Chicha de Jora (Tono de Mujer) 0987161144

1st Alto Saxophone
CHICHA DE JORA San Juan: LUIS ROMERO

q=220
   
     
                 
Arreglo de: Lcdo. Vinicio Quishpi G.
     
 
   1.
            
10
       

                  
2. 1.
   
15
   
20

2.
                
         
  
2.
    
    
1.
  
26
  
Voz
       
   
       
38
  
To
      
and 
      
      
         
43
      
           B
     
54
       
                        
60 1. 2.
    
1.    B   
    
65 2.
A
  
To
 and B
 
70
  
Jaleo
                    
8 veces
     
    
     

  
83
     

Copyrigth © by publisher JVrecord's - 0987161144 fine
QUITO - ECUADOR
2nd Tenor Saxophone
q=220
    
   
                 
9
    
 
                 

     
2.
14 1.

                      

19 1. 2.
         
             
 1.
     
2.
 
 
25
    
Voz
        
   
        
31
    
       
 
          
42
To
 
    
   

and 
      
      
46

         
58
    B 1.

 

2.
 
        
          
 
63 1. 2.  
                 
69 B   Jaleo 8 veces
                
A 
    
To
  

and B
      
          
82
             
Copyrigth © by publisher JVrecord's - 0987161144
fine
QUITO - ECUADOR
Baritone Saxophone
q=220
CHICHA

DE

JORA San Juan: LUIS ROMERO
    
                
    

9
   
                  
 
1. 2.
  
14
                          


1. 2.
   
           
19
    
     
 1.  
               
25 2. Voz
     

31
  
                   

42 
       
       
To
         
and 
 
    

    
46

          
58
  B 2.
         
1.
   
           
63

1. 2.

               
  
69
 B  Jaleo 
8 veces
           
A
     
To
    

and B 
  
82
               
          
QUITO - ECUADOR
1st Trumpet in Bb
    
q=220
         
    
  
    
      1.  2.
 
       
16
  
   
   1.
       
2.
 
28 Voz
   
       
   
   
 
         
40
             
     
 
    
46
     
To
    
and 
                    
55
   
  
61               B
       
            
1. 2.
67
    
    
B 
                
A 79

To
and B
   
84
                 
    

Jaleo 4 veces
  
              
90
       


109
            
       
QUITO - ECUADOR
2nd Trumpet in Bb
q=220
  
    
       
  
           
16
     
 

1.
 
2.

       
     
 1.
     2.

 
28
      
Voz
  
      
   
    
       
40
            
  
   
46
          
To
  

and

 
55
              
            
61               B
      
 
67
1.     
2.
  
  
  
         
B
 
       
79
       
A 
 
To
and B
 
 
  
84
                 

Jaleo 4 veces
                  
90
     
  

           
109
       
QUITO - ECUADOR
1st Trombone
     
CHICHA DE JORA   
San Juan: LUIS ROMERO
q=220
            
      
         
          
1. 2.
   
10
           
16          1.  2.
 
            
  
   
Voz
   
31
   
                 
       
40
     To  
       
and

     
             
    
46
            
             
52
  
        
     B 1. 2.
59
          
        
65         A B  
  
    
To
  
and B
            
 
76
             
          
Jaleo

82



    
      
  6 veces            

91
           

QUITO - ECUADOR
2nd Trombone
q=220
              
          

   

     


10 1. 2.
      1.
  
                   

     1.  
2.
  
       
16
 
      
    
2.
    
    
31
   
Voz
   
          
40         

          
To
 46 
      
  

  

  
             
and

51
            
                
             B
  
57
          
1. 2.
     
           
64

    
A 76 B           
   
To

and B        
       
      Jaleo 
81
          
 
6 veces
         
            
91
     
       
QUITO - ECUADOR
Bass guitar
q=220 Gm
 Gm Gm Gm
             
         
8 F Gm G7 G7
Cm
 
  
    
                
1. 2. G7
14 Cm
             
Cm Eb
 Cm
         
   
 1. C7
20 Ab Gm  Gm Gm 2. Gm
               
  
       
G7 G7
27 Voz
   
Cm

Cm

Eb

                   
  Gm
33 G7 Ab Gm
Cm
        
To
            
  and 
Ab
 Ab
 
38 Eb Eb Eb
       
          
      
G7 Gm
44
 
Cm

Ab Ab Eb

            
       
   
50 Ab B Eb
 Eb

G7
Cm
 
  
          
       
Ab Gm B
   
56 Eb Eb
 To A   
  
     and B
   
G7 (solo 1a. vez)
61 Cm Ab Gm Jaleo F
 
             
        
  
67 Gm 6 veces
F
       
     
Gm Gm Gm C7
71
    

             
QUITO - ECUADOR
Piano
q=220

Gm  Gm6 Gm6 Gm
                      
       

8 Gm G7 Cm G7
    
F
      

      
     
1. 2.

14 Cm Cm G7 Cm
Eb
                 
       
Ab
     1. Gm C7
 Gm
2.

20 Gm Gm Gm
                      
      
 

27 Voz G7 Cm G7 Cm Eb
       

     

      
   
Ab
 Gm
  
33 G7 Cm Gm
   
To
      
 
  

 and      
 
Ab Ab

38
Eb Eb Eb
          

         
  
Ab Ab

44 G7 Cm Gm Eb
                 
    
    
50

Ab
B Eb Eb G7 Cm
                    
    
Ab B
 A 
56 Gm Eb Eb G7
                 
To
   
 
 and B   
Ab F (solo 1a. vez)
Jaleo

62 Cm Gm Gm
                       
      
6 veces

69
F Gm Gm Gm C7

                    
        
   
QUITO - ECUADOR

Chicha de Jora (Tono de Mujer) 0987161144

Cargado por

Información del documento

Título original

Derechos de autor

Formatos disponibles

Compartir este documento

Compartir o incrustar documentos

Opciones para compartir

¿Le pareció útil este documento?

¿Este contenido es inapropiado?

Copyright:

Formatos disponibles

Chicha de Jora (Tono de Mujer) 0987161144

Cargado por

Copyright:

Formatos disponibles

1st Alto Saxophone

CHICHA DE JORA San Juan: LUIS ROMERO

También podría gustarte