ViA EeIColN clei e}VIA arquitectura ‘ae. ‘Colegio Oficial de Arquitectos de la Comunidad Velenciana EAU canPUBLIC SPACES: We cannot really prodee.s numbor on pulic spaces without giving. a thought teat makes gublic speces differ oat from orivate ones. 4 certain discourses piblishd in El Cragvis: Saene de Giza says that publss ie what vynjuarsal ding intelligible botore hing ueed.an0 private ¥ what ts undarstéod taraugh ie Public ic thatetore what's etterad as 2 consumable botore it ie consumed and at ‘ntableible before fis oiderstaod, ‘Wien you use a patric thing you private 1. Following the same tatn af tought, we agree with Feaerico Soran? Ent: Public space is emobile, private space is slate. Pubic saace ie disngrasi. urate space is conceatraled: Public shace tc ninpte it ks imaginanon, Private space ts full it ob picts anc siemens: Pubic space fs indaterininate. Petts space fe tinctional Publ space is tnfaetnatign: Private’space fs epiniar. Public space i theuradim, Pavate sims is the messice. Puite space & unstebly Balanced: Private space js a( necessity stale ‘There are othoe Sages which ore neither public ot prvate but both: at once: these. ae the collective spaces: ‘The change'ol scale that i taking place io our cites and the Increasing chaness in Wines af Wife have led 8p the tradiionally apes:air publ soaces losing ground to, these collective spaces, which ata often indoors, in department stores. laisurs contra ar aan wubiic transport (tha colleetive space par excellence of our citoe). TWese indoor collectig spinces provide shelter from the wind and the rein and ere svat loan and safe, ‘The citys parks'aid squares. onthe other hand, have deteriorstad thraugh sagiect=stey. aie dangerols, idan and dirty, ‘in this fssne' we Wil Jogk af various architects" atternats to orgue thst square ts Ot Nok a place to pass through oF way, of organising the tratfc. ‘We wl look at afters Mo ring ite back into the square through enutt-Amnctona} spaces winore differant used rn suporimpaend of convergs (Schouwburgniejh In Rotterdam, Martha Schmortc citictes: ae.) EEL cries ne pp 2'F Savin Ain Nahin rade arti