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 CllAPITRE X){
nu POI NT DE I\EPOS cnA.PITrtE xxu
I L L, Poonl M r,•po, <t mArquo ... ,; Exel'\ 11 lniiqu• que l'on ,l 01 l ,•nrrHor plus l•n~L,mp< ~"• "'Ir comporle It mem, Dts Ae11tv1Ar1ons
ut h nulf' nu Ir ,1h•arr ON•lil'UttJ ou "11-dr55CIU\ dtsqurl'- d f''il plo.('~.
,.,t;:d~;:~~-~; ;;m\:t :~·m~::t~:r;:~l f.',:':,:';; _m'" loujours pJu, longl,•mr' 'I"' leur vnlrur ,,;,II,,"'" ... ,, OU un ,,.,""'·
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CHAPITRE XXI @T,.m,1,
DES NUANCES
~ =-
Les dtrrerenle~ inlensue~ du son sont. inrlique,s, t'n musique, JIIU 1ll'S lermes ilnllens OU de~ slgncs nppell!s 11ua11 ces.
:fittiJg~ \, r,
~. ~-~,·~~
-
Ces htmf'S il.tli,ns sonl: U nbr9vi11lion de torlissimo qui signiriP trfls Jori, I"'
f abrPvi;a.t.ion de forte cprononc.rz forl~J qui slgn;ric Jori.
MfAbrevinlion rlc mezzo forlt'fluis1gnific 11 n,oit,eJorl i

liil1
p abrCvialion de pinno qui signirir do1u;~,iu11I,
pp nbn~vin.Lion de piani!-simo qui ~ignif1e trts do!'umenl,
Par •xl,.. ion, on ,mploie eg,,lemenl, mais d'une taqon moins usuelle,f// pour ln<hquer In plus grnndc force el ppp In plus

iilYittll.lilf iJiill·
,:randedouceur.

cf'esr,.
NUANCES POUR VARIER J,'INTENSITE DU SON
ahrt,·ialion de cre-scendo<prononoez. krl!-chenn-do> n.ugmrnlnt.ion du ,·olumr ,lu son.
,lecresc. ahrtviAlian dt dPcrescendo cprononcn r1e-kre-chenn-do> dlminullon du \lolume du son,
...
- ~'"'-~~......
,1;,,., Ahr~vialion de dlminuudocmeme sig-niricalion que le decresc.> .
On emploie tgaleml'nL le sirne ........-:===: pour cresc. el le sisnc ==---
pour rlecrcsc.

;;~~.:·1c; :::::e;;:!:::c:n
Pour ch11Ager l,r,uqu•e•II l'inlensile rlu son on emplole:
pr'Nf abrivialion de piii for Le< piou rorlt>qul slgnirie ,z,u Jori.
,,-;, p &brhialion de piU piano ( plou pi11110111ul sig-nirie ,,H,t
doHc~mtJHI,
,,.,,.of abre:\'i11lion de meno forletmeno rorlf>qui slgnlric fflOt"ns Jori.
t• :~r.;: ';°,:::. •:;,~•:.~;;: i;,d:::: 1~~1r~::i:~::,~•;1;\~:~r:~•::~~~ :~;•,~~['. :,~::.~~m~n:~::;~!::1~•;t,\i,"'irienL, "
r

=' !
mouranl el pertlwndosi qui slgnUie: en se perdnnt.
'I
DES TERMES EMPJ,OYES POUR VAI\IEI\ LES MOUVEMENTS
aced. 11hrf'tJl11tlon de Atfleler11ndo qui signirie n.cotl!rez lu mouvemcnL.
;;:::·~:;~~:;:::,t,::·~:,:~::; ;:::E:';;~. ::::·:~~~:: .~:,~··:·::~ ~:l.J:i::::;:.~:?;f;:: ·•,:.
,-all . abrhiallou de rlllltntudo ~ui slgnirie ralenlissez le mouvcmenl.
D'ane f•fon l!'•n•r•I•, I., l,rmes p,u
rplus> ,I m_eno <moin~> sonl friquommcal ,mployis on musi11ic c;Li rlcs lrrmcs lnd1
~Hnl J,s mouve,nenLs ou l,s nuances pour 1'5 modifier. Ex:p1u vivo <plus vifl m,no •ll•gro<molns ,•1l e>olo.
n -~•~·::~: ,: ·:.•:.:•, •,.:•:,::: T:.'." :•:~:•~:~::"';: •:;·,:~::',:: ; i_,~· c,,,,,,,,,::• ~•:• P:•I•,;-;,
II raul porl,runo grond• nllenlion •fi•
de ne pftS confondr, les vnri•lions d• nunnC<s ,L celles de mouv,111r11l s: crosc, n,
nal pas dire fi-•lemrnt 1ccrl.de mfm11quer11.ll.neveut pu dire dim.
Un seul lermtt ltalien modirlr ii la. rois In nunnce et le mouvemenlic:aldNdo qui sl,rnll"lt> ii. In. fois ,lim.f'l rnll.
Pour Jes aulrts l.,m,s usilos •• muslque nous conselllon, de consuller la lhioroe romplol• ,Ir In musiquc dr J. Chnlllry
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