

Amutuy Marcelo Berbel

Arreglo: Jennifer González

Amutuy

Aut : Hermanos Berbel

Arreglo: Jennifer González
      
Melancólico

 
 = 50


Voz

Flauta        

      
Clarinete en Si♭  
      
Clarinete bajo Si♭  

Saxofón contralto        

      
 

Saxofón tenor

Corno en Fa 
     

      
Trompeta en Si♭  

      
Trombón 

      
 
    
Tuba

        
Violín 1    

   
         
 
Violín 2

Viola        

         
     

Violonchelo

        
  

  
Contrabajo

       
              
sfz

Set de percusión

   
           
 

 
sfz
Bombo de concierto

 

2
            
6 3


Vo.

      
 
A Hies Tan

   
 Fes te


Fl.

 
         

  

 
Cl. Si♭

      

 

Cl. B. si ♭

      
Sax. Ctrl.  
      


Sax. T.

Cor. Fa 
     

      
Tpt. Si♭ 

Tbn.
      

      
 

Tba.

           
Vln.1    

     
Vln.2        
             


Vla.

        
      




Vc.

           
  
      
Cb.

      
               
sfz

 
Perc. Set.

           
 

Bom. Conc.

3
        
 
      
12 Dm-7

  
Vo.

    
      
jan do la con quis ta dea yer Con mi pro pia ban

Fl.

  
Cl. Si♭          
  
     

Cl. B. si ♭

     
   



Sax. Ctrl.

 
     



 
Sax. T.

Cor. Fa      
 


  
        



Tpt. Si♭

       



Tbn.

    
    



  
Tba.

      
Vln.1      
 pizz. arco

        
     

pizz. arco

Vln.2

             



pizz. arco

Vla.

             


 
pizz. arco

Vc.

          


   
pizz. arco

Cb.

         
              


Perc. Set.

              

Bom. Conc.
4

               
   
16 3
3

 
Vo.

      
Fl.  
de ra me ro ba ron la fé los del re ming ton

  
      
 

Cl. Si♭


    
 

Cl. B. si ♭


      
 


Sax. Ctrl.


    



Sax. T.

Cor. Fa        



  
       
  


Tpt. Si♭

       

  


Tbn.

    
    
  

 
Tba.

      
Vln.1  
  

      
 
 

Vln.2

      
 
 

Vla.

    
 
 

Vc.

   



Cb.

         
          


Perc. Set.

Bom. Conc.             

5
          
      
20 3

  
Vo.

     
Fl.     
an tes y sus le yes des pués pi so tea ron mis

  
   
Cl. Si♭
     
  
     

Cl. B. si ♭

     
   



Sax. Ctrl.

 
     



 
Sax. T.

Cor. Fa     
 


  
       



Tpt. Si♭

      



Tbn.

   
    



  
Tba.

     
Vln.1     
 pizz.

        
   

pizz.

Vln.2

            

pizz.

Vla.

      
  


   
pizz.

Vc.

          


 
pizz.

Cb.

         
           
3


Perc. Set.

Bom. Conc.             
6 3
        
 
    sie  cul

24

  
Vo.

     
    
cre dos y mi for ma de ser mein pu ron

Fl.

  
   
Cl. Si♭
     
  
     

Cl. B. si ♭

     
   



Sax. Ctrl.

 
     



 
Sax. T.

Cor. Fa      
 


  
        



Tpt. Si♭

      



Tbn.

    
   



  
Tba.

      
Vln.1      
 arco

        
     
arco

Vln.2

              
arco

Vla.

     
         
arco

Vc.

              
arco


Cb.

        
Perc. Set.           

Bom. Conc.             

7
              
   
28 3
3

 
Vo.

      
Fl.  
tu ra y es te i dio ma tam bién lo que no mein pu

  
      
 

Cl. Si♭


    
 

Cl. B. si ♭


      
 


Sax. Ctrl.


    



Sax. T.

Cor. Fa       




  
       
  


Tpt. Si♭

       

  


Tbn.

    
    
  

 
Tba.

      
Vln.1  
  

      
 
 

Vln.2

      
 
 

Vla.

    
 
 

Vc.

  
 


Cb.

          
            


Perc. Set.

Bom. Conc.              

8
        
   
 
32

  
Vo.

Fl.      
sie ron fuel co los de la piel a mu

  
  
 


Cl. Si♭

  
  


 
Cl. B. si ♭

         
  

 

Sax. Ctrl.

   
  
 


 
Sax. T.

Cor. Fa     
  



  
        

 


Tpt. Si♭

     
   
 

Tbn.

     
 
 


  
Tba.

Vln.1      
 pizz.

    
  

pizz.

Vln.2

       

pizz.

Vla.

      


 
pizz.

Vc.

     


 
pizz.


Cb.

        
          


Perc. Set.

Bom. Conc.             
9
             
36


Vo.

    
Fl.         
tu uy so le dad que mi her ma no me a rrin

  
         
3



3
Cl. Si♭

  
    


 
Cl. B. si ♭

       
   



Sax. Ctrl.

  
    


 
 
Sax. T.

Cor. Fa     
 


  
      




Tpt. Si♭

     
 


Tbn.

     
  




Tba.

    
Vln.1        



arco

   

3


Vln.2

       
   

arco

 
Vla.


       
3
arco 

Vc.

       


 
arco

Cb.

         
          


Perc. Set.

Bom. Conc.             

10
          
       
40

 
Vo.

    
Fl.      
co na sin pie dad va mo nos que el a la

    
      
3
3
Cl. Si♭

   
  

Cl. B. si ♭

    
      


Sax. Ctrl.

   
  



 
Sax. T.


Cor. Fa      



   
     
 

 
Tpt. Si♭

      
 

Tbn.

      
 
 


 
Tba.

    
Vln.1     



   

3

Vln.2

          


Vla.

    
    
3



Vc.

     
 



Cb.

          
   


          
3

Perc. Set.

Bom. Conc.               
3

11
  
                 
44


Vo.

       
      
bre y el fis cal pue den más a mu tu uy sin men di gar


Fl.

      
      
 

Cl. Si♭

 
  
    

Cl. B. si ♭

    
   
 






Sax. Ctrl.

 
       

Sax. T.


       
 
Cor. Fa

 
        


Tpt. Si♭

  
    

Tbn.

    
    

Tba.

        
Vln.1        
     


Vln.2

          
   

Vla.

 
        

Vc.

       

Cb.

 
       
 

         
sfz

Perc. Set.

                
 
Bom. Conc.
12
       
 = 50
Voz

    
  
 
Flauta

     
 
Clarinete en Si♭

   
 
 
Clarinete bajo Si♭

   
 
 
Saxofón contralto

   
Saxofón tenor
 
    
 
 
Corno en Fa

   
Trompeta en Si♭  

Trombón
      

     
Tuba


               
Solo 3

Violín

   
  
 3

 
Violín

           
     
   
pizz.
Viola

       
          


    
pizz.
Violonchelo

       
           


  

pizz.
Contrabajo

   
   
 sfz

Set de percusión


          


 
sfz
Bombo de concierto


     
2

    
5 3

Vo.

         
   
a hies tan fes te


 
Fl.

     


  

Cl. Si♭





      

Cl. B. Re ♭

       
 



Sax. Ctrl.





      
Sax. T.

      




Cor. Fa

     
Tpt. Si♭ 

Tbn.
      

      
Tba.

    
     
tutti
Vln.

  
      

arco

Vln.

   
     

arco
Vla.

         

arco
Vc.

     
   



arco


   
Cb.


               
 3

           
Perc. Set.

Bom. Conc.

3
 3

    
  cruz

 me  po
11


Vo.

    

jan do los del sa bley la co mo des


Fl.

    


Cl. Si♭

   


Cl. B. Re ♭

   


Sax. Ctrl.

   
Sax. T.

    


Cor. Fa

   
Tpt. Si♭ 

Tbn.
    

    


Tba.

          
  
Vln.

   



Vln.

       
    
 
Vla.

    


Vc.

    


Cb.

          
  


 
           
Perc. Set.



Bom. Conc.


4

      
  gu na ra zón
   
15 3
3

Vo.

    

ja so me tien doa mi
ron sin nin

Fl.

    


Cl. Si♭

   


Cl. B. Re ♭

   
Sax. Ctrl. 
    
Sax. T.

    
Cor. Fa 
    
Tpt. Si♭ 

Tbn.
    

    
Tba.

    
      
Vln.
  
   

 
Vln.

         
Vla.
 
    


Vc.

  


Cb.
  
          
  


Perc. Set.  
           
Bom. Conc.

 5

     

   
el nom  
19 3

Vo.

    

ra za en dios con que ley me juz
bre de


Fl.

    


Cl. Si♭

   


Cl. B. Re ♭

   
 

Sax. Ctrl.

   
Sax. T.

    


Cor. Fa

   
Tpt. Si♭ 

Tbn.
    

    

  
Tba.

     
     

Vln.

   



 
Vln.

   
Vla.
       
    


Vc.

    


Cb.

             
 


    
3

            
Perc. Set.

Bom. Conc.

3
6

    


  
23

  que  
 
Vo.

      

ga ron por cul pa li mi
blede de ser bren


Fl.

     
  

Cl. Si♭

 
   
  
  
Cl. B. Re ♭

   
  



Sax. Ctrl.


   


  
 
Sax. T.

     




  
Cor. Fa

        



Tpt. Si♭

   
   


Tbn.

     
 


 
 
Tba.

 
  
      
 pizz. arco
Vln.

     
   



pizz. arco

Vln.

        


 
pizz. arco
Vla.

          

pizz. arco
Vc.

       


   
pizz. arco
Cb.

          


           
3

           
Perc. Set.

Bom. Conc.

3
 7

       
o ser in dio
    
27 3
3


Vo.

        

tal ve ez que conquis ta fes
tie e rra


Fl.

        

 


Cl. Si♭

 
   
 


Cl. B. Re ♭

  
    


 

Sax. Ctrl.

 
   


Sax. T.

  
    


 


Cor. Fa

        
 
  


Tpt. Si♭

        
 




   
Tbn.

  
 
 






Tba.

        

  

Vln. 
 
      
 

Vln.

   
   
 

Vla.
 
     
 

Vc.

   
 




 
Cb.

           
      


  
3

             
Perc. Set.

 

Bom. Conc.

 3
8

     

   
32


  
Vo.

    
te jan que no pue doen ten der a mu

  
Fl.

  
 


  
Cl. Si♭


 


 
 
Cl. B. Re ♭

      
  


 


Sax. Ctrl.

  



  



 
Sax. T.

   
    


  
Cor. Fa

  
      




Tpt. Si♭

    
    
 
Tbn.

      






  
Tba.

  
  
 pizz.

Vln.

    
  

pizz.
Vln.

       

pizz.
Vla.

       

pizz.
Vc.

     


  
pizz.
Cb.

             


      
3

             
Perc. Set.


 
Bom. Conc.

  3
 9

             
36

Vo.

    
       
tuy so dad que miher mano mea rrin


le

 
Fl.

  
     


 
3


3


Cl. Si♭

 



     
  
Cl. B. Re ♭

     
  




Sax. Ctrl.

 



     
Sax. T.

 
  


   
  
Cor. Fa

      




Tpt. Si♭

     
 


Tbn.

      



Tba.
 
     
      



arco
Vln.

   

 3

Vln.

       
   

arco

 
Vla.


     
 3
arco
Vc.

       


  
arco
Cb.

          
  


    
            
Perc. Set.

Bom. Conc.

10

               
40

Vo.

       
  
co sin pie va mo nos quel a la


na da ad


Fl.

     
    
3
3


Cl. Si♭

  

  
  
Cl. B. Re ♭

    
  


Sax. Ctrl.

   



  
Sax. T.

  
   


  
 
Cor. Fa

 
     
 

 
Tpt. Si♭

   
  
 

Tbn.

      
 

Tba.
 
       
  


Vln. 
   

3

Vln.

          


Vla.

      
 
3



Vc.

    



Cb.
   
                 



Perc. Set.     

             
Bom. Conc.

 
11

               
 gar
44

Vo.

          
     
cal pue den mas a
bre yel fis mu uy sin men


tu di

 
Fl.

      
       

Cl. Si♭

 

      
Cl. B. Re ♭

          
   

Sax. Ctrl.

 
Sax. T.
       
 
   
   
   
Cor. Fa

        


Tpt. Si♭

  
    

Tbn.

     
Tba.
  
       
        
pizz.

Vln.

        
arco
Vln.

  
      


  
pizz.

 
 
Vla.

   
   

Vc.

       
Cb.
 
              
         
              
Perc. Set.

Bom. Conc.

12

   

 

 
    
50

Vo.

        
         
a mu tuy a mu tuy a mu
tu u

Fl.

            
   


Cl. Si♭

  

      

Cl. B. Re ♭

        
 
 
Sax. Ctrl.

  
Sax. T.
      
 
     
 
Cor. Fa


   


  

Tpt. Si♭


 


Tbn.   
     


Tba.
 
        
  


Vln. 
   
Vln. 

        

 
 
Vla.

 
Vc.       
        
Cb.
   
         
Perc. Set.            
           
Bom. Conc.

    
13

            gar
54

    
Vo.

   
        
uy a mu tuy va mo sin men
no os di

     
Fl.

         
  

Cl. Si♭

  
 
      
Cl. B. Re ♭

     
         



Sax. Ctrl.

  
        

Sax. T.

  
   
   
   
Cor. Fa

    



 
 
Tpt. Si♭

 
     



Tbn.

       


Tba.
 
      Dm



   

arco


Vln.

   
   
arco

 
Vln.

          

arco


  
Vla.

   
   
 
Vc.

        
Cb.
 
          
              
3

             
Perc. Set.

Bom. Conc.
 
3
Flauta Amutuy
Hermanos Berbel


Arreglo: Jennifer González

  
Melancólico
 = 50

  
  
  

   
6


 

 


    
      
12

    
  

16

 

       
    
20

       
    
24

    
   

28

 

    
  
32

     
      
36


3

     
   
40

3
       
2

       
44

     
       

50





60

       
    
72

    
   

76


 

   
  
80

     
      
84





3

    
   
88

 
3

      
     
92

     
           
 
98

         
       
102
Clarinete Sib
Amutuy
Hermanos Berbel


Arreglo: Jennifer González


 
Melancólico
 = 50

 
         

6

 
 
 

 
         
12

  
      
16

 


 


   
     
20

   
   
     
24

  
      
28

 


 


    
32

  
         

36
3




   
      
40
3

       
      
 
44

 

50
  
2

     
  
54

 

60

   
   
     
72

  
      
76

 

   
  
 
80

  
       
  
85
3

    
      
89
3

   
         
  
93

    
          
 
99

 

   
           

103

 
Clarinete bajo Sib
Amutuy
Hermanos Berbel


Arreglo: Jennifer González


Melancólico

 
 = 50

  
   
 
12





    
16

 
   
  
20





 
   
 
24





    
28

  

 
32

 

 

 

   
36

 
 


 
 
40


 




 
44

    
  
2


50

 
  
54

    
 



60

 
   
  
72





 
   
76

  

 
81

 

 

 

   
85

 
 




 
89


 




 
93

    
  
 
      
99

 
 

   
 
103

    
Saxofón Contralto
Amutuy
Hermanos Berbel


Arreglo: Jennifer González

 
Melancólico

 
 = 50

       
  
12


         
16

     
  
 
20

     
  
 
24


     
  
28

      
  


 
32

  


     
   
36

     
  
 
40

     
   
  



44
  
2


50

        
 
54

 

60

     
  
 
72

 
     
  
76

         
 
 
81

 

        
   
85

    
    
 
89

     
   
 




93


       
                
99
Saxo tenor Amutuy
Hermanos Berbel


Arreglo: Jennifer González


Melancólico

 
 = 50

 
     
12





    
16




  
   
20





  
   
24





    
28

 



  
32





 
    
36

 
 


 
 
40


 


 
 
44

    
  
2


50

 

 
54

    
 



60

 
   
 
72





 
   
76




 

 
81





  
   
85

 
 




 
89


 




 
93

    
  
 
                
99


Corno en Fa Amutuy
Hermanos Berbel


Arreglo: Jennifer González

 
Melancólico
 = 50

 
      
12

       
16



  

     

20




      

24

       
28



  

       
32






    
 
36

 


      
40


 

   
   
44
 
2


50

 
     

72

   
    
76

  



       
81






    
 
85

 
      
89

 


       
93


     
99

 
    
  
103


Trompeta en Sib Amutuy
Hermanos Berbel


Arreglo: Jennifer González


Melancólico

 
 = 50

  
        
12




        

16


  
 


       
20

  


        
24

 


       

28


  
 


        

32

  
 

      

36

  


      
40

   
 

       
 
44
  
2


50

  
        
72

   
       
76

  


  
        

81

 

  
      

85

   
     
89

 

   
         
93

  
      
99

    
      
103


Trombón Amutuy
Hermanos Berbel


Arreglo: Jennifer González

  
Melancólico
 = 50

    
    
12

       

16


  

      

20




      

24

       

28


  

    
    
32







     
36

 


      
40


 

  
    
44
 

2


50

    
  

72

        

76

  

   
     

81

 

   
    
85

   
    
89

 

 
      
93

 
     
99

  
      
103


Tuba Amutuy
Hermanos Berbel


Arreglo: Jennifer González

  
Melancólico
 = 50

      
 
12





     
 
16

  

     
 
20




      

24





     
 
28


  

    
32





      
36




      
40


 


      
44
 

2


50

      

72




   
     
76

  


    
81




      

85




      
89




   
    
93

     
99




 
       
103



Violín 1
Amutuy
Hermanos berbel
Arreglo: Jennifer González

         

   
Melancólico

 
 = 50

  
 

          
  
6


         
    
13 pizz. arco

   


   

17

      
 

 
   
21 pizz.

      


  
    
25
arco

     
   
29

 
 

     
33 pizz.




          

37
arco

 



3

      

41

   
3

         

45

               
51


Solo 3

 3
    
2

    

55
tutti

   


      
  
61

  


      
  
65

      
      
69

      


  
    
73 pizz. arco




       

77

 

    
  
82 pizz.

    
       
86
arco





3

   
    
90

     
3

        

94 pizz.

            

100

      Dm

   
104


arco
Violín 2
Amutuy
Hermanos Berbel
Arreglo: Jennifer González

          
Melancólico

  
 = 50

             
6

        
     
12 arco
pizz.

       

16

 

        
   
20
pizz.

        
     
24 arco

      
 
28


 

   
      
32
pizz. arco


 

      
50 arco




          
  
61 arco
pizz.


2

      
 
77

 


  
      
81
pizz. arco

 

 
     
99
arco


Viola Amutuy Hermanos Berbel


Jennifer González

  
Melancólico
 = 50

             

6




              
12 pizz. arco

       

16

 

            
20 pizz.

 


            
24 arco

      
 
28


 

    
32 pizz.

 


      
  
36


arco

 3

          
40



3

         
   
44

  
            

50

    
pizz.




    
 
54 arco


 
2

           
60

 

   
       

64

    
        

68

             

72 pizz. arco

    
    
76

 


    
81 pizz.

       
   
85


arco

 3

          
89

 3

         
   
93 pizz.

 


         
99

 

  
        
103 arco


Violonchelo Amutuy Hermanos Berbel
Arreglo: Jennifer González

         
Melancólico

  

 = 50

        
     
6

              
12 pizz. arco

  


 
16

       
    
20 pizz.

  


           
24 arco

    
28

       
32 pizz.

    


    
36 arco




      
 
40


 



       
44

    
            
50

   
pizz.

         

54 arco


 
2

   
60

    
64

 
   
68

    
72

              
76 pizz. arco

     
80

   
   
85 pizz.

  
     
89 arco

  
      
93

 

  
      
97

   
      
103

     
    
107
Contrabajo Amutuy Hermanos Berbel
Arreglo: Jennifer González

    
  
Melancólico

   

 = 50

 
          
6

  

              
12 pizz. arco

   

16

            
20 pizz.

              
24 arco

  
 
28

   
   
32 pizz.


      
36

 
arco




    
   
40





       
44

  pizz.       
            
50



        

54 arco



2

    
60

  
  
64

  
  
68

 
   
72

              
76 pizz. arco

   
 
80

     
 
85 pizz.


      
89

 
arco

  
     
93




  
     
97

        
103

  

    
     
107


Percución Amutuy
Hermanos Berbel
Arreglo: Jennifer González


Melancólico

          
 = 50

Set de percusión               
sfz

           
 

  
sfz
Bombo de concierto

6            sfz
 

  
Perc. Set.  
           
Bom. Conc.  
            
  


12      
  


 
Perc. Set.         
sfz

Bom. Conc.              

 

16          
 

Perc. Set.       
Bom. Conc.             


          
Perc. Set.          
3
20

Bom. Conc.             


24          
3

Perc. Set.       
Bom. Conc.             

 28           
2

Perc. Set.           
Bom. Conc.              

32  
Perc. Set.        
 

   
Bom. Conc.             

36          
Perc. Set.       
Bom. Conc.             

   
Perc. Set.           
      
3
40

Bom. Conc.               

44  
          
3

Perc. Set.          
sfz

              

 
Bom. Conc.

   
Perc. Set.   
50
sfz

        
 


 
sfz


Bom. Conc.

54    
          


Perc. Set.     
3

Bom. Conc.             

3
 60          
3

Perc. Set.       
Bom. Conc.             



64          


Perc. Set.       
Bom. Conc.             



             


Perc. Set.       
3
68

Bom. Conc.               


72          
3

Perc. Set.            
3

Bom. Conc.            

 
                
3

Perc. Set.       
3
76

Bom. Conc.                  
 


81             
 3

Perc. Set.       
3

Bom. Conc.               

 

85          
  3

Perc. Set.       
Bom. Conc.             

 89                 
4

Perc. Set.       

                 
Bom. Conc.


93             
Perc. Set.         

              
Bom. Conc.


99            
Perc. Set.               

              
Bom. Conc.


           
Perc. Set.                
3
103

                
Bom. Conc.
 
3