- Documento(Studies in Musical Genesis, Structure & Interpretation) William Kinderman - Beethoven's Diabelli Variations-Oxford University Press (2008)cargado porMadalina Hotoran
- DocumentoKevorkian, Tanya - Baroque piety _ religion, society, and music in Leipzig, 1650-1750 (2007, Ashgate) - libgen.lccargado porMadalina Hotoran
- DocumentoEric Chafe - J. S. Bach’s Johannine Theology_ The St. John Passion and the Cantatas for Spring 1725-Oxford University Press (2014)cargado porMadalina Hotoran
- DocumentoSteven Vande Moortele - The Romantic Overture and Musical Form from Rossini to Wagner-Cambridge University Press (2017)cargado porMadalina Hotoran
- Documento(Eastman Studies in Music) Steven Vande Moortele, Julie Pedneault-Deslauriers, Nathan John Martin - Formal Functions in Perspective-University of Rochester Press (2015)cargado porMadalina Hotoran
- DocumentoAnderson_provisional_history_spectralcargado porMadalina Hotoran
- DocumentoRevista-Muzica-7-2015-1-AFratila-Interviu-Ioachimescu (1)cargado porMadalina Hotoran
- Documentogilmore_interviu radulescucargado porMadalina Hotoran
- DocumentoRadulescu the other spectralistcargado porMadalina Hotoran
- Documento7 Bells as inspiration for tintinnabulationcargado porMadalina Hotoran
- Documento4 Musical archetypes - tintinnabuli stylecargado porMadalina Hotoran
- Documento3 - Earlier methodscargado porMadalina Hotoran
- Documento4 - Towards a new methodcargado porMadalina Hotoran
- Documento5 - Theoretical assumptionscargado porMadalina Hotoran
- Documento7 - From recording to transcriptioncargado porMadalina Hotoran
- Documento6 - Technical equipment- description and usecargado porMadalina Hotoran
- Documento2 - The difficulties of transcriptioncargado porMadalina Hotoran
- Documento3 - Typologycargado porMadalina Hotoran
- Documento2 - The General Features of Traditional Musiccargado porMadalina Hotoran
- DocumentoI - The aim and the inner nature of compositionscargado porMadalina Hotoran
- DocumentoIntroductioncargado porMadalina Hotoran
- DocumentoI - Aesthetic foundationscargado porMadalina Hotoran
- DocumentoIII - Musical issuescargado porMadalina Hotoran
- DocumentoII - The creative processcargado porMadalina Hotoran
- Documento(Improvisation Community and Social Practice) Georgina Born, Eric Lewis, Will Straw Eds - Improvisation and Social Aesthetics-Duke University Press (2017)cargado porMadalina Hotoran
- Documento(Music in the Twentieth Century) David Metzer - Musical Modernism at the Turn of the Twenty-First Century-Cambridge University Press (2009)cargado porMadalina Hotoran
- DocumentoKathryn Bailey - The Twelve-Note Music of Anton Webern_ Old Forms in a New Language (Music in the Twentieth Century) (2006)cargado porMadalina Hotoran
- DocumentoCultural Sustainabilities_ Music, Media, Language, Advocacycargado porMadalina Hotoran
- DocumentoPostmodern Music_Postmodern Thoughtcargado porMadalina Hotoran
- Documento(Cambridge Readings in the Literature of Music) Ian Bent - Music Analysis in the Nineteenth Century_ Hermeneutic Approaches. Volume 2-Cambridge University Press (2005)cargado porMadalina Hotoran
- Documento10 - Popular Music in the Cinemacargado porMadalina Hotoran
- Documento2 - Stops, levers and pedals.pdfcargado porMadalina Hotoran
- Documento6 - After Adorno- rethinking music sociology.pdfcargado porMadalina Hotoran
- Documento1 Operacargado porMadalina Hotoran
- Documento1.pdfcargado porMadalina Hotoran
- Documento1 - The ‘silent’ cinema.pdfcargado porMadalina Hotoran
- Documento7 - Defectors to Televisioncargado porMadalina Hotoran
- Documento4 - Stage and Screencargado porMadalina Hotoran
- Documento1 LISTENING_Hearing Josquin Hearing Busnoyscargado porMadalina Hotoran
- Documento1 LISTENING_Hearing Josquin hearing Busnoys.pdfcargado porMadalina Hotoran