El

miedo está prohibido Waddys Jaquez/Pablo Garcia

Transcripcion: Joshy Melo-Ulloa
Intro

          
A
 =120


1 2 3 4 5 6 7 8

                    
Voz

       
                   
    

     
              
           


  
Piano 1

   

    




     
(Synth pad) F Fsus F Gm

   
   
          
Teclado

         
Bajo eléctrico
   
    
       
F Fsus F Gm

    (platillo)     








Guitarra acústica

Drums  

   (cortina)     

Set de percusión 2

2

        
B

         


9 10 11 12

 
  
Vo.

     
        
A ma ne neceo tra vez en el mis mo lu gar


F C

    
Pno. 1


        
F (Arpegiador) C

    
Tec.

Guit. B.
    

                        
palm mute F C


Guit.

 hi-hat                
Drums             

                
(shaker)

Perc. Set. 2

 3

                  


13 14 15 16

  
Vo.

        
Gm ma ma cue laun ca fe B♭ mien tras es pe ra pa pa

    
Pno. 1


        
Gm B♭

    
Tec.

Guit. B.
    

                        
Gm B♭

Guit.

                 
    
Drums
       

                
Perc. Set. 2

   
4


C

                      
17 18 19 20


Vo.

  
       
La llu viaha ter mi na do a tras que do la tem pes tad

                  

F C


    
Pno. 1


        
F (arpegiador) C

    
Tec.

    
Guit. B. 

                        
F C

Guit.

                
     
          
 
Drums

    
Perc. Set. 2

 5

      
              
21 22 23 24


Vo.

  
              
los true nos se si len cian en el mis mo lu gar
Gm B♭

  
    

Pno. 1


      
Gm B♭ (synth pad)

    
Tec.

Guit. B.
    

              
Gm B♭


Guit.

          
           

Drums

  (cortina) 

Perc. Set. 2

  
6

         
D

          


25 26 27 28

 
3 3

Vo.

       
            
Mi ner va noha dor mi do C noha blo en to doel ca mi no

 
F

    
Pno. 1


    
F C

    
Tec.

     
     
Guit. B.
       

                        
palm mute F C

Guit.

      

         

       

       

   
        
  
Drums

                
(shaker)

Perc. Set. 2

 7

               
      
29 30 31 (hablado) 32


Vo.

  
 
co mo cuan do sa bes queal goes taa pun to de pa sar

                 
Gm B♭(add9)

 
     
     
 
Pno. 1


    
Gm B♭(add9)

    
Tec.

  
        
Guit. B.
     

                        
Gm B♭(add9)

Guit.

                         
         
          
  
Drums

                
Perc. Set. 2

  
8

             
E

     


33 34 35 36

Vo.

        
F co mo cuan do sien tes C en el pe choun la ti do

    
Pno. 1


    
F (Synth pad) C

    
Tec.

      
  
Guit. B.
            

          
F C

Guit.

                  
  
Drums            

                
(tamborine)

Perc. Set. 2

  
9

                  
37 38 39 40


Vo.

co mo cuan do teen fren tas a lo des co no ci do

    
                
    
Gm7(9) B♭(add9) B♭(add9)

    

Pno. 1


    
Gm7 B♭

    
Tec.

    
Guit. B.
              

               
Gm7 B♭ B♭ C

Guit.

   





 

   





 


 
    
Drums
      

                
Perc. Set. 2

  
10

                 
41
F 42 43 44


Vo.

co mo cuan doen tien des que sea cer cael e ne mi go

        
F A7

    


Pno. 1

                 
   
(Cuerdas arc)

             
Tec.
                 


Guit. B.
               


          
F A7

Guit.

                
    
Drums                


                
(tamborine)

Perc. Set. 2

 
11

           
      


45 46 47 48

Vo.

      
B♭ pe roen es ta ca sa B♭ /C El mie does tá prohi

    
Pno. 1



            
        
       
  
   
Tec.

    
Guit. B.        


        
B♭(add9) B♭ /C

Guit.

         
       
Drums        
         (cortina)
   
Perc. Set. 2

         
12


G

   
49 50 51 52 53 54 55 56


Vo.

 
               
    
bi do

        
B♭m/D♭

           
F

     
    
        


     



 
Pno. 1


       

        
Tec.

Guit. B.
        

       

   
Guit.

       
                 
    
(ride)

Drums

       



Perc. Set. 2

 13

       
H


57 58 59 60 61 62 63 64


 
       
Vo.

                 
    
     
B♭m/D♭


 
F

    
         
     
Rall..


Pno. 1


                
   
(Arpegiador)

        
Tec.

Guit. B.
            

   
                    
D5 Dsus2 Dm

   
Guit.

 
      
           
         
(palm mute)

             

Drums

        
Rall... Rall...


Perc. Set. 2

14

         
I




65 66 67 68 69 70 71 72 73 74

Vo.

     
       
       
           
              
                 
     

  

  



   
 
   
 


  

  



Pno. 1


     
       
      
               
            
   
       
(Cuerdas arc)

                            
Tec.

                                  
      
 
Guit. B.

      
            
(over drive)
D5 Dsus2

 
Guit.

                     

          
Drums
        
                     

          


Perc. Set. 2

 15

     
B81

        
   
75 76 77 78 79 80 81 82 83 84

 


Vo.

   
                 
F A ma ne neceo tra vez C en el mis mo lu gar

         
         


Pno. 1

   
       
             
   
                 
Tec.

               
  
  
    
Guit. B.

    
(guitarra acustica arpeg)

   
B♭(add9)

             

B♭(add9) F C

Guit.

         
          
Drums      

     (cortina)             
(shaker)

Perc. Set. 2

 
16


C89

          
                    
85 86 87 89 90 91


Vo.
88
ma maes pe raa pa pa que noa ca ba de lle gar la llu viaha co men za do vuel veo tra vez la tem

                
B♭(add9) B♭m(add9) F Csus2

       



Pno. 1

   
        
F (synth pad) Csus2

       
Tec.

Guit. B.
        

        
    
B♭(add9) B♭m(add9) F Csus2

Guit.
             
(Crash)
  
Drums      

    (cortina)         
    
Perc. Set. 2

   
17


         
              
92 93 94 95 96


Vo.

pes tad los sue ños se si len cian en el mis mo lu gar

        
Gm(add11) B♭(add9)

     
Pno. 1


        
Gm(add11) B♭(add9)

     
Tec.

      
Guit. B.
    

      
Gm(add11) B♭(add9)

Guit.
             
    
        

(drum fill)

Drums

                    
Perc. Set. 2

  
18

             
E97

     


97 98 99 100

Vo.

        
co mo cuan do sien tes en el pe choun la ti do
F C

    
Pno. 1


    
F (Synth pad) C

    
Tec.

      
  
Guit. B.
            

          
F C

Guit.

                  
  
Drums            

                
Perc. Set. 2

  
19

                  
101 102 103 104


Vo.

co mo cuan do teen fren tas a lo des co no ci do

        
Gm7 B♭(add9)

    

Pno. 1


    
Gm7 B♭

    
Tec.

    
Guit. B.
              

               
Gm7 B♭ B♭ C

Guit.

   





 

   





 


 
    
Drums
      

                
Perc. Set. 2

  
20

 
F109

               
105 106 107 108


Vo.

co mo cuan doen tien des que sea cer cael e ne mi go

        
F A7

    


Pno. 1

         
         
(Cuerdas arc)

             
Tec.
                 


Guit. B.
               


          
F A7

Guit.

                
    
Drums                


                
(tamborine)

Perc. Set. 2

  
21

           
   
     


109 110 111 112 113

Vo.

       
B♭ pe roen es ta ca sa B♭ /CEl mie does tá Prohi bi do

     
Pno. 1


 
            
        
       
  
    
Tec.

     
Guit. B.        

 
        
B♭(add9) B♭ /C

Guit.

         
        
Drums        
         (cortina) 
   
Perc. Set. 2

22

        
Outro




114 115 116 117 118 119 120 121 122

 B♭m/D♭ 
Vo.

                
         
F

    
Fadd9

   
   
      
Pno. 1


        


         
Tec.

      
Guit. B.
  
        

(Crash) 
Guit.

  
Drums      

         
Perc. Set. 2
