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PANORAMA DE LAS AMERICAS/ OF THE AMERICAS QUING El adorado padre de Mafalda The Beloved Father of Mafalda La revista oficial de/ AMAZONAS ‘The official magazine of - Madre de Dios en la Tierra CopaZz” Moter of ad on Eth fa yee! / eae eet: Cee ee PUT tL eat QUEREMOS TANTO A / HOW WE LOVE Ul N 0 aps Pakis de Glace, esta noche del stave ie ‘mythical Palais de Glace is packed on this soft jonacrense, esti repleo, Ya no hay bailari- winter night in Buenos Aires, There are no dancers nas, ni bandoneones como cn ladécada del 20, pues non lion players like ahora este edificio alberga lo mejor del arte argenti- hi no, Pero hoy las ists vuelve a rodar como en los viejos tiempos. Fl diablilh A caaa eat lea Al ‘menos en la pluma de Quino. Y dl esté aqut Esta ess noche, is here. Tonight is his night. “i The entire country has con- vened 19 pay him homage for the 50 years he has dedicated El pais entero nido a rendi un homenaje por sus 50 afies ddicalosal dibu- jo, en una exposics que incluye Jas paginas de humor de su ilkimo bro afectueso, *hasa para di bestia’ aes MAFALDA, SIMB FT PANORAMA 50 YEARS AFT “un ell - 0 6 CON PANORAMA. NERAGION, HABLO CON F ani af WIS FIRST ILLUSTRATION WAS PUBLISHED. Cracker Ao. ne Benicine Soo. ono © 1 GEL E Bi Relelests PERSONAJE 6o SIbVioterues de Barcetona ntesco con les, disparan sobre mult anun [_—— DIMARTS 22 D’apeIL 4 LES 7 CORVIDO A LA CONF QUE FARA EL MEU CReag QUINO, AL SALO DE CEN DE L'AJUNTAMENT acme cee centre a incomodidad de sentirse el cen- de arencisn ocién profinda de reencontrais Mafalda won the hearts of all Latin Americans, n bis angular face, his thin The enormous glasses on bis ang elationship J mouth reveal his velarionsby fame, sis nervous the wall hb their darts of es and their bubbles Yalliesté Quino mirando sus dibujos. Esosdibu- jos que lesiguicron el pulso sla historia sin reuse 9 tarla con fotos instanténeas sino en vifieras esenciales, Lo que mas le sorprende de todo, nos dice, es que piginas se sigan encen: baje con Jo que pasaba en el dliendos “Siempre momento, Por «so me dlbujos después de todo resindole a la gente. Tal ver quiere decir que lo que prsaba no ha cambiado tanto! Para la muestra estin tiranos gorilas, los gerentes mirindose el ombligo, los milita- res vociferantes, Ia fiesta de los objetos de consu- ‘mo... constantes de la mitologia de Quino, Quino does not have occurrences. He has ideas th Se aa ‘And there is Quino, looking at hit creations. Thee re the cartoons which helped him fallow the pule f history, capturing them with esential vignettes, not instant photos. What surprises him. most of all be tells us is that after 30 years, people still understand his cartoons: “always going on a che tre. So interest people after all this time. Maybe that lls us that what was going on has not changed uch,” There are the end- fess wars in the Middle Fast, the guerlletibe depois, managers staring sat their belly buttons, th shouting seldiers, the part of consumer items all pre- sens at this echibit.... all constants in Quino’ mythology at turn into beautifully developed images. ¢ CEL E BGR Shasta PERSONAJE 4 ‘S85 Por cinco En una esquina con tae informal, tambidn est su sando con otros invitades. Con un pelo que munca se deja areglar del todo, parece estar en las ancipedas de ese padie discreto, silencioso, diplomstico, mesursdo, Ella al con- In one conter, we find his only daughter nica, conver. (H@Calas, Quino dnesed informally walking with ober guests nos ha dado immo para With her hair that never is completely _gromed, she appear the antithesis of ber ‘father why iso dvret, quiet, diplomatic, retrained She, on the contrary, is exagger- ated, speaks loudly, argues, and being cari cc Coesein lire eae seguir adelante. ae ie pee y —sin los modales finos de su padre— «an nd ber always printing her index fn siempre sefiala con el indice a quien le For five lecatles, _ger at whomever owes her something. New- debe algo, Sin embargo, la acerca a su certhles, she is approached by her progen- rommiorsepoigha bho ung has (HVGN ere pobzbr the seats Japan, cantonés, finlandés). la capacidad de ver

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