Flute BAND UNIT A - Number 1 to 10

By: Frank Erickson

1 REDONDAS Y SILENCIO DE REDONDAS

         
2

         
3

         

4
  
       
5 NEGRAS Y SILENCIO DE NEGRAS

                       
6

                 

   
7

                         

               
9

                  
10

                    
1. 2.


Belwin Comprehensive Band Method
Oboe BAND UNIT A - Number 1 to 10
By: Frank Erickson

1 REDONDAS Y SILENCIO DE REDONDAS

    
    
2

         
3

         

  
4

       
5 NEGRAS Y SILENCIO DE NEGRAS

                       
1 2 3 4 1 2 3 4
6

                 
7

                         
8 1 2 3 4

               
9

                  

10

                    
1. 2.


Belwin Comprehensive Band Method
Clarinet in B  BAND UNIT A - Number 1 to 10
By: Frank Erickson
1 REDONDAS Y SILENCIO DE REDONDAS
     
     
2
     
     
3

          

 
4
     
     
5 NEGRAS Y SILENCIO DE NEGRAS
            
            
6
      
            
7

                          
8

                

 
9

                 

 
10

                  
1. 2.

 
Belwin Comprehensive Band Method
Bass Clarinet BAND UNIT A - Number 1 to 10
By: Frank Erickson
1 REDONDAS Y SILENCIO DE REDONDAS
 
         


2

          


3

         

4
   
        
NEGRAS Y SILENCIO DE NEGRAS

5

                        


6

                   


7

                          


8

                

 
9

                 

 
10

                  
1. 2.

 
Belwin Comprehensive Band Method
Bassoon BAND UNIT A - Number 1 to 10
By: Frank Erickson
1 REDONDAS Y SILENCIO DE REDONDAS

         
2

         
3

         

  
4

       

5 NEGRAS Y SILENCIO DE NEGRAS

                       
6

                 
7

                          
8

                
9
                  

10
                     
1. 2.

Belwin Comprehensive Band Method

Alto Sax BAND UNIT A - Number 1 to 10
By: Frank Erickson

  
1 REDONDAS Y SILENCIO DE REDONDAS

        

 
2

         

 
3

         

  
  
4

      

    
5 NEGRAS Y SILENCIO DE NEGRAS

                    

    
6

              

             
7

              

       
8

          

      
9

            


            
10
        
1. 2.

 
Belwin Comprehensive Band Method
Tenor Sax BAND UNIT A - Number 1 to 10
By: Frank Erickson

1 REDONDAS Y SILENCIO DE REDONDAS

 
         


2

          


3

          
4
   
        
NEGRAS Y SILENCIO DE NEGRAS

5

                        


6

                  


7

                          

  
8

               

 
9

                 

10
             
   
1. 2.

    
Belwin Comprehensive Band Method
Baritone Sax BAND UNIT A - Number 1 to 10
By: Frank Erickson

  
1 REDONDAS Y SILENCIO DE REDONDAS

      
 

 
2

         

 
3

         

  
 
4

      


    
5 NEGRAS Y SILENCIO DE NEGRAS

                 

    
6

              

             
7

              

   
8

              

      
9

             

            
10
        
1. 2.

 
Belwin Comprehensive Band Method
Horn in F BAND UNIT A - Number 1 to 10
By: Frank Erickson

1 REDONDAS Y SILENCIO DE REDONDAS

 
      
  

2

     
    

3

      
   
4
   
   
    
NEGRAS Y SILENCIO DE NEGRAS

5

            
           

    
6

              
7
       
                   


8

      
         

 
9

          
       
 
10

            
1. 2.

    
   
Belwin Comprehensive Band Method
Trumpet in B  BAND UNIT A - Number 1 to 10
By: Frank Erickson

1 REDONDAS Y SILENCIO DE REDONDAS


          


2

          


3

          

4
   
        
NEGRAS Y SILENCIO DE NEGRAS

5

                        


6

                  


7

                          


8

                

 
9

                 

 
10

                  
1. 2.

 
Belwin Comprehensive Band Method
Trombone BAND UNIT A - Number 1 to 10
By: Frank Erickson

1 REDONDAS Y SILENCIO DE REDONDAS

         
2

         
3

         
4
  
       

5 NEGRAS Y SILENCIO DE NEGRAS

                       
6

                 
7

                          
8
                

   
9
              

10
                     
1. 2.

Belwin Comprehensive Band Method

Baritone (T.C.) BAND UNIT A - Number 1 to 10
By: Frank Erickson

1 REDONDAS Y SILENCIO DE REDONDAS

 
         
2
     
     
3

           

   
4

       

5 NEGRAS Y SILENCIO DE NEGRAS
            
            


6

                  
7

             
  
         


8

              
 


9

                   

 
10

                  
1. 2.

 
Belwin Comprehensive Band Method
Tuba BAND UNIT A - Number 1 to 10
By: Frank Erickson

1 REDONDAS Y SILENCIO DE REDONDAS

    
    
2
     
    
3

     
    
  
4

  
     
5 NEGRAS Y SILENCIO DE NEGRAS

            
           
6

      
           
7

       
                  


8
   
           
9
          
       

  
10
    
1. 2.

            
Belwin Comprehensive Band Method
Timpani BAND UNIT A - Number 1 to 10
1 REDONDAS Y SILENCIO DE REDONDAS By: Frank Erickson

    
                
R R R R L L L L R R R R L L L L
2
         
     
R L R L R L R L R L R L R L R L R L R L R L R L
3

        
       
L R L L R L L R L L R L L R L R L R L L R L L R L L R L R L R L
4
                              
R L R L R L R L R L R L R L R L R L R L R L R L
5 NEGRAS Y SILENCIO DE NEGRAS

               
        
R L R L R L R L R L R L R L
6
                 
     
L R L R L R L R L
7

                 
              
L R L R L R L R L R L R L R L R L R L R L R L R
8

          
     
R L R L R L R L R L R L

 
9
             
  
L R L R L R R L

     
10
            
1. 2.

     
L R L R L R L R L R L R R R
Belwin Comprehensive Band Method
Glockenspiel BAND UNIT A - Number 1 to 10
By: Frank Erickson

1 REDONDAS Y SILENCIO DE REDONDAS

 R R R R     L L L L   
                
R R R R L L L L

2 1 2 3 4 1 2 3 4 1 2 3 4 1 2 3 4 1 2 3 4

         
continuar con las mismas alternancias L R

3 1 2 3 4

          
4

                             
5 NEGRAS Y SILENCIO DE NEGRAS

                       
6

                      
7

                         
8

               
9

                  

10

                    
1. 2.


Belwin Comprehensive Band Method
Percussion 1 BAND UNIT A - Number 1 to 10
By: Frank Erickson

1 REDONDAS Y SILENCIO DE REDONDAS


    
Redoblante
L R
               
2

         
3

          
4

                              
5 NEGRAS Y SILENCIO DE NEGRAS

                       
6

                       
7

                               
8

               
9

                  

              
10
          
1. 2.

Belwin Comprehensive Band Method

Percussion 2 BAND UNIT A - Number 1 to 10
By: Frank Erickson

1 REDONDAS Y SILENCIO DE REDONDAS

 Bombo    
                
2

         
3

          
4

                              
5 NEGRAS Y SILENCIO DE NEGRAS

                       
6

                       
7

                               
8

               
9

                  

10

                         
1. 2.

Belwin Comprehensive Band Method

Percussion 3 BAND UNIT A - Number 1 to 10
By: Frank Erickson

1 REDONDAS Y SILENCIO DE REDONDAS

    
Triángulo ó Pandereta

                

         
3

          
4

                              
5 NEGRAS Y SILENCIO DE NEGRAS

                       
6 Plto. susp.

                       
7

                               
8

               
9

                  

10

                         
1. 2.

Belwin Comprehensive Band Method

 Score BAND UNIT A - Number 1 to 10
By: Frank Erickson

1 REDONDAS Y SILENCIO DE REDONDAS

     
Flute    

    
Oboe      

         
Bassoon 


Clarinet in B            


Bass Clarinet           


Alto Sax           


Tenor Sax           

     
Baritone Sax       

 
Trumpet in B            

     
 
   
Horn in F

Trombone
         


Baritone (T.C.)           

     
Tuba
   
     
Timpani
               
R R R R L L L L R R R R L L L L

  R R R R       
               
L L L L R R R R L L L L
Glockenspiel

1 2 3 4 1 2 3 4 1 2 3 4 1 2 3 4 1 2 3 4

Percussion 1   Redoblante
                   

 Bombo    
Percussion 2                  

        
Triángulo ó Pandereta

Percussion 3             

Belwin Comprehensive Band Method

 BAND UNIT A - Number 1 to 10
2 2

Fl.           

Ob.           

Bsn.
          


B  Cl.            


B. Cl.            

   
A. Sx.         


T. Sx.            

   
B. Sx.         


       
9

B  Tpt.    

     
Hn.      

Tbn.
          


Bar.            

     
Tuba
    
                  
9

Timp.
             
R L R L R L R L R L R L R L R L R L R L R L R L

                        
continuar con las mismas alternancias L R

    
L R
Glk.    
1 2 3 4

                       
9

Perc. 1         

Perc. 2                                 

Perc. 3                                 
 BAND UNIT A - Number 1 to 10
3
3

Fl.           

Ob.           

Bsn.
          


B  Cl.            


B. Cl.            

  
A. Sx.          


T. Sx.            

  
B. Sx.          


       
19

B  Tpt.    

     
Hn.      

Tbn.
          


Bar.      

    

     
Tuba
    
                           
19

Timp.
            
L R L L R L L R L L R L L R L R L R L L R L L R L L R L R L R L

Glk.                                         

                                       
19

Perc. 1 

Perc. 2                                         

Perc. 3                                         
 BAND UNIT A - Number 1 to 10
4
  
4

Fl.         
  
Ob.         
  
Bsn.
        

  
B  Cl.            

   
B. Cl.         
  
     
A. Sx.    

   
T. Sx.         
  
        
B. Sx. 

   
    
29

B  Tpt.     

   
  
Hn.
     
  
Tbn.
        

   
Bar.       
  

   
     
Tuba
 
                               
29

Timp.

R L R L R L R L R L R L R L R L R L R L R L R L

Glk.                               

              
29

Perc. 1                 

Perc. 2                                

Perc. 3                                
 BAND UNIT A - Number 1 to 10
5 NEGRAS Y SILENCIO DE NEGRAS
5

Fl.                         

Ob.                         
1 2 3 4 1 2 3 4

Bsn.
                        


B  Cl.                          


B. Cl.                          

            
A. Sx.              


T. Sx.                          

            
B. Sx.           


              
37

B  Tpt.           

            
Hn.             

Tbn.
                        


Bar.                          

            
Tuba
           
               
37

Timp.
        
R L R L R L R L R L R L R L

Glk.                         

     
37

Perc. 1                   

Perc. 2                         

Perc. 3                         
 BAND UNIT A - Number 1 to 10
6 6

Fl.                   

Ob.                   

Bsn.
                  


B  Cl.                    


B. Cl.                    

        
A. Sx.            


T. Sx.                    

        
B. Sx.            


        
43

B  Tpt.           

                  
Hn. 

Tbn.
                  


Bar.                    

      
Tuba
           
                 
43

Timp.
     
L R L R L R L R L

Glk.                        

           
43

Perc. 1             

Perc. 2                         
Plto. susp.

Perc. 3                         
 BAND UNIT A - Number 1 to 10
7
7
   
Fl.                           

Ob.                           
1 2 3 4

Bsn.
                          


B  Cl.                            


B. Cl.                            

       
A. Sx.                     


T. Sx.                            

        
B. Sx.                    


                           
49

B  Tpt.

        
Hn.                   

Tbn.
                          


Bar.             
 
  
         

 
Tuba
                      
 

                 
49

Timp.
              
L R L R L R L R L R L R L R L R L R L R L R L R

Glk.                           

                               
49

Perc. 1 

Perc. 2                                 

Perc. 3                                 
 BAND UNIT A - Number 1 to 10
88

               
Fl. 

Ob.                 

Bsn.
                


B  Cl.                  


B. Cl.                  

    
A. Sx.              

 
T. Sx.                 

    
B. Sx.              


      
57

B  Tpt.           

    
Hn.             

Tbn.
                


Bar.     
            

    
Tuba
           
          
57

Timp.
     
R L R L R L R L R L R L

               
Glk. 

   
57

Perc. 1             

Perc. 2                 

Perc. 3                 
 BAND UNIT A - Number 1 to 10
9
9

Fl.                   

Ob.                   

                  
Bsn.


B  Cl.                    


B. Cl.                    

        
A. Sx.            


T. Sx.                    

        
B. Sx.            


                
61

B  Tpt.   

          
Hn.         
                  
Tbn.


Bar.                    

          
Tuba
       
               
61

Timp.
  
L R L R L R R L

Glk.                   

         
61

Perc. 1         

Perc. 2                   

Perc. 3                   
 BAND UNIT A - Number 1 to 10
10
10

             
1. 2.

Fl.        

Ob.                      

Bsn.
                     


B  Cl.                       


B. Cl.                       

      
A. Sx.                 

  
T. Sx.                     

      
B. Sx.                 


           
65

B  Tpt.           

         
Hn.             

Tbn.
                     


Bar.         

            

       
Tuba
            
                 
65

Timp.
      
L R L R L R L R L R L R R R

                  
Glk.   

        
65

Perc. 1                 

Perc. 2                          

Perc. 3                          