Piano

Sonata Nº 3 S. Prokofieff
Op. 28 (Orch. T. Koljatic)

 
 

Allegro tempestoso (q = 126)
                



 
ff

 j        
       
3

      ff
ff

  
6
 

   
        
  
ff

   
3
j          
     

ff
ff

11
 

       
 


    
j   

3

     
ff

16
  

 


  
 
 
2 Piano

 


Xyl.
 
    
26
    
  
  
 

f 
  
     
  

36
   Xyl.  
 

     

 

 
 
  
 

 
46
   

   


3 3 3


         

   

mf
f

   
52 Poco rit. Moderato (q = 96)

    
           

f ben marcato pp
   
    
  

              


58
  

  


 Piano 3
70
   Glock. 

 
j
    j
   

 
    

82

         

       


p
       
        
 
    
  
 
86

     

     
 mp
     



      
90 rit. assai

   

 
 
   

 
  

p  pp
 
Allegro tempestoso

94 (q = 126)
  
     
3
sff

j 

3
     
  
4 Piano

   

       
98


        
       
3

   
ff fff f

   
  
                
   

3
ff
f, marcatissimo

103

      j            j            j   
f>p
     f>p      f>p     


                                          
f>p
   f>p
   f>p
  

j
106
 j            
        j           
f>p
     f>p    f > p   


                                       
                            
f>p f>p f>p

 j
109

    j   
         
f>p
f

 j   
                       
         
f>p f
 Piano 5
112
 
     
        

f mf f mf f mf f mf

    
       

f mf f mf f mf f mf

118
  rit. Moderato (q = 96)
 rit.

 

 
  



Più lento (q = 88)
      
128

Fl.
 

  

  


132 Più animato (q = 96)

      


         
  

   
pp 
138

      

         

  
 
 
6 Piano
allargando Poco meno mosso (q = 88)


Con elevazione
144 
    
    


 

  
 

  
     
      

    









 
  
147

    
   

 
 
   

 
 
         




  
   


149  

  


       



 
 
    

    



 




 
151
 accel.

    
 
    

poco a poco Tempo I (q = 126)
158
    



    

177
 
Piano
 7




  


193
  



  


205 Più mosso (q = 152)

 



 


      
   
213
   
Fl.

           


   

    

8 Piano


217
  
  
  

     
 
   
 
 
ff

    
221

      
3

  

  3

 
 j          
3
  
 
  
 3

       
     
     
224
 
     
pp 3 3 3 3 3 ff
 
       

   
ff

227       
    
  
                  
     

     

       
     
                 
            
     

 
 j  
229
  
      
  



ff

     

 
 