dm B7
                 
     

D D7 G F#7 Bm
 Em7
 A7
             
        
             
G Gm6 D D7 (Eb7) E7 Bm7 E7 A7 (Ab7)
          
      
    
G
A7
        
D D7 G F#7 Bm
  
    

G Gm6 D (D/F# Bb7/F) Em7 E7 A7 D A7 D

              
   
Hernán Possetti
EMPA AREA TANGO 31

DON JUAN
Ernesto ponzio
 
A E7 E7 A
                 
    

A E7 D A A E7

E7
                            
   
E7 A A7 D
       
         

   D   A7 
E7 A
  
             
   
A7 D D
    
A7

                   
   
A7 D D A7
     
                        
   
A7 D D
         
           
 
A7 A7 D A7 D
          
         
EMPA AREA TANGO 32

EL AMANECER
Roberto Firpo
(Cm Bb Ab7) G7 Cm G7 Cm
    
                                 
 
Fm Cm G7 Cm Ab7 G7 Cm
                             
              
6

      
(Fm7 Bb7 Ebmaj7 Abmaj7 Dm7/5b G7)

G7 Cm
12
             Fm
   
Cm G7 Cm Cm G7
                           
Cm G7 G7 Cm
             
  
     
18

    
Cm G7 G7 Cm
             
22
             
Cm C7 F7 Abm7 Bb7 Eb
             
  
     
26

    
1.D.C. al trío 2. para trío

D7/5b/Ab D7 Ab7 G7 Cm/Eb G7/D Cm (Bb Ab7) Cm G7 Cm
         
30
       
     
 
   
(C/Bb A7
C G7 G7 C C
           

         
D7/F# Fm/Ab G7)

G7 G7 C C G7
                    
      
G7 C Ab Ab7 G7 G7 C G7 C
     
 
 
          
   
Hernán Possetti
EMPA AREA TANGO 33

El Abrojito Luis Bernstein
J. Fernández Blanco
A

D D Dº7 A7 Am7

                

D7 G Gm A7
       

            


D D B7 E7 E7 A7
                    

D D Dº7 A7 Am7

             

D7 G Gm A7 D
                       


D B7 E7 E7 A7 D A7 D

                 
 
   
Dm Gm6 Em7b5 A7 Dm
             
           

Dm G7 C7 F7 Bb Bb7 A7
        
   



       
   
Dm Gm6 Em7b5 A7 Dm
             
           

Dm D7 Gm A7 Dm A7 Dm A7 Dm
         
     
 

    
 
Referencia Editorial B. Yadarola
EMPA AREA TANGO 34

EL BULÍN DE LA CALLE AYACUCHO
C.FLORES-SERVIDIO
Fm C7 Fm7 CØ F7 Bbm
       
                     

Bbm7 Cbº Csus4/7 C7 Bbm7 Db7 C7
                     
  
Fm (C7/G Fm/Ab Ebm/Gb Bbm

        
C/G F7)
                

Bbm Cbº C7 Bbm/Db C7 Fm C7

       
Fm
              
   
 
Bbm7 Eb7

Abmaj7

Bbm7
   
Eb7 Ab Db7 C7
   
            
         
           
Fm Bbm7 G7/5b C7 Abmaj7

Bbm7 Eb7
 
          

Bbm7 Eb7 Ab Db7 C7
        

          

Fm Fm
  Fm 
GØ C7 C7

               
Hernán Possetti
EMPA AREA TANGO 35

El Choclo
Angel Villoldo
              
A Dm Dm Dm (Bb7) A7
          
Em7b5
  
A7
      A7  Dm
5
      
           
               
Dm Am7b5 D7 Gm
 
Dm
          
Gm7
   C7
    F   Bb 
Em7b5 A7
  
Dm A7 Dm
    
            

        
B
Gm7 C7 F Dm7 Gm7 G#dim7 F/A

                     


Em7b5 A7
      Dm7
           
   Gm7 G#º7 A7
      
3
        
Gm7 C7 F Gm7 Dm7G#º7 F

                     

Em7b5
  A7     Dm
     Gm7
 
G#º7
    
A7
  
        
3
          
C
        
D Em7 A7 D

          
                         
B7 Em7 E7 Em7 A7
    
 
D
    Em7
    
A7
   
D

              
  
F#m7b5 B7
     
Em7
  
E7
  
A7
 
D A7 D
  
      
Referencia Editorial A. Perrotti
EMPA AREA TANGO 36

EL DIA QUE ME QUIERAS Carlos Gardel
Alfredo Lepera

G7 C7 C#07
       
C/E Dm7 Gm
 
F F^
         
 
Dm7 G7 Gm7 C7 F
                            

      
C/G A7 D7 Dm7
      
F#º Bb7 G7

       
Gm7 C7 Dm7
Db7 F (EØ) A7 (Dbm7)
              

Cm7 F7 Bb (AØ) D7 Gm (D7) Gm7
                     
C7 A7 Dm7 (A7) Dm7 G7
       
      
G7 Gm7 (Db7/9) C7 F (EØ) A7
        

     
Dm7 (Dbm7) Cm7 F7 Bb (AØ) D7 Gm D7
                 
   
Gm7 A7 D7 Gm7
            
       
Bbm6 F
  
F F07 F Gm7 C7
       
Hernán Possetti
EMPA AREA TANGO 37

EL FLETE
jerónimo gradito / vicente greco
Am F7
               
E7 E7 Am

Am
    F7 
          
                  E7    

6 E7 E7 Am E7 Am F7 E7
        
 

Am Am

E7 E7 Am E7 Am
                 
12
      
E7 Am E7 Am E7 Am F7
                       
17
   
                
E7 Am A7 Dm Am E7 Bb7 A7
 
23
                  
          
Dm E7 Am
 
29 F7 E7 Am E7 Am
       
       
F7
A/C# F#7
      
A E7 Bm7 E7 A

33
       
    

Bm7 E7 A A F7/11+ E7
38
      
     
   
Bm7 E7 A G7 F#7 Bm7 F7 E7 A F7 E7
   
43
                    
Am F7 E7 E7 Am
                
49
       
         
Am F7 E7 E7
 
Am F7 E7
 
53
        
 
Am F7 E7 E7 Am
                
57
       
  F7/9 
Am E7 E7 Am E7 Am
  
61
               
 
Hernán Possetti
EMPA AREA TANGO 38

EL MARNE
EDUARDO AROLAS
A Fm C7 C7 Fm
       
Fm
       
         
        


C7 C7 Fm
       
Fm C7 C7
     
               
 
 
Final
 
Fm
  
Bbm
    Fm
   C7 Fm para B Fm C7 Fm
                 
B
   
Fm Ab
     
Bbm7 Eb7
        
F7 Fm

           
  
 
C7 C7
 
Fm
    Bbm
      F7        Bbm
   

        

     
Fm C7

Fm C7 Fm

            
  
C(Trío)
F C7 F
  
Bb
     F  

              
  G7
        
C7 F (D7) C7
          
  
     
F C7 F Bb
                 
  
D.C. al Fine
 
F C7 F (D7) G7 C7
                  
   
Hernán Possetti
EMPA AREA TANGO 39

El Motivo
Aníbal Troilo
       Cm
A
 
Cm
   
C7
 Fm
 
G7
 

      

Cm/Bb
      
      
Cm D7/A DØ/Ab G7 Cm
    
   

Cm

C7
  
Fm
 
DØ
 G7
    
Cm7

         

            
Cm Cm/Bb D7/A DØ/Ab G7 Cm
    
      
B
C
      
F
 Fm6
     
C
 
    
Cm D7 G7 C
              
    
        
      
C F Fm6 C

   
Cm D7 G7 Cm
               
    
C
Cm G7 Cm C7 Fm7 Bb7 Eb
         
      
     
G7 Cm G7 Cm

                  
     
Fm7 Bb7 Eb Bb7 Eb

   
               
     
G7 Cm G7 Cm G7 Cm
      
        
     

 
 
Referencia Editorial Vivona
EMPA AREA TANGO 40

EL PORTEÑITO
A.G.VILLOLDO
D A7 A7 D B7 E7
                                     
1

  
D D (Em7) A7
A7 D
 
                              
B7

E7 A7 D A7 D D Em7
                  
                 
D

Em7 A7 D B7 E7

(C7) A7
         
                
Em7 A7 D (C7) B7 Em7


(D/F# Fº)
                           
G D7 D7 G
A7 D (D7)
    
                 
       

G D7 D7 G Gº7 G
D7

                                 
D7 G E7 Am D7 G

        
                  
Hernán Possetti
EMPA AREA TANGO 41

EL ÚLTIMO CAFÉ héctor stamponi
cátulo castillo
Dmaj7 Bm E7 C7/5b Bm Dmaj7 C#75+

 
               
F#m7 Bm7 E7 Em7 A7 Dmaj7 F

         
       

Em7 Em7 Em7 Em7 A/5+ Dmaj7 Dmaj7
             
       
F#Ø B7 Em Em7 G#Ø

    
                          
C#7 F#m7 (Fm7) Em7 Dmaj7 Fº Em7

  
                      
A7 Em F#7 Bm7 Bm7/A D7

  
      
      

     
Gmaj7 C9/5b D
                  
   
D6/F# Fº Em7 A7/9 A7/9b D A7 D

                    
 


 
Hernán Possetti
EMPA AREA TANGO 42

Fangal
Eduardo del Piano / Virgilio Expósito
Enrique Santos Discépolo / Homero Expósito

                        
Cm7 F7 Bb Gm7 Cm7 F7 Bb

   
 
Cm7
   
F7
   
Dm7
  
Gm7
   
Cm7
   
F7
   
Bb D7
   
5
  
    D7
Gm7
   Gm7
  
C7
     
F G7
 
    
 
Cm7
   
F7
   
Bb
  
G7
   
C7 F7 Bb F7 Bb
            
Bbm7 Bbm7 Gb7 F7 Bb7

 
                  
Ebm7 Cm7b5 F7 Bbm7 Fm7b5


              

         

Bb7 Ebm7 Ebm7 Ebm7
               
           



Gb7 F7 Bbm7 Bbm7 Gb7 F7 Bb7

   
                    
Ebm7 Gb7 F7 Bbm F7 Bbm


     
         
  
 
EMPA AREA TANGO 43

Farol
Virgilio Expósito
Homero Expósito
A

Em F#7 B7 E- D7
 
                        


G E7 A7 D7 G F#7
                       
 
F7 E7 A-7 C- G B7
                
   
 
E- F#7 B7 E- F#-7 B7
 
                         

B E

B7 E F#m
              
 
   
B7 E G#Ø C#7
                   
         
B- C#7 F#-7 A-6 B7
            

         
E- A- E- B7 E-
     
      
EMPA AREA TANGO 44

Flores Negras
Francisco De Caro
 
C#º7
   
C
Dm7 G7
           
Em7 Ebº7 Dm7

              
  
Bm7b5 E7 Am7 D7 Dm7 G7
          
5
           

 Dm7
      
       
C C#º7 G7 Gm7 C7 F
      
 
F  F#º7
     
C/G A7 Dm7

G7 C

            
     
F7   Bb7  Eb7

Bbm7
B
Ab Gb7 Ab
          

      
     
   
Gm7b5 C7 Fm Cm7 G7 Cm7 F7
  
                   
 

Bbm7

Bb7

Eb7 F7 Ab Ab7 Db6
     
       
            
 
Db Dº7
 
Ab

F7 Bbm7
 
Eb7 Ab
         
  
 
  
EMPA AREA TANGO 45

Fruta Amarga Homero Manzi
Hugo Gutiérrez

G Am7 G Am7 G Am7 Bm7 E7
 
4
   
A
   
                    

Am (E7) Am E7/B Am/C E7/B Am
             
          

A7 D7 B7 (F#Ø B7)
            

  

    


  
Em (B7) Em A7
           
          

D7
  G Am Bm Am
      
               

BØ E7 A7 D7 G
                 
   

B7 Em B7 Em
                           
B

Am A#º G/B Am D7 G
                           

F#7 B7 Em F#7 B7
                        
B'

F#Ø B7 Em B7 Em
                           

C C#º G/D Am D7 G
                    
  
EMPA AREA TANGO 46

Fuimos
Homero Manzi
José Dames
A C Fm6/C C Fm6/C C Am7 Dm7 G7


                         
Dm7 A7 Dm7 A7 Dm7 G7 C

                         
Bm7b5 E7 Am7 Dm7 G7 C


   
                       
F#m7b5 B7 Em7 A7 Dm7 A7 D7 G7

                          
C Fm6/C C Fm6/C C D7 G7 C G7 C
  
                    
B C Ab G7 C Bm7b5 E7
                      
   
Am7 E7 Am7 Dm7 G7 C
               
     
Bm7b5 E7 Am7 Ab Fm7 Bb7

                   
      
C Am7 Dm7 G7 C G7 C
                     
 
Ab G7 C Bm7b5 E7 Am7
     
             
   
Fm6 C/E Ebdim7 Dm7 G7 C G7 C
   
              

 
EMPA AREA TANGO 47

Gallo Ciego
Agustín Bardi
A D7 Gm D7 Gm
            
    
                    
5 (Dm7b5) G7 Cm G7 Cm
       
(Am7b5) D7 Gm (Am7b5) D7 Gm D7 Gm
                 
        
 
         
     
      
F7 F7 Bb Bb
    


F7
     F7            
Bb
   

         
         
     
     
F7 F7 Bb Bb

     

Bb7
      Eb
          Cm7
    F7

Bb Bb7
           

          
Eb F7 Bb7 Eb Eb dim7

                       

Fm7 Bb7
             
Fm7 Bb7 Eb Eb
  
            
   
F7 Bb7 Eb Eb Cm
            
              

Fm7 Bb7
 
Fm7

Bb7
 Eb

Bb7 Eb
      
     
EMPA AREA TANGO 48
Garúa
Aníbal Troilo
A Enrique Cadícamo
(Am G7 F7) E7 Am Bm7b5 E7 Am

                         
            
Dm7 G7 C Dm7 G7 C
  
         
5
 
B7
   E7  Am F7 E7

         
  
   
Bm7b5 E7 Am Bm7b5 E7 Am

                        
B7
     E7
 
(Dm6 Am/C E7/B) Am
 
F7 E7 Am
           
     
B
Am

E7 Am
      Am
        
E7 Am F7 E7

        
 
             
Dm6 E7 E7 Bm7b5 E7 Am
         
 
 Em7b5    Em7b5
         
A7 A7 Dm
       

         
Dm7 G7 C F B7 E7 Am E7 Am
    
     
EMPA AREA TANGO 49

Gricel Mariano Mores
José María Contursi
A Cmaj7 Em7 Fmaj7 Cmaj7
  
                 
Fm6 Cmaj7 Fm6 Cmaj7

            
       

        
B7 Em7 Dm7 G7
           

Cmaj7 Em7 Fmaj7 Cmaj7

                   
Fm6 Cmaj7 B7 E7
               
    
B Cmaj7
NC Dm7 G7b9
              
 
EØ A7 Dm7 B7 E7
          
     
E7 Fmaj7 F#º7 Cmaj7 Bb7
                  
A7 Dm7 G7 C
        
      
EMPA AREA TANGO 50

La Cumparsita Gerardo Matos Rodríguez
A Pascual Contursi
Enrique Maroni
(Gm F Eb) D7 D7 Gm Gm

   
   
     
   
    
D7 D7 Gm G7
 
5
        
          
Cm Cm Gm Gm

                   

D7 D7 Gm D7 Gm
 
   
       

      Em7b5
B

Gm Gm/F
 
Eb7 D7 Gm
   Eb7
   
D7

    
Am7b5  D7
 
 Am7b5
     
    
D7 Gm D7
     

              
Gm Gm/F Em7b5 Eb7 D7 Gm G7 Cm
 
   
        
     
Cm Gm D7 Gm D7 Gm
   
   

    
     
C
     
Gm D7 Gm G7 Cm7 F7 Bb D7
      
 
           
Gm D7 Gm G7 Cm7 F7 Bb Gm7
    
  
(
F7 )
Dm7b5 G7 Cm
  
D7
           
  
( Bbmaj7 Am7b5 )
Ebmaj7

Gm7 Gm6 Eb7 D7 D7 Gm ( Gm F Eb )

Gm

           
         
EMPA AREA TANGO 51
LA TABLADA
FRANCISCO CANARO
A A
      
1A A
           
A

             
 
                                 
5 A E7 E7 A A
         
                                      

10 E7 E7 A A E7
    
                 
A A7 D Dm A D
     
E7 A E7

15
          
Am Am E7 E7 Am
                 
20
      
25 Am E7 Em7 Am Am E7
          
 
       
  
Am Am
 
E7 F E7 Am
   
31
                 
Am E7 E7 Am Am
        
37
             
E7 E7 Am Am E7 E7
             
42
         
Am F6 Am
 
E7

48 Am
                  
  A    
E7 A
 
E7 D#º E7
       
53

     
            
E7 E7 A Bm E7
A
       
58
        
  
A 1. 2.

A D E7 A A E7 A

64
                        

Hernán Possetti
EMPA AREA TANGO 52

LA ÚLTIMA COPA
Francisco Canaro
Juan Andrés Caruso
Bm G7 F#7 C#Ø F#7 Bm


1
        
   
      
   
  
F#Ø B7 Em Bm G7 F#7

5
  
  
      
         
Bm G7 F#7 C#Ø F#7 Bm


9
          
 
     
  

F#Ø B7 Em Bm F#7 Bm

13
         

         
   

A7 D A7 A7/G D/F#

17
 
                  
 
Em Bm Em C7 B7

21
         

       
Em Bm F#7 Bm (B7)
     
25
               
     
Em Bm F#7 Bm F#7 Bm
     
29
     
             
Hernán Possetti

EMPA AREA TANGO 53
La Última Curda Aníbal Troilo
Cátulo Castillo
Fm F7 Bbm7 Eb7 Ab G7 C7
             
              
Fm G7 C7 Fm Gm7b5 C7

                              
Fm F7 Bbm7 Eb7 Ab
              
          
  
Gb Fm G7 C7 Fm C7

                   
    
 
B
Fm Fm Fm Gm7b5 C7
F7

                            
Bbm Bbm7 Gm7b5 C7 Fm


   
             
          
                          
Cm7b5 F7 Cm7b5 F7 Bbm

  
Bbm7 Eb7 Ab Db Gm7b5 C7 Fm F7

   
                      
Bbm7 Eb7 Ab Gm7b5 C7 Fm C7 Fm

   
                          

EMPA AREA TANGO 54

La Violetera
Anselmo Aieta
Francisco García Giménez
 
Am E7 E7 Am
                                
  
A7 Dm Am E7
                         
5
 
     
Am E7 E7 Am
                      
 
A7 Dm Am B7 E7 Am E7
 
                        

A A A E7
 
                
        
C#7 F#m B7 E7 E7+5
                 
A A A E7
   
               
C#7 F#m B7 E7 A (E7 A)

        
                 
EMPA AREA TANGO 55

la viruta
vicente greco
Gm

Eb7
(Eb7) D7 D7 Gm
                      
 3
          
D7 D7 Gm (Cm7 Bbmaj7 Am7/5b Gm7 F7 Eb7)

            
         
D7 D7 Gm
 Gm Eb7 D7 D7
        
          
3
       
         
Gm D7 Gm Eb7 D7
                     
   
   
Gm D7 Gm Cm7 Gm D7 Gm
                           
    
D7 Gm Eb7 D7 Gm D7
            
            
       

Gm Cm7 Gm D7 Gm (Cm7 Bbmaj7)
 al @ y Ø
                
 

G
Ø G G D7 D7
     
  
  
   
   
   
 G
     
D7 Eb7 D7 G G
     
          
 D7

D7 G

G

       
             
 D7

Eb7

D7

G

           
Hernán Possetti
EMPA AREA TANGO 56

Libertango Astor Piazzolla
Am B/A
                                 
Dm/A Am
                          
     
Am/G F#dim7
                                 
F7 E7
        
                       
A'
Am B/A
 
                               
 

Dm/A
 Am
   
                            
    
Am/G F#º7
                 
                   

  
F7 E7
             
                     
        
Em7b5 A7 Dm Dm6
   
B
        
Dmb6
        
Dm7b5 G7 C E7
         

C
Am B/A
     
                

Dm/A Am
                   
 
  
        
D

Cm D/C
      
        
  
 
   
  
      

  
Fm/C Cm
   
       
 
       
   

EMPA AREA TANGO 57
Los Mareados
Juan Carlos Cobián
Enrique Cadícamo
Am    G    F 
    
E7 A7
   
   
Dm7 Am7 Am7/G B7/F# E7

            
5
          

Am
    
G
  
F
  
E7 A7
           
   
Dm7 Am7 Am7/G B7/F# F7 E7 Am E7
                      
 
B A A#º7 B7 Bm7 E7 A Bm7 Cdim7
                   

A/C# Cº7 Bm7 Dm7 G7 A E7
                    


A F#7 B7 E7 A E7
                   

Dm7 G7 A
 
F#7
      E
B7 A E7
 
                
C

Am E7 A7 Dm
                 

Dm Am B7 E7
               
     
Am7
   
G#º7 A7 Dm
              
Dm E7 Am7 Am7/G B7/F# F7 E7 Am E7 Am

                 
         
EMPA AREA TANGO 58

Los Mareados
Juan Carlos Cobián
Enrique Cadícamo
A
Am7    G7
D7
 
C7
    
F7 Bb7
 
Em7

A7
       
Dm7 E7 Am7 Am7/G B7/F# Dm/F E7

            
5
          
     
       
Am7 D7 G7 C7 F7 Bb7 Em7 A7
        

   
Dm7 E7 Am7 Am7/G B7/F# F7 E7 Am E7
                      
 
B A A#dim7 B7 Bm7 E7 A Bm7
Cdim7
                    

A/C# Cdim7 Bm7 Dm7 G7 A Bm E7
                    


A F#7 B7 Bm7 E7 A
                   

Dm7 G7
 
F#7A
      E
B7 A E7
 
                
C

Am7 E7/G# Gm6 D/F#
                 

Dm/F Am7 B7 E7
               
     
      
Am7 G#dim7 Gm6 D/F#
          

Dm/F E7 Am7 Am7/G B7/F# F7 E7 Am E7 Am

                 
         
EMPA AREA TANGO 59

MADRESELVA
Francisco Canaro
Luis César Amadori
D Dº7 Em7 A7
 
   
       
       
D D/F# Fº Em7 A7
 
                 
D Dm Bb7 A7 D7 Gm7 C7
      
                  
 
F Dmaj7 Fº Em7 A7

               
          
Dm A7 Dm D7 Gm7 C7 F D7
 
                            
Gm7 C7 Fmaj7 (Bb7) A7 (Eb7) Dm (Dm7 C7 Bb7)
             
              
A7 Dm D7 Gm7 C7 Fmaj7 D7
       
                 
Gm7 C7 Fmaj7 Bb A7 Dm A7 Dm
               
      
   
Hernán Possetti
EMPA AREA TANGO 60

Mal de Amores
Pedro Laurenz
       Dm
  
            
Am E7 Am A7
 
     
               
Dm E7 Am Am/G B7/F# F7 E7
 
        
5
    

Am

E7
    
Am
       A7
Em7b5
    Dm
     
    
                  
  
Dm7 G7 C Am Bb E7 Am E7 Am
       
  
A
 
F#7
  
Bm7
 E7

A
  
E7 Am
 
             

                    

Am F7 E7 E7 Am
    
      
                    

Am F7 F#7 G7 F7 E7 Bb7 A
       
 
     
A F#7 Bm7 E7 E7 Am
        
         
 
          
    F7
1.
      
Am F7 F#7 G7 E7 Am
      


     F7      
2.
  
Am
F7 F#7 G7 E7 Am E7
 
            
 
EMPA AREA TANGO 61

Malena Lucio Demare
Homero Manzi
A
Em E7
                         
Am Em B7
     
     
 
                       
5 Am Em F#m7b5 B7 Bm7b5 E7
  
G
        
Am7 D7 F#7 C7 B7
                
  
       
Am Em B7 Em
             
       
        
F#m7b5 B7 Em Em/D F#7/C# C7 B7 Em B7
            
    
B
       
E C#m7 G#m7 A
             
         
F#m7 Gdim7 E/G# F#m7 B7
            
   
E D#7 D#7 G#m7 C#7
                  

 
F#m7 B7 E B7 E
  
      
EMPA AREA TANGO 62

Malevaje
J. de Dios Filiberto /Enrique S. Discépolo
   
Dm

Dm

D7

      
Gm7 C7
  
F A7
              
A
Dm
   C Bb

A7
                    
Dm A7 Em7b5 A7 Dm
                   
Gm7 C7
 D7 Gm7 F

A7 Dm D7
                      
  interludio
Gm Dm E7 A7 Dm A7
    
                  


Dm D7

      
Gm C7

      
F
            
   

B
       
 
F Gm7 C7 F
              
    
             
Cm7 F7 Bb Gm G#dim7 F/A
             
        
F Gm7 C7 F
   
                

         

Cm7 F7 Bb Gm7 C7 F C7 F
      
   
EMPA AREA TANGO 63

MANO A MANO
GARDEL / RAZZANO / FLORES
Fm7 Bb7 Ebmaj7 Abmaj7 Dm7/5b G7 Cm C7

                
                  
 
Cm

6 Fm7 Bb7 Ebmaj7 Abmaj7 Dm7/5b G7 Cm G7
                       
    
Cm G7 Cm Db7 C7 Fm Fm7 Fm6 C7

11
         

           
Fm7 Bb7 Ebmaj7 Abmaj7 Dm7/5b G7 Cm Cm/Bb DØ/Ab G7


16
                                       
 

Cm G7 Cm Bb7 Eb Bb7 Eb G7

21
                              

 
Cm G7 Cm Ab Cm

26

      
                    
G7 Cm Bb7 Ab7 G7 Cm G7 Cm

30
            
 
             
Hernán Possetti
EMPA AREA TANGO 64

María
Aníbal Troilo
Homero Manzi
A
D/F# Bb7/F A7/E D Bb7 A7 D7
                          
    
  

Gm A7 Dm E7 Bb7 A7
                            
5
  
Gm A7 Gm A7
                           
    
Gm A7 Dm E7 Bb7 A7 Dm A7 Dm7
                     
         
   
               
Bb7 A7 D7 Gm7 C7
 
 
F Gm A7 Dm C7
           
 
           

F Bb7 A7 D7 Gm7 A7
                 
     
Dm7 Eb A7 Dm
          
          
El yerta Javier Cohen
EMPA AREA TANGO 65

María
Aníbal Troilo
Homero Manzi
A D/F# Bb7/F Em7 A7 Dmaj7 Bb7 A7 D7
                   
                 




Gm A7 Dm Dm7/C E7/B Bb7 A7

                           
5
    
Gm A7 Gm A7
                           
    
Em7b5 A7 Dm Dm/C E7/B Bb7 A7 Dm A7 Dm7

                     
           
               
Bb7 A7 Am7b5 D7 G7 C7
 
  
Fmaj7 Em7b5 A7 Em7b5 A7 Dm C7

           
 
           

Fmaj7 Bb7 A7 D7 Gm7 Em7b5 A7
          
 
 


     


Dm7 Dm/C Eb/Bb A7 Dm

          
          
EMPA AREA TANGO 66

melodía de arrabal
batistella - le pera- gardel
Am E7 Am BØ E7 Am Ab7
  
                  
      
G7 C E7 Am Dm
   
             
Am E7 Am Dm Am
(A7)
         
            
(A Aº7)
(F7) E7 Am (E7) A6 A Amaj7 A6 A A/C# Cº7
   
                 

Bm7 (F#7) Bm E7 E7 Bm E7 A
      
  
    
   

(Aº7)
A A A G7 F#7 Bm (F#7)
                 
   
Bm E7 A (G7) F#7 B7 E7 A E7 A
 
                      
 
Hernán Possetti
EMPA AREA TANGO 67

Milonga Triste
Sebastián Piana
Homero Manzi
Dm Bdim7 A7 Dm
      

Dm Bdim7 A7 Dm
      
Dm Dm Gm Dm

            
3
       

Bb Dm A7 Dm
              
3
      
Dm F C7 F
              
3
      
Bb Dm A7 Dm
             
3
     
Bb Dm A7 Dm
      
 
Bb Bdim7 Bb A7 Dm
     
3
             
Bb Bdim7 Dm A7 Dm
   
3
            
EMPA AREA TANGO 68

Muñeca Brava
Enrique Cadícamo / Luis Visca
      
Am E7 Am F7 E7 Am E7
                 
           
Am E7 Am Dm7 G7 C
        

                        
Bm7b5 E7 Am Bm7b5 E7 Am

Bm7b5
      
E7

Am
    
Bm7b5 E7
   
Am E7
 
          

              
A Bm7 E7 A E7
         
      
                  
A Bm7 E7 A A7
         
          
D A E7 Em7 A7
          
      
    
D
    
A
 E7
 
A E7 A
           
 
EMPA AREA TANGO 69

Nada
José Dames/Horacio Sanguinetti
F Dm7 Gm7 C7 F Em7b5 A7


                   
    
Dm7 C Bb Am7 Gm7 Gm7b5 C7
                  
F Dm7 Gm7 C7 F/A Em7b5 A7

        
         
    
Dm7 C Bb Am7 Gm7 C7
                  
Gm7    C7
   F      A7
Em7b5
   Dm7
   
          
Eb7    F     
Bb Gm7 C7 F
             
    
Gm7    C7
   F             
Em7b5 A7 Dm7
         
Bbm    Am7
Bb
      G#dim7
   
Gm7 C7
      
F C7 F
     
EMPA AREA TANGO 70

Naranjo en Flor Homero Expósito
Virgilio Expósito
A

F G7 Gm7 C7 F C7
           


    

F G7 Gm7 C7 F Eb7
          
    

Ab Bb7 Bbm7 Eb7

   Ab C7
            
   

F G7 Gm7 C7 F C7
               
 
B
           
Fm C7/E Ebm6 Bb/D
             

Bbm7 Fm Fm/Eb Fm/D Db7 C7 Fm C7 Fm


                             
 
Fm7
 
Edim7
   Ebm6 Bb/D
                      
Bbm7 Eb7 Ab Db Gb C7 Fm C7 Fm
 
                  
         
 
EMPA AREA TANGO 71

Niebla del riachuelo
Juan Carlos Cobián
Enrique Cadícamo
         
Dm Ddim7 Em7b5 A7 Dm Bb7Em7b5 A7
 
             

   D7   Gm   
Am7b5 Gm7     F    A7
   C7 

         
Dm Ddim7 Em7b5 A7 Dm Bb7 E7 A7
     
            
    D7
Am7b5     Gm7
   
E7/B
          
Em7 A7

 
          D  Bm7
  A7  
D B7 Em7 Em7 A7
       
          D  Bm7
  A7  
D B7 Em7 Em7 A7 D7
         
             
G G#dim7 D/A B7
         


 
Em7
   A7
  
D A7 D
  

EMPA AREA TANGO 72

NUNCA TUVO NOVIO AGUISTIN BARDI
E. CADÍCAMO
E (F#/A# Am) E E/G# Gº7 F#m (C#7) F#m G#7
   
                        
  
C#m F#7 B7 (F#/A# Am E/G#)

E
 
                       
  
Bm7 E7 A (C#7) F#m Gº7 E/G# F#m7 B7 E
  
          
F#m7 B7 E D#7 (A#Ø) D#7
        
        
G#m E/B G#Ø C#7

A A#º
        
        
F#m B7
E

F#m7 B7
                  


D#7 A#Ø D#7

 
E

               
G#m A A#º7
                 

E/B G#Ø C#7 F#m F#7 B7 E
                         
 
Hernán Possetti
EMPA AREA TANGO 73

Oblivion
Astor Piazzolla

Em
          
          
A
         
Em
 
  

Am7 D7 G C Am7 A#º7 B7
             
 
Em   % 
%
     
%
 
  

Bm7b5

E7b9

Am6
  
       
%
F#m7b5
  
B
   Em Em/D    
B7b9
 
  

F#7 B7 Em
      
   
C %
            
Am7 D7 G C
   
3 3
  
F#m7b5 B7 Em7 E7
     
   
3

Am7
      
D7 G
 
C
  
   
3 3

F#7 B7 Em
   
  
%

EMPA AREA TANGO 74

Ojos Negros
Vicente Greco
Aº7 G#º7 B7 E7 Am Am

                
5 Dm7 G7 Gm7 A7 Dm7

             
Bm7b5 E7 Am7 B7 E7 Am Am/G F#dim7 F7

                    

E7 Am para A Am E7 Am final
            
B
 
A
    
C
 E7
      
A

E7

        
  
A
    
C
 E7
    
A E7

         
C
   
A Bm7 E7 D/A A
    

       
  
  
Am F#dim7 F7 E7 Am E7
             
     
         
D
        
C G7 Gm C7 F
   
 
1. 2.
                    
E7 Am E7 Am G7 Am E7 Am
       
 
EMPA AREA TANGO 75

Pasional Mario Soto
Jorge Caldara
A
Gm Gm/F# Gm/F A7/E AØ/Eb D7

                      
 
  
       
Cm Cm/B Cm/Bb A7/E AØ/Eb D7
      
 

Gm

Gbº7
 
G7/F Cm/Eb
 
A7/E
     
D7
                 

Gm Gm/F# Gm/F A7/E AØ/Eb D7 Gm D7 Gm

         
     
   
Cm Gm D7 Gm (G7)
  
                          
Cm Gm D7 Gm D7 Gm
  
                       

interludio ( recitado)
        
Cm Gm
 
                    
B
Cm Gm Cm Gm G7
  
         
        
C7 Eb7 D7 G7 C7 F7 Bb D7 (G7)

               
            

Cm Gm Cm Gm
 
         
      


Cm Gm7 D7 Gm D7 Gm
       
       
   

EMPA AREA TANGO 76

PAYADORA
JULIAN PLAZA
G Am G/B C G/D
 
1
   
                   
G C G G D7 D7 G G
            
   
3 3 3
       
G7 G7
                         
D7 D7

Gm Gm
             
        
C C Cm Cm Gm Gm Eb7
     
        
 
Eb7/A Gm Gm
  
D7 D7 D7
     
 
    
 
D7 G7 G7 C C Cm
   
                                     
Cm Gm Gm EØ Eb7 D7
 
                            
G G Am Am Bm Bm Am/C
 
D7 G

           
Gm D7 F7 Bb Bb
         
3         
3  3   

D7 Gm

D7 Gm D7
   

          
         

D7 Gm Gm D7 D7
                    
    
AØ D7 AØ D7
 
 Gm
    
Gm
         
G7 Cm D7
    
     
 al  y 
G C G G
 G Am G/B C G/D
      3   3       3

(Bm7 C^ Am7 G^ Bm7 Am G^ F#Ø Em7 G^)
   
                 

D7 D7 Ab7/9+

Ab7/9+ G6 G G Am G/B G/D D7

C
            
      
   
Hernán Possetti
EMPA AREA TANGO 77

3HGDFLWRGHFLHOR +RPHUR([SyVLWR
+pFWRU6WDPSRQL
(QULTXH0DULR)UDQFLQL
$P ( $P $
¶ K Ì
¡
¡ ¡ Ì ¡ ¡ Ì ¡ ¡ Ì ¡ ¡
'P $ 'P 'P
Ì ¡ ¡ Ì ¡ ¡ Ì
¶
¡
K
% ( $P 'P
Ì ¡ ¡ Ì Q¡ ¡ ¡ ¡ ¶ ¡
K ¡ ¡ ¶
¡
K
$P ( $P (
¡ ¡ ¡ ¡ Q¡
¶ ¡
K
¡ ¡ Ì
$ P* ) ( $ (

Ì ¡ ¡ ¡ ¡ ¶ ¡K ¡ ¡
¡ ¡ ¡ ¡
Ì Ì Ì
$ ) %P )

¡ ¡ ¶ ¡K ¾ ¡ ¡ ¶ ¡K ¡ Ì ¶ K
¡ ¡ ¡ ¡ ¡
% P ( $ (

¡ ¡ ¶ ¾ ¡K ¡ ¡ ¶ ¡K ¡ Ì ¡ ¡
& P & P %P )

Ì ¡ ¡ Ì ¡ ¡ ¡ Ì
¡ ¡
% P ( $ (

Ì ¡ ¡ Ì ¡ ¡ Ì ¶ K
¡ ¡ ¡ ¡ ¡
* & ) P

¡ ¡ ¶ ¾¡
K
¡ ¡ ¡ Ì
$ ' ( $

¾¡
¡ ¡ ¡ K K
¡ ¶ ¡ ¡ ¡ ¡ ¡ ¡

) % P ( $
¡ ¡ ¡ ¡ ¡ ¡ ¡ ¡ Ì
¡
(O\HUWD-DYLHU&RKHQ
EMPA AREA TANGO 78

QUEDÉMONOS AQUI
H.STAMPONI/H. EXPOSITO
          
D‹ D‹7 Dmb6 G‹6

 
    

             
              
G‹6 G‹6 G‹ E7 A7 D‹
            
 
                 
G‹ G‹ A7 D‹ D‹/C
 
D‹7
 
D7
        
 
E7/B B¨7 A7 D‹ Em7b5 A7 D‹
                 
 
Em75b A7 C‹/E¨ D7 G7 C7 F A7
                          
 
D‹ Em75b A7 D‹ D7 G‹
                  
G‹ D‹ B¨7 A7 D‹

                  

 
Hernán Possetti
EMPA AREA TANGO 79

Quejas de Bandoneón Juan de Dios Filiberto
Gm 
A7
 
Dm
   
A7 Dm

          
        
  
Bb7 A7 Dm A7 Dm A7 Dm
         
B

Dm
 
A7

A7

Dm
 
         

Dm
   
A7
   
A7
 
Dm
 
   
 
Dm A7 A7 Dm
          
        
Gm Dm A7 Dm D7
  
           


Gm Dm A7 Dm
 
           
 
A
 Gm

A7
 
Dm
    
A7 Dm

      

Final
Bb7 A7 Dm
    
A7
   Dm A7 Dm
            
C
Dm Gm Gm7 Gm Dm
                 

Dm A7 A7 Dm
           

Dm Gm Gm7 Gm
    
           
Dm Dm A7 A7 Dm A7 Dm
        
     
 
El Yerta Javier Cohen a B para variación
EMPA AREA TANGO 80
Recuerdo Osvaldo Pugliese
A
   
F#m  C#7/G#
   
F#m/A (E7) A
 
D

D7 C#7
            

 

E7 A
                      
   
 
C#7 F#m F#7 Bm
                 
        

C#7 F#m D7 C#7 F#m C#7 F#m
        
             
B

F#m F#m
  
Bm

    
(C#7)
    
 
C#7  
F#m 
         
 
F#m

F#7
    
Bm 
     
 
C#7  
F#m
  
            
           
C#7 F#m E7 A
              

C#7
  
Cº7
    C#7
       
D
 
D7
 
        
F#m         
      
C#7
    
para variación
EMPA AREA TANGO 81

Romance de Barrio Aníbal Troilo
Homero Manzi
A

Dm Dm/C E7/B Bb7
          
   
 



Gm6 A7 Dm Gm
          
    

Am7b5 D7 Gm Gm7 C7
     
      
A7

Gm7 C7 F∆
           
Dm Dm/C E7/B Bb7

       
       
Gm6 A7 Am7b5 D7
   
   

    

Gm7 C7 A7

F∆
        
   
Dm A7 Dm Dm C7 Bb7
 
      

B A7  Dm  Gm7 C7
                              
F∆  A7  Dm Dm/C
                   
Gm G#º7 A7 D7 Gm A7
         
         
Dm Dm/C EØ/Bb A7 Dm D7
      
                   
 
Gm6 A7 Dm Dm/C E7/B Bb7 A7 Dm
                                  
EMPA AREA TANGO 82

Soledad
Carlos Gardel
Alfredo Lepera
A
Eb Ebº7 Fm7 C7 Fm7 Bb7 Eb Bb7
                     
           


Eb C7 Fm7 C7 F7 Bb7 Eb Bb7

     
                       
5
Eb Ebº7 Fm7 C7 Fm7 Bb7 Bbm7 Eb7

            
                  
Ab Abm Eb C7 F7 Bb7 Eb Ab interludio

  
                             


Gm7 Fm7 Eº7 Fm7 Eb6 F7 Bb7 Eb Bb7

      
                        
B
Ebm Bb7 Ebm Eb7 Abm Bb7 Ebm7 Bb7

                            

Ebm7 Db7 Gb F7 Bb7 Eb7

      
                         
Abm7 Db7 Gb Ebm7 Abm7 Aº7 Bb7

 
                          

Ebm Bb7 Ebm Eb7 Abm Bb7 Ebm Bb7 Ebm

                         
EMPA AREA TANGO 83

Sur Aníbal Troilo
Homero Manzi
A A E7 Dm7 B7 E7
  
                           
    
Dm Am B7 F7 E7
 
                       
5
  
A E7 A Dm7 G7 C
      
                

 
E7 Am B7 E7 Am (Am G F)
             
            

E7 E7 E7 Am
         
        
Am Gm6 A7 Dm7 G7
          
           
C Dm7 B7 E7
 Dm
               

Am E7 A7
                    
Dm7 Am Am7/G B7/F# F7 E7 Am E7 Am
                         
EMPA AREA TANGO 84

Sur Aníbal Troilo
Homero Manzi
A
          
Dmaj7 D#º7 Em7 A7 Gm7 G#º7 A7
 
                   
 
 
Em7b5 A7 Dm Dm/C E7/B Bb7 A7
             
             
  
Dmaj7 Em7 A7 Dmaj7 Gm7 C7 Fmaj7
            
               
 
A7 Dm7 E7/B Bb7 A7 Dm ( Dm7 C Bb )
                
        
B
A7 Bb7 A7 Bb7 A7 Dm7 A7
          
Dm7 C#º7 Cm6 D7 Gm7 C7

            
      
Fmaj7 Dm7 Gm7 G#º7 A7 Em7b5 A7


                          
    
Dm7 Em7b5 A7 Am7 D7


          
 

        
Gm7 A7 Dm7 Dm7/C E7/B Bb7 A7 Dm A7 Dm

                            
EMPA AREA TANGO 85

Taquito militar

Mariano Mores
          
(A-)
     
 
  
 
(E7)
        
   
  (A-)     
                
A- G7
           
9
    

3 3
A7 
                        
       
G7
  
 
C D-

18
   

3 3
     A-     E7 
        A-   

  
C

27
         
         
                   C    A-    
      
G7

37
       
   

E7

A-
            
E7
            
47
             

A- E7 A-
                     
57 E7
                           
67

A-
  
G7

 
   
  C       3
  F7 E7 D.S. y 2º al
                                
Fine
  
3 
(A-)
             D-
 
76
    


            
       
82 E7 E7 A-
       
 


Adrián Lacruz
EMPA AREA TANGO 86
Tarde
José Canet
A

Em Am B7 Em
 
   
       
 
              

 

Em (E7) Am B7 Em

5
                         

E7 E7 Am F#7
 
                        


F#7 B7 Am Em C B7

                   
   
  


Em Am B7 Em B7 Em

                           
B
      
E7 Am D7 G
                

B7 Em Am D7 G
                          

F#7 B7 Am Em
                         


Am B7 Em F#7 B7 Em B7 Em
     
      
    
    
 


EMPA AREA TANGO 87

Te lo digo por tu bien
Valle

G Am7 Bm7 Am7 G G7 C E7
                               
      
 
5 Am E7 Am7 E7 Am7 D7 G Am7 D7
                            


G Am7 Bm7 Am7 G G7 C E7
                            
1.
  
Am7 Cm6 G/B E7 A7 D7 G D7
            
       
      

G D7 G D7 G G/F# E7 Am F7 E7
                            
  

Am7 Am7 E7 Am Am/G F#m7b5 D7
                     
  

G Am7 D7 G D7 G D7 G F7F#7
                     

G7 C E7/B Am7 Cm6
                    


G/B E7 A7 D7 G D7
          
        
2.
 
A7 D7 Dm7 G7 C Cm7
                    


G F7 E7 A7 D7 G D7 G
 
        
        
EMPA AREA TANGO 88
Te Vas Milonga
Abel Fleury

A Em B7
                        

Em Am Em B7 Em Em
  D
  C

                            
 
Em          B7   
   
B7 Am6

Em/G

B7/F#

     
        
Em   
                                  
B
Em B7

 
                                      
B7 Em B7 Em

                   B7
               
CB7 Em Em D C
    

Em7
  
B7 Em
  B7
    
A
               


Em Am6 Em B7
                          
 
                  
Em
Em D C B7 Am6 Em/G B7/F# Em
     
       
EMPA AREA TANGO 89

Tiempos viejos
Francisco Canaro
A Manuel Romero

AØ D7 Gm C7 F (A7)
           
      
      

Dm Dm/C G/B Gm/Bb EØ A7 Dm
  
                        
Cm D7 Gm C7 F
       
                  

Bb A7 EØ A7 Dm
                        
B

EØ A7 Dm EØ A7 Dm
  
                       
  
EØ A7 Dm EØ A7 Dm

                      
C7 F C7 F
                

 
   

EØ A7 Dm EØ A7 Dm (A7 Dm)
   
       
         

EMPA AREA TANGO 90

TIERRA QUERIDA
Julio De Caro
E7 A E7 A E7 A7
              
Luis Diaz
A7 D
  
            
  
         
D B7 Em A7 D D7
  
                         
G A7 D
             
Em Bb7

  
 
               
   
A7 D D7 G
        
A7
     
                  
       

Dm
      
E7
    
Dm
  
Gm A7
               
     
Gm7
      
Gm
              
Dm Dm

    
      
Dm
    
Dm E7 A7
             
Dm
      Gm        
Dm
       
Gm
            
Dm D7 Gm7
            
Dm A7
       
E7
          
Gm7 E7

Dm Dm
               
            
 

A7 Dm Dm D7 Gm7 Gm7
                  
     
Dm
 
Dm E7 A7 Dm A7 Dm
                     
     
Hernán Possetti
EMPA AREA TANGO 91

Tinta Roja Sebastián Piana
Cátulo Castillo
                     

C6 G7 C Dm7 G7 C6

      
  
C6 G F Em Dm7 C
 
5
                       
C G F Em Dm C
                      
  
    
Gm7 C7 F Dm7b5 G7 C G7
  
              
C Cdim7 Dm7 G7 C
             
    
 
Cm Ab7 G7 Ab7 Dm7b5 G7
          
     
             
Cm Gm7b5 C7 F7 Bb7 Eb7 Ab
    
        
    
Ab7 G7 Cm Ab7 G7 Ab7 Dm7b5 G7
            
  

Cm Gm7b5
  C7
      Bb7
F7
    
Eb7
 
Ab7 G7
  
Cm G7 Cm
            
EMPA AREA TANGO 92

Tirate un lance
versión de Edmundo Rivero
Transcripción Javier Cohen
Héctor Marcó
  
C Cm G E7

A7 D7

G E7 A7 D7
                                  

5 G Am D7 G G Em C E7
                           

Am
 A7 D7 D7
                            

G Am D7 G Dm E7 Am
                           

C Cm G E7 A7 D7 G D7 G
                          

B7 Em B7 Em
            
 
         

A7 D D#º7 Em7 A7 D
                       

B7 Em C7 F B7 Em
                        
        
A7 D D#dim7 Em A7 D D7
             
   
 
C Cm G E7 A7 D7 G D7 G

              
       
   

G Am D7 G G Em C E7 Am Am7 D7
                                      

A7 D7 G Am D7 G Dm E7 Am
                                      

C Cm G E7 A7 D7 G F7 E7
                       
 
Am7 F9 G/B F7 E7 A7 D7 G D7 G
                 
   
 
EMPA AREA TANGO 93

TORMENTO
AMADORI - CHARLO
D D#º Em7 A7 D6
   
1
                             
D/F# Fº7 Em7 A7 D A7

  
                       

D D#º Em7 A7 F#7

   
                         
G6 G#º D/F# B7 Em7 A7 D A7 D

     
           
        
Dm Gm Dm Gm Dm A7 Dm
             
            
Dm C7 F E7 A7 Dm EØ

                  
Gm Bb7 Dm

Dm/F Dm A7 Dm A7
   
             
 

Hernán Possetti
EMPA AREA TANGO 94

Trenzas Homero Expósito
Armando Pontier
      
Dm A7 Dm A7 Cm D7 Gm
                  
5 Gm7 C7 F EØ A7 Dm
                            
      
Dm A7 Dm A7 Cm D7 Gm
                  
EØ A7 Dm Dm/C E7/B Bb7 A7 Dm

                        
  
  
Gm6 A7 Dm7 A7 Dm
    
 
     
       
     
Gm6 A7 AØ D7 Eb7
         
  

D7 Gm Gm6 Bb7 A7
                         
Cm AØ D7 Gm D7 Gm Gm7
                         

C7 F Bbm6 Gm6 A7 Dm A7 Dm
                
  
   
    
EMPA AREA TANGO 95

Tres Amigos
Enrique Cadícamo
R. Luna
A
Dm A7 Dm A7 Dm
                            
D7 Gm C7 F A7
        
5
           


Dm A7 Dm A7 Dm Bb7
 
                        

3

3
B A7 D F#7 Bm
   
    
           

A7 D F#7 Bm
      
                
Bm F#7 F#7 Bm
        
            

Bm F#7 F#7 Bm

                     
A7 D F#7 Bm F#7 Bm
        
              
EMPA AREA TANGO 96

UNO Mariano Mores
Enrique Santos Discepolo
C E7 A7 Gm7 A7
                           
Dm Dm+5 Dm6 Dm7 G7
                          
C^ C07 C^ B¨7 A7 Dm7
                          
G7 C^ F F#07
                         
C/G A7 Dm7 Dm7 A¨7 G7
                   
   
3

G7 C C#5 C6 A7
         
      

Dm Dm#5 Dm6 Dm Dm#5 Dm6 G7 C^
             
     
C^ Eb07 Dm
                   
     
G7 Dm7 G7 C^
      
                  
C C C#5 C6 A7 Dm Dm#5
    
             
Dm6 F Fm C^ B¨7
             
     
A7 Dm7 D7 G7 C G7 C
             
 
   
Hernán Possetti
EMPA AREA TANGO 97

Ventarrón
Pedro Maffia
José Staffolani
intro
Cm Fm6 Cm G7 Cm Fm Cm D7 G7
      
                          

Cm G7 Dm7b5 G7 Cm
 
  
    
            
    
C7 Fm D7 G7
        
               
 
 
Cm G7/B Dm7b5 G7 Cm

       
            
  
  
Gm7b5 C7 Fm D7 G7 Cm Fm6
      
                     

Cm G7 Cm Fm6 Cm Ab7 G7 Cm G7 Cm
   
                       
B
G7 Cm Fm7 Bb7 Eb
   
   
              
D7 G7 Fm6 Cm G7 Cm Cm Bb7 Ab7


                  
 
G7 Cm Fm7 Bb7 Eb
   
    
             
D7 G7 Fm Cm Dm7b5 G7 Cm G7 Cm

                 
 
EMPA AREA TANGO 98

Volver
Carlos Gardel
Alfredo Lepera
Am Am7 Dm E7 Am G7
                   
A
     
C
      Gm
    A7
    Dm7
   
G7
 
 
C
     
                
E7 Am Dm B7 E7 Bb7 A7
         
F7    E7
                F7 E7  G7
 
Dm7 E7 Am7 B7
     

C Dm7 Am7 Dm7 Am7 F7 E7 A E7
              
             
                
A A#º7 Bm7 E7 A Dm6 B7 E7
      

A Em7 A7
 
D D#º7
     
A/E G7

      
                             
F#7 Bm7 Cº7 C#m7 D C#m7 Bm7 A A#º7
    
                      
Bm7 E7 A F#7 B7 E7 A E7 A
 
EMPA AREA TANGO 99

Yuyo Verde Homero Expósito
Domingo Federico
A
C E7 A7    
D-

         
    
                    
D- G7 Cmaj7 A-7 D7 D-7 Ab7 G7
    

C E7 A7    
D-

         
    
                   
D-7 G7 E-7 A-7 D-7 G7 C (G7 C)
    
B
C- D7 G7 C- C7 F- C7 F-
         
              

DØ
  
G7
   
C-
 
C-/Bb
 
D7 Ab7 G7
              
C- D7 G7 C- C7 F- C7 F-
         
              

DØ
  G7
    C-
  C-/Bb
   
D7/A
 
G7 C- (G7 C-)
           
EMPA AREA TANGO 100

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Compilado de

EMPA AREA TANGO 1

EMPA AREA TANGO 2

EMPA AREA TANGO 3

EMPA AREA TANGO 4

EMPA AREA TANGO 5

 Am/C G/B  Dm7

EMPA AREA TANGO 6

   F#/A#   F#m/A    G#7sus4

EMPA AREA TANGO 7

Bb7 Ebmaj7 Fm7 Ab7 G7sus4 Db7 C7

Dbmaj7 Cm7 Cm7/Bb D7/A G7 Cm7 Dm7 G7

Cmaj7 D7 G7 Cmaj7 Dm7 G7

Cmaj7 Ebmaj7 Cm7 Fm7 Bb7 Ebmaj7 G7

Dm7 A7 Dm7 D7 G7 Cmaj7

EMPA AREA TANGO 8

EMPA AREA TANGO 9

EMPA AREA TANGO 10

EMPA AREA TANGO 11

(G7 G7/F Cm/Eb Cm Dm/5b G7/9b Db7 C7)

Cm/Eb Cm Dm/5b G7/9b Db7 Gm7/5b C7/9b

Dm7/5b G7 Cm Cm/Bb Fm/Ab G7 A7

Dm7 G7 Cmaj7 Fm6

Cmaj7 Am7 D7 G7 A7 Dm7 G7

EMPA AREA TANGO 12

EMPA AREA TANGO 13

F#m7 B7/9b Em7 E7 A7 Eb7 D6/9 A7

Dmaj7 D#º7 Em7 A7 D/F# Fº7 Em7 B7/9b F#m7 B7/9b

Em7 Em6 E7 Bb7 A7 D A7 D Dmaj7 A7 F#m7 B7/9b

Em7 A7/9b Dmaj7 C7 B7 Em7 C#m7/5b F#7 Bm7

E7 A7 Dmaj7 A7 F#m7 B7/9b

Em7 A7/9b Dmaj7 Em7 Fº7

EMPA AREA TANGO 14

(Bbm6) (Ab Eb/G Ebm/Gb F7

Db/F Dbm/E Ab/Eb)

Db Dbm Ab Bbm Fm G7 (Db7) C7 F

(Fm/Eb G7/D Db7 C7)

EMPA AREA TANGO 16

EMPA AREA TANGO 17

D B7/D# Em7 A7 Em7 A7 D D7 Gmaj7 C7

Dmaj7 Bm7 E7 A7 D Am7 D7 Gmaj7 C7

Dmaj7 Bm7 Em7 A7 D E7 A7 D D D7

G B7/F# Em Em7 A7 D A7/5# D B7/D#

Em A7 D A7/5# D D#º Em7

EMPA AREA TANGO 18

EMPA AREA TANGO 19

EMPA AREA TANGO 20

Am7 D7 Gm7 C7 F Gm7 C7

F D7 Gm7 C7 (F F7 E7 Eb7 D7)

EMPA AREA TANGO 21

EMPA AREA TANGO 22

Bm7b5 E7 Am Am/G F#dim7 F7 E7

EMPA AREA TANGO 23

EMPA AREA TANGO 24

Ab7 Db/F Eb-11 Ab9 Db6 Dº

                 

EMPA AREA TANGO 26

EMPA AREA TANGO 27

EMPA AREA TANGO 28

C7 Fm Fm Bbm Eb7 Abmaj7

EMPA AREA TANGO 29

   

G Gm6 D (D/F# Bb7/F) Em7 E7 A7 D A7 D