Le manuscrit de Buenos Aires

(Kalivoda MS)

Divers compositeurs

- Extraits -

Mis en tablature par Michael Treder

Ì
 (075) Courante (Fa majeur - accord = 1 bémol)
3

F F BK K BK K B
BK K BK B
B BK B
BK B BK BK BK K BK K K K K K K K
v F K
Ì  B
BK B
B BK B BK B
BK B
BK B
BK B
B B
BK B
B
B B
B
B BBB
BK BK BK

BK
KKK wK K K
K K K K K wK K K F K K F K K wK
Ìv
6

BBB B B B B K B B B B B B B B K
K B
BK B
B
BK B
BK B
B
BK B
BK BK
B B
B
BK B
B
F B
K B
F B
B
K B
K

3 3
3

F FFyy—— —— K BK KG K K K K K K K uK wK K
K K K K wK K
Ìv MK
12

BBB K F B Fy B B B B
BK B
B
BFy B
B
BK BK BK BK B
BK B
B BK B
B B
B
BK

BK BK BK BK
K K K K K K K K K K K K
Ì v wBBK K
17

K BBB B B B B B B B BBB
K B
BK B
BK B
B
BK B
B
BK B
B
BK B
B
BK B
B
BK B
B
BK B
B
BK B
B
BK BK

BK
K BK BBK K B BK
K K BK B K K BK BK BK K BK K K
KKK KMF
Ìv
22

BBK B B F
BK BK B B
BK B
BK B
B
BK B
B
BK B
B
B B
B
B B
B
B B
B
B B
B
B
BK B
K BK BK BBF
B

Lv F K K Fy — —
K K Fy — — 
28

Ì B
B B
B
BF BFy

Le manuscrit de Buenos Aires (Kalivoda MS) : p. 2

 (077) Scherzo (Ré mineur - accord = 1 bémol)

BK K K K BK K BK K BK BK BK BK BK BK
v  uK K K K K K K K K K
Ì  BBB B
B
BK B
BK B
B
BK B
B
BK B
B
B
BK BK

K K K K K K K K wK K K BK
K wK wK K K K K K wK K
Ìv K K K K K
5

BBB uBK B
B
B B
BK uB
B BK uB
B BK B
B
BK B
B
B
K BK BK

9
v w K w K K K K w K K K K K BK K w K K w K wK K K K wK K K K K
BGK n
Ì BB K u K B
BK B
B K u K
BK BK

BK wBMK u Ky BK BFF
13
v KK —— —— FF m K K u K K K K K K
K K K K
KK KKK
Ì BBK B B
BF BBK B
BK B K
B
BKy BK B
B BK BBF
B BK wBK B
B
B
BK
BBB
BK

19
v K K K K K K K K K K K K BK K KM K K K K u K K BK K BK K BK K BK K
Ì BK BK B
BK B
B B
B B
B B
B B
BK B
B
BK BK B
BK BK BK

BK BK BK BK K K K K K
Ìv
K K K K K K K K K K K K K K K uK K K K K K K K
24

BBBK BBB B
B uBK B
B B
B B
B B
B
K B
B
K wBK uBK B
B
K B
B K
BK BK B
BK B
K B
K B
BK

29
v K uK K K K K K K K uK K K K K K K K uK K K K K K BK K KM Ky K E—— ——
Ì BBK B
B K B
B 
B
BK B
BE

Le manuscrit de Buenos Aires (Kalivoda MS) : p. 3

 (079) Menuet (Ré mineur - accord = 1 bémol)

BK K K K K F F F BK K K K K u K F K F
v uK F K K K K K
F
BBB B B B B B F F B
BF B
BK B B
Ì 
BK B
BK B
BF B
B
BK B
B
K B
B
F B B
B
BF B
BK

BK BK BK K BK K M F K K F BK K K K K BK BK BK K K K BK BK BK K BK K K K
K
Ì v BB BB B
7

K BK B BK B
B
B B
B
BK B
B
BK B
B
BK B
B
BK B
BK B
B BK BK
BF

E BBK BK BK K K FFF B
BK BK BK K K K F F K K F K K K wK F
12
v y
—— —— K
Ì BB BB B B B B F F BB B
BEy BK BK B
BK B
K B
F B
BF BK
B B
B
BK

K K K K wK EF EE w FF K K K BK w K u K BF BK K K K K
v K uBF F F BE uw FF uK
19

Ì BB BB B B uF B B
BBK BK B B
BK B
BF BE BE BK BK B
B BF B
BK B
BK B
BK B
B B
BK B
B
B
BK
BBB
K

v F F F BK K K K K u K F K K
KK K K K K BF BK BK K K K K u F w K u K
F
26

Ì BB B B B FF B
BK B
F
BF B
B
BK B
BK B
BF BK B
B B
B
BK
B
B
BF B
BK BK B BK B BF

K K K K K K K F K KM u F F —— ——
K
K
33
K K
v K
uBK K uBK B
B B B F B
BF B 
BF BK BF B
Ì K
B B
BF

Le manuscrit de Buenos Aires (Kalivoda MS) : p. 4

(081) Boure (Ré mineur - accord = 1 bémol)

K K BF F BK BK K K F BF M F K KM F F
Ìv + F K K K K K uK F
BBB B
B B
B B
BK B
BF B
B B
BK BBBF
BK BK BF BF B
B

K K BK BK BK BK BK BK BF
6
v K K K K
K K K K K K K K K K K K K K K K F
Ì BB B
B B
B B
B B
B B
B B
B B
B B
B uBF
BBK B
BK B
BK B
BK B
BK B
BK B B
BK BK B
F

M F K K F F u K wBK BK wBK K K K BF
F w FM u F
BF BF
—— ——
v
10

Ì BB BB BB B uK F F
BBF BK BF B
B
BF
B
B
BK B
BF B
B B
BF B
B B
BF B
B BF B
BF BF BF F
B

K K F F K K K K wF F M F wK K F K K K K K K
Ìv wF M F
16

F u F
wBF BF B
B
B B
B
BF B
BF B
BF B
BK B
B
BK
BK

K K K K K BK K K K M F GK n L F F —— ——
K
Ìv
21

BBB K B
B
BK B
BF B
B
B

K BF
unvollendet
incomplète

Le manuscrit de Buenos Aires (Kalivoda MS) : p. 5

 (083) Fuga (Fa majeur - accord = 1 bémol)

n G
K K K K K KM K BK K BK wBK B
BK BBK B
KKK
BKK MK wBKK K B
BKK BKK K BKK
K
BKM K K
Ì v + K K K K K K K
B
B
B
B
BK

v K KKK KK K K wK K K KK KK
K K K K K K KK BK K K KK K
5

Ì K BK BK BK B B B B
B B B
BK BK BK BK BBK BBK BBK

K
K KK K K K K BK K K K K K K K K K K K K K K K K K
v
8

Ì BBK BB BBK wBK BK B

B wBK B
B B
BK B
B
BK BK BK B
BK

wK K wK K K K wK K
Ìv KK K wK K K KK w KK KK MKK w K K K K
10

BBK B B BK K
B KB B BKB B B B B
B
B
BK B
BK B
B B
BK B B
BK B
BK B BK B
B BK B
B BK B
B B
BK BK B
B B B
BK uB
BK B
B BK B
B BK BBK

K K †K K K K K K K K K K KK KK KK KK KKK KKK KKK KK

Ì v BBK K K K wK K BK w K
13

K
K
K uB
B
BK B
BK B
BK B
B
BK B
B
BK B
B
B
BK
B
B BBB
BK BBBK BBBK BBBK
B

KK KK KK K
Ì v BB KK KK KK KK KK B K K K K K K K K K K K K
16

B K B
BK B
BK B
K
B B
B B
B B
B B
B
BBK B B B B
BK BK BK BK BK BK B
BK B
BK

Le manuscrit de Buenos Aires (Kalivoda MS) : p. 6

 K KK KK KK KK K KK
Ìv K K K K K K K K K K K K MK K
18

BBB B
B B
B B
B B
B B
B B
B B
BK B
BK B
BK B
BK B
BK BBK B
B BK wBK BK B
B B B
BBK B
B
BK B
B
BK B
B
K B
K B
K B
K BK B
B BK BBBK
B

v KK w K K K K K BK K K K KKM KM K K K K K K K K
K K K
21

Ì BB BB BB B B B
B B
B B
B B
B B
B B
B B
B B
B B
B B
B B
B B
B
BBK BBK BBK B B
K B B
BK BK BK B
K B
K B
B B
B
BK BK B
B
K B
B
K B
K B
K BK

BK K BK wBK B
BK B
BK B
BKK MK wBKK K BBKK BKK K BKK BKM K K K w KKK KK K
24
v K K K K K
K K
K K K K K K KKK
Ì BB BK BK BK
BK

K wK K KK KK KK KK K B
BK B
BK wBK B BK BKK BKK
Ì K K K K KK BK KK K
v KK K
28

B
B B
BK B B
BK BBK B
BK B BK B
BK B
BK B
BK BBK B
B BK wBK BK B
B B B B B B B B
BK B BB
BK B
B BK B
B B
BK B
BK B
B BK B
B BK B
B BK B
B B
BK BBK BBK
B

BK K BK BK K BK BK K BK BK K BK BK K BK BK K BK BK K BK BK K BK
Ìv
32

BBBK B
B
BK B
B
B B
B
B B
B
B B
B
B B
B
B B
B
B
BK BK B
BK B
BK B
BK BK

vM K F K v K v K K v K KK FF FF
F FF FBF
34

Ì BBBK B
B B
B B
B B
B B
B B
M K B BFy
B 
BK BK BF BF BF B
BF BK B
BFy

Le manuscrit de Buenos Aires (Kalivoda MS) : p. 7

 (085) Menuet (Fa majeur - accord = 1 bémol)

BF BBK BK B
BF K B
BK BK BK K F BK BK BF K BK K K K M F K K F
v
Ì  BBBF B
B
BK B
B
B B
B
B B
B
B
BF BK B
BF

BF B
BK BK B
BF KB
BK BK BK K
K K K K K K
Ì v BB K K K K K KM F
6

BBB B
B
B B
B
B B
B
BK B
B
BF B
B
BK
K B
BK BK

3 3

BK BK BF K BK K K K M F K K F BK BK K K
F K K K FF F
Ì v BB
11

B B B B B F
BBF B
B B
B B
B B
B B
BK B
BF B
BK BF BBF
B

BK BF K BK K K K M F K K K K
v F —— —— F K uK K K uK wK
Ì F
16

BBBF BBB B B B B
F B B
BF B
B
B
BK
B
B
B
BF
B
B
B
BK

u F & B BK K BK uK wK M BF K wK uK F & B BK K BK uK wK
3 3

Ìv K wK K
21

BBB
BBF BBK B
B
B
BF BBK
3

& K K K K K ——
Ì F
BBB
25
Mv F K wK uK

K
Le manuscrit de Buenos Aires (Kalivoda MS) : p. 8
Ìv

Le manuscrit de Buenos Aires (Kalivoda MS) : p. 9

 (087) Aria (Ré mineur - accord = 1 bémol)

K K BK BK
v +
BKK K
K
K K K BK B K u K BK K BK KK BK K BK M K K K u K K K K BK B BK K K K K
Ì B B
B
B
B
BK
B
B
BK B
BK B
B BK B BK uBK B
BK B
B BK B BK B
B B
BK BK
B B B
B
BK

BK K K K BK K
3
v K
K K
K K K K KK
K K K KKK K u K K K K uK K BK K u K KBK K K
Ì BB B
B B
B uBK B
B B
B B
B B
BK
BK B
BK B
K B
BK BK BK

BBK BK B
BK BK K K K K K K K K K K K BK K BKK BK K BK K K K K K
K K
Ì v BB K K
5

B K
BBK BK BK
B B
B
B
BK
B
B
B
BK
B
B
B
BK
B
B
B
BK
B
BK BK
B B
B
B
BK

1ère fois 2ème fois

K K K E B
BK BK BK K K K K BK K K K BK
7
v K K K K K —— —— K K K K E—— —— K K
Ì BB B
BK BK B
B BK B
BK B
B BK B
B B
BK B
BE B
B B
BK B
BK B
B M BK B
BK BK
B

BK K K K B BK BK B
BK BK K KK BK K K K BK K K u K K K KM K K K K K K
Ì v BB
10

B B K B
K B
B
BK BK B
B BK B
BK B
B
BK B
BK B B
BK B
BK B
B B
BK

vBK K K K BK K K K wBK K K K B
BKK wBK BK wBKM vBKy vBKL BK BK BK BBK
K K K
Ì v vKwBBK vK
12

B B B uK
BK B
BK B
B
BK BK B B
B
BK BKy
B
B B
BK B
B
K B
B
K

Le manuscrit de Buenos Aires (Kalivoda MS) : p. 10

 BK BK K BK K uK KKyy BK B
BK BK BK BK BK K BK K KK K K K K BK
v K
14

Ì BB BB B B
BKy B uBK K
BBK BBK B B
BK BK B
B BK B
B B
B
BK
B
BK B
B BK B
B B
B
BK
B
B
B
K
B
B
B
BK
B
BK B
B B
BK

BK v K K BK v K K BK v K K BK v K K
16
v uK uK uK uK K K K K K K K K K K K K K K K K
Ì BB B
BK B
B B
B B
B B
B uBK B
BK
K BK BK BK BK

K K BK BK M Ky KL E — —
Ì v BB BB B Ky —— 
18

BBK BK B B
BK BK uBKy B
B
B
BE

Le manuscrit de Buenos Aires (Kalivoda MS) : p. 11

 (089) Boure (Ré mineur - accord = 1 bémol)

BFF BFF F F BFF FF u FF u FF FF F K K KK K K K BF

v + p
F F F uF K K F F
Ì B
B B
B B
B B
BK B
BF
B
BF BF BF B
B
BF

BFF F F BFF FF u FF u FF FF F K K FM u F F F —— —— K K F K K FM u F
v
Ì BB F F B
6

BBF B
B B
B
BF B
B
BF B
BF BBF B
B
B B
B
B BBF
BF BF fine
BF

F K K BF K K BFM F L %F BK BK B
BFF BFF BFF B
BFF
Ì v F BBF B
11

B
B B
B
BF B
B
B B
BF BF B
B B
BF B
B
BF
BF BF

BFF F F BFF BF F FF FF F K K F u FF F F F u FF
F F u FF u FF u FF u FF
Ìv F F FF F F
15

BBB B B B F
F B
BF BF BF BF B
B
B
BF
B
BF B
BF BBF

20
v F F F F F F F F F K K u FF —
Ì F B
BF F B
BF F B
BF F B
BF F B
BK B
BF
—

Da capo

Le manuscrit de Buenos Aires (Kalivoda MS) : p. 12

 (090) Menuet (Ré mineur - accord = 1 bémol)

K K B
F F
B K F B
F F
v F F K F F K K
Ì  B B B
F
B
B B
B
B
F B
F

6
v K
K K K K F uF F —— —— u K K F FM F uK K F FM F
Ì B
B B
B B B B B
BE BF BF BF BF
B B
B
K B
F B
B
BF B

uK K F FM F K K BK uF F —— ——
Ì v BBF
13

B
BF B
BF BB B
B 
B
B
BF B
BE

Le manuscrit de Buenos Aires (Kalivoda MS) : p. 13

 (091) Bouré (Ré mineur - accord = 1 bémol)

3
3

uK F F F K K K FF F F BK K F K K uF F F —— ——
Ì v + K wK F uBF B
B B BB B
BF BK BF B
B B
B
BF
B
B
BF

v — F & BK K BK K BK K BK K BK K BK F F & BK K BK K BK K BK
BK BK
6

3
3

K BK K BK F F F K K K FF F F BK K
Ìv F K wK uK
9

F uBF

12
v F K K M uF F F —— ——
Ì BB B B B B 
BBF BK BF B
B
B
BF
B
B
BF

Le manuscrit de Buenos Aires (Kalivoda MS) : p. 14

 (092) Menuet (Ré mineur - accord = 1 bémol)

K K K F
BF K K uK wK uK K K K FF K K K K
v FF K F F F
Ì  F uB
F BK BK B
BK B
BK B
BK

6
v FF F BF K K M uF BF
—— —— F FF BF
F K K K
Ì uBF BK BK B
BK B
BK B
B B
B B
B B
B B
B B
B B
B
B
BE BF
B BF BF B
BK B
BK BK

BF FF BF BF FF F K K F
F F K K K F u FF
Ì v BB
11

BF BBB BBBF B
B
B B
B
B B
B
BK B
B
BF B
B
BF B
BF B
B
B
F BK BK BF

K uF F F —— ——
Ì v BB
15

K B
BF BB B
B 
B
B
BF B
BF

Le manuscrit de Buenos Aires (Kalivoda MS) : p. 15

 Sylvius Leopold Weiss
(093) Boure (Ré mineur - accord = 1 bémol)

BF F
F BF F BF BK K K KM F BF F BF F B uF wK uK F
BF
Ìv + B B B B
B
BF B
B BF B
BK BF B
B BF B
BF

BF BF BK K BF F F K K F F F F
F
Ì v BBFF F F F F F F F
6

BBF B
B
BF B
BF B
B
BF B
B
BF B
B
BF BBF

11
v F K K F F F F F F F K K F F F
F M F
F F
K K F ——
——
Ì BBF B
BF B BF BF B
B B
B B
B
B
B
BF B
BF BF

BF F BF F BF BK K u K K F BF F BF F BF BK BK K BK BF F
—
Ìv —
16

F F uK uF F B
BK

BF F F M u F u K BBF B BF
BF F BF F M BF K BK F B BF F BBF F
B
F K F
Ì v BB v F
21

F B
B B
B B
B B
BF B
BF B
BF BF BBBF
B

BBF BK B BF F
BK B BF F BF F BF BF F
v F BF FM u F F F FM BF F
Ì v BB
26

B
B B B B
BF B B
BBBF BF B
B BF BF B
BF B
BF

Le manuscrit de Buenos Aires (Kalivoda MS) : p. 16

 BF BF
F F
BF F F F F F F F FF F BF F
Ìv F F F F
31

BBBF BBB B B F B
F B
B
BF BF B
B B
B
BF
uBF BF

BF BF BF BK K K K F BF F BF u F F M F K KM F F
36
v uF F F F F
Ì BBF B B BBBK B
BF BF BF B
B B
BF B
B
B
BF

FF F F F BF F F FF F BFM u F F F —— ——
41
v F uF
Ì BB
F B
B B
BF BF B
BF B
BF F B
B 
BF p
B
BF

Voir le manuscrit de Londres,pages 78 et 79, Bourée (WL16),

et page 115, la Bourée de la Suite IX (WL21).
Voir le manuscrit de Moscou, verso page 4, Bourée (WM9).

Le manuscrit de Buenos Aires (Kalivoda MS) : p. 17

 (095) Courante (Fa majeur - accord = 1 bémol)

L F KM K K L F BK K BK M FF KL K K M u F KM K K
v K w K uGK
Ì  B
B
B B
B
B B
B
B B
B
B
BK B
BK B
BK B
BK

BF KL K BK BF BKM BK BK KM K K M F KM K K M F KM K K
M uF
Ìv
6

BBBK B
BK B
BK B
B
B B
B
B
BK BK

M F KM K K M F KM w K v K KM K K M F KM K K M F KM K K
Ìv F
11

BBBK B
B
BK B
B
B B
B
B B
B
BK
B
BK BK

M F K wK vK —— —— K K KG
Ìv F F K K M F K K K
16

BBB B B K B
K B
B
B BK B
BK
BGK

KK BKK KK BFF BKKM KK BKK M FF K KK K F K KK KK

v K K F
20

Ì M F BB K K K M F B
B B
B B
B B
B
K
BBBK B
BK B
BK B
BK B
BK

M F BBK BK B
BK BF B
BK K B
BK BF BK K BK F BK K BK F K K K
v
Ì F
25

BBBK B
BK B
B
BK B
B
BK B
B
B
BK

Le manuscrit de Buenos Aires (Kalivoda MS) : p. 18

30
v F KM K K M F KM K K F KM KM u K L F K K K M F K K K
Ì BBBK B
BK B
BK B
B B
B
B
BK BK

M F K K K M F K K uK F —— ——
Ìv
35

BBK B
BK B
B 
B
BGK

Le manuscrit de Buenos Aires (Kalivoda MS) : p. 19

 (104) Gavotte (Ré majeur - accord = 2 dièses)

uu + F EE K K K K FF F F F K K K K E
Ì FF F F F
BBB B
B
B B
B
B B
B
B
BF BE B
BF BK

5 uu F BF BK u K BF F BF BK u K BF F BF BK u K BF BK BF
F uK F FM u E K u K
Ì BB B
B B
B B
B B
B B
B B
BBF B
BF B
B
BF B
B
BF B
BF BF B
B BE

uu BF BE F F
— — F wF wF K K E F K K F
Ì E BBE — — BF
10

B
BF B
BF B
B
BE B
BF B
BF BBF

uu F K K F F F K K F F F K K F
Ì BBF F F K K F F F wK K K K
15

BF B
BF B
B
BF B
BF B
BF

uu F F K K F F K K F BF K K F F K K F
F F K K F
20

Ì BBF B
B B
BF B
BF B
BF
BF

25 uu F F
F K K K —— K K K F F F F F F F F F
Ì BBF B
BK B
BK B
B B
BF B
B B
B
BK B
B
BF B
B
BF
R

Le manuscrit de Buenos Aires (Kalivoda MS) : p. 20

30 uu F BF F F F BF F BFM F BF F F
Ì BB B
B B
B B
B B
BF B
B B
BF B
B B
BF
BBF B
BF BF BF BF BF

uu F K K F
FM F
35
E
Ì BBF F B
B
—
———

B
BF

Le manuscrit de Buenos Aires (Kalivoda MS) : p. 21

 (106) Menuet (Ré majeur - accord = 2 dièses)

K
u F K B
K
F F
F F FF K K F B B
K
u M F F K F K F
Ì  B B
B
B F B
B B
FB
B
B
F
B
B
B
B
B
B
B
B
B
B
B
B
B
B
F
B
B
B
F
B
F F B
F BF B
F

uu BK K BK K K K K BF F F F FF K K F
7
F K K F F F F
Ì BB B
BF B
B B
BF B
BF B
B B
B B
B B
B BBB
K B
BK BF BF B
BF B
BF BF

13 uu BK BK K K K K BK K K K K K K F M F F F —— —— K K F BF E FF
Ì BB B
B B
BF B
BF F B
BK E BBF
K BK

uuK BF E FF K K K K F uK K K K uF BK K K K BF M u F F
K
Ì K K
19

E B B B B B
BF B
B
BK B
BK B
BK BF BBBBF
B

uu BF K K BF
—— FF F FF FF m BK K K K F FF FF m
K uK L F
25

Ì BB BB B B B
BF B
BF B
B B
BF BB B
BF BB
BBF BBK BK BF BF BF
R

uu BF M BE F E M K K F F
FM F
31
—
——
Ì BB
F B
B B
B B
B B
BK B
BF B
B
—

BE BF B
BE B
BF

Le manuscrit de Buenos Aires (Kalivoda MS) : p. 22

 (108) Capricio (Ré majeur - accord = 2 dièses)

u
u K K K K K K K K K K K K K B
K K B
K B
K
K
Ì  K K K K K K B B BB K
B
B B
K B
K B
B B K B
K B B
F

6 uu K B
K KB
K B K KBK KB
K B
K
K B
K B
K B
K K K
K K K K K K K K M F
Ì B K
K B K B
K B B
K B
B
K B
K K B K B
B B
B
K
B
K B
B B
F

12 uu F F —— —— K BK K BK K BK K
BK
K
BK K BK
K
BK
K
BK K BK
K K K K F
Ì BBB B
BK
BF

uu K K K K K K K K K K K K K K K K K K K K K
K
17

Ì K BK BK B
BK K BK BK B
BK B
B
B
BK

uu BK BK BK uK K uK K BK BK BK uK K uK K
K K
Ì BBu K K K F K K K K K K
22

BK B
B
BK B
B
BK

uu K BK K BK u K BF K BK K
K KKK K KK K K KM F
K K
27

Ì BBB B K K K
K BF B
BF B
B
BK B
BK B
B
BK B
BK

uu — K BK K BK K BK K BK K BK BK K BK K BK K BK K BK K BK BK FF FF F FF M F L F F—— ——
Ì — K K F
33

B B B
BF BF B B
BF B
BF B
B 
BF B
BF
R

Le manuscrit de Buenos Aires (Kalivoda MS) : p. 23

 (118) (Capricio) Pichler/Weiss
(Ré majeur - accord = 2 dièses)
3

BF F B
BF F B
uu + B BF F F BK BK K BK BF F BF F BF F F BK BK K BF F F F BK K K KM F BF
Ì BBB B B B
BF B B B
BF B
BF B
BF B
BF BF BF B
B B
BF B
B
BK

uu BK BK K K F F K K K K F—— —— F F F F K K K F FM F F
FF F F F F
7

Ì BF F BF BF

uuM F K K F BF
K K K K F BF M u F K u KM F B B
BF BK BK M u F BF BF
Ì BBF M F BF
12

B
B
BF B
B
BF B
BF BBF

uu — BF F wB
BF BFF BK BKM F F F BF M BF K BK F F F BF M F K KM F
Ì — BB
17

BF B
BF B
BF B
B B
BF B
B
BF B
B
BF B
B
B B
B
BF BBB
BF BF
R

BF F
B
B
24 uu F F F F K K F K K
F F
F F
F F Ey —— ——
Ì BB B
B B
B B
B B
BF B
B 
BBF B
BF BF BF B
BEy

Le manuscrit de Buenos Aires (Kalivoda MS) : p. 24

 (120) Menuet (Fa majeur - accord = 1 bémol)

L B BF FM F BKK BK B F B K K K K K B F BF
F F BK BF F &
v F F
Ì  B
B
B
F

F F K F K K K F —— F F F
Ìv ——
6

BBF BK B
BK B
BF B
B
B B
BF BK B
BK BF
BK

11
v K K K K K K L F F K K K K K K
Ì BB B B B B B B BK B M K K
K B
BF B
B B
BF B
BF B
BK BK BK B
B
BF

Ìv F F —— —— 
16

BBBF

Le manuscrit de Buenos Aires (Kalivoda MS) : p. 25

 (122) Partie: Air Kalivoda
(Fa majeur - accord = 1 bémol)

B
BFF K K K K L BF F
Ky K K K K K F
Ìv + B
B
K K
B
B B
B B
B
BF B
BKy B
BK BK

BK
K K K KK K M w K M K K K K K M w Ky K
Ìv
3

BBBK B B B B B K K
B
BK B
B
BK B
B
BK B
B
K BKy

K K K K K K K wK L F —— ——
Ì v BB
5

K B K B B K
BK B
B
BK B
B
BK BK B
B
BK B
BK B
B
B
BF

— FF K K M FF M K
Ìv — B L wK
7

K K K K BK B K B K B B
B
B
BF B
BK B
B
BK B
B
BF B
B
BK

L FF K K M wK K K K L FF FF
Ì v BB B
9

B K K B K B K B
BF B
BK BK B
BK B
B B
B wBF
BK BF

K K KM F K BK
11
v K K K wK K K
Ì BK B
BF B
B B
B B
B B
BK K
BF BK BK p

Le manuscrit de Buenos Aires (Kalivoda MS) : p. 26

 K wK L F FF K
Ìv K K M FF
13

B B BK B BK B K K
p
BK B
B
BK BF BBK B
BF

K KL BFF KK BK BK K BK
v FF —— K K K K K K K K
K K K
15

Ì BB BBB B
p p K K
K B
p p

BF BF
p p p p

K —— ——
Ìv K
18

BK K K BK K B BK K B K L F B 
p p
BK B
B
BK B
B
F

Le manuscrit de Buenos Aires (Kalivoda MS) : p. 27

 (124) Partie: Gavotte Kalivoda
(Fa majeur - accord = 1 bémol)

v + F FF K FF K K F
Ì F M FF K K F F
BF B
B
BK B
BF BB
BK B
B
BF B
B
B BF
BK

F K K
Ìv
K K K K —
FF B— —— M Fw F FF GK K K F K K K K K
4

BK BBK B B B B B B B B K
BK B
BK B
B
BF B
F B
B
F B
B
F B
B
B B B
BF K
B
BK

K K K wK L F L F K M F K F K F BK BK
K —— K K
Ìv K
8

K B
BK B
B B BK wBK B
p p

BF BK
B B
B
BF R__

K K K K L F K K— K K K K K K
Ìv K K — K K
12

K K BK B K
BK B
BK B
p

B
p p

B
p p p

__R
BK

15 Lv F —— ——
Ì B
B 
BF

Le manuscrit de Buenos Aires (Kalivoda MS) : p. 28

 (125) Partie: Sarab[ande] Kalivoda
(Fa majeur - accord = 1 bémol)

F BK BK BK BK BK L B
BF K B
BK BK BF BKBK BK K BK K Fy GK K
v
Ì  B
B B
B
BK B
BF B
B BK B
B
B BK
B
F BFy

1ère fois 2ème fois

K K K B
BKM F K
K K M F K K K wK L K K F —— F
Ì v BBK
5

B
BK B
B
BF B
B
BK B
B
BK BF B B
B
B B
K B B B
K BK BK B
B
B BF BF
BF BF

K K vK M F K BK K K LB
BFFM v Fy KG K
— K K K F K K K K K
Ì v — BBK
10

BF B
BF B
BK BF BF B
BF BK wBK

1ère fois 2ème fois

B
BK K KK
K K K K K F —— —— F
Ìv K
16

BK BK B B K B 
BK B
B
BK BF B
B BF B
B
BE

Le manuscrit de Buenos Aires (Kalivoda MS) : p. 29

(126) Partie: Gigue Kalivoda
(Fa majeur - accord = 1 bémol)

F F F F F F F F F F F F
F EE F
Ìv  F K K K
 B B B B B
B
B
F B
B
F B
B
E B
BE B
B
F

BF K K BF F K K F F K K F F K K F F wK K F F E EE FF
5
v F F
Ì BB B
B B
B B
B B
BF B
BE B
BF
BF BF B
BF B
BF

M E EE FF FF K K F F F F F wK K F FF v EE
Ìv
9
L v FF
w FF F
BBF B
BF B
BF B
BE
F

F K K —— —— F E E
wF
13
v F
Ì vF F
BF F
B BBB K K BE B
B BBB
BF B
BF BF

BBF K BK BF BF K K BF F K K F E EE F F K K F
Ì v BB
16

B B B F B
BF B
BF B
BF B
B
BE B
BE

F E F K wK F wF E vF F wK K F
Ì vM F wF
19

BBBF B
B K B
BF
p
B
B
B
BF BK

Le manuscrit de Buenos Aires (Kalivoda MS) : p. 30

 E vBE F L BE F
F
Ì v BBF w F F B E B E B F wF F F F wF
22

B F B B B
BF B
B B
B
BE BF BF BE BE

3
26
v F F F F M vF L F
K K wK E F E F FF K K F F F F
Ì B
B K K B
K B B
w K BE B
B B
B
BF BE BF

BE M F
F B K
K vF vF F F EE F E EE K K F F F
Ì v EBBE F
30

BE BF BBBF BE B
BF wBE B
B
B
BF

BE BFF KK KK L BFF BFF FF B

BE
34
Lv EE F FF L EE F
Ì BBB B
B B
B
BF BF B
BF

FFF K K F FF L vBEE FF vBFF F FF

37
v w F F vF F F
Ì BB B
B B
B
BBF B
BE B
BF

v F
Ì BBF
40
K K K K E
—
———

BF

Le manuscrit de Buenos Aires (Kalivoda MS) : p. 31

Ì
v

Le manuscrit de Buenos Aires (Kalivoda MS) : p. 32

 (128) Air de Kalivoda (Fa majeur - accord = 1 bémols)

F F F K K BK FFM K K F BFF BFF BFF BF BF

v + K K K F F
Ì B
B B
B B
B B
B B
BF B
B B
B BBB
BF BK BF BF BF BF BF

BF BF BF M F BF
5
v F m F F F FFM w F L FFM Ky K F FF F FFM F K K F —— ——
Ì BB B
BF BF B
B BF B
B B
B
BF
B
B
B
BF
B
B
F B
B
BF B
BF B
B
BF B
BF B
B
B
BE

— F F F FF M FF K K F K w K u K FF FF FF F F u F w F FF
Ìv — F
10

B
B
B B
BF B
B B
BF B
B
BK B
B
B B
B
BF B
B
BF B
BF B
BF B
BF
BF BF

14
v FF u FF FF BFF F FF FF M u F K K M FFyy KG M F F
Ì BBF BF M B
BF BF B B F B
BF BK B
B BK B
BFy B B
BE BBF
B

F F F K K BK FF K K FF BFF BFF BFF BF BF BF BF BF

18
v F F F F
Ì BBF BBF B
B B
B B
B B
BF B
B B
B B
B B
B B
BF BBBF
BF BF BF BF BF B
BF BF

M FF F FF F FF M K FF BF M Fy K K F
22
v K F F F —— ——
Ì BB B
B B
B B
B B
BF B
B B
B B
B 
BF B
BF B
BF BF BF B
BFy BE

Le manuscrit de Buenos Aires (Kalivoda MS) : p. 33

 (136) Rondo (Sol mineur - accord = 2 bémols)

v v + K K F F †F F F F †F F F K M FM K K
Ì B
BF BF B
BF BF B
BF B
BK B
BF B
B
B
BK

3
3
5
v v K K K M F F †F F F F †F F FF K K KM Fy K K
Ì M uBBF u K K F B BF B uBF B B
BBF BF BF BF BF B
B
BK

v —— K K FFF F M FF KM F K
v
Ì F BB F — — F †F F K
9

F B
B
B B
B
B B
B
B B
B
B B
B
B
B
BF BF BF BK B
BF

v K K L F K K F K K
Ì v BBF K K K K
12

B K B B K B
BF B
BK B
BF B
BK B
BF
fort. piano

Lv F
v K K F
K B BFF FF F K K K
15

Ì BBBK K B
B
BF B
B
BK B
BF B
BF B
B
B B
B B
BF B
BK
BF

18
v v F FF K K F FF FF K K
Ì BF B B F B
BF wBF B
BF B
BF BF B
BK
B
B
BF fort. piano

Le manuscrit de Buenos Aires (Kalivoda MS) : p. 34

21
v v F FF FF K K F FF FF K K
Ì BBF wBF B B
BF BF B
BF BF B
B BF B
B
BF B
BF BF B
B B
BK
fort. pian.

25
vv F FF FF F w F BK BK K K w K K uK wK K wK uK K wK K
Ì BBBF BBF B B
B
BF BF BF B
B BF BBF B
BK

Mv FF F F K K F F †F F F F †F F
v wK
29
KM u E
Ì F B
BE B
B B
BF BF B
BF BF
B
BF

v F K FM K K F F†F F
Ì v BB BBK M B M uBF u K K K F K K
33

F BF B
B
B
BK B
B
BF
BF

v F F F KM F K
v FF K K K F B F —— —— 
36

Ì BB F † uBF
BF B
BF B
B B
B BF
F B
BK B
BF

Le manuscrit de Buenos Aires (Kalivoda MS) : p. 35

 v
v
Ì

Le manuscrit de Buenos Aires (Kalivoda MS) : p. 36

 (138) Polonese (Sol mineur - accord = 2 bémols)

v F  F K KM K F  F K KM K
v K K K F F K K K K F F K
Ì  B B B B
B
K uB
B
F B
K uB
B
F

5
v v K K K K K K uK K K K K K K K K uK K
Ì BBK B
BK B
B B
B B
BK B
BK B
B B
B BBB
B
BK B
BK B
BK B
BK BK

BK K K K K
3

vv K K K K K K M K K — — K M K KM GK K K KM F
K F B— — B
9

Ì BB B
BBB BF B B
B B
B
BBBK K B
B
BK BK BK

BK K K K K
3

v M K KM GK K K KM F
Ìv K K K K K K K uK K K
13

BBB B
B
BK B
B
BK B
BK B
BK B
B
B BBB
BBK BK BK

v K K K K K
v K K K K K K uK K K M K K K F —— —— 
17

Ì BBK B
BK B
B B
B B B B B B
B
BK BK B
B B
BK B
B
B
BK
B
B
B
K
B
B
B
K BF

Le manuscrit de Buenos Aires (Kalivoda MS) : p. 37

 (140) Entree (Ré majeur - accord = 2 dièses)

uu +
F F BK K K K F K K K K F
F
BK K K K F BF
Ì BBB F F B
B
BF B
BK B
BF B
B
B
K K EB B
B
BF B
BK BBBF
BF BK

6 uu BK BK BE K K K K F F BK K BE F K K K K F F K K E F
Ì BB B
B B
B B
B B
B B
B B
B B
B B
B BBB
K BF BK BF BK BF B
BK B
BF BK BF

uu K K K K F K K E F K K K K F K K K K F K K K K F
F F
11

Ì BB B B B B B M uBF B
BBK B
B
B B
B
B
K B
B
B B
B
K B
B
B
F B
BF B
BF
BF F

uu F BF F BK u K BFF BEE
K K K K F K K uK K F F E—— —— F F F
16

Ì BB B
B B
B B B B B
BF BF BF B
B BF BF B
B
B
BF
B
B
B
BF

uu BK u K F BGK uGBK BE uGBK BGK

F F F
B
E uK B
K B
K u K GK
E  GK
F
21
GK
Ì B B B
B B
B B
B B
B
B
B
B
K
B
B
E B
B
BF B
B
BF B
BF B
BK

26 uu BBK BK uBK u K F F K K F K K K BK K K K K K
K K K K K K K K K K
Ì BB B
B B
B B
B B
B B
B B
B B
B
BK BF B
B
BK B
BK B
B
BK B
B
BK BK B
B
BK

Le manuscrit de Buenos Aires (Kalivoda MS) : p. 38

 uu K K K K K K K K K K K K FF FF FF F
u K K u FF FF FF FF uF
30

Ì BB B B BK u K B B
BBK BK B
B
BK B
BK B
BF B
BF

uu K K K K K K K K w K K u K FF F BK K K K F
F F F
34

Ì BB B B F B
BK B
B
BK BK B
B BK B
B B
B B
BF B
B BF
B
B
B
BF
B
B
BF

uu K K K K BK K BK BK K BK BK K BK BK K BK
38
F F K K EB ——
Ì BB B
BF B
B B B
B B
BK B
B B
B
K B
BK BF BK BK BK
R

42 uu BK K BK K K K K K K K K K K K K BK K K K
Ì BB B
B B
BK B
B B
B B
B B
BK
BBK BK BK BK BK

45
Muu K K FF FF —— ——
Ì BBK F B
B 
B
BF

Le manuscrit de Buenos Aires (Kalivoda MS) : p. 39

 (143) Aria (Ré majeur - accord = 2 dièses)

BFM BBK BK BF F
uu + B BK K BK BKM B
BF F BKM BF K F K K KM K K F
Ì BBB BBB B B
BK B
BF K B
BF BK B
B BF B
B B
B
BF
B
BK B BF B
B BK B
B B
B
BF
B
BK B
BK

F
5 uu BBM BBK BKM BF
F BK K BK BKM F F K F K F
K F KM K K F —— ——
Ì BB BBB B B
BK B F
BBF K B BF BK B
B BF B
B B
B
BF
B
B
BK B
B
B
BF
B
B
K B
B
BF B
BK B
BBF

uu — K u K BK K K K K K K K
Ì — BB F K K K uK K K M uBK B BF uBK B BF
9

B u K B B B B B
BBK B
B
BK B
B
BK B
BK B
B BK B
B BK B
B BK B
BK B
B B
BF B
B
BK BBK BBBK BBB
F
piano

BK
13 uu K K uK F —— w K F K K F K
K F K K F K K K K K K KK
Ì BB BBB B B B
BBK K BF BF BK B
B BF BBBK B
B
BF B
B
B
BK
B
BF B
B B B
BK B
B B
BF B
B BK B
BK BBK B
BK BBBK
forte R

17 uu KK M K F —— ——
Ì BB
K B
BK F B
B 
B
BF

Le manuscrit de Buenos Aires (Kalivoda MS) : p. 40

 (144) Menuet (Ré majeur - accord = 2 dièses)

K K K K BK K K K K
u
u K K K K K K K K F F K K K K K K
Ì  BBB B
B
B B
B
B B
B
BK B
B
BK B
BK B
BF B
BF B
BF B
B BK BBK
BK BK BK

uu K K K K BK K K K K K K K K K K K K K
K K K K K K K K
6

Ì BB B B B B
BK B
BK B
BK BK BK BK B
B BK B
B B
B
BK
B
B
B
BK
B
B
B
BK
B
B
BK

uu BK K K K K F F K K K K K K K K
K K M K
K K K K K
11

Ì BB B
BF B
BF B
BK BF B
B BK B
BK B
B
BK B
B
BK B
BK BBK

16 uu F FF —— —— K K K K u K BK K K K K K K K K K u K BK u K K K K K K
K uK K
Ì F BBBF B B
B B
B
B B
B
B
BF BK BK BK

uu K KKKKKK K K K K K wK
K u Ku K Ku K B K K K Ku K F
20

u F
Ì BB K BB B B B B B B
BF BBK B
B
BK B
B
BK B
BK B
BK B
BK B
B B
BK BF B
BF B
BF B
B
BK

26 uu K w K K K K K K K K K K K K K K K K K K K wK K wK K K K
Ì BB K B
K BK B
B B
BK B
BK B
BK B
B
BK B
BK BBBK

uu K K K K K K K K K K BK K K K K F F K K K K K F F——
31
K — — F FF — — 
Ì BB B
BK B
BK B B B B B B
BK BF BF B B B F B
BK BK BF BK BK B
B
BF
R
Le manuscrit de Buenos Aires (Kalivoda MS) : p. 41
 (146) Capricio (Do majeur)


uB
FF
F
F
uK K K uK F
F K K uK K K
K uK K uK K K u K K BK K
Ì  B B B
BK uB
BF uB
B B
B B
B
B B
B
B B
BK uB
B B
BK BB
uBBK
B B
B
BF uB
F BK B
BK BK

BKM BF K uF K K uK K F K K uK K uK uK
K F
6

Ì BB B B B B B B
K uB BF B
BK B
B
BF BK BK BK

BK K K uK uK BK K uK F K uF
11
uK K F
Ì BBK B
BK B
BK B
B B
B B
B BBB
B
BK uB
BF B
B
BK BBF

uK —— —— F F uK K K uK F K K uK K K K
Ì BB K K BK K uK F
16

BBK B
BK B
BF B
B
B B
B B
B B
B B
B B
B BBB
BF BF B
B B
B uBF B
BK uB
BF B
BK K

uK uK F uBFF F KK KK FF u K K K K uK K uK K
Ì BBK K F K K
21

B
B
B B
B B
BK uB B B
B B
B B
B BBB
BF uBF BF B
B
BK uB
BK B
BK K

26 BK K u K K BK BK BK K u K K BK K u K K K K uK K K uK K uK K K uK K K
Ì BB B
BK B
B B
B B
B
uBK BK BK B
BK

Le manuscrit de Buenos Aires (Kalivoda MS) : p. 42

31
KK KKK K
u K u K K u K K K u K K K K K u K K K K u K K K K u K K K K u K K u FF
Ì BB B
B B
B B
B BBB
uBBK B
BK uB
BK B
B
BK BBF

uK K uK F
FF K K uK K K K K uK K K uK K K K F
36

Ì BB B
B B
B BBB B
B B
B B
B B
B B
BF B
BF
BF B
B
BK uB
BK BK uB
BF B
B
BK B
B
K BK

uBFF F KK KK FF B
K K B
B K BK
B BK BK K u K F BK BK K u K F
K
Ì BB BBF
41

BF uBF B
BK uB B
BF uB
B
BK B
BK B
B
BK

BK K u K K u F K K u K K BK K BK BF K uF
46
uK K K F
Ì BB B B B
BK uB B
BBK BK B
B
BK B
BF BK B
B B
B
BF

uK K K
K K uK K F —— K K uK K K K uK K K uK K
51

Ì BBK
uB
B
BK B
BK
R

54 uK K K K uK K K —— ——
G
Ì BBK 
uB
BK B
B BK B
BF B
B
B
BK

Le manuscrit de Buenos Aires (Kalivoda MS) : p. 43

 (150) Menuet (La majeur - accord = 3 dièses)

u u K K FM F B
K K B
F K K F F
u F K K F M F F K K F
Ì  B B B B B B B B
B
K B
B
F B
F B
K B
B
F B
F B
B B
B
B
K B
B
F

uuu F K K F B
BK BK B
BF BF BK BK BFM F
6
K K FM F F K K F K FM u FF
Ì B B BK B B B B B B B BBB
BBB B
B
B BF BF BK BF B
BK B
BF B
B
B BBF
F BF BK

uuu FF FF —— —— F F M F K K F K K BF F uF K K F
KB K
12

Ì BBB F B
BK B
BF B
B
BK B
B
B
F BF

uuuBFF FF F uK K K uK F K K BFM u F F FF K K FM F F K K F
Ì BB F F F
17

BF B
B
B B
B
B B
B
BF B
BK B
B
BF B
BF
BK BF

uuuBK K BFM F F K K F K K F —— F B
BF B
BK BK BK K BF
FF EE
23

Ì BBK B K B B B
BF B
B
BF B
BF BF B
B B
BF B
B
B
BK
BBB
BF
R

29 uuuBBK BK BK K BF B
BK BK BK K BF BF K K
K K M F
BFF
F —— ——
Ì BB B
B B
B B
B B
BF B
B B
BF 
BBB BF BK B
BF BK
K

Le manuscrit de Buenos Aires (Kalivoda MS) : p. 44

 (151) Trio (La majeur - accord = 3 dièses)

BF BF
u u
u w F FF wF K K wK K w FF FF M w F K w KM F uK uK uK K wK uK K K
BBF BBB B B
BF B K K uK
BF B BK
Ì 
F BF B BF

7 uuu K K K wK uK K K wK K K K K K K wK K w FM FM F
Ì wBK wBK BK B
BK BK BK B
BK B
BK B
BF BBBBF BBBF

uuu F F K wK M uF K uK F
ÌL F F—— —— FF u FF F w FF F wF K K K K
12

BBF B B w F u F B F B u F F B F
B
B
B B
B
B wBF wBF BK
BF BF

uuu K K u K K BF F BF
19
K MKKFF FFw w F K K w K K w FF FF M w F K w K F —— u K u K u K
Ì BB B B
BF B B B
BF B K K wBK
K B
BK B
BF BF BF B
B BF
R

26 uuu K w K u K K K K K K w Ku K K K w K K K K K K K wK K wF F
Ì BK wBK wBK BK B BK BK B F
BK BK B
BK B
BF BBBBF BBBF

uuu
Ì F F
32
—
——
BBF
—

Menuet da capo

Le manuscrit de Buenos Aires (Kalivoda MS) : p. 45

 u u
u
Ì

Le manuscrit de Buenos Aires (Kalivoda MS) : p. 46

 (154) Sarabande (La majeur - accord = 3 dièses)

u u K u FF K K F K K K KB
K
u K K K K K K K K K K K K M F K K F K K wK K
Ì  BK B B B uB
K B B
B
B
K B
B B
K B
B
K B
B B
B
F B
B
K
B F B
K

K u K KM w F M K K u K K BK M FBF K BKM F
6 u u
wK F F —— —— K
u FF B
Mu w F
BBF BBBK B
B B
B B
BF B B
B B
B B
B B
BK B
Ì
BF BK B
BE BK B BF B BF

uuuBK BK K K K K M F K K K K K K K K K K F K KM F
F
11

Ì BB BB B B B BK B BK B B
BF B B
BK BK BK BF BF BK BK B
BK BBF
B

uuu K K uF K K K K K K FF M K KM F K K K K K K F
Ì BBFF BB BB
16

B
BK B
B BF B
B BK B
BK BK B BK BF B B B
BF B
BK B B
BK B BK BBF
BBF BBF BK B
B B BK

uuuKK K K K K K K M u FF K KM F K K K
K K K
K K K u KK
K K K u Ey K K K
21

Ì BB BE B B B B BBB
BBBK BEyy
B
B B
BK B
B
BF BK B
BK BK

uuu BK K K uK uK K K K K M uK EEyy— —
—— K K K
Ì M BBF K K F K K EEyy— — 
26

B BK K B K B
BF B
B
BK B
B
BK B
B
BK B
BEy
R

Le manuscrit de Buenos Aires (Kalivoda MS) : p. 47

 Sylvius Leopold Weiss
(161) (Ré mineur - accord = 1 bémol)

BK K K K F E F BK K K K F F BK BK BF BK BK BK BF
M uF M u F K
Ìv + B
F FFF
B
B
B
BK BF B
B B
BE B
B
B
BK
B
BF B
B B
BF B
BF B
BF B
B B
BF

BK K BF BK K BK BF KKF K BK K K K FKKKKKK
Ìv K K K
7

BBBF B
B B
B B
B F uBK F B
BK
BF B
BF BF

BK K K K F BK K K K F
12
Mv u F w K u KM E M uF E F F M u F uFF F F K K F
Ì BBF B
B B
B B B B B F B BBBF
B
BK BF B
BE B
B
BK B
BF BBF BF

KKKKK KKKKK KKFF K BK K K K

Ìv K KKF K K K
18

BBB B
B
BF B
BF B
B B
B B
B
BF uBK
F BF

BK K
23
v F K K M uF F E —— —— B B BK K F F L E F F F M F K K E
Ì F B B B B B F BF B B
BF B
B
BF B
BK B
F B
E BF B
B
BF

F KKKFF F KKKFF KKKK

Ìv KKK F KKK F
29

BBB B
B B
B B
B B
B F F BB F BB
BK B
BK B
BK B
BK B
BF BF BF

Le manuscrit de Buenos Aires (Kalivoda MS) : p. 48

 BK K u K K F BK BK BF KKKKF BK K BF KKKKF KKF
Ìv
35

BBB B B F
BF BF BF B
B B
BF B
B
BF B
B
BF B
B
B
BF
B
B
BF

41
v K K Ku K w K K K K K K K BF F BF —— BK K F F K K F F F v F F
Ì uBK K B B B
B
BF B
BK BF B
B BF B BF B
BF B
BF
R

3
BEEyy F F F
u E uK M uF
Ì v BBEy K w K
47
E
B
—
———

y BF B
B BF B
BF B
B
B
BF

Le manuscrit de Buenos Aires (Kalivoda MS) : p. 49

 (171) Angloise - S.L. Weiss (Ré majeur - accord = 2 dièses)

B
K B
K B
K B
K B
K K K K B
K
u
u K K K K K K K K KM FF K K
Ì  B K B B B B B B B F
B
B B
B B
B B
B
K B
B B
B BF B
B
B
K B
K K K B
K B
K

uu K K BK BK K K BK K K K K BK K K K BK K K K K K K K K K K
6
K
Ì BB F B
BK B
B B
B B
B B
B B
B
BBK BK BK BK BK B
BK

uu K K K K K K KK uK BK
K uK BK
K uBKK
K K
11

Ì BB B
B B
BK BBK B
BK B
BK B
BK B
BK B
BK B
B B
BK BBBK
BK B
BK BK

16 uu BBKK uK
K
BF
F —— —— K K
BK BK wBK wBK
K K BB K K BK BK
Ì BBK B
B B
BF B B K B
B K B
B K
BK B
BK B
BK B
BK

uu K K wBBK wB
BK BK BK BK BK K K K BK BK
21
K u K BK BK K uK B B K u K BK BK
Ì BB B K B K B K B K
BBK BK B
BK B
BK B
BK

K BK B BK BK B
BK K BK K K BK K BK K K K BK K BK K K K
uu Ku K BB B BK BK B
BK BK BKu K BK B
K K
26

Ì BB B
BK B B
BK BBK B
BK B
B
BK BK

Le manuscrit de Buenos Aires (Kalivoda MS) : p. 50

31uu K M K K K KKM K BK K K K K K K K K K BK BK
Ì BB BBB BBB B B B B B BBB B
BK BK BK B
B
BK B
BK B
B
BK B
B
BK B
B
BK K B BK B
BK B
BK B
BK BBK B
B B
BK B
B
B
BK
BBB
K

36uu K K BK BK w K K K
K K
K K
K K K KK u KK
K
Ì BB B
BK BBBK B
B B
BK B
BK B
BK B
BK B
BK BBK
BK BK

41 uu BKKK K KM KM K K BK K K K K
K K K K K BK K K K K
K
Ì BBK BK BK B B
B
BK B
B BK B
BK B
B BK B
BK B
B B
BK B
BK B
B BK B
B BK B
BK

uu K K K K K K BK BK BK B
K BK B BK K FM F
46
K M K
Ì BB BB BBBK B
BK B
BK B
BK B
BK B
B K B
B B
B B
BF BBF
BBK BK B
BK B
BK BK

51
L uu F —— ——
Ì wF BBB 
BF

Voir le manuscrit de Londres, p. 170, l'Angloise de la suite XIII.

Voir le manuscrit de Vienne, V18829, p. 25 et 26, l'Angloise de la suite 2
(Prelude a ec lz Parthie de mons: Weiss)
Le manuscrit de Buenos Aires (Kalivoda MS) : p. 51
 (173) Courante (Ré majeur - accord = 2 dièses)

u
u F Fy
FFy
GK K K K K K K BK K K K K K K K BF K K K K
Ì  B
B
B
y B
B
B B
B
B B
B
BK B
B
BF BBK
ByF BK BK

uuM F K K K K K K K K M Fy KG K K K K K K K K M F K K K K
Ì BBF K K B
6

BK B
B
BK B
BFy B
B
BK B
B
BK B
BK B
BF

uu BK K BK K K K K K K K K K K K K K K K K K K M F K K K K
K
11

Ì BB B B M uBF B
BBK B
B
BK B
B
BK B
BF B
BF

uu F BF
16
K KM Fy K K F K K K K K K —— —— F
Ì M uBBF K K B
B B
B B
B B
BK B
BK B
BF
BF BK B
BK BFy

uu K K K K K K BK K K K K K K K K K K K K K K
Ì BBFFFyy KG
21

y B
BK BBB B
B
B B
B
B B
B
BK
BK BK BK

uu K K K K uK K uK K K K K K K K K K K K
u K u K K K uK
25

Ì BB K B
B
K B
B B
B B
B B
BK BK BK B
BK BK BBK

Le manuscrit de Buenos Aires (Kalivoda MS) : p. 52

 uuL F K K K K K K K K BK K K K K F
K K K K K K K K
30

Ì BK B K BK K K B B B BBK
B
B
BK B
B
BK B
BK BK BF

BK K BK K BK K BK
uu K K KM K K K K K KM K K K K K K K K K K BK B BK BK
Ì BB K K
35

BK B
B
B B
B
B B
B
BK B
B
BK B
BK B BK
BK BK

K K
40uu BB K BB BBK BK BK K K
K B BK K B K K K KM Fy GK L F K K K
Ì BB B
BK B
BK B
BK B
B B
BK B BFy B
B
BK BK B
BK

45 uu BF K K K BF
B
—
——
Ì K B
B
— 
B
BF

Le manuscrit de Buenos Aires (Kalivoda MS) : p. 53

 (175) Pimpinella (Ré majeur - accord = 2 dièses)

u B
K B
K K K K B
K B
K B
K K K K B
K K B
B K B
K K B
K
u K K K K F
Ì  B B B B B B B B B B
B
B B
B
K B
B
K B
B B
B B
B
K B
B
K B
B B
K B
B
K
B
K B
K B
K B
F

6 K K
uu B K
B B
K B
K K K K B
K K B
K K K K K K K K K
Ì B B B B B B B B B B
B
K B
B
K B
B
K B
B
K B
B
K B
B B
B
K B
B B
B
K B
B
B
K B
K B
K

uu K K K K K F K K K K K K K K K K K K K BK u K
11
M K K K
Ì B
B
B
B
B
K B
BK B
BK BB
BK B
BK B
B
BK B
BK BBBK
B
K

uu K K K K K K K K K K BK BK K K K BK K K K BK K K K
16
KKKK K F—— ——
Ì BBK B
B B
BK BBB B
BK B
B B
B
BK K B
BK B
BK

uu BK K w K K M K K BK BK BK u K BK BK BK u K BK BK BK u K BK BK K K K
K K
21

Ì BB B B
BK B
K BK BBBK
B B
B
BK B
B
BK

uMu K K B
BK B
BK BK uBK BK B
BK K K u K B
BK B
BK BK uBK BK B
BK K K K
Ì BBK K B
26

BK B
B
BK B
B
BK B
B
BK B
B
BK

Le manuscrit de Buenos Aires (Kalivoda MS) : p. 54

 uu BK BK K K K BK K wB
BK K M BK K K K
31
K K M uK L K F K
Ì BB B
B BK BBB B
B B
B
BK BK BK BK K

K B
K B K K
B M B
K B
u B K uK B
K B B B K uK B
K
36
u K K F
F K
Ì K K
B
B B
B B
B
K
uK K
B
K B
K

K
41uu BK BB BK K B
BK K K BK K K BK K K KM K K K K KM F BK BK K K K
Ì BB B
B B
B BBB BK B
BK B
BK B
B B
BK BK B
BK BK BK B
B BK

46uu BK K K K BK BK K K K BK KM F BK BK BK K BK BK K BK
Ì BB BB B B B
BK BK B
B
BK B
BK BK B
B B
B
BF
B
BK B B
BK B
BK BB
BK

51 BK BK K K K
uu BK K BK K K K K K K K K K K K K K
Ì BB BB B K
BK BK BK B
B B
B
BK
B
B
BK B
B
B
BK
B
BK B
B B
B
BK
B
BK BBK

56uu F —— ——
Ì F BBB 
BF

Le manuscrit de Buenos Aires (Kalivoda MS) : p. 55

 (177) Aria del Sign Weis (Si bémol majeur - accord = 2 bémols)

v + K K BKKM BK KM K BKM BK K BK K BK K M K K KM K KM K K K K
v K KK
Ì B
B B
B B
B B
B B
B B
B B
B B
B B
B B
B B
B B
B B
B B
B
B
B
BK B
BK B
B
K BK BK B
K B
B
K B
K B
B
K B
B
K B
B B
B
BK BK B
K B
B
BK

4
vMv K M KM K K KM KM KM K K L KM K K K K K K KM K GKK —— ——
Ì BB BBBK B B B B B BK B B B B B K
K B
BK B
BK B
BK B
B B
B B
B
BK BK B B
B
B B
B B
B
K B
B
K B
B
BK BK B
BK B
BK

v —— KG K K K KM K K K BK M BK KM u K K BK BK B
BK BK K BK
v K K K K
6

Ì B B B B B B B K
BK BK K BK BK BK BK B
B BK B
B B B
BK B
B B
BK
B
B
B
BK

v v K BK K KL w KK KK w K K K w K v K BK K BK K K w K KK w K K K w KM vK
w K K v KK K B K
8

Ì wK vK K B B B K B BBB BBBK
B
BK B
B B
B B
B
B B
BK B
B B
B BBK
BK BK BK

v w K v K K w K K w K K v K K K K K BK K K w K BK B
K K K BK B BK BK BK BK K
v K K K wK K
10

Ì BB B K B K
K BK BK

BK
12
vv K K K K B BK BK K BK K K K K K K K K K K K KM K KM KG GK
Ì BB B K B B B B F
BBK B
BK B
B B B B
BK B
B BK BBK BK

14
vv BKK BK K K BKM BK K BK K BK K M KM KM K KM K K K K K K
Ì BB BBB B B B B B B B B B B KK
B
BBBK B
B B B
BK BK BK B
BBK B B
BK B B
BK B B
BK B B
B B
BK B
BK BK BK
B

16
vMv KM KM K K KM K KM K KK K K K K K K K KM K GKK —— —— 
Ì BB BBBK B B K
K B
BK BK B
B B
B B
BK B
B B
BK BBBBK
B
B
B
B
BK
B
B
B
B
BK
B
B
B
K
B
B
B
K B
B
B
B
BK
Le manuscrit de Buenos Aires (Kalivoda MS) : p. 56
 (179) Aria (Do mineur - accord = 3 bémols)

vv + KG KKK K K K BK BKKK BK K K KK K K BK K K K K K GK
Ì v K K w K
BBB B
B
BK B
B
BK B
BK B
B
B BBB
BK BK n K

K K
v vv v K K w KKK KL K K w KK w K K K K K K K w KM K n —— ——
4

Ì BB BBB wBK B B B B K B
BK K BK n B
BK B
BK BK B
B
BK

6
v vv —— GK KK K K K K BK FFF BK K K K K K BK KKK K n — GK
—
Ì BBBK B
B
B B
B
BF BK BK B
B
B B K BBK
K BK BK R__

8
v vv K K K K K K BK K K GK K KL Ky K FF n KG L w Ky w K K K BKKK BK n G K
Ì BK BBB BK B F
K BK B
B B
BK n B
BK B
BK BKy B
B
BF B
B
B
BKy
B
B
BK

11
v
v v Ky K K K F n —— KG K K K K K K K K K
K
n GK
Ì By
K BFF__R
B B
B
BK B BKK
BK B
B

13
v vv K K K K K K K K K n K K K K K K K wK n
Ì BB B KK
B B B K
F —
———

BBK B B
BK K
B B
B
BK BK

Le manuscrit de Buenos Aires (Kalivoda MS) : p. 57

 (180) Parthia en c mol : Intrada (Do mineur - accord = 3 bémols)

vv + KKKyyy K K K K K BFy BGK KK K L K K

Ì v w FFyy KG EBEE l w FFyy wK
B
B
B B B
B B
BE B
B
BFy B
BK
BKy BFy

BFFyy GKL u F F BBF

vLvv KK K K w K E Fy EEE l FFyy EBEE m
4

Ì BB
p

B B B B B
GKL u Fy KG B
BBK B
B
BFy B
B
BF B
BE B
B
BFy B
B
BFy BE

1ère fois

BF
9
vv v uwBFF BK wBK K
wK
K uK F KG K
w FFyyy KK KK K KK FFyy wGKK KK KK KK KK FFL w K w K —— ——
Ì BB B B B B K B
BBF B
B
BK BFy B
B
BFy BF BK B
B BK BBBBK
B

2ème fois

vv w DDD —— w FFyy K w K w K K K K K K FFFyy K K K K B

BK B
BK BK BK K
v y
13

Ì BB B K B
D BFy B
B
BFy

vv v BK K K w K F K K
16
FFyyFy K K K K B B BK K K K K K
K K K
Ì BB B
BK BF B
B B
B
BFy
B
B
BK B
BK B
B BK

19
v vv K K K K K M F FFyy KG w FFyy vGK K K K F
K K K wK y
GK
Ì BBB BK K B Fy B K B
BBK B
BF B
B
BFy B
BK

Le manuscrit de Buenos Aires (Kalivoda MS) : p. 58

 F BK K KL K K
23
v F
vv
uFFyy KG K K K
wK K w K K u K y GK wK K K K K K K K K
Ì BBB B
BK B
BK B
B
B
BFy BK

BK K L K KG uFFFyy uGK uFFFyy uGK w FFFyy BGK

27
v vv K K K K L FwyFy —— y
Ì BBBK B
BFy B
BFy Fy B
BFy
R

Lv K KL K K K
Ìv v wK K wK L w Fy GK GKKK —— —— 
30

B
B B
B B
BK B B B
B
BK BK B
B B
BK BFy B
B
BK

Le manuscrit de Buenos Aires (Kalivoda MS) : p. 59

 (182) Parthia en c mol : Turnée
(Do mineur - accord = 3 bémols)

K
L wK L K K K K K K K L wK
K K
v
vv
K K K K K K K K
Ì  B
B B
B B
B
BK B
B
B B
B
B B
B
BK
B
B
K
B
B
K BK BK

vv K K K K L K K K K
v
6

Ì BB
BK BBKK wB
BK
L u K M BF K K
BF K K K BK K B
BK B
B
B
BK

3 3 3
11
v vv w K K K L K K K K K K K K K wK K K K wK wK K K K
Ì BB B B B B K
K B
B
BK BGK B
BGK B
BGK

K L uK M FFyy — —
v F K K wK
Ì v v uBBFFyyy K wK w Fy — — w K w K wK K K
16

BBFy B
BFy B
BK

K K K
BK F BFF L BK K BK BFF
vvv K K F
20

Ì BB B
B B
B B
B B
B BBB
BBK B
BK BF BK BK BF

KK KKM KK FF
v vv K K K K K uK KL F
25

Ì BBB B B B B B K
K B
B
BK B
B
BF B
B
B B
B
B B
B
B
BK BK BK

Le manuscrit de Buenos Aires (Kalivoda MS) : p. 60

 v vv FFyy K K wK K K K K K L wK K K wBK K
K K
30

Ì BBFy B
B B
B B
B
KM K B
B
BFy B
BK B
BK B
BK BK

v vv u K w K K wBK K wK K
K L K F
w FF ——
K K L K K K K
K wK
35

Ì BB B
B B
B B
BF B
B
BBK B
BK B
BK B
BK
R

BK K K K K
vvv K wK K K K K K K
Ì BB w K BB B
40

K K B BK B
B
BK B
B
B B
B
BK B
B
B BBB B
B
BK B
B
BK
BK BK BK

v GK FF L w F
ÌLv v wBBFy EBEE —— —— 
45

Fy BBB B
BF B
B BF B
B
K BE

Le manuscrit de Buenos Aires (Kalivoda MS) : p. 61

 (184) Parthia en c mol : Menuet (Do mineur - accord = 3 bémols)

BBF F
vv
v K K F wF F F F FFL F F L wF wF F
Ì  BBB B
B L K K BF wBF BF B
B B
B B
BF
BF B
BF B
BF BF

vv F uF F F wF F FL F F L wF wF F F FFL
v w F M F FFF —— ——
7

Ì BBF B
BF B
BF B
B B
BF B
B B
B B
BF B
B
BF BF BF B
BF

M F F F BK BK K K F
v vv —— w F F M F w F F F F F K K K K K K
13

Ì BBF B
B B
B
B
BF B
BF

vv K K K K K K FF L w F F F F F
v F F F F K KL E
19

Ì BK K B F B B B B
B
BF B
B
BF B
B
BF B
B
BF B
BK

BK K K w K K K K K K K K K
25
v vv K K w K w K w K K w K w K E —— w F F u F F FF
Ì BBBK B
B B
B B
BK B
BF BBF
BK BK
R

31
v vv wF F wF F F wF F K K K wK F w F FL w F F FF —— ——
Ì BBF B
BF B
B B B B B F 
BK B
B B
BK B
BF B
BF B
B
BF

Le manuscrit de Buenos Aires (Kalivoda MS) : p. 62

(185) Parthia en c mol : Gavotta (Do mineur - accord = 3 bémols)

BBF F F B BF L wBF F F wBF B

BF F F B BF L wBF F
v vv + F my w K K wK K K wK F F
Ì BBB B B
BF B
B BF B
BF B BF B
B BF B
B B
BF B
B B
BF B
BF B
B BF B
B BF

7
v vv FL w K K w F K K w K K K BK BF BF BF BF K BK K BK K K K K F
Ì BB B
B B
B
BBF BF BF

vv K K K KL F K K K wK F F wK K K wK
v EBy—— —— K w K
11 FL w K K
Ì BBB B
B B B B B
BF BK B
B B
BK B
BF B
BF BEy BK

F K K wK F F K wK u K K wBF F B
BF
v wF
K K
15
vv F F
B B K B B
Ì
B
BK B
B
BK B
BF B
B
BK

BF
19
vv v BL BK wBK BK K BF wBF F
wK
K u K M F FF
wF m K wK wK K F F F
Ì BB B
B B
B B
BF B
BK
F B
BF BKB

23
v vv K K F F
F K K K K K K K wK EBy —— F F F F F
Ì BB BEy B
B B
B B
B BBBF
K B
BF B
BF BF
R__

vv w F F F L w F F FL w K K w F F F F M F BF F
Ì BB F F w F
vL
27

B BF BF B F
F B
B
BF B
B
BF B
BF BF B
B BF B
B
B
BF
B
B
BF

vv w F — F F K K K K K wK F F —— ——
Ì BB F m — B
L
v
32

B B F
F 
F B
BF B
BF B
B
BF
__R
Le manuscrit de Buenos Aires (Kalivoda MS) : p. 63
 (186) Parthia en c mol : Capricio
(Do mineur - accord = 3 bémols)

vv + E FFL w K w K F E FFL w K w K F EEE F F F

Ì v
B
B
B B
BF B
B
BF B
BF B
B B
B B
BF B
B
BF B
BF B
B B
B B
B
B
BE BF BF BF
Allegro

7
v vv w F F F FFF w F
FF F F wF F F F F F uF wF F
Ì BB B B BF B F B B
F B
B
BF B
B
F B
B
F wBF B
B
BF

vv F K uK wK K K F K uK wK K K
v F F K wK F F K wK
14

Ì BBF B
B B
BF B
B
B
BK B
BK

vv w F — — E L uK wK F F F K uK wK K K
v — — F F F K wK
18

F F
Ì BB BB BBL u F M F B E B B B K
BF BBF BBF BF BE B
B
BF BF

vMv F F F F FL K F F
v wF F F F L w F FL F wK K wK F
24

Ì BB F B
B B
B
F B
B B
B B
B B
B
F BF BF BF BF B
BF BF

vv v wBF K w K F BK wBK BF F K F K K K K K
wK K L wF F F wF
30

Ì BB B B B B B
BF BF B
BF B
B
BF B
BF BF B
B BF BBBF BBBF
B

Le manuscrit de Buenos Aires (Kalivoda MS) : p. 64

 F F BK K F F
v vMv F FF w F L K K F F wF F F K K F F
35

Ì BF wB
BF B
BF B
B B
BF B
B B
B
B
BF B
BF BF

vv F F K K F F F K K F F BF
41
v F wF wF F —— F
Ì BF BBB B
BF B
BF B
B B
B B
BF BB B
B BBBF
BF B
BF B
BF BF BF
R

vv F F F F F wF
v wF F wF F
47

Ì uF F
BBF B
BF B
BF BF w F
B F BF F
B

v D ——
Ì v BBvDD — — 
53

BBD

Le manuscrit de Buenos Aires (Kalivoda MS) : p. 65

(194) Parthia en A-Dur: Entrée (S.L. Weiss)
(La majeur - accord = 3 dièses)

uuu + BFy BGKM K K K K M Fy FFy GK K KM K K Fy

Ì B y M Fy G
K G
K
BFy BBGK B
BK B
BK B
B BK B
B B
B
BK
B
B
BFy B
B B
B
BK
B
B
BFy

uuu K KKKK K KKKKKK KK KKK K K KKKKKK

K K
5

Ì BBK K B B K K B
BK BK BK

9 uuu BBK BBK BK BK K F BK BK BK K K F BK BK K K K u K K u K u K K u K K

Ì BBK B
BK B
B BK B
BK BBK
BK

13 uuu K K BK K uK L F K K K K DD —— —— BFy BGK K K K

Ì BBK BK K B K B D K
B
BK B
BD

17 u u
u M Fy K BKM Fy KG M u F K w K E K K F F
K uK K wK F uF
BBFy B
BGK B
BK B
B BK B
B B B BF B B B
BK B B B B
Ì
B B
BK B
BF B
BK B
BK

uuu K K F F M u F F m K K K BK BK BK K BK K BK
23
K K K K
Ì BB B
B B
BK BK B
BK B
BK B
BK B
BK B
B
BBK B
BF BK

Le manuscrit de Buenos Aires (Kalivoda MS) : p. 66

27uuu K K K K K
M F K K K KM u K L F FF F BK K K K
Ì BB BB u K B B B
K BK B
BF B
B
BK BF B
B BF B
B B
B
BF
B
B
B
BF

uuu K K FF F BK K K K K K BFy B
B BGK BK BK K BK
K K K F K K K F
31

Ì BB B
B B
B
BBK B
BF B
BK

35uMuu F K u K E u K K K K BF K K K uK F u K K K K BF
Ì BB B
B B
B B
B
BF BF BF BF

uMuu F F m — F K BF K BF K BF BF K
— F K K KM FFyy K K
39

Ì BB BF K BK BK B B K B
BF BK B
B
BK B
BFy
R

uuu
Ì F E —— —— 
43

BBF

Le manuscrit de Buenos Aires (Kalivoda MS) : p. 67

 (196) Parthia en A-Dur : Presto (S.L. Weiss)
(La majeur - accord = 3 dièses)

uuu + BF F F BF F
F F F F F F F F F F
Ì BBF B
B B
B B
B B
B
BF BF B
BF B
BF

uuu F F F F K K F F F
K K L E —— —— FM F F
6

Ì BB B
BF B
B B
BE B BF B
BF
BF BF

uuu BFM F F F F F BF K u K F
11
F F F uF F
Ì BB B
B B
BF BF B
BF B
BF
BF BF

uuu BBF K u K F BF B
BF BF F F K uK F FF
F uF
16

Ì BBF B F B
BF B BF BF B
BF B
BF B
BF BF B
B
BF BBBF

21 uuu F BK K BF F F F E F BK BK BF F F F E F B
BK BK BBF F
Ì BB B
B B
B B
B B
B
BBF B
BF B
BF BF BF

uuuBF F BE F K K F F F
BK K BF
F K K F F F
BK K BF
F F
26

Ì BB B
BF B
BF B
BF B
BF
BF

Le manuscrit de Buenos Aires (Kalivoda MS) : p. 68

 uuu K K K K F B
BFM BF BF BF F BF BFM F F
31
F M E E ——
Ì BB B
B B
BF B
BF B
B
BBK BE BF
R

uuu F F BF FM F F F F BF F K K F
BK K BF BEE
F E —— —— 
36

Ì BB B
B BBB B
B B
B B
BE
BF B
BF BF B
BF BF

Le manuscrit de Buenos Aires (Kalivoda MS) : p. 69

 (198) Parthia en A-Dur : Aria (S.L. Weiss)
(La majeur - accord = 3 dièses)

uu B
FF K K B
K K L B
F K
u FF K K K K K K K K L F n K K K K K K
Ì  B B B B B
B F B
K B
F B
F B
K

uuu K K F K K F BK u K BK K K K BK K BK u K
6
K K K K K
Ì BB B
BK B
BK B
B B
B B
B
K BK BK BK

uuu K K K B
BK BK B
BK K u FF
12
F m uK uK K uK uK K uK uK K
Ì BB B
BK B
BF B
BK B
BK BK
BK

uuu u K u K K K BK
18
K K K K M K K K K K uK K FF —— —— FF K
F BF K
Ì BB B
BK B
BK BK B
B B
BBK BK BF

uuu K KK K K K K L FM F BFF K BK BKM K K

24

K K F K K K
Ì BB B
B B
BF B
BF B
BK BK
BBK BK

uMuuu F F B
BK K B
BK u K B
BK K BK BK BK BK
30
K wK K K K K wK K
K K
Ì BB B
B B
B B
B B
B
BBF B
BK B
BK B
BK B
BK

Le manuscrit de Buenos Aires (Kalivoda MS) : p. 70

 uuu K K w K K K uK F BFF K K
K K F K K K K K K
37

Ì BB B B K B B B
BBK B
B
BK B
B
BK B
BF BF BK

43 uuu K K w K K L FM F wB
BF BK K BK
K BK B BK B
B BK BK B
BK BK M F F
Ì F B
B K B
B
B
BF BF

uuu K BK B
BK K u K BK K BK
Ì BB K K
K K K K K K K K K wK K
49

BK B
B
BK B
B
BK B
B
BK B
B
BK B
B
BK B
B
BK

56uuu FFF m —— K K K K K K F K K BK K BK K BF K K K K
Ì BBF B
B B
B B
B B
B B
B
BF B
BK B
BK BK BK B
BK
R

uuu K K K BK M K BK
63
K K M Ky K K K F —— —— 
Ì BB B
B B
BK
BBK BK

Le manuscrit de Buenos Aires (Kalivoda MS) : p. 71

 (210) Allemande (Do majeur)

KG KK K K K K K
Ì + B K BK M BK B
BK B
BK B K K
B
B
BK BK B
B BK B
B B
B
BK
B
B
B
BK

3
K K K K K K K K K K K K KM K K K BB
K K K K K K
Ì BK B
BK B
BK BK BK BK B
BK B
BK B B
BK B
BK BK

5 K K K K K K K K K K KM K L K o K K K KL K KM K K K
Ì BB B
BK B
B B
B B
B K KB
B B
B B
B B
B
BBK B
BK BK K B
BK B
B B
B
K B
BK
BK

—— —— KG FFF o K K K K K KM K L K KM K K KM K
MK uBK B B
7

K F
Ì BB BK K B y
K BFFFyyy B
BF B
K
M B
K B
K B
BK BL B
K B B
BK BK uBK B
BK BB
BK BBK BBK BBBK
B

K
K K K K K K K K K M uK K o K K K K K K KM K K
10

Ì BB B
B B
B B
BK B
B B
B B
BK
BBK B
BK BK B
B
BK uBK

K K K B
BK BK BK K K K K
K K K K K K K K K
M K K
Ì K K
12

B
BK B
BK B
B B
BK BK BK B
BK B
BK BBBK BBBK BBBBK

14
K K K K K BK K K KM K K K K FFyy —— ——
Ì BB K K BBBK B
BK B
B K K B
B Fy 
BBK B
BK B
BFy

Le manuscrit de Buenos Aires (Kalivoda MS) : p. 72

 (212) Menuet (Do majeur)

F F K K F F K
F F K K F F K K K
Ì F F B
 B K K
B B B
B B
B B
B B
B B
B B
B
B
B B
F B
K B
B
K B
B B
B B
B B
F
F F B
K F

6 F B
F
K K K
K FF
K K K
K FF K K K K
F
M F K KM K K K K F F —— ——
Ì B
B
F B
B B
B B
B
B B
B
BK B
BK
B
B
F
F
BF

3
BK F BF K K K M F K K F
11
—— F F FF FF K K K uK
FF
Ì B
B B
B B
BF K K F
BF BF

3 3

16 FF FF FF v K K v FF v FF K K K K K v FF K K K K K
Ì BK BK F B
BK B
BK BF B
B
B
BF uB
B
BF uB
B
BF

3 3

21
v FF BF K K K M K K K K K K K F
F FF FF K KM F
Ì BB B K BBB B K B B B B BBFF
uBF B
K B
BK B
BK BBBK B
B
BK B
BF BF B
BF B
B BK

26
L F —— ——
Ì F BBB 
BE

Le manuscrit de Buenos Aires (Kalivoda MS) : p. 73

Ì

Le manuscrit de Buenos Aires (Kalivoda MS) : p. 74

 (213) Alaigresse (Do majeur)

K K K L B
K
 K K K K K K K K K K K K
Ì  B
B
K K K K K
B
B
K
B
B B
B B
B B
B B
B
K
B B B B B
K B
K K
B
K B
B
K B
K B
K

K B
K
K B K B K
5
K K K K K K K K K
K FF —— ——
Ì B K K K K K
B
K
B B B B B
B F
B
B
B
K
B
B
B
B
K
B
B
B
K
B
B
B
K
B
B B
K B
K B
BF

9
—— K K K K K K K K K K K K K K K K K K K K K K
Ì BBB B
BK B
B B
BK
BK B
BK

BK K
13
K K K K K K K K K K K K K K K K K K uK
Ì BBK B
BK B
B B
B
B
BK B
BK

16

Ì K BBK F 
Da capo

Le manuscrit de Buenos Aires (Kalivoda MS) : p. 75

 (214) Aria (Do majeur)

KKK K B
BK BK B
BK BK BK K K K K BK
K K M KK M KK KK
BK K K
Ì +
B
B
B
BK BK B
B
B BK B
B B
B B
BK B
B
B
BK

2
L KKyy K K K K K K K K K Ky K K K K K K K K K K K K K K K K
Ì BB BBBK B B
BBKy BKy BK B
B B
BK B
B
B
BK

3
1ère fois 2ème fois

K K BK BK B
BK K K K K BK BIK
4
K K K K —— —— K K K K Fy p HK K K KK ——
Ì BB B B
BK B BBB K
BBK B
BK BK B
B BK B
B B
B
BK BK
B
B
B BK

6
—— KK p q K K K K K K K K KM K p q K K K K K K K K K
Ì BBBK B
B
BK B
BK

7
K K K K KM u Ky KKy K BK K K K K K K K KKy KM KKy K
Ì M uBKy u K B B B y y By
BBKy B
BK B
B
BK BKy B
B BK B
B BK B
B B
B
BK
B
B
B
BKy
B
B
BKy BBBKy
B

10
K K KM Ky K K K K KM K K K KM K K K
Ì BB B B B B B K B K BBBK
BBBK B
BK B
B B B
BKy B
B B B
BK BK B
B B
BK B
BK

Le manuscrit de Buenos Aires (Kalivoda MS) : p. 76

 3

BK K BK BBHKK
3

K K K K K K K K K K K K K K K K K
Ì K M K K KB
12

K
BK B
BK B
B BK B
B B BKK BBK
BK B B
BK B
B B BKK B
BK B BK B
B
BK B
B
BK B
BK BBB
BK

14 KK v KK v KK K FF BK Ky K KKyy —— ——
Ì BB B K
BKKyyy Ky 
BBBK B
B
BK uB
B
BF B B
B
B
BKy

Le manuscrit de Buenos Aires (Kalivoda MS) : p. 77

 (216) Polonese (Do majeur)

K K FFM FF KK BKMM EE K K FM F K K F F K K F —— ——

Ì  BBB B
B
B B
BK B
B B
BE B
BK B
BK BBB
BK BF BF

— K F F K K F K K K KM F K K BK K K K
Ì — BBK K K F F
6

B F B B B B
K BK BK BK B
BF BK B
B BK BBK
B

11 K K BK K K K K K K K K K K K K K K K K K K K K K
Ì BB B
BK B BK B BK B
B
B
BK
B
B
B
BK
B
B
BK B
B
B
BK
B
B
B
BK
BBB
BK

3
3
3

K K K K K K K K K K K K K K K K K K K K K K K K K BK
K
15

Ì BB B
B B
B B
B B
B B
B
BK B
BK B
BK B
BK BK BK

19
K K F —— ——
Ì BB
K B
B 
B
BF

Le manuscrit de Buenos Aires (Kalivoda MS) : p. 78