Tango

Tradicional paraguayo 2º guitarra opcional


Mario Manuel Alvarez López
 1    2        1  
m a m

  2  1 2  

i


i

1   1   3 3
4 4 1


2 3

 
Guit. 1 3

 
2
p p
p

    1  
  
  3 
    1    4   1 3  2     4
  2 3 4 2    2 1 2   3 2 3
Guit. 2

 2

C. V ...................................


m a m i m a m i

  2  1  4  12    1 1  4    
i m a i m a

 3 
1  1  1      1 
5

 3  3 2 
1
3

  
2

 1    4  4    
  4  2    32 
  
 
1 2
1 
   1 
3 2  2
   3 
3


3

2 4

 
          
            
9

    
   
     
        1  1 2  3 
            2
 


C. V


m i m i m

1         1  4  
i m i i

1   

Fin
  
13

 2     
3
 
4

    

4   
C. V

 1   
     
m i m i m i

 
m i m

1     
 
2     1  1



4 1 4 1 4

  2
   
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2

  1  1
17
    2   
 32  
2 
 2          
 1    
1 1


3
2 2 2 2

      
1 1

C. VII ............

   4  
  1 3    3
a m i a m

    2  1 3       2 3  1    
a m i


2 2

 
3


1

     

    1   2  1  1 2  2   
 2    2 4  
  
21

   3  1  4   4
 1    2
4


3 2

   1
2 2

    2  1   4  2  1 4    
   
1   2    1 
2


2 2

 
4
3 4

   
25
     
                 
    
      
 
C. VII ............

                        
 
     

D.C. al Fin

             
C. II

   1    
29

 
4 4


2 2

    
3
1

       4  2  1 4  
C. V

     
   
2
2

 
1

  
3
Tango
Tradicional paraguayo

Dig. Mario Manuel Alvarez López
  1   2        
m a m

  2  1 2  
 
i


i

1   1   3 3
 3
4 4 1


2 3 1

 p p    2

p
C. V ...................................


m a m a m i m a m i

 2  1  4  1 2   1 1  4   
i m a

i

 3 

 3  3 1  1   1  1    1
5

2   3
   p p p 2p


 
         
       
       
9

  
   


C. V


m i m i m

1       
i m i i

   
Fin
   2          
13

   
3
4 1 1 4

    

 1  
    2    2 2  
2 
  2 
    1    
  
17

 1   3 1 
1 1


3
2 2 2

      
1

    1   2  1  1 2  2   
 2    2 4  
 3 
21

   3  1  2 4 2  4 2

4

    1
1
2

   
     
               
  
25

   
    
  
D.C. al Fin

             
C. II

   1    
29

 
4 4


2 2

    
3
1

http://guitarraenasturias.blogspot.com
Tango
Tradicional paraguayo
2º guitarra opcional Mario Manuel Alvarez López

   1     3 
  
     1    4   1  3  2 
  2 3 4 2   2  1 2    3  2 3   
4

 1    4 4  

  4 2       1 
5

 32  1 2
   3  2   12 

   3 
3


3

2 4

     
        1  1 2  3 
9

           2
   

 1 1    
C. V

        
m i m i

 
m i m i m Fin

 4  1  2  1   4    1 1  
13
4

 
4

  2
   

   4  
C. VII ............

  1 3    3
a m i a m

    2  1 3       2 3  1    
a m i


17 2 2

 
3


1

     

    2  1    4  2  1 4    

21

  1 4  2  
2
 1 4

2 2

 
3

 
C. VII ............

25
                        
 
     

      4  2  1 4   
C. V D.C. al Fin

  2
29

      
2

 
1

 
3

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