Cargas by Melisa Cantero

Sarasúa (2014) Dynamics in Music Conducting. A Computational Comparative Study.pdf

Martinez (2008) La composición temporal del habla, el canto y el movimiento en la musicalidad de las interacciones tempranas adulto-infante.pdf

Randles (2013) How Composers Approach Teaching Composition. Strategies for Music Teachers.pdf

Sborgi Lawson (2014) Is Music an Adaptation or a Technology. Ethnomusicological Perspectives from the Analysis of Chinese Shuochang.pdf

Paloma (2011) El tango instrumental en la orquesta de Osvaldo Pugliese.pdf

Koelsch (2010) Differences in Electric Brain Responses to Melodies and Chords.pdf

Page (1996) Reading and Reminiscence - Tinctoris on the Beauty of Music.pdf

Schellenberg (2009) Music lessons, pitch processing, and g.pdf

Oza (2019) Employability Enhancement Through Teaching Writing in the Time of Autodidact Talent.pdf

Roediger (2011) The critical role of retrieval practice in long-term retention.pdf

Strayer (2013) From Neumes to Notes. The Evolution of Music Notation .pdf

Wellesz (1954) Byzantine Music and its Place in the Liturgy.pdf

Politzer (1995) The Controlled Autodidactic Approach.pdf

Wren - The Compositional Eclecticism of Bohuslav Martinů. Chamber Works Featuring Oboe, Part II.pdf

Vega (1981) Barroco Musical Español. Precisiones sobre su naturaleza.pdf

The Globalization of Musics in Transit. Music Migration and Tourism (2013).pdf

Stojanović-Novičić, D. (2011) The Carter-Nancarrow Correspondence.pdf

Shephard (2016) Centres and peripheries of 15th century music.pdf

Pine (2011) Conversation with Earle Brown about Constructivism and Schillinger’s System of Musical Composition.pdf

Scrivener (2000) Applications of Fractal Geometry to the Player Piano Music of Conlon Nancarrow.pdf

Minah (2008) Colour as Idea. Conceptual Basis for Using Colour in Architecture and Urban Design.pdf

Sucre (1987) Lezama Lima. El logos de la Imaginación.pdf

Sanfey (2012) Pursuing Professional Accountability.pdf

Rossing (1981) Contributions of Curiosity and Relevance To Adult Learning Motivation.pdf

Sinclair (2012) Colour Symbolism in Ancient Mesopotamia.pdf

Reuter (2018) Color and Timbre.pdf

Scrivener - The Use of Ratios in the Player Piano Studies of Conlon Nancarrow.pdf

Shroyer (2009) Variation of French Horn Timbre over the Frequency and Intensity Range.pdf

McDermotta (2010) Musical intervals and relative pitch - Frequency resolution, not interval resolution, is special .pdf

Qian (2020) Analysis of Compositions by Johann Sebastian Bach, Franz Joseph Haydn, Frédéric Chopin, Claude Debussy, and Lisan Wang.pdf

Murphy, Trimpin (2017) Transcoding Nancarrow at the Dawn of the Age of MIDI. The Preservation and Use of Conlon Nancarrow’s Player Piano Studies.pdf

Mead (2009) Lessons Learned About Tonal Music from a Post-Tonal Perspective.pdf

Mackenzie (1922) Colour Symbolism, Folklore.pdf

Quecedo Lecanda (2003) Introducción a la metodología de investigación cualitativa.pdf

Kress (2002) Colour as a semiotic mode. notes for a grammar of colour.pdf

Neumeyer (1990) Film Music Analysis and Pedagogy.pdf

Lawrence (2007) Arthur Russell, Rhizomatic Musicianship, and the Downtown Music Scene, 1973-92.pdf

Pujol Jaumandreu (1962) La obra de Ezra Pound en sus relaciones con la lírica medieval.pdf

Ohtsuki (2000) A Cognitive Linguistic Study of Colour Symbolism.pdf

Kountz (1975) Frank Zappa and the enterprise of serious contemporary music.pdf

Knyt (2017) From Bach–Busoni to Bach–Grainger - Adaptation as Composition.pdf

Knyt (2010) How I Compose. Ferruccio Busoni's Views about Invention, Quotation, and the Compositional Process.pdf

Peñalver Villar (2013) Formación rítmica - los ritmos aditivos y su aplicación pedagógica en la educación musical .pdf

Lerner (1998) The pathography of composers - Modest Mussorgsky.pdf

Kim Hogarth (2012) Changing Traditions in Colour Symbolism .pdf

Hutchings (1997) Folklore and Symbolism of Green.pdf

Kaufman Shelema (2006) Music, Memory and History .pdf

James (2004) Senses and Sensibility in Byzantium.pdf

Kienast (2000) Acoustical Analysis of Spectral and Temporal Changes in Emotional Speech.pdf