Catalogo para Web

2 I Festival Nueva Mirada
Presentacin I Presentation
entre las TICs y el audiovisual, incluso sin abandonar la televisin que disfrutan 3,30 horas al da en promedio. De manera simultnea hacen las tareas de la escuela, usan videojuegos ya sea en PlayStation hogareas o en locales, bajan y/o suben msica o videos de Internet, chatean con la computadora o el celular y varios etcteras. *
Cabe acotar que el entorno audiovisual multipantalla es, asimismo, multimedia, transmedia y/o crossmedia, con las debidas distinciones que cada uno de estos conceptos pone en juego. La mayor parte de los estudios que se realizan sobre estos temas llevan la impronta cuantitativa, en procura de identificar los consumos y predilecciones de los chicos y chicas, desde un enfoque que concibe a las tecnologas (todava!) como aparatos y a los servicios conexos -culturales y comunicacionales- en calidad de mercancas. Avanzan algo ms en los usos sociales algunas investigaciones de mercado empresariales -es decir del lado de los productoresemisores del hardware y el softwareen tanto la transmedialidad supone un nuevo modelo de negocios para las industrias culturales, los medios de comunicacin social, las telecomunicaciones, la informtica, campos cada vez ms imbricados, merced a la digitalizacin y las convergencias mltiples. Dicho modelo avanza hacia la constitucin de sistemas de productos-servicios sinrgicos, que apuntan a abrir ventanas de comercializacin simultneas para el mercado de la generacin interacti-
va. Se trata de un nuevo rubro de meganegocios dado que, con seguridad, sus cuantiosos miembros locales, nacionales y globales, habrn de asomarse a varias de estas ventanas, sino a todas. Para el sector privado el objetivo es optimizar las ganancias y valorizar el capital. La divisa de la economa de las marcas y patentes tambin economa creativabisagra entre la I+D, la cultura y el capital, es creatividad e innovacin. Al amparo de ella, desde el sector pblico se formulan estrategias dirigidas a fomentar, o apuntalar este tipo de emprendimientos percibidos como un imperativo de la poca. Se hace preciso, entonces, convertir a los productores de los medios e industrias culturales tradicionales al nuevo credo universal cross-transmulti-media, so pena de ser presas de una obsolescencia fulminante. El derecho a la diversidad cultural -interrelacionado al derecho a la identidad, a nivel individual y colectivo- como fundamento de las formas de pensar y del saber hacer de las distintas sociedades y grupos de ellas, est en riesgo. Las tecnoutopas asumen la forma de una ideo-
Presentacin
Desde hace al menos un decenio el ritmo de los cambios en el campo audiovisual y de las TICs (Tecnologas de la Informacin y la Comunicacin) ha cobrado un ritmo vertiginoso cuyo impacto en los distintos mbitos de la vida social es mas significativo que el de los grandes descubrimientos que los precedieron. Los datos de algunas encuestas recientes nos dicen, entre otras cosas, que el 70% de los chicos tiene al menos una computadora en su hogar (el 96% de los NSE alto y medio y el 25% de los bajos); 57% de los primeros y 32% de los segundos cuentan tambin con conexin a Internet y 66% poseen celular. Pero ya sea en los cybers, la escuela u otros lugares prcticamente todos los chicos en edad escolar se conectan y navegan Se trata de un fenmeno, en particular de las reas urbanas, que los especialistas califican de distintas maneras; chicos digitales, chicos multipantalla, generacin interactiva. A los docentes les inquietan, sobre todo, los cambios que perciben en la escuela en los modos de estudiar y aprender desde esta hiperconectividad tecnolgica y audiovisualmente mediada. Quienes trabajamos en cultura y comunicacin con nios, nias y adolescentes -incluyendo no slo la produccin sino tambin la investigacin y la capacitacin- hace bastante tiempo venimos sealando que el pasaje de los medios a un entorno audiovisual multipantalla, es un salto cualitativo de importancia nodal cuyas implicancias, an insuficientemente conocidas, deben ser exhaustivamente investigadas.
Presentacin I Presentacin
Festival Nueva Mirada I 3
loga que coloniza las diferentes esferas del quehacer humano. El discurso sobre la diversidad que ellas transmiten es el de las representaciones generadas por el mercado, cuyo eje es el consumo. Encarado como variable independiente de las condiciones y necesidades socio-histricas particulares que habr de responder y soslayando las concepciones del desarrollo que han de debatirse como puerto de llegada real de tanto trajn navegatorio por redes virtuales, el nuevo credo avanza a ciegas en terrenos farragosos, en los que las preguntas e incertidumbres sobreabundan, mientras escasean las respuestas. Sucede que en esta trayectoria y, por ptima que sea la convergencia entre sector privado y polticas pblicas bajo la bandera de la innovacinno puede prescindirse de la participacin de los actores sociales e instituciones no pertenecientes al campo productor-emisor, ni de investigaciones que trasciendan la empiria cuantitativa de los muestreos, al estilo de los estudios de opinin. A los educadores, instituciones acadmicas y ONGs abocadas al tra-
bajo social, cultural y educativo con nios, nias y adolescentes, nos cabe una responsabilidad inmensa, puesto que no se trata de adherir o rechazar aquello que los productores o programadores -tradicionales o transmediaofertan, ya sea con crasos fines mercantiles o bien educativos. La cuestin principal es de orden cualitativo. Se trata de conocer cmo se articulan las diferentes dimensiones de la densa trama de relaciones entre medios de comunicacinindustrias culturales-artes-informtica- telecomunicaciones; cul es su incidencia en los hbitos, valores, concepciones del mundo de los distintos sectores de la sociedad, en particular de los ms jvenes; qu tipo de conexiones de sentido se producen entre los nuevos imaginarios digitales y la construccin de las identidades culturales, y, algo no menor, de qu manera intervienen estos fenmenos en las formas de socializacin y los procesos cognitivos de la generacin interactiva. Como puede apreciarse la era trans-cross-multimedia, nos enfrenta, ms que al consumo de tecnologas, a la necesidad de indagar en las dimensiones filosfica, epistemolgi-
ca, terica, poltica, econmica, metodolgica y prctica de los procesos sociales involucrados en los en apariencia- simples actos de comunicar y de ensear-aprender. Pues de esto se trata la sociedad del conocimiento. Susana Velleggia Directora * Encuesta encargada por el Ministerio de
Educacin de la Nacin, sobre un universo de 1202 entrevistados en todo el pas.
Presentation For at least a decade, the rhythm of changes in the fields of the audiovisual and of ICT (Information and Computer Technology) has become almost dizzying, and has meant that these fields have impacted on different aspects of social life in a bigger way than the great discoveries which preceded them. The data from various recent opinion polls, tells us amongst other things that 70% of children have at least one computer in their home 96% in households of a high or middle socio-economic level, and 25% in lower income households. 57% of the
first group and 32% of the second also have an internet connection, and 66% own a mobile phone. But thanks to cyber cafs, school and other places, practically every child of school age connects and navigates through the realms of ICT and the audiovisual, including of course television, which they continue to enjoy for 3 hours and twenty minutes each day, on average. In the same manner as they do their school homework, they also play video games whether on PlayStations at home or elsewhere, download and/or upload music or videos on the internet, chat on their computer or their phone and so on.* This phenomenon, in particular in urban areas, is described by specialists in different ways; digital children, multi-screen children and the interactive generation among others. Teachers are unsettled, above all, by the changes which are perceived in schools in the approaches to studying and learning due to this technological and audiovisually mediated hyper-connectivity. Those of us who work in culture and communication with children and adolescents including not only production, but also investigation and
training have for some time been stating that the increasing importance of the media as part of an audiovisual multi-screen environment is a qualitative leap of vital importance whose implications, still insufficiently understood, require exhaustive investigation. It is worth noting that the audiovisual multi-screen environment is, at once, multimedia, transmedia and/or panmedia, with the necessary distinctions which each of these concepts brings to the table. Most of the studies which are made of these subjects are quantitative, in an attempt to identify the consumption and predilections of children, from a point of view which sees technology (still!) as equipment and related services cultural and communicational as merchandise. More advanced when it comes to social uses are some of the market research projects carried out by businesses that is to say, on the side of the producers and distributors of hard and software in as much as transmediality presupposes a new business model for the industries of culture, social communication media, telecommunications and infor-
mation technologies, fields which are ever more interwoven, thanks to digitalisation and multiple points in common. This model points towards the development of synergistic products and services which have the common aim of opening up simultaneous commercial communication windows for the market of the interactive generation. We are talking about a new trend in mega-businesses given that, surely, their many local, national and global members will attempt to explore some of them, if not all. For the private sector the objective is to optimise income and to ensure the appreciation of capital. The currency of the economy of brands and patents the creative economy - hinges on Research & Development, culture and capital. It is creativity and innovation. Under the protection of the creative economy, the public sector formulates strategies aiming to promote, or underpin this kind of entrepreneurship, perceived as imperative at this time. It becomes necessary, then, to convert the producers of media and the traditional cultural industries to the new universal creed of cross-trans-multimedia, or face the punishment of
becoming prisoners of their crushing obsolescence. The right to cultural diversity linked to the right to collective and individual identity- as the foundation itself of the ways of thinking and doing in different sectors and groups in our society, is at risk. The tecnoutopias are assuming a form of ideology colonizing all areas of human doing. The discourse about diversity that they articulate is that of the representations generated by the market, with its main focus on mass consumption. Considered as a variable which is independent of the particular sociohistorical conditions and necessities to which a response will have to be made, and avoiding conceptions of development which must be debated as a real point of arrival to such a bustling navigation of virtual networks, the new creed leads blindly forward into confusing territory, in which questions and uncertainties abound, whilst answers are scarce. It follows that on this journey and, given the high levels of convergence reached between the private
sector and public politics under the flag of innovation the participation of social partners and institutions who are not members of the production/distribution group, nor are carrying out investigations which transcend the empirically quantitative samples, in the style of the opinion studies, becomes indispensable. As educators, academic institutions and NGOs dedicated to social, cultural and educational work with children and adolescents, we have a great responsibility, since we are not talking about either sticking with or rejecting anything that the producers or programmers traditional or transmedia offer, whether it is offered with purely commercial ends or out of a genuine desire for education improvement. The main point is that of qualitative order. That is, understanding how to articulate the different dimensions of the dense plot of relationships between communication media, cultural industries, the arts, information technology and telecommunications; understanding their impact on the habits, values and conceptions of the world in different sectors of society, in
particular the youngest members of society; which type of connections of meaning are produced among the new digital imaginary and the construction of cultural identities, and, not a small point, in what way these phenomena intervene in the forms of socialisation and the cognitive processes of the interactive generation. As we can see the trans-crossmultimedia era brings us, more than merely the consumption of technology, the need to investigate the philosophical, epistemological, theoretical, political, economic, methodological and practical dimensions of the social processes involved in the seemingly simple acts of communication and teaching/learning. This is what we are discussing when we talk about the knowledge society. Susana Velleggia Director * Opinion poll encharged of the Argentine Ministry of Education,over an universe of 1,202 people interviewed.
Criterios de calidad para Servicios de Comunicacin Audiovisual destinados a la Niez y Adolescencia

El presente documento es el producto del debate y acuerdo de las instancias gubernamentales y organizaciones sociales nucleadas en el Consejo Asesor de la Comunicacin Audiovisual y la Infancia. No se trata de una receta acabada, sino de una base para construir medios audiovisuales de calidad para la niez y la adolescencia.
1. Promocin, proteccin y defensa de Derechos. Contenidos de la programacin compatibles con los Derechos de los Nios, Nias y Adolescentes, sus principios, fundamentaciones y regulaciones (en el marco de la Convencin Internacional de los Derechos del Nio y Leyes Nacionales y provinciales: de Proteccin Integral de Nias, Nios y Adolescentes 26.061, Ley de Servicios de Comunicacin Audiovisual 26.522 y Ley Nacional de Educacin 26.206). 2. Diversidad. Incorporacin de la diversidad en sus
dimensiones: cultural, de gnero, de ideas y formas de entender el mundo, de capacidades, contextos sociales y realidades socioeconmicas, credos, orgenes, rasgos fsicos y lenguas. En la grilla de programacin ha de estar presente, tambin, la diversidad de gneros, estticas, formatos y procedencia, fuente u origen de los contenidos. 3. Federalismo. Promocin del respeto y la presencia en pantalla de las realidades de las diferentes regiones y provincias del pas, impulsando especialmente una produccin de contenidos de carcter federal. 4. Voz propia. Inclusin de las perspectivas de nias, nios y adolescentes, a travs de sus voces, opiniones, intereses y puntos de vista, prestando atencin a las diferencias originadas en su pertenencia social, evitando la estigmatizacin y propiciando una contribucin activa de ellos en la generacin de los contenidos. 5. Dignidad Incentivo de la autoestima y promocin de la integridad y el respeto a la identidad, evitando situaciones de
humillacin o ridiculizacin, la transmisin de prejuicios y estereotipos o cualquier otra forma de discriminacin. Contribucin a la comprensin social de nias, nios y adolescentes como sujeto de derecho. La violencia fsica o simblica no debe ser apelada como forma de entretenimiento o como va eficaz de resolucin de conflictos. 6. Hbitos saludables. Produccin y difusin de mensajes apropiados al pblico al que van dirigidos desde el punto de vista cognitivo, emocional y de desarrollo, evitando incentivar el consumismo y las conductas destructivas y auto-destructivas. Promocin de hbitos de cuidado del cuerpo y el ambiente, evitando la emisin de mensajes que inciten a una nutricin de baja calidad y al consumo de sustancias psicoactivas. Exclusin de estereotipos corporales que puedan llevar a afecciones derivadas de trastornos alimenticios. 7. Identidad. Integracin de las particularidades locales y la cultura propia de cada regin del pas, promoviendo el respeto y la difusin de las diversas len-
guas en uso en nuestro territorio nacional. Los contenidos audiovisuales deben tender a afianzar los vnculos que nias, nios y adolescentes tienen con sus comunidades. 8. Capacidad crtica. Estmulo de la capacidad de observar y analizar crticamente las representaciones de la realidad que ofrecen los medios de comunicacin, propiciando la reflexin, la creatividad y la imaginacin. 9. Curiosidad. Fomento de la creatividad e incentivo del inters por la investigacin, la experimentacin, el placer del descubrimiento, la bsqueda del conocimiento y todos los lenguajes artsticos. 10. Participacin. Promocin de la construccin de ciudadana mediante el ejercicio de los derechos, la participacin, la organizacin social y los valores de la cultura democrtica. 11. Informacin. Acceso a informacin local, nacional e internacional, contextualizada y adaptada a la comprensin de nias, nios y adolescentes, que aporte a la comprensin de los procesos socia-
les en esas tres instancias, evitando la morbosidad e imgenes crueles y escenas violentas que no resulten imprescindibles para el conocimiento del hecho noticioso. Observacin de la proteccin integral en las noticias que involucren a nias, nios y adolescentes, no aportando datos que permitan su identificacin pblica en situaciones de violencia. 12. Recreacin. Impulso a la diversin, al tiempo libre, al esparcimiento saludable, al juego, incentivando a la actividad fsica, ms all de las pantallas y las tecnologas. 13. Audiencias. Distincin de las diferentes edades, posibilitando identificar los grupos etarios a los que, en cada caso, se dirige la programacin tanto por los temas como por los tratamientos. Consideracin responsable sobre la posibilidad de que los contenidos audiovisuales lleguen a un pblico de menor edad al identificado como destinatario. 14. Produccin. Jerarquizacin de la produccin dirigida a los nios y adolescentes como una especialidad compleja, que debe reunir los mayores estndares en
materia de los recursos invertidos, la tecnologa utilizada, la actualidad de temas y abordajes, el tratamiento tcnico y esttico y la creatividad y originalidad puestas de manifiesto. Observacin estricta de las normativas respecto del trabajo infantil cuando participen nias, nios y adolescentes en las producciones audiovisuales, evitando someter a los nios ms pequeos a situaciones traumticas.
Adolescents 26.061, Law of Audiovisual Communication Services 26.522 and National Education Law 26.206). 2. Diversity Incorporation of diversity as relating to culture, gender, ideas and ways of understanding the world, abilities, social contexts and socio-economic situations, creeds, origins, physical characteristics and languages. In the programming there should also be a diversity of genders, aesthetics, formats and origins of content. 3. Federalism Promotion of respect and presence on screen of the lives of different regions and provinces in the country, with particular emphasis on content of a nationwide character. 4. Childrens voices Inclusion of the perspectives of children and adolescents, by way of their voices, opinions, interests and points of view, paying attention to the differences in social circumstances, avoiding stigmatisation and aiding active participation in the production of content. 5. Dignity Aim to stimulate self-esteem and promote integrity and respect of identi-
Criteria for quality in television for Children and Adolescents This document is the product of debate and agreement between government and social organisations related to the Assessing Council of Audiovisual Communication and Infancy. It should not be taken as a final recipe, but as a foundation from which to construct audiovisual media of quality for children and adolescents. 1.Promotion, protection and defence of Rights Contents of the programme consistent with the Rights of Children and Adolescents, principles, fundamentals and regulations (in the name of the Convention on the Rights of the Child and of the National and Provincial laws of Full Protection of Children and
ties, preventing situations of humiliation or ridicule, the transmission of prejudices and stereotypes or any other form of discrimination. Also, to contribute to the social understanding of children and adolescents as holders of rights. No appeal should be made to physical or symbolic violence as a form of entertainment nor as a way of resolving conflicts. 6. Healthy habits Production and promotion of messages appropriate for the target audience from a cognitive, emotional and development point of view, avoiding the motivation of being a consumer and of destructive and self-destructive behaviours. Promo-tion of good habits of caring for ones body and for the environment, avoiding messages which promote a low quality diet or the consumption of psychoactive substances. Exclusion of stereotypes regarding the body which could lead to conditions derived from eating disorders. 7. Identity Integration of local customs and the culture of each region of the country, promoting respect and the spread of the different languages in our national territory. Audiovisual content must
seek to strengthen the links that children and adolescents have with their communities. 8. Critical capacity Stimulation of the capacity to observe and critically analyse the representations of the world which communication media offer. Encourage reflection, creativity and imagination. 9. Curiosity Promote creativity and interest in investigation, experimentation, the pleasure of discovery, the search for knowledge and artistic language. 10. Participation Promotion of citizen-building through the exercise of rights, participation, social organisation and the values of democratic culture. 11. Information Access to local, national and international information, contextualised and adapted for children and adolescents, which supports understanding of the social processes in these three realms, preventing morbid or cruel images, and violent scenes. The programmers should ensure to fully protect their audiences childhood both during daytime news bulletins, which
are also watched by children and adolescents, and in news stories involving the protagonists or victims of violent acts. They must not provide information which allows the childrens public identification. 12. Recreation Promote fun, the creative use of free time, healthy relaxation, and also playing and physical, cultural and social activity, away from screens and technologies. 13. Audiences Distinguish between different age groups, identifying age groups which, in each case, will have sections of programming directed at them both in terms of theme and treatment of that theme. Take responsibility for considering that it is possible that audiovisual programming could be seen by an audience of a lower age than it is designed for. 14. Production Create a hierarchy of production directed towards children and adolescents as a complex speciality, which must meet the highest standards in material from the resources invested, the technology utilised, the themes of the day and how they are dealt. Strict
observation of norms with respect to child work practices when children participate in audiovisual productions, avoiding submitting younger children to traumatic situations. Advisory Council for Audiovisual Communication and Childrenhood from Argentina
Staff I Staff Juliana de los Santos Nicols Repetto Tamara Pain Ciai Selva Pain Ciai Joaqun Idice COORDINADOR INSTITUCIONAL ESCUELAS Schools Coordinator Vctor Kon Asistente Assistant Santiago Davico Pablo Muzzupappa ANGELES E INTERPRETES Angels Brenda Iris Gallardo COORDINACIN JURADO DE JVENES Coordination Youth Jury Juan Manuel Taborda COORDINACIN SEMINARIO Y TALLERES Seminar and workshops coordination Susana Velleggia Asistente/Assistant Ilona Szentivnyi Staff Recepcin y Acreditaciones Credentials and Reception staff Mnica Castro Vernica Castro TRADUCCIONES Translation service Instituto de Enseanza Superior en Lenguas Vivas, Juan Ramn Fernndez Asesora Pedaggica: Lic. Luisa E. Coduras ARTE Y DESARROLLO DE PERSONAJES Characters and Art Design Fabin de los Ros PRODUCCIN Y ANIMACIN Production and Animation Pablo Brand Miguel A. Nanni. POSTPRODUCCION DIGITAL Digital Posstproduction Ricardo W. Desplats. MSICA ORIGINAL /Composer Daniel Doura LOCUCIN / Speakers Alfredo Allende Catalina Allende Francisco Allende PRENSA/Press Luca Capozzo y Asociados DISEO PGINA WEB Web Design Gisela Cavallo DISEO BLOG Blog Design Mara Jos Del Aguila FOTOS Photographer Santiago Davico CONDUCCIN ACTOS APERTURA Y CIERRE Los Musiqueros Teresa Usandivaras Julio Calvo Pablo Spiller
Equipo
Staff
DIRECTORA Director Susana Velleggia RELACIONES INSTITUCIONALES Institutional Relations Mara Rosa Gastellu COORDINADORA DE PRODUCCION Production Coordinator Maria Laura Martinez Corfield Mara Florencia Garca Ravbar Asistente de Produccin Assistant Producer Ludmila Hajwentreger Federico Martn Rocca COORDINADOR DE PROGRAMACIN Programming Coordinator Fernando Alduncin Asistente de Programacin y traductora Anna Paula Hnig Asistentes/ Assistants Erica Denmon Asistentes de salas Screening Assistants Luciana Foglio Lujn Montes Santiago Echaz Federico Martn Rocca Aldana Buccino
Institute of Higher Education Lenguas Vivas, Juan Ramn Fernndez Pedagogical Consultant: Ms. Luisa E. Coduras
Traductores Translators Alejandra Reznik Malena Marino Ezequiel Lavena Mara Laura Toledo Ana Lojo Samuel Kelly PROCESOS TCNICOS Technical procesus Caja de Ruidos Virginia Tschopp DISEO CATLOGO Catalogue Design Marcelo Paraj CORTO PROMOCIONAL Festivals short promotional film IDEA Y GUIN Idea and script Susana Velleggia Oscar Desplats DIRECCIN Director Oscar Desplats
Agradecimientos y Auspicios I Acknowledgments and Sponsors
Agradecimientos Personales
Personal Acknowledgments
Norma Durango, Vicegobernadora, Provincia de La Pampa Silvia Gallego, Presidenta, Fundacin Banco de la Nacin Argentina Jos Luis Castieira de Dios, Director Nacional de Arte, Secretara de Cultura de la Nacin Gustavo Bulla, Director de Supervisin y Evaluacin AFSCA Daniel Rosso, Jefe de Gabinete de Asesores, Secretara de Medios de Comunicacin de la Presidencia de la Nacin. Pablo Rovito, Rector ENERC Manuel Antn, Rector FUC Alejandro Ruiz, Secretario de Prensa, SAT Claudio Corries, Gerardo Alzamora, Mario Almirn, SADOP Osvaldo Antonio Chimenti, Asistente de la Comisin de Medios Audiovisuales, FNA Pablo Talamoni, Director Sala Leonardo Favio de la Biblioteca del Congreso de la Nacin Ezequiel Lachman, Caja de Ruidos Oscar Desplats, ASIFA ARGENTINA Vctor Luckert, Presidente Amazonia Films / Director del Festival de Cine Latinoamericano y Caribeo de Isla Margarita, Repblica Bolivariana de Venezuela Daniel Divinsky, Ediciones de La Flor
Auspicios institucionales
Institutional Sponsors
INCAA (Instituto Nacional de Cine y Artes Audiovisuales) FUNDACIN BANCO DE LA NACIN ARGENTINA FONDO NACIONAL DE LAS ARTES FONDO METROPOLITANO DE LA CULTURA, LAS CIENCIAS Y LAS ARTES Ministerio de Cultura y Turismo de la Ciudad Autnoma de Buenos Aires OPCION AUDIOVISUAL, Direccin de Industrias Creativas, Ministerio de Economa, Gobierno de la Ciudad Autnoma de Buenos Aires COORPORACIN DEL SUR, Gobierno de la Ciudad Autnoma de Buenos Aires CANAL PAKA PAKA, Ministerio de Educacin de la Nacin INADI, Ministerio de Justicia y Derechos Humanos de la Nacin SECRETARIA DE MEDIOS DE COMUNICACIN, Presidencia de la Nacin AFSCA (Autoridad Federal de Servicios de Comunicacin Audiovisual) ENERC (Escuela Nacional de Experimentacin Cinematogrfica del INCAA) FUNDACIN UNIVERSIDAD DEL CINE POLOS AUDIOVISUALES TV DIGITAL ABIERTA SADOP (Sindicato Argentino de Docentes Privados) SAT (Sindicato Argentino de Televisin) CASA DEL BICENTENARIO, Secretara de Cultura de la Nacin CENTRO CULTURAL UNION TEA IMAGEN CAJA DE RUIDOS EMBAJADAS Michael Krratz, Agregado cultural, , Alemania Isabel Petersen, Agregada Cultural, Suiza Sr, Ordrej Pometlo, Agregado Cultural, Repblica Checa Liesje S. Klomp, Secretario de Embajada, Reino de los Paises Bajos Sr. D Mitry Kravtsov, Director, Casa de Rusia Alain Maudet, Encargado del Area Audiovisual, Francia Ricardo Caldern, Agregado Cultural, Mxico
Premios y Jurados I Awards and Juries
Premios
Awards
Premios del Jurado Oficial Official Jury Awards Competencia Oficial Panormica Barrilete de oro, a la mejor obra de largometraje de ficcin Golden Kite to the Best Feature Film Fiction Nueva Mirada a la mejor obra de ficcin realizada por nios y jvenes New Approach to the best fiction opera made by children and young people. Nueva Mirada a la mejor obra de animacin realizada por nios y jvenes New Approach a the best animation opera made by children and young people Premio del Jurado de los Nios y Jvenes al mejor largometraje de animacin Award of the Children and Young People Jury to the Best Feature Film Animation Premio del Jurado de los Nios y Jvenes al mejor largometraje de ficcin Award of the Children and Young People Jury to the Best Feature Film Fiction
hacer social, poltico, cultural y/o artstico destacadas por su aporte al bienestar y el desarrollo social y cultural de los nios y jvenes.
Barrilete de oro a la mejor obra de cortometraje de ficcin. Golden Kite to the Best Short Film Fiction.
Competencia Oficial Dulces Sueos Barrilete de oro, a la mejor obra de largometraje de animacin. Golden Kite to the Best Feature Film Animation
Special award from New Approach Association to personalities of social, political, cultural and artistic activity who contribute to the childrens and young people social and cultural development and welfare.
AMIGO DE LOS NIOS 2012 Joaquin Lavado (Quino)
Barrilete de oro a la mejor obra de cortometraje de animacin. Golden Kite to the Best Short Film Animation.
Competencia Oficial Nueva Mirada Nueva Mirada a la mejor obra de largometraje realizada por nios y jvenes New Approach to the best feature film made by children and young people.
PREMIO SIGNIS AL MEJOR FILM PREMIO EL APSTOL, AACA (ASIFA ARGENTINA) A LA MEJOR TCNICA DE ANIMACIN PREMIO AMIGO/A DE LOS NIOS Y JVENES Childrens friend award
Premio especial anual de la Asociacin Nueva Mirada a personalidades del que-
Jurado de Animacin
Animation Jury
como director de arte. Doodlebops Actualmente es el Director de su propia empresa Caracoles Producciones. Iberoamericano de So Paulo, el Buff, Malmo, Suecia, entre otros. Recibi la Medalla al Mrito Cultural de Souza Cruz del Consejo Cultural de Santa Catarina y los premios Cascaes Franklin, del Patronato Municipal de Cultura de Florianpolis y del Ministerio de Cultura de Brasil, por la Mostra de Cinema Infantil. En 2011 fue nuevamente homenajeada por llevar a cabo el Festival de Cine Infantil de Florianpolis y las muestras itinerantes en distintas ciudades de Brasil desde hace 10 aos. Tambin lanz un canal dedicado a pelculas para nios en Internet: www.filmesquevoam.com.br
Jorge Fabin de los Ros - Argentina Es dibujante profesional. Colabora con las revistas Goles y Caras y caretas y participa en varias exposiciones antes de incorporarse como colorista a Producciones Garca Ferr en 1982. All durante 20 aos se ha desempeado como ilustrador y animador. Particip en los largometrajes Manuelita, Pan triste, Calculn y en la revista Anteojito. A partir de 2002 colabora en diversas producciones de dibujo animado, (Bandana, Teo, cazador intergalctico, Manga latina, Yo Dhart). En 2005 se incorpora a Illusion Studios como fondista para el filme Patoruzito 2, y luego como director de fondos en Isidoro, Valentina, Boogie, La maga de Oz, Omi, Eva de la Argentina, en
Jorge Fabin de los Ros Argentina Professional cartoonist. He contributed to the magazines Goles and Caras y Caretas and participated in various exhibitions before joining Garca Ferr Productions as a colourist in 1982. for twenty years he has worked there as an illustrator and animator. He worked on the feature films Manuelita, Pan Triste, Calculn and on the magazine Anteojito. Since 2002 he has collaborated on various animated productions (Bandana, Teo, Cazador Intergalctico, Manga Latina, Yo Dhart). In 2005 he joined Illusion Studies as the main background scenery artist on the film Patoruzito 2, a job which later led to work as head of that department on Isidoro, Valentina, Boogie, The Female Wizard of Oz, Omi, Eva From Argentina, and as art director on Doodlebops. He is currently the director of his own business, Caracoles Producciones.
Luiza Lins - Brasil Es Catarinense y realiz sus estudios en Ro de Janeiro y Nueva York. Trabaj como actriz en teatro y televisin. Es directora de la Mostra de Cinema Infantil de Florianpolis. Fue productora del programa de televisin La Escuela de Gobierno de Santa Catarina, y otros programas educativos. En 2002, cre Lume Producciones Culturales. Realiz cortometrajes sobre los derechos del nio y otros temas, entre los que se destacan El Misterio de la Papaya Buey y Campeonato de Pesca, por los cuales obtuvo dos premios del Ministerio de Cultura. Fue presidenta de la Cinemateca Catarinense entre 2006 y 2008. Ha participado como jurado en festivales de cine para nios y adultos jvenes en Hamedan, Irn, en el Prix Jeunesse
Luiza Lins Brazil Luiza is from Santa Catarina and studied in Rio de Janeiro and New York. She has acted in theatre and on television. She is the director of the Florianpolis Childrens Film Exhibition. She was the producer of the TV programme La Escuela de Gobierno de Santa Catarina (The School of Government in Santa Catarina), and other educational programmes. In 2002, she created Lume Cultural Productions. She has made short films about childrens rights and other subjects, among
Jurado de Ficcin
Fiction Jury
them The Mystery of Papaya Buey and Fishing Championship, for which she has been awarded two prized from the Brazilian Ministry of Culture. She was president of the Santa Catarina Cinematheque between 2006 and 2008. she has participated in the juries of cinema festivals for children and young adults in Hamedan, Iran, in the Prix Jeunesse Iberoamericano in So Paulo, and in the Buff, Malmo, Sweden, among others. She recieved the Souza Cruz Medal for Cultural Merit from the Cultural Council of Santa Catarina and the Cascaes Franklin prizes from the Florianpolis Municipal Board of Culture and the Brazilian Ministry of Culture, for the Childrens Film Exhibition. In 2011 she was again fted for overseeing the Festival of Childrens Cinema in Florianpolis and the related exhibitions in different Brazilian cities over the last ten years. She also launched a channel dedicated to childrens films on the internet: www.filmesquevoam.com.ar Rodolfo Pastor Argentina Journalist, scriptwriter and director of animation movie (stop motion). In 1972 he founded the Group CINE (Cine Infantil Educativo) Educative Children Movie, where had been working until 1976. As exiled he lived and made films in Mexico and Germany. In Barcelona, Spain, he created with Petra Steinmeyer, an studio of animation -movie and television- and produced more than 200 shortfilms for TV (Yupis Worlds and Sesamo Street, between other). He produced TV series as Letter from a father, Langostino, Capelito. He obtained numerous awards in internationals films festivals. Also he had directed the shortfilms Animatanto and Nico & Tina. Currently, he is teaching in an animation school and he is preparing the animated feature film Capelito Santa Claus.
Rodolfo Pastor - Argentina Periodista, guionista y director de cine de animacin (stop motion). En 1972 fund el Grupo CINE (Cine Infantil Educativo) que funcion hasta 1976. Como exiliado, vivi y film en Mxico y Alemania. En Barcelona, Espaa, cre con Petra Steinmeyer, un estudio de cine y televisin de animacin que produjo ms de 200 cortos para televisin (Los mundos de Yupi y Barrio Ssamo, entre otros). Produjo las series Cartas de un pap, Langostino, Capelito, con las cuales gan numerosos premios en festivales internacionales. Tambin realiz Los cortometrajes Animatanto y Nico & Tina. Se dedica a la enseanza de la animacin y est preparando el largometraje de animacin Capelito Pap Noel.
Csar Bonanotte - Argentina Socilogo. Profesor e investigador universitario. Coordinador del Plan Nacional de Accin por los Derechos de Nias, Nios y Adolescentes, Secretara de Niez, Adolescencia y Familia, Ministerio de Desarrollo Social de la Nacin. Miembro del Consejo Asesor para la Comunicacin Audiovisual y la Infancia.
Csar Bonanotte Argentine Sociologist. Universitary profesor and investigator. Nacional Action Plan for Childrens and Adolescents Rights from the Secretary of Children, Adolescents and Family, Ministry of Social Developmen of the Nation. Member of the Advisory Council for Audiovisual Communication and Children.
Jurado Nueva Mirada

New Approach Jury
Patrimonio (Subsecretara de Patrimonio Cultural, del Gobierno de la Ciudad de Buenos Aires, 2005).
Pablo Luciano Medina Argentina Maestro en Tiempo libre y Recreacin. Se especializ en literatura infantil juvenil, juego y tteres, temas en los que ha investigado y producido textos, ha dado charlas y cursos. Ha participado como asesor en diversidad de proyectos a nivel nacional e internacional. Es investigador y creador de La Nube, Infancia y Cultura. Entre sus libros publicados se destacan: Javier Villafae. Vida y Obra, de Editorial Sudamericana; Lorca, Un andaluz en Buenos Aires. 1933 1934, Ediciones Manrique Zago-Len Golstein. Tambin trabaj en la seleccin de textos para varias antologas. Recibi varios premios a su trayectoria, entre ellos el de Artfice del Patrimonio Porteo, por su constante aporte como investigador y difusor de la cultura infantil y enriquecimiento al patrimonio cultural de Buenos Aires, Direccin General de
Pablo Luciano Medina Argentina Master in Leisure and Recreation Studies. His fields of expertise include childrens literature, games and puppets, subjects which he has investigated and produced texts on, as well as holding discussions and courses. He has participated as a diversity assessor in various projects at a national and international level. He is an investigator and the creator of The Cloud: Infancy and Culture. Among his published books are; Javier Villafae: Life and Works, published by Editorial Sudamericana and Lorca, an Andalusian in Buenos Aires. 1933-34, published by Ediciones Manrique ZagoLen Golstein. He has also worked on the selection of texts for various anthologies. He has recieved various awards for his lifetime achievements, among them the Artfice del Patrimonio Porteo, awarded to him in 2005 by the General Department of Heritage of the City of Buenos Aires for his constant contribution as investigator and promoter of childrens culture and for enriching Buenos Aires cultural landscape.
Ral Etchelet - Argentina Naci en Maip (Buenos Aires) Argentina. Es Director General de Maip Cortos, Festival de Cine de Humor. Autor de La nia del umbral, Memorias de Amelia Bence (Corregidor 2011) y Nin Marshall, La biografa (La Cruja 2005). Adems es director del documental La Pelcula de Nin, estrenado en homenaje a la actriz en el 20 Festival Internacional de Cine de Mar del Plata.
Ral Etchelet Argentina Born in Maip, Buenos Aires Province, Argentina. He is the General Director of the Maip Cortos festival of comedy films. Author of La Nia del Umbral, Me-morias de Amelia Bence (Corregidor, 2011) and Nin Marshall, La Biografa (La Cruja, 2005). He is also the director of the documentary La Pelcula de Nin (Nins Film), premiered in homage to the actress at the 20th International Film Festival in Mar Del Plata.
Gabriela Rubinovich - Argentina Licenciada en Ciencias de la Comunicacin, UBA. Profesora de Enseanza Primaria. Jefa de Trabajos Prcticos de la materia Didctica de la Comunicacin y Prcticas de Residencia, Profesorado en Ciencias de la Comunicacin, Facultad de Ciencias Sociales, UBA. Docente de la materia Teora de los Medios y la Cultura, Carrera de Edicin, Facultad de Filosofa y Letras, UBA. Coordinadora del Programa Medios en la Escuela, Ministerio de Educacin, Gobierno de la Ciudad de Buenos Aires. Especialista del rea de Currcula del Ministerio de Educacin del GCBA. Codirige el proyecto de Reconocimiento Institucional de la Facultad de Ciencias Sociales de la UBA Los
jvenes como productores culturales. Ha dictado cursos de formacin docente en diferentes organismos y particip de proyectos de investigacin sobre temticas vinculadas con la comunicacin y la educacin. Gabriela Rubinovich Argentina Bachelor in Communication Sciences from the University of Buenos Aires (UBA). Professor of Primary Education. Professor of Communication Arts and Professional Practices in the training course for Teachers of Communication Sciences at the Faculty of Social Sciences, UBA. Teacher of the Media and Cultural Theory course in the Editing programme at the Faculty of Philosophy and Literature, UBA. Coordinator of the Media in Schools programme and Specialist in Curricula for the Ministry of Education of the Government of the City of Buenos Aires. Co-director of the Young People As Cultural Producers project, part of the Programme for Institutional Acknowledgement of Social Sciences Faculty, UBA. She has taught courses of teaching instruction in different institutions and participated in investigations on themes related to communication and education.
Graciela Garzelli Argentina Guionista. En 2010 fund y preside hasta hoy- la Fundacin Aldea de las Luces, para promover la integracin social y cultural de los jvenes mediante el audiovisual. Es autora de la idea original y el guin Verdades Verdaderas (sobre Estela de Carlotto) dirigido por Nicols Gil Lavedra (2011). Produce cortometrajes y realiza talleres de escritura y clnicas de guin con jvenes. Particip como jurado en prestigiosos festivales nacionales e internacionales de cine (BAFICI, DerHumalc, de Punta del Este, Venecia, La Habana, Guanajuato y otros). Fue cofundadora de OCIC Argentina (actual SIGNIS) vicepresidenta de la misma entre 2003 y 2009. Actualmente escribe el guin de un largometraje y coordina con el Museo de Cine de Buenos Aires, la edicin de un libro sobre figuras del cine argentino.
Graciela Garzelli Argentina Scriptwriter. In 2010 she founded and still runs the Aldea de las Luces Foundation, to promote the social and cultural integration of young people through audiovisual media. She is the author and creator of True Truths (about Estela de Carlotto), directed by Nicols Gil Lavedra (2011). She produces short films and runs writing workshops and scriptwriting clinics for young people. She has participated in the juries of prestigious national and international film festivals (BAFICI, DerHumalc, Punta Del Este, Venice, Havana, Guanajuato and others). She was the co-founder of OCIC (now known as SIGNIS) Argentina, and its vice-president from 2003 to 2009. She is currently writing a feature film and is co-ordinating, along with the Film Musem of Buenos Aires, a book about important figures in Argentine cinema.
Ricardo Braginski - Argentina Licenciado en Ciencias de la Comunicacin, Universidad de Buenos Aires, Argentina. En 2009, realiz un programa de perfeccionamiento periodstico en la Universidad de Michigan, Estados Unidos. Periodista especializado en Educacin y Tecnologa. Editor del suplemento semanal Clarn Educacin, en el diario Clarn, Argentina. Edit durante ms de diez aos el suplemento de Tecnologa y tambin form parte del equipo de edicin del sitio Clarn.com. Colabora semanalmente con el diario La Repblica, de Costa Rica. Trabaj en radio y televisin. Actualmente cursa una Maestra en Administracin de Negocios (MBA) en la Universidad Argentina de la Empresa (UADE).
Jurado de los nios y jvenes

Young People and Children Jury
Ricardo Braginski Argentina Bachelor in Communication Sciences, University of Buenos Aires (UBA), Argentina. In 2009, he studied a postgraduate course in Journalism at the University of Michigan, United States of America. Journalist specialising in Education and Technology. Editor of the weekly supplement Clarn Educacin for the Clarn newspaper in Argentina. For more than ten years, he edited the technology supplement and formed part of the editorial team for Clarns website. He contributes weekly to the La Repblica newspaper in Costa Rica. He has also worked on radio and television. He is currently studying for a Masters in Business Administration (MBA) at the Argentine Business University (UADE). and Communications. He has gained a wide experience in several levels of education as a teacher. He has worked as an assistant and contributed to several editions of the International Film Festival Nueva Mirada.
JURADO DE LOS NIOS Y JVENES Natanael Isaias Molina Escuela: E.S.C.B. N 380, 1 ao Jornada Extendida - Temperley
Brenda Aldana Coronel Escuela: Instituto Jos Hernndez, 5 ao - Lomas de Zamora Julieta Presutto Instituto Nueva Pompeya, 5 ao, Ciudad de Buenos Aires Nstor Ignacio Rodrguez Escuela Tcnico Fernando Fader, 3 ao, Ciudad de Buenos Aires Romina Luca Rodrguez Escuela Nacional Mariano Moreno, 2 ao, Ciudad de Buenos Aires
Jurado Signis
Signis Jury
Juan Manuel Taborda, Argentina, Profesor en Educacin Tecnolgica (USAL) post ttulo de capacitacin docente (UTN). Curs estudios de Cine Animacin (IDAC de Avella-neda). Acredita distintos cursos, seminarios y talleres en el rea de las Tics. Tiene una vasta trayectoria en distintos niveles educativos como docente. Se ha desempeado como asistente y colaborador de distintas ediciones del Festival Internacional Nueva Mirada.
Juan Manuel Taborda, Argentina, is a Technologic Education teacher (USAL) postgraduate in teacher training (UTN). He followed a course of Animated Cinema (IDAC of Avellanada). He accredits several courses, seminaries and workshops on New Technologies of Information
Mara Lidia Greco - Argentina Profesora de Historia. Ex Docente, Directora de Escuela Secundaria e Instituto de Capacitacin Docente. (Pcia de Buenos Aires). Jurado en Ferias de Ciencias Sociales (Pcia. de Bs.As.). Coordinadora de Talleres de Capacitacin Docente en el uso del cine como herramienta pedaggica. Co-autora de guas de interpretacin de films para educacin secundaria. Miembro del rgano de Fiscalizacin de Signis Argentina. Coordinadora del Proyecto Cine Mundo Chico, del Departamento de Educomunicacin. Jurado en Festivales Nacionales: Cortos Escolares. en Caleta Olivia, con participacin en panel de debate sobre la Guerra de Malvinas, Pantalla Pinamar, Festival de Derechos Humanos y Cine Migrante. Jurado en Festivales Internacionales de Mar del Plata y BAFICI.
Mara Lidia Greco - Argentina Professor of History. Former Professor, Director of School and Faculty Development Institute. (Province of Buenos Aires). Jury Fairs Social Sciences (Province of Buenos Aires). Coordinator of Faculty Development Workshops on the use of film as a teaching tool. Co-author of guides to interpretation of films for secondary education. Member of the Supervisory Board of Signis Argentina. Film Project Coordinator World Chico, Department of Educommunication. National Festi-vals Jury: Short School. Caleta Olivia, participating in panel discussion on the Falklands War, Display Pinamar, Festival of Human Rights and Migrant Cinema. Jury International Festival of Mar del Plata and BAFICI.
Ciencias de la Comunicacin, de la Universidad Nacional de Buenos Aires. Desde entonces publica artculos periodsticos en diversos medios, de tirada nacional (La Nacin, Para Ti, revista infantil AZ Diez y First, entre otros) y local. La especialidad en Infancia surgi con Integracin Infantil, Organizacin de la Sociedad Civil que trabaja hace ms de diez aos, participando en diversos Foros que realiza en Argentina. Tambin se involucra con nios, nias y adolescentes a travs de la docencia, construyendo ciudadana. Coordina la comisin de Formacin y Capacitacin del Consejo Asesor de Comunicacin Audiovisual y la Infancia, desde su constitucin, en abril del 2011. Mara Victoria Aulet Argentina Born in Buenos Aires City 44 years ago and lives in Pilar. She received from the University of Buenos Airess degree in Comunication Science. Since then she publishes articles in various media, national newspaper (La Nacin, Para Ti, revista infantil AZ Diez y First, etc.) and local newspaper. The specialty in Childhood Integration came up with Kids, Civil Society Organization working for over ten years, participating in various forums held in Argentina. She is also involved with children and teenagers through
teaching, building citizenship. She is coordinator of the committee of Education and Training Advisory Council of Audiovisual Communication and Children, from its formation in April 2011.
Mara Victoria Aulet Argentina Naci en la ciudad de Buenos Aires hace 44 aos y vive en Pilar. Es Licenciada en
Nicols Prividera - Argentina Licenciado en Ciencias de la Comunicacin (UBA) y egresado de la Escuela Nacional de Experimentacin y Realizacin Cinematogrfica (ENERC). Su primera pelcula (M, 2007), obtuvo el premio a la mejor pelcula latinoamericana y el premio FIPRESCI en el Festival de Mar del Plata, as como tambin el Runner Up Prize en el Festival de Yamagata (Japn), el premio al Mejor Documental en la Mostra de Lleida y una Mencin Especial del Jurado en el Festival de Gijn (Espaa). Su segundo film es Tierra de los Padres (2011) fue estrenado en 2012.
Nicols Prividera Argentina Bacherlor in Communication Sciences from the University of Buenos Aires (UBA) and graduate from the National School of Cinema Experimentation from the National Institute of Cinema and Audiovisual Media (ENERC). His first film (M, 2007) won the prize for Best Latin American Film and the FIPRESCI prize at the Mar Del Plata Film Festival. Also it obtain the Runner-Up Prize at the Yamagata Festival in Japan, the prize of the Best Documentary on Show in Lleida, and got a Special Mention from the jury at the Gijn Festival in Spain. His second film is Tierra de Los Padres (2011) was presented in 2012.
COMPETENCIA OFICIAL
Film Official Competition
Panormica
Panoramic (Fiction) Largometraje I Feature Film Cortometraje I Short Film
Dulces Sueos
Sweet Dreams (Animation) Largometraje I Feature Film Cortometraje I Short Film
Nueva Mirada
New Approach Videos realizados por nios de escuelas de cine y video Videos made by children from schools of film and video
Competencia Oficial > Panormica I Film Official Competition > Panoramic
Panormica
Panoramic (Fiction)
Largometraje Feature Film
Los chicos buenos no lloran

Cool Kids Don't Cry (Achtste Groepers Huilen Niet)
Los chicos buenos no lloran

11 y +
El dragn de hielo
The Ice Dragon (Isdraken) Cool Kids Dont Cry (Achtste Groepers Huilen Niet)
Pases Bajos-Blgica/ The Netherlands-Belgium, 2012, 96 Director: Dennis Bots Elenco/Cast: Hanna Obbeek, Nils Verkooijen, Johanna ter Steege, Eva van der Gucht, Loek Peters Guin/Script: Karen van HolstPellekaan Productor/Producer: Harro van Staverden, David Bijker - Bijker; Reinier Selen - Rinkel Film Fotografa/Photography: Gerd Schelfhout Msica/Music: Johan Hoogewijs Montaje/Edition: Philippe Ravoet Distribucin/Distribution: Peter de Haan - Dutch Film Works (Subtitulada en espaol)
Habanastation
Havanastation (Habanastation)
Los magos
The Magicians (Het Geheim)
Sinopsis Esta es la historia de Akkie, una chica joven y enrgica a la que le gusta el ftbol, incluso cuando su compaero de clase, Joep, piensa que el ftbol no es para nias. Akkie utiliza su humor para enfrentar las intimidaciones de Joep, sin saber que detrs de la hostilidad que le muestra se oculta un muchacho enamorado de ella. Cuando a Akkie le diagnostican leucemia, ella sigue optimista y repleta de energa. Mientras est en el hospital, contina participando en el torneo de ftbol de la escuela. Pero cuando Akkie no puede seguir en el torneo, Joep aparece con un plan realmente especial
pate in the tournament, Joep comes up with a really special plan
Yoko
Yoko (Yoko)
Sinopsis The film tells the story of Akkie, a spirited young girl who loves football, even though her classmate Joep thinks football is not for girls. Akkie uses her humour to deal with Joeps bullying, not knowing that his hostility hides a boy who is in love with her. When Akkie is diagnosed with leukemia, she remains optimistic and full of energy. She even continues interfering with the school football tournament while she is in hospital. When shes no longer able to partici-
Dennis Bots naci en Kitwe (Zambia) en 1974. Se gradu como guionista y director de la Academia Holandesa de Cine y Televisin, msterdam. En 2001, escribi y dirigi Salida de Emergencia, un cortometraje elegido para la 4 Exhibicin Europea Kodak de Nuevos Talentos en el 55 Festival Internacional de Cine de Cannes, donde fue premiado como Mejor Cortometraje en la seleccin para jvenes. Tambin gan el premio Cortometraje ms innovador en el Reel Film Festival de Canad. Bots dirigi los largometrajes Zoop en Africa, Anubis en het Pad der Zeven Zonden y Anubis en de wraak van Arghus, que ganaron varios otros premios.
Dennis Bots was born in Kitwe (Zambia) in 1974. He graduated as a scriptwriter and director from the Dutch Film and Television Academy in Amsterdam. In 2001 he wrote and directed Emergency Exit. A short film which was selected for The 4th Kodak European Showcase for New Talents at the 55th Cannes International Film Festival, winning the Silver Gryphon Award for Best Short Film in the youth selection. It also won Most Innovative Short Film at the Reel Film Festival Canada. He also directed the features Zoop in Afrika, Anubis en het Pad der Zeven Zonden and Anubis en de wraak van Arghus, winning several awards.
El dragn de hielo
11 y +
The Ice Dragon (Isdraken)

Suecia/ Sweden, 2012, 77 Director: Martin Hgdahl Elenco/Cast: Philip Olsson, Malin Morgan, Feline Andersson Guin/Script: Petra Revenue Productor/Producer: Peter Hiltunen: Illusion Film Fotografa/Photography: Trond Hines Msica/Music: Jesper Strmblad Montaje/Edition: Fredrik Morheden Distribuidor/Distributor: Delphis Films / Niagara Films (Subtitulada en espaol) Sinopsis Mik es un nio extrao, con orejas grandes, que vive en un suburbio de
Estocolmo con su hermano mayor Tony, a quien quiere ms que a nadie en el mundo, y un pap alcohlico, que era baterista de una banda de rock pesado. Mik odia a los perros, pero le gustan las ballenas, el rock pesado y dibujar. Un da, la oficina de Servicios Sociales decide que Mik tiene que mudarse temporalmente con Lena, su ta bohemia, a Selet, una pequea comunidad localizada en el norte de Suecia, que tiene slo doce nios en su escuela. Al principio, todo lo que l quiere es marcharse de all. Pero, lentamente, se acostumbra al lugar, hace amistades y comienza a vivir nuevas aventuras. Mik ha encontrado, por fin, su lugar en el mundo Sinopsis Mik is an odd kid with big ears who lives in a tower block suburb of Stockholm with his older brother Tony, whom he loves more than anything in the world, and their alcoholic dad, who used to be a drummer in a hard rock band. Mik hates dogs but likes whales, hard rock and drawing. One day, Social Services Office decides that Mik has to be temporarily placed with his bohemian aunt Lena in Selet, a small
community located in northern Sweden with only twelve kids in the whole school. At first, all he wants to do is to leave there. But slowly he settles in, makes friends and is drawn into new adventures. At last, Mik seems to have found his place in the world
Martin Hgdahl estudi en el Dramatiska Institutet (Escuela de Cine, Televisin, Radio y Teatro), Estocolmo y en la Escuela de Fotografa y Direccin de Cine (HFF) de la Universidad de Gotemburgo. Ha dirigido ms de 40 cortometrajes, adems de dos captulos de una serie para la Televisin Nacional de Suecia (SVT). Tiene mucha experencia en el trabajo con nios y jovenes. Hace seis aos, empez a colaborar con Illusion Film y el productor Peter Hiltunen.
Juntos han producido dos pelculas de 30 minutos con temas de gente joven que han sido difundidas en SVT y en festivales internacionales.
Martin Hgdahl studied at Dramatiska Institutet (College of Film, Television, Radio and Theater) in Stockholm and the School of Photography and Film Directing (HFF) at the University of Gothenburg. He has directed over 40 short films and two episodes of a drama series for Swedish National Television (SVT), including a long range of experience working with kids and youth. Six years ago, Martin began collaborating with Illusion Film and producer Peter Hiltunen. Together they have made two 30-minute films with youth themes that have been shown on SVT as well as at international festivals.
Sinopsis Dos nios que estudian en la misma aula de una escuela de La Habana pasan juntos un 1 de Mayo. Pronto, un inocente videojuego desata un conflicto de clases entre ellos.
Habanastation
9y+
Havanastation (Habanastation)
Cuba/ Cuba, 2011, 80 Director: In Padrn , Ernesto Elenco/Cast: Andy Fornaris, Escalona, Luis Alberto Garca, Blanca Rosa Blanco Guin/Script: Felipe Espinet con la colaboracin de Ian Padrn Productor/Producer: Vilma Montesinos : ICAIC Fotografa/Photography: Alejandro Prez Msica/Music: Ren Baos Nacional Electrnica Montaje/Edition: Jos Lemuel Distribuidor/Distributor: ICAIC (Hablada en espaol)
Sinopsis Two children who study in the same class of a Havana school spend the First of May together. Soon, an innocent video game creates a social class conflict between them.
In Padrn naci en La Habana en 1976. Desde muy joven colabor con guiones para la revista Zunzn y para la serie de animados Filminutos del ICAIC. En 1996 comienza a colaborar profesionalmente con el ICAIC, con el making de Amor Vertical. Fuera de liga es su primer largometraje documental, el cual aborda el tema del bisbol en Cuba. Fue adems director artstico de conciertos de figuras de la cultura cubana (Van Van, Beatriz Mrquez y gala por el Premio Nacional de Cine 2007 a Juan Padrn). Habanastation gan varios premios, entre ellos el del Fondo de las Naciones Unidas para la Infancia (UNICEF) y el Premio Glauber Rocha en el 33 festival Internacional del Nuevo Cine Latinoamericano, La Habana, 2011.
In Padrn was born in Havana in 1976. From a very young age he collaborated with scripts for the magazine Zunzn and for the Cuban Institute of Art and Industrial Cinematographys (ICAIC) animation series Filminutos. In 1996 he started woring professionally with the ICAIC, with the making of for Amor Vertical. Out of Their League was his first feature-length documentary, looking at the theme of baseball in Cuba. He has also been an artistic director for concerts for Cuban cultural figures such as Los Van Van, Beatriz Mrquez and the National Film Award gala in 2007 for Juan Padrn. Havanastation has won various awards, among them the UNICEF Fund Prize and the Glauber Rocha Prize at the 33rd International Festival of New Latin American Cinema in Havana in 2011.
Los magos
6y+
The Magicians (Het Geheim)

Pases Bajos/ The Netherlands , 2010, 90 Director: Joram Lrsen Elenco/Cast: Thor Braun, Theo Maassen, Chantal Janzen, Daan Schuurmans, Fred Goessens Guin/Script: Frank Ketelaar Productor/Producer: Frans van Gestel, Arnold Heslenfeld - IDTV FILM Fotografa/Photography: Mark van Aller Msica/Music: Kees de Groot Montaje/Edition: Peter Alderliesten Distribuidor/Distributor: Delphis Films (Doblada al espaol)
Sinopsis Ben Stikker tiene 8 aos y est tan impresionado por el acto de desaparicin del maestro ilusionista Hans Smid, que tratar de hacer lo imposible para descubrir su secreto. Junto a su torpe, pero encantador padre Koos y a su pequea asistente Sylvie, Ben iniciar una gira mgica para presentar sus trucos. Todo marcha bien hasta que Sylvie desaparece de verdad. Ahora Ben deber ms que nunca averiguar el truco que puede hacer regresar a su amiga. Lo lograr?
Sinopsis Ben Stikker is eight years old and so impressed by the dissapearing trick of master illusionist Hans Smid that hes willing to do anything to discover its secret. Therefore, he takes magic lessons, along with his clumsy but charming father Koos and his little assistant Sylvie. Everything is going well until something unexpected happens: Sylvie really does disappear!. Now Ben will have to find out, now more than ever, how the disappearing trick works if he is to get Sylvie back. Will he ever learn the real secret?
Joram Lrsen dirigi la exitosa pelcula Love is all y captulos de la serie Het Vrije Schaep y Vuurzee. Con Frank Ketelaar, Joram dirigi la pelcula familiar In Orange. Tanto Love is all como In Orange ganaron muchos premios en Holanda y en el exterior. Lrsen tambin trabaj con Frank Ketelaar en su pelcula de graduacin Finals, que gan el Premio Cannon y el Premio L.L. Jordaan y recibi una Mencin de Calidad en los Csars, los premios de cine de Francia. Tambin ha dirigido captulos de series como All stars, Baantjer y otras.
Joram Lrsen has directed the very successful film Love is all and episodes of the drama series Het Vrije Schaep and Vuurzee. With Frank Ketelaar, Joram earlier direct-
ed the family movie In Orange. Both Love is all and In Orange won many awards at home and abroad. Lrsen also worked with Frank Ketelaar on his graduation film Finals, which won the Cannon Award and the L.L. Jordaan Award and received a Mention de Qualit at the Csars, the French film awards. In addition, he also directed episodes of TV programs such as All stars, Baantjer and many others.
Yoko
6y+
Yoko (Yoko)
Alemania/Germany, 2012, 102 Director: Franziska Buch Elenco/Cast: Tobias Moretti, Justus von Dohnnyi, Jessica Schwarz, Jamie Bick, Lilly Reulein, Friedrich Heine Guin/Script: Gerrit Hermans, Knister, Claudia Boysen Productor/Producer: Corinna Mehner, Martin Husmann: Telepool GmbH Fotografa/Photography: Jan Fehse Msica/Music: Klaus Badelt, Mark Antony Yaegger Montaje/Edition: Paul Sedlacek, Tobias Haas Distribuidor/Distributor: Gisela Wiltschek - Globalscreen GmBH (Doblada al espaol)
Sinopsis Pa, de 11 aos, sufre la desaparicin de su padre hasta que un da se encuentra con Yoko, un pequeo y misterioso Yeti. Yoko se ha escapado del malvado cazador Thor Van Sneider, quien lo haba descubierto accidentalmente. El nuevo compaero de Pa la impresiona con sus poderes sobrenaturales y su particular sentido del humor y se gana su lugar en el corazn herido de la pequea. Pero Yoko, que lleg desde el helado Himalaya, sufre las consecuencias del clima trrido de su nuevo hbitat y adems debe lidiar con las persecuciones de Sneider. El Yeti debe regresar rpidamente a su hogar, antes de que sea tarde. Pero Sneider tiene otros planes...
small Yeti from the icy Himalayas struggles with his new climate the unusual heat and spectacular chases by Sneider drain all of Yokos energy. He has to return to his home country right away, before its too late but Sneider has different plans
Sinopsis Eleven-year-old Pia suffers from the loss of her father, until one day the cute but mysterious Yeti child Yoko appears in her treehouse. Yoko has escaped from the malicious hunter Thor van Sneider, who accidentally got his hands on the little Yeti. Pias new companion impresses her with supernatural talents and a very particular sense of humour, and steals himself into Pias wounded heart. But the
Franziska Buch estudi Filosofa y Literatura Alemana antes de entrar a la Universidad de Televisin y Cine en Munich (HFF). Despus de su debut en el cine con Die ungewisse Lage des Paradieses (Buscando el paraso, 1992), ha sido reconocida como directora de pelculas para todas las edades. Sus largometrajes incluyen Emil und die Detektive (Emil y el detective, 2001, del que tambin fue guionista), Bibi Blocksberg und das Geheimnis der blauen Eulen (Bibi Blocksberg y el secreto de los bhos azules, 2004), premiado en los festivales de Chicago, Mosc y Bombay y Hier kommt Lola! (Aqu est Lola!, 2010). Buch tambin dirigi numerosas producciones de televisin, entre ellas Verschwinde von hier! (Sal de aqu!, 1999), que recibi el premio Max Ophls al mejor largometraje.
Franziska Buch studied Philosophy and German Literature before entering the University of Television and Film Munich (HFF). Following her debut film, Die ungewisse Lage des Paradieses (In Search of Paradise) 1992, she has made a name as a director of films for audiences of all ages. Amongst her cinematic features are Emil und die detektive (Emil and the detectives, 2001, also scripted), Bibi Blocksberg und das geheimnis der blauen eulen (Bibi Blocksberg and the secret of the blue owls, 2004) who won, amongst others, the main awards at the Chicago, Moscow and Mumbai childrens film festivals, and Hier kommt Lola! (Here is Lola!) 2010. Buch has also directed numerous TV productions, including Versch-winde von hier! (Get outa here!, 1999), which won the Max Ophls Award for Best Feature Film.
DERECHO...
Panormica
Panoramic (Fiction)
Cortometrajes Shorts Films
Adis
Bye (Dag)
Lpices de colores
Colored Pencils (Lpis de cor)
Sinopsis Through the eye of his camera, Jonathan sees how grown up people deal with the death of his father and say their last goodbyes to him. Maybe he could postpone this farewell
Adis
11 y +
El tango de pap
Papa's Tango (Papa's Tango)
Mi otra mitad
My other half (Mi otra mitad)
Bye (Dag)
Pases Bajos/ The Netherlands , 2011, 10 Director: Tamar Van Den Dop Elenco/Cast: Jona Jungerman, Tamar Van Den Dop Guin/Script: Esther Duysker Productor/Producer: Marc Bary IJswater Films Fotografa/Photography: Gregor Meerman Montaje/Edition: Katarina Trler (Subtitulada en espaol) Sinopsis A travs del lente de su cmara, Jonathan observa cmo los adultos que lo rodean intentan aceptar la muerte de su padre y despedirse de l. Quiz pueda postergar esa despedida Tamar Van Den Dop naci en 1970 en Amsterdam, Holanda. Se gradu de la escuela de teatro de Maastricht. Como actriz, trabaj en pelculas y series de televisin. Dirigi los cortometrajes Lot y Schat, y el largometraje Ciego.
El invento
The invention (El invento)
Sin frenos
Without brakes (Sin frenos)
Foul de riesgo
Risky Foul (Foul de riesgo)
Jaque Mate
Checkmate (Checkmate)
La noche de los payasos mudos

The Night of the dumb clowns (A noite dos palhaos mudos)
Tamar Van Den Dop was born in 1970 in Amsterdam, the Netherlands. She graduated from drama school in Maastricht. As an actress she played in many films and television series. She directed the shortfilms Lot and Schat, and the feature film Blind.
El tango de pap
11 y +
Papas Tango (Papas Tango)

Pases Bajos/ The Netherlands , 2011, 15 Director: Michiel Van Jaarsveld Elenco/Cast: Luca Almeida Carrion, Fidel Garcia Cortez, Saskia Temmink, Ferdi Stofmeel Guin/Script: Amarins Maantje Romkema Productor/Producer: Marc Bary IJswater Films Fotografa/Photography: Martijn van Broekhuizen Msica/Music: Bart van de Lisdonk Montaje/Edition: Bouk Bouwmeester Direccin de arte/Design Production: Roland Mylanus (Subtitulada en espaol)
Sinopsis Los padres de Hannah estn divorciados. Su padre es de Argentina y su madre es holandesa. Hannah es una soadora. Le encanta bailar y ama a su padre. Para ella, bailar y su padre son dos cosas inseparables. Su padre Nano se siente triste en Holanda desde su divorcio. Extraa mucho su hogar y quiere volver a vivir cerca de su familia y sus amigos en Buenos Aires. Pero irse de Holanda tambin significara despedirse de su hija. Despus de divorciarse, la madre de Hannah empez una relacin con otro hombre. Ahora l vive con ellas. A Hannah le cae bien, pero sigue extraando mucho a su padre. Escuchando los tangos de su padre, puede bailar todava con l, aunque sea solamente en su imaginacin.
family and friends in Buenos Aires, but leaving The Netherlands also means saying goodbye to his daughter. After the divorce of her parents Hannahs mother started a relationship with a new man. He lives with them now. Hannah gets along with him, yet she misses her father a lot. By listening to her fathers tango music she can still dance with him in her mind.
llenbosch, grabada en Sud-frica, y la pelcula de televisin culinaria Kfte.
Michiel van Jaarsveld, born in 1970, graduated from the Dutch Film Academy as a writer/director/editor. In 2001 he directed his first feature Drift, a coming of age drama. The film was selected for the festivals of San Sebastian, Toronto, and was awarded at some of the many other festivals. Afterwards he directed the drama series Stellenbosch, shot in South Africa, and the culinary telefim Kfte.
Sinopsis Hannahs parents are divorced. Her father is from Argentina and her mother is Dutch. Hannah is a dreamer. She loves to dance and adores her father. For her dancing and her father are two things that belong together. Her father Nano feels miserable in The Netherlands ever since he divorced Hannahs mother. He is homesick and wants to go back to his
Michiel van Jaarsveld naci en 1970, y se gradu de la Academia de Cine Holands como Guionista, Director y Editor. En 2001 dirigi su primer largometraje, Sin rumbo, un drama de aprendizaje. El mismo fue elegido para los festivales de San Sebastin y Toronto, y premiado en varios de los otros festivales donde fue mostrado. Despus dirigi la serie Ste-
El invento
9y+
The invention (El invento)

Colombia/Colombia, 2011, 22 Director: Giovanni Granada Elenco/Cast: Pablo Valencia, Diego Concha, Gabriela Ancona, Gonzalo Janer, Gabriela Maldonado Guin/Script: Giovanni Granada Productor/Producer: Giovanni Granada, Doris Martnez Metrostudio Films Fotografa/Photography: Giovanni Granada Msica/Music: Pablo Correa, Juan Carlos Portillo Montaje/Edition: Carlos Aparicio Distribuidor/Distributor: Giovanni Granada Metrostudio Films (Hablada en espaol)
Sinopsis Mnica lo dej bien claro, no quiere mas que amistad... Triste, Danny empieza a trabajar con su amigo Andrs en un nuevo invento en el taller que comparten. Se trata de un gran desafo para nios de 12 aos: entender la magia de la fotografa y los misterios del amor. Una tarde soleada en 1976, descubren el poder de la amistad y el amor. Todo empieza con una lupa, una pequea linterna y un corazn roto...
y camargrafo de la familia, grabando y editando pelculas caseras en Super 8 con sonido. Despus del secundario, se alist en el ejrcito y lo mandaron a la Pennsula del Sina, Egipto, donde trabaj como fotgrafo.
Foul de riesgo
9y+
Risky Foul (Foul de riesgo)

Argentina/Argentina, 2011, 3 Director: Miguel Baratta Elenco/Cast: Felipe Bombicino Guin/Script: Miguel Baratta Productor/Producer: Miguel Baratta Fotografa/Photography: Maria Geranio Direccin de arte/Design Production: Cecilia Bruck Montaje/Edition: Patricio Pomares (Hablada en espaol) Sinopsis En la siesta de una calurosa tarde de los aos 50, un nio juega al ftbol en el patio de su casa. Aprovechando la soledad de ese horario, dispone todos los elementos del patio (macetas, sifones, etc.) para conformar una barrera,
Sinopsis Mnica has made it clear, she wants to be just friends... Feeling sad, Danny starts working with his friend Andrs in their workshop on a new invention. Its a big challenge for 12 year old boys: to solve the magic of photography and the mysteries of love. On a golden afternoon in 1976 they discover the power of friendship and love. It all starts with a magnifying glass, a small torch and a broken heart...
Giovanni Granada fabric su primera cmara cuando tena 12 aos. Ms tarde, construy una cmara de 35mm de madera, revelando sus negativos de blanco y negro y haciendo sus propios impresos. No tard mucho en convertirse en el fotgrafo
Giovanni Granada made his first camera at age 12. Later he constructed a wooden point-and-shoot 35mm film camera, developing his black-andwhite negatives and making his own prints. He soon became the family photographer and cameraman, shooting and editing Super 8 sound home movies. After high school he joined the army and was transferred to the Sina peninsula in Egypt, where he works as photographer.
por encima de la cual deber patear su tiro libre. Un slido relato imaginario y la presencia de su perro, que observa todo detenidamente, imprimen un carcter especial a la situacin.
Sinopsis During a hot afternoon in the 1950s, a boy plays football in the patio of his house. Taking advantage of being alone whilst the adults take their siesta, he uses everything he can find on the patio to construct a wall, over which he will try to take his free kick. A strong imagination and the presence of his dog, who watches everything intensely, bring a striking atmosphere to the situation.
Miguel Baratta estudio Diseo de Imagen y Sonido en la Universidad Nacional de Buenos Aires, donde trabaja como docente de guin. En 2010 estren su largometraje El fruto en el Festival de Cine de Valencia. Dirigi adems diversos cortos que participaron en festivales internacionales. Actualmente trabaja en el guin de su prximo largo, Hamaca.
as a scriptwriting teacher. In 2010 his feature film The Fruit was premiered at the Valencia Film Festival. He has also directed various shorts which have been shown at international festivals. He is currently working on the script for his next feature film, Hammock.
Pero parece que para uno hay mucho ms en juego que simplemente ganar el trofeo. Jaque Mate es un complejo cuento sobre la amistad, la discriminacin de gnero y la competencia.
Jaque Mate
11 y +
Checkmate (Checkmate)
India/ India, 2011, 1508 Director: Vasant Nath Elenco/Cast: Tanay Chedda, Disha Khanolkar, Vishesh Tiwari, Simran Natekar Guin/Script: Vasant Nath Productor/Producer: Edumedia India Pvt. Ltd. Fotografa/Photography: Akshay Singh Msica/Music: Aman Nath Montaje/Edition: Vasant Nath Distribuidor/Distributor: Edumedia India Pvt. Ltd. (Subtitulada en espaol) Sinopsis Dos jvenes talentosos en el ajedrez, un nio y una nia, estn jugando entre s la Gran Final de un campeonato.
Sinopsis As two young talented chess players, a girl and a boy, sit across each other at the Grand Final of a chess championship, a lot more more seems to be at stake for one of them than simply winning the trophy. Checkmate is a complex tale of friendship, gender bias and competition.
Miguel Baratta studied image and sound design at the University of Buenos Aires, where he works today
Vasant Nath se gradu de la Universidad de Cambridge en Literatura Inglesa. Sus dos cortometrajes, Taxi de Shanu y Los domingos de Sukrit han sido mostrados en ms de 20 festivales de cine. Como asistente personal de Deepa Mehta, ha traba-
jado con ella en muchos proyectos, como Water, Fire y Bollywood/Hollywood.
Vasant Nath graduated from the University of Cambridge in English Literature. His two short films, Shanu Taxi and Sukrits Sundays have travelled in over 20 film festivals. As the personal assistant to Deepa Mehta, he has worked with her on many projects, such as Water, Fire and Bollywood/Hollywood.
La noche de los payasos mudos

9y+
The Night of the dumb clowns (A noite dos palhaos mudos)

Brasil/Brasil, 2012, 15 Director: Juliano Luccas Elenco/Cast: Domingo Montagner, Fernando Sampaio, William Amaral, Fabio Espsito Guin/Script: Naum Alves De Souza, Juliano Luccas Productor/Producer: Juliano Luccas Fotografa/Photography: Marcelo Mazzariol Msica/Music: Roberto Coelho Montaje/Edition: Daniel Miori, Diego Ruiz De Aquino Direccin de arte/Design Production: Sonia Cintra (Doblada al espaol)
Sinopsis Adaptacin cinematogrfica de una historia de uno de los ms grandes artistas de historietas de Brasil: Laerte. Dos payasos marchan por la noche con la misin de rescatar a un camarada que ha sido secuestrado por una organizacin que tiene como objetivo el exterminio de todos los payasos. Noche de los payasos mudos es una fbula contempornea contra la intolerancia, llena de humor.
trajes: Aurora, Luchador, Spectaculum y La Noche de los payasos mudos.
Sinopsis A cinematic adaptation of a story by one of the greatest comic book artists in Brazil: Laerte. Two clowns march by night on a mission to rescue a comrade who has been kidnapped by an organisation which has as its object the extermination of all clowns. Night of the dumb clowns is a contemporary fable full of humour, with a strong message against intolerance.
Juliano Luccas es director, actor y guionista. Se gradu en el departamento de cine en la FGV-Brasil. Actu en dramas, novelas y ms de 100 campaas nacionales e internacionales de publicidad. Produjo, dirigi y escribi el guin de cuatro cortome-
Juliano Luccas is a director, actor and scriptwriter. He graduated from the Film Department of Brazils Getulio Vargas Foundation. He has acted in dramas, soap operas and over one hundred national and international advertising campaigns. He has produced, directed and written the scripts of four short films: Aurora, Fighter, Spectaculum and The night of the dumb clowns.
ja su retrato a color, ste tendr que volver a casa. Pero Claudio no tiene lpices de colores. Cuando, al fin, consigue tres lpices de colores, su madre solamente le permitir usar uno por da.
Montaje/Edicin: Nacho Ruiz Capillas Msica/Music: Akrobats Distribuidor/Distributor: Madrid en corto (Hablada en espaol)
Lpices de Colores
9y+
Colored Pencils (Lpis de cor)

Brasil/Brasil, 2010, 16 Director: Alice Gomes Elenco/Cast: Rodrigo Costa, Kelzy Ecard, Paulo Hamilton Guin/Script: Alice Gomes Productor/Producer: Barbara Rangel e Alice Gomes Fotografa/Photography: Ricardo Gomes Msica/Music: Lucas Marcier Montaje/Edition: Daniel Garcia Direccin de arte/Design Production: Mayra Sergio Distribuidor/Distributor: Glaz Video (Doblada al espaol) Sinopsis Claudio es un nio pobre al que le encanta dibujar. Su padre se fue hace varios aos y Claudio cree que, si dibu-
Sinopsis Claudio is a poor boy who loves to draw. His father left some years ago and Claudio thinks that drawing a coloured portrait of his father will make him come home. But Claudio doesnt have coloured pencils. When he finally obtains 3 coloured pencils, his mother allows him to use only one colour per day.
Alice Gomes works as a producer, director and screenwriter. She was assistant director in the feature film Inesquecvel (2007), by Paulo Srgio Almeida. Colored Pencils is her debut as a director.
Mi otra mitad
11 y +
My other half (Mi otra mitad)

Espaa/ Spain, 2010, 18 Director: Beatriz Sanchis Elenco/Cast: Fernando Tielve, Nadia de Santiago, Fanny Gautier Guin/Script: Beatriz Sanchis Productor/Producer: Mara Zamora, Stefan Schmitz Fotografa/Photography: Alvaro Gutirrez Direccin de Arte/Design Production: Alejandra Loiseau
Sinopsis A Andrea y Adrin les une algo desde el mismo momento de su nacimiento, una inusual deformacin ptica que les hace ver el mundo de una manera incompleta y complementaria a la vez. Los dos saben de la existencia del otro, ya que los trata la misma oftalmloga, Sophie, y desde pequeos han fantaseado con la idea de encontrar algn da a su otra mitad.
Alice Gomes trabaja como productora, directora y guionista. Fue directora asistente del largometraje Inolvidable (2007), de Paulo Sergio Almeida. Lpices de Colores es su debut como directora.
Sinopsis Adrin and Andrea have been linked from the very moment they were born. An unusual optical deformity means they each see the world in an incomplete but complementary way. They both know of each others existence, since they are treated by the same ophthalmologist, Sophie, and have fantasised since they were young about one day finding their other half.
Sinopsis Juan Carlos y Juan Manuel, rivales de amores, protagonizan una batalla sobre bicicletas por alcanzar la meta: el amor de Paola.
Sin frenos
9y+
Sinopsis Juan Carlos and Juan Manuel, rivals in love, arrange a battle on bicycles to achieve their goal: Paolas love.
Pancho Ortega was born in 1980 in Mexico City. He has a Masters in Visual Arts from the San Carlos Academy. His career includes various short films and television programmes for Mexican TVs Once Nios. In his work, Pancho experiments audiovisually with unconventional materials such as balsa wood, cardboard and cloths.
Beatriz Sanchis es Licenciada en Comunicacin Audiovisual. Su anterior trabajo como directora fue el cortometraje documental La clase. Combina su faceta de directora con otras como la direccin artstica en pelculas y publicidad.
Without brakes (Sin frenos)

Mxico/Mexico , 2011, 7 Director: Pancho Ortega Elenco/Cast: Juan Carlos Medelln, Juan Manuel Pernas, Germn Bernardo Pascual, Alan Anaya, Paola Avils Guin/Script: Pancho Ortega, Rafael Bravo, Alejandro Coronado Productor/Producer: Rafael Bravo Fotografa/Photography: Alejandro Coronado Msica/Music: Sebastin Zunino Montaje/Edition: Pancho Ortega, Rafael Bravo, Alejandro Coronado Direccin de Arte/Art Direction: Laura Battaglino (Hablada en espaol)
DERECHO...
Beatriz Sanchis is a graduate in Audiovisual Communication. Her previous work as director was the documentary short film The Class. She combines her role as director with others, such as art direction in films and advertising.
Pancho Ortega naci en 1980 en la Ciudad de Mxico. Es egresado de la Maestra en Artes Visuales de la Academia de San Carlos. Su trayectoria abarca varios cortometrajes y programas de televisin para el Canal 11, franja infantil Once Nios. En su trabajo, Pancho busca la experimentacin audiovisual con materiales poco convencionales como madera balsa, cartn y telas.
Competencia Oficial > Dulces Sueos I Film Official Competition > Sweet Dreams
Dulces Sueos
Sweet Dreams
Largometrajes Feature Films
Fimfrum: La tercera es la mejor

Fimfarum Third Time Lucky (Fimfrum do tetice veho dobrho
Fimfrum: La tercera es la mejor

11 y +
recuerdos nostlgicos de la juventud perdida. No todo el mundo logra volver a su juventud, ni siquiera por un breve momento, como lo hace el rey. Pero el protagonismo tambin es del modesto Jack, que es el nico que entiende a su padre, el rey, y quiere ayudarlo. l triunfa sobre sus hermanos autoritarios y realiza el mayor deseo del rey. Razn y Suerte Una historia donde la razn y la suerte compiten, aunque al final tienen que combinar sus esfuerzos para prevalecer sobre la locura y la desgracia. La Razn y La Suerte considera la pregunta esencial de si puedes vivir sin la razn, o sin la suerte. Cuando el Sr. Razn y el joven pillo que es la Suerte hacen una apuesta, el rbitro es el pastor de cerdos Louis. Cmo murieron los ogros de las montaas La historia se desarrolla alrededor de 1960, de manera similar a las otras dos historias. Un equipo de tres cineastas contina una expedicin en las montaas Sumava para ver si es verdad que los ogros todava viven all. La pregunta es: con qu se encontrarn?
talgic memories of lost youth. Not everyone is able to go back to their youth, even only for a brief spell, but the King manages it. But this is also the tale of modest Jack, the only one who understands his father the King and wants to help him. He triumphs over his overbearing brothers and fullfills the Kings greatest wish. Reason and Luck A story where reason and luck are compete, but in the end they have to combine their efforts to prevail over the folly and misfortune. Reason and Luck ponders the essential question of whether you can live without reason, or without luck. When Mr. Reason and cool dude Luck make a bet, the judge is the pig herder Louis. How the Ogres Died out in the Mountains The story is transplanted to the 1960s, in similar fashion to the other two werich stories. A team of three filmmakers goes on an expedition in the Sumava Mountains to see if it is true that Ogres still live there. The question is: what will they find?
Kristina Dufkov naci en 1978, en Praga, Repblica Checa. Se especializ en animacin en la Facultad de Cine y
Lotte y el secreto de las piedras lunares

Lotte and the Moonstone Secret (Lotte ja kuukivi saladus)
Fimfarum Third Time Lucky (Fimfrum do tetice veho dobrho)

Repblica Checa/Czech Republic, 2011, 70 Directors: Kristina Dufkova, Vlasta Pospisilova, David Sukup Guin/Script: Jiri Kubicek Productor/Producer: Martin Vandas - MAUR film Msica/Music: Karel Holas, Vladimir Merta Montaje/Edition: Bohdan Budarek Distribuidor/Distributor: Bioscop (Subtitulada en espaol) Tres historias breves. Three short stories. El sombrero con la plumita de ave Un cuento de hadas sobre la vejez y los
El pez de los deseos

The Wish Fish (The Wish Fish)
El prncipe y el lobo
The Prince and the Big Grey Wolf (Ivan Tsarevitch I Seriy Volk)
La Revolucin de Juan Escopeta

The Revolution of Juan Escopeta (La Revolucin de Juan Escopeta)
The hat and the little jay feather A fairy tale about old age and the nos-
TV de la Academia de Artes Escnicas, Departamento de Animacin (Praga). Dirigi varios cortometrajes animados, Reloj de cuc, El loco es el ms hermoso, Caminar solo en la noche y Las camisas de la boda entre otros.
tlo), 2001, fue premiado en muchos festivales internacionales. Despus, dirigi varios cortometrajes animados, como Los mecnicos (2002) y El rbol (2006).
que pertenece al viejo perro viajero Klaus. La cachorrita Lotte sorprende a los forasteros.
Kristina Dufkov was born in 1978, in Prague, Czech Republic. She specialised in animation at Film and TV Faculty of Academy of Performing Arts, Animation Department (Prague). She directed several animated short films, Kukacky (Cuckoo Clock), Nejkrsnej bv len (The most beautiful is the mad one), Noc pujdu sm (I shall walk alone through the night), and Svatebn koile (The wedding shirts), among others.
David Kukup naci en 1974 en Praga, Repblica Checa. Estudi Animacin en la Escuela de Cine de Zlin y trabaj como asistente de animacin en el muy conocido Estudio Jiriho Trnky. Su pelcula de graduacin, La luz (Sve-
David Kukup was born in 1974 in Prague, Czech Republic. He studied animation at Film school in Zlin and worked as an animator assistant at very famous Studio Jiriho Trnky. His graduation film The Light (Svetlo), 2001 was awarded prizes at many international festivals. Afterwards he directed several animated shorts, as The mechanics (Mechanika) 2002, and The tree (Strom), 2006.
Vlasta Pospilov dirigi e hizo las animaciones de Sobre Maryka Castillo de lobos, Sra. destitucin, Mean Barka, Cuando caen las hojas de los robles, las pelculas de la serie Escarabajos pequeos, Sueo cumplido y Pat y Mat.
Lotte y el secreto de las piedras lunares

4y+
Sinopsis One night two strangers creep into Gadgetville, searching for a suitcase belonging to the old traveller dog Klaus. Girl puppy Lotte surprises the strangers.
Janno Pldma ha dirigido dos series de TV, Tom y Fluffy (1997) y El Viaje de Lotte hacia el Sur (2000). Ha colaborado en la direccin de Navidad de las Mariquitas (2001), Concierto para un pastel de zanahoria (2003), Lotte desde Gadgetville (2006) y Lotte y el secreto de las piedras lunares (2011).
Lotte and the Moonstone Secret (Lotte ja kuukivi saladus)

Latvia-Estonia/Latvia-Estonia , 2011, 75 Directors: Janno Pldma y Heiki Ernits Guin/Script: Janno Pldma, Heiki Ernits, Andrus Kivirahk Productor/Producer: Kalev Tamm; Vilnis Kalnaellis - Eesti Joonisfilm Dibujos/Cartoons: Tarmo Vaarmets Msica/Music: Svel Grunberg Montaje/Edition: Janno Poldma Distribuidor/Distributor: Solveig Langeland - Sola Media (Doblada al espaol) Sinopsis Una noche, dos forasteros aparecen en Gadgetville buscando una maleta
Vlasta Pospilov directed and animated "About Maryka", "Wolf Castle", "Mrs. Destitution", "Mean Barka", "When leaves fall off oaks", "Small Beetles", Small "Beetles II - adventures in the clearing", "Small Beetles III - Small Beetles family", "Fulfilled dream", and "Pat and Mat".
Janno Pldma has directed two television series Tom and Fluffy (1997) and Lottes Journey South (2000). He has been a co-director on Ladybirds Christmas (2001), Concert for a carrot pie (2003) Lotte from Gadgetville (2006) and Lotte and the moonstone secret (2011).
El pez de los deseos

6y+
The Wish Fish (The Wish Fish)

Heiki Ernits ha dirigido y diseado doce pelculas animadas y ha trabajado desde 1997 junto con Janno Pldma en series de TV y pelculas como Tom y Fluffy, El Viaje de Lotte hacia el Sur, Navidad de las Mariquitas, Concierto para un pastel de zanahoria, Lotte desde Gadgetville y Lotte y el secreto de las piedras lunares. Espaa/ Spain, 2011, 74 Directors: Gorka Vazquez e Ivan Oneka Guin/Script: Segundo Altolaguirre Productor/Producer: Baleuko, S.L. Y Image Venture Animacin/Animation: Iker Alvarez Msica/Music: Timothy Madhukar Montaje/Edition: Tsuyoshi Imai Distribuidor/Distributor: Susana Losada - Barton Films, S.L . (Doblada al espaol) Sinopsis Opil odia el pescado. Su madre, en un intento desesperado para que deje de engullir comida chatarra, le sirve un plato especial: el pez de los deseos. Pero l no cree en cuentos de hadas
y se lo toma a broma: ojal vengan unos mutantes extraterrestres y se lleven todo el pescado del planeta. A la maana siguiente, las tropas el malvado Saturn llegan con sus naves a la tierra para succionar todos los ocanos y su pescado, crear el caos y dejar al mundo al borde de la destruccin. Con la ayuda del Capitn Caballa, su hija Marina y la Raposa del Ducado Blanco, Opil se embarcar en una aventura disparatada donde deber esforzarse a fondo para recuperar el pescado y salvar el planeta.
Dukedom, Opil will embark on an outrageous adventure, which will require him to do everything he can to get the fish back and save the planet.
Gorka Vzquez Orka Fernndez se gradu en Bellas Artes en 1998, con especialidad en Artes Audiovisuales. Mientras estudiaba Bellas Artes, dirigi varios cortometrajes. Amor de Madre es, hoy en da, el ms premiado de ellos. A lo largo de su carrera, trabaj como diseador multimedia y de sitios web, ms tarde, cambi el rumbo para trabajar en el mundo de dibujos animados televisados como Sandra the fairytale detective y Lola & Virginia.
Heiki Ernits has directed and designed 12 animated films and worked since 1997 together with Janno Pldma on such children TVseries and films as Tom and Fluffy, Lotte journey South, Ladybirds Christmas, Concert for a carrot pie, Lotte from Gadgetville and Lotte and the moonstone secret.
Sinopsis Opil hates fish. His mother, in a desperate attempt to stopping him from devouring junk food, serves him a special dish: The Wish Fish. But he does not believe in fairy-tales and takes it as a joke: I wish some extraterrestrial mutants would take away all the fish on the planet. The following morning, the troops of the wicked Saturn come to Earth with their starships to suck all the oceans away along with their fish, creating chaos and leaving the world on the verge of mass destruction. With the help of Captain Mackerel, his daughter Marina and the Vixen of White
Gorka Vzquez Orka Fernndez graduated in Fine Arts in 1998 specialising in Audiovisuals Arts. While studying Fine Arts he directed several short films. Amor de Madre is to date the most awarded between them. During his career, he has worked as a multimedia and website designer; later on he switched to the world of cartoon animation in TV shows such as: Sandra, The fairytale detective and Lola & Virginia.
Ivn Oneka trabaj en varias pelcu-
El prncipe y el lobo
6y +
las animadas como Director Artstico, entre ellas Anj, la leyenda del Pirineo, Betizu Izar Artean, Los Balunis en la Aventura del fin del mundo, y Olentzero y el tronco mgico.
The Prince and the Big Grey Wolf (Ivan Tsarevitch I Seriy Volk)
Rusia/Russia , 2011, 80 Director: Vladimir Toropchin Guin/Script: Alexander Boyarsky Productor/Producer: Alexander Boyarsky - Melnitsa Animation ., Serge Sel`yanov - Our Studio ltd. Cinema Ltd. Dibujos/Animation: Alexandra Shokha, Ekaterina Ryabkova,Olga Permyakova Evgeniya Troinyatnikova Msica/Music: Valentin Vasenkov Distribuidor/Distributor: Serge Sel`yanov - Our Cinema Ltd. (Doblada al espaol) Sinopsis rase una vez, en algn reino, en algn Estado, una muchacha, Vasilisa,
la hija del duque. Vasilisa lo tena todo, era tan hermosa como inteligente. Slo haba un problema con ella:no quera casarse en absoluto! Su meta era seguir estudiando, terminar la universidad. As, el duque decidi presentarla al primer hombre que se cruzara por su camino que result ser el simpln Ivn, quien viva en el reino vecino. Ivn no se convertira tan rpido en el marido de la hija del duque. An deba pasar la prueba mgica. As es como Ivn y su ayudante, el gran lobo gris, emprenden la mayor aventura jams vista en aquel reino lejano.
First, he has to pass the magic trial. Thats when Ivan and his helper, the Big Grey Wolf, embark on the greatest adventure in that faraway Kingdom.
Ivn Oneka worked In several animated films as an Art Director, such as Anj, the legend of the Pyrenees, Betizu Izar Artean, The Balunis in the adventure to the end of the world, and Olentzero and the magic trunk.
Sinopsis Once upon a time, in a nameless Kingdom, in a nameless State, there lived a pretty girl, Vasilisa, the Dukes daughter. Vasilisa had it all, both beauty and intelligence. The only thing was she didnt wanted to get married at all! She wanted to keep studying, to finish University. All the same, the Duke decided he would give her out for marriage to the first man that crossed his way... which turned out to be the simpleton Ivan, who was living in the next Kingdom. Ivan is not going to become the husband of the Dukes daughter quite so easily.
Vladimir Toropchin ha trabajado como animador en distintos estudios y en varias pelculas, como Aventuras en la Ciudad de Esmeralda y Pequeo narign. Antes de dirigir El Principe y el Lobo, dirigi el largometraje animado Ilva y el ladrn.
Vladimir Toropchin has worked as an animator in many studios for various films, such as Adventures in the Emerald City and Little Longnose. Before directing The Prince and the Big Grey Wolf, he directed the feature animation film Ilva and the Robber.
La Revolucin de Juan Escopeta

11 y +
The Revolution of Juan Escopeta (La Revolucin de Juan Escopeta)

Mxico/Mexico , 2012, 92 Director: Jorge A. Estrada Voces/Voices: Joaqun Coso, Ulises Nieto, Dolores Heredia, Blanca Guerra, Carlos Cobos, Julieta Egurrola, Pedro Plasencia, Bruno Bichir Guin/Script: Jorge A. Estrada, Alfredo Castaeda Productor/Producer: Dulce Kuri, Ricardo Arnaiz, Jorge A. Estrada Animacin/Animation: Nathan Sifuentes Msica/Music: Jorge Calleja Montaje/Edition: Gabriel Villar, Fedro Ramos, Marcos Bonilla, Jorge Estrada Distribuidor/Distributor: Monoduo Films (Hablada en espaol)
Sinopsis En 1914, durante la poca de la Revolucin Mexicana por la que luchan Emiliano Zapata y Pancho Villa. En un pueblito minero del Estado de Guanajuato vive un nio de once aos al que todos llaman Gapo. A raz de un suceso inesperado, Gapo decide ir en busca de su hermano mayor el Damin, un hroe revolucionario. Pero no viajar solo, con l ir Juan Escopeta, pistolero a sueldo con una misin crucial en la historia.
ious prizes. Together with Alfredo Castaeda, he founded Aeroplano Films, a production house which, in 2011, released his first film as a director: The revolution of Juan Escopeta.
Sinopsis In Mexico, 1914, Emiliano Zapata and Pancho Villa fight for the Mexican Revolution. In a forgotten small mining town lives an eleven year old boy named Gapo. One day the army raids his town, searching for Gapos older and only brother, a revolutionary outlaw. Gapo decides to travel north of the country, to find his brother, named the Damin, an revolutionary heroe. But hes not traveling alone. Juan Escopeta, a gunman for hire with a mission, joins him on his quest.
Jorge A. Estrada es egresado del CUEC-UNAM. Fue invitado al Berinale Talent Campus 2006. Ha publicado cinco libros de literatura infantil y escrito guiones para cortos y largometrajes que obtuvieron diferentes reconocimientos. Fund, con Alfredo Castaeda, Aeroplano Films, empresa productora con la que produce en el 2011 su pera prima como director: La revolucin de Juan Escopeta.
DERECHO...
Jorge A. Estrada is a graduate of the Cinematographic Studies Centre at the National Autonomous University of Mexico. He was invited to take part in the Talent Campus at the 2006 Berlinale Film Festival. He has published five books of childrens literature, and written scripts for both short- and feature-length films which have been awarded with var-
Dulces Sueos
Sweet Dreams
Cortometrajes Short Films
Imperfecta
Flawed (Imparfaite)
Algo se llevan, algo se dejan

Something Left, Something Taken (Something Left, SomethingTaken)
Kostya
Kostya (Kostya)
Algo se llevan, algo se dejan

11 y +
Sinopsis Todos los que entran en una escena del crimen dejan algo y se llevan algo. Algo se deja, algo se lleva es un cortometraje animado de humor negro sobre una pareja en sus vacaciones, con un hombre que ellos creen parece ser el Asesino del Zodaco. Sinopsis Everyone who enters a crime scene leaves something behind and takes something away. Something Left, Something Taken is an animated dark comedy about a vacationing couples encounter with a man they believe to be the Zodiac Killer. Max Porter y Ru Kuwahata son conocidos por sus animaciones pcaras y humorsticas que combinan distintas tcnicas. Combinan arte artesanal y fotografa con tcnicas digitales. Desde que empezaron a trabajar juntos en el 2007, Max y Ru han dirigido publicidades para la televisin, videos de msica y pelculas independientes. Su obra ha ganado varios premios y ha sido mostrada en ms de 200 festivales en todo el mundo.
Cmo se baan las gamucitas

How The Shammies Bathe (Ka Lupatini mazgajas)
Mi nombre es Bradford Dillman

Being Bradford Dillman (Being Bradford Dillman)
Something Left, Something Taken (Something Left, Something Taken)

Estados Unidos/United States , 2010, 1013 Director: Max Porter y Ru Kuwahata Voces/Voices: Max Porter, Ru Kuwahata, Kyle McKeveny, Mickey Ryan,Tatiana Gomberg, Guin/Script: Max Porter & Ru Kuwahata Productor/Producer: Max Porter & Ru Kuwahata Animacin/Animation: Max Porter & Ru Kuwahata Msica/Music: Erin Kilkenny, Andrew Landry, Andy Kennedy, Panic Bomber, Alex & Alison, Peter Squires (Subtitulada en espaol)
Corrida
Corrida (Korida)
Ormie
Ormie (Ormie)
El rbol Umdoni
The Umdoni tree (El rbol Umdoni)
Piedras Voladoras
Stoneflies (Steinfliegen)
El pollo Cazador
Chicken Chasseur (Duo de volailles, Sauce chausseur)
Rising Hope
Rising Hope (Rising Hope)
El prncipe Rata
Prince Rat (Prinz Ratte)
Ruedas, tiritas y piruletas

Wheels, Band-aids and Lollipops (Ruedas, tiritas y piruletas)
Eskimal
Eskimo (Eskimal)
Soy redondo
I Am Round (Jag r rund)
y descubren un monstruo que vive detrs de la puerta del bao, as conocen a Aguasalpica. Sinopsis What should one do upon hearing scary drip-drop sounds coming from a dark room? The Shammies Mitten, Pillow, Hanky and Sockie decide to take a bath. One by one they toddle down the stairs to discover a monster who lives behind the bathroom door, and get acquainted with Splashy Water.
Cmo se baan las gamucitas

4y+
Edmunds Jansons was born in 1972 in Latvia. He graduated from the Latvian Academy of Culture. He has directed many animation films, like Springtime in Varnu Street (Pavasaris Varnu iela), Little Birds Diary (Ci a acim), Scissorman (kergriezis), and White (Balta).
Max Porter and Ru Kuwahata are known for their playful and humorous mixed-media animations. They combine handcrafted art, photography and digital techniques. Since they began collaborating in 2007, Max and Ru have directed TV commercials, music videos and independent films. Their work has won numerous awards and screened in over 200 festivals worldwide.
How The Shammies Bathe (Ka Lupatini mazgajas)

Latvia/Latvia, 2010, 7 Director: Edmunds Jansons Guin/Script: Inese Zandere Productor/Producer: Sabine Andersone Animador/Animator: Martin Dumin Msica/Music: Jekabs Nimanis Montaje/Edition: Edmunds Jansons Atom Art (Doblada en espaol) Sinopsis Qu debemos hacer cuando escuchamos el tenebroso sonido del agua goteando en un cuarto oscuro? Los Shammie Mitn, Almohada, Pauelo y Media deciden darse un bao. Uno a uno, bajan las escaleras
DERECHO...
Edmunds Jansons naci en 1972 en Letonia. Se gradu de la Academia Letona de Cultura. Ha dirigido muchas pelculas animadas, como "Primavera en la Calle Varnu", "Diario de un Pajarito", "Hombre de Tijeras" y "Blanco".
Corrida
4y+
su vida. Al encontrar un lugar al resguardo del toro enfurecido, el torero utiliza su celular para pedir ayuda. El Equipo de Rescates recibe su llamada. Es su primera llamada desde Europa. En su nuevo avin de color amarillo, tres hombres valientes van en una misin de rescate... Sinopsis A bull fight takes place in the main bullring in Madrid, the capital of Spain. This time, however, the bullfighter is not as successful as usual and must run away to save his life. Finding a safe place from the angry beast, the bullfighter uses his mobile phone to call for help. The Rescue Team receives his distress call.
El rbol Umdoni
9y+
Corrida (Korida)
Latvia/Latvia, 2012, 7 Director: Janis Cimermanis Guin/Script: Maris Putnin Animacijas Brigade Productor/Producer: Maris Putnin Direccin de Arte/Art Director: Maris Putnin Editor/Editor: Janis Cimermanis, Evalds Lacis Msica/Music: Marcus Sauermann Distribuidor/Distributor: Studio Soi (Silente) Sinopsis Una corrida de toros se desarrolla en la Plaza de Toros de Madrid, la capital espaola. Esta vez, el torero no tiene el mismo xito que suele tener y se ve obligado a correr por
The Umdoni tree (El rbol Umdoni)

Janis Cimermanis dirigi el largometraje "Comprar tu marido!" y las pelculas animadas "Tigre", "Karu Tuleb!", "El letn", "Los tres mosqueteros", "Poema sobre el trillar" y "El pequeo caballero" entre otras. Espaa/ Spain, 2011, 5 Director: Csar Desmond Fernandez Elenco/Cast: Gustavo Cornilln, Mara Alch Guin/Script: Cesar Desmond Fernndez Productor/Producer: Emilio Lujn ESDIP Escuela de Arte Fotografa/Photography: Eduardo Elosegi Msica/Music: Raul Huelves Montaje/Edition: Eduardo Elosegi Direccin de arte/Design Production: Cesar Desmond Fernndez Animacin/Animation: Cesar Desmond Fernndez, Mauro di Tullio Distribuidor/Distributor: ESDIP Escuela de Arte (Silente)
Janis Cimermanis directed the feature I'll Buy Your Husband!, and the animation films: "Tiger", "Karu Tuleb!", "The Latvian", "The Three Musketeers", "Poem About Threshing" and "The Little Knight", amongst others.
Sinopsis En el corazn de Sudfrica, Nandi y su hija Mbali viven solas y trabajan muy duro en los campos.
Sinopsis In the heart of South Africa, Nani and her daughter Mbali live alone and work hard in the fields.
El pollo Cazador
9y+
Sinopsis Life hangs by a thread. Sometimes, it is none other than an old floor lamp switch. The question (of life and death) is: should the light stay on or off? The exploration between hunter and prey, will be revealed with music.
El prncipe Rata
4y+
Chicken Chasseur (Duo de volailles, Sauce chausseur)

Blgica/ Belgium , 2011, 6 Director: Pascale Hecquet Guin/Script: Pascale Hecquet Productor/Producer: Thierry Zamparutti Ambiances. Animacin/Animation: Pascale Hecquet Msica/Music: Pierre Gillet Montaje/Edition: Valrie Capoen (Silente) Sinopsis La vida pende de un hilo. A veces, depende solamente de un viejo interruptor. La cuestin (tanto de la vida como de la muerte) es: mantenemos la luz encendida, o la apagamos? La exploracin entre cazador y vctima se desarrolla al ritmo de la msica.
Prince Rat (Prinz Ratte)

Alemania/Germany, 2011, 1430 Director: Albert Radl Guin/Script: Albert Radl Productor/Producer: Johann Frank, Albert Radl Animacin/Animation: Albert Radl, Michael Hughes Montaje/Edition: Andreas Fette Msica /Music: Thorsten Schreiner (Silente) Sinopsis El prncipe Rata es un cuento de hadas con todo lo que tiene que haber en un cuento de hadas: un castillo, una princesa, un prncipe, un dragn, un admirador secreto y profundas emociones. Pero tambin tiene un final inesperado y un mensaje poco
Csar Desmond Fernandez estudi animacin en la Escuela Superior de Dibujo Profesional (ESDIP) de Madrid. El rbol Umdoni es su primer cortometraje.
Pascale Hecquet es una directora belga de cine animado. Antes de El pollo cazador, dirigi los cortometrajes La leyenda del repollo, Una jirafa en la lluvia y La terquedad de Iris.
Csar Desmond Fernandez studied animation in the Advanced College of Professional Drawing (ESDIP) in Madrid. The Umdoni Tree is his first short film.
Pascale Hecquet is a Belgian director of animated Films. Before Chicken Chasseur, he directed the short films La lgende du chou, Une giraffe sous la pluie and Lobstination dIris.
comn sobre los pequeos hroes y los grandes deseos...
conservar el Gran Glaciar, enfrentndose a una inminente catstrofe producida por un mundo industrializado.
Sinopsis The Prince Rat is a fairy tale with all the necessary ingredients: A castle; a princess; a prince; a dragon; a secret admirer and deep emotions, but also with an unexpected ending and an uncommon truth about little heroes and great desires...
Eskimal
4y+
Sinopsis Eskimo and Morsa work together to preserve the Great Glacier, facing imminent disaster brought on by the industrialized world.
versity with a degree in Design and Visual Communication. From 2008 to 2011 he wrote, directed and produced his first short animated film, Eskimo. He works mostly in photography and animation areas.
Eskimo (Eskimal)
Mxico/Mexico , 2011, 9 Director: Homero Ramrez Tena Guin/Script: Homero Ramrez Tena Productor/Producer: Homero Ramrez Tena, Sem Aser Prez Animacin/Animation: Laura Torres, Beatriz Rojas, Homero Ramrez, Sem Aser Prez, Eder Navarro, Antonio Torres Msica/Music: Csar Urbina Gonzalez Direccin de Arte /Art Direction: Citlalin Arcos Mndez Montaje/Edition: Homero Ramrez Tena (Silente) Sinopsis Eskimal y Morsa trabajan juntos para
DERECHO...
Albert Radl naci en Dsseldorf, Alemania. Estudi diseo grfico en la Universidad de Ciencias Aplicadas en Augsburgo. Trabaja como ilustrador, animador y director para cine, series e internet.
Albert Radl was born in Dsseldorf, Germany. He studied Graphic Design at the University of Applied Sciences in Augsburg. He is working as an illustrator, animator and director for film, serial and internet.
Homero Ramrez Tena se gradu en la Escuela Nacional de Artes Plsticas de la UNAM en Diseo y Comunicacin Visual. Entre 2008 y 2011 escribi, dirigi y produjo su primer cortometraje animado, Eskimal. Homero trabaja principalmente en las reas de fotografa y animacin.
Homero Ramrez Tena graduated from the National College of Plastic Arts at Mexicos National Autonomous Uni-
Aqu la guionista Dorfman permite que sus guiones grficos se conviertan en el contenido de la pelcula. El resultado es puro y nuevo, como si estuviramos presenciando no solo el nacimiento de un amor, sino de la pelcula misma.
Nueva Escocia y es co-creadora de Blowhard, una serie de cuentos que ha desarrollado en Halifax durante los ltimos dos aos.
Imperfecta
11 y +
Flawed (Imparfaite)
Canad/Canada, 2010, 1228 Director: Andrea Dorfman Guin/Script: Andrea Dorfman, Julia Kent Narracin/Narration: Andrea Dorfman, Fanny La Croix Productor/Producer: Kent Martin, Annette Clarke Dibujos (animacin)/Cartoons(animation): Andrea Dorfman Msica/Music: Dorval (Subtitulada en espaol) Sinopsis De muchas maneras, Imperfecta es un tributo al arte de contar cuentos y un homenaje al guin grfico, una manera de dibujar los escenarios y perfilar la lnea dramtica del cuento.
Sinopsis In many ways, Flawed is both a tribute to the art of animation and a homage to storyboarding, a way of rendering scenes while pointing the way to the dramatic arc of the tale. Here Dorfman lets her colourful storyboards shape up into the very content of the film. The result is pure and fresh, as if we were watching the birth not only of love but of the film itself.
Andrea Dorfman es artista y cineasta de Halifax, Nueva Escocia. Ha producido varias pelculas experimentales y dramticas, adems de dos largometrajes, Das de perejil y Ama a ese chico. Dorfman tambin ha producido un largometraje documental, Zorras. Actualmente est trabajando en su tercer largometraje, Armona. Adems de hacer pelculas, ensea cine y video en el Colegio de Artes y Diseo de
Kostya
4y+
Kostya (Kostya)
Rusia/ Russia , 2012, 544 Director: Anton Dyakov
Andrea Dorfman is an artist and filmmaker based in Halifax, Nova Scotia. She has made numerous short experimental and dramatic films as well as two feature films, Parsley Days and Love That Boy. Dorfman also made a full-length documentary, Sluts. She is also in development with her third feature film, Harmony. Aside from making films, she teaches film and video part time at the Nova Scotia College of Art and Design and is the co-creator of Blowhard, a thematic storytelling series running in Halifax for the past two years.
Guin/Script: Anton Dyakov Productor/Producer: Lyubov Gaidukova - School - Studio SHAR Dibujos (animacin)/Cartoons (animation): Anton Dyakov Direccin de arte/Design Production: Anton Dyakov Msica/Music: Anton Dyakov Montaje/Edition: Anton Dyakov (Silente) Sinopsis Nuestra historia empieza en el cementerio, donde el esqueleto Kostya llega al mundo. Como un nio feliz, Kostya va en busca de su
incierto futuro que, claro est, promete ser brillante. La audencia se convierte en testigo de las aventuras de Kostya en la megaciudad moderna.
primer cortometraje animado como director fue Bach.
Sinopsis Our story starts at the cemetery, where the skeleton Kostya comes into the world. Like a happy child, Kostya goes to meet an unknown and, of course, bright future. We become witnesses of Kostyas adventures in the modern megacity.
Anton Dyakov was born in 1980 in Alma-Ata, Kazakhstan. He graduated from Alma-Ata State University as an artist. In 2010 he graduated from the SHAR School-Studio of animation cinema as an animation director. The first animation short he directed was Bach.
Mi nombre es Bradford Dillman

11 y +
Sinopsis Mi nombre es Bradford Dillman es un cuento de humor negro sobre una madre y su hija, y su relacin opacada por el alcohol, la soledad y el hecho de que a la hija no le gustan los chicos.
Being Bradford Dillman (Being Bradford Dillman)

Reino Unido/ United Kingdom , 2012, 1020 Director: Emma Burch Voces/Voices: Natasha Holberton, Morwenna Banks Guin/Script: Emma Burch, Pete Williamson Productor/Producer: Emma Burch Animador/Animator: Daniella Orsini, Jenny Lewis, Dave Loh Fotografa/Photography: Peter Ellmore Msica/Music: Street Furniture Music Montaje/Edition: Tim Fulford (Subtitulada en espaol)
Sinopsis Being Bradford Dillman is a dark and homourous tale of a mother and daughter relationship shadowed by alcohol, loneliness and a dislike of boys.
Anton Dyakov naci en 1980 en Alma-Ata, Kazajstn. Se gradu de la Universidad del Estado Alma-Ata como artista. En 2010 se gradu del SHAR Colegio-Estudio de animacin como director de animacin. Su
Emma Burch estudi Prcticas Periodsticas Contemporneas en la Universidad de Westminster, Londres. Despus de graduarse en el 2001, empez a trabajar en Loose Moose. Fue ah donde encontr con su pasin por la animacin y, junto con Pete
Williamson, empez a desarrollar Mi Nombre es Bradford Dillman, basado en una historia de su niez. Es su primer cortometraje. Actualmente, Emma trabaja como Productora de Animacin en Londres y sigue desarrollando ideas para cortometrajes animados.
los intentos de Ormie por conseguir el sabor dulce de su obsesin.
Ormie
4y+
Emma Burch studied Contemporary Media Practice at Westminster University, London. After graduating in 2001, she started work at Loose Moose. It was there she found her passion for animation and teamed up with Pete Williamson to develop Being Bradford Dillman based on a story from her childhood. It is her first short film. Emma currently works as an Animation Producer in London and alongside her day job, continues to develop short animated film ideas.
Sinopsis Ormie is a pig, in every sense of the word. Pig see cookie. Pig want cookie. But they are out of reach.... are they? See Ormies attempts to gain the warm sweet taste that is his obsession.
Rob Silvestri is an experienced Lead Animator. Robs directorial debut came with the animated short of his own creation, the award winning Ormie. With the film he won several prestigious festival awards, including from TIFFs Sprockets Kids Film Festival. Rob is currently working on several projects in development.
Ormie (Ormie)
Canad/Canada, 2010 , 3 Director: Rob Silvestri Guin/Script: Rob Silvestri Productor/Producer: Graham Moloy - Starz Animation Msica/Music: Sergio Prudencio Montaje/Edition: Matt Ahrens Arte/Art: Kevin R. Adams, Andrew Hickson, Olga Stern, Andrew Woodhouse Animacin/Animation: Lawrence Choi (Silente) Sinopsis Ormie es un cerdo, en todos sentidos de la palabra. Cerdo ve galletita. Cerdo quiere galletita. Pero estn fuera de su alcance... o no? Veremos
Rob Silvestri es un experimentado Jefe de Animacin. Su debut como director fue con este cortometraje que tambin escribi, Ormie. Con esta pelcula gan varios premios prestigiosos, incluso del Sprockets Festival de Cine Juvenil de TIFF. Actualmente se encuentra trabajando en el desarrollo de varios proyectos.
de poder lograrlo. En el camino, se encuentra con varias piedras a las que les pregunta sobre el arte de volar, pero ninguna es capaz de ayudarlo. Cuando ya no tiene ms esperanzas, se encuentra con una nia y su sueo se convierte en realidad...
Piedras Voladoras
4y+
Stoneflies (Steinfliegen)
Alemania/Germany, 2011, 1450 Director: Anne Walther Guin/Script: Anne Walther Productor/Producer: Anne Walther Animacin/Animation: Anne Breymann, Ines Christine Geier, Andrea Trautwein, Tandie Langton, Elie Chapuis Msica/Music: Peer Kleinschmidt (Doblada en espaol) Sinopsis Ferdi, un joven plecptero, vive con sus padres en una pequea isla. Los insectos de su especie no pueden volar; pesan demasiado para poder ser llevados por sus alas. Pero el sueo de Ferdi es volar, por lo cual emprende un viaje con la esperanza
Sinopsis On a little island live Ferdi, a little boy stonefly, and his parents. Stoneflies cannot fly; they are too heavy and their wings can not carry them. But Ferdis biggest wish is to fly. So he sets out to a journey to learn how to fly. On his way he meets several stones which he asks about the art of flying, but none of them is really able to help him. When he has already given up all hope and accepted his fate, he meets a little girl and his dream comes true...
Anne Walther naci en 1976 en Espira, Alemania. Se gradu de la Escuela de Arte de Kassel con especialidad en Cine y Animacin. Ha escrito y dirigido varios cortometrajes, como 180C El Amor Tiene Muchas Recetas, Episodio 30 y Axel y el Nmero 60.
Rising Hope
9y+
Anne Walther was born in 1976 in Speyer am Rhein, Germany. She graduated from the Kassel Art School with focus on Film and Animation. She has written and directed many shortfilms, like 180C - Die Liebe kennt viele Rezepte (180 degrees, Love knows many recipes), Episode 30 (Episode 30), and Axel und die Zahl 60 (Axel and the number 60).
Rising Hope (Rising Hope)

Alemania/Germany, 2012, 10 Director: Milen Vitanov Guin/Script: Vera Trajanova, Milen Vitanov Productor/Producer: Milen Vitanov Talking Animals Animacin/Animation: Milen Vitanov, Lars Krger, Martin Freitag, Nikolai Neumetzler, Michael Herm Fotografa/Photography: Olaf Aue Msica/Music: Stefan Maria Schneider, Marian Mentrup Distribuidor/Distributor: Milen Vitanov - Talking Animals (Silente) Sinopsis Rising Hope sola ser el caballo ms rpido del mundo pero, de repente,
empieza a perder carrera tras carrera. Con la ayuda de un nuevo amigo un galgo que todo lo puede Rising Hope recupera la esperanza, y con ella, a s mismo.
Sinopsis Hugo is happy riding his tricycle, until he meets Carol. From that moment on, he will do anything to impress her.
Sinopsis Rising Hope, who used to be the fastest horse in the world, suddenly turns into a loser. With the help of a new friend a jack-of-all-trades hound he finds hope and himself again.
Milen Vitanov naci en 1978 en Praga. Se gradu en Animacin de la Universidad de Cine y Televisin HFF Konrad Wolf en PotsdamBabelsburgo. Su cortometraje de graduacin, Mi final feliz ha sido mostrado en muchos festivales internacionales y ha recibido varios premios prestigiosos. En colaboracin con un grupo de sus ex-compaeros de la HFF y amigos, cofund el estudio Talking Animals Animation en Berln.
Ruedas, tiritas y piruletas

4y+
tion short My Happy End has participated in many international festivals and received numerous prestigious awards. Together with a group of fellow HFF graduates and friends he co-founded the Talking Animals Animation Studio in Berlin.
Wheels, Band-aids and Lollipops (Ruedas, tiritas y piruletas)

Espaa/ Spain, 2010, 8 Director: Mara Medel Guin/Script: Maria Medel Productor/Producer: Emilio Lujn Animacin/Animation: Mara Medel Rodrguez, Vctor Lorenzo Pinel, Amanda Gil, Carlos Molina, Nacho Subirats, Nacho Pesquera, Antonio Isardo, Pablo Jimnez Msica/Music: Raul Huelves Editor/Editor: Eduardo Elosegi (Silente) Sinopsis Hugo es feliz jugando con su triciclo. Hasta que conoce a Carol. A partir de entonces, har cualquier cosa para impresionarla. Mara Medel estudi animacin en la Escuela Superior de Dibujo Profesional (ESDIP) de Madrid. Ruedas, tiritas y piruletas, es su primer cortometraje.
Mara Medel studied animation in the Advanced College of Professional Drawing (ESDIP) in Madrid. Wheels, Band-aids and Lillipops is her first short film.
Milen Vitanov was born in 1978 in Prague. He graduated in Animation from the University of Film and Television HFF Konrad Wolf in Potsdam-Babelsberg. His gradua-
encuentra con Alex. l es igual que ella: redondo.
Soy redondo
11 y +
I Am Round (Jag r rund)

Suecia/ Sweden, 2011, 1330 Director: Mario Adamson Guin/Script: Mario Adamson Productor/Producer: Mario Adamson - Medusa Production Animacin/Animation: Rikard Gartmyhr, Charlotte strm Msica/Music: Mario Adamson Montaje/Edition: Adam Georgiou (Subtitulada en espaol) Sinopsis Como todos, Mathilda nace redonda. A diferencia de los dems, no puede o no quiere pasar a ser cuadrado. A medida que crece, intenta adaptarse a los criterios de la gente cuadrada, pero sin xito. Un da, en su aburrido trabajo, se
Sinopsis Like everyone else Mathilda is born round. Unlike everyone else she cant or wont become become square. Once she grows up, she tries to adapt to the square standards, but without success. One day at her boring work she finally meets Alex. He is just like she is round.
ces, trabaj principalmente como diseador de sonido, sonidista de campo y compositor independiente en muchos largometrajes, documentales y cortometrajes.
Mario Adamson was born in 1976 in Stockholm. His roots are in two cultures, due to his Swedish mother and Greek father. He has studied film at Stockholm Film School and sound for film at Dramatiska Institutet in Stockholm. In 1999 Mario started Medusa Productions and has since then worked primarily as a freelance sound designer, field recordist and composer on a great number of features, documentaries and shorts.
Mario Adamson naci en 1976 en Estocolmo. Sus races provienen de dos culturas, debido a su madre sueca y su padre griego. Estudi cine en el Colegio de Cine y se especializ en Sonido para Cine en el Dramatiska Institutet, ambos en Estocolmo. En 1999 Mario fund Medusa Productions y desde enton-
Competencia Oficial > Nueva Mirada I Film Official Competition > New Approach
Nueva Mirada
New Approach
Videos realizados por nios de escuelas de cine y video. Videos made by children from schools of film and video
be presentar como trabajo final de su ltimo ao de secundaria una posible respuesta a la crisis educativa actual. Es as como construye la figura de Mr. Watson, una caricatura grotesca de las ms austeras y conservadoras conductas, un prototipo de detective de moral extrema, contratado para impartir el orden en las aulas de manera represiva y violenta como posible solucin al problema. Pero Watson no tardar en verse atrapado en las emotivas redes del amor, que le mostrarn un modo mucho ms verdadero de interactuar con nuestros semejantes. CLUBJOVENTV es el nombre que nuclea a todos los integrantes (jvenes de 12 a 18 aos) de los talleres de cine y video que ofrecen las escuelas pblicas de la capital. CLUBJOVENTV nace en diversas escuelas bajo el programa Club de Jvenes y Chicos, del Ministerio de Educacin de la CABA. Con una trayectoria de ms de diez aos, los jvenes participantes han transitado por mltiples formatos televisivos y cinematogrficos, teniendo al da de la fecha mas de 200 audiovisuales realizados. Entre ellos, su primer largometraje Mr. Watson.
ARGENTINA Largometraje Feature Film
Mr. Watson
11 y +
Mr. Watson
Mr. Watson (Mr. Watson) Mr. Watson (Mr. Watson)
Argentina/Argentina, 2012, 1h42 Director/Director: ClubjoventvTalleres de cine y video Elenco/Cast: Mariano Statello, Daniela Aragn, Beln Garca, Alejandro Ochoa Guin/Script: Clubjoventv Productor/Producer: German Chiodi Laboheme Msica/Music: Orquestas infanto juveniles Montaje/Edition: Clubjoventv Direccin de arte/Design Production: Clubjoventv. (Hablada en espaol) Sinopsis Nelson, el alumno diez del colegio, de-
Sinopsis Nelson, a straight-A student at school, has to present, as his final piece of work for his last year at secondary school, a solution to the educational crisis. As one solution to the problem, he creates the character of Mr. Watson, a grotesque caricature of his most austere and conservative traits, a prototype of a highly moral detective who is contracted to restore order to classrooms in a repressive and violent manner. But its not long before Watson finds himself trapped by the emotional ties of love, which will show him a truer way of interracting with our fellow men.
CLUBJOVENTV is the name for all the members (between 12 and 18 years of age) of the film and video workshops offered by public schools within the City of Buenos Aires. CLUBJOVENTV was born in various schools under the banner of the Club for Young People and Children, run by the City of Buenos Aires Education Ministry. Having been running for over ten years, the youngsters participating have used multiple television and cinematographic formats, having, up to now, produced over two hundred audiovisual productions. Among these is the organisations first feature film, Mr. Watson.
Nueva Mirada
New Approach
Videos realizados por nios de escuelas de cine y video. Videos made by children from schools of film and video
Humpty Dumpty busca venganza
China
Mxico
Humpty Dumpty looks for Revenge (Humpty Dumpty busca Venganza)
El duende nariz hueca Sueo de Navidad
La batalla de los monstruos Pint la revolucin
Snub-nosed Elf (Snub-nosed Elf)
El burrito y el caballo La ardilla coqueta Los ltimos pinginos
The donkey and the horse (El burrito y el caballo)
The battle of the monsters (La batalla de los monstruos)
Cortometraje/ Short Film
Christmas Dream (Christmas Dream)
The Vain Squirrel (La ardilla coqueta)
Argentina
Painting the Revolution (Pint la revolucin)
Espaa
Escapada Miradas que escuchan
Callate y salud El Misterio del Valle El rey avaro Encrucijada
Shut Up And Wave Goodbye (Callate y salud)
Blgica
Escape (Escapada)
The Last Penguins (Los ltimos pinginos)
Pizza poderosa y miedosa
Moussa, una nueva amistad
The Mystery of The Valley (El Misterio del Valle)
A new friendship (Moussa, naissance d'une amiti)
Gazes that listen (Miradas que escuchan)
A Powerful and Fearful Pizza (Pizza poderosa y miedosa)
Bolivia-Canad
Italia
Aprende animacin con Pasta Italiana
Portugal
The stingy King (El rey avaro)
El circo
Yo soy Beni!
Crossroads (Encrucijada)
Familia de la Eskina "Nueva generacin"
I am Blessed (Yo soy Beni!)
The Circus (O circo)
Italian Pasta Animation (Italian Pasta Animation)
Uruguay
Canad
Papelitos animados 1 y 2
Semana 28
The Family on the Corner "New Generation" (Familia de la Eskina "Nueva generacin")
Cartoons
Animated Little Papers (Cartini Animati)
Week 28 (Semana 28)
Cartoons (Cartoons)
Hrcules en el inframundo
Hercules in the Underworld (Hrcules en el inframundo)
transita por la conversacin de los dos, de manera cmica y delirante.
ARGENTINA Callate y salud

11 y +
Sinopsis A boy, navely and sweetly, asks his father how he came into the world. In the face of the continuing questions, the father tries to respond by calling on the boys still forming imagination. Using the classic style of the first silent short films, this story relates the conversation between the two in a comic and delirious way.
Sinopsis El misterio del Valle es la adaptacin del Relato El Misterio del Valle de Boscombe de Sir Arthur Conan Doyle.
El rey avaro
6y+
The stingy King (El rey avaro)

Argentina/Argentina, 2011, 312 Director/ Director/Guin/ Script: Alumnos Taller de Animacin para Nios Martinelli, Buenos Aires Coordinacin: Roco Dalmau (Hablada en espaol) Sinopsis En la Edad Media, un rey manda a talar el bosque para agrandar su castillo. Esto har huir a los animales del bosque y despertar al dragn...
Shut Up And Wave Goodbye (Callate y salud)

Argentina/Argentina, 2011, 719 Director/Director/Guin/ Script: Alumnos de Clubjoventv - Talleres de cine y video. Escuela Garcia Lorca, Buenos Aires Coordinacin: German Chiodi (Hablada en espaol) Sinopsis Un nio pregunta a su padre el modo en que vino al mundo con cierta ingenuidad y ternura. Ante la seguidilla de preguntas, el padre intenta responderle sirvindose de la propia imaginacin del nio. Construido con el estilo clsico de los primeros cortometrajes del cine mudo, el relato
El Misterio del Valle

11 y +
The Mystery of The Valley (El Misterio del Valle)

Argentina/Argentina, 2011, 1017 Director/Director/Guin/Script: Ignacio Gudi, Ian Boyanovsky Bazan, Facundo Rodrguez Valsagna, Rocio Steidel, Carolina Rossi, Juan Manuel Fernandez Bravo, Diez Beltrn Francisco, del Taller de Cine El Mate, Buenos Aires. Coordinacin: Lucia Cano del Taller de Cine El Mate, Buenos Aires. (Hablada en espaol)
Sinopsis The Mystery Of The Valley is an adaptation of the story The Boscombe Valley Mystery, by Sir Arthur Conan Doyle.
Sinopsis In the Middle Ages, a king sends for part of his forest to be cut down to allow him to extend his castle. The animals who live in the forst flee, and awake a nearby dragon...
which offers various possibilities and in which we must decide which one to take. The world of drugs leads us to a crossroads, in which we must decide our own path.
Encrucijada
11 y +
Familia de la Eskina Nueva generacin

11 y +
los jvenes conformaron el grupo de Hip Hop La Familia De La Eskina. Ellos mismos escribieron la letra del tema, cantaron, grabaron en video y editaron el vdeoclip. En la cancin nos hablan de su bsqueda de la identidad y de cmo es ser hoy, un joven Toba en la Comunidad Daviaxaiqui del gran Buenos Aires.
Crossroads (Encrucijada)
Argentina/Argentina, 2011, 8 Director/ Director/Guin/ Script: Alumnos del Taller Multimedia Biblioteca Popular y Centro Cultural Gral San Martn, Crdoba. Coordinacin: Marcos Barrera (Silente) Sinopsis Una Encrucijada es un cruce de caminos, es enfrentarnos a una situacin que ofrece varias posibilidades donde uno debe decidir cul tomar. El mundo de las drogas nos pone ante una Encrucijada donde hay que elegir el camino a tomar.
The Family on the Corner New Generation (Familia de la Eskina Nueva generacin)
Argentina/Argentina, 2011, 448 Director/Director/Guin/ Script: Grupo Familia de la Eskina (Jvenes de la Comunidad Qom Toba Daviaxaiqui, Buenos Aires. Coordinacin: Docentes del taller: Marcela Ruidiaz, Esteban Gaggino, de Secretara de Cultura de la Nacin (Hablada en espaol) Sinopsis El vdeoclip surge de la implementacin del Taller Cine Animado en Comunidades Indgenas de la Secretara de Cultura de la Nacin Argentina, durante el 2011. En el marco del taller
Sinopsis This music video comes from the implementation of the Animated Film in Indigenous Communities Workshop provided by the Argentine Secretary of Culture during 2011. As part of the workshop these young people formed the hip-hop group The Family On The Corner, writing the lyrics to the track, singing, recording and editing the music video. In the song the tell us about their search for identity and what it is like to live in the modern day as a Toba in the Daviaxaiqui Community in Greater Buenos Aires.
Sinopsis A crossroads is a branching out of paths, presenting us with a situation
Hrcules en el inframundo
6y+
Humpty Dumpty busca venganza

6y+
Hercules in the Underworld (Hrcules en el inframundo)

Argentina/Argentina, 2011, 406 Director/Director/Guin/ Script: Alumnos Taller de Animacin para Nios Martinelli, Buenos Aires Coordinacin: Roco Dalmau (Hablada en espaol) Sinopsis Hrcules vivir muchas aventuras mientras intenta rescatar a Persfone de las temidas garras de Hades.
Sinopsis Humpty Dumpty, the famous egg from the song Humpty Dumpty Sat On A Wall, lives sitting on a wall for a long time before he falls, but he knows that he couldnt have fallen without someone pushing him. Humpty Dumpty will have to discover who pushed him, and track them down to exact his revenge.
La batalla de los monstruos

6y+
Humpty Dumpty looks for Revenge (Humpty Dumpty busca Venganza)

Argentina/Argentina, 2011, 438 Director/Director/Guin/ Script: Lautaro Rengel Grosso, Francisco Seta LaSalle, Matas Dambrosi, Juan Ignacio Job, del Taller de Cine El Mate, Buenos Aires Coordinacin: Lucia Cano (Hablada en espaol) Sinopsis Humpty Dumpty, el conocido hombre huevo de la cancin Humpty Dumpty sat on a wall vivi sentado en un muro durante mucho tiempo hasta que se cay. Pero l saba que no pudo haberse cado solo; alguien tuvo que empujarlo. Humpty Dumpty tendr que descubrir quien lo tir y vencerlo para vengarse.
The battle of the monsters (La batalla de los monstruos)

Argentina/Argentina, 2011, 338 Director/Director/Guin/ Script: Alumnos del Taller del Coco, Buenos Aires. Coordinacin: Javier Cabrera (Hablada en espaol) Sinopsis Monstruos y humanos se pelean durante un partido de ftbol. Cuando los monstruos se queden sin comida, volvern al pueblo a buscar lo que necesiten.
Sinopsis Hercules has many adventures whilst trying to rescue Persephone from the fearful clutches of Hades.
Sinopsis Monsters and humans fight during a football match. When the monsters become hungry, theyll return to the village to find what they need.
Pint la revolucin
11 y +
Painting the Revolution (Pint la revolucin)

Argentina/Argentina, 2012, 337 Director/ Director/Guin/ Script: Malena Martnez, Adriana Pezzarini - de El Molinete Animacin, Santa Fe Coordinacin: Sofa Novaira (Silente) Sinopsis Un da ms que pasa en la vida de los tiles escolares. Todo parece normal hasta que un osado resaltador fucsia arremete contra una hoja en blanco y revoluciona el escritorio haciendo lucir su vivo color. Los dems tiles parecen reticentes a seguir los pasos del hroe, pero al fin se lanzan a la libertad y la diversin que tanto necesitaban.
Sinopsis Its just another day in the life of the school utensils. Everything seems normal, until a brave fuscia-coloured highlighter pen charges at a white sheet of paper and causes the other occupants of the desk to revolt and bring all their colour to life. The rest of the stationery items are reluctant, at first, to follow in the steps of our hero, but in the end they decide to aim for the liberty and the fun that they need so much.
BLGICA Moussa, una nueva amistad

6y+
BOLIVIA-CANADA Yo soy Beni!

11 y +
A new friendship (Moussa, naissance dune amiti)

Blgica/Belgium, 2010, 515 Director/Director/Guin/Script: 8 nios de Burkina Faso Coordinacin: Jean-Luc Slock y Dimitri Kimplaire Camera ETC, Lige (Doblada al espaol) Sinopsis Dos nios, nacidos en grupos tnicos distintos, descubren los hbitos y las costumbres del otro y se convierten en amigos.
I am Blessed (Yo soy Beni!)

Canad-Bolivia/Canada-Bolivia , 2011, 508 Director/ Director/Guin/ Script: Participantes en el taller de Equipo de Wakiponi Mobile Team, Montral Coordinacin: Nahka Bertrand (Hablada en espaol) Sinopsis En vsperas del carnaval, cientos de personas se renen en la plaza mayor de Trinidad, en Beni, para hacer playback a la cancin tradicional Yo Soy el Beni (I Am Blessed), interpretada por una joven celebridad local. Una cele-
Sinopsis Two children born in different ethnic groups discover each others habits and customs and become friends.
bracin de la diversidad cultural de Bolivia!
Sinopsis On the eve of the carnival, hundreds of people assemble on the central plaza of Trinidad, in Beni, to produce a lipsynch to the traditional song Yo Soy el Beni and sung by a young local celebrity. A celebration of the cultural diversity of Bolivia!
CANADA Cartoons
11 y +
CHINA El duende nariz hueca

6 y+
monos que se encuentran en las jaulas, Bang!, aparece un cazador con una arma apuntado a Man. Empieza la lucha y el cazador se va corriendo. Unos meses mas tarde, Man vuelve al rea con un coche lleno de monos de oro...
Cartoons (Cartoons)
Canad/Canada, 2011, 302 Director/Director/Guin/ Script: Participantes en el taller de Equipo de Wakiponi Mobile Team, Montral Coordinacin: Nahka Bertrand (Silente) Sinopsis Doce jvenes bailan como locos a un ritmo creciente.
Snub-nosed Elf (Snub-nosed Elf)

China/ China, 2011, 404 Director/Director/Guin/ Script: Chi Keung Wong Alumno de Shun Tak Fraternal Association Yung Yau College, Hong Kong Coordinacin: Ka Chun Chan (Silente) Sinopsis Man y su equipo van por una ruta cuando, de repente, aparece en el camino un mono de oro que corre rpido al bosque. Man empieza la persecucin y termina encontrndose en un lugar lleno de jaulas. Mientras intenta rescatar a los
Sinopsis Man and his team are on a road when, suddenly their path is blocked by a golden monkey, which immediately rushes into the forest. Man chases the monkey, and before long finds himself in a place with lots of cages. As he tries to save the monkeys which are in the cages Bang! a hunter appears with his gun pointed at Man. A struggle ensues, and the hunter is scared away. A few months later, Man returns to the area with a whole coach of golden monkeys...
Sinopsis A dozen youth dance up a frenzy to an uplifting beat.
Sueo de Navidad
6 y+
Christmas Dream (Christmas Dream)

China/ China, 2011, 304 Director/Director/Guin/ Script: Ming Leong Lee Alumno de Shun Tak Fraternal Association Yung Yau College Coordinacin: Ka Chun Chan (Silente) Sinopsis Haba una vez un nio que tuvo que volver solo a su casa. En el camino vio a otros nios con juguetes que sus padres les regalaron. Al pasar por una tienda de regalos, vio un juguete que le hubiera gustado tener. Triste, sigui caminando. En casa no haba nadie y tampoco haba regalitos en su media navidea. El nio solo quera celebrar Navidad con su familia. Su sueo se volver realidad...?
Sinopsis A long time ago, there was a child who had to walk home alone. On his way, he saw other children holding gifts given to them by their parents. He walked past a gift shop and saw a toy he would have liked to have, but saddened, he continued on his way. No-one was at home, nor was there any gift in his Christmas stocking. The boy just wanted to celebrate Christmas with his family. Would his wish come true...?
ESPAA Escapada
11 y +
Miradas que escuchan

11 y +
Gazes that listen (Miradas que escuchan)

Espaa/ Spain, 2011, 1016 Director/ Director/Guin/ Script: Alumnos de la Escuela Mestre Morera en el marco de Cinema en Curs, Barcelona Coordinacin: Nria Aidelman (Subtitulada en espaol) Sinopsis Ramona est a punto de acabar sexto, el ltimo curso de la escuela. No es fcil y la amistad con Zaida se resiente.
Escape (Escapada)
Espaa/Spain, 2011, 915 Director/Director/Guin/Script: Alumnos de la Escola Els Xiprers en el marco de Cinema en Curs, Barcelona Coordinacin: Nria Aidelman (Subtitulada en espaol) Sinopsis Sergi se est haciendo mayor y le duele que su madre lo trate como a un nio pequeo. Se rebela haciendo novillos en el instituto. Sinopsis Sergi is growing up, and his mothers habit of treating him like a little boy annoys him. He rebels by skiving off school.
Sinopsis Ramona is about to finish her final course at school. Its not easy, and her friendship with Zaida suffers.
rietas muy cortas. El resultado es una galera placentera de episodios minimalistas. Ms de cien nios rusos participaron en este taller de tres das durante el festival Big Cartoon en Mosc.
ITALIA Aprende animacin con Pasta Italiana

6y+
Italian Pasta Animation (Italian Pasta Animation)

Italia/Italy, 2011, 4 Director/ Director/Guin/ Script: Participantes del Taller del Instituto Comprensivo Ponte San Nicol, Moscow, Russia Coordinacin: Raffaella Traniello (Silente) Sinopsis Un cortometraje sobre la enseanza de la animacin a nios pequeos, usando la pasta como material principal. Los nios ms jvenes empezaron desde el caos y trabajaron con direccin y velocidad. Los nios mayores trabajaron en realizar histo-
Sinopsis A film about teaching animation to young children using pasta as material. The younger children started from chaos and worked on direction and speed. The older children worked on composition and micro-stories. The result is a pleasant gallery of minimalistic episodes. More than 100 Russian children participated in this 3 day workshop at the Big Cartoon festival in Moscow.
Sinopsis Una animacin sobre el reciclaje. Una hoja de papel normal entra al bosque. Una hoja de papel reciclado tambin entra. Los rboles descubren que las dos hojas no son iguales. Las hojitas de papel van a la escuela, como suelen hacer. La hoja de papel reciclado ser una buena estudiante, pero la otra, no. El papel reciclado es hecho por los nios.
MXICO El burrito y el caballo

6y+
The donkey and the horse (El burrito y el caballo)

Mxico/Mexico , 2011, 606 Director/Director/Guin/ Script: Alumnos de la Escuela Primaria del Profesor Abel Ortega Flores, de la Colonia San Pedro Mrtir, Delegacin Tlalpan en la Ciudad de Mxico y Alumnos de La Matatena, Asociacin de Cine para Nias y Nios, A. C., con el apoyo de Conversin del Gobierno del Distrito Federal 2011. Coordinacin: Ricardo Zentella (Silente) Sinopsis Un burrito y un caballo salen a recoger lea guiados por el leador. En el camino, la actitud egosta del caba-
Papelitos animados 1 y 2
6y+
Animated Little Papers (Cartini Animati)

Italia/Italy, 2011, 330 Director/Director/Guin/ Script: Alumnos del Instituto Comprensivo Ponte San Nicol Coordinacin: Raffaella Traniello (Doblada al espaol)
Sinopsis An animation about recycling. A normal piece of paper enters the forest. A piece of recycled paper also enters the forest. Trees discover the two pieces of paper are different. The little papers go to school, as usual. The recycled paper will be a good pupil, but the non-recycled paper will not. Recycled paper is hand-made by the children.
llo provoca que el burrito sufra un accidente. El burrito aprovecha la situacin dejando al caballo en un aprieto. El leador tendr que defender la equidad para volver a la armona. Esta es una adaptacin libre de la fbula de Esopo titulada El caballo y el asno que, en esta ocasin, termina de manera ms feliz.
La ardilla coqueta
6y+
Sinopsis A little donkey and a horse are guided by their woodcutter to collect firewood. On the way, the selfish attitude of the horse causes the donkey to suffer an accident. The donkey takes advantage of the situation, leaving the horse in a predicament. The woodcutter will have to find a way to reconcile the situation. This is a loose adaptation of Aesops Fable The Donkey And The Ass, which on this occasion ends more happily.
The Vain Squirrel (La ardilla coqueta)

Mxico/Mexico , 2011, 545 Director/Director/Guin/ Script: Alumnos de La Matatena, Asociacin de Cine para Nias y Nios, A. C, Distrito Federal Coordinacin: Joris van Dael y Ricardo Zentella (Silente) Sinopsis Es la historia de una ardilla a quien le gustaba verse bien. Todos los das, al pasar por un paraje, la ardilla se asustaba al encontrarse con unos pjaros alborotadores. Cul sera su sorpresa que, en el pnico de ser secuestrada por un guila para ser dada de comer a sus aguiluchos, la ardilla es defendida y salvada por estos pjaros! Tras el susto, la amistad, el respeto y la solidaridad perduran por generaciones.
Sinopsis This is a story about a squirrel who likes to look good. Every day, passing by a village, the squirrel is accosted by some mischievous birds. Imagine how surprised he is when, in the middle of the panic, he is kidnapped by an eagle who wants to give him as food to his children! The squirrel is saved by those same mischievous birds who had previously bothered him. After the shock, friendship, respect and solidarity between squirrels and birds last for generations.
Los ltimos pinginos

6y+
The Last Penguins (Los ltimos pinginos)

Mxico/Mexico , 2011, 640 Director/Director/Guin/ Script: Alumnos de La Matatena, Asociacin de Cine para Nias y Nios, A. C, Distrito Federal Coordinacin: Ricardo Zentella (Silente) Sinopsis Conoce la aventura de dos pinginos que gracias a su valenta logran salvar a su familia de la vida en cautiverio.
Sinopsis Get to know the two penguins who, thanks to their courage, are able to save their family from a life in captivity.
Sinopsis 28 semanas de embarazo hacen de Julieta el blanco de las miradas, de las burlas y de los juicios. Un final sorprendente nos interpelar a todos.
Pizza poderosa y miedosa

6y+
PORTUGAL El circo
6y+
URUGUAY Semana 28
6y+
A Powerful and Fearful Pizza (Pizza poderosa y miedosa)

Mxico/Mexico , 2012, 7 Director/ Director/Guin/ Script: Alumnos de La Matatena, Asociacin de Cine para Nias y Nios, A. C, Distrito Federal Coordinacin: Ricardo Zentella (Silente) Sinopsis Una masa de pizza que tiene miedo a ser horneada.
Sinopsis 28 weeks of pregnancy make Julieta the target of many looks, jokes and judgements. A surprising ending questions all of our opinions.
The Circus (O circo)

Portugal/Portugal , 2011, 750 Director/Director/Guin/ Script: Taller del Cineclub Avanca, Avanca Coordinacin: Jlia Rocha (Silente) Sinopsis Un divertido da en el circo.
Week 28 (Semana 28)

Uruguay/ Uruguay , 2011, 933 Director/Director/Guin/ Script: Diego Abiega, Luca Echeverra, Agostina Leita, Evelyn Mndez, Camila Motta, Romina Palleiro, Romina Prez, Luca Surez, Mariana Vivanco y Maximiliano Zitodel Taller de Cine Escuela de Cine Dodec, Montevideo. Coordinacin: Beln Baptista (Hablada en espaol)
Sinopsis A pizza base which is afraid of being cooked.
Sinopsis An amusing day at the circus.
Muestras Paralelas > Mundo Animado I Non Competitive Films Exhibits > Animated Worlds
MUESTRAS PARALELAS
Non Competitive Film Exhibits
Mundo Animado
Animated World
Mirada Federal
Federal Approach
Tributo a Jess Prez

Tribute to Jess Prez
Retrospectiva- Homenaje a Hochschule Luzern

Retrospective - Tribute to Hochschule Luzern
Ventana Francia
French Window
Mundo animado
Animated world
Cortometrajes
Short Film
20 aos Alerta en la costa Domingo Furico & Fiof Incordia Lgrimas de un payaso Mutatio Pez Repitu 20 aos
11 y +
Sinopsis Twenty years of indifference and poor treatment have put a womans love to test. To get her husbands attention, she will try even the impossible.
20 years (20 aos)
Coast warning (Shtormovoye preduprezhdenie)
Sunday (Dimanche)
20 years (20 aos)

Cuba/ Cuba, 2009, 1430 Director: Brbaro Joel Ortiz Voces/Voices: Maria Teresa Vera, Omara Portuondo, Harold LpezNussa Guin/Script: Brbaro Joel Ortiz Productor/Producer: Alex Cabanas Estudios de animacin ICAIC Animacin/Animation: Brbaro Joel Ortiz Msica/Music: Harold Lpez-Nussa Montaje/Edition: Alain Garca Distribuidor/Distribution: ICAIC (Silente) Sinopsis 20 aos de indiferencia y maltrato han puesto a prueba el amor de una mujer. Para lograr la atencin de su marido intentar hasta lo imposible.
Brbaro Joel Ortiz Prez was born in Matanzas, Cuba, in 1970. He graduated from the Higher Institute of Art in Plastic Arts, with a specialty in Painting. During the 1990s he worked in the puppet studios of ICRT as an animation and props assistant. In 1998 he took part in the production of a TV spot for UNICEF on Childrens Rights, using stop-motion animation. The animated short 20 Years is his first production.
Flea & Fly (Furico & Fiof)
Aversion (Incordia)
Tears of a clown (Lgrimas de um palhao)
Mutatio (Mutatio)
Fish / (Peixe)
Brbaro Joel Ortiz Prez naci en Matanzas, Cuba, en 1970. Se gradu en el Instituto Superior de Arte en Artes Plsticas, en la especialidad de Pintura. En los aos 90 trabaja en los Estudios de Marionetas del ICRT, como asistente de animacin y atrezzo. Participa en 1998 en la realizacin de un Spot para Televisin sobre los Derechos del Nio para la UNICEF en la tcnica stop motion. El corto de animacin 20 aos es su pera prima.
Repitu / (Repitu)
Sinopsis La historia de dos personas tmidas. Tanto dentro de ellos como a su alrededor ruge una gran tormenta. El amor bajo un clima adverso
Alerta en la costa
11 y +
Sinopsis The story of the two shy people. Inside and around them rages a great gale. Love in an adverse climate...
Alexandra Shadrina was born in 1985 in Jambyl,Kazakhstan. In 2005 she graduated from Moscow State academic art School of 1905 at the department of Painting. She has worked as an artist, property master and illustrator. From 2006 she studied in the School-Studio of animation cinema SHAR.
Domingo
11 y +
Coast warning (Shtormovoye preduprezhdenie)

Rusia/ Russia , 2011, 745 Director: Alexandra Shadrina Guin/Script: Alexandra Shadrina Productor/Producer: Lyubov Gaidukova - Studio of the Animation Cinema SHAR Animacin/Animation: Natalia Malgina, Tatiana Yatsina, Tatiana Podgorskaya, Leonid Shmelkov, Alexandra Shadrina Msica/Music:Tatiana Shatkovskaya Montaje/Edition: Alexandra Shadrina Direccin de arte/Design Production: Alexandra Shadrina (Silente)
Sunday (Dimanche)
Canad/Canada, 2010, 950 Director: Patrick Doyon Guin/Script: Patrick Doyon Productor/Producer: Marc Bertrand, Michael Fukushima Animacin/Animation: Patrick Doyon Msica/Music: Luigi Allemano Montaje/Edition: Jelena Popovic (Silente) Sinopsis Despus de la misa, la familia se rene en la casa de Abuela y Abuelo, como cada domingo, y todos hablan al mismo tiempo. La fbrica del pueblo ha cerrado y, por supuesto, los
Alexandra Shadrina naci en 1985 en Zhambyl, Kazajistn. En el 2005 se gradu de la Escuela 1905 de Arte Acadmica del Estado de Mosc, donde se especializ en el departamento de pintura. Ha trabajado como artista, encargada de utilera e ilustradora. Desde el 2006 estudi en el SHAR Estudio-Escuela de Animacin en Cine.
adultos no pueden parar de preocuparse sobre sus problemas de dinero. Este domingo en particular, uno de los nios pone una moneda en la va frrea. Qu sorpresa se llevar al descubrir, despus de que el tren sigue su rumbo, los cambios increbles que experimentar.
Furico & Fiof

11 y +
Sinopsis After mass, the family gather at the home of Grandma and Grandpa, as they do every Sunday, with everyone talking at once. The village plant has closed its doors and, naturally, the adults cant stop fretting about their money problems. On this particular Sunday, one of the village boys lays a coin on the train tracks. Imagine his astonishment when, picking up the coin after the train has run over it, he discovers some amazing changes.
Patrick Doyon estudi diseo grfico en la Universidad de Quebec. Trabaja como animador e ilustrador en Montreal. En 2006, cre el cortometraje animado Races cuadradas, y el cortometraje experimental 32:11. Domingo le llev dos aos y fue nominado a un Oscar para mejor cortometraje animado.
Patrick Doyon studied graphic design at the University of Quebec. He works as an animator and illustrator, based in Montral. In 2006 he created the threeminute animated shortfilm Square Roots, as well as the experimental shortfilm: 32:11. Dimanche took him two years to complete and was nominated for the Oscars for best animated short.
Flea & Fly (Furico & Fiof)

Brasil/Brasil, 2011, 8 Director: Fernando Miller Guin/Script: Fernando Miller Productor/Producer: rika Valle Campo 4 Animacin/Animation: Fernando Miller Msica/Music: Marcos Campello Montaje/Edition: Fernando Miller (Silente) Sinopsis Dos nios
Fernando Miller naci en Rio de Janeiro. Como profesional de animacin y dibujos, ha trabajado en varios estudios de animacin en Brasil durante los ltimos diez aos. Tambin es uno de los fundadores de ABCA, la Asociacin de Animacin Brasilea. Dirigi el cortometraje animado Calango Lengo.
Sinopsis: Two kids.
Fernando Miller was born in Rio de Janeiro. As a professional animator and cartoonist he has worked for several animation studios in Brazil for the past ten years. He is also one of the founders of ABCA, the Brazilian Animation Association. He directed the animation shortfilm Calango Lengo.
Incordia
11 y +
animacin un recurso sustancioso y atractivo para poder plasmar ideas e historias. Ha realizado de manera independiente los siguientes cortos: Los pecadores, Recordando, Lgrimas demasiado tarde, La mitad del amor, Tabaco-western, Esencia, Rechazo e Incordia.
Sinopsis The story of an old clown who leads a routine and lonely life. The decisions taken at random allies drove him to an unhappy present.
Lgrimas de un payaso
11 y +
Aversion (Incordia)
Argentina/Argentina, 2010, 1025 Director: Pablo Polledri Guin/Script: Pablo Polledri Productor/Producer: Pablo Polledri Animacin/Animation: Pablo Polledri Montaje/Edition: Pablo Polledri Direccin de arte/Design Production: Pablo Polledri (Silente. Sinopsis Un amor infernal.
Tears of a clown (Lgrimas de um palhao)

Portugal/Portugal , 2011, 6 Director: Claudio Sa Guin/Script: Claudio Sa Productor/Producer: Antonio Valente Filmografo and Cine-Clube Avanca Animacin/Animation: Claudio Sa Msica/Music: Antnio Neves, Federic Chopin, Moby, Zack Hemsey Montaje/Edition: Claudio Sa Direccin de arte/Design Production: Claudio Sa (Silente) Sinopsis La historia de un payaso viejo que vive una vida rutinaria y solitaria. Las decisiones tomadas al azar lo han llevado a un presente infeliz. Claudio Sa estudi tecnologa de multimedia, curso superior de Imagen y Sonido en el EASD en Portugal. Trabaja independientemente en diseo, diseo del internet e ilustracin. Ha participado en la produccin de varias pelculas animadas, como Ganancia y Relgio de Toms.
Sinopsis An infernal love.

Pablo Polledri es un realizador independiente que ha encontrado en la
Pablo Polledri is an independent producer who has found animation to be an excellent and attractive medium in which to put across his ideas and stories. He has produced, independently, the following short films: The Sinners, Remembering, Tears Too Late, Half The Love, TobaccoWestern, Essence, Rejection and Annoyance.
Claudio Sa studied technology of multimedia, superior course of Image and Sound at the EASD in Portugal. He works as a freelancer in design, webdesign and illustration. He has participated in the production of several animation films, such as Ganancia y Relgio de Toms.
enfrentar al objeto mismo de su existencia y al gran misterio que sostiene a su especie.
Mutatio
11 y +
Mutatio (Mutatio)
Mxico/Mexico , 2011, 945 Director: Len Fernndez Guin/Script: Salvador Delgadillo Productor/Producer: Rita Basulto IMCINE Animacin/Animation: Len Fernndez Fotografa/Cinematography: Len Fernndez Montaje/Edition: Manuel Aldana Direccin de arte/Design Production: Rita Basulto (Silente) Sinopsis Un extrao humanoide despierta abandonado sobre una gran roca, en medio del mar. Sin refugio ni alimento y haciendo frente a su soledad,
Sinopsis A strange humanoid awakes, abandoned on a large rock, in the middle of the sea. Without refuge or food, and confronting his solitude, he will have to face up to the very reason for his existence, and to the great mystery that sustains his species.
to Carne de can.Mutatio, es un cortometraje realizado con la tcnica stop-motion y elementos en 3D. Actualmente participa en el cortometraje animado Lluvia en los ojos, dirigida por Rita Basulto, donde trabaja como escultor y Director de Arte.
Len Fernndez es escultor autodidacta desde la infancia, complet su formacin artstica en la Academia de Artes Plsticas de Florencia. Es egresado del Centro de Artes Audiovisuales (CAAV) de Guadalajara, donde curs un diplomado en animacin. En 2006 realiza su primer cortometraje animado en dibujo a grafi-
Len Fernndez has been a selftaught sculptor since childhood, and completed his artistic education in the Academy of Plastic Arts in Florence. He is a graduate of the Centre of Audiovisual Arts (CAAV) in Guadalajara, where he studied for a diploma in animation. In 2006 he produced his first animated short, sketched in graphite; Carne de Can. Mutatio is a short film using a stop-motion technique and 3D elements. He is currently working on the animated short Rain in Your Eyes, directed by Rita Basulto, a film for which he is working as sculptor and Director of Art.
Pez
11 y +
Fish (Peixe)
Brasil/Brazil, 2011, 2 Director: Rogrio Nunes Guin/Script: Antonio Andrade Productor/Producer: Karamatique Imagens Animacin/Animation: Rogrio Nunes, Irai Amana Fotografa/Cinematography: Janice Dvila Msica/Music: Mica Farina Montaje/Edition: Rogrio Nunes (Subtitulada en espaol) Sinopsis Memorias de un viejito acerca del ro de su niez.
Sinopsis Memories of a little old man about
the river he lived by when he was a child.
race against time, weather and technology begins.
Repitu
11 y +
Repitu (Repitu)
Rogrio Nunes es productor cultural, animador e ilustrador independiente, especializado en la preservacin y el rescate del patrimonio memorial. Empez sus trabajos en animacin en 2004 con la pelcula Dona Noemi. Alemania/Germany, 2010, 535 Director: Jana Richtmeyer Guin/Script: Jana Richtmeyer Productor/Producer: Hochschule fr Film und Fernsehen Konrad Wolf Animacin/Animation: Jana Richtmeyer, Ulf Grenzer Msica/Music:Andreas Lange Cmara/Camera: Andreas Schild (Silente) Sinopsis Un momento de distraccin y empieza la carrera contra el tiempo, el clima y la tecnologa. Jana Richtmeyer naci en Weimar. Estudi en la Hochschule fr Grafik und Buchkunst en Leipzig. En 2009 empez a estudiar en la Hochschule fr Film und Fernsehen Konrad Wolf. Repitu es su pelcula de graduacin.
Rogrio Nunes is a cultural producer, animator and freelance illustrator, specialising in the preservation and rescue of heritage. He began working in animation in 2004, with the film Dona Noemi.
Jana Richtmeyer was born in Weimar. She studied at the Hochschule fr Grafik und Buchkunst in Leipzig. In 2009 she started to study at the Hochschule fr Film und Fernsehen Konrad Wolf. Repitu is her thesis film.
Sinopsis One moment of inattention and the
Muestras Paralelas > Mirada Federal I Non Competitive Films Exhibits > Federal Approach
Mirada Federal Federal Approach
+ medias Awhwnaj El puente La fbrica del futuro La pesca del cangrejo + medias
13 y +
Mass Media / (+ medias)
Awhwnaj (Awhwnaj)
Sinopsis Sofi turns on the TV looking for entertainment. From the screen an object invites her to enter. Sofi obeys, but what she finds is not what she had expected.
The Bridge (El puente)
Awhwnaj
13 y +
Future Factory (La fbrica del futuro)
Mass Media (+ medias)

Argentina/Argentina, 2012, 332 Director: Claudia Ruiz Guin/Script: Lucila Gerelli, Itati Romero, Malena Martnez, Claudia Ruiz Produccin/Production: Claudia Ruiz El molinete Animacin Animacin/Animation: Lucila Gerelli, Malena Martnez, Claudia Ruiz Fotografa/Photography: Claudia Ruiz Montaje/Edition: Brbara Peleteiro Msica/Music: Mario Martnez (Hablada en espaol) Sinopsis Sofi enciende el televisor en busca de entretenimiento. Desde la pantalla un objeto la invita a entrar. Sofi entra, pero lo que encuentra no es lo que esperaba. Claudia Ruiz naci en Santa Fe en 1963. Es profesora de Artes Visuales y Profesora de Animacin en el Instituto Superior de Cine y Artes Visuales de Santa Fe. Dirigi el cortometraje de animacin Silencio en la noche que forma parte del documental Seguir remando de Mara Langhi.
Awhwnaj (Awhwnaj)
Argentina/Argentina, 2012, 930 Director: Alejandro Gallo Bermdez Elenco/Cast: David Leandro, Sandra Perez, Dante Romero, Alejandra Tejerina Guin/Script: Alejandro Gallo Bermdez Produccin/Production: Alejandro Gallo Bermdez Shooting Salta Fotografa/Photography: Agustn Gimnez Montaje/Edition: Federico Casoni Msica/Music: Shaman y los Hombres en Llamas Direccin de arte/Production Design: Paula Ferrer (Un dilogo en wichi)
Crab Fishing (La pesca del cangrejo)
Liniers animado: Oliverio la aceituna
Liniers Animation: Oliverio The Olive (Liniers animado: Oliverio la aceituna)
Los borregos Los caminos que esperan Rechazo
The Lads (Los borregos)
The Roads Ahead (Los caminos que esperan)
Repulse (Rechazo)
Claudia Ruiz was born in Santa Fe in 1963. She is a professor of Visual Arts and also of Animation at the Santa Fe Higher Institute of Film and Visual Arts. She directed the animated short film Silence In The Night, which formed part of Mara Langhis documentary Seguir remando (Keep Rowing).
Sinopsis Rosalio, un chico wichi de 12 aos, sabe que este es un da que marcar su vida para siempre: sus amigos, la mulita perdida (Awhenaj), el monte y los instantes que quedan.
entre los que se destaca Sacarse las medias con el dedo gordo del pie (2008), ganador de ocho premios en festivales de cortometrajes.
Sinopsis Rosalio, a twelve-year-old Wich boy, knows that this is a day which will mark his life forever: his friends, a missing armadillo (Awhenaj), the mountain, and moments that will stay with him.
Alejandro Gallo Bermdez was born in 1978. He is a scriptwriter, producer and audiovisual producer, and a graduate of the course for Image and Sound Design at the University of Buenos Aires. He has made numerous short films, which have won major prizes both at national and at international level, most notably Taking off Socks With Your Big Toe (2008), winner of eight prizes in short film festivals.
El puente
13 y +
tanas. Un da, Erre es acusado por la Oficina de Administracin de no haber pagado el alquiler y, como castigo, le bloquean la ventana apartndolo de Anna. Ellos intentarn cambiar el lugar donde viven para poder volver a estar juntos como nunca antes imaginaron.
The Bridge (El puente)

Argentina/Argentina, 2012, 817 Director: Agostina Ravazzola Guin/Script: Agostina Ravazzola Animacin/Animation: Agostina Ravazzola, Beln Tagliabue, Gustavo Rivero, Florencia Gasparini Rey, Pa Valentino, Ati Deis Fotografa/Photography: Beln Tagliabue Montaje/Edition: Agostina Ravazzola Distribuidor/Distribution: Films to Festivals (Silente) Sinopsis Erre y Anna viven en edificios aislados entre si por el agua, como islas, y se comunican a travs de sus ven-
Sinopsis Erre and Anna live in buildings which, like islands, are cut off from one another by water, and can only see each other through their windows. One day, Erre is accused by the Administration Office of not paying his rent, and as punishment his window is blocked out. Their solution will be to change their homes in order to be together as they never thought possible.
Agostina Ravazzola naci en Buenos Aires en 1986. Tom varios cursos de Diseo y Guin Grfico para revistas de historietas y de all naci su pasin por contar cuentos. En el 2011, se gradu en Diseo Audiovisual, en la Universidad de Buenos Aires. Durante el ltimo ao de su carrera, realiz un curso superior en Diseo y Realizacin de Pelculas Animadas. Ha trabajado en animacin 2-D y grficos
Alejandro Gallo Bermdez naci en 1978. Es guionista, productor y realizador audiovisual, egresado de la Carrera de Diseo de Imagen y Sonido, Universidad de Buenos Aires. Realiz numerosos cortometrajes que obtuvieron importantes premios, tanto a nivel nacional como internacional,
en movimiento y dirigi y anim un cortometraje independiente, Sin Luces.
destruya nada. El hombre y el perro tienen una relacin amistosa, pero un da el hombre quiebra las reglas y el perro tiene que defender a la maquinaria, lo que desencadena una serie de hechos que llevarn a la deshumanizacin absoluta de la fbrica.
La fbrica del futuro

13 y +
Future Factory (La fbrica del futuro)

Argentina/Argentina, 2011, 335 Director: Diana Russo
Agostina Ravazzola was born in Buenos Aires in 1986. She took several courses of Design and Script for Comic Books where her passion for telling stories was born. In 2011, she graduated in Audiovisual Design from the University of Buenos Aires. During the last year of studies she made an advanced course of Dsign and Production of Animation Films. She has been working in motion graphic and 2-D animation and has directed and animated an independent short film Without Lights(Sin Luces).
Guin/Script: Diana Russo Produccin/Production: Diana Russo Fotografa/Cinematography: Alberto Andreani Msica/Music: Matas Martyn Direccin de arte/Design Production: Diana Russo Montaje/Edition: Diana Russo (Hablada en espaol) Sinopsis En la Fbrica del Futuro slo hay dos empleados: un hombre y un perro. El hombre para alimentar al perro y el perro para cuidar que el hombre no
Sinopsis In the Future Factory there are only two employees: a man and a dog. The man is there to feed the dog, and the dog is there to make sure the man does not damage anything. The man and the dog have a friendly relationship, but one day the man breaks the rules and the dog has to defend the machinery. A series of events are thus put into motion which will lead to the complete dehumanisation of the factory.
Diana Russo trabaja en guin, ambientacin, vestuario y animacin. Es docente de Guin en la Universidad de Buenos Aires y de Fotografa y de Realizacin, en la carrera de Etnomusicologa en el Conservatorio Manuel de Falla. Como directora ha realizado TiVi (2001), NoViaje (2006) y La Fbrica del Futuro (2011) exhibida en el BAFICI 2012.
Diana Russo works in scriptwriting, scenery, costume and animation. She teaches Scriptwriting at the University of Buenos Aires, and Photography and Production on the Ethnomusicology course at the Conservatorio Manuel de Falla. As a director she has made TiVi (2001), NoViaje (NoTravel) (2006) and Future Factory (2011), exhibited at BAFICI in 2012.
rancia, sencillamente buscan algo que anhelan.
La pesca del cangrejo

13 y +
Crab Fishing (La pesca del cangrejo)

Argentina/Argentina, 2011, 438 Director: Miguel Baratta Produccin/Production: Cecilia Brck - El encanto Realizacin/Realisation: Miguel Baratta (Hablada en espaol) Sinopsis En una solitaria playa del mar Mediterrneo, dos nios intentan, con tenacidad y obstinacin, atrapar un cangrejo que se oculta en una grieta del espign. Las imgenes de este breve relato documental nos introducen en un universo onrico que apoya, metafricamente, la simpleza de una accin de dos personas chiquitas que, con inocencia y perseve-
Sinopsis On a lonely Mediterranean beach, two children try, stubbornly and obstinately, to catch a crab which is hiding in a crack in the pier. The images in this short documentary take us into a dream world which justifies, metaphorically, the simple action of two young people who, with innocence and perseverance, are just looking for something they crave.
Miguel Baratta : Ver ficha de pelcula: Foul de riesgo en la seccin: Panormica Cortos.
Sinopsis Oliverio es una aceituna solitaria. Caminando por una cocina se encuentra con otras aceitunas muy distintas a l y su destino cambia para siempre.
Liniers animado: Oliverio la aceituna

13 y +
Sinopsis Oliverio is a lonely olive. Walking around a kitchen, he meets other olives who are very different from him, and his destiny is changed forever.
Liniers Animation: Oliverio The Olive (Liniers animado: Oliverio la aceituna)

Argentina/Argentina, 2011, 2 Director: Antonio Balseiro y Gabino Calonico Guin/Script: Ricardo Liniers Produccin/Production: Lautaro Brunatti - Gazz SRL Animacin/Animation: Gabino Calonico, Antonio Balseiro Fotografa/Cinematography: Santiago Melazzini Msica/Music: Milagros Ferreyra, Pablo Borghi Montaje/Edition: Gabino Calonico, Antonio Balseiro Direccin de arte/Design Production: Andrs Martin, Santiago Melazzini (Hablada en espaol)
Gabino Calonico naci en Buenos Aires en 1975. Comenz haciendo animaciones para internet, trabaj en Mercano el marciano (2001) y, desde hace 4 aos, en el estudio Gazz.
Gabino Calonico was born in Buenos Aires in 1975. he started making animations on the internet, worked on the Argentine animated feature film Mercano El Marciano (2001) and, four years ago, started working in the Gazz studio.
Antonio Balseiro naci en Bariloche, provincia de Ro Negro, en 1976, estudi cine y es el cofundador del estudio de animacin Gazz.
Los borregos
13 y +
The Lads (Los borregos)

Argentina/Argentina, 2011, 10 Director: Mariano Hueter Elenco/Cast: Guido Rocchio, Facundo Smith, Gonzalo Festa, Federico Festa Guin/Script: Mariano Hueter, Ezequiel Goldstein Produccin/Production: Diego Flores Contreras - Idealismo Contenidos Fotografa/Photography: Matas Slupski Montaje/Edition: Mariano Hueter Sonido/Sound: Sebastian Martinez Direccin de arte/Production Design: Jesica Soifer (Hablada en espaol)
Sinopsis En un lbum de fotos subido a la red social ms popular de internet, se recuerdan hechos ocurridos hace ya un ao. Tres amigos inseparables y leales, hacen lo imposible por defender a Ramiro (hermano menor de uno de ellos) de los abusos de un chico mayor dentro del colegio. La hermandad, la amistad y una historia que nunca ser contada.
documentaries and music videos. He has formed his own production company, Idealismo Contenidos, and is the creator of the TV series Ficciones Cortas (Short Fictions).
Antonio Balseiro was born in Bariloche, Ro Negro Province, in 1976, studied Film, and is the co-founder of the Gazz animation studio.
Sinopsis On a photo album uploaded to the internets most popular social network, events that took place a year ago are recorded. Three inseparable, loyal friends do the impossible to defend Ramiro (the younger brother of one of them) from the bullying of a bigger boy at school. Brotherhood, friendship and a story that cannot be fully comprehended.
Mariano Hueter a los 23 aos ha dirigido numerosos cortometrajes, documentales y video clips. Ha creado su propia productora, Idealismo Contenidos, as como el programa de televisin Ficciones Cortas.
Mariano Hueter, at 23 years of age, has directed numerous short films,
Muestras Paralelas > Mirada Federal I Non Competitive Films Exhibits > Federal Approach tario por el monte y graba con un viejo radiograbador los sonidos de la naturaleza, suea con irse a la ciudad cuando sea grande y trabajar en la televisin. De hecho, la televisin es el nico medio que lo conecta con esa otra parte del mundo que ansa descubrir. Un da llegan por accidente a su casa dos sujetos que vienen de la ciudad. Uno de ellos se llama Carlos, tiene 30 aos y trabaja en la televisin. Este ser un da muy importante para Lucio. con el cortometraje Los caminos que esperan obtuvo el premio FIPRESCI en el 25 Festival Internacional de cine de Mar del Plata.
Los caminos que esperan

13 y +
The Roads Ahead (Los caminos que esperan)

Argentina/Argentina, 2010, 23 Director: Adrin Surez Elenco/Cast: Alan Martinez, Virginia Paulucci, Sergio Papay, Carolina Bigas, Leandro Airaldo Guin/Script: Adrin Surez Produccin/Production: Ana Apontes - El Calefn Cine Fotografa/Cinematography: Guillermo Saposnik Montaje/Edition: Lorena Moriconi Direccin de arte/Production Design: Adrin Surez, Amelio Cardozo Gill (Hablada en espaol) Sinopsis Lucio tiene 10 aos y vive en el campo con sus padres. Mientras juega soli-
Sinopsis Lucio is ten years old, and lives with his parents in the countryside. Whilst playing alone on the mountain and recording the sounds of the natural world around him with an old tape recorder, he dreams of moving to the city when he is older and working in television. In fact, TV is the only mode of contact he has with that other part of the world he so wants to get to know. One day, two men arrive from the city. One of them is called Carlos, is 30 years old, and works in television. This will be a big day for Lucio.
Adrin Surez naci en 1976 en General Pinto, Argentina. Estudi Diseo de Imagen y Sonido en la UBA. Como guionista y director, realiz los cortos Las voces del recuerdo (1998) y Emilia (2006). En 2010
Adrin Surez was born in 1976 in General Pinto, Argentina. He studied Image and Sound Design at the University of Buenos Aires. As a scriptwriter and director, he made the short films The Voices of Memory (1998) and Emilia (2006). In 2010, with the short film The Roads Ahead, he won the FIPRESCI prize at the 25th Mar Del Plata International Film Festival.
Rechazo
13 y +
Repulse (Rechazo)
Argentina/Argentina, 2010, 208 Director: Pablo Polledri Guin/Script: Pablo Polledri Animacin/Animation: Pablo Polledri Direccin de arte/Design Production: Pablo Polledri Montaje/Edition: Pablo Polledri (Silente) Sinopsis Una tierna historia de amor y perseverancia.
Sinopsis A tender story of love and perseverance.

Pablo Polledri: Ver ficha de cortometraje Incordia en la seccin Mundo Animado.
Muestras Paralelas > Tributo a Jess Prez I Non Competitive Films Exhibits >Tribute to Jess Prez
RetrospectivaTributo a Jess Prez

Retrospective Tribute to Jess Prez
El hermano mayor
Jess Prez es uno de los animadores ms reconocidos del mundo. Naci en Cochabamba, Bolivia, en 1954 y comenz a dibujar desde nio. A partir de 1975 realiza ilustraciones para libros infantiles, disea posters, afiches, calendarios y todo tipo de materiales impresos. En 1977 realiza su primer dibujo animado, al mismo tiempo que se especializa en dinmica del movimiento de la figura humana y el movimiento en la escena. Desde 1982 -y durante 14 aos- trabaja como ilustrador en la revista para nios Chaski, junto con Elisabeth Htterman, directora de dicha publicacin mensual. Chaski marc un hito importante en el diseo y el concepto grfico de los materiales educativos impresos, fue usado por los profesores en las escuelas y declarado texto oficial por el Ministerio de Educacin de Bolivia. Durante la dcada de los 90 realiza
The big brother (Der grosse Bruder)
la serie Video Chaski que comprende seis ttulos con temticas de Medio Ambiente, Salud, Ecologa, adems de pelculas para Alemania y Suiza sobre temas de inmigracin y globalizacin. Al mismo tiempo, comienza a realizar talleres de dibujo animado para nios y jvenes. Jess reside en Suiza desde el ao 2000 y desde 2002 es docente de animacin en la Universidad de Lucerna. Elisabeth Htterman es la Productora de la mayor parte de sus obras hasta la fecha. Una pequea muestra de esas obras, que han sido premiadas en diversos festivales de cine del mundo a lo largo de estos aos, es esta que el Festival Nueva Mirada se complace en ofrecerles. Esperamos que las disfruten tanto como nosotros!
En camino, una historia boliviana
From 1982, for fourteen years, he worked as an illustrator on the childrens magazine Chaski, together with Elisabeth Htterman, the magazines director. Chaski marked an important point in the design and the graphic concept of printed educational materials. It was used by school teachers and was declared an official text by the Bolivian Ministry of Education. During the 1990s, Jess Prez made the Video Chaski series, which included six episodes with the themes of Environment, Heath and Ecology, as well as films for Germany and Switzerland on topics of migration and globalisation. At the same time, he began to run animated cartoon workshops for children and young people. Jess has lived in Switzerland since 2000, and since 2002 has been an animation teacher at Lucerne University. Elisabeth Htterman is the producer of most of his films to date. Nueva Mirada has the pleasure of offering this small display of his work, which has won prizes in various film festivals around the world down the years. We hope you enjoy the films as much as we have!
On The Road, A Bolivian Story (En camino, una historia boliviana)
Punto y raya Serie: Juntos podemos
Point And Dash (Punkt & Striche)
United We Stand (Miteinander)
Jess Prez is one of the most recognised animators in the world. He was born in Cochabamba, Bolivia, in 1954, and started to draw from a young age. Since 1975, he has created illustrations for childrens books, designed posters, calendars and all kinds of printed materials. In 1977 he made his first animated cartoon, whilst at the same time specialising in dynamics of movement in the human form and on stage.
El hermano mayor
4y+
Sinopsis A childrens film about fun and cruelty among children. Two cartoon characters develop a life of their own. They humiliate and mock the third unfinished figure; but their temporary superiority is questioned when he turns out to be their big brother.
Elisabeth Httermann naci en 1943 en Lucerna. Se gradu en Diseo en Dortmund y, desde 1975, ha trabajado como diseadora grfica en los EE.UU. y Bolivia. Ha trabajado junto con Jess Prez como productora. El Hermano Mayor es su primera pelcula como co-directora.
En camino, una historia boliviana

4y+
Punto y Raya
4y+
The big brother (Der grosse Bruder)

Suiza-Alemania/SwitzerlandGermany, 2011 , 6 Director: Jess Prez, Elisabeth Httermann Guin/Script: Jess Prez Dibujos(animacin)/Cartoons(animation): Jess Prez, Lukas Huber Msica/Music: Sergio Prudencio Montaje/Edition: Jess Prez (Silente) Sinopsis Una pelcula para nios sobre la diversin y la crueldad entre nios. Dos dibujos animados se convierten en seres vivos. Humillan a un tercer personaje y se burlan de l porque no est completo. Sin embargo, la superioridad de los dos primeros no durar mucho cuando se dan cuenta que es su hermano mayor.
On The Road, A Bolivian Story (En camino, una historia boliviana)

Bolivia/Bolivia, 2001, 10 Director: Jess Perez Guin/Script: Elizabeth Httermann Productor/Producer: Jess Perez Animacin/Animation: Jess Perez Distribuidor/Distributor: Grupo Chaski (Silente) Sinopsis Una familia del Norte de Potos, en Bolivia, se ve obligada a migrar a la ciudad por la pobreza en que vive. Aqu todo ser extrao para ellos.
Point And Dash (Punkt & Striche)

Bolivia-Suiza/Bolivia-Switzerland, 2005, 6 Director: Jess Prez Guin/Script: Jess Prez Productor/Producer: Elisabeth Httermann Animacin/Animation: Jess Prez (Silente) Sinopsis De la mano de su creador un dibujo despierta a la vida. Rpidamente se da cuenta que no es el nico en el escenario, y est dispuesto a defender su lugar.
Elisabeth Httermann was born 1943 in Lucerne, and in 1974 graduated in Design in Dortmund. Since 1975 she has worked as a graphic designer in the USA and Bolivia. She has worked together with Jess Prez as a producer. The Big Brother is her first co-direction.
Sinopsis A family from the North of Potos, in Bolivia, are forced to migrate to the city because of the poverty in which they live. Everything about their new surroundings will be very strange to them.
Sinopsis By his creators hand a drawing comes to life. Before long, he realizes he is not the only one on the stage, and is ready to defend his place.
Retrospectiva- Tributo a Hochschule Luzern

Retrospective-Tribute to Hochschule Luzern
Bolivia-Alemania/Bolivia-Germany, 2000, 12, Animacin Director: Jess Perez
Aguacero Baka! Buen Viaje Chrigi El sonido de la campana Grandes planes
La mano del oso Pas de origen Signalis Sonata de invierno Tarde o temprano
Downpour (Wolkenbruch)
The hand of the bear (La main d'ours)
Serie: Juntos podemos

4y+
United We Stand (Miteinander)

Seis ttulos: Juntos podemos United We Stand Mi mundo, el tuyo, de l, el nuestro y el de ustedes My World, Your World, His World, Our World Una historia mojada A Wet Story Todo est bien como un pltano Everythings Great La jugada The Game El tono hace a la msica The Tone Makes The Music
Productor/Producer: Elizabeth Httermann Animacin/Animation: Jess Perez Msica/Music: Cergio Prudencio (Silente) Sinopsis Este conjunto de seis animaciones es un material de apoyo en el aula para profesores y alumnos. La temtica que se trabaja es el ser humano en su unidad y diversidad, el derecho a la individualidad y la toma de conciencia de que poseemos un solo planeta al que debemos cuidar.
Baka! (Baka!)
Country of Origen (Heimatland)
Bon Voyage (Bon voyage)
Signalis (Signalis)
Chrigi (Chrigi)
Winter sonata (Winter sonata)
The bellringer (The bellringer)
Sooner or Later (Tt ou tard)
Sinopsis This collection of six animations is a classroom aid for teachers and students. The theme is human beings, our unity and our diversity, the right of individuality and the need to remember that we have only one planet, and that we have to look after it.
Big plans (Grosse Plne)

Haaf y yo de viajeVamos a Beijing
Haaf And Me, In: Swing Beijing (Haaf And Me, In: Swing Beijing)
Muestras Paralelas > Homenaje a Hochschule Luzern I Non Competitive Films Exhibits >Tribute to Hochschule Luzern
vista en este programa. Espero que disfruten las pelculas. Gerd Gockell Director Hochschule Luzern Cuando empec a pensar en estudiar arte o diseo, pens inmediatamente en la animacin. En esa poca no tena posibilidad de estudiar animacin; eran pocos los lugares que ofrecan cursos. Por eso eleg estudiar Diseo y Cinematografa, con la esperanza de que esa combinacin me llevara automticamente a la animacin. Unos aos mas tarde, despus de ensear animacin en varios colegios de arte en Europa, me lleg la oportunidad de disear una carrera totalmente nueva en el Colegio de Arte y Diseo de Lucerna. Lo nico que tena que hacer, a mi parecer, era elaborar el curso que me hubiera gustado tener al alcance en mi etapa universitaria. Me parece que mis ideas para la educacin en animacin eran las correctas. Los resultados estn a la
When I started thinking about studying art or design I immediately thought about animation. But at that time there were no possibilities to study animation. Only a very few colleges offered an animation course so I choose Design and Filmmaking with the hope that the combination automatically lead me to animation. Years later, after teaching animation at several art colleges in Europe, I got the opportunity to design a whole new animation course at the Lucerne College of Art & Design. All I had to do, I thought, was develop a course that I would liked to have the chance to study myself. It seems to me that my ideas of a good education in animation were good ones. The results you can see in the program. I hope you enjoy the films. Gerd Gockell Director Hochschule Luzern
Aguacero
11 y +
Sinopsis A story about two quarreling youths whose dispute is interrupted by a freak incident which completely reverses the balance of power between them.
Simon Eltz naci en 1979 en Basilea. Estudi en HGKL (Hochschule fr Gestaltung und Kunst Luzern), Departamento de Animacin. En 2007 gan el Premio de Cine Suiza de Mejor Animacin por Aguacero.
Downpour (Wolkenbruch)
Suiza/ Switzerland , 2005, 6 Director: Simon Eltz Voces/Voices: Max Porter, Ru Kuwahata, Kyle McKeveny, Mickey Ryan,Tatiana Gomberg, Guin/Script: Simon Eltz Productor/Producer: Hochschule Luzern Fotografa/Cinemtography: Simon Eltz Edicin/Edition: Simon Eltz Msica/Music: Johannes Lauer (Silente) Sinopsis Una historia de dos jvenes en pugna, cuya discusin se interrumpe por un incidente poco usual, que cambia por completo el equilibrio de poderes entre ellos.
Simon Eltz was born in 1979 in Basel. He studied at HGKL (Hochschule fr Gestaltung und Kunst Luzern) Animation Department. In 2007 he was awarded the Swiss Film Prize for Best Animated Film for Downpour.
Baka!
11 y +
Immanuel Wagner naci en 1984 en Arlesheim. Entre el 2007 y el 2010 estudi en la Hochschule Luzern en el Departamento de Animacin. Dirigi las pelculas Zu viele Kppchen verderben den Wolf, Yuri y Scan.
Buen Viaje
11 y +
Baka! (Baka!)
Suiza/ Switzerland , 2010, 730 Director: Immanuel Wagner Guin/Script: Immanuel Wagner Productor/Producer: Hochschule Luzern, Schweizer Radio und Fernsehen Animacin/Animation: Immanuel Wagner, Manuela Weiss, Stefan Gallego Edicin/Edition: Immanuel Wagner Msica/Music: Martin Waespe, Fabio Friedli, Cornelius M. Heinzer (Subtitulada en espaol) Sinopsis Un bocado cinematogrfico de la fruta del conocimiento.
Immanuel Wagner was born in 1984 in Arlesheim. From 2007 to 2010 he attended the Hochschule Luzern at the Animation Department. He directed the films Zu viele Kppchen verderben den Wolf, Yuri and Scan.
Sinopsis Dozens of emigrants climb on to an overcrowded truck. Their goal: fortress Europe. When they arrive there after an exhausting journey, the confrontation with another brutal reality awaits them: the European handling of refugees.
Fabio Friedli naci en Berna en 1984. Ha estudiado en la Hochschule Luzern desde el 2008, en el Departamento de Animacin. Dirigi las pelculas: Vergessen, Su ausencia llen al mundo y Heimatland.
Bon Voyage (Bon voyage)

Suiza/ Switzerland , 2011, 6 Director: Fabio Friedli Guin/Script: Fabio Friedli Productor/Producer: Gerd Gockell Hochschule Luzern Animacin/Animation: Fabio Friedli, Nils Hedinger, Martin Waespe Fotografa/Cinematography: Janosch Abel Edicin/Edition: Fabio Friedli (Silente) Sinopsis Docenas de emigrantes suben a un camin abarrotado. Su meta: Europa. Cuando llegan all despus de un viaje agotador, se encuentran con otra brutal realidad que los espera: la manera europea de manejar a los refugiados.
Fabio Friedli was born in Bern in 1984. Since 2008 he attends the Hochschule Luzern in the Animation Department. He directed the films: Vergessen, Her Absence Filled the World and Heimatland.
Sinopsis A cinematic bite into the fruit of knowledge.
Chrigi
11 y +
A young woman recalls her childhood and her mysterious cousin. Through the innocent eyes of a child we are led into a dark and complex world of adventure, mercenaries and warfare.
Anja Kofmel naci en 1982 en Lugano. Estudi animacin en la Hochschule Luzern. Dirigi varias pelculas animadas, como Strichcode, Je Suisse y Selling Shoes.
El sonido de la campana
11 y +
Chrigi (Chrigi)
Suiza/ Switzerland , 2009, 7 Director: Anja Kofmel Guin/Script: Anja Kofmel Productor/Producer: Gerd Gockell, Jochen Ehmann, Otto Adler: Hochschule Luzern Fotografa/Cinematography: Anja Kofmel Animacin/Animation: Anja Kofmel Msica/Music: Marie-Jeanne Serero Montaje/Edition: Anja Kofmel (Subtitulada en espaol) Sinopsis Una joven mujer recuerda su niez y a su primo misterioso. Desde el inocente punto de vista de una nia, encontramos un mundo oscuro y complejo de aventura, mercenarios y guerra.
The bellringer (The bellringer)

Suiza/ Switzerland , 2007, 351 Director: Dustin Rees Guin/Script: Dustin Rees Productor/Producer: Gerd Gockell Fotografa/Cinematography: Dustin Rees Msica/Music: Dustin Rees Animacin/Animation: Dustin Rees Distribuidor/Distributor: HGK Lucerne (Silente) Sinopsis Estar controlado por el tiempo puede dejar secuelas! Dustin Rees naci en Suiza en 1981. Tras pasar su infancia en Gran Bretaa, volvi a Suiza. Estudi animacin en la Universidad de Arte y Diseo en Lucerna. Su filmografa incluye, entre otros cortometrajes: The task (2003), Losing it (2005), Sympathy (2006) y El sonido de la campana (2007).
Anja Kofmel was born in 1982 in Lugano.She studied animation at the Hochschule Luzern. She directed various animation films, like Strichcode, Je Suisse and Selling Shoes.
Sinopsis Being controlled by time can take its toll!
Dustin Rees was born in Switzerland in 1981. After spending most of his childhood in the UK, he returned to Switzerland when he was 11. He completed his studies of animation at the University of Art and Design in Lucerne. His filmography includes, among other short films: The Task (2003), Losing It (2005), Sympathy (2006) and The Bellringer (2007).
Sinopsis Un director y su personaje viajan a China.
Grandes planes
11 y +
Haaf y yo de viaje - Vamos a Beijing

11 y +
Sinopsis A director and his character travel to China.

Oliver Aemisegger naci en 1980 en Suiza. Empez a estudiar Comunicaciones Visuales en el Departamento de Animacin de la Hochschule Luzern. Dirigi varios cortometrajes animados, como Lochmaschine, Rough y Freakhouse.
Big plans (Grosse Plne)

Suiza/ Switzerland , 2008, 359 Director: Irmgard Walthert Guin/Script: Irmgard Walthert Productor/Producer: Gerd Gockell, Jochen Ehmann, Otto Alder Fotografa/Cinematography: Irmgard Walthert Msica/Music: Reimar Walthert Montaje/Edition: Irmgard Walthert Distribuidor/Distributor: HSLU (Silente) Sinopsis A pesar de que todo est muy bien planeado, no es fcil construir una mquina que venda manzanas. Una gran idea llegar al rescate
Sinopsis Despite well developed plans, its very hard to construct a machine which sells apples. But a great idea occurs that should solve the case
Irmgard Walthert naci en 1984. Dirigi junto a Lynn Gerlach el corto de animacin Mahlzeit (2006). Actualmente realiza una maestra en Arte y Diseo en la Universidad de Ciencias Aplicadas y Artes de Lucerna. Irmgard Walthert was born in 1984 and is currently doing master studies at Lucerne University of Applied Sciences and Arts, Design & Art. She co-directed with Lynn Gerlach the animation short Mahlzeit (2006).
Haaf And Me, In: Swing Beijing (Haaf And Me, In: Swing Beijing)
Suiza/ Switzerland , 2007, 3 Director: Oliver Aemisegger Guin/Script: Oliver Aemisegger Productor/Producer: Gerd Gockell: Hochschule Luzern Fotografa/Cinematography: Oliver Aemisegger, Philipp Laeubli Edicin/Edition: Oliver Aemisegger, Wolf-Ingo Rmer Msica/Music: Charles Windlin Animacin/Animation: Oliver Aemisegger, Franziska Meyer, Fabio Quaggiotto Distribuidor/Distributor: HGK Luzern (Silente)
Oliver Aemisegger was born in 1980 in Switzerland. He started to study Visual Communication in the Animation Department at the Hochschule Luzern. He directed several animation shorts, such as Lochmaschine, Rough and Freakhouse.
La mano del oso

11 y +
Sinopsis Three brothers live in a remote forest glade. One day, the youngest of the three has to go into the forest, but his fear is so great that he decides to keep his eyes closed and, as a result, trips over a bear.
Marina Rosset naci en Lausana en 1984. Estudi en el cole Nationale Suprieure des Arts Visuels de la Cambre en Bruselas. En 2004 empez estudiar en la Hochschule Luzern. Dirigi varias animaciones, como Botteoubateau, Laterarius y Aprs le Chat.
vida ordenada y feliz en su humilde hogar. Todo parece tranquilo hasta el da que un extranjero se muda a la casa de al lado, lo que pondr su mundo patas para arriba.
Pas de origen
11 y +
The hand of the bear (La main dours)

Suiza/ Switzerland, 2008, 5 Director: Marina Rosset Voces/Voices: Marina Rosset, Gaby Schuler Guin/Script: Marina Rosset Productor/Producer: Marina Rosset, Hochschule Luzern Fotografa/Cinematography: Marina Rosset Msica/Music: Louis Crelier Montaje/Edition: Jadwiga Kowalska (Subtitulada en espaol) Sinopsis Tres hermanos viven en un claro remoto en un bosque. Un da, el ms joven tiene que ir al bosque, pero su miedo es tan paralizante que decide cerrar los ojos y, en consecuencia, en su camino tropieza con un oso.
Country of Origen (Heimatland)

Suiza/ Switzerland , 2010, 6 Director: Loretta Arnold, Andrea Schneider, Marius Portmann, Fabio Friedli Guin/Script: Loretta Arnold, Andrea Schneider, Marius Portmann, Fabio Friedli Productor/Producer: Hochschule Luzern Animacin/Animation: Loretta Arnold, Andrea Schneider, Marius Portmann, Fabio Friedli Edicin/Edition: Loretta Arnold, Andrea Schneider, Marius Portmann, Fabio Friedli Msica/Music: Mslm (Silente) Sinopsis Hausi, un ciudadano suizo, vive una
Sinopsis Hausi, a Swiss citizen, leads an ordered and happy life in his humble home. Everything seems to be peaceful until the day a foreigner moves in next door and turns his world upside down.
Loretta Arnold naci en Biel en 1980. Del 2008 al 2011 estudi animacin en la Hochschule Luzern.
Marina Rosset was born in Lausane in 1984. She attended the cole Nationale Suprieure des Arts Visuels de la Cambre in Brussels. In 2004 she began to study at the Hochschule Luzern. She directed several animation films, like Botteoubateau, Laterarius and Aprs le chat.
Loretta Arnold was born in Biel in 1980. From 2008 to 2011 she studied animation in the Hochschule Luzern.
Marius Portmann naci en Lucerna en 1982. Del 2008 al 2011 estudi animacin en la Hochschule Luzern.
Marius Portmann was born in Lucerne in 1982. From 2008 to 2011 she studied animation in the Hochschule Luzern.
Andrea Schneider naci en Uster en 1986. Del 2008 al 2011 estudi animacin en la Hochschule Luzern.
Andrea Schneider was born in Uster in 1986. From 2008 to 2011 she studied animation in the Hochschule Luzern.
Fabio Friedli: Ver ficha de cortometraje Buen Viaje en la seccin Retrospectiva Hochschule Luzern
Sinopsis Erwin is a weasel that lives and works in a traffic light. His job is to switch the lights every day.
Signalis
11 y +
Sonata de invierno
11 y +
Signalis (Signalis)
Suiza/ Switzerland, 2008, 451 Director: Adrian Flckiger Guin/Script: Adrian Flckiger Productor/Producer: Gerd Gockell, Jochen Ehmann, Otto Aider Fotografa/Cinematography: Adrian Flckiger Msica/Music: Andy Iona Montaje/Edition: Marina Rosset Distribuidor/Distributor: Hochschule Luzern (Silente) Sinopsis Erwin es una comadreja que vive y trabaja en un semforo. Su trabajo es controlar las luces. Adrian Flckiger naci en Altdorf, Suiza, en 1982. Desde 2005, es alumno del Departamento de Animacin de la Universidad HSLU (Hochschule Luzern, Design & Kunst). En 2007, codirigi Shit happens y Whats next?. Signalis es su ltimo corto como director. Adrian Flckiger was born in 1982 in Altdorf and has attended HSLU (Hochschule Luzern, Design & Kunst)s Animation department since 2005. In 2007 he co-directed Shit Happens and Whats Next?. Signalis is his last short film as a director.
Winter sonata (Winter sonata)

Suiza/ Switzerland , 2009, 6 Director: Yves Gutjahr Guin/Script: Yves Gutjahr Productor/Producer: Otto Alder, Jochen Ehmann, Gerd Gockell y Jrgen Haas, Hochschule Luzern Fotografa/Cinematography: Yves Gutjahr Animacin/Animation: Yves Gutjahr Msica/Music: Pierre Funck Montaje/Edition: Yves Gutjahr (Silente) Sinopsis Los cuatro elementos se despiertan durante una tormenta de invierno. Una trgica historia del amor entre las fuerzas de la naturaleza.
Sinopsis The four elements wake up during a winter storm. A tragic love story between the forces of nature.
Yves Gutjahr naci en Berna en 1980. Realiz el curso preparatorio de la Schule fr Gestaltung Bern. En 2006 empez estudiar en la Hochschule Luzern, en el Departamento de Animacin y en KARTS (Universidad Nacional de Artes de Corea). Ha dirigido varias animaciones, como En fuga y Bajo tus rdenes.
mienza el viaje comn de dos personajes solitarios.
Tarde o temprano
11 y +
Sooner or Later (Tt ou tard)

Suiza/ Switzerland , 2008, 5 Director: Jadwiga Kowalska Guin/Script: Jadwiga Kowalska Productor/Producer: Hochschule Luzern Fotografa/Cinematography: Jadwiga Kowalska Animacin/Animation: Jadwiga Kowalska Msica/Music: Louis Crelier Montaje/Edition: Marina Rosset (Silente) Sinopsis Una ardilla y un murcilago. Dos mundos y dos momentos del da se enfrentan. Las fuerzas subterrneas gobiernan el da y la noche y mucho ms. Por casualidad, esta vida cotidiana se detiene. As co-
Sinopsis Squirrel and bat. The convergence of different worlds and times of day. Forces in the underground govern night and day and much more. By accident, this regulated everyday life has ground to a halt. And thus begins the mutual journey of two solitary characters.
the Hochschule Luzern, in the animation department. She won the Swiss Film Prize for Best Animation Film for Tt ou tard (Sooner or Later).
Yves Gutjahr was born in Bern in 1980. He attended the preparatory course at the Schule fr Gestaltung Bern. In 2006 he began his studies at Hochschule Luzern, at the Animation Department and KARTS (Korean National University of Arts). He has directed several animation films, as On the Run and Under Your Command.
Jadwiga Kowalska naci en Berna en 1982. En 2003, empez sus estudios en la Hochschule Luzern, en el Departamento de Animacin. Gan el Premio de Cine Suizo para Mejor Animacin por Tt ou tard (Tarde o temprano).
Jadwiga Kowalska was born in Bern in 1982. In 2003, she started to study at
Muestras Paralelas > Ventana Francia I Non Competitive Films Exhibits >French Window
Ventana Francia French Window

Ventana Francia
French Window The French Embassy in Argentina has the pleasure of presenting two films from their Regional Cinematheque for the Southern Cone, based in Buenos Aires. Guerre et paix dans le potager (War and Peace in the Garden) by JeanYves Collet. Une vie de chat (A Cat In Paris) by Jean-Loup Felicioli and Alain Gagnol. The Regional Cinematheque has 900 films on offer fiction, animation and documentaries in various formats (35mm, 16mm, DVD) provided by the Institut Franais. These films are available to cultural organisations and groups in Argentina and the other countries in the Souther Cone. French Embassy in Argentina
Guerra y paz en la huerta Una vida de gato
War and Peace in the Garden (Guerre et paix dans le potager)
A cat in Paris (Une vie de chat)
La Embajada de Francia en Argentina tiene el agrado de presentar dos pelculas pertenecientes a su Cinemateca Regional para el Cono Sur, sita en Buenos Aires. - Guerre et paix dans le potager (Guerra y paz en la huerta) de JeanYves Collet. - Une vie de chat (Una vida de gato) de Jean-Loup Felicioli y Alain Gagnol. La Cinemateca Regional ofrece 900 pelculas de ficcin, animacin y documentales en diversos formatos (35mm, 16mm, DVD) provistas por el Institut Franais. Estas pelculas estn a disposicin de entidades y manifestaciones culturales, tanto en Argentina como en los pases del Cono Sur. Embajada de Francia en Argentina
Guerra y paz en la huerta

9y+
War and Peace in the Garden (Guerre et paix dans le potager)

Francia/France, 2006, 90 Director: Jean-Yves Collet Guin/Script: Jean-Yves Collet Productor/Producer: 13 Production (Doblada en espaol) Sinopsis La pequea huerta familiar de Moulin Neuf, situada en el corazn del bosque bretn, muy cerca de la pequea ciudad costera de Douarnenez, no es como las otras. Para no contaminar el suelo, para comer verduras sanas y para no transformar la huerta en desierto esterilizado, los horticultores no utilizan ningn producto qumico y esto desde hace unos 20 aos. Esta huerta natural es filmada como una selva en miniatura poblada de millares de animales y de
algunos gigantes, los horticultores.
Sinopsis Moulin Neufs small, familiar garden, in the heart of the Brittany forest, very close to the small coastal city of Douarnenez, is not like other gardens. To prevent contaminating the soil, to ensure vegetables are healthy to eat, and so as not to turn the garden into a barren desert, the gardeners have not used any chemical products for the last twenty years. This natural garden is transformed, in this film, into a miniature forest populated by thousands of animals and a few giants the gardeners.
de investigador sobre los primates que abandona en 1985 para dedicarse a la realizacin y a la produccin de documentales sobre los animales, la naturaleza y el entorno. Realiz unos 40 documentales y obtuvo varios premios y recompensas en festivales internacionales.
Una vida de gato

11 y +
Jean-Yves Collet was born in SaintJean-de-Maurienne in 1959. He is a director and scriptwriter of animal documentaries. He is also a Vetinary Doctor. He began his career investigating primates, but left that work in 1985 to dedicate himself to the production of documentaries about animals, nature and the environment. He has made about forty documentaries and won various prized and awards in international festivals.
A cat in Paris (Une vie de chat)

Francia/ France , 2010, 70 Director: Jean-Loup Felicioli y Alain Gagnol Guin/Script: Alain Gagnol, Jacques-Rmy Girerd Productor/Producer: Emmanuel Bernard - Follimage Anmacin/Animation: Constantin Beine, Xavier Cruz, Rmi Durin, Alain Gagnol, Paul Jadoul, Antoine Lanciaux, Sylvie Lonard Msica/Music: Serge Besset Montaje/Edition: Herv Guichard (Subtitulada al espaol) Sinopsis Dino, el gato, comparte la vida entre dos casas. De da vive con Zo, hija nica de Jeanne, la comisara de polica. De noche se pasea por los
tejados de Pars acompaado por Nico, avezado ladrn. Jeanne no puede ms. No slo tiene que moderar los mpetus de su intrpido compaero, autor de varios robos de joyas. Tambin le toca vigilar al Coloso de Narobi, una gigantesca estatua codiciada por Victor Costa, culpable de la muerte de un polica, marido de Jeanne y padre de Zo, encerrada desde entonces en un mutismo total. Los sucesos se precipitan la noche en que Zo sorprende a Costa y su pandilla. Se inicia entonces una persecucin hasta los tejados de la catedral Ntre-Dame que acaba de madrugada: los personajes se entrecruzan, unas veces se ayudan, otras se enfrentan.
Jean-Yves Collet naci en SaintJean-de-Maurienne en 1959. Es director y guionista de documentales de animales. Es Doctor en Veterinaria. Comienza una carrera
Sinopsis Dino, the cat, splits his life between two houses. By day, he lives with Zo, the only daughter of Jeanne, the commissioner of police. By night, Dino stalks the rooftops of Paris accompanied by Nico, an experienced thief. Jeanne cant take it any more. Not only must she try to keep in check the energy of her intrepid companion, the author of various jewel robberies, but she must also guard the Colossus of Nairobi, a
giant statue which is coveted by Victor Costa, guilty of killing a policeman who had been Jeannes husband, and Zos father since when Zo has remained in total silence. Events quickly lead to a night on which Zo surprises Costa and his gang. Thus begins a chase to the rooftops of Notre-Dame as dawn is breaking; the characters cross paths, sometimes they help, and other times they hinder one another.
nariz en la ventana (Le nez la fentre), El pasillo (Le couloir) y Mal tiempo (Mauvais temps).
Jean-Loup Felicioli was born in 1960 in Albertville. He studied in the Fine Arts schools of Annecy, Strasbourg, Perpignan and Valencia. He is a director, set designer and graphic designer. His animations and normally scripted by Alain Gagnol, with whom he has co-directed the films Lgoste, Les tragdies minuscules, Le nez la fentre, Le couloir and Mauvais temps.
Alain Gagnol naci en el 1967 en Roanne. Estudi en la escuela mile Cohl en Lyon. Es director y guionista. Co-dirigi con Jean-Loup Felicioli numerosos cortometrajes y largometrajes.
Jean-Loup Felicioli naci en el 1960 en Albertville. Estudi en las escuelas de Bellas Artes de Annecy, Strasbourg, Perpignan y Valencia. Es director, escengrafo, animador y dibujante. Sus animaciones son a menudo guionadas por Alain Gagnol. Con Alain Gagnol co-dirigi las pelculas: El egosta (Lgoste), Tragedias minsculas (Les tragdies minuscules), La
Alain Gagnol was born in 1967 in Roanne. He studied at the Emile Cohl school in Lyon. He is a director and scriptwriter. With Jean-Loup Felicioli, he has co-directed numerous shortand feature-length films.
Actividades Paralelas I Parallel Activities
Programa de Actividades Paralelas

Parallel Activities Programe
PRESENTACIN ESPECIAL Film METEGOL (Work In Progress) con la presencia de Juan Jos Campanella y a continuacin: Programa 3 Tributo a Jess Prez 44, Animacin Sala Leonardo Favio de la Biblioteca del Congreso, Alsina 1835 Jueves 30 de Agosto 9,30 am HAPPENING DE ANIMACION VIVAN LOS CHICOS! Talleres de diferentes tcnicas de animacin para chicos. Coordinador: Jess Prez Colaboran: Rodolfo Pastor y Paula Kipen Espacio Opcin Audiovisual, Dorrego 1898 esq. Zapata Viernes 31 de agosto de 9,30 a 16,30hs. ANIMNDONOS, COLOQUIO DE ANIMADORES Coordinadores: Oscar Desplats y Susana Velleggia Casa Nacional del Bicentenario, Riobamba 985 Sbado 1 de Setiembre de 18,30 a 21 hs. CLINICA DE INTERCAMBIO; JESS PEREZ CON JVENES ANIMADORES Canal PakaPaka Lunes 3 de Setiembre de 17 a 19 hs. ENCUENTRO PRELIMINAR DEL SEMINARIO UNASUR; TICs y Redes Audiovisuales para la Diversidad Cultural en la Integracin SADOP Cnel. Pern 2625 Lunes 3 de Setiembre de 9,30 a 17,30 hs. CLINICA DE INTERCAMBIO; JESS PEREZ CON ESTUDIANTES DE CINE Fundacin Universidad del Cine (FUC) Pasaje Giuffra 339 Martes 4 de Setiembre de 19 a 20:45hs. SPECIAL SCREENING Film METEGOL (Work In Progress) with Juan Jos Campanella and: Programm 3 Tribute to Jess Prez, 44, Animation Sala Leonardo Favio de la Biblioteca del Congreso Alsina 1835 Thursday 30 rd August, 9,30 am ANIMATION HAPPENING LONG LIVE THE KIDS Workshops in different animation techniques for children Coordinator: Jess Prez With collaboration from Rodolfo Pastor and Paula Kipen Espacio Opcin Audiovisual Dorrego 1898 (corner with Zapata) Friday 31st August, 9:30am to 4:30pm ANIMNDONOS, ANIMATORS SYMPOSIUM Coordinators: Oscar Desplats and Susana Velleggia National House of Bicentenario, Riobamba 985 Saturday September 1st , from 18: 30 to 21 EXCHANGE CLINIC: JESS PREZ WITH YOUNG ANIMATORS Canal PakaPaka Monday 3 rd September, 5pm to 9pm PRELIMINARY MEETING OF THE UNASUR SEMINAR: ICT and audiovisual networks for cultural diversity in integration SADOP Cnel Pern 2625 Monday 3 rd September, 9 : 3 0 t o 5:3 0 pm EXCHANGE CLINIC: JESS PREZ WITH FILM STUDENTS Fundacin Universidad del Cine (FUC), Pasaje Giuffra 339 Tuesday 4 th September, 7 pm to 8:45 pm
ENCUENTRO PRELIMINAR DEL SEMINARIO SUBREGIONAL UNASUR; TICs y Redes Audiovisuales para la Diversidad Cultural en la Integracin Viernes 3 de Setiembre de 2012 Auditorio SADOP, 9,30 a 16,30 hs. FUNDAMENTACIN Amrica Latina est experimentando un verdadero cambio civilizatorio, en tanto las transformaciones en curso comprenden todas las dimensiones de nuestras sociedades, as como las instituciones heredadas, muchas de ellas de fines del siglo XIX, otras de comienzos del XX y algunas de la dcada en la que imperaron las polticas neoliberales cuya misin fue demoler las estructuras del Estado para facilitar la hegemona del mercado. Adems de los cambios polticos, las transformaciones tecnolgicas que dan lugar a las denominadas sociedad de la informacin (Castells; 1997) y sociedad del conocimiento, marchan por delante de la capacidad de comprensin de ellos por las sociedades, as como de las polticas pblicas educativas, culturales y de
comunicacin, que permitan ubicar a las TICs como bienes sociales al servicio del desarrollo del conjunto de las comunidades, en lugar de considerarlas nicamente como mercancas para el consumo en su carcter de novedades. Ellas constituyen, asimismo, una oportunidad indita para la innovacin y el fortalecimiento de los procesos de integracin del espacio subregional UNASUR. Aprovechar esta oportunidad reclama estrategias polticas en cuya formulacin e instrumentacin participen los actores gubernamentales y no gubernamentales, as como la articulacin entre los sectores pblico, privado y de la sociedad civil. El abordaje de este desafo requiere diagnsticos prospectivos sobre los importantes cambios en curso, de modo que las estrategias que se diseen, no slo apunten a solucionar los problemas de fragmentacin social y cultural que afectan a nuestras sociedades sino tambin propongan ciertos objetivos comunes en torno a un proyecto de desarrollo subregional sustentable, que trascienda los lmites geogrficos nacionales heredados de los procesos independentistas. La constitucin de la Patria Grande como objetivo poltico estratgico, puede encontrar
en las TICs nuevas oportunidades para su concrecin. Hoy, un nuevo proceso de independencia recorre a nuestros pases. ste, ms all de sus legtimas diferencias polticas, se articula en torno a un horizonte comn cuyos rasgos fundamentales son: a) la superacin de las constricciones impuestas por las polticas neoliberales y las dictaduras y la consiguiente recuperacin de los mrgenes de autonoma en las decisiones por los estados democrticos populares; b) la preservacin de nuestros recursos naturales para ponerlos al servicio del desarrollo sustentable de la subregin; c) la necesidad de articular y complementar las polticas pblicas subregionales para acrecentar la capacidad de intervencin de la UNASUR y sus estados-miembro, en calidad de actores protagnicos en el escenario global; d) el respeto irrestricto a los derechos humanos y el impulso a las polticas de inclusin socio-econmica y educativa; e) el fomento a la rica diversidad cultural que caracteriza a la subregin, en cuanto dimensin fundamental de la produccin de una identidad cultural
ampliada como sustento de los procesos integracionistas, va privilegiada para superar los conflictos de intereses que, eventualmente, se planteen en el plano comercial. En este marco los procesos de produccin, circulacin y distribucin de bienes de las industrias culturales hacen del audiovisual el ncleo de la convergencia tecnolgica, empresarial y de mercados que impulsan las TICs. Sin embargo, en los pases de la subregin y pese a las beneficiosas polticas pblicas de fomento al audiovisual nacional es posible verificar una prdida creciente de la autonoma poltica, econmica y cultural en estos campos, en beneficio de la industria audiovisual estadounidense que controla la mayor parte de las pantallas de cine y de los circuitos electrnicos de distribucin, exhibicin y difusin de contenidos audiovisuales con sus producciones. La balanza comercial de TICs y bienes audiovisuales de los pases de la subregin fuertemente deficitaria da cuenta de esta situacin. Este no es slo un problema econmico, sino que implica la erosin de nuestras
identidades culturales, en funcin de disminuir nuestra autonoma poltica y cultural. La ampliacin de esta autonoma es, por tanto, el objetivo estratgico para afrontar de manera exitosa los retos que el siglo XXI plantea a nuestras sociedades. El fortalecimiento y la articulacin de estrategias e iniciativas educativas, culturales y audiovisuales -as como en materia de ciencia y tecnologa- a travs de planes y programas compartidos, es una prioridad poltica. Dentro de ella, debemos privilegiar los procesos de desarrollo de las capacidades de comunicacin, expresin, creacin y anlisis crtico de medios de los nios, nias, adolescentes y jvenes como parte inescindible de la formacin de ciudadana. El Encuentro Preliminar de referencia, se propone aportar a los procesos de anlisis y formulacin de propuestas para contribuir a los propsitos arriba expuestos. Tambin establecer las bases terico-conceptuales y metodolgicas para la realizacin del Seminario Internacional UNASUR; TICs y Redes Audiovisuales para la Diversidad Cultural en la Integracin.
OBJETIVOS PRINCIPALES Promover el anlisis, el debate y la formulacin de propuestas sobre las principales estrategias dirigidas a fortalecer los procesos de integracin del espacio UNASUR mediante la utilizacin de las TICs y el audiovisual, en funcin de la promocin de las identidades culturales de los pases de la subregin. Identificar los aspectos ms relevantes a tener en cuenta por las polticas pblicas de cultura, comunicacin y educacin en la formacin de los nuevos pblicos y en valores que promuevan la comprensin de la diversidad cultural, la produccin de ciudadana y la construccin de una identidad cultural ampliada en el seno de la UNASUR Contribuir a la reflexin, el debate y el intercambio entre especialistas y decisores polticos de las disciplinas y reas involucradas. Proponer las lneas programticas de los principales temas que abordar el Seminario Internacional. Elaborar, de manera participativa y transdisciplinaria, el documento-
base del Seminario Internacional a realizarse en 2013. TEMARIO El papel del audiovisual, las TICs y los procesos de transmedialidad en la integracin del espacio UNASUR. Nuevas tecnologas y nuevos y viejos actores sociales; hacia un cambio de paradigma en la educacin, la cultura y la comunicacin. La I+D y la produccin y distribucin de contenidos; complementaridades, puntos de encuentro y redes. La formacin de pblicos competentes y ciudadanos participativos para una apropiacin social, crtica y creativa del audiovisual y las TICs. La construccin del espacio audiovisual de los nios, nias, ado. lescentes y jvenes de la UNASUR. METODOLOGA DE TRABAJO Exposiciones y debate Grupos de trabajo Elaboracin de documento-base
PRELIMINARY CONFERENCE FOR THE SUBREGIONAL SEMINAR UNASUR; ITC and Audiovisual Networks for Cultural Diversity in Integration Friday 3 rd September 2012 SADOP, 9:30am to 4:30pm BASIS Latin American civilisation is undergoing a true change, both in terms of ongoing changes across all levels of our societies, and in the institutions we have inherited, many of them from the end of the 19th century, others from the early 20th century and some from the decade during which neoliberal politics reigned, whose object was to destroy the structures of the state and facilitate the hegemony of market forces. As well as political changes, the technological transformations which bring about the so-called information society (Castells; 1997) and the knowledge society are beyond the understanding of those same societies. They are also beyond the understanding of public education, culture and communication policies which allow ICTs to become social assets at the service of the develop-
ment of groups of communities, rather than being considered simply as merchandise for consumption in their character as novelties. These changes also constitute an unprecedented chance to innovate and strengthen the processes of integration within the subregional UNASUR bloc. Taking advantage of this opportunity requires political strategies in whose formation and instrumentation both governments and NGOs will need to participate, as well as co-operation between the public, private and civil sectors. Taking on this challenge will require prospective diagnostics to be carried out regarding the great changes which are taking place, so that the strategies used are not only aimed at solving the problems of social and cultural fragmentation which affect our societies, but also propose certain common objectives for designing a project of sustainable subregional development which transcends the geographical boundaries which are a legacy of the independence movements. The constitution of the Great Fatherland as a politically strategic objective can find, in ICT, new opportunities for its realisation.
Today, a new process of independence is occurring in our countries. This process, beyond legitimate political differences, points towards a common horizon whose fundamental characteristics are: a) the overcoming of restrictions imposed by neoliberal politics and dictatorships, and the subsequent recuperation from the political margins of autonomy in decision-making by popular democratic states; b) the preservation of our natural resources, which can therefore be put to the service of sustainable development for the subregion; c) the need to articulate and complement the public politics of the subregion so as to increase UNASURs capacity to intervene, along with its member states, in important actions on a global stage; d) unrestricted respect for human rights and an impetus for policies of socio-economic and educational inclusion; e) the promotion of the rich cultural diversity that characterises the subregion, as concerns the fundamental aspect of production of a cultural identity which sustains the integrationalist process, an exceptional manner in which to overcome conflicts of interest which, eventually, will become part of the commercial reality of the subregion.
Within this framework, the processes of production, circulation and distribution of the goods of cultural industry make the audiovisual the core feature of the convergence of technology, business and market forces which drive ICT. However, in the countries of the subregion and in spite of the public political benefits of developing the national audiovisual industry there is a growing loss of autonomy in the political, economic and cultural realms. This is to the benefit in these fields of the American audiovisual industry, which controls the majority of the cinema screens and electronic means of distribution, screening and promotion of the audiovisual content of its productions. The commercial balance of ICT and audiovisual goods within the countries of the subregion which is hugely loss-making provides the evidence of this situation. This is not only an economic problem, but also implies the erosion of our cultural identities, since it diminishes our political and cultural autonomy. The growth of this autonomy is, therefore, the strategic objective for which we must successfully confront the challenges which the 21st centu-
ry presents to our societies. Strengthening and articulating the educational, cultural and audiovisual strategies and initiatives as in science and technology materials by way of plans and shared programmes is a political priority. Within that process, we must prioritise the development of capacity for communication, expression, creation and critical analysis of media in children, adolescents and young adults as an indispensable element of our citizens formation. This Preliminary Conference for reference aims to provide the processes of analysis and formulation of proposals to contribute to the suggestions listed above. It will also establish the theoretical/conceptual and methodological bases for the forthcoming International Conference, UNASUR; ICT and Audiovisual Networks for Cultural Diversity in Integration. PRINCIPAL AIMS Promoting analysis, debate and the formulation of proposals regarding the principle str ategies directed
towards strengthening processes of integration within the UNASUR bloc through use of ICT and the audiovisual in the role of promoting cultural identities in the countries of the subregion.
Identifying the most relevant points to be taken into consideration by the public culture, communication and education policies in the formation of new citizens and in the values which promote the understanding of cultural diversity, citizenship production and the construction of a cultural identity nourished by the breast of UNASUR. Contributing to reflection, debate and knowledge exchange between specialists and political decision makers in the disciplines and fields involved. Proposing the main themes and programme to be dealt with by the International Conference. Authoring, in a participatory and trans-disciplinary manner, the document on which the International Conference, to take place in 2013, will be based.
AGENDA The role of the audiovisual, ICT and the processes of a life governed by multimedia in the integration of the UNASUR bloc.
New technologies and new and old social drivers; towards a switch in the paradigms of education, culture and communication. Information and Development centres, and the production and distribution of content; complementing factors, meeting points and networks. The formation of a competent public and participatory citizenship for the social, critical and creative appropriation of the audiovisual and of ICT. The construction of the audiovisual realm for children, adolescents and young people in the UNASUR bloc.
HAPPENING DE ANIMACIN QU VIVAN LOS NIOS! 31 de Agosto de 9,30 a 16,30 Coordinador General: Jesus Prez Colaboran: Rodolfo Pastor y Paula Kipen Descripcin El Taller consiste en dos das de animada actividad animativa, animatriz, animacional y animtica; animacin experimental con nios y nias en trabajo conjunto y asociado con los colegas animadores Rodolfo Pastor y Paola Kipen. Los nios y nias participan slamente el primer da. Los colegas, los dos das. Durante la maana se trabajar exclusivamente sobre papel (o cartulinas) con toda clase de lpices de colores, marcadores, crayones. Se tratar de que nios y nias produzcan la mayor cantidad posible de pequeas secuencias animadas; saltos, rebotes, pasos, explosiones, aleteos etc., y que algunos de ellos sean visionados en un praxinoscopio. Durante la tarde, y con la ayuda de cmaras MiniDV y netbooks, se regi-
strarn las secuencias animadas combinadas con Stop Motion (Pixilaciones) en vivo de sus creadores. Por ejemplo; una nia sostiene entre los dedos una hoja de papel en la que un personaje se anima. El registro cuadro a cuadro podr ser realizado de diversas maneras, de acuerdo a las propuestas y la creatividad de los participantes. Los registros no se limitarn a combinar a los nios en vivo con sus animaciones, sino que ensayarn tambin otras ideas de Stop Motion con objetos, muecos, muebles, vestuarios y personas. Tambin podrn incorporarse murales animados y animacin sobre paredes. El segundo da estar destinado a la edicin y sonorizacion de la obras animadas por Paola, Rodolfo y Jess. Las obras resultantes de ste taller experimental sern exibidas en el cierre del Festival, el da 5 de Setiembre. Destinatarios: 35 nios y nias de 11 aos en adelante.
WORK METHODS Exhibitions and debate Work groups Development of the Seminar document
QU VIVAN LOS NIOS! ANIMATION HAPPENING 31st August, 9:30am to 4:30pm General coordinator: Jess Prez Collaborators: Rodolfo Pastor and Paula Kipen Description The workshop consists of two days immersed in animation, with all sorts of activities related to the field with children working together and in association with animation colleagues Rodolfo Pastor and Paula Kipen. Children will only be participating on the first day. Rodolfo and Paula will be present on both days. During the morning we will be working exclusively with paper (or card) and with all types of coloured pencils, markers and crayons. We will try to ensure that children produce the greatest quantity possible of short animated sequences; jumps, bounces, steps, explosions, flutters, etc., and that some of them can be viewed through a praxinoscope. During the afternoon, and with the help of MiniDV cameras and netbooks, the animated sequences will
be combined with Stop Motion (pixelations) to create an animation featuring live images of their creators. For example, a little girl holding in her fingers a leaf of paper on which a character is animated. The frame-by-frame registers clips will be created in different manners according to the proposals and creativity of the participants. The records will not only combine live action images of the children with their animations, but will also try out other ideas with stop motion with objects, dolls, furniture, costumes and people. The children will also be able to incorporate animated murales and animation against walls. The second day will be dedicated to editing and sound work on the animated works by Paula, Rodolfo and Jess. The works created in this experimental workshop will be exhibited at the close of the Festival, on the 5th September. Addressees: 35 children aged 11 and up
ANIMNDONOS, COLOQUIO INTERNACIONAL DE ANIMADORES Casa Nacional del Bicentenario Sbado 1 de Setiembre de 18,30 a 21 hs. Coordinadores: Oscar Desplats Susana Velleggia Las aceleradas transformaciones que tienen lugar en el campo de las Tecnologas de la Informacin y la Comunicacin (TICs) con los consecuentes procesos de convergencia, no slo tecnolgica, sino tambin empresarial con la formacin de grandes conglomerados productores-distribuidores-.difusores- y de mercados, tienen una incidencia decisiva en el campo audiovisual y, en particular, en el de la animacin. El incremento de las articulaciones e interrelaciones de los distintos medios de comunicacin e industrias culturales entre s y con la informtica, Internet y las telecomunicaciones, que ha dado lugar a categoras tales como multimedia, transmedia, crossmedia, la expansin de las redes y las cada vez mayores posibilidades de interactividad son fenmenos de reciente
data, an insuficientemente analizados y, menos an, aprovechados en todas sus potencialidades, salvo por reducidos grupos de expertos. La aparicin de la figura del prosumidor, en particular entre los adolescentes y jvenes, que utilizan a Internet como medio de entretenimiento y de creacin y difusin de sus propios discursos audiovisuales, musicales, literarios, informativos, etctera. En ellos la animacin juega un importante papel. En general realizada por jvenes aficionados, o bien autodidactas, el desarrollo de estas capacidades de los nios, nias, adolescentes y jvenes no es tenido mayormente en cuenta. De este modo el campo audiovisual, a la vez de complejizarse y transnacionalizarse con la formacin de sistemas multimediales de alcance global, se fragmenta en diferentes sectores. Hoy este campo comprende tanto a los medios tradicionales cine, televisin y video- como a los videojuegos, Internet y la telefona celular. Una gran divisin es la que traza la frontera industrial, regida por la
produccin en economas de escala para el mercado global, de unos pocos grandes emporios multinacionales y de otra parte, aquella habitada por multitud de aficionados, autodidactas y creadores independientes diseminados por el mundo, cuyos productos en general artesanales, se difunden en los circuitos no comerciales. Desde ambos lados de dicha frontera se suceden innovaciones y hallazgos creativos, artsticos, estticos y en materia de comercializacin. Este Coloquio se propone indagar en los muchos senderos, con frecuencia interconectados, por los que avanzan las nuevas tendencias del Mundo Animado. Temario Como temas principales proponemos abordar los siguientes: Las principales tendencias tcnicas, artsticas y estticas actuales de la realizacin del audiovisual animado. La transmedialidad utopa o realidad? La produccin independiente y las nuevas alternativas de distribucin y
difusin; cine, televisin, videojuegos, Internet, telefona celular.. La diversidad cultural y el espacio para los nios, nias, adolescentes y Jvenes en el Mundo Animado. Metodologa Exposiciones en paneles e intercambio con el pblico Expositores Jess Perez (Bolivia/Suiza), Ja nno Pldma (Estonia), Rodolfo Pastor (Argentina/Espaa), Martin Vandas, Productor (Repblica Checa) Luiza Lins (Brasil), Mariano Villegas Gonzlez (Cine largometraje) Rosanna Manfredi (Televisin) Martina Santoro (Videojuegos) Norberto Gaite (AACA) Pablo Brand (AACA)
ANIMATING US, INTERNATIONAL ANIMATORS CONFERENCE National House of Bicentenario Saturday 1st September, 6:30pm to 9pm Coordinators: Oscar Desplats and Susana Velleggia The accelerating transformations which are taking place in the field of Information and Computer Technology (ICT) and the consequent processes of convergence. not only technological, but also in business with conglomerates controlling production, distribution and dissemination and of markets, have a decisive impact on the audiovisual field and, in particular, that of animation. The growing co-ordinations and interrelations between different communication media and cultural industries and with the information era of internet and telecommunications having given birth to concepts such as multimedia, transmedia, crossmedia, the expansion of networks and the ever-growing possibilities for interactivity are recent phenomena, still insufficiently analysed and even less exploited to their full potential, apart
from by small groups of experts. One notable aspect of these changes is the appearance of the prosumer, especially among adolescents and young people, who use the internet as a mode of entertainment, and for creating and spreading their own audiovisual discourse, be it musical, literary or informative. In these online communities, animation plays an important role. Generally produced by young enthusiasts, usually self-taught, the development of these capacities in children, adolescents and young people is not considered as deeply it should be. In this manner, the audiovisual field, whilst becoming more complex and transnational as new multimedia systems form across the glove, becomes fragmented into different sectors. Today, this area affects traditional media cinema, television and video just as much as it does video games, the internet and cellular telephony. One great division is that which traces the limits of the industry, governed by production in the economies of scale for the global market, from a few large multinational empires. The
other division is that inhabited by the multitude of enthusiasts, self-taught producers and independent creators across the world, whose products normally handmade are sold on non-commercial circuits. Both sides of this border produce innovations and discoveries in the creative, artistic and aesthetic fields, as well as in publicity and trading methods. This Conference aims to investigate the many and frequently interconnected paths by which new trends advance in the world of animation. Agenda As main themes we propose the following: Main technical, artistic and aesthetic current trends, and the production of animated audiovisual products. Transmedia: Utopia, or Reality? Independent production and the new alternatives for distribution and marketing; film, television, video games, internet, cellular telephony. Cultural diversity and the place of children, adolescents and young people in the world of animation.
Methodology Panel presentations and exchange with the audience. Lecturers Jess Perez (Bolivia/Switzerland), Janno Pldma (Estonia), Rodolfo Pastor (Argentina/Spain), Martin Vandas, Productor (Czech Republic) Luiza Lins (Brazil), Mariano Villegas Gonzlez (Feature films) Rosanna Manfredi (Television) Martina SantOro(Video games) Norberto Gaite (AACA) Pablo Brand (AACA)
Nueva Mirada
Nueva Mirada es una Asociacin Civil sin fines de lucro especializada en cultura, industrias culturales y comunicacin dedicada a dar respuesta a las necesidades de capacitacin y desarrollo educativo y cultural de nios, adolescentes y jvenes, desde la perspectiva de la defensa de sus derechos y la construccin de ciudadana y del estmulo a sus capacidades de comunicacin, expresin y creacin, mediante la utilizacin de medios audiovisuales, e impresos y Nuevas Tecnologas de la Informacin y la Comunicacin y actividades presenciales que involucran a docentes de los distintos niveles de la enseanza, animadores culturales, lderes comunitarios y padres de familia. La perspectiva adoptada es la de aportar al conocimiento y la comprensin de la diversidad cultural en tanto contribucin decisoria a una convivencia social y mundial ms justa, democrtica y armnica, al pleno respeto a los derechos de los nios y a la construccin de ciudadanos crticos, participativos y solidarios. Los principales objetivos de Nueva Mirada son: Contribuir al desarrollo cultural y educativo de nios, adolescentes y jvenes, mediante su capacitacin audiovisual y en materia de NTIC, el fortalecimiento de las habilidades transversales, la formacin en valores y la promocin de sus derechos. Promover el incremento de la produccin y difusin de obras audiovisuales de calidad dirigidas a nios, adolescentes y jvenes y la vinculacin entre los medios audiovisuales y las TICs con la educacin, formal y no formal. Producir y difundir investigaciones, publicaciones y obras audiovisuales que apoyen los esfuerzos de los profesionales de distintas disciplinas que trabajan en relacin a los nios, adolescentes y jvenes. Aportar a la formacin de receptores crticos y pblicos competentes de los medios de comunicacin. Impulsar la participacin activa de los nios, adolescentes y jvenes en carcter de productores y emisores de sus propios mensajes audiovisuales, mediante el desarrollo de sus capacidades de comunicacin, expresin y creacin. Habilitar espacios de reflexin, debate y actualizacin profesional sobre el lenguaje audiovisual y los fenmenos emergentes de la transmedialidad. Para dar cumplimiento a estos objetivos Nueva Mirada desarrolla, adems del Festival, varias lneas de trabajo, entre ellas: Muestras Itinerantes y cursos y talleres en escuelas e instituciones culturales del pas Concursos Encuentros y seminarios de intercambio y capacitacin en las materias de su especialidad, dirigidos a nios, adolescentes, jvenes, y a educadores y gestores culturales. Asesoramiento en polticas culturales y gestin de proyectos socioculturales y de educacin artstica referidos a la infancia, la adolescencia y la juventud y, en particular a los sectores considerados vulnerables Investigaciones en comunicacin y cultura en relacin con la infancia y la juventud y su difusin en diversos soportes. Produccin y distribucin de obras audiovisuales y edicin de materiales multimediales para la educacin audiovisual. COMISIN DIRECTIVA: Presidenta: Susana Velleggia Vicepresidente: Humberto Ros Secretaria: Mara Rosa Gastell Prosecretaria: Adriana Terlesky Tesorera: Claudia Catalina Doura Vocales: Vctor Kon, Fernando Alduncin, Maria Isabel Getino, Octavio Getino, Roberto Vega NUEVA MIRADA es miembro de la Alianza Global para la Diversidad Cultural de la UNESCO
New Approach
Nueva Mirada is a Non-profit Organization that focuses on culture, cultural industries and communication, aimed to respond to the needs of personal growth, cultural and educational development of children, teenagers and youth, from the point of view of defending their rights and building their sense of community; to encourage their ability to communicate, express and create through the use of audiovisual and printed material and the use of new information and communication technologies; and activities involving teachers of different educational levels, cultural figures, community leaders and parents.
audiovisual and TICs preparation, the strengthening of their overall abilities, structuring of values and promotion of their rights.
To promote an increase in the production and diffusion of good quality audiovisual operas directed towards children, teenagers and youth, and the relationships between audiovisual media, TICs and formal and non formal education. To produce and distribute investigations, publications and audiovisual Works and support the efforts of professionals of different disciplines that work with children, teenagers and youth. To bring training in critical reception and formation of competent media mass audiences. To contribute to the formation of critics of the media and a competent public. To support the active participation of children, teenagers and youth as producers of their own audiovisual messages, through the development of their abilities to communicate, express and create.
To provide a space for reflection, debate and professional growth about the relation between audiovisual language and transmedia phenomenus. In order to achieve these goals, Nueva Mirada develops, in addition to the festival, various activities: Traveling art shows, and classes and workshops in schools and cultural institutions. Contests Encounters and seminaries related to the exchange and preparation of different subjects directed towards, children, teenagers, youth and educators and cultural figures. Advice on cultural politics and starting social and artistic educational projects in reference to infancy, adolescence and post adolescence and, in particular, to vulnerable parts of our society. Research on communication and culture in relation to infancy and youth and its diffusion through different means. Production and distribution of
audiovisual works and the editing of multimedia materials for audiovisual education. BOARD OF DIRECTORS President: Susana Velleggia Vice-president: Humberto Ros Secretary: Mara Rosa Gastell Secretary Assistant: Adriana Terlesky Treasurer: Claudia Catalina Doura Other Members of the Board: Vctor Kon, Fernando Alduncin, Maria Isabel Getino, Octavio Getino, Roberto Vega NUEVA MIRADA is a member of the Global Alliance for Cultural Diversity of UNESCO
Asociacin Civil Nueva Mirada Festival Internacional de Cine Nueva Miradapara la Infancia y la Juventud Sarmiento 1586, 6to. Piso, D (1042) Buenos Aires Repblica Argentina Telefax: (011) 4382-8049 / 5238-6673 presidencia@nuevamirada.com www.nuevamirada.com http://festivalnuevamirada.blogspot.com festival@nuevamirada.com
The vision adopted is to contribute to the knowledge and comprehension of cultural diversity, that being a decisive contribution to a more democratic, fair and harmoniums social and international coexistence, the respect to the childrens rights, and to the development of active, responsible and freethinking citizens. The main goals of Nueva Mirada are:
To contribute to the cultural and educational development of children, teenagers and youth, through an

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2 I Festival Nueva Mirada

Festival Nueva Mirada I 3

4 I Festival Nueva Mirada

Festival Nueva Mirada I 5

Criterios de calidad para Servicios de Comunicacin Audiovisual destinados a la Niez y Adolescencia

6 I Festival Nueva Mirada

Festival Nueva Mirada I 7

8 I Festival Nueva Mirada

Agradecimientos y Auspicios I Acknowledgments and Sponsors

Festival Nueva Mirada I 9

10 I Festival Nueva Mirada

Premios y Jurados I Awards and Juries

AMIGO DE LOS NIOS 2012 Joaquin Lavado (Quino)

Premios y Jurados I Awards and Juries

Festival Nueva Mirada I 11

12 I Festival Nueva Mirada

Premios y Jurados I Awards and Juries

Premios y Jurados I Awards and Juries

Festival Nueva Mirada I 13

Jurado Nueva Mirada

14 I Festival Nueva Mirada

Premios y Jurados I Awards and Juries

Premios y Jurados I Awards and Juries

Festival Nueva Mirada I 15

Jurado de los nios y jvenes

16 I Festival Nueva Mirada

Premios y Jurados I Awards and Juries

18 I Festival Nueva Mirada

Competencia Oficial > Panormica I Film Official Competition > Panoramic

Los chicos buenos no lloran

Los chicos buenos no lloran

pate in the tournament, Joep comes up with a really special plan

Competencia Oficial > Panormica I Film Official Competition > Panoramic

Festival Nueva Mirada I 19

The Ice Dragon (Isdraken)

20 I Festival Nueva Mirada

Competencia Oficial > Panormica I Film Official Competition > Panoramic

Competencia Oficial > Panormica I Film Official Competition > Panoramic

Festival Nueva Mirada I 21

The Magicians (Het Geheim)

22 I Festival Nueva Mirada

Competencia Oficial > Panormica I Film Official Competition > Panoramic

Competencia Oficial > Panormica I Film Official Competition > Panoramic

Festival Nueva Mirada I 23

24 I Festival Nueva Mirada

Competencia Oficial > Panormica I Film Official Competition > Panoramic

La noche de los payasos mudos

Competencia Oficial > Panormica I Film Official Competition > Panoramic

Festival Nueva Mirada I 25

Papas Tango (Papas Tango)

llenbosch, grabada en Sud-frica, y la pelcula de televisin culinaria Kfte.

26 I Festival Nueva Mirada

Competencia Oficial > Panormica I Film Official Competition > Panoramic

The invention (El invento)

Risky Foul (Foul de riesgo)

Competencia Oficial > Panormica I Film Official Competition > Panoramic

Festival Nueva Mirada I 27

28 I Festival Nueva Mirada

Competencia Oficial > Panormica I Film Official Competition > Panoramic

jado con ella en muchos proyectos, como Water, Fire y Bollywood/Hollywood.

La noche de los payasos mudos

The Night of the dumb clowns (A noite dos palhaos mudos)

trajes: Aurora, Luchador, Spectaculum y La Noche de los payasos mudos.