SYNOPSIS. Candelas, a young, very beautiful and passionate woman, has loved a wicked, jealous, and dissolute, but fascinating and cajoling gipsy. Although having led a very unhappy life with him, she has loved him intensely and mourned his loss, unable ever to forget him. Her memory of him is something like a hypnotic dream, a morbid, gruesome, and maddening spell. She is terrified by the thought that the dead may not be entirely gone, that he may return, that he continues to love her in his fierce, shadowy, faithless and caressing way. She lets herself become a prey to her thoughts of the past, as if under ihe influence of a spectre; yet she is young, strong, and vivacious. Spring returns and, with it, love, in the shape of Carmelo, Carmelo, a handsome youth, enamoured and gallant, makes love to her. Candelas, not unwilling to be won, almost unconsciously returns his love, but the obsession of her past weighs againt her present inclination. ‘When Carmelo approaches her and endeavours to make her share in his passion, the Specire returns and terrifies Candelas, whom he separates from her lover. They cannot exchauge the kiss of perfect love. Carmelo being gone, Candelas languishes and droops; she feels as if bewitched, and her past loves seems to flutter heavily round her like malevolent and foreboding bats. But this evil spell has to be broken, and Carmelo believes to have found a remedy. He has once been the comrade of the gipsy whose spectre haunts Candelas, He knows that the dead lover was the typical faithless and jeaious Andalusian gallant. Since he appears to retain, even after death, his taste for beautiful women, he must be taken by his weak side and thus diverted from his posthumous jealousy, in order that Carmelo may exchange with Candelas the perfect kiss against which the sorcery of love cannot prevail. Carmelo persuades Lucia, 2 young and enchantingly pretty gipsy girl, the friend of Candelas, to simulate acceptance of the spectre’s addresses. Lucia, out of love for Candelas and from feminine curiosity, agrees. The idea of a flirtation with a ghost seems to her attractive and novel. And then, the dead man was so mirthful in life! Lucia takes up the sentinel's post. Carmelo returns to make love to Candelas, and the Spectre intervenes... . but he finds the charming little gipsy, and neither can nor will resist the temptation, not being experienced in withstanding the allurements of a pretty face. He makes love to Lucia, coaxing and imploring her, and the coquettish young gipsy almost brings him to despair. In the meantime, Camelo succeeds in convincing Candelas of his love, and life triumphs over death and over the past. The lovers at last exchange the kiss that defeats the evil influence of the Spectre, who perishes, definitely conquered by love.EL AMOR BRUJO. LAMOUR SORCIER.. Introduccion y Escena. Allegro furioso ma non troppo vivo. (J. 182) MANUEL DE FALLA. Introduction et Scéne. Flauto, Piccolo. Oboe. Clarinetti in La. 2. Fagotto. ‘Trombe 1.2. in Si > ‘Timpani. of Piano. Violini 1 Violini 2. Viote. Violoncelli. we eee ZS Al rights reserved. Tour droits réoereé. Contrabass, ==- pees OES Copyright MCMXXIV by J. and W. Chester. Ltd pyrigl by J. and W, naePie. Cor. in Fa Piano, Viole, Vee cs J.W.c, at.cor. inf Tea insib ‘Timp. Piano. Vio! Vie. J. WC,FL on. car fala. cor. foe. Tet. insib J. Wc. at,Chez les Gitanes. La Veillée. ‘Tranquillo e misterioso, (J - 72) Flanto. Piccolo. ‘Tranquillo ¢ misterioso. (J : 72) Viotini 1. Violins 2. Viote. Viotoneei Contrabassi. En la Cueva. La Noche.AWC. atVite. Supprimgs avec la Chanson als Poco rit. Tempo. poco rit. we on. Timp. = Plano. va co, Attasca N° (3) las,10 Chanson du chagrin damour. Allegro. z Fagot. Corni. in Fa, ‘Timpani, Voor, voi fe ”t*«dLC(‘i‘(‘CCC*édR SESE von 2.8 vor. Yo peers? Viotinceni, fo 4 FF FF Contrabassi 3% GAL Cancién del amor dolido.oon dolor Voee. via on. 3.W. 6, ALR FL lar. Timp. Piano. Voee. Viote. Vie, JW. 6. 4,Fl ‘Timp. Plano, Voce. vu Viole. * con tomer) canded que ar - ea 4.4 colla voce Adcolla voce rit. Mis ardeelin-fiernoquetoitami sangreabrasa de 2.2 colla voce rit.4 FL on, car. in La Piano, Vooe. pt aoe a tempo 4.2) via Viole. Vic. ce. 3. W.6.KVoce, ve.4. GALTimp. Wee cs Goan desearto) Caan-doel fons a6. at Pitt wosso. 7 Amie! penarme con- FempreFL o. fn Fa Timp. vit v2. Viote vel. co A mielquerermeenve — ne nal 4.0. a1, Tit. (con forge) a tempo Ami me mactan las pe > nail Pit. colta voce a tempo19 [Pour enchatner avec la uit ma R98] I four terminer i chanson sans enchatrer la waite. 1 poco rit. Poco rit, ‘Calmo e misterioso. FL. soll, P=! Soli. pp—y p= P= on, clas. inka Fag. Cor in Fa The. Piano, Voce. poco rit. Calmo e misterioso. poco rit, via. v2. ve va. Pe 7 7 ivi SPB PR us. pis, P cn, , F atacon nit 8° UH} JW 0. a4* Le Revenant. El Aparecido. Vivo, ma non troppo. (4 = 126) tek 1. : Clarinetti in La ‘Solo.(oon sor Vivo, ma_non troppo. (d= 126) SS = = is pin Violini 1 { nish viount 2 ( ar wns me £ Viote. Violoncetli. ‘ontrabassi. Z = bi) arco din =2 Danse de la Frayeur. Danza del Terror. @ ‘Allegro ritmico. (J: 16) Ged Flauto = Piccolo, Oboe. 1 Carnet 2 insib. Timpani. of : dim = Allegro ritmico. (4-16) Pe 7 = = spre simile dim. - Algaro ritmico. (4. Violini 1. ( — visa Viole. Violoneelli. Contrabassi.22 ruy Pree. insib, ‘Timp. Piano. viz val (ol muta) in La. wc, At,Pua, Pice. tar, insib, Timp. Piano. va viz. Viole vel, ce. 4.66. At24 PL. ice, ota, ddim. gradualmente — inst) = hy > ‘dim. gradualmente - oa ies Tip. inno, vu. wi Viote a wot,Fu. Pice. Cor, ira! ed. insi Tiewp. vu. via Viote, J.W.C. Atecar, in hy Piano, via Viole, vee, o. wc, at.Poe, tas, asi | Paso, vu v2, Views wo.Fu 0b, Piao. Viole cs JWG. at.Fu FL2, Fag. oor, inf 2. 12, in sib ‘Timp. Piano. vu. viz. Viole, Vie awe. a30 my Fa, cus. inSib, Fag cor. in Fa ea, inSib, Timp. Plano, v2 Viole ve We 0.4Cor. in Fa Teh, nS. Timp. Plano. vu. Viate. JW. 0 4,Bz ma clas, inti Fag. fo Pe Tei, isi Viote. Me JW. OA,Fag Cor a Fa, e123, toi, Timp, Piano, Viole, Vie oe, IW. 6. 11w0 4.BW. ALPico. Piano, v2, Viote. 3.W 6.4437 on, Pag. Cor in Fa. Tee. in sib, Piano. Viote. cs awe,38 Le Cercle Magique. El Circulo Magico. Récit du Pécheur. Romance del Pescador. Andante molto tranquillo.- 44) Flautot. Flauto 2. Corne 1 in Fa. Trombe 1.2 in Sib. Andante molto tranquillo.(J- 44) Piano. BP ¥ Pa RAB sempre wim Violini 1. Violin 2. Viole. Violoneelli Contrabassi. oct. ‘ia Fa. Tie in Sib vu v2. Violevie. Viole. Piano, pocorit, ra tempo vu. — we Viole, 3.W0, atMinuit. A Media noche. Les Sortiléges. Los Sortilegios. Lento e lontano.(J:72) ” poco pitt mosso. Flauto 1 >= = Flauto 2. ‘Timpani, Lento e lontano(J-72) poco pitt mosso, Piano, (4 Ez Violini 2 Teena tora aw Vjotoncetl Yeaae sora Contrabasai. La reprise dei re suppimte dans los éxéaiens ax cancer. JWG. atat Danse rituelle du Feu. Danza ritual del Fuego. (Pour chasser les mauvais esprits.) (Para ahuyentar los malos espiritus) Allegro ma non troppo e pesante. (d-126) Flauto 1, Piccolo. Oboe. Clariaetti in Sib. Piano. Violini 1 Violini 2. Viele. Violoneelli Contrabassi, WALob, ar 1. in Sit. cor. iaFa, ‘Timp. Piano, Viole ar. 1. ings, Cor. Timp, Piano. ca 4641FL. cuss in Sib. mL in Si}, Timp. Piano. vie. Viote. 304Piano, vu. Viole.3 ruta in Flauto.) Piano. Viole J... AN.JW. 41,riz, ob, lar. insti, 2 Fog. Piano. Vio (mutain si) 1.8.41. a7wa in Piecolo.) FI on. clar, ini, asib, Timp. Viole. JW. C.AL,Pice, on. Piano. vu va. Viote. JWG. AL.50 Fu cu isis, Tene. masih Timp. 1wo a.AW at52 FLL ‘Timp. Miote, cs cae ia Sih, Timp. Phano, i View AW. at,Pu tei insis, Timp. v2 Viole Me. oe. 1wO. aL54 on. fF Tei. inSih Piano, Viote. AWC atlee, Cor. Fa Te12 ins Timp. ma. Viale. Ba] Tasers AWG aLPee on, ca, a8 Fag nF. Trig. sib, Piano, wa. Viste, o. LW. 0.41,Fi o», Timp. Piano, vu viz. | Viots: cn W044 37ma. muta in Piccolo. Pree os, 1 cise ne 2 Fag or. Bt 2 ex. ini Timp. 2 P ove Poco a poco affrettando, ma non troppo. Piano, P Pow mes Ff = Poco a poco affrettand, ma non troppo. va Ferenc, =F ss el emwin le va. E —=Tf Vio. ve. om JW59 3. WAL,Clas mah, Piano, tempre mol mare. ‘Vivo, ma giusto. v2, Viote. ob 2. Cat,cia, in Sik 2 » Ee - Teh asi Piano. va. Viole, Wc,Timp. Piano. via. Viole Val. J.w.c. atScéne. Escena. Poco moderato. (d= 69) Flautol. Solo. Oboe. t Corno 1. ‘in Ba) Tromba ‘Gn sib) Piano. Poco _moderato. (¢ =69) Violini 1 sameti| Viotini 2. Yemetd Viole. ai. Viotoncelti Contrabassi, Z : . tempo 1. (36) sn on. or. (a Pa) ed Gowb) re op. AWC. atFut, Viele val on, Viole. va. ©». JG. at.Chanson du Feu follet. Cancién del Fuego fatuo. Vivold.=69) ritpoo)atempo rit. atempo rit. _a tempotsenza rit.) Flauto 1. 1 Clarinetti in La. 2 Corsi in Piano. Voce. Lomis-moquearfae— go Vivo.(d.-00) rit.oc) atempo rit. atempo rit. temporsensa rit.) 1 solo 5 Violiai 1. i lt altri g 1 solo { Violini 2. ali altri | sola Viole. Lealtre Violoncelli. Contrabassi. WGAPiano, Voor, vu wa, Viole va. JW. 41,Fu. Char in Ta) ine Piano Voce. vu via. Viole cp, -mmo queer fue = go factoolo - mis - mitoeser—— que - sé 2w.c.at, 67inka Cor inf. Prana Voce. ‘ + mito es ex que - Yoo. cb. LW.c at.FLL cue inde Piano, Voor. Viole We. ce,70 Fu char in La] Piano, vin v2. Viole, ve, ob. AWG,Fu. Plano, Vooe. Vote, vie. EWG, (ears aco Tutti a. ing pare nFu che ols, Cor, iF Piano. Voee. vu Vote, vie. o,iar, iia! Piano, Voor. Woke, We. o, AWC,wn a tem Piano, ore. s 44 Pe JW aB Pantomime. Pantomima. Allegro, (J-102) Violini 1 Violini 2 Viole. S.W.CaLFu. op. car. in Le Cor, in Fa. Wra.2 inSib ‘Timp. Piano. Viole. Mee. cb, JW. 6. a8Pico. Piano vu. v2, Viole. Vie. 4.W0, 415G aL,3) 7 Andantino tranquillo.(J.1s8) P i Solo. P Aupantino tranquillo. (Les) Piano. P_ = apa oe vu Viole. q Vie, Piano, Viote, ve, ob. 2% Gan,on. Piano, vie. wo aL,FL on, car Timp. Piano. vat. Viole Vie oe, JWG at, 81_——— Pochissimo rit. Fr on. char in'lal Fag. Timp. Piano4 vat via Viole. Wc at,83 0 ad) Tempo Rall, - poco - a - poco Molto tranquillo 4-00 on. dolee e molto expr. Gor. Fa 2, Timp. = Rall.- poco. - a - poco Molto tranquillo. (4:60) Piano. a m7 te te * Rall. - poco - a - poco - - Viole Mie om. att P 6 poco rubato eco os poco rubato Poco rit, via. ve vio Vie. o. Wee anon, Piano. va, Viole Vie, on, cor. Tr 12, in Ls wa v2. Vie. cb, wv tempo, ma_calmo dolce cep Solo. dolor erp. Pmare wl = 4) sempre calmo moreno (2:2) sempre calmo ‘Pma sonorg ‘quasi Arpay dolvver expr |e sastemuto Pr ie ® T. Solo (ppp) Drv ad tee pias Ea Solo yy mane. (senza sorDanza del Juego de Amor. Danse du Jeu d’Amour. Allegretto mosso. d-=60) 1. Corsi. in Ba 2. ‘Trombe 12. in La. ‘Timpani. Voce. Allegretto mosso. 00) Viotini 1. 2 soli Viele. cay ay | Contrabassi 4.W.0.41clas, in a 2 1 cor 2. Piato. Voor. waa, viz (att dv 1 Viola sola. = ot fate alte by Laaitre P Woe. ees Mie lator nar 18 meta oe. Woe. a487 car inte. vu Vita nie eater Me JW. C4Fu. Fz. cor, nF, Pisoo, Voce, v2 Viote, S010 sg ati, Fiz. 1.cor oF. Piano. Voos. Fi qa-sé queda da - ba ti mo {Pret fpeneennnnennninneene yf vz. Viole. 1.86 usta ce, Le musique imprimée en petites notes doitremplacer ia partie vocale dans lexdeution au concert. IWC. ot.aptaioma b= ae de - ek gon con otra la wen - af aFa FL. on. cor. iF Tea. ‘Timp. Piano, Viote. | VieFu Fa , Piao Viol. vie cs con ord.seren snd. ‘senza sord|Piano. Viole. 5.W.0. 41We a1,(muta in Corno inglese) AWC ALAW ca,[60] poco meno mosso che d= (J-76) ‘con expressions erescente —_: — >. cor.ing| dake malo pr misterione, ma intento con capressions oretcente Voee. = i Soy avor de tu des ~ ti ~ no! Soyer fuego er-que tea-bra — .sas! Soy er vientoen quesurpi ras! Poco meno mosso che «= (W-76) via. v2. 7 ly S|» suiareo sul pout. Viote B4 =|" =—|» Val BP marcale § tutti_Gempre piss) ce. 60 P marcalo ~~ ? poco rit. Tempo (er. og F poco rit, Vooe. que am ~ fra ~ gas! iSoy Ja mar en que naw ~ poco rit. via. v2. Viole vat oo ow. a,98 Fag. Timp. Piano. via. v2. Viole. il Poco pitt mosso che +-¢)(J--60) t JW. at.0», Fag. cor. in Fa, Tr12 mle Timp. Piano. wa vie. Viole vat JW. at100 poco affrett. poco PL ov, Char. ins, Fag. Timp. may poco affrett. Pian, * EN poco affrett. Menta, 12> v2, Vio. [mize Val [alo v= mile JWG. aLFinal. 7 Las Campanas del Amanecer. Les cloches du Matin. Allegretto ts illo (4. 80) >gretto tranquillo m~ oO OTe Flauto 1. Allegretto tranguillo (4 vain. EI | PP Violini 2. Viole. Violoncelti, Contrabass. 2.0. atmuti in Flauto Cor om =| m2 ils vu wa. AWC aL108 AWG at104 FL in Fa, Tee fale, ‘Timp. Piano, Viole JW aL,Fi. on. Fag. in Fa. Tr 1.2 ‘Timp. Piano. vin, Viole, Vie. e. JW...106 FL ov. lar. via. 4 3 JW...FL Piano, Viole. vi rit. Largamente. J. WG a1, ¥ NOES ?108 rit. molto : ‘ 7 ov. Fag. cor. Timp. camp, Piano. Viole. Vee ob. = 3 a 3.W. OA Printed by Bradford & Dickens, Drayton House, London, W.C.1