Documentos de Académico
Documentos de Profesional
Documentos de Cultura
COMMUNICATION
Nonverbal
communication
includes
facial
expressions, gestures, eye contact, spatial
arrangements, and other nonverbal acts.
Research
suggests
that
non
verbal
communication
is
more
important
in
understanding human behaviour than words
alone. The nonverbal channels seem to be more
powerful than what people say. Studies show
that during interpersonal communication 7% of
the message is verbally communicated while
93% of the message is nonverbally transmitted.
Of the 93% non verbal communication, 38% is
through vocal tones, 55% is through facial
expressions and nonverbal acts.
FORMS OF NON-VERBAL
COMMUNICATION
Facial Expressions
Eyes
Proxemics
Hands
Head
Lips
Palm
Finger
Facial Expressions
The act of communicating a mood, attitude, opinion,
feeling, or other message by contracting the
muscles of the face is called Facial Expression. The
combined expressive force of our mobile chin, lip,
cheek, eye, and brow muscles makes facial
expression. Better than any body parts, our faces
reveal emotions, opinions, and moods. While we
learn to manipulate some expressions, many
unconscious facial expressions reflect our true
feelings and hidden attitudes. Many facial
expressions are universal, though most may be
shaped by cultural usages and rules.
Facial Expressions
Contd.,
Eyes
Eye Contact: A visual connection is made as one person gazes into the eyes of
another. Eye contact shows that both speaker and listener are actively involved in the
process of communication. Eye contact rarely lasts longer than three seconds before
one or both viewers experience a powerful urge to glance away.
Eye-Blink: A rapid closing and opening of the eyes reflect emotional stress, as
aroused, e.g., in the fight-or-flight response.
Eyebrow Lower: To frown or scowl, as in anger, concentration, displeasure, or
thought. Sudden lowering the eyebrows is a sensitive indicator of disagreement,
doubt, or uncertainty.
Eyebrow Raise: It is an indicator of uncertainty, disbelief, surprise, and
exasperation. Raising the eyebrows adds intensity to facial expressions. Brow-raising
can strengthen a dominant stare, exaggerate a submissive pout, or boost the energy
of a smile. We may unconsciously lift our eyebrows as we give orders, argue important
points, or make demands.
Gaze-Down: Bowing or tilting the head forward so that the eyes face the ground or
floor. Gaze down may convey a defeated attitude. It may also reflect guilt, shame, or
submissiveness, as when distorting the truth or telling a lie.
Facial Expressions
Contd.,
Head
Head Nod: Rhythmically raised and lowered, the head-nod is an
affirmative cue, widely used throughout the world to show understanding,
approval, and agreement. Emphatic head-nods while speaking or
listening may indicate powerful feelings of conviction, excitement, or
superiority, and sometimes even rage.
Head Shake: Rotating the head horizontally from side-to-side to
disagree, or to show misunderstanding of a speaker's words. In an
emotional conversation, a rhythmic side-to-side rotation of the head
expresses disbelief, sympathy, or grief. The head-shake is used to
demonstrate cognitive dissonance, or emotional empathy.
Head Tilted Back: Lifting the chin and looking down the nose are used
throughout the world as nonverbal signs of superiority, arrogance, and
disdain.
Head Tilted Sideways: Head-tilt-side may be used to show friendliness
and foster rapport; to strike a submissive pose.
Facial Expressions
Contd.,
Lips
Lip Compression: Lip-compression is a specific version of the tensemouth display. A sudden lip compression may signal the onset of anger,
disliking, grief, sadness, or uncertainty.
Lip Purse: The paramount message of lip-pursing is "thoughtful
dissentience" i.e., "I disagree." The tightly screwed-out lips of the pig
snout show that a listener has gone beyond the pout of uncertainty to a
more dissenting frame of mind. As a mood sign, the lip-purse reflects
formation of an alternative verbal reply in the brain's primary speech
center, Bocas area.
Lip Touch: One of our most common self-touch cues, the lip-touch
signals a variety of moods and mental states including anxiety,
boredom, excitement, fear, horror, and uncertainty. Stimulating the lips
diverts attention, e.g., from disturbing thoughts and people who may
upset us.
Facial Expressions
Contd.,
Palm
Palm Down: While speaking or listening to another's remarks, palmdown gestures show confidence, assertiveness, and dominance.
Accompanied by aggressive, palm-down "beating" signs, our ideas,
opinions, and remarks appear stronger and more convincing.
Palm Up: Uplifted palms suggest a vulnerable or no aggressive pose
which appeals to listeners as allies, rather than as rivals or foes.
Throughout the world, palm-up cues reflect moods of congeniality,
humility, and uncertainty. Accompanied by upward "palm shows," our
ideas, opinions, and remarks may seem patronizing or conciliatory
rather than aggressively "pointed." Psychologically, reaching out to
someone with an upwardly rotated, opened palm draws that person
closer and helps build rapport.
Sweaty Palms: The excretion of endocrine-gland moisture onto the
palmer surface of the hands in response to anxiety, stress, or fear.
Sweaty palms may be detected while shaking hands.
Facial Expressions
Contd.,
Finger Point
We point with the second digit to turn another
person's attention to something we, ourselves,
see, hear or smell. Because it refers to the
outside world, the referential point is a highlevel, language-like gesture. At close quarters,
pointing at another human being is almost
universally considered an aggressive, hostile, or
unfriendly act. Because it focuses so much
attention upon the recipient, close-quarters
pointing are frowned upon throughout the world