1 Directions with Photographic Communication Academic Yr: 2013/14 e!el: 4 Programmes on which o"ered 2 : BA Photography Credits: 20 Duration 3 : 6 weeks Sta": Module eader #eaching sta" 4 Support sta" 5 Moira Loe!! Moira Loe!! "oh# Boothe Internal !eri$cation complete% 6 $es/%o Internal !eri$er & 'oy (hi!ers &'ternal !eri$cation complete% ) yes/#o/% A &'ternal !eri$er * (ia# +,ay!e (is) Assessment 10 : Date completed Completed *y Special instructions 1&/0*/13 Les Mo#agha# -hose worki#g o# !o.atio# sho,!/ pay spe.ia! atte#tio# to Part B Module aims 11 : 0 -o /ee!op a# ,#/ersta#/i#g o1 the ario,s type o1 photographi. pra.ti.es that .o#stit,te a#/ /e2#e photographi. .o33,#i.atio# 0 -o e4p!ore photographi. .o!!e.tio#s (eg5 6e!/ i# 3,se,3s7 ga!!eries7 ar.hies7 artist st,/ios) as a 8ase 1ro3 whi.h to /is.,ss the 3e/i,3 withi# .o#te3porary7 aestheti. a#/ pro1essio#a! .o#te4ts 0 -o gai# a#a!yti.a! ski!!s i# photographi. .o33,#i.atio#7 with a# e3phasis o# re!ea#.e to the st,/e#t9s ow# /ee!op3e#t 0 -o i#estigate the pro1essio#a! aspe.ts o1 photographi. pra.ti.e a#/ the .o#si/eratio#s i# 8e.o3i#g a pro1essio#a! photographer 0 -o gai# a# ,#/ersta#/i#g o1 the .ross:/is.ip!i#ary #at,re o1 photo:.o33,#i.atio# a#/ how it ,#/erpi#s so.ia! 3e/ia7 /igita! /istri8,tio# rights7 a#/ a,thorship Module intended learning outcomes 12 : ;#ow!e/ge a#/ <#/ersta#/i#g =# s,..ess1,! .o3p!etio# o1 this 3o/,!e st,/e#ts wi!! 8e a8!e to> 0 ?4a3i#e the 3e.ha#is3s o1 photographi. .o33,#i.atio# that /e2#e the pro1essio# a#/ how they r re!ate to /i@ere#t areas o1 pro/,.tio# a#/ pra.ti.e Ae3o#strate k#ow!e/ge a8o,t the .o#.epts 8ehi#/ photographi. .o33,#i.atio# a#/ pra.ti.e 1 0 'esear.h a#/ pro8!e3:so!e pro/,.tio# te.h#iB,es 0 (riti.a!!y assess the e@e.tie#ess o1 /i@ere#t photo .o33,#i.atio# 3o/e!s thro,gh resear.h a#/ .ase st,/ies 0 (riti.a!!y ea!,ate the i3pa.t o1 photo .o33,#i.atio# i# re1ere#.e to so.ia! 3e/ia .ha##e!s -ra#s1era8!e/;ey Ski!!s a#/ other attri8,tes (as indicated on MS1): Be a8!e to i/e#ti1y key iss,es a#/ tre#/s i# photographi. .o33,#i.atio# Make assess3e#ts o1 how photographi. .o33,#i.atio# .a# 8e app!ie/ (riti.a!!y ea!,ate a#/ reCe.t o# .o#te3porary photographi. pra.ti.e App!y k#ow!e/ge to se!1:assess perso#a! /ee!op3e#t a#/ progress ?#ha#.e reCe.tie7 pra.ti.a! a#/ theoreti.a! ,#/ersta#/i#g o1 photographi. pra.ti.es7 pro/,.tio#7 /isp!ay a#/ /isse3i#atio#5 Module schedule or scheme of wor) (.o#te#t7 /ates7 a.tiities7 i#teri3 /ea/!i#es7 !e.t,re progra33e7 et.5)> Please note that this is indicati!e and is su*+ect to change, Please chec) -lac)*oard and emails regularly for up dates, .&&/ 1 Monday 10 March AM> 10500 6-01& Mo/,!e oeriew7 8rie2#g D prese#tatio# #uesday 11 March Se!1:/ire.te/ st,/y -,es/ay7 Ee/#es/ay a#/ Fri/ay G st,/e#ts are isiti#g the Sa!1or/ M,se,3 a#/ Art Ha!!ery ar.hie i# gie# gro,ps a#/ a!!o.ate/ ti3es!ots5 $o, sho,!/ isit yo,r !o.atio# i# yo,r gro,p to ,#/ertake a s,rey o1 the area .&&/ 1 Monday 12 March AM> 10500 6-01& Hro,p prese#tatio#s o# gie# area7 resear.h a#/ photographi. respo#se PM> 13530 Hro,p prese#tatio#s o# gie# area7 resear.h a#/ photographi. respo#se P!ease see a//itio#a! sheet 1or ti3e s!ots 2 #uesday 13 March 6-011 (/igita! /arkroo3) I#Aesig# i#tro/,.tio# i# .o3p,ter s,ite with "oh# A!! i# a!! /ay 10500 start .&&/ 4 Monday 15 March 6-01& AM> 10>00 -ypography a#/ page !ayo,t PM>1530 -,toria!s G see e3ai!/B!a.k8oar/ 1or /etai!s #uesday 16 March 6-011 (/igita! /arkroo3) I#Aesig# workshop i# .o3p,ter s,ite with "oh# A!! i# a!! /ay 10500 start P!ease 8ri#g yo,r work i# progress .&&/ 5 Monday 41 March Hro,p t,toria!s G see B!a.k8oar/ 1or yo,r ti3es!ot #uesday 01 April 6-011 (/igita! /arkroo3) I#Aesig# workshop i# .o3p,ter s,ite with "oh# A!! i# a!! /ay 10500 start P!ease 8ri#g yo,r work i# progress .&&/ 6 Monday 02 April 6-01& 10500a3 G a!! /ay I#tro/,.tio# to ha#/3a/e 8ooks a#/ 8ook8i#/i#g P!ease 8ri#g photographi. pri#ts7 photo.opies or i3ages pri#te/ o# a#y other 3e/i,3 appropriate 1or 8i#/i#g5 $o, sho,!/ 8ri#g a se!e.tio# o1 3ateria!s to ,se as 8i#/i#g (stap!es7 #ee/!e a/ threa/7 .!ips et.5)5 -,toria!s G see e3ai!/B!a.k8oar/ 1or /etai!s #uesday 03 April 3 6-011 (/igita! /arkroo3) Pro/,.tio# a#/ /esig# workshop with "oh# A!! i# a!! /ay 10500 start P!ease 8ri#g yo,r work i# progress &aster -rea) It is recommended that you print your *oo) during the &aster period, (emem*er you can still twea) your PD7 *efore su*mission, Your Physical *oo) will not *e assessed, It is for pu*lic display, .&&/ 8 Monday 06 May Ba#k 6o!i/ay G #o tea.hi#g 9A:D;I: #uesday 08 May S.hoo! oI.e 7I:A 9A:D;I: A!! work 3,st 8e s,83itte/ 8y 4p3 to aoi/ pe#a!ties Monday 11 May St,/y trip 11500 a3 6epworth7 Eake2e!/ Phi!ip Lor.a /i(or.ia P!ease 8ook yo,r rai! trae! ASAP 1or .heap 1ares I will deli!er your physical *oo)s to Salford Museum and Art <allery at 5,40pm, #herefore any late su*missions will not ma)e it to e'hi*ition, Please note that it ta)es two wee)s for -lur* to print *oo)s, Assignment details (proJe.t o,t!i#e7 essay B,estio#s7 s,83issio# i#1or3atio#7 et.5)> i!e *rief ; *oo) pu*lication for e'hi*ition at Salford Museum and Art <allery St,/e#ts are reB,ire/ to resear.h a#/ /ee!op a 'e:photography proJe.t 1o.,si#g o# a gie# area Sa!1or/7 a#/ i# respo#se the photographi. work he!/ i# the .o!!e.tio# at Sa!1or/ M,se,3 a#/ Art Ha!!ery5 St,/e#ts wi!! prese#t this 8o/y o1 work i# a 8ook 1or3at 1or p,8!i.atio# at Sa!1or/ M,se,3 a#/ Art Ha!!ery5 -he show wi!! r,# 8etwee# 3 May 2014 a#/ 2* ",#e 20145 Lee! 5 st,/e#ts are a!so respo#/i#g to the .o!!e.tio# a#/ wi!! 8e showi#g photographi. pri#ts /,ri#g this e4hi8itio# perio/5 $o, are e#.o,rage/ to /esig# a#/ pro/,.e a 8ook ,si#g A/o8e I#Aesig# whi.h 3eets reB,ire3e#ts 1or p,8!i.atio# ia the o#!i#e p,8!ishi#g reso,r.e B!,r85 6oweer7 i# #egotiatio# with yo,r t,tor (Moira Loe!!)7 yo, 3ay pro/,.e a ha#/:3a/e 8ook or eB,ia!e#t5 -his M<S- 8e /is.,sse/ a#/ agree/ with yo,r t,tor5 $o, wi!! #ee/ to show a 8ook /,33y as part o1 this 4 .o#ersatio#5 ?e# i1 a# agree3e#t is rea.he/ yo, wi!! sti!! 8e reB,ire/ to s,83it a# I#Aesig# PAF !ayo,t 1or assess3e#t5 Mo#/ay sessio#s with Moira (a#/ at ti3es peer s,pport 1ro3 !ee! 5 a#/ 6 st,/e#ts) wi!! 1o.,s o# the /ee!op3e#t o1 the proJe.t5 -hro,gho,t this 3o/,!e yo, are e#.o,rage to 8e .reatie7 e4peri3e#ta!7 take risks a#/ hae 1,#5 $o, 3,st atte#/ a!! sessio#s a#/ 8ri#g i/eas7 resear.h a#/ /ee!op3e#t with yo,5 I# t,r# yo, wi!! re.eie s,pport a#/ 1ee/8a.k to he!p yo, 3oe yo,r work 1orwar/5 -,es/ay sessio#s with "oh# Boothe wi!! he!p yo, ho#e yo,r te.h#i.a! a#/ /esig# ski!!s whi.h 3,st 8e app!ie/ to yo,r 2#a! o,t.o3e5 It is a/ise/ that yo, atte#/ ,#iersity a!! /ay (1ro3 10500) a#/ work o# yo,r proJe.ts5 $o, wi!! ,#/ertake yo,r workshop at the ti3es a!!o.ate/ to yo,r gro,p5 Assessment criteria for module 13 : Deli!era*les A pri#te/ 8ook 1or rea/y e4hi8itio# at Sa!1or/ M,se,3 a#/ Art ga!!ery PAF o1 yo,r 8ook /esig# .o#tai#i#g a .ohesie 8o/y o1 photographi. work (20 pages 3i#i3,3)5 A4 pri#te/ ratio#a!e (appro4 500 wor/s) e4p!ai#i#g the i#te#tio#s ,#/erpi##i#g yo,r proJe.t A .!ear!y !a8e!!e/ (A .o#tai#i#g the 1o!!owi#g 1o!/ers> A 1o!/er tit!e/ -==/ AY=># .o#tai#i#g 14 .oer PAF D 14 pages PAF A 1o!/er tit!e/ -=< that .o#tai#s a PAF /ow#!oa/ o1 yo,r 8!og a#/ !i#k to the o#!i#e 8!og5 $o, sho,!/ treat this as a# o#!i#e work8ook5 It sho,!/ thoro,gh!y /e3o#strate a!! o1 yo,r worki#gs o,t (yo,r tho,ght pro.ess7 resear.h7 /ee!op3e#t7 reso!,tio# a#/ reCe.tio#)5 It sho,!/ i#.!,/e writte# i/eas a#/ a#a!ysis as we!! as resear.h (whi.h sho,!/ i#.!,/e the work o1 others as we!! as yo,r ow#)5 A 1o!/er tit!e/ (ationale .o#tai#i#g a# A4 Eor/ /o.,3e#t se!1:ea!,atio#5 -his is a reCe.tie pie.e o1 writi#g a8o,t yo,r proJe.t /ee!op3e#t a#/ rea!isatio#5 $o, sho,!/ ,se this to J,sti1y yo,r .hoi.es a#/ .o33,#i.ate yo,r i#te#tio#s5 Please write your name on your dis) and title it ?Directions within Photographic Communication@
All su*missions within the CD M>S# *e placed into indi!idual folders and clearly named as outlined a*o!e, You may hand;in a *log or a physical wor)*oo) 5 -i*liography Ba/ger7 H5 a#/ Parr7 M5 (2004) The Photobook: v. 1: A History. Phai/o# Press Lt/> Lo#/o# Ba/ger7 H5 a#/ Parr7 M5 (2006) The Photobook: History v. 2. Phai/o# Press Lt/> Lo#/o# Bright7 S5 (2011) Art Photography No. -ha3es a#/ 6,/o#> Lo#/o# (!arke7 H5 (1**&) The Photograph =41or/ paper8a.ks (resswe!!7 -5 (2004) P!ace: A Short "ntrod#ction Ei!ey:B!a.kwe!! Aea#7 - D Mi!!ar7 "5 (2005) P!ace (Art $orks) -ha3es a#/ 6,/so# 'a,s.he#8erg7 (5 (200&) Paris %hanging: &e'visiting (#gene Atget)s Paris. Pri#.eto# Ar.he.t,ra! Press 'y,i.hi7 ;5 a#/ Karta#ia#7 I (200*) *apanese Photobooks o+ the 1,-.s and /0.s. Apert,re> %$ Component description .eigh t Deadlin e Su*mission location 14
(i1 e4.epte/ 1ro3 e: s,83issio#) Speci$c assessment criteria 15 7inal assessment component ABBC (o,rsework G typi.a!!y this wi!! i#.!,/e !og 8ook7 writte# .riti.a!ee!,atio#7 pri#te/ series a#/ a ./ 100L 06/5/201 4 S.hoo! =I.e 172737475767&7) D * Information a*out feed*ac): 7ormati!e feed*ac) points within the module 16 1&/03/147 23/03/147 31/03/147 0&/04/14 Date of summati!e feed*ac) 1&
2&/5/2014 6 1 Please complete this form in reference to the approved Module Specification form (MS1) go to the online repositor for the latest version! https!""colla#oration$salford$ac$u%"ops"pmsc"SitePages"&ome$asp'$ (uidance notes are provided for staff #enefit these can #e removed as ou finalise the document for student use$ 2 Please indicate the programmes the module forms a part of$ 3 )uration of the module should not e'ceed 12 *ee%s for modules that operate *ithin a semester$ +,ong- thin. modules should not e'ceed *ee% 12 of the second semester in *hich the operate$ 4 Please list other teaching staff involved in delivering the module (if applica#le)$ 5 /omplete *here applica#le$ 6 Please indicate +es. once internal verification is complete$ 0he standard verification template must #e completed in addition to this form$ 1 Please provide the name of the internal verifier *ho should #e an academic *ho is independent of the module$ 2 Please indicate +es. unless the module is not su#3ect to e'ternal verification *here 45 should #e indicated$ (6efer to the polic +5ssessment 7 8eed#ac% for 0aught 5*ards. for further guidance! http!""***$governance$salford$ac$u%"cms"resources"uploads"8ile"595"5ssessment:and:8eed#ac%:for:0aught:5*ards$pdf$) 0he standard verification template must #e completed in addition to this form$ ; Please provide the name of the e'ternal verifier *ho should #e the relevant <'ternal <'aminer$ 1= Please complete in reference to the School.s &ealth 7 Safet policies and procedures$ 11 <nsure information provided here matches the approved detail as it is outlined in the relevant MS1$ 12 <nsure information provided here matches the approved detail as it is outlined in the relevant MS1$ 13 ,ist all assessment criteria to #e utilised *ithin the module here and num#er cross>reference to +specific assessment criteria. #o'$ 14 ?se the follo*ing standard statement here unless the component is formall e'empted from e>su#mission! +4ot applica#le su#mission is electronic see assignment details for further information$. 15 /omplete # listing num#ers of relevant assessment criteria- in reference to +assessment criteria for module. #o'$ 6efer to footnote 1=$ 16 Provide information here on formative feed#ac% opportunities for students that are provided *ithin the module$ 11 Please record the date # *hich feed#ac% *ill have #een returned to students ensuring ou adhere to the polic of return of feed#ac% to students *ithin three *ee%s of su#mission$ @here ou have one component onl please remove reference to component 2$