Canto e danza

za flautu i klavir

                      
Igor Kuljerić


Andante cantabile  = 92

Flauta 

                                
                
 


                 
 


Klavir


   
                 
  
5

Fl.

           
           
3 3




     
 
Pno. 

    
  
8

   
Fl.

            


       
 
  
             
            
Pno.  ten.sibile

  

Karla Križanić, 2020.

       
           
    
  

11

Fl.

            


           
  
    
       
            
Pno.

     
              
  
        

 

14

Fl.

            
           
  
       
            
     
Pno.

     
            
  

17

     
Fl.

        
sub.piano

       
 
   
                
     
        
Pno.

  

       

  

    
20

Fl.

         
      
 

                              
Pno. 

2 Karla Križanić, 2020.

 
  
 

  

   
23

                
   
Fl.




                              
Pno.

  
 
26

      
         
Fl.

     
  
   
                             
poco a poco accell.

                
Pno. cresc.

Allegretto   = 80
 
              

        
    

    
29

         
Fl.

        
          
 


  
Pno.

    

 

    
  


     
         

     
       
           
33

           
Fl.


   
                                
 

           
           
                        
Pno.

           
Karla Križanić, 2020. 3
          
      
   
    
37

  
Fl.

        
      

   
          


  
  
     
               
 

 
        
Pno.

     

  
        
       
      
40

  
Fl.

                  
   

 

 



 


 
    
   
  
                  
       
Pno.

      
   
             
    
43

         
Fl.


                            
     



     
                           
Pno. 

            
  
     
 
47

     
Fl.

             


                          
Pno.

          
4 Karla Križanić, 2020.
              
          
  
 
51

     
Fl.

             
 

                            
Pno.

           

   
  
       
55

     
Fl.

 
 

    
    





                           
Pno.

           
        
        
59

                  
Fl.

   
  


               
 
 
     

Pno.

          
         
  
                
63

    

Fl.

             

 
     



                 
      
Pno.

       
Karla Križanić, 2020. 5
             
          
      
67

          
Fl.

 
      
          
                


      

       
       
       
Pno.

    
  
   
 
 
  

    
        

  
     
71

     
Fl.

                      
   

   


    
 
   
     
                  
  
Pno.

        
    

      
         
74

     
Fl.

                         
  

       
  
        
               
  
Pno.

       
       
           
      
77

  
Fl.

             
      
    
 
     
 


    
  
 

               
       
      
Pno.

     

6 Karla Križanić, 2020.

           
          
          
     
80

 
 
Fl.

        

             



   

    
    
     



           

Pno.

      
         
    
       
83

  
    
Fl.

                  
  



 
          
    
Pno.

 

                
  
      
  
86

     
    
Fl.

    
        

 
    
       

  

Pno.

  
    
   
  
89
s.

 
g li s
Fl.

  



solo poco rit.


   
  
Pno. 

Karla Križanić, 2020. 7