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The Mastering
Guide
Everything you need to learn in order to
octet -leole ale llal° MALLEIntroFirst of all, we would like to thank you for purchasing this PDF. We
hope it answers some of your questions about mastering.
In this guide, you will get a general idea about the mastering process,
the tools, and their uses.
Our goal is to make this topic clearer and easier in no time, so that you
can focus on making music. Get the rough idea, and be creative on
your own
For the infographics, we will be using iZotope Ozone 9, since it has all
the tools needed to get a professional master. But you can apply the
same concepts with the tools you already have.
ASETable Of Contents
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The Mastering Chain
Mastering Tips
Ill - Perceived Loudness
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LUFS
Audio Normalization Example
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IV-EQ
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Corrective EQ
Additive EQ
Post EQ
Dynamic EQ
EQ Tips & Tricks
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Guidelines
Parallel Compression
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Master Assistant
Master Rebalance
Stereo Modes
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Multiband Processing
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X - OutroThe WorkflowThe Workflow
Content
In this chapter, you will have a rough idea about the mastering process
before you dive deeper into the details.
This chapter contains 4 sections :
- What is Mastering ?
- The Mastering Steps
- The Mastering Chain
- Mastering Tips
wasThe Workflow
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This trick consists of having two limiters in series :
A - The first one to tame the loud peaks, and make the waveform more
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B - The second one to add more loudness
This way, instead of having one limiter with hard settings and doing all
the limiting, you will have two gentle limiters working in series. This
helps you to add some extra input gain before distorting.
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DistortionDistortion
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In this chapter, you'll learn how distortion works, and how it's used in
mastering.
This chapter contains 3 sections :
- Overview
- Vintage Tapes
- Multiband Exciter
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Overview
Distortion is all about changing
shapes. When you drive the input,
instead of going above the ceiling
into the red, the waveform is
shaved off, its shape changes, and
new harmonics are added to the
signal. The most basic example is
a sine turned into a rounded
square. But, if the input is more
complex (more notes or different
waveform ...), the distorted output
gets more complex as well.
Clean Bre 0]
When they say distortion, all you can think about is heavy metal
guitars, but in fact, distortion can range from subtle saturation into
heavy amp guitar fuzz. In mastering, all you need is subtle saturation
and a bit of soft clipping in order to:
A - Limit the signal by shaving off the transients and the spikes
B - Add harmonics to the sound and increase the perceived loudness
C - Make the track warmer, brighter, thicker, and denser
ChowneDistortion
Vintage Tapes
Soe -- —
Most modern songs are made in the box, which makes them sound
precise, digital, and cold
In order to make your tracks sound warm, experiment with tape
emulation plugins. The tape nonlinearity will add subtle saturation to
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It rolls off some of the harsh high frequencies, and adds some low mid
warmth to your track.
These imperfections and unpredictabilities added to the signal sounds
warm to the ears.
CaeDistortion
Multiband Exciter
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Saturation helps you increase the perceived loudness of your track
without messing with the dynamics. It excites the track by generating
upper harmonics. You get a fuller and thicker master.
Ozone 9 Exciter multiband option allows you to add different types
and amount of saturation to up to 4 separate bands.
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- Take your time to experiment with all the saturation types before
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- Multiband saturation helps minimize intermodulation. You will be
able to add harmonics, but still preserve the clarity of your master.
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