Klassiker der Gitarre Studien- und Vortragsliteratur aus dem 18. und 19. Jahrhundert Band 2 (Mittelstufe) Herausgegeben von Martin Ratz Classics of the Guitar Studies and performance material from the 18th and 19th centuries Book 2 (Intermediate stage) Edited by Martin Ratz VEB DEUTSCHER VERLAG FUR MUSIK LEIPZIGZeichenerklitungen / Explanations of symbols Linke Hand / Left hand 0 = freie Saite/open string = Zeigefinger|index finger Mittelfinger/middle finger Ringfinger/ring finger Kleiner Finger/ittle finger = Gleiten eines Fingers (Lagenwechsel) /finger slide (change of position) oder/or *[ = Barsée (Quergriff) mit dem 1.Finger/Barrée (transverse stopping) with the 1st finger chriges Barréejoblique Barrée stopping e!-Saite/e string @) = h-Saite/ b string @) = g-Saite/ g string d Saite/d string A-Saite/A string E-Saite/E string Rémische Zahlen bezeichnen die Lagen der linken Hand. / Roman figures signify the positions of the left band. Vaeeeee = Beibehalten einer Lage/Aeeping one position Flag XU, . # EF % f- oderfor 3% f = Flageoletténe (eckige Noten und rémische Zahlen zur 00 Bundbezeichnung) klangrichtig /Aarmonics (diamond-shaped notes and roman numerals to show fret) as sounding rT Fe Rechte Hand /Right hand p =Daumen (spanisch ,,pulgae") /shumb (Spanish “pulgar”) i = Zeigefinger (,indice"/index finger (“indice”) m = Mittelfinger (,medio")/middle finger (“medio”) a =Ringfinger (,anular’)jring finger (“anular”) { oder/or | = arpeggio (,harfenartig durchstreichen) /arpeggio (to play “in the manner of the harp”)4 Drei Variationen iiber ein altes Lied (Three Variations on an old song) Mauro Giuliani Thema Allegretto (Fassung / Version: Heinrich Albert) =] vw a) a Ww al 4 z Var. IVar. III (Thema d.c. ad libitum)Allegro Mauro Giuliani aus op..50 FoR TP 1 FH aL ar Allegretto Mauro GiulianiAndantino Mauro Giuliani aus op. 50 0 Barrée glifeen* | “life” be barrie8 Lar, ghetto Mauro Giuliani aus op. 50 4 Liye Tetlenreeettte err Fo 7 Andantino Mauro Giuliani aus. op. 50Allegro Mauro Giuliani erMauro Giuliani Allegro > 2 4 i g 8 odMauro GiulianiB Mauro Giuliani ati lL — 7 ©) Barrée gliften* | “lift” the barrée16 Zwolf Walzer (Twelve Waltzes) Mauro GiulianiVWI 4H “I aa TS Ih aI —™ I “i I il F Walzer d.e.al finefae cee en oe 7 Fr Sf Walzer d.c.al fineTrio t 19 Sine Walzer d.c. al fineTrio = i> Walzer d.c.al fineSine Trio Walzer d.c. at fine7 ir 7 t 7 % Walzer dc. al fine23 Trio (Horner) VE Per = oa Wl a] WW a oa a) a a a a “Il ti TF lser dc. al fine al + “I ~ a po =~ + “Il aa Sal aa +4 vl Wa ad of bP F a “) 7" wT F Sine Trio 4 yy ene Hy gos © Ph ee Walzer d.c.al fineWalzer d.c.al fineWalser d.c. al fineWalzer d.c.al fineTrio = Walzer d.c.al fine23 Sonatine Mauro Giuliani op. 71, Net Maestoso i rrp ttre ~ ttre ttre30 Menuetto Allegretto 3 s 2 P sil Wl S74! s “al al =4 S | | 4 1 vor} or tT ror t ror31 Trio32 Rondo Allegretto _ =34 Sonatine Mauro Giuliani Andantino espressivo ma op. 71 Nr.2 “ pw 1Andantino graziosoAllegretto con brio 2 tta Praludium Anton Diabelli Allegro con fuoco op. 103, Ne. 7 aS re nia 2th ety tt Loo TT Ur pe pt pt Pr pir ge Sempres dy 3D, ay A KU Foor pt or 7 dy dy dy dy pr or pt oF Fr Fe Da aN vad oes) th a ® vb) im 4 ma © A, he Nop ls yy chy hy chy yy > ds Tote ae ar ae oe d) dnd) dd d It i Poor ar42 Praludium Anton Diabelli Allegro molto 6 op-103, Nr.t i omgim i44 Praludium (Capriccio) Anton Diabelli op-103, Nr.2 4 he t= fi- of 4 4 4H U46 Sonate Allegro . Anton Diabelli s FP?47 Sal I WI HI aI sy4s Andante cantabile aan tae 2-2 ° tte 7h P dolce Sl49 Menuett Allegro —t 4 Trio Menuett dc. al fine50 Rondo Allegretto vt FORMU RE"; Se D yunechtes Legato / “false legato”Sofa SSS er f tent, 4 ; >) dc. al @-@52 Sonate Allegro risoluto =~ ® Anton Diabelli peta oUt. & a 2ritard. | A ret Trt F “I Sy S oa) > ~ a tempoSF Sf oO ial 1) ,Schwingungsbindungen* / “vibrating slurs”pRB a rallent. — > ) aT wil 1 f “Wl Sl Call Ss 4 ?' fue ff ot st tS. FU Pte OR rt roopr os r teerh | noe Se Dn Dee A | {| 38 EE + aI== aPmiabta al eis aaaTare Lacy. if Ht nS xy SMenuetto _ | Allegro60 Trio y MHRondo 64 Allegretto ! gid. = 5 ai ei Ww so Si Sa) "62 a ry rit. a Ba tempo 2 | Sail Bec | Sa 7 es SS ss6365 crese. Pia allegro 166 Walzer Nicolé Paganini (Waltz) A Flag XL ns 4 4 Minuetto Nicold PaganiniAndantino Nicolé Paganini FH ler d.c.al fine Perigoldino Nicold Paganini Thema Andantino 12 4 SRR TR SE PF PF08oy Sonatina Nicold Paganini70 Dionysio Aguado Allegretto 32Allegretto Dionysio Aguado 2 a0 9 p fire yr2 Exercise Dionysio Aguado aus der Gitarreschule/ from the Guitar Method raModerato Dionysio AguadoDionysio Aguado76 Finf Walzer Luigi Legnani (Five Waltzes) aus 36 Valses* 1nSechs Capricen (Six Caprices) Luigi Legnani op. 250 ‘ Allegretto80 2 Andantino, | gd 3 aor 1) Doppelbindung / double star 382 3 Allegro moderato84 4 Tempo di Polacca 0 eet5 Moderato6 Valse Allegro89 Walzer (Waltz) Matteo Carcassi aus op.10 = 4 d.c.al fine90 Walzer (Waltz) Matteo Carcassi aus op. 5 9, 4 z i F i= i pais = Fe FLLM COT room92 Walzer (Waltz) Matteo Carcassi aus op. 10 . 1 ML | 7 d.c.al fine93 Walzer (Waltz) Matteo Carcassi aus op. 10 2 r i dc. al fine94 Rondo Matteo Carcassi Allegretto aus op. 10 F P r FU r3y 4 7 496 Marsch Matteo Carcassi (Marc) aus op.10Air Montagnard Matteo Carcassi Thema aus op.18 2 i 4 = 4 f 7a amit “il Var. I7 Var. III Maggiore ote 08 Poot 8 © 4 il [eon espressione oa100 Rondo Matteo eee Allegretto [101102 Matteo Carcassi Sonatine opt, Ne Andante grazioso ‘ PIN (SnSSeS gS ms = ey not Saereaee : Ea I ral. THI fis Minore104 Rondo Allegretto “ 1 Wit? morn105 Minore 4 aod ‘ 2 a] 2}¢hy Fore Ff 7 ot F or St106 Zwolf Bagatellen (Twelve Bagatelles) 1 Heinrich Marschner Allegro1U7 i TU TH eovith — = a | dc. al fine Andante108 Risoluto ar ft, 2. 1 deal fineAllegretto TT Cir? 7 Fine Paolce T pf ? 4 2 3-2 4 te : = S353 3 =F110 Allegretto con moto rit, @ tempo deal fine11 Allegretto ° = d.c.al fineM2 Andantino 4 tT pr pF F S >113 7 d.c.al fine14 9 Con moto ma non troppo P de. al fine ‘)Bindung sschleifen® / slide” the str115 10 Un poco Allegretto = fa deal fine116 11 Un poco Allegro nee 5 rT ae f 7 So oe gets : oP fea eee rrr ep Ff Fe d.c.al fine117 12 Moderato ma non troppo 4 4 agid 4. Pmareato we 2 ‘ enh crrar rer tr Ft > F 1) Doppelbindung qschleifen / “slide” the dowble slur118 Tarantella Johann Kaspar Mertz Presto op.13, Nr. 6 4 |119 rr YP R a : r Nocturno Johann Kaspar Mertz Maestoso op. 4, Nr. 3 ~ > ritard. A120 Vivace peo RP ORE OT TRE121122 Romanze . Johann Kaspar Mertz Andantino > op. 43, Nr. 7 Variation eens - a mm > i i fy 9 44 “ETT Wy oe =i! a123 Barcarole Napoleon Coste op. 51 ele = ot a3 7124 Walzer (Waltz) Napoleon Coste aus op. 54 gg ee125 Rondoletto Allegretto 7 Napoleon Coste mf126 Rondoletto Allegretto Napoleon Coste —— = aa _127 Walzer (Waltz) Napoleon Coste £ = ft tT d.c.al fineRondo Napoleon Coste aus op. Sf oy ta tds aod,129 Mélancolie Napoleon Coste Flog. ‘aus op. fi Andantino Zu cen ® "EfPerr id o d.c. al fine130 Tarantella Napoleon Coste op. 39, Nr. 25 Hi or Hie Ins i He} TT (Hh Hey RAE He hi ipo es Pe || fe s He || Pee132 Walzer Napoleon Coste (Waltz) op. 44, Ne. 11 iar =hst-1 Scherzando133 Lagrima - Preludio Francisco Tarrega Cantabile —134 Mazurka Francisco Tarrega Allegretto135 Adelita - Mazurka136 Pasa Calle Jaime Bosch Allegro animato a gro anima z aan he tte137138 Balalayka - Chanson russe Alfred Cottin 4 4 Andantino r Ul7 wt youn ar molto ral. AThe composers Mauro Giuliani b. 1781 Barletta, d. 1829 Naples Came to Vienna in 1806 where he was a popular and estee- med composer for and player of the guitar; wrote more than 200 compositions for guitar, which are among the most important of his period. In 1819 he left Vienna and returned to his native country Italy. Anton Diabelli b, 1781 Mattsee (Salzburg), d. 1858 Vienna Composition pupil of Michael Haydn; from 1803 piano and guitar teacher in Vienna; later music publisher (Franz Schubert’s principal publisher); among other works composed a number of pedagogic pieces for piano and guitar as well as solo works for the latter, Nicol Paganini b. 1782 Genua, d. 1840 Nizza Famous violin virtuoso; for a while devoted himself to the guitar, which he had learned from his father and on which he also became a virtuoso; wrote a’ number of works for violin and guitar, string quartet and guitar and several occasional works for guitar solo. Dionysio Aguado b. 1784 Madrid, d. 1849 Paris Author ofan important Guitar Method ; from 1826 lived in Paris, where he taught and gave numerous concerts. From 1838 to his dead he lived in Madrid, Luigi Legnani b. 1790 Ferrara, d. 1877 Ravenna Well known as singer and guitar virtuoso; at the age of 29 came to Vienna; undertook recital tours in Europes associated with Paganini (joint concert 1837); was later a guitar maker in Ravenna and introduced improve- ‘ments in guitar construction; wrote about 250 works for guitar. Matteo Carcassi b: 1792 Florence, d. 1853 Paris Went to Paris in 1820 and was well known as guitarist and guitar composer; undertook several recital tours; seemingly a rival of Carulli in Paris he had a difficult position; c. 80 guitar compositions published, of which the Guitar Method (op. 59) and the Studies (op. 60) are particularly important. Heinrich Marschner b. 1795 Zittau, d. 1861 Hannover At first studied law, but changed over to music subse- quently and in 1816 went to Vienna; later court music, and opera director in different towns, ending in Hanno- ver; well known opera composer; wrote 12 Bagatelles (op.4) for Guitar and 12 Songs with Guitar Accompa- niment (op. 5). Johann Kaspar Mertz b, 1806 Pressburg (Bratislava), d. 1856 Vienna After 1840 lived in Vienna; undertook several recital tours and was thought highly of as a guitar virtuoso; composed many works for guitar. Napoleon Coste b, 1806, d, 1883"Paris Guitar teacher and performer; from 1830 lived in Paris; had connections with Aguado, Sor, Carcassi and Carulli; published some 50 compositions; brought out a new edition of Sor’s Guitar School. Jaime Bosch b. 1826 Barcelona, d. 1895 Paris ‘As guitarist much esteemed in Paris; 1890 published »Methode de guitarrea and c. 100 works for solo guitar. Francisco Térrega b. 1852 Villareal (Spain), d. 1909 Barcelona Celebrated guitarist and teacher who founded a new guitar school which went beyond Sor and Aguado; in- fluenced and determined the further development of guitar playing; composed and arranged works for gui- tar; wrote no Method but gave individual tuition to each student; best-known pupils were Miguel Llobet, Garcia Fortea and Emilio Pujol. Alfred Cottin b. 1863, d. 1923 Paris Parisian engineer and composer, amateur guitarist. Pupil of Tirrega, who dedicated him the tremolo étude “Re- cuerdos de la Alhambra.”Contents Mauro Giuliani (1781-1829) Three variations on an old song (Version of Heinrich Albert) . Allegro in A minor, from op. 50 . Allegretto in D major, from op. 50. Andantino in D minor, from op. 50 . Larghetto in G minor, from op. 50. Andantino in G major, from op. 30. Allegro in A major, from op. so . Allegro in A major ... Study in D major .... Rondo in A major. Twelve Waltzes, op. 57 Sonatina in C major, op.71, no. Sonatina in G major, op.71, n0.2... Anton Diabelli (1781-1858) Preludium in G major, op. 103, 0.7....... Preludium in C major, op.103, 00.1 +... Preludium (Capriccio) in A major, op. 103, 10.2... Sonata in C major Sonata in A major Nicold Paganini (1782-1840) Waltz in G major Minuetto in F major Andantino in D major Perigoldino in A major . Sonatina in C major Dionysio Aguado (1784-1849) Allegretto in D major Moderato in G major . Allegretto in E minor Andante in A major .... Exercise in C major, from the Guitar Method Moderato in A major . Allegro in A major . Luigi Legnani (1790-1877) Five Waltzes, from »36 Valses« ..... Six Caprices, op.250 . ‘Matteo Carcassi (1792-1853) ‘Waltz in C major, from op. 10. ‘Waltz in C major, from op. 5 Waltz in A minor, from op. 10 . 92 Waltz in A major, from op.10 . 93 Rondo in A major, from op. 10. 94 March in D major, from op. 10. 96 Montagnard Air, from op.18 ...... 97 Rondo in A major, from op... 100 Sonatina in A major, op.1, no.3. . toz Heinrich Marschner (1795-1861) ‘Twelve Bagatelles, op.4 ..... Jobann Kaspar Mertz (1806-1856) Tarantella in A minor, op. 13, 20.6 Nocturne in A minor, op.4, 90.3. -.... Romance in A minor, op.13, 0.7... ian Adagio in E minor ........... tz Napoleon Coste (1806-1883) Barcarole in A major, from op.51 .. 133 Waltz in C major, from op. 51 ...... 124 Rondoletto in A minor........ + 13s Rondoletto in A major, from op. 51 126 Waltz in C major ...... ot 127 Rondo in E major, from op.51 ........... 128 ‘Mélancolie in E minor, from op. 51 . Tarantella in A minor, op. 39, n0.25 Waltz in A major, op.41, 0.11 .. Francisco Térrega (1852-1909) Lgrima (Prelude) in E major Mazurka in C major ... Adelita (Mazurka) in E minor Jaime Bosch (1826-1895) Pasa Calle in A minor ........ Alfred Cottin (1863-1923) Balalayka, Russian song, in E minor ..