La abeja maya

adaptación para ensamble de contrabajos por Andrés G. Saldarriaga

       
   
  
 = 100
Contrabajo 1

     
Contrabajo 2 

                                 
Contrabajo 3               

     

           
Contrabajo 4

                  
Contrabajo 5 

             
   
6

Cb. 1

Cb. 2
     

                          
Cb. 3                             

     


                                
Cb. 4

Cb. 5
      
                  
     
11

Cb. 1

         
Cb. 2 

        
Cb. 3                                   


      

             
Cb. 4

   
Cb. 5      

     
   
  
15

Cb. 1

Cb. 2                 


                          
Cb. 3                           

Cb. 4
   

Cb. 5
                    

2
                
    
18

Cb. 1

 
Cb. 2        

                            
Cb. 3                

     

    
Cb. 4

Cb. 5
                   

            
   
 
22

Cb. 1

Cb. 2       
       


                               
      
 
Cb. 3

  


Cb. 4

       
Cb. 5       

3
      
  
25

Cb. 1

        

Cb. 2 
                             
Cb. 3                          

     
  

       
Cb. 4


Cb. 5         

      

    
28

Cb. 1

   
     

Cb. 2

           
Cb. 3 
                         

      

    
Cb. 4

Cb. 5
                        

4
      
33

Cb. 1

            
   

 
Cb. 2

               
                      
Cb. 3            
        

     


                                     
Cb. 4

Cb. 5

       

38

          
Cb. 1

 
    

Cb. 2

     
     
                        
Cb. 3             

    

        
Cb. 4

Cb. 5
                 

5
                
42

            
Cb. 1

   
Cb. 2  

                         
Cb. 3       

   
Cb. 4

Cb. 5
                 

 
    
  

45

              

Cb. 1

Cb. 2
   

                                  
Cb. 3                

     

    
Cb. 4

Cb. 5
           
         

6
                 

49

        
Cb. 1

Cb. 2
      

                     
                               

Cb. 3

   
Cb. 4

Cb. 5
                

    
   
52

Cb. 1


          
 
Cb. 2

                              

            

 
Cb. 3

    
       
Cb. 4

  
Cb. 5      

7
             
55

Cb. 1


  
            
  
Cb. 2

                 
Cb. 3              

         
  
Cb. 4

            
Cb. 5             

   

59

Cb. 1

         
   
Cb. 2

                   
Cb. 3            

          
 
    
Cb. 4

   
Cb. 5        

8
    
   
63

Cb. 1

 

 
Cb. 2

                     
Cb. 3 
            

     
Cb. 4  

Cb. 5
                  

9
Contrabajo 1 La abeja maya
adaptación para ensamble de contrabajos por Andrés G. Saldarriaga


                
   
 = 100

 

  
               
       
11

               
       
   
18

               
    
           
24


                                
42

                                     
51


         
58
Contrabajo 2 La abeja maya
adaptación para ensamble de contrabajos por Andrés G. Saldarriaga

 
                        
   
 = 100

    
               
21


                



27

           
           
35

               
         
   
42

         
        
          

48

 
                     
      
56


Contrabajo 3 La abeja maya
adaptación para ensamble de contrabajos por Andrés G. Saldarriaga

                                                
             
 = 100

                     
                                     
 
8

                            
             
 
  
            
14

                               
  
                      
19

                                          

                    
24


         
    
   
   
                    
   
   
   

29

          
                                          
 
      
36

                     
                                           
42

                                        
           
47

                               
                                     
52
                                          

                 
58

                

                 
64

2
Contrabajo 4 La abeja maya
adaptación para ensamble de contrabajos por Andrés G. Saldarriaga

    

               
 = 100

               
        
26

                                     
51

 
66
Contrabajo 5 La abeja maya
adaptación para ensamble de contrabajos por Andrés G. Saldarriaga


                                                   

 = 100


                                         
8

                                             
14


                                           
20

          
                               
27


                                            
34

                                            
40

                                                  
46


                                            
53


     
                                

59