Throughout history there have been many directors who have made their impact on the world of movies

but
few of them have had the same impact that Alfred Hitchcock has had. Hitchcock has been seen as a very
complex yet important figure in the history of film making. He has directed some of the best suspense films
known to man. He also had his own television show in the 50's known as Alfred Hitchcock Presents.
Alfred Joseph Hitchcock was born in England in a little town outside of London on the thirteenth of August
in eighteen ninety-nine, to William and Emma Hitchcock. He had two older siblings, William and Nellie.
The family was a lower middle class family living in Leytonstone, England. William Hitchcock was a
dealer of fruit and poultry, and his business did quite well. According to John Russell Taylor, in his tell-all
biography, Hitch (1978); Hitchcock was a child who kept to himself because of the fact that his older
siblings were so much older than him (Taylor, 1978).
Hitchcock was educated at many different schools. His first school was a school which was located directly
behind his house, operated by the Faithful Companions of Jesus. Hitchcock did not stay there long because,
according to Taylor (1978), "Father Flanagan came and gave his parents hell for sending him to a secular
school" (29). Following the secular school was the Selesian College in Battersea in which Hitchcock was
sent to board at the tender age of nine. Finally Hitchcock ended up at St. Ignatius College where he stayed
until he was fourteen years old. Hitchcock only left school after his father died in 1914. After he left school
he decided to enroll in the School of Engineering and Navigation because he was interested in becoming an
engineer. While at school he became interested in the arts and so he then decided to go to school for the arts
and he ended up at London University where he studied fine arts (Perry, 1965).
In George Perry's book, The Films of Alfred Hitchcock, from the years of 1921 to 1929, Hitchcock worked
on silent films, first as the title card designer and then as the director. But he did not start out at the
production studio he actually started out in this business at a small advertising firm getting about fifteen
shillings a week (Perry, 1965). According to George Perry (1965), "From there he went to W.T. Henley, the
cable company, as a layout man" (7). This firm was very embracing of Hitchcock's artistic demeanor.
Henley had a newspaper which their social club published and Hitchcock regularly had drawings and
stories in them (Taylor, 1975). During this time Hitchcock was introduced to the idea of drawing title cards,
which he took in stride. Very soon after starting his title card drawing he was hired by the Famous Players-
Lasky production company. While working at this company he had his first directing experience which he
was talked into by Anita Ross, the publicity woman (Perry, 1965 and Taylor, 1978). The movie was called
Mrs. Peabody, but Hitchcock referred to it as Number Thirteen, probably because no one had ever really
decided on a name (Taylor, 1978). This film was never completed because of money problems. The next
chance Hitchcock was given was as a co-director of the film, Always Tell Your Wife (Perry, 1965). Always
Tell Your Wife was followed by Woman to Woman which he was the assistant director.
Alfred Hitchcock's first talkie was not done until 1929 and it was called Blackmail. This movie was also
Britain's first talkie movie. Blackmail featured Anny Ondra, a German actress who can be called the first of
Hitchcock's blonde prototypes. Following Blackmail was Juno and the Paycock which was a musical
screenplay. This was not a thriller in any sense and Hitchcock's next film went back to the thriller genre
called, Enter Sir John (Perry, 1965). The movie Hitchcock considers his first movie is The Lodger because
it had such a big response when it came out. "Still whether or not critics and audiences picked up on
everything in the film, they pick up on enough to make it and Hitch an overnight sensation" (Taylor, 1965).
All during this time Hitchcock had been working on his own family. He had married a woman named Alma
Reville, whom he met when filming Woman to Woman in 1922. Alma was the editor on this film and she
had a higher job than Hitchcock did and in those days a man could not acknowledge the fact that a woman
had a higher job than him so Alfred waited until he had a higher position than her to speak to her. When
they did speak they took a liking to each other and then after a long engagement they were married. Their
wedding was small and took place on December 2, 1926. Alma and Alfred had a small wedding with
immediate family and a couple close friends. After the wedding they cut the cake in their new apartment
and left for their honeymoon in France. Their married life was just fine and then Alma became pregnant
and on July 7th, 1928 she gave birth to Patricia Hitchcock (Taylor, 1978).
In 1940, Alfred Hitchcock and his family came to Hollywood. When he arrived in Los Angeles, he and his
family moved into an apartment on Wilshire Boulevard. Almost immediately after arriving in America
Hitchcock threw himself into working on a new project, a movie titled Rebecca. Rebecca turned out to be a
very expensive and successful movie. Even though the movie was a success Hitchcock still wondered
whether it would have been even better had it been filmed in England. In the years following Hitchcock
directed many movies for instance Foreign Correspondence, Mr. and Mrs. Smith, Strangers on a Train,
Spellbound, Rope and many others.
In the 1950's Hitchcock was told he should be on air, meaning he should be on television. Television was a
new medium in that time and many of the Hollywood people looked down on it. Hitchcock was thrilled by
the idea of being on television and he jumped at the chance. With great haste he set up a company called
Shamley Productions. He then called up an old business partner and asked her to produce the show, Joan
Harrison agreed and they had a show. The show has the same cynical dark humor that is often found with
Alfred Hitchcock. The television show was a success, "but the television shows were just the beginning of
what was to turn into a whole industry. They spawned a lengthy series of short story anthologies with titles
like "Stories They Wouldn't Let me Do on TV" and "Tales My Mother Never Told Me", collections of the
kind of funny/macabre story made familiar and permanently associated with Hitch's name as a result of the
television show" (231). This venture eventually made him independently wealthy.
In 1957, Hitchcock began making the movie Vertigo starring James Stewart, Kim Novak and Barbara Bel
Geddes. This movie showed many shots which were very innovative for the time. For example in the
beginning of the film when James Stewart's character John "Scottie" Ferguson, is in the studio of his friend,
Midge Wood, he is talking about his illness which is vertigo. He is telling Midge how he thinks he is
getting better and to prove it he steps up on a step stool and climbs to the top of it. Then he looks out the
window and sees how far above the ground he is and he gets dizzy and begins to fall. When the camera
shows the shot of what he sees out the window it looks as if he is about 30 stories up, when in fact the was
not close to being that high up, it was all the camera angle. The scenes in this movie are also very well shot
throughout the movie. It is a well known fact that most of the backdrops in Hitchcock's movies where
painted and most people cannot even tell this because of the expert shots taken by the camera man.
After the television show Hitchcock returned to making movies. The one movie he is most known for is
Psycho staring Janet Leigh. Psycho had the biggest opening Hitchcock had ever seen in his time as a
director. Then after a brief two year hiatus out came The Birds, which turned out to be another Hitchcock
masterpiece. Hitchcock's last movie came out in 1976. The movie was called Family Plot.
Most of Hitchcock's work was done in black and white which gave the work a certain feeling of suspense.
Also the fact that he did not show most of the violence in the movies also helped to add the need for the
audience to use their imaginations. When a movie is in black and white it is up to the viewer to use their
imagination about the colors. The shades of black, white and grey make the whole aura of the film seem a
lot more sinister and slightly leering. Even when films where being made in color Hitchcock stayed with
the black and white; if his movies had been done in color the audience would not have had the same feeling
of unease.
A lot of people found Alfred Hitchcock to be a very complex as well as eccentric man. One of the things
that stood out about him was the fact that he started the tradition of appearing in all of his movies. He never
had a very large role, but he would have one none the less. For instance he would be a random person
sitting on a train or he would just causally walk by on the street. Finding him in his movies became a hobby
held by many of his fans. Some other eccentric features of him were the fact that he would fall asleep at
random times like, at dinner parties or when he was out with friends. It became an expected habit from him.
Another strange fact about him was found in the book, The Men Who Made the Movies, in which the
author Robert Schickel (1975) says that Hitchcock never drove a car because he did not have his license.
Meanwhile in the book Hitch, by John Russell Taylor (1978) it says that he was just pretending not to ever
drive. Taylor also says that Hitchcock used to drive Pat, his daughter to church every Sunday. The last
really strange fact about Hitchcock was his love for blondes. He had a certain type of blond in mind at all
times, for a while it was Tippi Hedren and then it became Janet Leigh. Hitchcock became synonymous for
his blondes.
I believe that Hitchcock had a very positive influence on society because without him I really do not think
we would have such a good sense of real suspense. Psycho had such a profound touch on our lives. Many
people who saw the film left the theater and were petrified of taking a shower. There is no way a person can
say that Alfred Hitchcock had a negative influence on the film industry, all he did was help it. He helped to
make television an okay medium even after Hollywood shunned it. His use of black and white and his lack
of gore made suspense movies what they are today. Today many directors feel that they have to show the
brutal murder of their characters in order to scare their viewers, when in all actuality the brutal murder just
shocks the viewers. Hitchcock knew the secret was to let the audience imagine how horrific the murder
would have been, that what would really scare someone. If one were to try and imagine suspense movies
without Hitchcock, one would be horribly disappointed. Alfred Hitchcock is in my opinion the master of all
suspense and thriller movies.

Perry, G. (1965). The Films of Alfred Hitchcock. London: Studio Vista Limited.
Schickel, R. (1975). The Men who made the movies. New York: Atheneum.
Taylor, J.R. (1978). Hitch: The life and times of Alfred Hitchcock. New York: Pantheon Books.
Vertigo. Dir. Alfred Hitchcock. Per. James Stewart, Kim Novak, and Barbara Bel Geddes. Universal, 1999.