Score BAD ROMANCE Lady Gaga

Arr. Sarab Chaffee

Adapt. Gonzalo Ardila

                         

Trombone 1


             
Trombone 2


           
Trombone 3  

      
Tuba
 
 
           
A
6
           
Tbn. 1


         
Tbn. 2   

Tbn. 3
      
               

  
                        
 
Tuba

             
  

   
 

11

Tbn. 1

                  
Tbn. 2       

                          
Tbn. 3    

                       
 
Tuba

 2 BAD ROMANCE / Score

          
B

             
16

Tbn. 1

  
Tbn. 2
      

         
Tbn. 3  


           
           
Tuba
     
 
 
                 
       
22

Tbn. 1
 
      
Tbn. 2
     


Tbn. 3
        
 
   
 
        
             
               
Tuba
 
  


        
   



28

Tbn. 1


              
Tbn. 2    
 

Tbn. 3
                                


     
                        
Tuba

   
 BAD ROMANCE / Score 3

        
              
C D

          
Tbn. 1 
 
  
Tbn. 2       

                           
     
  
Tbn. 3

 
Tuba

           
  

  
38
                             
Tbn. 1

Tbn. 2
    
 
               

    
Tbn. 3        

                  
               
 
Tuba

                
E
    

43

Tbn. 1



               
Tbn. 2  

   
Tbn. 3
          

               
Tuba
           

 4 BAD ROMANCE / Score


       
F

          

48

Tbn. 1

 
              
  
Tbn. 2    

       
Tbn. 3
             

                          
           
        
Tuba

           G 
                   
54


Tbn. 1
 cresc. 
                                
Tbn. 2  
  

cresc.

           
    

Tbn. 3
 cresc.  
  
       
Tuba    
        
 cresc. 
   
  
       
       
  
59

Tbn. 1

 
        
      
Tbn. 2

        
               
        

Tbn. 3

Tuba
      
  
BAD ROMANCE / Score 5

                      
H

Tbn. 1
       
 
  
                     
    
Tbn. 2

 
 
Tbn. 3
               
 
              
Tuba      
             

   I

    
71

Tbn. 1

  
Tbn. 2
             
  

 


               
Tbn. 3

    
            
   
 
Tuba

            
J

         
76

Tbn. 1

Tbn. 2
   


        

    


     
Tbn. 3        


Tuba      
             

 6 BAD ROMANCE / Score

       
                  
K


81

Tbn. 1


                                 
Tbn. 2

         

Tbn. 3 

                     
Tuba
    

            
          
86

Tbn. 1
 
  
                 
Tbn. 2   

            
Tbn. 3 

Tuba
      

   
                         
L

     
92

Tbn. 1
 
                
Tbn. 2         

   
        
Tbn. 3
 
Tuba
     
   

 BAD ROMANCE / Score 7

    

    
M
98
   
Tbn. 1

Tbn. 2
                    

                        
     

Tbn. 3


Tuba
   
       

     
103

Tbn. 1

     
Tbn. 2
          

       
  
   




          
    
Tbn. 3
    
 
  
Tuba
                        

    
N

        

108

Tbn. 1


         
Tbn. 2
  

      
Tbn. 3
     


                               
            
Tuba
 8 BAD ROMANCE / Score

 
         
O
       

113

Tbn. 1


 
                  
Tbn. 2    

              
  
 
 
 
Tbn. 3

                              
Tuba
                   

    
      
118
      
Tbn. 1

        

     
  
Tbn. 2

       

                 
Tbn. 3


       
                     
           
   
Tuba

         
P
          

123

Tbn. 1  
         
                
Tbn. 2  
 

Tbn. 3
           
 
  
Tuba
                                        

  
BAD ROMANCE / Score 9

       
            

   
128

Tbn. 1

   
Tbn. 2
    
            


                             
Tbn. 3


 
                        
                 
Tuba

 

                       
     
          
134

Tbn. 1
 
          
           
Tbn. 2 

        
Tbn. 3          

     
    
    
     
Tuba


     
Fine
 
140

Tbn. 1

       
Tbn. 2

  
Tbn. 3     


  
Tuba
   

Trombone 1 BAD ROMANCE Lady Gaga
Arr. Sarab Chaffee
Adapt. Gonzalo Ardila

                                       
  

          
                
A
 
7


          B


           
    
13

   
     
                       
19

 

 
                            
     
26


           
          
C
       
D
         
 
     
                     
38

     
           
E

         

43



    
                        
F
 
 
49



                    
 
G
 
56

 
 cresc.  

               
H

       
62

   
        
        
I

  
68


2 BAD ROMANCE / Trombone 1

            
            
J
  


                                            
K
83



     
   
L

         
  
90



                              
M

       
96

 

                
N
          
 

                          
O

          
 
115


                         
P

     
121

  


                   

127


                        
         
133



138
        


     
       
Fine

Trombone 2 BAD ROMANCE Lady Gaga
Arr. Sarab Chaffee
Adapt. Gonzalo Ardila

                 
   
A
 
   
   
         

8

  
   
         
  
      
B
  
15

 
 
       
 
     
C

D
 
      
25

   
                          
            
  
38


          
E

   
44


             
   
51 F

G 
                                     
56

 cresc.
         H
   

  
61

      
     
    
67


              J              
I

                
   
 
                             
   
79
2

  
BAD ROMANCE / Trombone 2

           

K
   


                      
L

        
91

                 

M

  
97




                                     
         
103

                   
N

      


          
       
          
O

    
115

                                        
P

  
121

 

   
                    

127

   

 
      
     Fine
 

Trombone 3 BAD ROMANCE Lady Gaga
Arr. Sarab Chaffee

   
Adapt. Gonzalo Ardila
                


A
                              
  
 
                                 
14 B

     

    
     
19


                  
25


 
     
C

                       
30

 
            
D

35

  
  
      
E
 
         
    
42

   

        
                
F

  
50

   


        
55 G

                   
 cresc.      
 
                  
60

             
    
                               
H

  
        
I
               
70

 
 BAD ROMANCE / Trombone 3

 
2
             
J

     


K

            

80

 

    
           
86

                           
L

 
 
                    
M
98

        
 

         
N

  
     
103

    
   
  
       
                  
110

 
O
        
            
           
115

 

           
120


 
   
             
P


 
 
               
  



130


                      
Fine

133

      

Tuba BAD ROMANCE Lady Gaga
Arr. Sarab Chaffee
Adapt. Gonzalo Ardila


  
                                
 


A

                         
  

B

           
             
   

            
22

   
                
   

27

           
                 
   

C

32

   
                   
D 
                   
    
     
 

                
41

                
E

                    
      

   

                
49

               
F

            
                
G   cresc. 


2
BAD ROMANCE / Tuba

          
H

           
    

    
I

        

70


    
         
75 J

             







                     
80

         
K
 L

     
84

   
           
M
 

                                
 
N

  
                                     
    
  
O
 
114

   
                               

     
       
119

             
        
     

 
P

                               
124

       
  

129

                                

 
     

Fine
  
    
         
 
 El Año Viejo


Crescencio Salcedo
Trombone 1 A


Arr. Gonzalo Ardila

        


 
       
1. 2.

      
   



  

2.  
             
1. B estrofa
To Coda
         
    
9



                      
estribillo

   
C D

  

E

                           
    
27



      
G
       
puente

    
F

 
      

                  D.S. al Coda
  
           
39



                         
H

  

I
            J
        
       

 
         
   
L

 
K

   
solo

  

                         
       
      
69

                      
 
M

           
75


2. 
               
  
N

  
1.

    
               
ESAMBLE MIXTO
MMXX
 El Año Viejo


Crescencio Salcedo
Trombone 2
Arr. Gonzalo Ardila

                


                          
  
1.

 

  A                  1.    2.   
                   
6 2.



B estrofa
        
To Coda
                                               
 

C estribillo 
       
    
D

                                 

  
                      
    
E F

     


                                   D.S.  alCoda
puente

    
G

             
 



                           
                          
H


 
                        
I J

                 
51


 
   K  

 
     
 
    solotbn 1          
L

                  
59


 
            
                                                    
67

  
    
  
                     M
     
       
76



                       
             
N 1. 2.

                 
85


ESAMBLE MIXTO
MMXX
Trombone 3 El Año Viejo


Crescencio Salcedo
Arr. Gonzalo Ardila


                                  
   
  
1. 2.

   
 

            
A B estrofa

                       
            
1. 2.

 
 

         
  
                   To Coda
        
13

                      
                       
C estribillo D
   

 
    
F
                
               
E

  
 
                             D.S.
 
G puente
 
al Coda
       
           
 
  





                                             
H
44

       
  
       
                                              
I J



  

                         
                            
K L solo tbn 1

      
 
    

                                                    
68

      

  
  
                                                      
M
76

    

                    N         1.   
         

       
2.

   
84



ESAMBLE MIXTO
MMXX
 El Año Viejo


Crescencio Salcedo
Tuba Arr. Gonzalo Ardila

   
              
1. 2.

   
      


    

    
 
A

  
B
           
1. 2. estrofa

   
                  
 
   
To Coda
                   
13

     
          
     
    

 
C estribillo D

                   
     
F 
 
E

                            
        
 
G
 
D.S. al Coda
             
puente

              
      
44 
 


H

       
      
             
I 
  
J

                        
  

K

 
L solo tbn 1

                
       
 
 
68

                    
   
M

            
76

      
       

    
N
   
84 1. 2.


          
 
           
 ESAMBLE MIXTO
MMXX
Trombone 1 Burbujas de Amor Juan Luis Guerra


Arr. vers cuarteto:
(bachata) H. Gonzalo Ardila Duarte

 
           
 Con sord.

        tacet

( )  

2a vez

 
             
Sin sord.

      
7 1. 2.


  
           
                
13 A

  3

        
To Coda
     
1.


17

 
3
 
             
B puente
D.S. al Coda
   
    
22 2.

  
  
        
Con sord.

 
3 3

                   
     
44

 
C

      
Sin sord.

                 
1.

 
                       
  
    
58 2.

 3

             
D

      
64

  
 

        
           Fine
  
70

3

Gonzalo Ardila
MMXXI
Trombone 2 Burbujas de Amor Juan Luis Guerra
Arr. vers cuarteto:


(bachata) H. Gonzalo Ardila Duarte

             



   
 
          1.    
           
7


 
             
A

                        
2.


12


               
              
To Coda
     
1.


17

   

 
B

       
puente


22 2.

 


 
   
   
       

D.S. al Coda
    
27



           
          

  
                  
          
37

 
           
                    
44

 

                   
C
  
         
48

 3

                 

1.

    
52

3

Gonzalo Ardila
MMXXI
2 Burbujas de Amor / Trombone 2

     
   
2.

 
58

  


 
         
         
62

 

  
D

               
66

  

4            
              
70





           Fine
 
74



Trombone 3 Burbujas de Amor Juan Luis Guerra

 
Arr. vers cuarteto:
(bachata) H. Gonzalo Ardila Duarte

            


     
 

      
1. 2.

      
8

  

                     
A

       
   

                             
18 To Coda 1. 2.

 

B puente

           
         
 3

        
D.S. al Coda
   
27

   
 
 
     
    
         
 
 
               
                      
35


  

                                     
44

    

 
                                     
C

 
           
             
55 1. 2.

  

Gonzalo Ardila
MMXXI
2 Burbujas de Amor / Trombone 3



60

  
64

     
    

D

                   
67

   
       
 

       
71

     
  

     
     Fine
75


Tuba Burbujas de Amor Juan Luis Guerra


Arr. vers cuarteto:
(bachata) H. Gonzalo Ardila Duarte

 


    
         
  

 
6

 
1.

   
            
A
  
 
12
2.

  
              
 
 
To Coda 1. 2.


18

       
        
  
B puente 
    
   
      


D.S. al Coda
   
27

 
  

         
 
 
      
    
  
  
34

    
              

   
 
38

  
    
     
    
 
   
42

    
       


46

 
       
    
Gonzalo Ardila
MMXXI
2 Burbujas de Amor / Tuba

     
       
       

   
1. 2.


54

      
            


60

         
66

            
     

      
70

 
       
   
   


  


74
Fine
    
    
Trombone 1 GONNA FLY NOW
Tema de Rocky Bill Conti


                                         
A Versión Cuarteto: H. Gonzalo Ardila D.



     
 
 
                           
       
   
B


             D
C
              
  
 
                   
E

  
  
16


  
  
           
F

 

         
       
G
    

                    
 
H



                        
  
I

  
  

            
J

   

                       
       
K


                     
L

       
55


 
                      
     
Fine
   
61


©gonzaloardila
Trombone 2 GONNA FLY NOW
Tema de Rocky Bill Conti

            
Versión Cuarteto: H. Gonzalo Ardila D.
    


                        
A

   
           
  
                 
B C


     
      
D
  
       
12 E


 
        
           
F
 
18



    
          
G
             
25

   

           
                
H
 
  
30

 
 
         
 
36
            

I
                        
  
 
          
     
    

J



                       
   
K

    

                 
              
L

   
55


  

                  
  
Fine
      
61


©gonzaloardila
Trombone 3 GONNA FLY NOW
Tema de Rocky Bill Conti
Versión Cuarteto: H. Gonzalo Ardila D.




                  
A

            
B

   
 
   
                           
C

6

          
 
                                    
11 D


                                  
15 E
  
F

                    
19

 


                                               
26 G

  

                    
H
         
31

  
 
   
                         
  
37 I

 
                             
 
42 J


                 
                 
48 K



                       
53 L



     

Fine
                  
60

©gonzaloardila
Bass Trombone GONNA FLY NOW
Tema de Rocky Bill Conti
Versión Cuarteto: H. Gonzalo Ardila D.




   
A B

               

        
 
 
C
    
8

   
                       

   
D

E
                         
    
 
 
F
    
19

       
                
 G
 
                     
25

  

 
                          
30

       
  
 
H

                   
I

                    


 
J
            
41


              

 
K

                       
46

          

 
                    
51

  
              

 
L
    
56

 
                   

   Fine
   
62

   
                
©gonzaloardila
 Score LA BICICLETA Shakira
Carlos Vives
Andrés Castro

             
Vers. Cuarteto de Brass: Gonzalo Ardila

 
  
Trombone 1 

                               
Trombone 2
       

                                        
Trombone 3            

Tuba
     

 
                
A
      
Tbn. 1 

      
Tbn. 2

  
Tbn. 3        

Tuba
    

    
    
      
      
9

Tbn. 1 

    
Tbn. 2
  

  
Tbn. 3        

Tuba
    
 
                                   
LA BICICLETA / Score

         
2 B

Tbn. 1
     

             
                              
Tbn. 2
    

                      
        
Tbn. 3
                                

       
 
Tuba

 
                                         
C

Tbn. 1
   

          
Tbn. 2
          
                 

    

             
                          
Tbn. 3
      

                        
  
      


Tuba



                                        
   
21

Tbn. 1

     
           
Tbn. 2
           
                  

             
                           
Tbn. 3
      

                        
  
       


Tuba


 D LA BICICLETA / Score

                               
      
3

  
Tbn. 1

                               

Tbn. 2 

                        
     
        
Tbn. 3


          
        
         
Tuba

 

 
E

        
Tbn. 1


                      
Tbn. 2     

       
Tbn. 3 

  
     
 
Tuba


                    
33

Tbn. 1

                        
Tbn. 2
   

             

Tbn. 3

   
     
 

       
Tuba
  
             
LA BICICLETA / Score

                   
4F

Tbn. 1
    

    
            

              
Tbn. 2
  

                 
Tbn. 3
                          

                 
          
  
Tuba
   

 
            
G

     
  
40

Tbn. 1
 
                   
Tbn. 2
  
 
           
     
         
Tbn. 3   

    
         
            
Tuba
   
     

              
           
  
43

Tbn. 1

              
            
Tbn. 2  


  
   
            
Tbn. 3
         
     

    
          
        
  
Tuba
         
  
                  
LA BICICLETA / Score
5
   
46

Tbn. 1

                 
Tbn. 2
   

            
Tbn. 3
          

  
   
           
          
Tuba

    
    

             
H
     
Tbn. 1  

         
        
   
Tbn. 2

       

Tbn. 3
 

             
                
   
Tuba

 

   
I

        
1. 2.

   
52

Tbn. 1

          
         

Tbn. 2

   
      
Tbn. 3
   

     
      
 
   
Tuba
 LA BICICLETA / Score

                      
    
6

  
55

Tbn. 1

 
                      
Tbn. 2



 
     
Tbn. 3          

Tuba
   

                 

                        
 
58

Tbn. 1

  
                                    
Tbn. 2  

     
   
Tbn. 3
            

      
 
Tuba


                                     
Fine
  
   
62

Tbn. 1

                               
Tbn. 2  


                    
Tbn. 3
   

    
                     
 
Tuba
  
Trombone 1 LA BICICLETA Shakira
Carlos Vives
Andrés Castro

           
Vers. Cuarteto de Brass: Gonzalo Ardila

    
  

 
                
A

      


  

    
     
      
9

                                
B

    

 
                      
C

 
  
16

  
                              
  
19

                   
  
22

D

                        
    

  

              
E

       

                      
F

             
35



 LA BICICLETA / Trombone 1
2

                      
G

              
 
    
39

 
              
                   
  
43

   
                  
   
46

                          
H 1.

       

      
I

   
2.

  
53


                         
         
56

                     
      
59

                                       Fine

    
62


Trombone 2 LA BICICLETA Shakira
Carlos Vives
Andrés Castro
Vers. Cuarteto de Brass: Gonzalo Ardila

                              
       


 

A

     


 
    
9

                                        

B

    

     
                                            
C

      
                                            
21


D

                                 

 

                
E

        

                 
        
33
2
LA BICICLETA / Trombone 2

                            
F

    
 
 G

              
  
40

 
  
                              
  
43

                      
   
46

        
H

     
1.

               
    

 
I

         
2.

           
53




              
            
56

                       
   
59


                              
Fine
 
62

 

Trombone 3 LA BICICLETA Shakira
Carlos Vives
Andrés Castro
Vers. Cuarteto de Brass: Gonzalo Ardila


                                        
           

A

 
         



9

         


        
                                         
B

              
C


                                            
         

                                            
21

         
D

                                            


E

      


    
33

         
  
             
                                      
F

       

2 LA BICICLETA / Trombone 3

             
           
G
         

                 
             
44

               
        
47


                           
H

 

             
            
1.

 
51

 
2. I

    
53

         


       
56

                

            
60

     
     

Fine
     
     
64

  

Tuba LA BICICLETA Shakira
Carlos Vives
Andrés Castro
Vers. Cuarteto de Brass: Gonzalo Ardila

 
 A

 


B

    
    

C

                       
    
 

20

                   
       


23

             
    

D

        
     
       
 

   
E
 
     
 


 
33

      
 

 

     
 
F

                 
           
 
     
G
    
40

          
                 
   
2 LA BICICLETA / Tuba

    
43

             
                 
  

  
46

           
                 
     
H

               
     
    


1.

         
51

        
    


 
I

 
2.

     
53

      

  

Fine
      
63

         
  
 
 
 Score
Momposina
José Barros
Arr. Gonzalo Ardila

              
 


      
Trombone 1 

             
Trombone 2            

                      
Trombone 3   

          
     
      
Tuba


                
   
          
5

Tbn. 1  
 
         
            
Tbn. 2 

                      
Tbn. 3 

      
     
        
Tuba

 
              


          
9

Tbn. 1  
            
Tbn. 2          
 
                     
  

Tbn. 3
 
  
         
 

Tuba

 
©gonzaloardila1@gmail.com
MMXIX
 2 Momposina

         

          
14

Tbn. 1

       
 
 
 
 
 

   
Tbn. 2 

                
Tbn. 3   

       
        
   
Tuba


           
        
19

Tbn. 1 

              
Tbn. 2         

                         
Tbn. 3  

      
Tuba  
    




            
   
   
24

Tbn. 1 

             
Tbn. 2
 
       

                                
Tbn. 3  

       
 
          
   
Tuba


 Momposina 3

                  To
 
Coda
       
29

Tbn. 1

     
 

  

 

  
    
Tbn. 2 

   
Tbn. 3                      

     
      
 
Tuba


      
             
33

Tbn. 1 
            
Tbn. 2
      

         
        
Tbn. 3 

      

         
Tuba


       
      
D.S. al Coda
    
38

Tbn. 1  

      
       
Tbn. 2 

     
     
Tbn. 3     

    
Tuba 
             

 
4 Momposina

        
        
Tbn. 1    
            
     
          
Tbn. 2 
    
         
                 
Tbn. 3  
    
 
     
         
Tuba


    
Fine
         
         
48

Tbn. 1 

           
       
Tbn. 2     
   
        
              
Tbn. 3  
   
  
       
    
Tuba

 
Trombone 1
Momposina José Barros

      
Arr. Gonzalo Ardila

    




      


                        
            
6

 
 
             
    
  
      
11

 

                      
            
17

                     
    
    
22



                To Coda
               
    
27

            
               
33



                D.S. al Coda
            
38

 

          
              
43



     
    
       
49


Fine


©gonzaloardila1@gmail.com
MMXIX
Trombone 2
Momposina
José Barros
Arr. Gonzalo Ardila

     


           
 
  
 
  
     

           
               
7

  

        
   
 
   
 
   
  
   
13

             
              
18

                
              

23



To Coda     
                   
28


 
              
D.S. al Coda
          
35



    
          
       
      
    
          
       
    
48


Fine

   
©gonzaloardila1@gmail.com
MMXIX
Trombone 3
Momposina
José Barros
Arr. Gonzalo Ardila


                            
  


 

                    
6

 
   

                         
11

  

                         

17




                              
23

   

To Coda    
                                
28


 
            
 
D.S. al Coda
       
35

    

            
                
43

    
     
              
48


Fine

   
©gonzaloardila1@gmail.com
MMXIX
Tuba
Momposina José Barros
Arr. Gonzalo Ardila


         
            
         


      
7

        
       
    

 
           
14

           
 

       
    
21

        
    

To Coda
       
27

        
   


      
33


         


  
D.S. al Coda
  
38

         
   


 
43 
     
         

Fine

  
48

       
      
©gonzaloardila1@gmail.com
MMXIX
 Superman March
John Williams
Adaptación para cuarteto de trombones: H. Gonzalo Ardila D.
Maestoso 

      
     
3 3

      

Trombone 1
  
  
           
 
   

Trombone 2
 
   
3 3

  
 
  
Trombone 3


  

 
Tuba /
Bass Trombone

   
              
5 3 Molto accel.

   

Tbn. 1
 
 
         
3 3 3

        
  

Tbn. 2

 
3 3 3

 
3

          

 
Tbn. 3

  3 3
3

   3  
     
3


  
Tuba /
Bss Tbn


8 A la marcia ()
          
Tbn. 1 


          
Tbn. 2 


                                      
Tbn. 3 
 
      

                              
Tuba /
Bss Tbn

 2 Superman March / Score

    
                                     
12

Tbn. 1

 
                                  
 
              
Tbn. 2

 
Tbn. 3
                                            

    
Tuba /
                                          

Bss Tbn

    
16

Tbn. 1 

                           
   
Tbn. 2

                           
   
Tbn. 3


   
Tuba /
Bss Tbn
                                

                  
      
19

Tbn. 1
          

    
                                   
Tbn. 2


                        
   
Tbn. 3        

       
    
                     
Tuba /


Bss Tbn
 Superman March / Score 3

          
           
23

Tbn. 1 
                     
 
Tbn. 2
    
 
    
   
 

  
                
Tbn. 3
  
 
  

  
Tuba /
                                       
Bss Tbn   

                     
               
27

Tbn. 1
 


                   
  
           
Tbn. 2
 

                          
Tbn. 3           

    
    
                     
Tuba /

   
Bss Tbn

           
                     
31

 

Tbn. 1

    
                
               
Tbn. 2 
 
   
  
  
     
          
         
  

Tbn. 3

  
 
  
             
           
      
Tuba /
Bss Tbn  
 4 Superman March / Score

    
  

  
35

Tbn. 1
 

     
Tbn. 2
 
    

       
         
     
     
        
3 3

Tbn. 3    
3 3
3



                   
Tuba /
Bss Tbn

           
43

     
40

 

Tbn. 1

3
             
       

Tbn. 2
3
          
       
  
3

Tbn. 3
3
3
3
3
3 3

 
  
3 3

   
           
Tuba /

  
Bss Tbn

           
                  

44

Tbn. 1  
         
3 3 3

      
3 3

                 
Tbn. 2
3 3 3 3 3


           
3

         
3 3 3 3
Tbn. 3
     

 3 3 3 3 3 3

   
                           
Tuba /
Bss Tbn
 Superman March / Score 5

    
    
48 3

Tbn. 1

      
     
3

   
Tbn. 2
     
 3 
        
3 3

   
3 3

 
3

   
     
3


Tbn. 3

 3
3 3 3 3
3

  
         
3 3 3
3 3 3 3 3

       


Tuba /
Bss Tbn 
   
            
  
   
51 3

Tbn. 1


3 3 3 3 3

                      
3 3

Tbn. 2     
3 3 3 3 3 3 3

    
3

Tbn. 3
       

      
3 3 3 3 3 3 3
3

               
                   
3 3 3 3 33 3

  
Tuba /
Bss Tbn

   
    
54

Tbn. 1
 
    
                 
3

           
Tbn. 2
  
                  
3 3 3 3 3 3 3 3 3 3

           
      
Tbn. 3
3 3 3 3 3 3 3 3 3

        
3

   
 
3
3 3 3

      
  
Tuba /
Bss Tbn
 
6 Superman March / Score



A la marcia ()
    
59

    
57 3

Tbn. 1


             
Tbn. 2 
3

                 
             
 
3 3 3 3

  
Tbn. 3

  
 
                 
    
3 3 3 3 3 3 3 3

       
 
Tuba /

   
Bss Tbn

          

60

       
Tbn. 1
  

      
       
 
Tbn. 2      

                                    
           
Tbn. 3


                
               
Tuba /

     
Bss Tbn


               

63

    
Tbn. 1
    
  
                     
Tbn. 2    

                                        
        
Tbn. 3

 
             
                
Tuba /

     
Bss Tbn

 Superman March / Score 7

   
        
67

66

Tbn. 1  

              
  
Tbn. 2    


          
Tbn. 3
                        

   
    
          
Tuba /


Bss Tbn

   
          
69

 
Tbn. 1
  
    
            
 
Tbn. 2

   
Tbn. 3
                                      

  
Tuba /
Bss Tbn     

        
      
72

Tbn. 1 

         
   
Tbn. 2 

   
Tbn. 3
                                       

  
Tuba /
   
Bss Tbn 
 8 Superman March / Score

             
75 77
Tbn. 1  

Tbn. 2
          
    

 

          
     
Tbn. 3
                    

      
Tuba /
Bss Tbn    

 
     
79

Tbn. 1



Tbn. 2
         

            
Tbn. 3
  


  



   
Tuba /
    
Bss Tbn

                               
   
83

Tbn. 1

                                
 
  

Tbn. 2

         
                      
            
 
Tbn. 3

   
     
          

 
Tuba /
Bss Tbn
 Superman March / Score 9

                
     
87
   
86

Tbn. 1   

                 
        
Tbn. 2  

   
Tbn. 3                        

   
Tuba /               
Bss Tbn
        
                  
         
89

Tbn. 1

                    

          
Tbn. 2   

         
    
Tbn. 3         

      

     
Tuba /
Bss Tbn        

         

       
93

Tbn. 1

             
        
Tbn. 2 
          
     
Tbn. 3                            

            
                              
Tuba /
  
Bss Tbn

 10 Superman March / Score

       
               
     
97

Tbn. 1 

                      
       
Tbn. 2 


Tbn. 3                
                                


Tuba /                     
           
Bss Tbn


                          
       
101

Tbn. 1    

                          
Tbn. 2
            

                  
Tbn. 3                             

   
              
 
 
        
Tuba /

      

Bss Tbn

         
           
   
105

Tbn. 1        

          
       
         
Tbn. 2
  

        
           
Tbn. 3
      

 
      
                
Tuba /
Bss Tbn
 Superman March / Score 11

                      
     
109

Tbn. 1

                     
       
 
Tbn. 2

    
Tbn. 3
                              

  
Tuba /
                           
 
Bss Tbn

                    
        
112

Tbn. 1 
 
                       
subito

Tbn. 2
       
 
                    
subito

      
Tbn. 3
 
 

subito

       
   
          
       
Tuba /

subito 
   
Bss Tbn

          
              
115

Tbn. 1 
    
   
Tbn. 2
       

      

                    

 
Tbn. 3

       
   
      
Tuba /
Bss Tbn
 12 Superman March / Score

                                   
118

Tbn. 1

        
                  
                   
Tbn. 2     

                   
Tbn. 3  
             

         
Tuba /
Bss Tbn
            

  
      
121

                 

Tbn. 1
 
  
                        

Tbn. 2
 
  
                            

Tbn. 3
 
     
  
                  
 
Tuba /
Bss Tbn
 
 Superman March
Trombone 1 John Williams
Adaptación para cuarteto de trombones: H. Gonzalo Ardila D.
Maestoso 

      
       
3 3

      
   
  
   

         
5 3 Molto accel.

   
   3 3 3

8

A la marcia ()
       
 
                       
 
         
           
14



19    
            
             

         
                   
22

    
      
     
25


 
              
             
27

         
                   
30

     
           
33

 
 
    
   
35 

  

             
39



3
 Superman March / Trombone 1

       
2
43
                       
 

    
3 3 3 3 3

          
47


3

 

3

   
            
  
       
51

 
3

 

3 3 3 3 3

    
3 3

        
54 3


3

             
59 A la marcia ()

          
       
 

                
           
63

    
       
     
67

         
 

                
        
72

  

                  
  
  
77
 

 
                      

         
87
    
85

  

               
    
   


88

              
            
92
 Superman March / Trombone 1

       
           
3
   
97

      

                           
       
101


 

         
          
     
105

      

                       
    
109

               
      
112


 
     
subito

                
114

 

             

              
117

           
             
120



 
              
122


 
 Superman March
Trombone 2 John Williams


Adaptación para cuarteto: de trombones: H. Gonzalo Ardila D.
  
Maestoso 

            
 
  
  
 
             
3


3

  
5 Molto accel.

  
  3 3 3

 A la marcia () 
3

                  
8

  
 
                                    
  
  
13


                           
     
16

  

        
19
               

     
        
               
22


    
    
            
25

 
                  
      
27


 
            
  
          
30

          
  
         
33

 
                   


 
35


 

3
          
Superman March / Trombone 2

        
2
43
           
  
  
          
3 3 3 3 3

          
   
   
47

3
3 3 3 3

             
3


  
                  
   
51

                 
3 3 3 3 3 3 3 3 3
3

                
 
55


3 3 3 3 3 3 3 3 3

                   
59 A la marcia ()
     

     

 
    
                  
   
63

                 
  
67

       
66

     
 
           
70

  
  
             
       
74


77
 
             
 
                     
           
    
  
83


                 
  
87
           
86


    
Superman March / Trombone 2
         
           
3
 
89


            
            
 
92

                     
 
97

     


                   
     
   
101

             
    
    
105

       
104

 
                
    

      
     

108

                 
      
112

 
   
subito

       
          
114

   
  
    
117

    
    
                  
                
119

  
                          
121

  
 Superman March
Trombone 3 John Williams

  
Adaptación para cuarteto: de trombones: H. Gonzalo Ardila D.
Maestoso 

     
            
Molto accel.

  
        3 3

 A la marcia ()
3

        
8

                               
 
                                                
12


                             
   
16

  

                       
19
     
    

            
               
23

  
 
                       
27
     
    

   
    
              
           
 
31

   
 
  
                  
35 

          
3 3

  
  
3 3

         
3

       
            
39 3

 3 3 3 3

 
3 3

        
43
    
3

  
       
3 3 3 3

     
     
         
                        
48 3


 3
3 3 3 3
3
3 3 3
              
Superman March / Trombone 3
    
2

    
                 
52

3 3 3 3 3 3

       
3 3 3

    
3

     

56

        
3 3 3 3

    
 

3 3 3 3

A la marcia ()
                                           
59

         

  

                          
62

   

                                   
64

    


67
  
                                      

   
70

                                      

    
73

                                                  
               
      
77

    

          
   

 
 
   
        
82

       
 

     
                                
86 87

 

                      
        
90

  

 Superman March / Trombone 3
3
  
             
95

          


97

                                    


                                    
100

           
        
103

 

      
      
105
        
      
 
                                   
109

                 
      
112

 
   
subito

     
       
114

  
 
    

                       
117

    
119

                   
  
                               
121

  
 Superman March
Tuba John Williams
Adaptación para cuarteto: de trombones: H. Gonzalo Ardila D.


Maestoso 

 3 
Molto accel.

          
3

    
A la marcia ()
 
8

    
                   

  
11

                     


               
13

       

  
15

                     


               
17

       

  
19
    
     
   
            
        
 

  
   
23

                                       
  

 
27
   
                      
  
      
           
30

    
                
 
       
33

         
      

35 


               

2 Superman March / Tuba

 
39

   
3 3

  
          
  

43
3 3 3

 
                 


46


3 3 3 3 3 3

           
               
   
                 
   
49 3 3 3 3 3
3 3

    


                             3     
3


52 3 3 3 3 3 3

  
3

  

    
55

                      
3 3 3 3 3 3 3 3 3

   
      

     
59 A la marcia ()

                   
           

       
      
        
63

       
                  
     

67
   
        

      
72

       



77

  
    

     
                             
   
83


 

 Superman March / Tuba
3
 
87

               
                 

91

    

  
             
95

          


97

                    
           

  
           
101


     
  
   
103

       
        


105

       
   
   
 
108


                                     
 
      
              
112

   
       
subito 
   
         
    
115

 
     

         
119

                           
 

  
    
122

        
 
Trombone 1
The Addams Family
Vic Mizzy (1916 - 2009)
Arr. for brass quartet: H. Gonzalo Ardila D.

    
                
ŒÂ = Œ lj

=120 Swing!

            


         
             
9 1. 2.


3

    
                 
        
15


3 3 3 3

     
                      

   
21


            
improvización

    
  
27


3 3

    
        
   
38



43

        
             
        
45

            
        
49


©Gonzalo Ardila
Bogotá, Colombia
MMXX
Trombone 2
The Addams Family
Vic Mizzy (1916 - 2009)
Arr. for brass quartet: H. Gonzalo Ardila D.
ŒÂ = Œ lj

=120 Swing!

    

   
       

      
                 
9 1. 2.


    
3

                 
         
15


3 3 3 3

                        
      
 
19

 

 
           


 
 
23

 

               
improvización

      
 
34

3 3 3 3 3 3 3 3

                   
      
36

3 3 3 3 3 3 3 3 3 3 3 3

              
39


3 3 3 3 3 3 3 3 3 3 3 3

                  
42

 
3 3 3 3

          

 

    
47


©Gonzalo Ardila
Bogotá, Colombia
MMXX
Trombone 3
The Addams Family
Vic Mizzy (1916 - 2009)
Arr. for brass quartet: H. Gonzalo Ardila D.
=120 Swing! ŒÂ = Œ lj
     
 
 
 
                         
3 3

  
3 3

3 3 3

                                     
6 3

   

                       
11 1. 3 2.

     

                               
15 3



               
               
23

    
3

                                    
27


3 3 3 3 3 3

   

   

       
          
32


3 3 3 3
3 3 3

      

improvización
35


3 3 3 3 3 3 3 3 3 3 3 3
3 3 3 3

    

39


3 3 3 3 3 3 3 3 3 3 3 3
3 3 3 3

 
                       
43

     

                           
48

 

©Gonzalo Ardila
Bogotá, Colombia
MMXX
Tuba
The Addams Family
Vic Mizzy (1916 - 2009)
Arr. for brass quartet: H. Gonzalo Ardila D.
=120 Swing! ŒÂ = Œ lj
           
 
3 3 3 3 3 3 3

                     

 
                        
6

         

               
            
11 1. 2.


3

 

 
              
15

             

         
    
22


3

          

      
27
3 3 3 3 3

                    

          
31
3 3 3 3

                
    


improvización - Tbn 1
                
     
35

         

               
40

                
   
    
46

               
       
©Gonzalo Ardila
Bogotá, Colombia
MMXX
 The Final Countdown Europe
Trombone 1 Adaptación del arreglo de Michael Genson:
Gonzalo Ardila
intro

      
A
 
tacet 1a vez

   
 

B

        
7

 
                
      
17



        
               
21

                   
      
25

3 3

                  
   
29


C
3

       
     

       
37 To Coda D.S. al Coda

    
        
 
41



46 puente
 The Final Countdown / Trombone 1
2

   
                            
D
     

        
          
1.


51

 

 
         
E

   
2.

      
56

  
F

           
 
 G  

          
  
  
69

 
          
    
75

      
H outro

    
81


3



       
 
89



 The Final Countdown
Trombone 2 Europe
Adaptación del arreglo de Michael Genson:

                     
intro Gonzalo Ardila

          

                  
A

      

                  

9


3

       
 
         
21

    
       
       
28

 
             
C
     

        To Coda
       
D.S. al Coda
     
37

                       

puente


46
2 The Final Countdown / Trombone 2

                                            
    
D


               1.           
     

      
E

               
2.


56


      
F
                  
     

      
          
G

  
67


      
            
    
 
72

                       
77

     

     
H
       

    
outro

           
  


                  

  
90

3

 The Final Countdown
Trombone 3 Europe
Adaptación del arreglo de Michael Genson:
intro Gonzalo Ardila

          
 

      
A
    

     

B

  

    
  
17


          
23

        
C

         
30

  
 
 
D.S. al Coda

To Coda
 
37


puente

      
 

  
D

                 
         


                     
   
1.


52


2 The Final Countdown / Trombone 3

    
    
E
                
2.




                       
F
    
       
 

                
G

 
67

        
 

                        
72

              

               
76

     
      

   
outro
 
H
   
 
  3

     
          


89


 The Final Countdown
Europe
Tuba
Adaptación del arreglo de Michael Genson:


intro Gonzalo Ardila

   
A

 
        
 


12 B

                  



16

                 


19

               

   


22

                                 


26

                     

     

29

                 



C

                 



36

                 


39 To Coda D.S. al Coda

                   
 The Final Countdown / Tuba
2


               


44

                       
puente

  
               
D

  
                 



51

                        

 
54 1. 2.

                 

    
E
             
57

            

F
            
    

 

 
66

      
      
 

G

           

      
 The Final Countdown / Tuba
3


73

                 


76

          

     


79

    

         


H




86 outro

             
 


90

            
 