Escalas de jazz en C

En orden de sostenidos y bemoles

Fundamentos
Modelo
Plantilla I
Plantilla II

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 escalas de jazz: fundamentos
jazz scales: fundamentals

1 fundamentos:
escala acorde cuatriada tensiones
scale seventh chord tensions

tensiones disponibles y no disponibles

escala (modo + escala origen) available and unavailable tensions
scale (mode + source scale)
relación escala acorde
notas a evitar

chord - scale relation
C

avoid notes


             
relación de tonos y semitonos:
step pattern:
t t s t t t s
fórmula: 1 2 3 4 5 6 7 8 1 3 5 7 9 11 13
formula:

tetracordos: tetracordo 1 tetracordo 2

tetrachords:

2 ejemplo:
escala mixolidia (modo v de escala mayor)
C7
  
               
t t s t t s t
1 2 3 4 5 6 b7 8 1 3 5 b7 T9 4 T13
tetracordo mayor tetracordo menor nota a evitar

copyright©danielfedele2018
1/3 escalas de jazz en c
jazz scales in c
 escalas de jazz en orden de sostenidos y bemoles
escala acorde cuatriada tensiones
scale seventh chord tensions

1 escala de tonos enteros tensiones disponibles y no disponibles

   
whole tone scale available and unavailable tensions
C7(#5)
        
       
t t t t t t
1 2 3 #4 #5 b7 8 1 3 #5 b7 T9 T#11 Tb13(#5)
tetracordo lidio

2 escala lidia aumentada


 
lydian augmented scale Cmaj7(#5#11)
            
 
t t t t s t s 1 3 #5 7 T9 T#11 T13
1 2 3 #4 #5 6 7 8
tetracordo lidio tetracordo disminuido

3 escala lidia (modo iv de escala mayor)


Cmaj7(#11)
 
lydian scale

         
    
t t t s t t s
1 2 3 #4 5 6 7 8 1 3 5 7 T9 T#11 T13
tetracordo lidio tetracordo mayor

4 escala lidia b7 (modo iv de escala menor melódica)


 
lydian dominant scale C7(#11)
               
t t t s t s t
1 2 3 #4 5 6 b7 8 1 3 5 b7 T9 T#11 T13
tetracordo lidio tetracordo menor

5 escala pentatónica mayor (de blues)

major (blues) pentatonic scale
C
 
    
(blue note)
       
   
t s s t+s t t+s
1 2 b3 3 5 6 8 1 3 5 6 T9 T#9

6 escala mayor
major scale
Cmaj7
 
         
 
 t t s t t t s  
1 2 3 4 5 6 7 8 1 3 5 7 T9 4 T13
tetracordo mayor tetracordo mayor
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 escalas de jazz en c - modelo - 2/3
7 escala menor melódica
melodic minor scale C-maj7
 
         
  
 ts t t t t s    
1 2 b3 4 5 6 7 8 1 b3 5 7 T9 T11 T13
tetracordo menor tetracordo mayor

8 escala mixolidia (modo v de escala mayor)

mixolydian scale C7
  
          

 t  t s t t s t  
1 2 3 4 5 6 b7 8 1 3 5 b7 T9 4 T13
tetracordo mayor tetracordo menor

escala pentatónica menor (de blues)

9
  
minor (blues) pentatonic scale
C-7
           
(blue note)

    
t+s t s s t+s t
1 b3 4 #4 5 b7 8 1 b3 5 b7 T11 T#11

10 escala dórica (modo ii de escala mayor)

dorian scale
C-7
 
           

 t  s   t t t s t   
1 2 b3 4 5 6 b7 8 1 b3 5 b7 T9 T11 6
tetracordo menor tetracordo menor

11 escala menor armónica

 
harmonic minor scale C-maj7

               
t s t t s t+s s
1 2 b3 4 5 b6 7 8 1 b3 5 7 T9 T11 b6
tetracordo menor tetracordo armónico

12 escala eólica (modo vi de escala mayor)

C-7
 
aeolian scale

            
  
 t  s t t s t t   
1 2 b3 4 5 b6 b7 8 1 b3 5 b7 T9 T11 b6
tetracordo menor tetracordo frigio

13 escala mixolidia b9 b13 (modo v de escala menor armónica)

mixolydian b9 b13 scale
C7b9b13
             

 s  t+s s t s t t      
1 b2 3 4 5 b6 b7 8 1 3 5 b7 Tb9 (T#9) 4 Tb13
tetracordo armónico tetracordo frigio
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 escalas de jazz en c - modelo -3/3
14 escala frigia (modo iii de escala mayor)

 
phrygian scale
C-7
                  
s t t t s t t 
1 b2 b3 4 5 b6 b7 8 1 b3 5 b7 b2 T11 b6
tetracordo frigio tetracordo frigio

15 escala locria #2 (modo vi de escala menor melódica)

 
locrian #2 scale
C-7(b5)
             
     
 ts t s t t t 
1 2 b3 4 b5 b6 b7 8 1 b3 b5 b7 T9 T11 Tb13
tetracordo menor tetracordo lidio

16 escala locria (modo vii de escala mayor)

 
locrian scale
C-7(b5)
                    
s t t s t t t 
1 b2 b3 4 b5 b6 b7 8 1 b3 b5 b7 b2 T11 Tb13
tetracordo frigio tetracordo lidio

17 escala disminuída semitono-tono

half step/whole step diminished scale

    
C (Eb Gb A) C7b9
               
s t s t s t s
1 b2 #2 3 #4 5 6 b7 1 3 5 b7 Tb9 T#9 T#11 T13
tetracordo disminuido tetracordo disminuido

18 escala disminuída tono-semitono


whole step/half step diminished scale
C (Eb Gb A) Cº7
  
                 
t s t s t s t
1 2 b3 4 b5 #5 6 7 1 b3 b5 bb7 T9 T11 Tb13 T7
tetracordo menor tetracordo menor

19 escala alterada (modo vii de escala menor melódica)


diminished whole tone scale

    
C7#9 (alt)
             

 
s t s tt t t
1 b2 #2 3 #4 #5(b13) b7 8 1 3 #5 b7 Tb9 T#9 T#11 Tb13
tetracordo disminuido tetracordo lidio

escala cromática
20 chromatic scale

             
     
s s s s s s s s s s s s
1 #1 2 #2 3 4 #4 5 #5 6 #6 7 8
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1/3 escalas de jazz en c
plantilla i
 escalas de jazz en orden de sostenidos y bemoles
escala acorde cuatriada tensiones

1 escala de tonos enteros tensiones disponibles y no disponibles

 

relación de tonos y semitonos:
fórmula:
tetracordos:

2 escala lidia aumentada

 


3 escala lidia (modo iv de escala mayor)

 


4 escala lidia b7 (modo iv de escala menor melódica)

 


5 escala pentatónica mayor (de blues)

 


6 escala mayor

 


copyright©danielfedele2018
 escalas de jazz en c - plantilla i - 2/3

7 escala menor melódica

 


8 escala mixolidia (modo v de escala mayor)

 


escala pentatónica menor (de blues)

9

 


10 escala dórica (modo ii de escala mayor)

  

11 escala menor armónica

 


12 escala eólica (modo vi de escala mayor)

 


13 escala mixolidia b9 b13 (modo v de escala menor armónica)




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 escalas de jazz en c - plantilla i - 3/3

14 escala frigia (modo iii de escala mayor)

 


15 escala locria #2 (modo vi de escala menor melódica)

  

16 escala locria (modo vii de escala mayor)

 


17 escala disminuída semitono-tono

C



18 escala disminuída tono-semitono

C
 

19 escala alterada (modo vii de escala menor melódica)

 

20 escala cromática
  


copyright©danielfedele2018
1/3 escalas de jazz en c
plantilla ii
 escalas de jazz en orden de sostenidos y bemoles
escala acorde cuatriada tensiones

1 tensiones disponibles y no disponibles

   
C7(#5)
        
       
t t t t t t
1 2 3 #4 #5 b7 8 1 3 #5 b7 T9 T#11 Tb13(#5)
tetracordo lidio

2

 
Cmaj7(#5#11)
            
 
t t t t s t s 1 3 #5 7 T9 T#11 T13
1 2 3 #4 #5 6 7 8
tetracordo lidio tetracordo disminuido

3

Cmaj7(#11)
 
         
    
t t t s t t s
1 2 3 #4 5 6 7 8 1 3 5 7 T9 T#11 T13
tetracordo lidio tetracordo mayor

4

 
C7(#11)
               
t t t s t s t
1 2 3 #4 5 6 b7 8 1 3 5 b7 T9 T#11 T13
tetracordo lidio tetracordo menor

5
C
 
        
    
  
t s s t+s t t+s
1 2 b3 3 5 6 8 1 3 5 6 T9 T#9

6
Cmaj7
 
         
 
 t t s t t t s  
1 2 3 4 5 6 7 8 1 3 5 7 T9 4 T13
tetracordo mayor tetracordo mayor
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 escalas de jazz en c - plantilla ii - 2/3

7 C-maj7
 

               
t s t t t t s
1 2 b3 4 5 6 7 8 1 b3 5 7 T9 T11 T13
tetracordo menor tetracordo mayor

8 C7
  
              
t t s t t s t 
1 2 3 4 5 6 b7 8 1 3 5 b7 T9 4 T13
tetracordo mayor tetracordo menor

9
C-7
  
              

t+s t s s t+s t
1 b3 4 #4 5 b7 8 1 b3 5 b7 T11 T#11

10
C-7
  
          

 t  s   t t t s t   
1 2 b3 4 5 6 b7 8 1 b3 5 b7 T9 T11 6
tetracordo menor tetracordo menor

11
 
C-maj7
       
   
 t  s t t s t+s s    
1 2 b3 4 5 b6 7 8 1 b3 5 7 T9 T11 b6
tetracordo menor tetracordo armónico

12 C-7
  
            
 t  s t t s t t   
 
1 2 b3 4 5 b6 b7 8 1 b3 5 b7 T9 T11 b6
tetracordo menor tetracordo frigio

13
C7b9b13
             

 s  t+s s t s t t      
1 b2 3 4 5 b6 b7 8 1 3 5 b7 Tb9 (T#9) 4 Tb13
tetracordo armónico tetracordo frigio
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 escalas de jazz en c - plantilla ii - 3/3

14
C-7
  
                  
s t t t s t t
1 b2 b3 4 5 b6 b7 8 1 b3 5 b7 b2 T11 b6
tetracordo frigio tetracordo frigio

15
C-7(b5)
  
                    
t s t s t t t
1 2 b3 4 b5 b6 b7 8 1 b3 b5 b7 T9 T11 Tb13
tetracordo menor tetracordo lidio

16
C-7(b5)
  
                   
s t t s t t t 
1 b2 b3 4 b5 b6 b7 8 1 b3 b5 b7 b2 T11 Tb13
tetracordo frigio tetracordo lidio

17

    
C (Eb Gb A) C7b9
       
        
s t s t s t s
1 b2 #2 3 #4 5 6 b7 1 3 5 b7 Tb9 T#9 T#11 T13
tetracordo disminuido tetracordo disminuido

18
Cº7   
C (Eb Gb A)

                 
t s t s t s t
1 2 b3 4 b5 #5 6 7 1 b3 b5 bb7 T9 T11 Tb13 T7
tetracordo menor tetracordo menor

19

    
C7#9 (alt)
             

 
s t s tt t t
1 b2 #2 3 #4 #5(b13) b7 8 1 3 #5 b7 Tb9 T#9 T#11 Tb13
tetracordo disminuido tetracordo lidio

20

             
     
s s s s s s s s s s s s
1 #1 2 #2 3 4 #4 5 #5 6 #6 7 8
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