Gender, Musicology, and Feminism Suzamne G, Cusick I. Gender and Musicology Present at the Origin to explain the relationship between gender and musicology, to ist scholarship ‘music warrants the serious attention of all readers interested in ‘tethink- sic’ as the twentieth century draws to a begin by arguing that gender had been intrinsic to the practice of music story of origins. the story rk Musicological om the same "American Musicological Society the society whose corporate ex s the insttutionalization of musicology as a cultural practice in— ied, Sno on rman chili at he oedipal sae (when he enters the fatlwe and sep Craw central principles were haycand Fins ATS fo marginal to musicology: ly impossible for th s ‘work. For we will all agree on the basis hat Is gender, anyway’ biological sex—that is, with ‘imagine that We and people who eur commen sense bout eer we because gender somehow marks a woman- ber imagine is only part ‘behave in non- 3» potential chil matters 2s though they were ‘women’, Furthermore, we know pets iL that many potential reproducers of one kind or the other never (our done rn of women, and mainly woman's worl lr