l

The Church Music Association
of America
June 13—19, 2011
Duquesne University
Pittsburgh
2 n Sacred MuSic colloquiuM 2011 liturgical music
Sacred Music Colloquium XXI
June 13-19, 2011

Liturgical Music
n The Latin Order of Mass in the Ordinary Form may be found in the Parish Book of Chant,
beginning on page 2.
n The Order of Mass in the Extraordinary Form may be found in the Parish Book of Chant,
beginning on page 24.
Tuesday, June 14, 3:30 p.m.
Mass in English, ordinary form, Votive Mass of the Holy Spirit ............................................ p. 31
Prelude: Veni Creator, Nicholas de Grigny, 1672-1703 (Ann Labounsky, organist)
Entrance: “The Spirit of the Lord,” Adam Bartlett, b. 1982 (intermediate men, Morse)
Kyrie: Mass X, sung by all
Gloria: Mass XV, sung by all
First Alleluia of Pentecost with verse from the lectionary (advanced men, Cole)
Offertory: “Confrm, O God, what you have wrought in us,” Richard Rice, b. 1962 (Schaefer
polyphonic choir)
Offertory motet: “Almighty and everlasting God,” Orlando Gibbons, 1583-1625 (Buchholz
polyphonic choir)
Sanctus: Mass X, sung by all
Our Father: Roman Missal, third edition
Agnus: Mass X, sung by all
Communion: “Suddenly there came a sound from Heaven,” Bruce Ford (advanced women,
Brouwers)
Communion motet: O sacrum convivium, Luca Marenzio, c1553-1599 (Mahrt polyphonic choir)
Recessional: “Come down, O love divine,” Ralph Vaughn Williams, 1872-1958, sung by all
Postlude: Pièce Héroïque, César Franck, 1822-1890 (Ann Labounsky, organist)
Wednesday, June 15, 3:30 p.m.
Requiem Mass, ordinary form ................................................................................................ p. 53
Introit: Requiem (intermediate men, Morse)
Kyrie: Mass XVIII
Gradual: Requiem (advanced men, Cole)
Tract: Absolve, Domine (advanced men, Cole, and advanced women, Brouwers, alternatim, starting
with women, tutti on last word)
Sequence: Die irae, sung by all, beginning with men
Offertory: Domine Jesu Christe (intermediate women)
Offertory motet: “Thou knowest, Lord,” Henry Purcell, 1659-1695 (Brouwers polyphonic choir)
Sanctus: Mass XVIII
Agnus: Mass XVIII
Communion: Lux aeterna (beginning men and women, Oost-Zinner)
Communion motet: Ave Christe, Josquin des Prez, 1450-1521 (Schaefer polyphonic choir)
Silent recession
Thursday, June 16, 3:30 p.m.
Thursday in the Octave of Pentecost, extraordinary form, frst class feast ............................ p. 79
Prelude: Chorale-Preludes on Komm, Heiliger Geist, BuxWV 199, 200, Dietrich Buxtehude, c.1637-
1707 (Jonathan Ryan, organist)
Introit: Spiritus Domini (intermediate women, Hughes)
Kyrie: Missa Brevis, Antonio Lotti, 1667-1740 (Buchholz polyphonic choir)
Gloria: Mass XII
Alleluia: Emitte Spiritum tuum (advanced women, Brouwers)
Alleluia: Veni Sancte Spiritus (advanced men, Cole)
Sequence: Veni Sancte Spiritus
Credo IV
Offertory: Confrma hoc (intermediate men, Morse)
Offertory: Dum complerentur, Tomás Luis de Victoria, 1548-1611 (Brouwers polyphonic choir)
Sanctus: Missa Brevis (Buchholz polyphonic choir)
Agnus: Missa Brevis (Buchholz polyphonic choir)
Communion: Factus est repente (intermediate women, Hughes)
Communion motet: O quam suavis, Peter Philips, c1560-1628 (Buchholz, polyphonic choir)
Postlude: Fantasia on Komm, Heiliger Geist, BWV 651, Johann Sebastian Bach, 1685-1750
(Jonathan Ryan, organist)
Sacred MuSic colloquiuM 2011 n 3 liturgical music
4 n Sacred MuSic colloquiuM 2011 liturgical MuSic
Friday, June 17, 3:30 p.m.
Votive Mass of the Blessed Virgin Mary, ordinary form ....................................................... p. 107
Prelude: Improvisation (Horst Buchholz, organist)
Introit: Salve sancte parens (advanced men, Cole)
Kyrie: Missa Ave Maris Stella, Josquin (Brouwers polyphonic choir)
Gloria: Missa Ave Maris Stella
Gradual: Benedicta et venerabilis es (advanced women, Brouwers)
Alleluia: Post partum (intermediate men, Morse)
Offertory: Ave Maria (intermediate women, Hughes)
Sanctus: Missa Ave Maris Stella (Brouwers polyphonic choir)
Agnus: Missa Ave Maris Stella (Brouwers polyphonic choir)
Communion: Beata viscera (beginning men and women, Oost-Zinner)
Communion motet: Ave Maria, Robert Parsons, 1530-1571 (Schaefer polyphonic choir)
Recession: Regina caeli, Gregor Aichinger, c1565-1628 (Nam polyphonic choir)
Postlude: Improvisation (Horst Buchholz, organist)
Friday, June 17, 6:30 p.m.
Vespers with Spanish polyphony, extraordinary form, conducted by William Mahrt ......... p. 157
Prelude: Prelude on Veni Creator (from Op. 4), Maurice Durufé, 1902-1986
Postlude: Chorale Variations on Veni Creator (from Op. 4), Durufé
Saturday, June 18, 11:30 a.m.
Ember Day Mass, extraordinary form, frst class feast ......................................................... p. 193
Preludia: Fanfare to the Tongues of Fire, Larry King, 1932-1990 (Jonathan Ryan, organist)
Procession: Liturgical Improvisation No. 1: “My soul hath a desiring and longing to enter the
courts of the Lord,” George Oldroyd, 1887-1956 (Jonathan Ryan)
Introit: Caritas Dei (intermediate men, Morse)
Kyrie: Mass I
Alleluia 1: Spiritus est (advanced men, Cole)
Alleluia 2: Spiritus ejus (advanced women, Brouwers)
Alleluia 3: Dum complerentur (advanced men, Cole)
Alleluia 4: Veni Sancte Spiritus (advanced women, Brouwers)
Alleluia 5: Benedictus es Domine (advanced men, Cole)
Gloria I
Tract: Laudate Dominum omnes gentes (intermediate men, Morse, and intermediate women,
Hughes, alternatim, starting with women)
Sequence: Veni Sancte Spiritus (beginning women, Oost-Zinner, and intermediate women, Hughes)
Credo I
Offertory: Domine Deus salutis meae (intermediate women, Hughes)
Offertory: Lauda anima mea, Orlando di Lasso, c1530-1594 (Mahrt polyphonic choir)
Communion: Spiritus ubi vult spirat (intermediate men, Morse)
Communion motet: Factus est repente, Jacobus Gallus (aka Jacob Handl), 1550-1591 (Brouwers
polyphonic choir)
Postlude: Rhapsody in C-Sharp Minor, Op. 17, No. 3, Herbert Howells, 1892-1983 (Jonathan
Ryan)
Sunday, June 19, 10 a.m.
Trinity Sunday, ordinary form .............................................................................................. p. 215
Prelude: Improvisation (John Raevens, organist)
Introit: Benedicta sit (beginning men and women, Oost-Zinner)
Kyrie: Mass for Four Voices, William Byrd, c1540-1623 (Schaefer polyphonic choir)
Gloria: Mass for Four Voices (Schaefer tk polyphonic choir)
Gradual: Benedictus es Domine (intermediate men, Morse)
Alleluia: Benedictus es Domine (advanced women, Brouwers)
Credo: Mass for Four Voices (Buchholz polyphonic choir)
Offertory: Benedictus sit Deus with offertory verses (intermediate women, Hughes)
Sanctus: Mass for Four Voices (Schaefer polyphonic choir)
Agnus: Mass for Four Voices (Schaefer polyphonic choir)
Communion: Benedicimus Deum caeli (advanced men, Cole)
Communion motet: Sancta Trinitas, Antoine de Févin, c1470-1512 (Mahrt polyphonic choir)
Recession: Ave Maria, Antoine Bruckner, 1824-1896 (Buchholz, conducting all)
Postlude: Fugue from Prelude & Fugue in C Major (“9/8”), BWV 547, J. S. Bach
Sacred MuSic colloquiuM 2011 n 5 liturgical MuSic
6 n Sacred MuSic colloquiuM 2011 organ MuSic noteS
Organ Music Notes
3:30 p.m. Tuesday: Votive Mass of the Holy Spirit (OF, English)
Ann Labunsky, organist
Prelude: Veni Creator: Grands Jeux, Fugue, Récit de Cromorne—Nicolas de Grigny (1672-1703), ~7’
Nicolas de Grigny was a French organist and composer and a leading member of the French Clas-
sical school of organist-composers. He died young and left behind a single collection of organ
music, Livre d’orgue (1699), which together with the work of François Couperin represents the
pinnacle of French organ tradition. Unlike many other French livres d’orgue of the time, de Gri-
gny’s publication contains no preface. The collection is in two parts: the frst is a Mass setting; the
second comprises settings of fve hymns for Lauds and Vespers: Veni Creator (fve versets), Pange
lingua (three versets), Verbum supernum (four versets), Ave maris stella (four versets), and A solis
ortus (three versets).
All of his Gregorian hymn settings begin with the chant in long note values on a reed stop in the
pedal, followed by a fugue for fve voices. Also played today is the récit de Cromorne, a beautiful
solo for the soprano voice accompanied by soft stops.
Postlude: Pièce Héroïque—César Franck (1822-1890), 13’
César Franck was one of the leading French organ composers of the 19th century and is the fea-
tured composer for organ sessions of the Colloquium this year. Pièce Héroïque was composed in
1878 as part of three pieces for the large symphonic organ at the Trocadero palace in Paris. The
two contrasting themes—the frst rhythmic and heroic in the key of B minor and the second me-
lodic and quiet in the key of B major—seem to be in confict until at the end of the work they are
united in the major key.
3:30 p.m. Tuesday: Octave of Pentecost Mass (EF)
Jonathan Ryan, organist
Prelude: Chorale-Preludes on Komm, Heiliger Geist, BuxWV 199, 200—Dietrich Buxtehude (c.1637-
1707), 7’
Although of Danish origin, Dietrich Buxtehude stands as one of the great pillars of the North Ger-
man Baroque school. He served as organist at the cathedralesque St. Mary Church in Lübeck for
almost 40 years. Such was his fame that J. S. Bach traveled some 200 miles by foot from Arnstadt
to meet and hear Buxtehude, subsequently staying far beyond his allotted leave. Buxtehude’s out-
put includes numerous vocal and choral works, some instrumental music, and a plethora of organ
compositions which have arguably given Buxtehude his deserved prominence. Approximately half
of his organ works are based on chorale or hymn tunes, leaving the rest in the popular free style.
Sacred MuSic colloquiuM 2011 n 7 organ MuSic noteS
Komm Heiliger Geist (“Come, Holy Ghost”) was a well-known vernacular version of the Pentecost
Sequence Veni Sancte Spiritus sung to an anonymously composed melody frst published in the
early 16th century but possibly dating from as early as the 13th century. Buxtehude’s two treat-
ments bear many elements in common, most especially the highly ornamented placement of the
chorale melody in a solo soprano voice.
Postlude: Fantasia on Komm, Heiliger Geist, BWV 651—Johann Sebastian Bach (1685-1750), 6’
In contrast to the ornamented chorale-preludes by Buxtehude, Bach’s chorale-Prelude on Komm
Heiliger Geist represents an alternate manner of chorale-based composition known as the cantus
frmus chorale-prelude. Catalogued as the frst of the “Leipzig Chorales,” this brilliant fantasia em-
ploys the chorale as the cantus frmus, that is, with lengthened note values, in the bass voice. The
accompanying voices, with their extroverted texture, have frequently been thought to symbolize
the great rushing wind on the day of Pentecost.
3:30 p.m. Friday: Votive Mass of the Blessed Virgin Mary (OF)
Horst Buchholz, organist
Prelude: Improvisation
Postlude: Improvisation
6:30 p.m. Friday: Pentecost Octave Choral Vespers (EF)
Jonathan Ryan, organist
Prelude: Prelude on Veni Creator (from Op. 4)—Maurice Durufé (1902-1986), 8’
That Maurice Durufé achieved international fame with not even 20 works to his name testifes to
the quality of his music. Arguably, the Prelude, Adagio, and Chorale Variations on Veni Creator,
Op. 4, based on the Proper hymn for Pentecost Vespers, is the most sublime of his seven published
organ works, although is one of his frst. Durufé was among the frst generation to receive liturgical
musical education in the wake of Pius X’s motu proprio Tra le Sollecitudini as a chorister at the ca-
thedral choir school in Rouen. Although of a mild-mannered personality, he was a lifelong, outspo-
ken proponent of the liturgical use of Gregorian chant, especially after the Second Vatican Council.
Chant and its modality permeates all his compositional work, including his polyphonic style.
Gently fowing as though it never had a beginning, the Prélude shows considerable infuence
from the French Impressionistic composers. Durufé employs a compositional device developed
especially by Debussy called the arabesque, which is essentially a return to ancient and medieval
monophonic music consisting of only one line of music. Moreover, this arabesque consists primar-
ily of a conjoint (step-wise) line essentially ornamental and freed from any accompanying har-
mony. The listener is enticed, as with the Adagio, with only small fragments of Veni Creator in the
Prélude.
8 n Sacred MuSic colloquiuM 2011 organ MuSic noteS
Postlude: Chorale Variations on Veni Creator (from Op. 4)—Durufé, 7’
The frst full musical statement of Veni Creator begins the Choral varié movement, which serves
as a closing postlude to this evening’s Vespers. This set of four variations was written at least four
years before the Prélude and Adagio, while Durufé was still a student at the Paris Conservatoire,
which may explain their more compact length, clearer texture, and more conservative harmony.
The entire work was published in 1930, won a composition award from Les Amis de l’Orgue, and
unquestionably stands as one of the greatest major 20th-century organ works.
11:30 a.m. Saturday: Ember Day Mass, Octave of Pentecost (EF)
Jonathan Ryan, organist
Preludia: Fanfare to the Tongues of Fire—Larry King (1932-1990), 7’
Liturgical Improvisation No. 1: “My soul hath a desiring and longing to enter the courts of the Lord”—
George Oldroyd (1887-1956), 5.5’
As we can see from his dates, this composer is not the Larry King of television fame but rather
a New York City parish organist and choirmaster at Trinity Church, Wall Street. King left only a
handful of excellent choral and organ pieces, which refect a strong personalized style.
One of his more well-known organ pieces is the majestic Fanfare to the Tongues of Fire, commis-
sioned by the Riverside Church in Manhattan in 1978 to showcase that organ’s prominent solo
trumpet with horizontally mounted pipes. The account in Acts of the frst Pentecost is quoted in
the music score: “When the day of Pentecost had come, . . . suddenly came from heaven a noise
like the rush of a mighty wind, and it flled the house where they were sitting. And there appeared
to them tongues as of fre, distributing and resting on each one of them.”
King alternates a grandiose A section comprising note clusters over which is heard the fanfare on
the solo trumpet with a contrasting, softer B section, using chord clusters again, but with the Pen-
tecost Vesperal hymn Veni Creator heard on the tranquil fute of the organ.
Serving as a parish musician at several parishes of the Anglo-Catholic persuasion in southern
England, George Oldroyd was no stranger to solemn liturgy or Gregorian chant. The composer of
some memorably beautiful choral music, he happily marries the serenity of post-Victorian com-
position with the naturally uneven rhythm of chant in this selection, in which he quotes Psalm
84:2 in the title. As is typical of this period of English organ music, Oldroyd capitalizes on the
organ’s ability to create smooth increases and decreases in volume. This, coupled with Oldroyd’s
use of modal harmony to create seamless harmonies, easily evokes the rolling hills of the English
countryside.
Postlude: Rhapsody in C-sharp Minor, Op. 17, No. 3—Herbert Howells (1892-1983), 8’
A sleepless night in March 1918 during a zeppelin air raid in York prompted Herbert Howells,
one of the greatest English composers of the previous century, known especially for his choral
Sacred MuSic colloquiuM 2011 n 9 organ MuSic noteS
and organ compositions, to write a free-form work for organ. The next morning saw the comple-
tion of what we know now as the Rhapsody in C-sharp Minor. A highly charged emotional work,
this deeply personal testament of the composer’s feelings includes many of the hallmarks of How-
ells’ writing for the organ, with its smooth increases and decreases in the organ’s volume, colorful
harmony (especially seventh chords), generous utilization of the organ’s wide dynamic range, and
the heart-wrenching use of suspension-resolution patterns. Although Howells himself had a rather
limited career as an organist because of poor health, which thankfully did not impede his oppor-
tunities as a conductor and pedagogue, he nonetheless made perhaps the most signifcant addition
to the organ’s 20th-century repertoire of any Englishman. His selection as the postlude is undoubt-
edly among his fnest contributions if not also his most dramatic.
10 a.m. Sunday: Trinity Sunday Mass (OF)
John Raevens (prelude) and Jonathan Ryan (everything else), organists
Prelude: Improvisation
Postlude: Fugue from Prelude & Fugue in C Major (“9/8”), BWV 547—J. S. Bach, 5.5’
Dating from around 1744, during Bach’s monumental tenure in Leipzig, the Fugue from the Pre-
lude & Fugue in C Major, BWV 547, centers on one of the shortest fugue subjects ever written.
At only one measure in length, the subject enters more than ffty times, yet the unusually delayed
pedal enters only 24 measures from the end with an augmentation of the subject. The Fugue’s
truly masterly counterpoint also yields a grand nature, concluding with a thunderous tonic, low C
pedal point.
10 n Sacred MuSic colloquiuM 2011 chooSing a chant Schola
Guidelines for choosing
a chant schola
W
hen you come to the Colloquium, you will need to choose a chant schola for your partici-
pation during the week. There are few joys greater than singing in a well-prepared Grego-
rian chant schola. Although there is always a little tweaking after the frst day, i.e., singers moving
up or down a level, most people fnd it relatively easy to choose.
Many returning attendees to the Colloquium fnd themselves advancing from beginning schola
through intermediate and fnally advanced. However, if you have not had many opportunities to
refne your chant work during the year, you might consider staying at a level for more than one
year. As all of our chant repertory is graded to suit the capabilities of each choir, the musical re-
wards and polish of performance are not always related to the level of the schola!
The following guidelines will help you fnd the right schola in which to sing for the week.
A note about styles: Although the American Church has a long history with the traditional Solesmes
method of learning, teaching, and singing Gregorian chant, and while this infuence is clearly re-
fected in the CMAA’s annual Colloquium, attendees will fnd a considerable variety of approaches
to the interpretation of the chants sung. Happily, we fnd that each year brings new ideas utilizing
the latest chant research, including interpretation of neumes, rhythm, tuning, and other aspects of
performance.
A note to countertenors: If you are a countertenor, you may choose to sing with either men or
women.
Beginning schola: men and women (Arlene Oost-Zinner, conductor)
Typically the largest of the choirs because it includes both men and women, this choir is designed
for people who
n are new to singing in choirs
n have never sung any chant before (Pange lingua on Holy Thursday doesn’t count!)
n have not sung diffcult chants in some time and feel that a remedial course would be benefcial.
This course will start from the beginning, teaching all the most commonly used neumes, working
on ensemble singing, and polishing the chants to be sung at the Colloquium’s Masses.
Intermediate women (David Hughes, conductor)
A good candidate for this schola might be described as one who
n has sung quite a bit of chant
n sings chant propers and ordinaries often, if not regularly
n has a working knowledge of the neumes, e.g., podatus, clivis, torculus, porrectus, climacus,
scandicus, quilisma, etc.
Sacred MuSic colloquiuM 2011 n 11 chooSing a chant Schola
Intermediate men (Jeffrey Morse, conductor)
See the description for intermediate women (above).
Advanced women (Wilko Brouwers, conductor)
This course is intended for those with extensive experience in singing chant and fosters continued
mastery in its artful execution.
For this chant schola and the one listed below (advanced men), we ask that you assess yourself
honestly as one who has considerable experience in singing chant and a familiarity with the Gre-
gorian repertory. Rightly, the most diffcult chants of the week are reserved for the most experi-
enced singers.
Advanced men (Charles Cole, conductor)
See the description for advanced women (above).
12 n Sacred MuSic colloquiuM 2011 chooSing a PolyPhonic choir
Guidelines for choosing
a polyphonic choir
D
uring the Colloquium you will choose a polyphonic choir to sing in as well as a chant schola.
The descriptions below will tell you more about each conductor and the repertory he or she
will teach. Choose the choir that best refects your skill level and interests.
MeeAe Cecilia Nam: Beginning polyphony
This choir is designed to introduce and improve on the critical vocal and musical techniques
necessary for singing polyphonic music. Singers will learn how to carry a part on their own, inde-
pendent of other sections and without accompaniment. Members of this choir will learn rhythm,
pitch, and vocal production. The choir is designed for novice singers who would not yet beneft
from a more advanced choir, but it might also be useful for directors to see how a master goes
about teaching inexperienced singers to make beautiful music. Several motets are also part of this
choir’s agenda, and they will be sung during the liturgy.
Edward Schaefer
This choir’s major piece will be the Byrd Mass for Four Voices. William Byrd is often ranked with
Beethoven and Bach, and this Mass illustrates why his status is wholly justifed. The piece was
written for private use, mostly in small chapels on landed estates, at a time when Catholicism was
illegal in Britain and the composer himself was employed by Elizabeth’s court. Thus the music was
composed and distributed in secret. The textures refect the intensity and seriousness of both the
Mass’s liturgical function and the time in which it was written. In the centuries that have followed
the stature of this Mass in particular has risen ever higher, and it has now become a staple of the
liturgical repertoire. Learning this masterpiece under a master conductor such as Schaefer is a rare
privilege. The Schaefer choir’s main Mass takes place on Sunday, but the choir will also sing motets
throughout the week.
William Mahrt
For the fourth year Mahrt will present a highly unusual and spectacular rendering of polyphonic
Vespers, the likes of which most Americans have never experienced as worshipers, much less as
singers. This year the focus will be Spain and the composer Victoria (2011 is the 400th anniver-
sary of his death). The format alternates between chant and polyphony and requires singers with
confdence at frequent and exposed stops and starts. This choir provides a rich education in li-
turgical history as well as performance experience that will take already advanced singers to the
next level. The choir will also sing motets throughout the week. The Vespers will be sung Friday
evening.
chooSing a PolyPhonic choir Sacred MuSic colloquiuM 2011 n 13
Wilko Brouwers
Josquin des Prez is widely considered one of the most sophisticated composers before the age of
Bach, and this choir will explore some of his most spectacular music. The choir’s Mass will be
the rarely heard and exceptionally beautiful Missa Ave Maris Stella, based entirely on the Marian
hymn. It is an unforgettable masterpiece of musical genius, and Brouwers knows the style and
approach with profound intimacy. Josquin’s music is structurally unlike post-Reformation music,
which is more familiar in the polyphonic repertoire. This setting in particular is flled with prayer-
ful delight and requires notable skill level to achieve the desired results. It will be sung Friday dur-
ing a Mass for the Blessed Virgin Mary.
Horst Buchholz
Buchholz is a conductor with near-universal experience with both early choral music and the late
symphonic repertoire. He has a particular affection for music that is classical and accessible to
both singers and listeners. His choir will sing a Mass setting by Antonio Lotti, whose work falls
between the Renaissance and classical periods. Lotti’s Missa Brevis, which the conductor discov-
ered only last year, is within the diffculty range of a good parish choir, so participants can aspire
to sing it in their parish choir after the Colloquium. The singers will also learn from the way he
prepares a choir to sing well. Buchholz has begun to use this Mass in his own cathedral setting and
reports that it has been a great success.
14 n Sacred MuSic colloquiuM 2011 Breakout SeSSionS
Breakout sessions
Tuesday–Friday, 11:20 a.m. to 12:30 p.m.
1. Vocal Pedagogy: MeeAe Cecilia Nam (Mary Pappert School of Music, Room 206: choral room)
This two-session course will be presented on Tuesday and Wednesday and repeated on Thursday
and Friday.
Session I: Basic vocal training for beginning singers and choral directors.
The session will teach directors to classify individual voices and help singers develop the
basic vocal techniques necessary for choral singing. It covers basic exercises to enhance vocal
production and musicianship, including breathing, posture, and vocal warm-ups.
Session II: Vocal fexibility and control
This session focuses on the voice as an instrument that facilitates the demands of the music. It
includes exercises to help with dynamics, range, colors, vowel shapes, and tempo fexibility as well
as a discussion of how to fnd important clues in a score.
2. Semiology: Edward Schaefer (Mary Pappert School of Music, Room 322: rehearsal hall)
Semiology, literally “the study of signs,” takes a look at what the unique indications on the earliest
notation systems can tell us about the interpretation of chant.

These sessions will develop a general process for the interpretation of chant and then look at how
the ancient signs can inform that process. We’ll sing lots of chants to see how the process works.

Although the sessions are somewhat independent (i.e., you can come to any single class and learn
something), they will also build upon one another. New signs and new chants will be studied and
sung in each successive class, moving from the simpler to the more complex.
3. Choral Conducting: Horst Buchholz (Mary Pappert School of Music, Room 307: classroom)
Tuesday and Wednesday: The Basics of Conducting
Conducting technique, rehearsal preparation, score analysis, interpretation. No previous
conducting experience is required.
Thursday and Friday: Conducting Masterclass
Bring scores to sing for the “ad hoc” class choir. Conducting experience is required.
4. Anatomy of the Propers: William Mahrt (Power Center Ballroom)
This two-day course, presented on Tuesday and Wednesday and repeated on Thursday and Friday,
will examine the propers of the Mass: the processional chants—introit, offertory, and Commu-
nion—and the meditational chants—gradual, alleluia, and tract. Distinctions in style and liturgical
function between each of these genres will be explored, and notable examples of each will illus-
trate the discussion, with the class singing the examples.
Sacred MuSic colloquiuM 2011 n 15 Morning and night Prayer
Morning and
Night Prayer
l
Prepared by William Mahrt
16 n Sacred MuSic colloquiuM 2011 Morning Prayer
Sacred MuSic colloquiuM 2011 n 17 Morning Prayer
18 n Sacred MuSic colloquiuM 2011 Morning Prayer
Sacred MuSic colloquiuM 2011 n 19 Morning Prayer
20 n Sacred MuSic colloquiuM 2011 Morning Prayer
Sacred MuSic colloquiuM 2011 n 21 Morning Prayer
22 n Sacred MuSic colloquiuM 2011 Morning Prayer
Sacred MuSic colloquiuM 2011 n 23 Morning Prayer
night Prayer 24 n Sacred MuSic colloquiuM 2011

COMPLINE NIGHT PRAYER

Lector:
≥·
V. Jube, domne benedí-ce-re.
Officiant:

Noctem qui-é-tam et finem perféctum concédat no-bis
··
Dóminus omnípo-tens. R. Amen.

Lectio brevis 1 Peter 5:8–9
Lector:
˘
Fratres: Sóbri-i estó-te et vi-gi-lá-te: qui-a adversá-
˘˘
ri-us vester di-á-bolus, tamquam le-o rúgi-ens, círcu-it,
·
quærens quem dé-vo-ret: cu-i resísti-te fortes in fide.
˘··
Tu au-tem Dómi-ne mi-serére nobis. R. Deo grá-ti-as.
Officiant:
·
V. Adju-tó-ri-um nostrum in nómi-ne Dómini.
R. Qui fecit caelum et ter- ram.
Lector:
≥·
V. Pray, Sir, give a blessing.
Officiant:

May the Lord almighty grant us a peaceful night and a
··
perfect end. R. Amen.

Short Lesson 1 Peter 5:8–9
Lector:
˘
Be-loved, be so-ber, be watchful. For your adversary the
˘˘
devil prowls around like a roaring lion, seeking someone
·
to devour. Re-sist him, firm in faith.
˘··
But thou, O Lord, have mercy upon us. R. Thanks be to God.
Officiant:
·
V. Our help is in the Name of the Lord.
R. The maker of heaven and earth.
Officiant:
Confíteor Deo omnipoténti, beátæ Maríæ semper
vírgini, beáto Michaéli archángelo, beáto Joánni
Baptístæ, sanctis Apóstolis Petro et Paulo, ómnibus
Sanctis et vobis fratres, quia peccávi nimis cogitatióne,
verbo, et ópere: (striking the breast three times) mea
culpa, mea culpa, mea máxima culpa. Ideo precor beátam
Maríam semper vírginem, beátum Michaélem
archángelum, beátum Joánnem Baptistam, sanctos
apóstolos Petrum et Paulum, omnes Sanctos, et vos
fratres, oráre pro me ad Dóminum Deum nostrum.
Congregation:
Misereátur tui omnípotens Deus, et dimíssis peccátis
tuis, perdúcat te ad vitam ætérnam.
Officiant:
Amen.
Officiant:
I confess to almighty God, to blessed Mary ever virgin, to
blessed Michael the archangel, to blessed John the Baptist, to
the holy apostles Peter and Paul, to all the saints, and to you,
brethren, that I have sinned exceedingly in thought, word, and
deed: (striking the breast three times) through my fault,
through my fault, through my most grievous fault. Therefore I
beseech blessed Mary ever virgin, blessed Michael the
archangel, blessed John the Baptist, the holy apostles Peter
and Paul, all the saints, and you, brethren, to pray to the Lord
our God for me.
Congregation:
May almighty God have mercy on thee and having forgiven
thee thy sins, bring thee to life everlasting.
Officiant:
Amen.
Sacred MuSic colloquiuM 2011 n 25 night Prayer




Congregation:
(bowing) Confíteor Deo omnipoténti, beátæ Maríæ
semper vírgini, beáto Michaéli archángelo, beáto Joánni
Baptístæ, sanctis Apóstolis Petro et Paulo, ómnibus
Sanctis et tibi Pater, quia peccávi nimis cogitatióne,
verbo, et ópere: (striking the breast three times) mea
culpa, mea culpa, mea máxima culpa. Ideo precor beátam
Maríam semper vírginem, beátum Michaélem
archángelum, beátum Joánnem Baptistam, sanctos
apóstolos Petrum et Paulum, omnes Sanctos, et te Pater,
oráre pro me ad Dóminum Deum nostrum.
Officiant:
Misereátur vestri omnípotens Deus, et dimíssis peccátis
vestris, perdúcat vos ad vitam ætérnam.
Congregation:
Amen (rise).
Officiant:
Indulgéntiam, ✠ absolutiónem, et remissiónem
peccatórum nostrórum tríbuat nobis omnípotens et
misericors Dóminus.
Congregation:
Amen.
Congregation:
(bowing) I confess to almighty God, to blessed Mary ever
virgin, to blessed Michael the archangel, to blessed John the
Baptist, to the holy apostles Peter and Paul, to all the saints,
and to thee, Father, that I have sinned exceedingly in thought,
word, and deed: (striking the breast three times) through my
fault, through my fault, through my most grievous fault.
Therefore I beseech blessed Mary ever virgin, blessed Michael
the archangel, blessed John the Baptist, the holy apostles Peter
and Paul, all the saints, and thee, Father, to pray to the Lord
our God for me.
Officiant:
May almighty God have mercy on you, and having forgiven
you your sins, bring you to life everlasting.
Congregation:
Amen (rise).
Officiant:
May the almighty ✠ and merciful Lord grant us pardon,
absolution, and remission of our sins.
Congregation:
Amen.

A cross is made on the heart.
·
V. Convérte nos ✠ De-us sa-lu-tá-ris noster.
R. Et avérte iram tu- am a nobis.
The sign of the cross is made.
˘˘·˘
V. De-us ✠ in adjutó-ri-um me-um inténde. R. Dómine
˘
ad adjuvándum me fes-tí-na. (bow) Gló-ri- a Pa-tri,
˘
et Fí-li-o, et Spi-rí-tu-i Sancto. Sicut e-rat in prin-

cí-pi-o, et nunc, et semper, et in saécula saecu-lórum.
ygbbbbbbbbbbbbbb·
Amen. Alle-lu-ia.
A cross is made on the heart.
·
V. Convert us, ✠ O God of our salva- tion.
R. And turn thine ang- er away from us.
The sign of the cross is made.
˘·˘
V. O God, ✠ come to my assistance R. O Lord, make

haste to help me. (bow) Glory be to the Father, and to
˘
the Son, and to the Ho-ly Spi-rit. As it was in the
˘
beginning, is now, and ev-er shall be, world without end.
ygbbbbbbbbbbbbbbbb·
Amen. Al-le-lu-ia.

night Prayer 26 n Sacred MuSic colloquiuM 2011
PSALMODY
8G Cantor (Gospel side): All:

Antiphon: Mi-se-ré-re * mi-hi Dó-mi-ne
·
Et ex-áu-di o- ra- ti- ó-nem me- am.

Psalm 4
Cantor (Gospel side):

´

1. Cum in-vocárem exaudívit me Deus justítiæ me- æ *
Be seated.
All (Gospel side):
´ ´
··
In tribulatióne dilatásti mi- hi. . flex: jus-ti-ti-æ, †
Cantor (Gospel side): All:

Antiphon: Have mer-cy * up-on me, O Lord
·
and hearken un- to my prayer.

Psalm 4
Cantor (Gospel side):
´

1. When I called upon him, the God of my justice heard me: *
Be seated.
All (Gospel side):
´ ´
··
when I was in distress, thou hast enlarged me. flex: justices †
2. (Ep. side:) Miserére mei, * et exáudi oratiónem meam.
3. Fílii hóminum, úsquequo gravi corde? * ut quid
dilígitis vanitátem et quaéritis mendácium.
4. Et scitóte quóniam mirificávit Dóminus sanctum suum:
* Dóminus exáudiet me cum clamávero ad eum.
5. Irascímini, et nolíte peccáre: † quæ dícitis in córdibus
vestris, * in cubílibus vestris compungímini.
6. Sacrificáte sacrifícium justítiæ, † et speráte in Dómino.
* Multi dicunt: Quis osténdit nobis bona?
7. Signatum est super nos lumen vultus tui Dómine: *
dedísti lætítiam in corde meo.
8. A fructu fruménti, vini et olei sui, * multiplicáti sunt.

9. In pace in idípsum * dórmiam et requiéscam.
10. Quóniam tu Dómine singuláriter in spe * constituísti
me.
11. (bow) Glória Patri, et Fílio, * et Spirítui Sancto.
12. (rise) Sicut erat in princípio, et nunc, et semper, * et
in saécula sæculórum. Amen.
Psalm 90
Cantor (Epistle side): All (Epistle side):
1. Qui hábitat in adjutório Altíssimi, * in protectióne Dei
cæli commorábitur.
2. (Gospel side): Dicet Dómino: Suscéptor meus es tu et
refúgium meum: * Deus meus, sperábo in eum.
3. Quóniam ipse liberávit me de láqueo venántium, * et a
verbo áspero.
4. Scápulis suis obumbrábit tibi: * et sub pennis ejus
sperábis.
5. Scuto circúmdabit te véritas ejus: * non timébis a
timóre noctúrno,

2. (Epistle side:) Have mercy on me * and hear my prayer.
3. O ye sons of men, how long will you be dull of heart? *
Why do you love vanity, and seek after lying?
4. Know ye also that the Lord hath made his holy one
wonderful: * the Lord will hear me when I shall cry to him.
5. Be ye angry, and sin not: † the things you say in your
hearts, * be sorry for them upon your beds.
6. Offer up the sacrifice of justice, † and trust in the Lord: *
many say, Who showeth us good things?
7. The light of thy countenance, O Lord, is signed upon us: *
thou hast given gladness in my heart.
8. By the fruit of their corn, their wine, and oil, * they are
multiplied.
9. In peace in the selfsame, * I will sleep and I will rest:
10. For thou, O Lord, singularly in hope* hast settled me.
11. (bow) Glory be to the Father and to the Son * and to the
Holy Spirit.
12. (rise) As it was in the beginning, is now, and ever shall be,
* world without end. Amen.

Psalm 90
Cantor (Epistle side): All (Ep. side):
1. He that dwelleth in the aid of the most High, * shall abide
under the protection of the God of heaven.
2. (Gospel side): He shall say to the Lord: Thou art my
protector and my refuge: * my God, I will trust in him.
3. For he hath delivered me from the snare of the hunters: *
and from the sharp word.
4. He will overshadow thee with his shoulders: * and under
his wings shalt thou be hopeful.
5. His truth shall compass thee with a shield: * thou shalt not
be afraid of the terror of the night.

Sacred MuSic colloquiuM 2011 n 27 night Prayer
6. A sagítta volánte in die, † a negótio perambulánte in
ténebris: * ab incúrsu, et dæmónio meridiáno.

7. Cadent a látere tuo mille, † et decem míllia a dextris
tuis: * ad te autem non appropinquábit.
8. Verúmtamen óculis tuis considerábis: * et
retributiónem peccatórum vidébis.
9. Quóniam tu es Dómine spes mea: * Altíssimum
posuísti refúgium tuum.
10. Non accédet ad te malum: * et flagéllum non
appropinquábit tabernáculo tuo.
11. Quóniam Ángelis suis mandávit de te: * ut custódiant
te in ómnibus viis tuis.
12. In mánibus portábunt te: * ne forte offéndas ad
lápidem pedem tuum.
13. Super áspidem et basilíscum ambulábis: * et
conculcábis leónem et dracónem.
14. Quóniam in me sperávit, liberábo eum: * prótegam
eum, quoniam cognóvit nomen meum.
15. Clamábit ad me, et ego exáudiam eum: † cum ipso
sum in tribulatióne: * erípiam eum et glorificábo eum.

16. Longitúdine diérum replébo eum: * et osténdam illi
salutáre meum.
17. (bow) Glória Patri, et Fílio, * et Spirítui Sancto.

18. (rise) Sicut erat in princípio, et nunc, et semper, * et
in saécula sæculórum. Amen.

Psalm 133
Cantor (Gospel side): All (Gospel side):
1. Ecce nunc benedícite Dóminum, * omnes servi
Dómini.
2. (Epistle side): Qui statis in domo Dómini, * in átriis
domus Dei nostri.
3. In nóctibus extóllite manus vestras in sancta, * et
benedícite Dóminum.
4. Benedícat te Dóminus ex Sion, * qui fecit cælum et
terram.
5. (bow) Glória Patri, et Fílio, * et Spirítui Sancto.

6. (rise) Sicut erat in princípio, et nunc, et semper, * et in
saécula sæculórum. Amen.
All:

Antiphon: Mi-se-ré-re mi-hi Dó-mi- ne
·
Et ex-áu-di o- ra- ti- ó-nem me- am.
6. Of the arrow that flieth in the day, † of the business that
walketh about in the dark: * of invasion, or of the noonday
devil.
7. A thousand shall fall at thy side, † and ten thousand at thy
right hand: * but it shall not come nigh thee.
8. But thou shalt consider with thy eyes: * and shalt see the
reward of the wicked.
9. Because thou, O Lord, art my hope: * thou hast made the
most High thy refuge.
10. There shall no evil come to thee: * nor shall the scourge
come near thy dwelling.
11. For he hath given his angels charge over thee, * to keep
thee in all thy ways.
12. In their hands they shall bear thee up, * lest thou dash thy
foot against a stone.
13. Thou shalt walk upon the asp and the basilisk: * and thou
shalt trample under foot the lion and the dragon.
14. Because he hoped in me I will deliver him: * I will protect
him because he hath known my name.
15. He shall cry to me, and I will hear him: † I am with him in
tribulation, * I will deliver him, and I will bring him to
honor.
16. I will fill him with length of days: * and I will show him
my salvation.
17. (bow) Glory be to the Father and to the Son * and to the
Holy Spirit.
18. (rise) As it was in the beginning, is now, and ever shall be,
* world without end. Amen.

Psalm 133
Cantor (Gospel side): All: (Gospel side):
1. Behold now bless the Lord: * all ye servants of the Lord:

2. (Epistle side): Who stand in the house of the Lord, * in the
courts of the house of our God.
3. In the nights lift up your hands to the holy places: * and
bless ye the Lord.
4. May the Lord out of Sion bless thee, * he that made heaven
and earth.
5. (bow) Glory be to the Father and to the Son * and to the
Holy Spirit.
6. (rise) As it was in the beginning, is now, and ever shall be,
* world without end. Amen.
All:

Antiphon: Have mer-cy up-on me, O Lord
·
and hearken un- to my prayer.

night Prayer 28 n Sacred MuSic colloquiuM 2011
HYMN

All stand
Cantor (Epistle side): All (Epistle side):

1. Te lucis ante términum, * Rerum Creátor, póscimus,
·
Ut só-li-ta cleménti-a, Sis præsul ad custó-di-am.

(Gospel side): 2. Pro-cul recédant sómni- a, Et nócti-um

phantasmata: Hostémque nostrum cómprime, Ne pol-
·
lu-ántur córpora. 3. (bow) Præ-sta, Pater omní-potens,

Per Je-sum Chri-stum Dóminum, Qui te-cum in per-
··
pé-tu-um Regnat cum Sancto Spi-ri-tu. A-men.
All stand
Cantor (Epistle side): All (Epistle side):

1. To thee before the close of day, * Cre-a-tor of all things we

pray That in thy constant clemency Our guard and keeper
·
thou wouldst be. (Gospel side): 2. Far off let idle visions

flee; No phantom of the night molest: Curb thou our raging
·
enemy That we in chaste repose may rest. 3. (bow) O

Father, this we ask be done, Through Jesus Christ, thine

only Son; Who with the Ho-ly Ghost and thee, Doth live
··
and reign e-ternal-ly. A- men.

CHAPTER & SHORT RESPOND
Tu autem in nobis es Dómine, † et nomen sanctum
tuum invocátum est super nos: * ne derelínquas nos
Dómine Deus noster. (Jerem. 14: 9)

·
R. De- o gra- ti- as.
Thou art in the midst of us, O Lord, † and upon us
thy holy name is invoked: * do not desert us, O
Lord our God.

·
R. Thanks be to God.
·
R. In manus tuas Dómine, * Coméndo spí-ritum me-um.
Repeat: In manus tuas . . .
≥·
V. Redemísti nos Dómine, De-us ve- ri- tá- tis.
Repeat: Commendo . . .
˘≥·
V. Gló-ri- a Pa-tri et Fí- li- o, et Spi-rí-tu- i Sancto.
Spirit. Repeat: In manus tuas . . .

·
R. Into your hands, O Lord, * I commend my spi- rit.
Repeat: Into your hands
·
V. For you have redeemed me, O Lord, O God of truth.
Repeat: I commend . . .

V. Glory be to the Father, and to the Son, and to the Ho-ly
·
Spi-rit. Repeat: Into your hands

Sacred MuSic colloquiuM 2011 n 29 night Prayer

≤·
V. Custódi nos Dómine, ut pupíllam óculi.
R. Sub umbra alárum tuárum prótege nos.
≤·
V. Keep us, O Lord, as the apple of thine eye.
R. Hide us under the shadow of thy wings.

GOSPEL CANTICLE
3a Cantor (Gospel side): All:

Salva nos, * Dómi-ne, vi-gi-lántes, custódi

nos dor-mi-éntes: ut vi-gi- lé-mus cum Chrí-sto,
·
et requi-escámus in pace.

Canticum Simeonis
The sign of the cross is made
Cantor (Gospel side):
´ ´
}

1. Nunc dimíttis ✠ servum tu- um Dómi-ne, *
All (Gospel side):
´
·
secúndum verbum tuum in pa- ce.
(Epistle side): 2. Quia vidérunt óculi mei * salutáre tuum.
3. Quod parásti * ante fáciem ómnium populórum.
4. Lumen ad revelatiónem géntium, * et glóriam plebis
tuæ Ísrael.
5. (bow) Glória Patri, et Fílio, * et Spirítui Sancto.

6. (rise) Sicut erat in princípio, et nunc, et semper, * et in
saécula sæculórum. Amen. Repeat antiphon
Cantor (Gospel side): All:

Save us * O Lord while we are wa-king,

and guard us while we are sleeping; that we may watch
·
with Christ, and that we may rest in peace. .

Canticle of Simeon
The sign of the cross is made
Cantor (Gospel side):
´ ´
}

1. Now dost thou ✠ dismiss thy ser- vant, O Lord, *
All (Gospel side):
´
·
according to thy word, in peace.
(Epistle side): 2. Because my eyes have seen * thy salvation.
3. Which thou hast prepared * before the face of all peoples.
4. A light to the revelation of the Gentiles, * and the glory of
thy people Israel.
5. (bow) Glory be to the Father, and to the Son, * and to the
Holy Spirit.
6. (rise) As it was in the beginning, is now, and ever shall be, *
world without end. Amen. Repeat antiphon

COLLECT
V. Dóminus vobíscum.
R. Et cum spíritu tuo.
Oremus. Visita, quaésumus Dómine, habitatiónem istam,
et omnes insídias inimíci ab ea longe repélle: † Ángeli tui
sancti hábitent in ea, qui nos in pace custódiant; * et
benedíctio tua sit super nos semper. Per Dóminum
nostrum Jesum Christum Fílium tuum: † qui tecum vivit et
regnat in unitáte Spíritus Sancti Deus, * per ómnia saécula
sæculórum.
R. Amen.
V. The Lord be with you.
R. And with thy spirit.
Let us pray. Visit, we beseech thee, O Lord, this
dwelling-place, and drive far from it all the deceits of
the enemy: † let thy holy Angels dwell herein to keep us
in peace, * and may thy blessing be ever upon us.
Through Jesus Christ our Lord, thy Son, † who with
thee in the unity of the Holy Spirit * lives and reigns
God, world without end.
R. Amen.
30 n Sacred MuSic colloquiuM 2011 night Prayer





V. Dóminus vobíscum.
R. Et cum spíritu tuo.
· ·
V. Benedi-cámus Dómi-no. R. De-o grá- ti- as.

Blessing
Benedícat et custódiat nos omnípotens et miséricors
Dóminus, Pater, ✠ et Fílius, et Spíritus Sanctus.
R. Amen.
V. The Lord be with you.
R. And with thy spirit.
· ·
V. Let us bless the Lord. R. Thanks be to God.

Blessing
May the almighty and merciful Lord bless and guard us,
the Father, ✠ the Son, and the Holy Spirit.
R. Amen.

MARIAN ANTIPHON


Regi-na cæ-li, læ-ta-re, al-le-lu-ia;
˘
Quia quem me-ru-i-sti porta-re, allelu-ia,

Re-sur-re-xit, si-cut di-xit, al-le- lu-ia;
·
O- ra pro no-bis De- um, al-le- lu- ia.





Queen of heaven, rejoice, alleluia;
For he whom thou didst merit to bear, alleluia,
Has risen as he said, alleluia.
Pray for us, to God, alleluia.

V. Gaude et lætare, Virgo Maria, alleluia.
R. Quia surrexit Dominus vere, alleluia.
V. Rejoice and be glad, O Virgin Mary, alleluia.
R. For the Lord has risen indeed, alleluia.
Orémus. Deus, qui per resurrectiónem Fílii tui, Dómini
nostri Jesu Christi, mundum lætificare dignátus es: †
præsta, quaésumus; ut, per ejus Genitrícem Vírginem
Maríam, * perpétuæ capiámus gáudia vitæ, per eúmdem
Christum Dóminum nostrum.
Amen.
Let us pray. O God, who didst vouchsafe to give joy to the
world through the resurrection of thy Son, our Lord Jesus
Christ; grant, we beseech thee, that through his Mother, the
Virgin Mary, we may obtain the joys of everlasting life,
through the same Christ our Lord.
Amen.

V. Divinum auxilium maneat semper nobiscum.
R. Amen.
Lord’s Prayer, Hail Mary, Apostles’ Creed, silently
Tuesday
l
3:30 p.m. June 14, 2011
Mass in English, Ordinary Form
Votive Mass of the Holy Spirit
Sacred MuSic colloquiuM 2011 n 31 tueSday, June 14
32 n Sacred MuSic colloquiuM 2011 tueSday, June 14 32 n Sacred MuSic colloquiuM 2011
136
INTROIT
Spiritus Domini Wis I: 7
PENTECOST – MASS OF THE DAY
T
viii
HE Spirit of the Lord * has filled the whole world,
al- le- lu-ia; and that which contains all things, knows ev-
ery language spoken by men, al- le- lu-ia, al-le-lu-ia, al-le-
lu-ia.
Let God arise; let his foes be scattered. *
Let those who hate him flee from his presence.
As smoke is driven away, so drive them away; †
like wax that melts before the fire, *
so the wicked shall perish at the presence of God.
But the just shall rejoice at the presence of God; *
they shall exult with glad rejoicing.
O sing to God; make music to his name. †
Extol the One who rides on the clouds. *
The Lord is his name; exult at his presence.
1.
2.
Psalm 68 (67)
137
Father of orphans, defender of widows: *
such is God in his holy place.
God gives the desolate a home to dwell in; †
he leads the prisoners forth into prosperity, *
but rebels must dwell in a parched land.
Glory be to the Father …
3.
OFFERTORY
Confrma hoc, Deus Ps 68 (67): 29-30
C
iv
Onfirm, O God, that which you have accomplished
in our midst; * from your ho- ly temple which is in Je-
ru-salem, kings shall of-fer presents to you, al- le- lu-ia.
O sing to God; make music to his name. †
Extol the One who rides on the clouds. *
The Lord is his name; exult at his presence.
Father of orphans, defender of widows: *
such is God in his holy place.
God gives the desolate a home to dwell in; †
he leads the prisoners forth into prosperity, *
but rebels must dwell in a parched land.
1.
2.
Psalm 68 (67)
Glory be to the Father, and to the Son,
and to the Holy Spirit: As it was in the beginning,
is now, and ever shall be, world without end. Amen.
Sacred MuSic colloquiuM 2011 n 33 tueSday, June 14
C/:nts /.r t/. Or4|n:rv ./ t/. M:ss 67
M^SS XV, I.m|n:t.r I.us

!\
· ·
K Y-ii- c * c- lé- i-son. Kv- ii- c c- lé- i-son. Kv-
··
ii- c c- lé- i-son. Cliisfc c- lé- i-son. Clii- sfc c-
··
lé- i-son. Cliisfc c- lé- i-son. Kv-ii- c c- lé-
· · ·
i-son. Kv- ii- c c- lé- i-son. Kv- ii- c * c- lé- i- son.
!\
·
G Lo-ii- a in cxcélsis Lc- o. £f in fciia pax loní-
··
nihus honæ vo-lunfá-fis. Laudánus fc. Bcnc-dí-cinus
· ··
fc. Ado-iánus fc. Glo-ii-fi-cánus fc. Giá-fi- as á-ginus
·
fi-hi piopfci nagnan glo-ii- an fu- an. Loni-nc Lc- us,
·
Rcx cæ-lésfis, Lc- us !a-fci onní-pof-cns. Loni-nc !i- li
34 n Sacred MuSic colloquiuM 2011 tueSday, June 14
6º T/. P:r|s/ 8../ ./ C/:nt
·
u-ni-gé-ni-fc Jc-su Cliisfc. Loni-nc Lc- us, Agnus
·
Lc- i, !í- li- us !afiis. Òui follis pcccá-fa nundi, ni-sc-
·
ié-ic no-his. Òui follis pcccá-fa nundi, susci-pc dcpic-
·
ca-fi- oncn nosfian. Òui scdcs ad déxfc-ian !afiis, ni-
··
sc-ié-ic no-his. Òuo-ni- an fu so-lus sancfus. Ju so-lus
··
Loni-nus. Ju so-lus Alfíssinus, Jc- su Clii- sfc. Cun
··
Sancfo Spí-ii-fu, in glo-ii- a Lc- i !a- fiis. A- ncn.
^/t.rn:t|t. |nt.n:t|.n.
··

Glo- ii- a in cxcélsis Lc- o. £f in fciia pax.
tueSday, June 14 Sacred MuSic colloquiuM 2011 n 35
36 n Sacred MuSic colloquiuM 2011 tueSday, June 14













 
.
,
,
Psalm (67)68:29b|Douay|.30;5;27;33.34a
1. ConIirm. O God. what
4. Kingdoms oI the earth. sing to
3. In Iestive gath -
2. O sing to the Lord. make
bless God. O you who are
Rejoice in the Lord. exult
make a highway Ior him who
Ior the sake oI your temple high
OIIertory Antiphon
,

,
mu
you
God.
Is
er
at
rides
in
-
-
-
,
,

praise
ra
ings.
his
on
Je
sic
have
,

,
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-
the
el's
bless
pres
the
to
ru
wrought
,
,

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the
his
sa
in
.
.

-
Lord
sons.
Lord;
ence.
clouds.
name;
lem:
us
´
.
,
,
who rides on the heavens. the
,
,

an -
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,

cient
,

,
heav
,

,
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.

ens.

l
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.

.
May
.
.

kings
,

,

come
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to
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you
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,

,
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,

,
ing
,

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their
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.

.
.

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,

,

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.

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,

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trib -
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ute.

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.

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lu -
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ia.
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,

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.
.

11`
11`
1.


2.
Pentecost: Mass During the Day 36
MEDIUS
(Soprano)
CONTRA
(Alto)
TENOR
(Tenor)
BASSUS
(Bass)
&
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b
b
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œ
.
œ
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Al-migh-ty and

œ . œ
j
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Al - migh - ty and

œ
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e - ver - last - ing

. œ
j
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œ
e - ver-last - ing
œ
.
œ
J
œ
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Al -migh - ty and
œ
œ
œ
œ
œ
œ
God, and e - ver -
œ
.
œ
J
œ
œ
Al - migh - ty and
œ œ .
œ
j
œ
God, and e - ver -
œ
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e - ver - last - ing, and
.
œ
j
œ
˙
last - ing God,
&
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5
œ
œ
œ
œ
e - ver - last - ing
œ
œ
˙
-last -ing God,
œ
œ
œ
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e - ver - last - ing
œ
Œ Ó
. ˙
œ
God, mer -
Œ
. œ
œ
œ
j
œ
mer - ci - ful - ly
˙
Ó
God,
Ó
. œ
J
œ
mer - ci -
œ
œ
œ
œ
.
œ
œ
œ
ci - ful - ly look up- on
˙
œ
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look up - on
.
œ
j
œ
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mer - ci - ful - ly look
œ
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ful - ly look up -
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our in - fir - mi -
œ
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our in -
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up - on our in - fir - mi -
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on our in - fir - mi -
&
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9
˙
. œ
J
œ
-ties, mer - ci -
.
œ
j
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-fir - mi - ties,
œ
. œ
œ
œ
j
œ
-ties, mer - ci - ful - ly
. ˙
œ
-ties, mer -
œ
œ
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ful - ly look up - on
. œ
j
œ
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mer - ci - ful - ly look
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look up - on our in -
œ
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ci - ful - ly look
œ
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our in - fir - - -
œ
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.
œ b
j
œ
up - on our
œ
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fir - mi - ties, our
œ
. œ b
œ
œ
j
œ
up - on our in -
œ œ ˙
mi - ties,
œ
œ n
˙
œ
in- fir - mi -
œ
œ
. œ
j
œ
in - fir - mi -
˙
˙
fir - mi -
Orlando Gibbons
(1583-1625)
SATB a cappella
Almighty and Everlasting God
Copyright © 2000 by the Choral Public Domain Library (http://www.cpdl.org)
Edition may be freely distributed, duplicated, performed, or recorded. ed. 3/7/00
Sacred MuSic colloquiuM 2011 n 37 tueSday, June 14
38 n Sacred MuSic colloquiuM 2011 tueSday, June 14
&
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b
b
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13
Œ
œ œ
œ
œ
and in all our
˙
Œ
œ œ
-ties, and in
w
-ties,
w
-ties,
œ
œ
œ œ
œ
dan - gers and ne - ces - - -
œ
œ
œ b
œ
all our dan - gers
Ó Œ
œ œ
and in

œ
œ
œ
Œ
si - ties,
˙
œ
œ
and ne - ces - - -
œ
œ
œ
œ
all our dan - gers
Œ
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œ
œ
and in all our
Œ
œ œ
œ
œ
and in all our
œ
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œ œ œ
si - ties, and in
œ
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and ne - ces - si -
œ b
œ
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j
œ
dan - gers and ne -
&
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b
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17
œ
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œ œ
dan - gers and ne -
œ
œ
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j
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all our dan - gers
œ
œ
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-ties, our dan - gers
œ
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œ œ
˙
ces - si - ties
œ
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œ
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and ne - ces - si -
œ
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œ
j
œ
and ne - ces - si -
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ne - ces - si -
Œ
˙ œ œ
stretch forth Thy
˙
Œ
œ
ties stretch
˙
Ó
ties
˙
Œ œ
ties stretch
œ
˙
Œ
right hand,
œ œ œ
œ
œ œ
forth Thy right hand, Thy
Œ
˙ œ œ
stretch forth Thy
œ œ œ œ
œ œ
forth Thy right hand, Thy
&
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21
Œ
˙ œ œ
stretch forth Thy
œ
œ
Œ
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right hand, stretch
œ
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Œ
œ
right hand, stretch
œ
œ
Œ
œ
right hand, stretch
œ
˙ œ
right hand to
œ œ œ
œ
œ
forth Thy right hand
œ œ œ
œ
œ
forth Thy right hand
œ œ œ
œ
œ
forth Thy right hand
œ œ œ
œ
œ
help and de- fend us,
œ
œ
œ
œ œ
to help and de -
œ
œ
œ
œ
to help and
œ
œ
œ
œ œ
to help and de -
Œ
˙ œ œ
stretch forth Thy
˙
œ œ
fend us, stretch
œ œ
œ n
œ œ
de - fend us, stretch
˙
œ œ
fend us, stretch
2
&
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b
b
b
25
œ
œ
Œ
œ
right hand to
œ œ œ
œ
œ
forth Thy right hand
œ œ œ
œ n
œ œ
forth Thy right hand to
œ œ œ
œ
œ
forth Thy right hand
˙
œ
œ
help and de -
œ
œ
œ
œ
to help and
œ
œ œ
œ
œ
help and de- fend us,
œ
œ
œ
œ œ
to help and de -
œ
œ
œ
œ
fend us, to help
œ
œ
œ
œ
œ
de- fend us, stretch
œ
. œ
J
œ
œ
to help and de -
. œ
J
œ
œ
œ
fend
œ
œ
œ
œ
œ
and de - fend us,
.
œ
j
œ
œ
œ œ
forth Thy right hand to
œ œ
. œ
œ
œ
j
œ
fend, to help and de - fend
˙ œ
œ
us, to help
&
&
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b
b
b
b
29
œ œ
.
œ
J
œ
to help
œ œ
œ
œ
œ
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help and de-fend us, stretch
˙
.
œ
j
œ
us, to
œ
œ
œ
œ
œ œ
and de-fend us,
œ
œ
œ
œ œ
œ
and de-fend us, de-fend
œ œ œ
˙
forth Thy right
œ
œ
˙
œ
help and
œ
œ
˙
to help
œ
œ n
˙
us;
œ
œ
œ œ
œ
œ
œ
hand to help and de- fend
œ
œ
œ
˙
de - fend
œ
œ
˙
and de - fend
Œ
œ
œ
œ
through Je- sus
œ
˙
œ
us; through Christ
˙
Ó
us;
.
˙
œ
us; through
&
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b
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33
˙
˙
Christ our
œ
œ
˙
our Lord,through
Ó Œ
œ
through
œ
œ
˙
Christ our Lord,
˙
Œ
œ
Lord, through
œ
œ
œ
œ
Christ our Lord, through
œ
œ
œ
œ
Christ our Lord, through
œ
œ
œ
œ
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œ
through Christ our
œ
œ
œ
œ
Je - sus Christ our
œ
œ
œ
œ
Christ our Lord.
œ .
œ
j
œ œ
Christ our Lord.
˙
œ
œ
Lord, Christ our
˙
œ
œ
Lord. A - - -
œ
œ
œ
œ
œ
A - - -
œ
œ
˙
A- men,
˙
œ
œ
Lord. A -
œ
œ
œ
˙
men.
˙
˙
men.
œ
œ
˙
A- men.
˙
˙
men.
3
SOURCE: Select Church Musick (Barnard, 1641)
NOTES: Note values halved, some text underlay is editorial
Sacred MuSic colloquiuM 2011 n 39 tueSday, June 14
40 n Sacred MuSic colloquiuM 2011 tueSday, June 14
Sacred MuSic colloquiuM 2011 n 41 tueSday, June 14
42 n Sacred MuSic colloquiuM 2011 tueSday, June 14
The Day of Pentecost
Communion
Factus est repente (Mode 7) Acts 2
·------------
Sud- den- ly there came a sound from hea- ven, as of
·----.--------
a rush- ing migh- ty wind, and it filled the house where
·--.----.-.----.-
they were sit- ting, al- le- lu- ia; and they
·----------..
were all filled with the Ho- ly Spir- it and spoke of the
·...-.-----------
migh- ty works of God, al- le- lu- ia, al-
·.-.-------------------
le- lu- ia.
Ad libitum Psalm 68:36
·--------------
How won- der- ful is God in his ho- ly plac- es: the God
·-------------
of Is- ra- el giv- ing strength and pow’r to his peo- ple.
Sacred MuSic colloquiuM 2011 n 43 tueSday, June 14
44 n Sacred MuSic colloquiuM 2011 tueSday, June 14
1
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&
&
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S
A
T
B
1
w
O
w
O
Ó
˙
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O
1
w
w
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˙
w
w
w
œ
œ
œ
˙
w
w
w
œ
œ
œ
˙
w
˙ ˙
sa crum
˙ ˙
sa crum
˙ ˙
sa crum
˙ ˙
sa crum
˙ ˙
˙ ˙
˙ ˙
˙ ˙
œ
œ
˙
con vi
˙
˙
con vi
˙
˙
con vi
˙
˙
con vi
œ
œ
˙
˙
˙
˙
˙
˙
˙
œ œ
˙
vi um!
œ œ ˙
vi um!
œ œ
˙
vi um!
œ œ
˙
vi um!
œ œ
˙
œ œ ˙
œ œ
˙
œ œ
˙
w
Œ
˙
œ
in quo
˙
˙
in
˙
Ó
w
Œ ˙
œ
˙
˙
˙
- - - -
- - - -
- - - -
- - - -
&
&
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7
Ó
˙
in
œ
˙
œ
Chri stus su
˙
œ
œ
quo Chri stus

7
Ó
˙
œ
˙
œ
˙
œ
œ
œ
˙
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quo Chri stus
œ
œ œ
œ
œ
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mi
. œ
j
œ
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su mi tur,
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in
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œ
œ
.
œ
j
œ
˙
Ó Œ
œ
. œ
j
œ
˙
su mi tur,
˙ ˙
tur, in
Ó Œ
œ
in
œ
˙
œ
quo Chri stus
. œ
j
œ
˙
˙ ˙
œ
œ
˙
œ

œ
˙
œ
quo Chri stus
˙
˙
quo Chri
.
œ
J
œ
˙
su mi tur,
œ
˙
œ
˙
˙
.
œ
J
œ
˙
Œ œ
œ
œ
in quo Chri
. œ
j
œ
˙
su mi tur:
œ
œ
. œ
j
œ
stus su mi
˙
œ
œ
in quo Chri
Œ
œ
œ
œ
. œ
J
œ
˙
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œ .
œ
j
œ
˙
œ
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- - - -
- - - - - - - - -
- - - - - -
- - - -
O SACRUM CONVIVIUM

Luca Marenzio
1556-1599
St. Thomas Aquinas
William Mahrt, Translation
O sacred banquet, wherein Christ is received;
the memorial of his passion is renewed;
the soul is filled with grace;
and a pledge of future glory is given to us.
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2
&
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12
œ
œ
. œ
J
œ
stus su mi
Œ
œ
œ
œ
re co li
˙
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tur:
œ
œ .
œ
J
œ
stus su mi
12
œ
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. œ
j
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Œ
œ
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˙
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.
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J
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˙ Ó
tur:
.
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tur me mo ri
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re co li
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tur:
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.
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re co li
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a
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tur me mo ri
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re co li
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.
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tur me mo ri
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re co li
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a
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J
œ
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tur me mo ri
.
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j
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. œ
J
œ
œ
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a pas si
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j
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tur me mo ri
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re
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a pas si
œ
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. œ
J
œ
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œ
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˙ œ
- - - - - - - - - - -
- - - - - - - - - - - -
- - - - - - -
- - - - - - - - - - -
&
&
V
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17
˙
˙
o nis
˙
Œ
œ
a pas
œ
œ
. œ
J
œ
co li tur me
˙
˙
o nis
17
˙
˙
˙
œ
œ
œ
.
œ
j
œ
˙
˙
œ
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œ
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si o
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mo ri a
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œ
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œ
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œ œ œ
˙
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˙
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ius, re
w
nis
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˙ œ
pas si
˙
Œ
œ
ius, re
œ
œ
œ
œ
œ w
Œ
˙ œ
˙
Œ
œ
œ
œ
œ
œ
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co li tur,
˙
œ œ
e ius, re
˙
˙
o nis
œ
œ
˙
co li tur,
œ
œ
œ
œ
œ
œ
˙
œ œ
˙
˙
œ
œ
˙
˙
Ó
œ
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co li tur,
˙
˙
e ius,
Œ
œ
œ
œ
re co li
˙
Ó
œ
œ
˙
˙
˙
œ
œ
œ
˙
œ
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re co li
Œ
œ
œ
œ
re co li

.
œ
J
œ
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œ
tur me mo ri
˙
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œ
œ
œ
œ
.
œ
J
œ
œ
œ
- - - - - - - - - - -
- - - - - - - - - -
- - - - - - - - -
- - - - - - - - - - -
Sacred MuSic colloquiuM 2011 n 45 tueSday, June 14
46 n Sacred MuSic colloquiuM 2011 tueSday, June 14
3
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&
&
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23
. œ
J
œ
œ
œ
tur me mo ri
. œ
j
œ
œ
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tur me mo ri
Ó
˙
re
œ
˙ œ
a pas si
23
. œ
j
œ
œ
œ
. œ
J
œ
œ
œ
Ó
˙
œ
˙ œ
˙ Œ
œ
a pas
˙
˙
a pas
œ
œ
.
œ
J
œ
co li tur me
˙
˙
o nis
˙
Œ
œ
œ
œ
. œ
j
œ
˙
˙
˙
œ œ
˙
si o
˙
œ
œ
si o nis
œ
œ
˙
mo ri a
˙
˙
e
œ œ
˙
˙
œ
œ
œ
œ
˙
˙
˙
˙ .
œ
j
œ
nis e
. œ
œ
œ
œ
œ
œ
œ
e
Œ
˙ œ
pas si
˙ Ó
ius:
˙ .
œ
j
œ
. œ
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˙ œ
˙
Ó
œ
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mens
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- - - - - - - - - - - -
- - - - - - - - - - - - - -
- - - - - - - - - - -
- - - -
&
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28
œ
œ #
œ
œ n
œ
œ
ius:
˙
Ó
ius:
˙
˙
e ius:
˙
˙
im
28
œ
œ #
œ
œ n
œ
œ ˙
Ó
˙
˙
˙
˙
˙
Œ
œ
mens
w
mens

˙
˙
ple tur
˙
Œ
œ
w
˙
˙
œ
œ #
˙
im ple
˙
˙
im ple

.
œ
J
œ
˙
gra ti a,
œ
œ #
˙
˙
˙
.
œ
J
œ
˙
˙
˙
tur
˙
. œ
j
œ
tur gra ti
w
mens
˙
˙
mens
˙
˙
˙
. œ
J
œ
w
˙
˙
. œ
j
œ
˙
gra ti a,
. œ
j
œ
˙
a,
˙
˙
im ple
˙
˙
im ple
. œ
j
œ
˙
. œ
J
œ
˙
˙
˙
˙
˙
˙
˙
mens im
Œ
˙
œ
mens im
˙
. œ
j
œ
tur gra ti
˙
.
œ
J
œ
tur gra ti
˙
˙
˙
œ
˙
.
œ
j
œ
˙
.
œ
J
œ
- - - - - - - - -
- - - - -
- - - - -
- - - - - - - -
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34
˙
˙
ple tur
˙
œ
œ
ple tur gra
œ
œ
œ
œ
œ
œ œ
œ
œ
a:
w
a:
34
˙
˙ ˙
œ
œ
œ
œ
œ
œ
œ
œ œ
œ
œ
w
. œ
J
œ
˙
gra ti a:
œ
œ #
.
œ
œ n
œ
ti a:
˙
˙
Ó Œ
œ
et
. œ
j
œ
˙
œ
œ # .
œ
œ n
œ
˙
˙
Ó
Œ
œ

˙
Œ
œ
et
œ œ
œ
œ
et fu tu rae
œ œ
œ
œ
fu tu rae
˙
Œ
œ
œ œ
œ
œ
œ œ
œ
œ
Œ
˙ œ
et fu
œ œ
œ
œ
fu tu rae
.
œ
j
œ
œ œ
glo ri
. œ
J
œ
œ œ
glo ri
˙ œ
œ œ
œ
œ
. œ
j
œ
œ œ . œ
J
œ
œ œ
œ
œ
.
œ
j
œ
tu rae glo
œ œ
.
œ
j
œ
glo ri ae
œ
œ
œ
œ
˙
ae
˙ Œ
œ
ae et
œ
œ
.
œ
j
œ
œ œ .
œ
J
œ
œ
œ
œ
œ
˙
˙
Œ œ
œ œ
˙
ri ae
˙
Œ
œ
no
˙
Ó
œ œ
œ
œ
fu tu rae
œ œ
˙
˙
Œ
œ
˙
œ œ
œ
œ
- - - - - - -
- - - - - - - -
- - - -
- - - - - -
&
&
V
?
&
?
40
˙
˙
no bis
˙
˙ #
bis pi
Œ
˙ œ
et fu
. œ
j
œ
œ œ
glo ri
40
˙
˙
˙
˙ #
˙ œ
. œ
J
œ
œ œ
˙
˙
pi gnus
˙
˙
gnus da
œ
œ
œ
œ œ
tu rae glo
˙
˙
ae no
˙
˙
˙
˙
œ
œ
œ
œ œ
˙
˙
˙
˙
da tur,
˙
Œ
œ
tur, et
œ
œ #
œ œ
ri ae no
˙
˙
bis pi
˙
˙
˙
Œ œ
œ
œ #
œ œ
˙
˙

œ œ
œ
œ
fu tu rae
˙
˙
bis pi
˙
˙
gnus da
œ œ
œ
œ
˙
˙
˙
˙
Œ
˙ œ
et fu
.
œ
j
œ
œ œ
glo ri
˙
˙
gnus da
˙
Ó
tur,
Œ ˙ œ
.
œ
J
œ
œ œ
˙
˙
˙
œ
œ
. œ
J
œ
tu rae glo
œ
œ
˙
ae no bis
œ œ œ
œ
tur, et fu tu
Ó
˙
no
œ
œ
. œ
j
œ
œ
œ
˙
œ œ œ
œ
˙
- - - - - -
- - - - - - - -
- - - - - - - - -
- - - - - -
Sacred MuSic colloquiuM 2011 n 47 tueSday, June 14
48 n Sacred MuSic colloquiuM 2011 tueSday, June 14
5
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46
œ œ
˙
ri ae
œ
œ
œ
œ
œ œ
pi gnus
œ
œ
œ œ
rae glo ri
˙
˙
bis pi
46
œ œ
˙
œ
œ
œ
œ
œ œ
œ
œ
œ œ
˙
˙
Œ
˙
œ
no bis
.
œ
j
œ
œ
œ
œ
œ
da
œ
œ
˙
ae no bis
˙
˙
gnus da
˙
œ
.
œ
J
œ
œ
œ
œ
œ
œ
œ
˙
˙
˙
˙
œ
œ
pi gnus da
œ
œ
.
œ
j
œ
œ
œ
˙
˙
pi gnus
˙
Ó
tur,
˙
œ
œ œ
œ
.
œ
J
œ
œ
œ
˙
˙
˙
œ
œ #
œ
˙
w
w
da

œ
œ #
œ
˙
w
w
˙
Ó
tur,
˙
Ó
tur,
œ
œ
œ
œ
œ
tur, Al le
Œ
œ
œ
œ
Al le lu
˙
˙
Ó
œ
œ
œ
œ
œ
œ
œ
œ
˙
œ
œ
Al le lu
Œ
œ
œ
œ
œ
Al le
œ
œ
˙
lu ia,
˙
Ó
ia,
˙
œ
œ
œ
œ
˙
œ œ
œ
œ
œ
- - - - - - - - - -
- - - - - - - - - - - -
- - - - - - - - - - -
- - - - -
&
&
V
?
&
?
52
˙
Ó
ia,
œ
œ
˙
lu ia,
Œ
œ
œ
œ
œ
Al le
˙
œ
œ
Al le lu
52
˙
˙
œ
œ
œ
œ
œ
œ
˙
œ
œ
Œ
œ
œ
œ
Al le lu
Œ
œ
œ
œ
œ
Al le
œ
œ
˙
lu ia,
˙ Ó
ia,
œ
œ
œ
Œ
œ
œ
œ
œ
œ
œ
˙
˙
˙
Ó
ia,
œ
œ #
˙
lu ia,
Œ
œ
œ
œ
Al le lu
Œ œ
œ
œ
œ
Al le
˙
œ
œ #
˙
œ
œ
œ
Œ
œ
œ
œ
œ
- - -
- - - - - - - - - -
- - - - - - - - - -
- - - - - - - - -
www.TheCaTholiCChoirbook.Com • Copying and sharing permiTTed under CreaTive Commons 3.0
6
&
&
V
?
&
?
55
Œ
œ
œ
œ
Al le lu
Œ
œ
œ
œ
œ
Al le
˙
Ó
ia,
œ
œ #
˙
lu ia,
55
œ
œ
œ
Œ
œ
œ
œ
œ
˙
Ó
œ
œ #
˙
˙
Ó
ia,
œ
œ #
˙
lu ia,
˙
œ
œ
œ
Al le
Œ
œ
œ
œ n
Al le lu
Ó
œ
œ #
˙
˙
œ
œ
œ
Œ
œ
œ
œ n
Œ
œ
œ
œ
Al le lu
Œ
œ
œ
œ
œ
Al le
œ
œ #
˙
lu ia,
˙
Ó
ia,
Œ
œ
œ
œ
œ
œ
œ
œ
œ
œ #
˙
˙
˙ Ó
ia,
œ
œ
˙
lu ia,
Œ
œ
œ
œ
œ
Al le
Œ
œ
œ
œ
Al le lu
˙
Ó
œ
œ
˙
Œ
œ
œ
œ
œ
œ
œ
œ
Œ
œ
œ
œ
Al le lu
Œ
œ
œ
œ
œ
Al le
œ
œ
˙
lu ia,
˙ Ó
ia,
Œ
œ
œ
œ
Œ
œ
œ
œ
œ
œ
œ
˙
˙
- - - - - - - - -
- - - - - - - - - - - -
- - - - - - - - - -
- - - - - - - -
&
&
V
?
&
?
60
˙
Œ œ
ia, Al
œ
œ #
œ
œ
lu ia, Al
Œ
œ
œ
œ
œ
œ
Al le
Ó
˙
Al
60
˙
œ
œ
œ #
œ
œ
Œ
œ
œ
œ
œ
œ
˙
œ
œ ˙
le lu ia,
œ
œ
˙
œ
le lu
œ
œ
˙
lu ia,
œ
œ
˙
le lu ia,
œ
œ
œ
œ
˙
˙
œ
œ
˙
œ
œ
œ
˙
œ
œ
˙
Al le
œ
œ
œ
œ
ia, Al le
Œ
œ
œ
œ
œ
Al le
˙
˙
Al le
œ
œ
˙
œ
œ
œ
œ
Œ
œ
œ
œ
œ
˙
˙
w
lu
w
lu
œ
œ
œ
˙
lu
w
lu
w
w
œ
œ
œ
˙
w
w
U
ia.
w
U
ia.
w
U
ia.
w
U
ia.
w
U
w
U
w
U
w
U
- - - - - - - - -
- - - - - - - - - - - - -
- - - - - - - - - - -
- - - - - - - - - -
Sacred MuSic colloquiuM 2011 n 49 tueSday, June 14
50 n Sacred MuSic colloquiuM 2011 tueSday, June 14
4
4
4
,
,
,
,
,
,
,
,
,
1
2
Desc.
,
,
,
,
,
,
4
2
And
O
so
let it
the
,
,
,
,
,
4
3
And
Let
so
ho
the
ly
.
,
,
4
1
2
3
Come
O
And
Let
down,
let
so
ho
O
it
the
ly
. ,
,
.
,
, .
,
,
,
,
,
,
yearn
free
ing
ly
,
,
,
,
yearn
cha
ing
ri
.
.
Love
free
cha
yearn
di
ly
ing
ri
,
,
,
,
.
,
,
.
.
,
strong,
burn,
,
strong,
ty
,
vine,
burn,
strong,
ty
,
,
,
.
,
,
,
,
,
till
with which
earth
the
ly
.
,
,
with
mine
which
out
the
ward
.
,
,
seek
till
with
mine
thou
earth
which
out
this
ly
the
ward
. ,
,
.
,
,
. ,
,
,
,
,
, ,
soul
pas
will
sions
,
,
.
soul
ves
will
ture
,
,
.
soul
ves
pas
soul
sions
will
ture
of
,
,
.
,
, ,
, ,
,
,
.
.
long,
turn
.
long,
be
.
mine,
turn
long
be
.
.
.
-
-
-
-
- -
-
- - - -
-
- - -
-
-
- - -
4
4
4
,
,
,
,
,
,
,
,
,
.
,
,
,
shall
to
.
shall
and
.
and
to
shall
and
.
.
.
,
,
,
,
,
far
dust
out
and
pass
ash es
the
,
,
,
,
,
far
low
out
li
pass
ness
the
be
,
,
,
,
vis
dust
far
low
it
and
out
li
it
ash
pass
ness
with
es
the
be
,
,
, ,
,
,
,
,
,
,
,
,
,
,
,
,
power
in
of
its
hu
heat
man
con
,
,
,
,
,
power
come
of
my
hu
in
man
ner
,
,
,
,
,
thine
in
power
come
own
its
of
my
ar
heat
hu
in
man
dor
con
ner
,
, , ,
,
,
, ,
,
,
,
,
,
,
,
tell
sum ing;
ing,
,
,
,
tell
cloth
ing,
ing,
.
,
glow
sum
tell
cloth
ing;
ing,
ing,
ing,
,
,
,
.
,
.
,
,
.
,
-
-
-
-
-
-
-
-
-
- - -
- -
- - -
- - -
- - -
- - -
- -
Copyright © 2011 by Charles H. Giffen for the Choral Public Domain Library (www.CPDL.org)
May be freely copied, distributed, performed, or recorded. This copyright notice must not be removed.
Come down, O Love divine
Down Ampney, 66 11. D
Ralph Vaughan Williams (1872-1958)
Descants by Charles H. Giffen
Words: Bianco da Sena (d. 1434?);
tr. Richard Frederick Littledale (1833-1958), alt.
4
4
4
,
,
,
,
,
,
,
,
,
,
,
,
,
,
for
and
none
let
can
thy
.
,
,
true
for
low
none
li
can
.
,
,
O
and
for
true
Com
none
low
let
fort
thy
can
li
. ,
,
.
,
, .
,
,
,
,
,
,
, ,
guess
glo
its
rious
,
,
,
,
ness
guess
of
its
.
.
er,
glo
guess
ness
draw
rious
its
of
.
,
,
,
,
.
,
,
. ,
,
grace,
light
,
heart,
grace,
,
near,
light
grace,
heart,
,
,
,
,
,
,
,
,
till
shine
Love
ev
cre
er
. ,
,
,
which
till
takes
Love
the
cre
. ,
,
,
with
shine
till
which
in
ev
Love
takes
my
er
cre
the
.
, ,
,
,
,
,
,
,
,
,
,
,
,
,
ate
on
a
my
,
,
,
,
hum
ate
ble
a
.
.
heart
on
ate
hum
ap
my
a
ble
,
,
.
.
,
,
.
,
,
,
,
place
sight,
.
part,
place
.
pear,
sight,
place
part,
.
.
.
- -
-
-
-
-
-
- - -
-
-
- - -
-
-
4
4
4
,
,
,
,
,
,
,
,
,
,
,
,
where
and
.
and
where
.
and
and
where
and
.
.
,
,
,
,
,
,
,
in
clothe
the
me
Ho
round,
ly
the
,
,
,
,
,
o'er
in
its
the
own
Ho
short
ly
,
,
,
,
kin
clothe
in
o'er
dle
me
the
its
it,
round,
Ho
own
thy
ly
short
the
, ,
,
,
,
,
,
,
,
,
,
,
,
,
,
,
,
,
,
Spi
while
rit
my
makes
path
a
il
,
,
,
,
,
com
Spi
ings
rit
weeps
makes a
with
,
,
,
,
,
ho
while
Spi
com
ly
my
rit
ings
flame
path
makes
weeps
be
il
a
with
,
, , ,
, ,
,
,
,
,
,
,
,
,
,
,
.
,
dwell
lum
ing.
ing.
,
,
.
,
dwell
loath ing.
ing.
.
. ,
stow
lum
dwell
loath
ing.
ing.
ing.
ing.
,
,
. ,
.
,
.
, .
,
.
.
,
- -
-
-
-
-
-
-
- - - -
-
- - -
- - -
- - -
- -
Vaughan Williams: Come down, O Love divine
Copyright © 2011 by Charles H. Giffen for the Choral Public Domain Library (www.CPDL.org)
May be freely copied, distributed, performed, or recorded. This copyright notice must not be removed.
2
Sacred MuSic colloquiuM 2011 n 51 tueSday, June 14
52 n Sacred MuSic colloquiuM 2011 tueSday, June 14
Wednesday
l
3:30 p.m. June 15, 2011
Requiem for Deceased Members,
Ordinary Form
Sacred MuSic colloquiuM 2011 n 53 WedneSday, June 15
54 n Sacred MuSic colloquiuM 2011 WedneSday, June 15
72 T/. P:r|s/ 8../ ./ C/:nt
\

A - gnus Lc- i, * qui fol- lis pcccá- fa nundi: ni-
·  
sc-ié-ic no- his. Agnus Lc- i, * qui fol- lis pcccá- fa
·
nundi: ni-sc-ié-ic no- his. Agnus Lc- i, * qui fol-lis
·
pcccá- fa nundi: do-na no-his pa- ccn.

!\
· · ·
! - fc, nis-sa csf.  Lc- o giá- fi- as.
M^SS XVlll, I.us G.n|t.r :/m. W../4:vs ./ ^4t.nt :n4 I.nt

!\
· ·

K Y- ii- c * c- lé- i-son. ||i. Cliísfc c- lé- i-son. ||i.
· ·
Kv- ii- c c- lé- i-son. |i. Kv- ii- c * c- lé- i-son.


S Ancfus, * Sancfus, Sancfus Loni-nus Lc- us Sá-

ha- ofl. !lé-ni sunf cæ-li cf fciia glo-ii- a fu- a. !o-sánna
Sacred MuSic colloquiuM 2011 n 55 WedneSday, June 15
56 n Sacred MuSic colloquiuM 2011 WedneSday, June 15
Sacred MuSic colloquiuM 2011 n 57 WedneSday, June 15
58 n Sacred MuSic colloquiuM 2011 WedneSday, June 15
Sacred MuSic colloquiuM 2011 n 59 WedneSday, June 15
60 n Sacred MuSic colloquiuM 2011 WedneSday, June 15
Sacred MuSic colloquiuM 2011 n 61 WedneSday, June 15
62 n Sacred MuSic colloquiuM 2011
Soprano
Alto
Tenor
Bass
Organ

1
Thou know- est,
Thou know- est,
Thou know- est,
Thou know- est,
Lord, the se - crets
Lord, the se - crets
Lord, the se - crets
Lord, the se - crets
of our hearts;
of our hearts;
of our hearts;
of our hearts;
Shut not,
Shut not,
Shut not,
Shut not,
5
shut not thy
shut not thy
shut not thy
shut not thy
mer - ci - ful ears un -
mer - ci - ful ears un -
mer - ci - ful ears un -
mer - ci - ful ears un -
to our pray'rs;
to our pray'rs;
to our pray'rs;
to our pray'rs;
but spare us,
but spare us,
but spare us,
but spare us,
Lord, spare us,
Lord, spare us,
Lord, spare us,
Lord, spare us,
Henry Purcell
(1659-1695)
SATB a cappella or with continuo
Thou Knowest, Lord, the Secrets of Our Hearts
(Second Setting)
Copyright © 1999 by the Choral Public Domain Library (http://www.cpdl.org)
Edition may be freely distributed, duplicated, performed, or recorded. rev. 2/1/99
WedneSday, June 15
Sacred MuSic colloquiuM 2011 n 63
10
Lord most ho - ly,
Lord most ho - ly,
Lord most ho - ly,
Lord most ho - ly,
O God,
O God,
O God,
O God,
O God most
O God most
O God most
O God most
might - y, O
might - y, O
might - y, O
might - y, O
ho - ly and most
ho - ly and most
ho - ly and most
ho - ly and most
15
mer - ci - ful Sa - viour,
mer - ci - ful Sa - viour,
mer - ci - ful Sa - viour,
mer - ci - ful Sa - viour,
Thou most worth - y
Thou most worth - y
Thou most worth - y
Thou most worth - y
judge e - ter - nal,
judge e - ter - nal,
judge e - ter - nal,
judge e - ter - nal,
suf - fer us
suf - fer us
suf - fer us
suf - fer us
2
WedneSday, June 15
64 n Sacred MuSic colloquiuM 2011
19
not, suf - fer us
not, suf - fer us
not, suf - fer us
not, suf - fer us
not at our last
not at our last
not at our last
not at our last
hour for a - ny
hour for a - ny
hour
hour
pains of death, for
pains of death, for
for a - ny
for a - ny
23
a - ny pains of
a - ny pains of
pains of death, of
pains of death
death to fall, to
death to fall, to
death, to fall, to
to fall, to
fall from Thee.
fall from Thee.
fall from Thee.
fall from Thee.
A - men.
A - men.
A - men.
A - men.
3
Edited by Rafael Ornes
SOURCE: Musica Sacra, Vol. I (London, 1724, ed. William Croft)
OTHER SOURCES:
British Library, MS 31444, ff. 208-208v
British Library, Harleian MS 7340,
Christ Church, MS 794
(Manuscript source information from Henry Purcell-Works, Volume XXXII)
WedneSday, June 15
Sacred MuSic colloquiuM 2011 n 65 WedneSday, June 15
66 n Sacred MuSic colloquiuM 2011 WedneSday, June 15
Sacred MuSic colloquiuM 2011 n 67 WedneSday, June 15
68 n Sacred MuSic colloquiuM 2011 WedneSday, June 15
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Ave Christe, immolate - des Prez
1
Sacred MuSic colloquiuM 2011 n 69 WedneSday, June 15
70 n Sacred MuSic colloquiuM 2011 WedneSday, June 15
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45 50
Ave Christe, immolate - des Prez
2
Sacred MuSic colloquiuM 2011 n 71 WedneSday, June 15
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70 75
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Ave Christe, immolate - des Prez
3
72 n Sacred MuSic colloquiuM 2011
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100 105
Ave Christe, immolate - des Prez
4
WedneSday, June 15
Sacred MuSic colloquiuM 2011 n 73
S /
- . ·
,
glo -
,
ri -
,
a
,
San-
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cto -
.
rum,
·
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110
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120 115
Secunda pars
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125 130
Ave Christe, immolate - des Prez
5
WedneSday, June 15
74 n Sacred MuSic colloquiuM 2011
S /
.
De -
,
i -
,
tas
.
in -
,
te -
.
gra,
·
,
De-
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,
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gra,
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ro,
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135 140
S /
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,
ve
,
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,
um
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um
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150 155
Ave Christe, immolate - des Prez
6
WedneSday, June 15
Sacred MuSic colloquiuM 2011 n 75
S /
,
strae
,
,
,
,

pe -
,
re-
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160
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165 170 ._.
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175
Ave Christe, immolate - des Prez
7
WedneSday, June 15
76 n Sacred MuSic colloquiuM 2011
S /
- .
Qui
,
hic
,
im-
,
mo-
,
la-
,
ris
,
pro
.
no-
.
bis
- - - · .
et
,
san -
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Qui
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185 180
S /
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190
S /
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200 195 ._.
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Ave Christe, immolate - des Prez
8
WedneSday, June 15
Sacred MuSic colloquiuM 2011 n 77
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225
Ave Christe, immolate - des Prez
9
WedneSday, June 15
78 n Sacred MuSic colloquiuM 2011 WedneSday, June 15
Thursday
l
3:30 p.m. June 16, 2011
Thursday in the Octave of Pentecost,
Extraordinary Form
First Class Feast
Sacred MuSic colloquiuM 2011 n 79 thurSday, June 16
80 n Sacred MuSic colloquiuM 2011 thurSday, June 16
Sacred MuSic colloquiuM 2011 n 81 thurSday, June 16
82 n Sacred MuSic colloquiuM 2011
C/:nts /.r t/. Or4|n:rv ./ t/. M:ss 61
M^SS Xll, P:t.r .un.t:

\!!!

·
K Y-ii- c * c- lé- i-son. ||i. Cliisfc c-lé- i-
··
son. ||i. Kv-ii- c c- lé- i-son. |i. Kv-ii- c *
·
c-lé- i-son.
!\
·
G Lo-ii- a in cxcélsis Lc- o. £f in fciia pax lo-
··
ní-nihus honæ vo-lunfá- fis. Laudánus fc. Bcncdí-cinus
···
fc. Ado-iánus fc. Glo-ii-fi-cánus fc. Giá- fi- as á-ginus
·
fi-hi piopfci nagnan glo-ii- an fu- an. Loninc Lc- us,
·
Rcx cæ-lésfis, Lc- us !a-fci onní-pof- cns. Loni-nc !i- li
·
u-ni-gé-ni-fc, Jc-su Clii-sfc. Loni-nc Lc- us, Agnus
thurSday, June 16
62 T/. P:r|s/ 8../ ./ C/:nt
·
Lc- i, !í- li- us !a-fiis. Òui follis pcccá-fa nundi, ni-sc-
·
ié-ic no- his. Òui follis pcccá-fa nundi, susci-pc dcpicca-
·
fi- oncn nosfian. Òui scdcs ad déxfc-ian !afiis, ni-sc-
· ·
ié-ic no- his. Òuo-ni- an fu so- lus sancfus. Ju so-lus Lo-
· ·
ni-nus. Ju so-lus Alfíssinus, Jc-su Cliisfc. Cun Sancfo
··
Spí- ii- fu in glo-ii- a Lc- i !afiis. A- ncn.
^/t.rn:t|t. |nt.n:t|.n.
··

Glo- ii- a in cxcélsis Lc- o. £f in fciia pax.
!!
·
S An- cfus, * Sancfus, San- cfus Loni-nus Lc- us
·
Sáha- ofl. !lc-ni sunf cæ-li cf fci-ia glo-ii- a fu- a.
Sacred MuSic colloquiuM 2011 n 83
62 T/. P:r|s/ 8../ ./ C/:nt
·
Lc- i, !í- li- us !a-fiis. Òui follis pcccá-fa nundi, ni-sc-
·
ié-ic no- his. Òui follis pcccá-fa nundi, susci-pc dcpicca-
·
fi- oncn nosfian. Òui scdcs ad déxfc-ian !afiis, ni-sc-
· ·
ié-ic no- his. Òuo-ni- an fu so- lus sancfus. Ju so-lus Lo-
· ·
ni-nus. Ju so-lus Alfíssinus, Jc-su Cliisfc. Cun Sancfo
··
Spí- ii- fu in glo-ii- a Lc- i !afiis. A- ncn.
^/t.rn:t|t. |nt.n:t|.n.
··

Glo- ii- a in cxcélsis Lc- o. £f in fciia pax.
!!
·
S An- cfus, * Sancfus, San- cfus Loni-nus Lc- us
·
Sáha- ofl. !lc-ni sunf cæ-li cf fci-ia glo-ii- a fu- a.
thurSday, June 16
84 n Sacred MuSic colloquiuM 2011 thurSday, June 16
Sacred MuSic colloquiuM 2011 n 85 thurSday, June 16
86 n Sacred MuSic colloquiuM 2011 thurSday, June 16
ºÛ T/. P:r|s/ 8../ ./ C/:nt
CRIIO lV

!
·
C Rcdo in unun Lc- un, !aficn onni-pof-én-fcn,

facfo-icn cæ-li cf fci- iæ, vi-si-hí-li- un onni- un, cf in-
·
vi-si- hí- li- un. £f in unun Loninun Jc-sun Clii-sfun,
·
!í- li- un Lc- i u-ni-gé- ni-fun. £f cx !afic na-fun anfc
·
onni- a sæ´cu- la. Lc- un dc Lc- o, luncn dc luni-nc,
·
Lc- un vc-iun dc Lc- o vc- io. Gé-ni-fun, non facfun,
·
consuhsfanfi- á- lcn !a-fii: pci qucn onni- a facfa sunf.

Òui piopfci nos loni-ncs, cf piopfci nosfian sa-lu-fcn
·
dcscéndif dc cæ- lis. £f incainá-fus csf dc Spí- ii-fu San-
·
cfo cx ^a- ií- a \íigi-nc: £f lono facfus csf. Ciu-ci-
C/:nts /.r t/. Or4|n:rv ./ t/. M:ss º1

fí- xus éf- i- an pio no- his: suh !onfi- o !i-lá- fo passus,
·
cf scpul-fus csf. £f ic-suiié-xif féifi- a di- c, sccundun
·
Sciipfu- ias. £f ascéndif in cælun: scdcf ad déxfc-ian !a-
·
fiis. £f í-fc-iun vcnfu-ius csf cun glo-ii- a, judi-cá- ic
·
vi-vos cf noifu- os: cu-jus icgni non c-iif fi- nis. £f in

Spí- ii-fun Sancfun, Loni-nun, cf vi- vi- fi- cánfcn: qui cx
·
!afic !i- li- oquc piocé- dif. Òui cun !afic cf !í- li- o sinul

ado-iá-fui, cf conglo-ii- fi-cá-fui: qui locu-fus csf pci !io-
·
plé- fas. £f unan sancfan caflo- li-can cf aposfo- li-can
·
£cclé-si- an. Confí- fc- oi unun hapfísna in icnissi- o-
Sacred MuSic colloquiuM 2011 n 87 thurSday, June 16
C/:nts /.r t/. Or4|n:rv ./ t/. M:ss º1

fí- xus éf- i- an pio no- his: suh !onfi- o !i-lá- fo passus,
·
cf scpul-fus csf. £f ic-suiié-xif féifi- a di- c, sccundun
·
Sciipfu- ias. £f ascéndif in cælun: scdcf ad déxfc-ian !a-
·
fiis. £f í-fc-iun vcnfu-ius csf cun glo-ii- a, judi-cá- ic
·
vi-vos cf noifu- os: cu-jus icgni non c-iif fi- nis. £f in

Spí- ii-fun Sancfun, Loni-nun, cf vi- vi- fi- cánfcn: qui cx
·
!afic !i- li- oquc piocé- dif. Òui cun !afic cf !í- li- o sinul

ado-iá-fui, cf conglo-ii- fi-cá-fui: qui locu-fus csf pci !io-
·
plé- fas. £f unan sancfan caflo- li-can cf aposfo- li-can
·
£cclé-si- an. Confí- fc- oi unun hapfísna in icnissi- o-
º2 T/. P:r|s/ 8../ ./ C/:nt
· 
ncn pccca-fo- iun. £f cxspécfo ic-suiiccfi- oncn noifu-
·· ·
o- iun. £f vi- fan vcnfu-ii s æ´cu- li. A- ncn.
CRIIO Vl

!\
·
C Rcdo in unun Lc- un, !aficn onnipof-én- fcn,

facfo-icn cæ- li cf fci- iæ, vi-si-hí-li- un onni- un, cf
·
invi-si-hí-li- un. £f in unun Loninun Jcsun Cliisfun,
·
!í-li- un Lc- i unigéni- fun. £f cx !afic na-fun anfc
·
onni- a sæ´cu-la. Lc- un dc Lc- o, luncn dc luninc,
·
Lc- un vc-iun dc Lc- o vc- io. Géni-fun, non facfun,
·
consuhsfanfi- á- lcn !a-fii: pci qucn onni- a facfa sunf.
88 n Sacred MuSic colloquiuM 2011 thurSday, June 16
Sacred MuSic colloquiuM 2011 n 89 thurSday, June 16
90 n Sacred MuSic colloquiuM 2011 thurSday, June 16
Sacred MuSic colloquiuM 2011 n 91 thurSday, June 16
92 n Sacred MuSic colloquiuM 2011 thurSday, June 16
Sacred MuSic colloquiuM 2011 n 93 thurSday, June 16
94 n Sacred MuSic colloquiuM 2011 thurSday, June 16
Sacred MuSic colloquiuM 2011 n 95 thurSday, June 16
96 n Sacred MuSic colloquiuM 2011 thurSday, June 16
Sacred MuSic colloquiuM 2011 n 97 thurSday, June 16
98 n Sacred MuSic colloquiuM 2011 thurSday, June 16
^.ts ?. ?, +, |11] . Ps ó7. ?, +÷ó, 8, º, ?0, ?1, ?º, Jó
\!!

! Acfus csf ic-pénfc * dc cæ-lo so- nus advc-

ni- énfis spí-ii-fus vc-lc-nénfis, u-hi c- ianf sc-dén- fcs,

allc- lu- ia: cf icplé- fi sunf onncs Spí-ii-fu Sancfo,
 „
loquén- fcs nagná- li- a Lc- i, al-lc- lu- ia,
·
allc- lu- ia. !acfus csf icpcnfc

1. £x-suigif Lc- us, cf dissi-pánfui in-iní-ci c- jus: cf
·
fu-gi- unf, qui odé-iunf c- un, a fá- ci- c c- jus.
!acfus.

?. £f jusfi læ-fénfui cf cxsulfcnf in conspécfu Lc- i
·
cf dc-lccfénfui in læ-fí-fi- a. !acfus.

J. Can-fá-fc Lc- o, psalnun dí-ci-fc noni-ni c- jus: i-fci

fá-ci- fc c- i, qui fcifui supci nuhcs: Loni-nus noncn
·
il- li. !acfus.
I:.tus .st r.p.nt. 2

+. Ju- hi- lá-fc in conspécfu c- jus: pa- fci oiplano-iun

cf judcx vi-du- á- iun, Lc- us in lahi- fá-cu-lo sancfo
·
su- o. !acfus.

J. Lc- us, cun cgicdc-ié-iis in conspécfu popu-li fu- i,
·
cun pcifiansí-ics in dc-séi- fo. !acfus.

ó. Jci- ia no-fa csf, é-fi- an cæ-li disfilla-vé- iunf a fá-
·
ci- c Lc- i Sína- i, a fá-ci- c Lc- i !sia- cl. !acfus.

7. Bc- nc-dícfus Loni-nus di- c co-fí-di- c: poifá-hif nos
·
Lc- us sa-lu-fá-ii- un nosfio- iun. !acfus.

8. Lc- us nosfci, Lc- us ad salvándun: cf Loni-ni, Lo-
·
ni-ni éx- i-fus noi- fis. !acfus.
Sacred MuSic colloquiuM 2011 n 99 thurSday, June 16
^.ts ?. ?, +, |11] . Ps ó7. ?, +÷ó, 8, º, ?0, ?1, ?º, Jó
\!!

! Acfus csf ic-pénfc * dc cæ-lo so- nus advc-

ni- énfis spí-ii-fus vc-lc-nénfis, u-hi c- ianf sc-dén- fcs,

allc- lu- ia: cf icplé- fi sunf onncs Spí-ii-fu Sancfo,
 „
loquén- fcs nagná- li- a Lc- i, al-lc- lu- ia,
·
allc- lu- ia. !acfus csf icpcnfc

1. £x-suigif Lc- us, cf dissi-pánfui in-iní-ci c- jus: cf
·
fu-gi- unf, qui odé-iunf c- un, a fá- ci- c c- jus.
!acfus.

?. £f jusfi læ-fénfui cf cxsulfcnf in conspécfu Lc- i
·
cf dc-lccfénfui in læ-fí-fi- a. !acfus.

J. Can-fá-fc Lc- o, psalnun dí-ci-fc noni-ni c- jus: i-fci

fá-ci- fc c- i, qui fcifui supci nuhcs: Loni-nus noncn
·
il- li. !acfus.
100 n Sacred MuSic colloquiuM 2011 thurSday, June 16
I:.tus .st r.p.nt. 3

º. ^anda, Lc- us, viifu-fi fu- æ: confíina loc, Lc- us,
·
quod opc-iá-fus cs in no- his. !acfus.

10. ^i- iá-hi-lis, Lc- us, dc sancfu- á-ii- o fu- o! Lc- us

!sia- cl ipsc fiíhu- cf viifu-fcn cf foifi-fu-dincn plc-hi
·
su- æ. Bcnc- dícfus Lc- us! !acfus.
Suddcnlv flcic canc a sound fion lcavcn, as of a niglfv wind coning,
wlcncc flcv wcic siffing: and flcv wcic all fillcd wifl flc !olv Glosf, and
flcv hcgan fo spcak flc wondciful woiks of God. 1. Lcf God aiisc, and lcf lis
cncnics hc scaffcicd: and lcf flcn flaf lafc lin flcc fion hcfoic lis facc.
?. And lcf flc jusf icjoicc and cxulf hcfoic God, and hc dcliglfcd wifl glad-
ncss. J. Sing vc fo God, sing a psaln fo lis nanc: nakc a wav foi lin wlo
asccndcfl upon flc wcsf: flc Loid is lis nanc. +. Rcjoicc vc hcfoic lin: wlo
is flc faflci of oiplans, and flc judgc of widows, God in lis lolv placc. J. Ò
God, wlcn flou didsf go foifl in flc siglf of flv pcoplc, wlcn flou didsf pass
fliougl flc dcscif. ó. Jlc caifl was novcd, and flc lcavcns dioppcd af flc
picscncc of flc God of Sinai, af flc picscncc of flc God of !siacl. 7. Blcsscd hc
flc Loid dav hv dav: flc God of oui salvafion will nakc oui jouincv piospci-
ous fo us. 8. Òui God is flc God of salvafion: and of flc Loid, of flc Loid aic
flc issucs fion dcafl. º. Connand flv sficngfl, Ò God: confiin, Ò God,
wlaf flou lasf wiouglf in us. 10. God is wondciful in lis sainfs! Jlc God of
!siacl is lc wlo will givc powci and sficngfl fo lis pcoplc. Blcsscd hc God.
I:.tus .st r.p.nt. 2

+. Ju- hi- lá-fc in conspécfu c- jus: pa- fci oiplano-iun

cf judcx vi-du- á- iun, Lc- us in lahi- fá-cu-lo sancfo
·
su- o. !acfus.

J. Lc- us, cun cgicdc-ié-iis in conspécfu popu-li fu- i,
·
cun pcifiansí-ics in dc-séi- fo. !acfus.

ó. Jci- ia no-fa csf, é-fi- an cæ-li disfilla-vé- iunf a fá-
·
ci- c Lc- i Sína- i, a fá-ci- c Lc- i !sia- cl. !acfus.

7. Bc- nc-dícfus Loni-nus di- c co-fí-di- c: poifá-hif nos
·
Lc- us sa-lu-fá-ii- un nosfio- iun. !acfus.

8. Lc- us nosfci, Lc- us ad salvándun: cf Loni-ni, Lo-
·
ni-ni éx- i-fus noi- fis. !acfus.
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O quam suavis est
Peter Philips
(1561-1628)
©2009 Paul R. Marchesano. May be Ireely copied Ior nonproIit use.
Corpus Christi. First Jespers
O how sweet is thv spirit. Lord. thou who. in order to demonstrate thv sweetness
to thv children. send down from heaven the sweetest bread unsurpassed.
filling the hungrv with good things. sending awav emptv the disdainful rich'
Sacred MuSic colloquiuM 2011 n 101 thurSday, June 16
102 n Sacred MuSic colloquiuM 2011 thurSday, June 16
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O quam suavis est
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3
O quam suavis est
Sacred MuSic colloquiuM 2011 n 103 thurSday, June 16
104 n Sacred MuSic colloquiuM 2011
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4
O quam suavis est
thurSday, June 16
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5
O quam suavis est
Sacred MuSic colloquiuM 2011 n 105 thurSday, June 16
106 n Sacred MuSic colloquiuM 2011 thurSday, June 16
Friday
l
3:30 p.m. June 17, 2011
Votive Mass
of the Blessed Virgin Mary,
Ordinary Form
Sacred MuSic colloquiuM 2011 n 107 Friday, June 17
108 n Sacred MuSic colloquiuM 2011 Friday, June 17
&
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w
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son, e le
- - - - - - - - - -
- - - - - - - -
- - - - -
- - - - - - - - - -
Missa Ave Maris Stella.
Josquin des Prez (1450-1521)
This engraving is given into the Public Domain
as a gift to those who sing and those who love Sacred Music
in honor of the XXI. Sacred Music Colloquium.
http://www.musicasacra.com
No. 1. KYRIE
Friday, June 17 Sacred MuSic colloquiuM 2011 n 109
110 n Sacred MuSic colloquiuM 2011 Friday, June 17
&
V
V
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son.
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i son.
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son.
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b
b
b
b
1
2
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2
Superius
Altus
Tenor
Bassus
16
.
w
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Chri



w
w
ste



˙
˙
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e le
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œ
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Chri


˙
w
˙ #
i
˙
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steIe


- - - - - - - -
- - - - -
Josquin :: Missa Ave Maris Stella :: No. 1. KYRIE
&
&
V
?
b
b
b
b
S.
A.
T.
B.
20
W
son,
. ˙
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.
w
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Chri


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son, e
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w
ste


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Chri

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steIe
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V
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b
b
b
b
S.
A.
T.
B.
24

˙
˙ œ
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˙
W
son,
.
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˙
le

˙
˙
w
i son,
W
˙
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˙ #
i
W
Chri

w
e
W
Chri
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son,
W
W
le
W
ste
W
W b
W
w
w
e
W
- - - - -
- - - - -
- - - -
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&
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b
b
b
b
1
3
1
3
1
3
1
3
S.
A.
T.
B.
29
.
w
˙ N
ste e
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W
le
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e
.
w
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le
w
w
. w
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w
i
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i
W
son.
W
son.
W
son.
W
son.
W
W
- - - - - - - - -
- - - - - - - -
- - - - - - -
- - - - - -
Josquin :: Missa Ave Maris Stella :: No. 1. KYRIE
Sacred MuSic colloquiuM 2011 n 111 Friday, June 17
112 n Sacred MuSic colloquiuM 2011 Friday, June 17
&
V
?
b
b
b
1
3
1
3
1
3
Superius
Tenor
Bassus
35
W
w
Ky ri

W
Ky

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ri e e

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w
˙ #
i
.
w
˙
w
le i

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b
b
b
b
S.
A.
T.
B.
38
.
W
son,
Ó
˙
˙
˙
w
Ky ri
.
W
son,
∑ ∑
w
Ky
„ ∑
˙
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œ
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w
e e le
„ ∑
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ri e e
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w
˙ #
i
„ ∑
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w
˙
w
le i son, - - - - - - -
- - - - - - - -
&
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b
b
b
b
S.
A.
T.
B.
41
„ ∑
˙
w
œ
œ
w N
son,

W
Ky
.
w
w
œ
œ
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„ ∑
„ ∑
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„ ∑
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.
w
˙
w
le i
˙
˙
œ b
œ
w
˙ #
i
- - - - - - - -
- - - - - - - -
Josquin :: Missa Ave Maris Stella :: No. 1. KYRIE
&
&
V
?
b
b
b
b
S.
A.
T.
B.
44
Ó
˙
.
˙
œ
w
e le
∑ Ó
˙
. ˙
œ
e le
.
W
son,
W

son,
.
˙
œ
œ
˙
˙
w
. w
œ
œ
˙
˙
„ ∑

˙
œ
œ
˙
w
˙
i
.
w
˙
w
i
„ ∑

- - - - - - - - -
- - - - - - - - - -
&
&
V
?
b
b
b
b
S.
A.
T.
B.
47
W
Ó
˙
son, e
w
w
w
son, e

W
Ky
W
w
Ky ri
˙
˙
˙
w
˙
le
w
w
w
le
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ri e e
w
W
e
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˙
w
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w
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Ó
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œ
˙ b
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e le
- - - - - - - - -
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- - - - - -
&
&
V
?
b
b
b
b
S.
A.
T.
B.
50
.
˙
œ
˙
w
˙ #
i
Ó
w
˙
w
i son.
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w
œ
œ
w
i
œ
œ
˙
˙
˙ b
w
i
.
W
son.
. W
.
W
son.
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son.
- - - -
- - - - -
- - - - - -
- - - - -
Josquin :: Missa Ave Maris Stella :: No. 1. KYRIE
Sacred MuSic colloquiuM 2011 n 113 Friday, June 17
114 n Sacred MuSic colloquiuM 2011 Friday, June 17
V
b Œ
œ
œ
œ
Gló ri
œ
œ
œ
œ
a in ex
œ
œ
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œ
cél sis De
œ
œ ˙
o. - - - - -
&
&
b
b
1
3
1
3
S.
A.
5

w
w w
et in ter
w
w w
et in ter
w
˙
w
œ
œ
ra pax
w
˙
w
œ
œ
ra pax
˙
˙
˙
˙
w
ho mí ni - - - -
-
&
&
b
b
S.
A.
8
˙
˙
˙
˙
w
ho mí ni
w
Ó
w
˙
bus bo næ
w
Ó
w
˙
bus bo næ
˙
˙
. ˙
œ ˙
˙
vo lun tá tis. Lau
˙
˙
.
˙
œ ˙
˙
vo lun tá tis. Lau
˙
˙
W
dá mus te,
- - -
- - - - - -
- - - - -
&
&
b
b
S.
A.
11
˙
˙
w
Ó
˙
dá mus te, be
Ó
˙
˙
˙
. ˙
œ
be ne dí ci
˙
˙ .
˙
œ
˙
˙
ne dí ci
˙
˙
. ˙
œ
˙
˙
mus te,
.
˙
œ
˙
˙
Ó
˙
mus te, a
Ó
˙
˙
˙
.
˙
œ
a do rá
- - - - - - -
- - - - - - - - -
&
&
b
b
S.
A.
14
˙
˙
. ˙
œ
˙
˙
do rá mus te,
˙
˙
Ó
˙
˙
˙
mus te, glo ri fi
Ó
˙
˙
˙
.
˙
œ
glo ri fi cá
. ˙
œ
˙
˙
˙
˙
cá mus te. glo ri
œ
œ
.
˙
œ
˙
˙
œ
œ
˙
.
˙
œ
˙
˙
˙
fi cá
- - - - - - - - - -
- - - - - - - - - -
Missa Ave Maris Stella.
Josquin des Prez (1450-1521)
This engraving is given into the Public Domain
as a gift to those who sing and those who love Sacred Music
in honor of the XXI. Sacred Music Colloquium.
http://www.musicasacra.com
No. 2. GLORIA.
&
&
V
?
b
b
b
b
S.
A.
T.
B.
17
œ
œ
w
˙
w
mus te.
˙
œ
œ
˙
w
˙ #
w
w w
Grá ti as

Ó
˙
w
w
Grá ti
˙
.
˙
œ
˙
w
mus te.
. w
˙
˙
˙
á gi mus

W

as
w
.
w
œ
œ
Grá
˙
˙
w
w
ti
w
w w
Grá ti as
-
- - - -
- - - -
- -
- - -
- - -
- - -
&
&
V
?
b
b
b
b
S.
A.
T.
B.
20
„ ∑
˙
˙
˙
˙
˙
˙
ti as á gi mus ti
w
˙
˙ œ
œ
œ
œ
. ˙
œ
˙
˙
.
˙
œ
á gi mus ti
„ ∑
œ
œ
œ
œ
˙
˙
. ˙
œ
˙
. ˙
œ w
˙
#
˙
˙
˙
˙
w
„ ∑
˙
˙
. ˙
œ
œ
. ˙
œ
w
Ó
˙ ˙ ˙
bi pro pter ma
w
w
Ó
˙
bi pro
- - - - - - - - - -
- - - - - - -
- - - - - - - -
- -
&
&
V
?
b
b
b
b
S.
A.
T.
B.
23
„ ∑
w
∑ ∑
bi
.
˙
œ
˙
˙ œ
œ ˙
gnam gló ri
˙ w
˙
.
˙
œ
pter ma gnam gló
„ ∑
„ ∑
œ
œ
˙
˙
˙
w
am tu
˙
˙
˙
˙ œ
œ # œ
œ
ri am tu
Ó
˙ ˙ ˙
.
˙
œ
pro pter ma gnam
˙ ˙ ˙
˙ œ
œ
œ
œ
pro pter ma gnam
.
W
am.
. W
am. - - - - -
- - -
- -
- -
Josquin :: Missa Ave Maris Stella :: No. 2. GLORIA.
Sacred MuSic colloquiuM 2011 n 115 Friday, June 17
116 n Sacred MuSic colloquiuM 2011 Friday, June 17
&
&
V
?
b
b
b
b
S.
A.
T.
B.
26
˙
. ˙
œ
˙
w
gló ri am tu
˙
˙
˙
w
˙ #
gló ri am tu
„ ∑
„ ∑
W

am.
W

am.
Ó ˙ ˙ ˙ w
Dó mi ne De
Ó
˙ ˙ ˙
˙
˙
Dó mi ne De us,
„ ∑
„ ∑
˙
˙
˙
.
˙
œ n
˙ #
us, Rex cæ lé
˙
˙
˙
˙
w
Rex cæ lé
- - -
- - -
- - - - -
- - - - -
&
&
V
?
b
b
b
b
S.
A.
T.
B.
29
Ó
˙
˙
˙
w
De us Pa
Ó
˙
.
˙
œ
˙
˙
De us Pa
.
W
stis,
w
W
stis,
˙
˙
˙
.
˙
œ n
˙ #
ter om ní po
˙
˙
˙
˙
w
ter om ní po
„ ∑
„ ∑
˙
.
˙ œ ˙
˙
˙
tens. Dó mi ne Fi li
w
Ó
˙
˙
˙
tens. Dó mi ne
.
W
Ie
Ó
˙ ˙ ˙
˙
˙
Dó mi ne Fi li
- - - - - - -
- - - - - - - -
- - -
- - -
&
&
V
?
b
b
b
b
S.
A.
T.
B.
32
˙
˙
˙
w
œ
œ
U ni gé ni
˙
˙
w
˙
˙
.
˙
œ
3 3
Fi li U ni gé ni
W
w
˙
˙
w
w b
U ni gé ni
˙
˙ ˙
˙
w
te, Ie su Chri
W
Ó
˙
te, Ie
w
W
su Chri
W
w
te,
w
W
˙
˙
˙
œ
œ
œ
œ
œ
œ
su Chri
w
W
Ó
˙
. ˙
œ
w
Ie su
- - - - -
- - - - - - - - -
- -
- - - - -
- - - - - - - - -
Josquin :: Missa Ave Maris Stella :: No. 2. GLORIA.
&
&
V
?
b
b
b
b
S.
A.
T.
B.
35
W
Ó
˙
ste, Dó
˙
w
œ
œ
w
ste,
. W
ste,
W
.
˙
œ
Chri
˙
˙
w
w
mi ne De us,
Ó
˙
˙
˙
w
Dó De mi ne De
∑ ∑ Ó
˙

w
∑ ∑
ste,
∑ ∑ Ó
˙
A
w
∑ ∑
us,
˙
˙
w
w
mi ne De us,
Ó
˙
˙
˙
.
˙
œ
Dó mi ne De
- -
- - -
- - - -
- - -
- - -
- - -
&
&
V
?
b
b
b
b
S.
A.
T.
B.
38
˙
˙
w
w
gnus De i,
Ó
˙
˙
˙
w
A gnus De
∑ ∑ Ó
˙
A
w
∑ ∑
us,
∑ ∑ Ó
˙

w
∑ ∑
i,
˙
˙
w
w
gnus De i,
Ó
˙
˙
˙
.
˙
œ
A gnus De
˙
˙
w
w
li us Pa
Ó
˙
˙
˙
˙
œ
œ
Fí li us Pa
∑ ∑ Ó
˙

œ
œ
˙
. ˙
œ
˙
˙
i, Fí li us Pa
-
- -
- -
- - - - -
-
- - -
- - -
&
&
V
?
b
b
b
b
1
2
1
2
1
2
1
2
S.
A.
T.
B.
41
.
˙
œ
˙
w
˙ #
œ
œ
˙ œ
œ
˙ b
w
tris.
˙
˙
˙
˙
w
li us Pa
œ
œ
œ
œ
˙
˙
w
.
W
tris.
. W
.
W
tris.
. W
tris. - - - - -
- - - -
- - - -
- - - - -
Josquin :: Missa Ave Maris Stella :: No. 2. GLORIA.
Sacred MuSic colloquiuM 2011 n 117 Friday, June 17
118 n Sacred MuSic colloquiuM 2011 Friday, June 17
&
&
b
b
1
2
1
2
Superius
Altus
43
W
Qui

w w
tol lis

w
w
pec cá

w
w
ta mun
W
Qui
.
w
œ
œ
w w
tol lis
- - - - - -
-
&
&
V
?
b
b
b
b
S.
A.
T.
B.
48
œ
œ
w
œ
œ
w
w
pec cá


œ
œ
w
œ
œ
w
w
ta mun
W
Qui

W
di,
. w
œ
œ
w w
tol lis
W
Qui

œ
œ
w
œ
œ
w
w
pec cá
w w
tol lis

W
di,
w
w
ta mun
w
w
pec cá
- - - - -
- - - - - - -
- - -
- - -
-
V
?
b
b
T.
B.
53
w
w
di, mi
w
w
ta mun
w
w
se ré
w
˙
˙
. w
œ
œ
re
˙
œ
œ
˙
˙
˙
˙
˙
˙
no
w
˙
˙
di, mi se
œ
œ w
˙ #
˙
˙
w
ré re no - - - - - - - - -
- - - - - -
&
&
V
?
b
b
b
b
S.
A.
T.
B.
58

w
qui

W
bis;
W
bis;
w w
tol lis

W
W
w
w
pec cá
W
qui


w
w
ta mun
w w
tol lis

W
qui
W
di,
w
w
pec cá

w w
tol lis

. w
˙
ta
W
qui
w w
pec cá
- - - -
- - -
- - -
Josquin :: Missa Ave Maris Stella :: No. 2. GLORIA.
&
&
V
?
b
b
b
b
S.
A.
T.
B.
64

w
w
mun
w w
tol lis
w w
ta mun

w
w
di, mun
w
w
pec cá
.
w
œ
œ
di,

˙
w
œ
œ
w
w
ta mun
˙
w
œ
œ
mun

w
˙
˙
W
di,
.
˙
œ
w
di,
.
w ˙
sú sci
œ
œ b
œ
œ
w
di,

w

.
w ˙
sú sci
- - - - - - -
- - - -
- - - -
- -
-
&
&
V
?
b
b
b
b
S.
A.
T.
B.
69
w w
pe de
Ó
w ˙
sú sci
˙ ˙ ˙
˙
sci pe
w
w
pe de
w w
pre ca
w
w
pe de
w
w
de pre
w w
pre ca
˙
˙
.
˙
œ
ti ó
. w
˙
pre
. ˙
œ
˙
˙
ca ti ó
w
. ˙
œ
ti ó
˙
˙
˙
˙
nem
˙
˙
w
ca ti ó
˙
˙
˙
˙
˙
˙ œ
œ
œ
œ
- - - - - - -
- - - - - - - -
- - - - - -
- - - - - - - -
- - - -
-
&
&
V
?
b
b
b
b
S.
A.
T.
B.
73
Ó
˙
˙
˙
no
w
Ó
˙
nem no
˙
˙
˙
˙
nem no
œ
œ
˙
˙
˙
nem
˙
w
˙
˙
˙
˙
˙
˙
˙
w
˙
˙
w
no
˙
˙
.
˙
œ
stram, no
˙
˙ œ
œ
˙
W
stram.
W
stram.
œ
œ
˙ œ
œ
˙
œ
œ
œ
œ
˙
˙
stram, no
W
Ó
˙ œ
œ
˙
no - - -
- - - - -
- - - - - - -
- - - - - - - -
-
-
Josquin :: Missa Ave Maris Stella :: No. 2. GLORIA.
Sacred MuSic colloquiuM 2011 n 119 Friday, June 17
120 n Sacred MuSic colloquiuM 2011 Friday, June 17
&
&
V
?
b
b
b
b
S.
A.
T.
B.
77
œ
œ w
˙ #
˙
˙
w
W
˙
˙
w
W
stram.
W
stram.
W
w
Ó
˙
stram. Qui

Ó
˙ ˙
˙
Qui se des

˙
w
œ
œ
se des

˙
œ
œ
˙
˙
ad

˙
˙
˙
˙
ad déx te
- - -
- - - - - -
- - - -
&
&
V
?
b
b
b
b
S.
A.
T.
B.
81
∑ Ó
˙
mi
˙
˙
˙
˙
déx te ram Pa

˙
˙
w
ram Pa tris,
.
˙
œ
œ
œ
˙
se ré re
w

tris,
Ó
˙ ˙
˙
mi se ré

œ
œ
w
˙ #
no

.
˙
œ
w
re no

W
bis.
∑ Ó
˙
Quó
W
bis.
Ó
˙ œ œ ˙
Quó ni am -
- - -
- - - -
- - - -
- -
-
&
&
V
?
b
b
b
b
S.
A.
T.
B.
85

œ œ ˙
˙
˙
ni am tu so

˙
˙
˙
˙
tu so lus
∑ Ó
˙
Tu
˙
˙
. ˙
œ
lus San
Ó
˙
˙
˙
Tu sol us
. ˙
œ
w
San ctus,
˙
˙
˙
˙
sol us Dó mi
w

ctus,
˙
˙
w
Dó mi nus,

w
Tu
w

nus,
. w
˙
Tu sol

˙
˙
˙
˙
sol us Al - -
- - - -
- - -
- -
-
- - -
Josquin :: Missa Ave Maris Stella :: No. 2. GLORIA.
&
&
V
?
b
b
b
b
S.
A.
T.
B.
89

˙
˙
˙
˙
us Al tís si

˙
˙
.
˙
œ
tís si mus,

.
˙
œ
˙
˙
mus, Ie

˙
w
˙
Ie

˙
˙
˙
˙
su Chri

˙
w
˙
su Chri

œ
œ # œ
œ n
w
ste,
∑ Ó
˙
cum
w
w
ste, - - - - - -
- - - - -
&
&
V
?
b
b
b
b
S.
A.
T.
B.
93
∑ Ó
˙
cum
Ó
˙
˙
˙
cum San cto
˙
˙
˙
˙
San cto Spí ri

˙
˙
˙
˙
San cto Spí ri
w
˙
˙
Spí
˙ ˙
˙
˙
tu: in glo ri

˙ ˙
˙
˙
tu: in gló ri
w
w
ri tu:
w
Ó
˙
a, in

. ˙
œ
œ
œ
˙
a De

˙
˙ œ
œ
˙
gló ri a

- - - - - - -
- - - - -
- - - - - -
&
&
V
?
b
b
b
b
S.
A.
T.
B.
97
œ
œ
w
˙ #
i Pa

˙
˙
w
De i Pa

˙
œ
œ
œ N
œ
˙
tris. Pa
. w
˙
in gló
˙
w
˙
tris. in gló
Ó
˙
˙
˙
in gló ri
˙
˙ œ
œ
œ
œ
.
˙ b
œ
˙
˙
ri a De
˙
˙
.
˙
œ
ri a De
˙ b
w
˙
a De i
. ˙
œ
œ
œ
˙
˙
˙
˙
˙
i Pa
˙
˙ œ
œ
˙
i Pa
.
˙
œ N
˙
˙ b
Pa
- - - - - -
-
- - - - - - - - -
- - - - -
- - -
Josquin :: Missa Ave Maris Stella :: No. 2. GLORIA.
Sacred MuSic colloquiuM 2011 n 121 Friday, June 17
122 n Sacred MuSic colloquiuM 2011
&
&
V
?
b
b
b
b
S.
A.
T.
B.
101
œ
œ w
˙
w
w
tris.
˙
˙
w
˙
˙
w
w
Ó
˙
tris. A
Ó
˙
. ˙
œ
A
W
tris.
W
tris.
œ
œ
œ
œ
˙
˙
œ
œ
˙
.
˙
œ
men, A


œ
œ
œ
œ
˙
˙
œ
œ
˙ b œ
œ
˙
men,


- - -
- - -
- - -
- - - -
- - - - - -
&
&
V
?
b
b
b
b
S.
A.
T.
B.
105
W
men,
. ˙
œ
˙
˙
A
Ó
˙ œ
œ
œ
œ
A
.
˙
œ
œ
œ
˙
A men,
∑ Ó
˙
A
.
˙ b
œ
˙
˙
˙
˙ œ
œ
œ
œ
men, A
. ˙
œ
œ
œ
˙ b
A men,
œ
œ
œ
œ
.
˙
œ
.
˙ b
œ
˙
˙
˙
˙ œ
œ
œ
œ
men, A
œ
œ
˙ b œ
œ
œ
œ
A
˙
˙ œ
œ
˙
˙
˙
˙ b
˙
˙
˙
.
˙
œ
˙
˙ b œ
œ
œ
œ
- - - - - -
- - - - - -
- - - - - -
- - - - - - - - - -
&
&
V
?
b
b
b
b
S.
A.
T.
B.
109
œ
œ
w
˙ #
˙
˙
w
men.
˙
˙
w
˙
˙ b
w
W
men.
W
W
men.
W
men. - - - -
- - - -
- - - -
- - -
Josquin :: Missa Ave Maris Stella :: No. 2. GLORIA.
Friday, June 17
Sacred MuSic colloquiuM 2011 n 123 Friday, June 17
124 n Sacred MuSic colloquiuM 2011 Friday, June 17
Sacred MuSic colloquiuM 2011 n 125 Friday, June 17
126 n Sacred MuSic colloquiuM 2011
&
&
V
?
b
b
b
b
1
3
1
3
1
3
1
3
Superius
Altus
Tenor
Bassus
.
W
San
Ó
w
˙
w
San

.

.
W
w
∑ ∑
ctus,

.
Ó
w
˙
w
San
W
w
Ó
w
˙
w
san

.
w
∑ ∑
ctus,
- - - - - - - -
- -
-
&
&
V
?
b
b
b
b
S.
A.
T.
B.
4
W
w
w
W
ctus, san
.
W
San
Ó
w
˙
w
san
.
w
˙
w
. ˙
œ
œ
œ
œ
˙
˙
˙
ctus,
.
W
˙
w
˙
w
ctus, san
. ˙
œ
œ
œ w
˙ #
Ó
w
˙
w
san
W
w
w
∑ ∑
ctus,
- - - - - - - - - -
- - - - - - - -
- - - - -
- - - - - - - - - -
Missa Ave Maris Stella.
Josquin des Prez (1450-1521)
This engraving is given into the Public Domain
as a gift to those who sing and those who love Sacred Music
in honor of the XXI. Sacred Music Colloquium.
http://www.musicasacra.com
No. 4. SANCTUS.
Friday, June 17
Sacred MuSic colloquiuM 2011 n 127
&
&
V
?
b
b
b
b
S.
A.
T.
B.
7
w
Ó
˙
œ
œ
œ
œ
ctus, san
˙
. ˙
œ
˙
˙
˙
ctus, san
w
˙
˙
w
Ó
w
˙
w
san
˙
˙ œ
œ
œ
œ
œ
œ
˙
˙
˙
˙
. ˙
œ
˙
ctus, san
w
˙
˙
˙
˙
ctus, san
w Ó
w
˙
ctus, san
˙
˙
˙
˙
˙
˙
ctus, san
˙
˙
˙
˙
˙
˙
. ˙
œ
œ
œ w
˙ #
œ
œ
w
˙
w
- - - - - - - -
- - - - - - - - -
- - - - - - - - -
- - - - - - - -
&
&
V
?
b
b
b
b
S.
A.
T.
B.
10
.
W
ctus
˙
. ˙
œ
œ
œ
˙
˙
ctus Do mi
W w
ctus Do
w
. w ˙
ctus Do mi
Ó w ˙ w
Do mi mus
˙
˙
. ˙
œ
œ
œ
˙
mus De
˙ ˙ w
w
mi mus De
˙
˙ œ
œ
œ
œ
˙
˙
mus De
. ˙
œ W
De us
˙
˙
.
˙
œ
œ
œ
˙
us, De
. W
˙
˙ œ
œ
œ
œ
˙
˙
us, De us,
- - -
- - - - - - -
- - - - - - -
- - - - - - -
&
&
V
?
b
b
b
b
S.
A.
T.
B.
13
Ó
˙
.
˙
œ
œ
œ
˙
Do mi
œ
œ
œ
œ
w
w
W
w
Ó
˙ œ
œ
œ
œ
˙
˙
De us, De
œ
œ
˙
Ó
˙ œ
œ
˙
nus De
w
˙
˙ œ
œ
˙
us
w
W
œ
œ
œ
œ
˙
˙ œ
œ
œ
œ
us, De
- - - - - - - -
- - - - - - - - -
- - - - - - - - - -
- - - - - - - - -
Josquin :: Missa Ave Maris Stella :: No. 4. SANCTUS.
Friday, June 17
128 n Sacred MuSic colloquiuM 2011
&
&
V
?
b
b
b
b
S.
A.
T.
B.
15
˙
.
˙
œ
˙
˙
˙
us Sá
W
˙
˙

.
W
˙
˙ œ
œ
œ
œ
˙ b
˙
us Sá ba oth,
˙
˙
Ó
˙
œ
œ
œ
œ b
ba oth, Sá ba
˙
˙
Ó
w
˙
ba oth, Sá ba
W
w
Ó
˙ œ
œ
œ
œ
w b
Sá ba
w
Ó
˙ œ
œ
œ
œ
oth, Sá
˙
.
˙
œ
œ
œ
˙
˙
oth, Sá ba oth,
W
Ó
˙
us Sá
.
W
oth.
- - - - - - -
- - - - - - - -
- - - - - - - -
- - - -
&
&
V
?
b
b
b
b
1
2
1
2
1
2
1
2
S.
A.
T.
B.
18
˙
˙
Ó
˙ œ
œ
œ
œ
ba oth, Sá
Ó
˙ œ
œ
œ
œ
˙
˙
Sá ba
œ
œ
œ
œ
˙
˙
Ó
˙
ba oth, Sá
.
W
˙
. ˙
œ
œ
˙ œ
œ # œ
œ
ba
. W
oth.
œ
œ
˙
˙
˙
w
ba
.
W
.
W
oth.
. W
.
W
oth.
. W
- - - - - -
- - - - - - -
- - - -
&
&
?
b
b
b
1
2
1
2
1
2
Superius
Altus
Bassus


W
Ple
A


w w
ni

W
Ple
w
˙
˙
sunt cœ

w w
ni
œ
œ
˙
˙
˙
- - - - - - -
- - - -
Josquin :: Missa Ave Maris Stella :: No. 4. SANCTUS.
Friday, June 17
Sacred MuSic colloquiuM 2011 n 129
&
&
?
b
b
b
S.
A.
B.
25

w
˙
˙
sunt cœ
.
˙
œ
˙
˙

œ
œ
˙
˙
˙
œ
œ
œ
œ
˙
˙
W
Ple
˙
˙
˙
˙
W
li,
w w
ni
œ
œ
˙
˙
˙
W
- - - - -
- - - -
- - - - - - - - -
&
&
?
b
b
b
S.
A.
B.
29
w
˙
˙
sunt cœ
.
˙
œ
˙
˙

œ
œ
˙
˙
˙
œ
œ
œ
œ
˙
˙

. ˙
œ
˙
˙
. ˙
œ
˙
˙

œ
œ
œ
œ
˙
˙
œ
œ
œ
œ
˙
˙

- - - - - - - - -
- - - - - - - - - -
&
&
?
b
b
b
S.
A.
B.
33
.
˙
œ
˙
˙
.
˙
œ
˙
˙

œ
œ
œ
œ
˙
˙
œ
œ
œ
œ
˙
˙

W
li,
˙
˙
Ó
˙
li, cœ
W
ple
B
W
.
˙
œ
˙
˙
w w
ni - - - -
- - -
- - - - -
- - - - -
&
&
?
b
b
b
S.
A.
B.
37

˙
˙
Ó
˙
li, cœ
w
˙
˙
sunt cœ

˙
w
œ
œ
œ
œ
˙
˙
˙

.
˙
œ
˙
˙
. ˙
œ
˙
˙

. ˙
œ
˙
˙
œ
œ
œ
œ
˙
˙
- - - - - - - - -
- - - - - - - - -
Josquin :: Missa Ave Maris Stella :: No. 4. SANCTUS.
Friday, June 17
130 n Sacred MuSic colloquiuM 2011
&
&
?
b
b
b
S.
A.
B.
41

œ
œ
˙
˙
˙
.
˙
œ
˙
˙

.
˙
œ
˙
˙
œ
œ
œ
œ
˙
˙
Ó w
œ
œ
et
œ
œ ˙
w
li
W
li
˙
˙
w
ter
Ó
w
œ
œ
et
W
- - - - -
- - - - - - -
-
&
&
?
b
b
b
S.
A.
B.
45
w
Ó
˙
ra, et
˙
˙
w
ter

œ
œ
œ
œ
˙
˙
ter
w
w
ra,

˙
˙ œ
œ
œ
œ
ra, et
Ó
˙ œ
œ
œ
œ
et

˙
˙
˙
˙
ter ra, et
˙
˙
˙
˙
ter ra, et

- - - -
- -
&
&
?
b
b
b
S.
A.
B.
49
œ
œ
œ
œ
œ
œ
œ
œ
ter
œ
œ
œ
œ
w
ter

w
Ó
˙
ra, et
W
ra
Ó
w
œ
œ
et
C
˙
˙ œ
œ
œ
œ
ter

˙
˙
w
ter
. ˙
œ
w
ra

w
Ó
˙
ra, et -
-
- - - - -
&
&
?
b
b
b
S.
A.
B.
53

Ó
˙
˙
˙
glo ri a
œ
œ
œ
œ
˙
˙
ter

. ˙
œ
˙
˙
tu
˙
˙ œ
œ
œ
œ

˙
˙
˙
˙
a, glo ri a
˙
˙
˙
˙
ra glo ri a

œ
œ
˙
˙
˙
tu
. ˙
œ
˙
˙
tu - - - - - - - - -
- - - - - - - -
Josquin :: Missa Ave Maris Stella :: No. 4. SANCTUS.
Friday, June 17
Sacred MuSic colloquiuM 2011 n 131
&
&
?
b
b
b
S.
A.
B.
57
Ó
˙
˙
˙
glo ri a
w
Ó
˙
a, glo
˙
˙
˙
˙
a, glo ri a
.
˙
œ
˙
˙
tu
˙
w
˙
ri a tu
. ˙
œ
˙
˙
tu
w
w
a, glo
W
a,
w
w
a, glo
˙ ˙
.
˙
œ
ri a
W
˙ ˙ . ˙
œ
ri a
˙
˙ œ
œ
œ
œ
tu

˙
˙ œ
œ
œ
œ
tu - - - - - -
- - -
- - - - - -
&
&
?
b
b
b
S.
A.
B.
62
W
a,

w
glo
W
a,
Ó
˙
˙
˙
glo ri
˙ ˙ . ˙
œ
ri a

˙
˙ œ
œ
œ
œ
a tu
˙
˙ œ
œ
œ
œ
tu

œ
œ w
˙ #
˙
˙
w

W
a,
w
Ó
˙
a, glo

w
glo -
- - - - - - -
- - - - - -
&
&
?
b
b
b
S.
A.
B.
67

œ
œ
œ
œ
. ˙
œ
ri
˙ ˙ . ˙
œ
ri a

˙
˙ œ
œ
˙
a tu
˙
˙ œ
œ
œ
œ
tu

œ
œ w
˙ #
˙
˙
w
∑ w
glo
.
w
œ N
œ
a,
W
a, - - - - - - -
- - - - - - - -
-
&
&
?
b
b
b
S.
A.
B.
71
˙ ˙
.
˙
œ
ri a
˙
˙
. ˙
œ
glo ri

˙
˙ œ
œ
œ
œ
tu
˙
˙ œ
œ
œ
œ
a tu

. ˙
œ
œ
œ
˙
˙
˙
˙
˙

w
glo
˙
˙ œ
œ
œ
œ
a, glo
˙
˙
Ó
˙
a,
glo
˙ ˙
.
˙
œ
ri a - -
- - - - - - - -
- - - - - - - -
Josquin :: Missa Ave Maris Stella :: No. 4. SANCTUS.
Friday, June 17
132 n Sacred MuSic colloquiuM 2011
&
&
?
b
b
b
1
2
1
2
1
2
S.
A.
B.
75
˙
˙ œ
œ
˙
ri a
œ
œ
˙
˙
˙ b
ri a
˙
˙ œ
œ
œ b
œ
tu
˙
w
œ
œ
tu
œ
œ ˙ œ
œ
˙
tu
˙
˙
w b
˙
˙ œ
œ
œ
œ
œ
œ ˙ œ
œ
˙
W
a.
W
a.
œ
œ
˙
w
W
W
W
a.
W
- - - -
- - - - - - - - -
- - - - - -
&
&
V
?
b
b
b
b
1
2
1
2
1
2
1
2
Superius
Altus
Tenor
Bassus


w
O
W
O
. w
˙
O
D
∑ w
O
˙
˙
w
san
W
w
w
san
˙
˙
w
san
W
na,
W
˙
˙
w
W
na,

w
o
W
W
na, - - - - -
- -
- - - - -
- - - - - - - -
&
&
V
?
b
b
b
b
S.
A.
T.
B.
84

w
o
˙
œ
œ w
san
W
.
w
˙
o
˙
œ
œ w
san
˙
˙
w

w
w
san
˙
˙
w
W
na,
W
san
˙
˙
w
. w
˙

w
o
W
W
na,
W
na,
˙
˙
w
san
W
.
w
˙
o - - - - - -
-
- - - - - - -
- - - - - - - - - - -
- - - - -
Josquin :: Missa Ave Maris Stella :: No. 4. SANCTUS.
Friday, June 17
Sacred MuSic colloquiuM 2011 n 133
&
&
V
?
b
b
b
b
S.
A.
T.
B.
89
W
w
w
na,
w
w
w
w
san

w
o
Ó
˙
w
o san
W
. w
˙
w
w
w
w
na,
W
W
na,
˙
w
˙
san
Ó
˙
w
o san
W
. w
˙
o
w
w
w
w
na,
W
w
w
san - - - - - -
- - - - - - -
- - - -
- - - - - - - - - -
&
&
V
?
b
b
b
b
S.
A.
T.
B.
94
.
w
œ
œ
Ó
˙
w
o san
W
.
w
˙
. ˙
œ
œ
œ
˙
˙
˙
w
w
w
w
w
˙
w
œ
œ
w
w
W
na
.
w
˙
˙
œ
œ
œ
œ
˙
˙
œ
œ
˙
˙
W
W
na - - - - - - - -
- - - - - - - - - -
- - - - - - - - - -
- - - - -
&
&
V
?
b
b
b
b
S.
A.
T.
B.
98
œ
œ w
˙
˙
˙
w
W
W
w
w
na,
w
w
W
in
. w
˙
w
3
in ex
E
˙
˙
w
o san
w
Ó
˙
na, o
w
w
ex
. w
˙
w
3
cel
. w
˙
.
˙
œ w
san
W
W
w
3
sis, in
w
Ó
˙
na, o
˙
˙ w
na
W
˙
˙
w
w
3
ex cel - - - -
- - - - - - - -
- - - - - - - -
- - - - - -
Josquin :: Missa Ave Maris Stella :: No. 4. SANCTUS.
Friday, June 17
134 n Sacred MuSic colloquiuM 2011
&
&
V
?
b
b
b
b
S.
A.
T.
B.
103
.
w
˙
san
w
w
w
3
in ex
w
w
cel
. w
˙
w
3
w
Ó
˙
na, o
W b
w
3
cel sis,
W
. w b
˙
w
3
˙
œ #
œ
w
san
w b
W
3
W
w
W
3
sis,
w
Ó
˙
na in
. ˙
œ
˙
˙
in ex cel
W
sis,

. ˙
œ
in - - - - - -
- - - - -
- - - -
- - - - - - -
&
&
V
?
b
b
b
b
S.
A.
T.
B.
107
w
˙
˙
ex
œ
œ
œ
œ
˙
˙
∑ w
in
˙
˙ œ
œ
˙
ex cel
. w
˙
cel
˙
˙ œ
œ
˙
sis, in ex
w
w
ex cel
˙
˙ œ
œ
˙
sis, in ex
w
Ó ˙
sis, in
. w
˙
cel sis,
w w
sis, in
.
˙
œ
˙
˙
cel sis,
˙
œ
œ
˙
˙
ex cel
. ˙
œ
˙
˙
˙
˙
3 3
in ex cel
.
w
˙
ex
. ˙
œ
˙
˙
in ex cel
F
- - - - - -
- - - - - -
- - - - - - -
- - - - -
&
&
V
?
b
b
b
b
S.
A.
T.
B.
111
˙
˙
w
˙
˙
˙
˙
˙
˙
3 3
˙
˙
w
cel
˙
˙
w
w
Ó
˙
sis, ex
˙
w
˙
sis, in ex
w
. ˙
œ
sis, in
w
.
˙
œ
sis, in
. ˙
œ ˙
˙
cel sis, in
˙
˙
Ó
˙
cel sis, in
˙
˙ œ
œ
˙
ex cel
˙
˙ œ
œ
˙
ex cel
˙
˙ œ
œ
˙
ex cel
˙
˙ œ
œ
˙
ex cel
˙
˙
w
sis,
˙
˙ œ
œ
˙
- - - - - - - -
- - - - - - -
- - - - - - -
- - - - - - -
Josquin :: Missa Ave Maris Stella :: No. 4. SANCTUS.
Friday, June 17
Sacred MuSic colloquiuM 2011 n 135
&
&
V
?
b
b
b
b
1
2
1
2
1
2
1
2
S.
A.
T.
B.
115
œ
œ
œ
œ
˙
˙
sis, in
˙
˙
Ó
˙
sis, in
w
˙
˙
in ex
w
˙
˙
sis, in ex
˙
˙ œ
œ
˙
ex cel
˙
˙ œ
œ
˙
ex cel
˙
˙
w
cel
˙
˙ œ
œ
˙
cel
w
w
sis.
˙
˙
w
w
w
sis.
w
. ˙
œ
W
W
sis.
W
W
sis. - - - - - -
- - - - - -
- - - - - -
- - - - -
&
&
b
b
1
2
1
2
Superius
Altus
w
˙ b
˙
Be ne
W
Be
G
œ
œ
œ
œ
˙ b
˙
dic
W
˙
œ
œ
w
. w
˙
W
tus,
w
˙
˙
ne
- - - - - - - -
- - - - - - - -
&
&
b
b
S.
A.
123
W
œ
œ
œ
œ
˙
˙
dic
W
˙
œ
œ
w
w
˙
˙
be ne
W
tus,
œ
œ
œ
œ
˙
˙
dic
W
- - - - -
- - - - - -
&
&
b
b
S.
A.
127
˙
œ
œ
˙
˙
tus, be
W
˙
˙
˙
˙
ne dic
w
˙ b
˙
be ne
˙
˙
˙
˙
œ
œ
œ
œ
˙ b
˙
dic
˙
œ
œ
˙
˙
tus, be
˙
œ
œ
w
tus,
- - - - - - - - - -
- - - - - - -
&
&
b
b
S.
A.
131
œ
œ
˙
˙
˙
ne dic
Ó
˙
˙
˙
be ne
˙
˙
˙
˙
œ
œ
œ
œ
˙
˙
dic
˙
œ
œ
œ #
œ
œ
œ
˙
œ
œ
w
W
tus.
W
tus.
- - - - - - - - -
- - - - - - - -
Josquin :: Missa Ave Maris Stella :: No. 4. SANCTUS.
Friday, June 17
136 n Sacred MuSic colloquiuM 2011
&
?
b
b
Altus
Bassus
W
Qui
w
˙
˙
Qui ve
H
W
œ
œ
˙
˙
˙
w
˙
˙
ve
˙
œ
œ
˙
˙
œ
œ
˙
˙
˙
w ∑
nit,
- - - -
- - - - - -
&
?
b
b
A.
B.
139
˙
œ
œ
˙
˙
w
˙
˙
qui ve
w

nit,
œ
œ
˙
˙
˙
w
˙
˙
qui ve
˙
œ
œ
˙
˙
œ
œ
˙
˙
˙
w

nit,
- - - - - - -
- - - - - -
&
?
b
b
A.
B.
143
˙
œ
œ
˙
˙
w
˙
˙
qui ve
.
˙
œ w
nit
œ
œ
˙
˙
˙
Ó
˙
˙
˙
in Nó mi
˙
œ
œ
˙
˙
nit in
˙
˙
.
˙
œ
ne, in Nó mi
.
˙
œ ˙
˙
Nó mi ne Dó
- - - - - - - -
- - - - - - - -
&
?
b
b
A.
B.
147
˙
˙ œ
œ ˙
ne Dó mi ni,
œ
œ ˙
. ˙
œ
mi ni, Dó mi
˙
˙
. ˙
œ

˙
˙
œ
œ
œ
œ
ni, Dó
œ
œ
˙
œ
œ
œ
œ
˙
œ
œ
œ
œ
˙
œ
œ
˙
œ
œ
˙
˙
˙
˙
˙
mi
- - - - - - - - -
- - - - - - - - - - -
&
?
b
b
A.
B.
151
œ
œ w
˙ #
mi
w
w
ni.
W
ni.
W
- - - -
Josquin :: Missa Ave Maris Stella :: No. 4. SANCTUS.
Osanna
ut supra.
Friday, June 17
Sacred MuSic colloquiuM 2011 n 137
&
V
b
b
1
3
1
3
Superius
Tenore
Altus
„ ∑
w
.
w
œ
œ
A
w
.
w
œ
œ
A
w
˙
w
œ
œ
gnus De
w
˙
w
œ
œ
gnus De
. ˙
œ
œ
œ
w
œ
œ
- - - -
- - - - - - - -
&
V
?
b
b
b
S.
T.
A.
B.
4
. ˙
œ
œ
œ
w
œ
œ
4
. ˙
œ
œ
œ
w
œ
œ

. ˙
œ
œ
œ
w
œ
œ
˙
˙
˙
w
˙

˙
w
œ
œ
w
˙
˙
˙
w
˙ #
w
.
w
œ
œ
A
- - - - - - - - - -
- - -
- - - - - - - - - -
&
V
V
?
b
b
b
b
S.
T.
A.
T.
B.
7
˙
.
˙
œ
˙
˙
˙
i, qui tol
7
˙
˙
.
˙
œ
˙
˙
i, qui tol
w
.
w
œ
œ
A
w
Ó
˙
˙
˙
gnus De
˙
˙ œ
œ
˙
œ
œ
˙
˙
. w
˙
˙
w
Ó
˙
˙
˙
gnus De
w
Ó
˙
˙
˙
œ
œ
œ
œ
˙
˙
Ó
˙
lis pec
œ
œ
œ
œ
˙
˙
. ˙
œ
lis pec ca
w
Ó
˙
˙
˙
w
˙
˙
w
- - - - - - -
- - - - - - - -
- - - - - - - -
- - - - - - - - -
Missa Ave Maris Stella.
Josquin des Prez (1450-1521)
This engraving is given into the Public Domain
as a gift to those who sing and those who love Sacred Music
in honor of the XXI. Sacred Music Colloquium.
http://www.musicasacra.com
No. 5. AGNUS DEI.
Friday, June 17
138 n Sacred MuSic colloquiuM 2011
&
V
V
?
b
b
b
b
S.
T.
A.
T.
B.
10
.
˙
œ
œ
˙
˙
˙
˙
ca ta mun
10
˙
w
˙
.
˙
œ
ta mun
w
˙
˙
w
w
∑ ∑
i,
œ
œ . ˙
œ w
˙ #
œ
œ
w
˙
w
w
∑ ∑
i,
W w
qui tol
˙
˙
˙
˙ œ
œ
˙
di, pec ca
w

w
di, pec
W w
qui tol
.
˙
œ
˙
w
˙
- - - - - - -
- - - - -
- - - -
- - - - - - -
&
V
V
?
b
b
b
b
S.
T.
A.
T.
B.
13
˙
w
˙
.
˙
œ
ta mun
13
. ˙
œ
œ
œ w
˙
ca
.
˙
œ
˙
w
˙
˙
w
˙
w
œ
œ
w
˙
. ˙
œ
œ
œ
œ
œ
˙
w
˙
ta mun
˙
w
˙
w
w ∑ ∑
lis
˙
˙
˙
w
˙
. w
œ
œ
w
w
∑ ∑
lis
w
˙
˙
w
pec ca ta,
- - - - - - - - -
- - - - - - -
- - - - - -
- - - - - - - - - -
&
V
V
?
b
b
b
b
S.
T.
A.
T.
B.
16
w
∑ Ó
˙
di, mi
16
w
˙
w
˙
˙
w
3
3 3
w
˙
˙
w
pec ca ta,
w
˙
˙
w
pec ca ta
˙
w
˙
˙
˙
se ré re no
w
Ó
˙
˙
˙
di, mi se ré
w
˙
˙
w
pec ca ta
˙
. ˙
œ
˙
w
mun
œ
˙
œ
˙
˙
˙
˙
. ˙
œ
˙
˙
˙
˙
re no
˙
. ˙
œ
˙
w
mun
w
Ó
˙
˙
˙
di, mi se ré
- - - - - - - -
- - - - - - -
- - - - - - - -
- - - - - - - -
Josquin :: Missa Ave Maris Stella :: No. 5. AGNUS DEI.
Friday, June 17
Sacred MuSic colloquiuM 2011 n 139
&
V
V
?
b
b
b
b
S.
T.
A.
T.
B.
19
. ˙
œ
˙
˙
˙
˙
bis,
19
˙
w
˙
˙
˙
bis,
w
Ó ˙
˙
˙
di, mi se ré
˙
˙
˙
˙
˙
˙
re no
Ó w
˙
˙
˙
mi se ré re
Ó
w
˙
˙
˙
mi se ré re
˙
˙
˙
˙
˙
˙
re no
. ˙
œ
˙
˙
˙
˙
˙
˙ œ
œ
˙ œ
œ
˙
no
˙
˙
w
w
no
. ˙
œ
˙
˙
˙
˙
.
˙
œ
˙
˙
w
- - - - - - - - -
- - - - - - - -
- - - - - - - - -
- - - - - - - - -
&
V
V
?
b
b
b
b
1
2
1
2
1
2
1
2
S.
T.
A.
T.
B.
22
˙
˙ œ
œ w
˙ #
22
.
˙
œ
˙
.
˙
œ
˙
.
˙
œ
˙
˙
w
.
W
bis.
.
W
bis.
.
W
bis.
.
W
bis.
. W
- - - - - -
- - - - - -
- - - - - -
&
&
b
b
1
2
1
2
Superius
Altus
24

W
A
W
A
w w
gnus
w w
gnus
.
˙
œ
˙
˙
De
. ˙
œ
˙
˙
De
. ˙
œ
w
- - - - - - - -
- - - - - -
&
&
b
b
S.
A.
28
.
˙
œ
w
w
Ó
˙
i, A
w
Ó
˙
i, A
w w
gnus
w w
gnus
. ˙
œ
˙
˙
De
.
˙
œ
˙
˙
De
.
˙
œ
w
. ˙
œ
w
W
i, - - - - -
- - - - - - - -
Josquin :: Missa Ave Maris Stella :: No. 5. AGNUS DEI.
Friday, June 17
140 n Sacred MuSic colloquiuM 2011
&
&
b
b
S.
A.
33
W
i,

w
A
∑ w
A
w w
gnus
w w
gnus
. ˙
œ
˙
˙
De
.
˙
œ
˙
˙
De
w
Ó
˙
i, qui
w
Ó
˙
i, qui
˙
˙ œ
œ
œ
œ
tol - - -
- -
&
&
b
b
S.
A.
38
˙
˙ œ
œ
œ
œ
tol
˙
˙
w
lis,
˙
˙
w
lis,
Ó
˙
˙
˙
qui tol
Ó
˙
˙
˙
qui tol
œ
œ
œ
œ
˙
˙
lis
œ
œ
œ
œ
˙
˙
lis
.
˙
œ
œ
œ
˙
pec - - - - - - - -
- - - - - - -
&
&
b
b
S.
A.
42
. ˙
œ
œ
œ
˙
pec
. ˙
œ
œ
œ
˙
ca
.
˙
œ
œ
œ
˙
ca
œ
œ
œ
œ
œ
œ
˙
œ
œ
œ
œ
œ
œ
˙
œ
œ
œ
œ
˙
˙
œ
œ
œ
œ
˙
˙
w
Ó
˙
ta mun - - - - - - - -
- - - - - - - - -
&
&
b
b
S.
A.
46
w Ó
˙
ta mun
œ
œ
˙
˙
˙
œ
œ
˙
˙
˙
w
Ó
˙
di, mun
w
Ó
˙
di, mun
œ
œ
˙
˙
˙
œ
œ
˙
˙
˙
w
Ó
˙
di, mi - - - - - - -
- - - - - -
&
&
b
b
S.
A.
50
w
Ó
˙
di, mi
.
˙
œ
œ
œ
œ
œ
se
. ˙
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œ

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re
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re
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˙
w
3
3
no - - - - - - - - -
- - - - - - -
&
&
b
b
1
2
1
2
S.
A.
54
.
˙
œ
˙
˙
w
3
3
no
. ˙
œ
˙
˙
˙
˙ #
3
3
W
bis.
W
bis. - - - - - -
- - - - - -
Josquin :: Missa Ave Maris Stella :: No. 5. AGNUS DEI.
Friday, June 17
Sacred MuSic colloquiuM 2011 n 141
V
V
?
b
b
b
1
2
1
2
1
2
Tenore
Altus
Tenor
Bassus
56


w
w
A

w
A

˙
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˙
gnus De
.
w
œ
œ

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w
i,
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˙ œ
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gnus De
w
w
A

- - - -
-
- - - - -
&
V
V
?
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b
b
b
S.
T.
A.
T.
B.
60

w
A
60
w

i,
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w
gnus

w
A
.
w
œ
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˙
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De
. ˙
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w
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gnus De
Ó
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A
w
w
w

gnus
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œ
w
˙
˙
. ˙
œ
gnus
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w
∑ Ó
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- - - - - - - -
- - - - -
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&
V
V
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b
b
b
S.
T.
A.
T.
B.
64
.
w
˙
64
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w
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3 3
w
w
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w
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qui tol
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w
œ
œ .
˙
œ
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˙
˙
3
3

˙
˙ b
w
- - - - - -
- - - - - - - - - -
- - - - - - -
- - - - - - - - -
Josquin :: Missa Ave Maris Stella :: No. 5. AGNUS DEI.
Friday, June 17
142 n Sacred MuSic colloquiuM 2011
&
V
V
?
b
b
b
b
S.
T.
A.
T.
B.
68
w

i,
68
.
w
˙
i, qui
w w
qui tol
˙
˙
˙
˙
lis pec ca

w
qui
.
˙
œ
œ
œ
˙
tol
.
w
˙
lis pec
œ
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w
œ
œ
w
w
tol lis
˙
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w
. ˙
œ
ca
w
w
ta,
˙
˙
w
pec ca
˙
˙ œ
œ
˙
˙ b
w
œ
œ
ta
∑ Ó
˙
pec - - - - -
- - - - -
- - -
-
- - - - - - -
&
V
V
?
b
b
b
b
S.
T.
A.
T.
B.
72
. ˙
œ
˙ b
˙
ta
72
w
Ó
˙
lis pec
w
w
mun di,
˙
˙
˙
˙
ca ta
˙
œ
œ
w
mun
˙
˙
.
˙
œ
ca

w
qui
˙
œ
œ .
˙
œ
mun
w

di,
. ˙
œ ˙
˙
ta mun
w
w
tol lis
w
w
di,
w w
qui tol
˙
œ
œ
w
˙
˙
w
pec ca
˙
˙
w
qui tol
-
- - -
- -
-
- - -
-
- - - - - - - -
&
V
V
?
b
b
b
b
S.
T.
A.
T.
B.
76
. w
˙
lis pec
76
.
˙
œ
œ
œ
˙
w
˙
˙
ta
w Ó
˙
lis pec
w
w
ca
˙
˙
Ó ˙
di, pec
w
w
mun di,
˙
˙
w
ca ta
˙
˙
w
ta mun
˙
˙ œ
œ
œ
œ
ca ta
Ó
˙
˙
˙
pec ca ta
˙
˙ .
˙
œ
mun
w
Ó
˙
di, pec
œ
œ
˙ œ
œ œ
œ
mun
˙
œ
œ
w
mun
W
di,
- - - - - -
- - - - - -
- - - - -
- - - - - -
Josquin :: Missa Ave Maris Stella :: No. 5. AGNUS DEI.
Friday, June 17
Sacred MuSic colloquiuM 2011 n 143
&
V
V
?
b
b
b
b
S.
T.
A.
T.
B.
80
˙
w
œ
œ
ca ta
80
˙
˙ œ
œ
˙
di, pec
w

di,
Ó
˙
˙
˙
pec ca ta
w
w
mun di,
˙
˙
˙
˙
ca ta mun

.
˙
œ
do
. ˙ b
œ
w
mun di,

œ
œ
˙ œ
œ
œ
œ
˙
w
˙
na no
Ó
˙ ˙ ˙
do na no
.
˙
œ
˙
˙
do na no
w
Ó
˙
di, do
˙
˙
˙
˙
bis
w
Ó
˙
bis, do
-
- - - - -
- - - -
-
- - -
- - - - - - -
&
V
V
?
b
b
b
b
S.
T.
A.
T.
B.
84
˙
˙
˙
˙
84
˙ ˙
œ
œ
œ
œ
na no
w
w
pá cem,
˙ ˙
w
na no bis,
˙
˙
w
bis pá
˙
˙
Ó
˙
bis, do
Ó
w
˙
do na
Ó
˙ ˙ ˙
do na no
w
Ó
˙
cem, do
˙
˙
˙
˙
na no bis, do
˙
˙ œ
œ
œ
œ
no bis
˙
˙
.
˙
œ
bis pá
˙
˙
˙
˙
na no bis
œ
œ
˙
˙
˙
na no bis pá
œ
œ
œ
œ
w

˙
˙
˙
˙
cem, pá
- - - -
- - - - -
- - - - - -
- -
- -
- - - - - -
&
V
V
?
b
b
b
b
S.
T.
A.
T.
B.
88
œ
œ
œ
œ
œ #
œ
œ
œ

88
w
w
cem,
W
cem.
.
˙
œ
w
cem,
W
cem.
Ó
˙
w b
no
W
Ó
˙
˙ b
˙
do na no
W
w
w b
bis pá
W
w
w
bis pá
W
W
cem.
W
W
cem. - - - - -
-
- -
Josquin :: Missa Ave Maris Stella :: No. 5. AGNUS DEI.
Friday, June 17
144 n Sacred MuSic colloquiuM 2011
I/ 11. ?7  Ps ++. ?:|, 10÷1ó
!

B £- á-fa víscc- ia * ^a-ií- æ \íi- gi-nis, quæ
 ·
poifa- vé- iunf æ-féi- ni !a- fiis !í- li- un.

1. £-iucfá-vif coi nc- un vcihun honun, di- co c-go o-
·
pc-ia nc- a ic- gi. Bcáfa. Bcafa visccia

?. !í- li- æ icgun in pic-fi- o-sis fu- is: ásfi-fif ic-gína
·
a dcxfiis fu- is oiná-fa au- io cx Ò-plii. Bcáfa.

J. Audi, fí-li- a, cf vidc cf inclí-na auicn fu- an cf ohli-
·
víscc-ic popu-lun fu- un cf donun pafiis fu- i. Bcáfa.

+. £f concupísccf icx spé-ci- cn fu- an. Òuo-ni- an ipsc
·
csf doni-nus fu- us, cf a- do-ia c- un. Bcáfa.

J. !í- li- a Jv-ii cun nuné-ii-hus: vul-fun fu- un dcpic-
·
ca-hunfui dí- vi- fcs plc- his. Bcáfa.
Friday, June 17
Sacred MuSic colloquiuM 2011 n 145
8.:t: t|s..r: 2

ó. Glo- ii- o-sa ninis fí-li- a ic-gis infiínsc- cus, fcxfu-iis
·
áuic- is cii-cunaní- cfa. Bcáfa.

7. !n vésfihus va-ii- cgá-fis adducé-fui ic- gi: víi-gincs
·
posf c- an, pio-xinæ c-jus, affc- iunfui fi- hi. Bcáfa.

8. Affc-iunfui in læ-fí-fi- a cf cxsulfa-fi- o-nc, addu-
·
cunfui in donun ic- gis. Bcáfa.
Blcsscd is flc wonh of flc \iigin ^aiv, wlicl hoic flc Son of flc cfcinal
!aflci. 1. ^v lcaif lafl uffcicd a good woid: ! spcak nv woiks fo flc king.
2. Jlc dauglfcis of kings aic anong voui lovcd oncs: on voui iiglf sfands flc
quccn in gold of Òplii. 3. !caikcn, Ò dauglfci, and scc, and inclinc flv cai:
and foigcf flv pcoplc and flv faflci`s lousc. 4. And flc king slall gicaflv dc-
siic flv hcaufv: foi lc is flc Loid flv God, and lin flcv slall adoic. ¯. And
flc dauglfcis of Jvic wifl giffs, vca, all flc iicl anong flc pcoplc, slall cn-
ficaf flv counfcnancc. 6. Jlc king`s dauglfci is cloflcd wifl splcndoi, lci
iohcs cnhioidcicd wifl gold. 7. Cloflcd iound ahouf wifl vaiicfics: affci lci
slall viigins hc hiouglf fo flc king. º. Jlcv slall hc hiouglf wifl gladncss and
icjoicing: flcv slall hc hiouglf info flc fcnplc of flc king.
8.4t: tis..r: :/t.  I. 1. +ó÷JJ (.:nt. M:zn|/|.:t
!
)

1. ^agní- fi-caf á-nina nc- a Loni- nun, cf cxsulfá-vif
·
spí-ii-fus nc- us in Lc- o sa-lu- fá-ii nc- o. Bcáfa.
s:/t:- t´-r.

f
Modern version given in italics.
I/ 11. ?7  Ps ++. ?:|, 10÷1ó
!

B £- á-fa víscc- ia * ^a-ií- æ \íi- gi-nis, quæ
 ·
poifa- vé- iunf æ-féi- ni !a- fiis !í- li- un.

1. £-iucfá-vif coi nc- un vcihun honun, di- co c-go o-
·
pc-ia nc- a ic- gi. Bcáfa. Bcafa visccia

?. !í- li- æ icgun in pic-fi- o-sis fu- is: ásfi-fif ic-gína
·
a dcxfiis fu- is oiná-fa au- io cx Ò-plii. Bcáfa.

J. Audi, fí-li- a, cf vidc cf inclí-na auicn fu- an cf ohli-
·
víscc-ic popu-lun fu- un cf donun pafiis fu- i. Bcáfa.

+. £f concupísccf icx spé-ci- cn fu- an. Òuo-ni- an ipsc
·
csf doni-nus fu- us, cf a- do-ia c- un. Bcáfa.

J. !í- li- a Jv-ii cun nuné-ii-hus: vul-fun fu- un dcpic-
·
ca-hunfui dí- vi- fcs plc- his. Bcáfa.
Friday, June 17
146 n Sacred MuSic colloquiuM 2011
&
&
&
V
?
b
b
b
b
b
b
b
b
b
b
b
b
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C
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C
M
Ct
Ct
T
B


.
œ
j
œ
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A - ve Ma -




˙
˙
ri - a,



.
œ
j
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w
a - - -

. œ
j
œ
œ
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A - ve Ma -

˙
˙
ri - a,
w
ve
Ó
.
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j
œ
A - ve
˙
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ri - a, Ma -

w
a - - -
œ
.
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Ma - ri - - -
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Ma - ri -
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. œ
J
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ri - - -
&
&
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V
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6

w
ve
˙
. œ
j
œ
œ
œ ˙
œ
œ
œ
˙
a,
w
A - - - -
œ
.
œ
j
œ
œ
Ma - ri - - - - - -
œ
œ
. œ
j
œ œ
. œ
j
œ
œ
œ
œ
œ
œ
.
œ
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Ma - ri - - - - - - - - - - -
˙
Ó
ve,
œ
œ
˙
œ
a,
œ
œ n
˙
a,
œ
œ
œ
œ
a, Ma - ri - - - - -
˙
˙
Ó ˙
a -
œ
. œ
j
œ œ
Ma - ri - - -
œ
. œ
œ
œ
œ
Ma - ri - - -
œ
œ ˙
œ
.
œ
j
œ
œ
œ
Ave Maria Robert Parsons (c. 1530-1572)
Friday, June 17
Sacred MuSic colloquiuM 2011 n 147
&
&
&
V
?
b
b
b
b
b
b
b
b
b
b
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Ct
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10
˙ ˙
ve
œ
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œ
a, Ma - - -
˙
Œ
œ
a, Ma -
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.
œ
j
œ
a, a - ve
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J
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a, a - ve
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Ma - ri - - -
œ
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œ
j
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ri
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œ
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ri - - - -
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Ma - ri - -
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Ma - ri - - -
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Ó
a
.
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Œ
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a gra -
œ
. œ
j
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a, gra - ci - a
˙
Ó
a

œ
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j
œ
œ
a gra - ci - a
œ œ
œ
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œ
ci - a ple
. œ
j
œ
œ
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ple - - - -
Ó Œ
œ
gra -
&
&
&
V
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b
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M
Ct
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B
14
Ó
˙
gra - - -
œ
˙
œ
ple - - - - -
œ
œ
œ
œ
na, gra
œ
œ n
œ
œ
na, gra -
œ œ
œ n
œ
œ
ci - a ple - - - - - - - - - - - -
œ œ ˙
ci - a
˙
œ
œ
na, gra -
œ œ
œ n
œ
œ
ci - a ple -
œ
œ
œ
œ
œ
ci - a ple - - - - - -
. œ
j
œ
˙
˙ ˙
ple - na,
œ œ
œ n
œ
œ
ci - a ple -
˙
Œ
œ
na, gra -
œ
. œ
J
œ
œ
˙
˙

œ
.
œ
J
œ
œ
na, gra - ci - a
œ œ
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ci - a ple -
˙
Œ
œ
na, gra -
˙
˙
na,
&
&
&
V
?
b
b
b
b
b
b
b
b
b
b
b
b
b
b
b
b
b
b
b
b
M
Ct
Ct
T
B
18
Ó
˙
gra - - -
. ˙
œ
ple - - - - - - - - - - - -
œ
œ
œ
œ
œ œ
œ
œ
œ
ci - a ple - - - - - - - - - -
Ó
.
œ
j
œ
gra - ci -
œ œ ˙
ci - a
œ
œ
˙
œ
œ
œ
œ
œ
œ
œ
œ
œ
.
œ
J
œ
œ
œ
.
œ
œ
œ
œ
a ple - - - - - - -
œ
. œ
J
œ
œ
ple - - - -
œ
œ ˙
œ
. œ
j
œ
˙
œ
œ
œ
œ
œ
œ
˙
˙
Ó
na,
˙
Ó
na,
œ
.
œ
j
œ
œ
na, Do - mi - nus
˙
Ó
na,
œ
.
œ
J
œ
œ
na, Do - mi - nus
-2-
Friday, June 17
148 n Sacred MuSic colloquiuM 2011
&
&
&
V
?
b
b
b
b
b
b
b
b
b
b
b
b
b
b
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b
b
b
M
Ct
Ct
T
B
22

Œ
.
œ
j
œ n
œ
Do - mi - nus
œ
œ
œ
œ
te - - - -
Œ
. œ
j
œ
œ
Do - mi - nus
œ
˙
œ
te - - - - - - - - - -
Ó
˙
Do - - -
œ
˙
œ
te - - - - - -
˙
Œ
œ
cum, Do -
œ
. œ
œ
œ
œ
te - - - - - - - - - -
œ
˙
œ
œ œ ˙
mi - nus
œ
œ
˙
cum,
œ œ œ
œ
œ
mi - nus te - - - - - - -
œ
œ
œ
œ
˙
˙
cum,
˙ ˙
te - cum,
.
œ
j
œ
œ
œ
œ
Do - mi - nus
œ
œ
œ
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cum, Do -
˙
Ó
&
&
&
V
?
b
b
b
b
b
b
b
b
b
b
b
b
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b
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b
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M
Ct
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T
B
26

œ
œ
˙
œ
te - - - - - - -
œ
œ
˙
œ n
œ
œ
œ
œ
œ
˙
mi - nus
. œ
J
œ
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œ
œ
Do - mi - nus

œ
œ
œ
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˙
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œ
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œ
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. œ
œ n
œ
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te - - - - - - - - - -
.
œ
J
œ
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te - - - - - -
.
˙ œ
Do - - - mi -
œ
œ n
œ
œ
cum, Do -
. œ
j
œ
˙ n
cum,
œ
œ
œ
˙
˙
œ
œ
cum, Do -
˙ ˙
nus te -
œ
œ
. œ
j
œ
œ
mi - nus te -
Œ
.
œ
J
œ
œ n
Do - mi - nus
˙
˙
cum,
œ
œ
œ n
˙
mi - nus te -
&
&
&
V
?
b
b
b
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b
M
Ct
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T
B
30
œ
. œ
J
œ
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œ n
.
œ
j
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cum, Do - mi - nus
œ
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˙
te - - - -
Œ
.
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J
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Do - mi - nus
œ
œ
˙
˙
Ó
cum.
œ œ
Œ
œ
te - cum. Be -
˙
Œ
œ
cum. Be -
œ
œ ˙
te - cum.
w
cum.
˙ œ œ
Be - ne - dic -
œ
œ
œ
œ
ne - dic - ta
œ
n
œ
œ
œ
ne - dic - ta tu,
Ó Œ
œ
Be -
Ó Œ
œ
Be -
œ œ Œ
œ
ta tu, be -
œ
œ
Œ
œ
tu, be -
Œ œ œ
œ
be - ne - dic -
œ
œ
œ
œ
ne - dic - ta
œ
œ n
œ
œ
ne - dic - ta
-3-
Friday, June 17
Sacred MuSic colloquiuM 2011 n 149
&
&
&
V
?
b
b
b
b
b
b
b
b
b
b
b
b
b
b
b
b
b
b
b
b
M
Ct
Ct
T
B
34
œ œ ˙
ne - dic -
œ
œ
œ
œ
ne - dic - ta
œ
œ
Œ
œ
ta tu, be -
œ
œ
œ
œ
œ
tu, be -
˙
œ
œ
tu, be -
˙ ˙
ta tu
œ
œ
œ
œ
œ œ œ œ
ne - dic - ta
œ
œ
. œ
J
œ
ne - dic - ta
œ
œ
œ
œ
ne - dic - ta

œ
œ
œ œ
tu in mu - li -
œ
œ n
˙
˙
œ
œ
tu in
˙
˙
tu

œ
œ
œ
œ
e - ri - bus, in
œ
œ
œ
œ
tu in mu - li -
œ
œ
œ
œ
mu - li - e - ri -
Ó Œ
œ
in
&
&
&
V
?
b
b
b
b
b
b
b
b
b
b
b
b
b
b
b
b
b
b
b
b
M
Ct
Ct
T
B
38
Œ
œ
œ
œ
in mu - li -
œ
œ
œ
œ
. œ
œ
mu - li - e - - - - -
œ
œ
œ
œ
e - ri - bus, in
œ
Œ Œ
œ
bus, in
œ
œ
œ
œ
mu - li - e - ri - - - - - -
œ
. œ
j
œ
œ
e - - - ri -
œ
œ
œ
œ
ri -
œ
œ
œ
œ
mu li e - ri -
œ
œ .
œ
J
œ
mu - lil - e - ri -
œ
œ
œ
œ
œ œ
œ œ
bus, et be - ne -
˙
Œ
œ
bus, et
w
bus,
w
bus,
w
bus,
˙
˙
dic - tus
œ œ
˙
be - ne - dic -
Œ
œ
œ œ
et be - ne -
˙
Œ
œ
et
˙
Ó
&
&
&
V
?
b
b
b
b
b
b
b
b
b
b
b
b
b
b
b
b
b
b
b
b
M
Ct
Ct
T
B
42
Ó Œ
œ
fruc -
œ œ
œ
œ
tus, et be - ne -
˙
˙
dic - tus
œ œ
˙
be - ne - dic -
Œ
œ
œ œ
et be - ne -
œ œ ˙
tus ven - - -
˙
œ
œ
dic - tus, fruc -
Œ
˙
œ
fruc - tus
˙
Œ
œ
tus fruc -
˙
œ
œ
dic - tus, fruc -
œ
œ
œ
œ
tris tu - - - - - - - -
œ œ ˙
tus ven -
œ
œ
œ
œ
ven - tris tu - i,
œ
œ
œ
œ
tus ven - tris
œ
œ
œ
œ
tus ven - tris
˙
˙
. ˙
œ
tris tu - - - - -
˙
œ
œ
fruc - tus ven -
œ
˙
œ
œ
tu - - - -
˙
˙
tu - i,
œ .
œ
J
œ
œ
œ
. œ
j
œ b
œ
œ
œ b
œ
˙
tris tu -
œ
œ
œ
œ
i, fruc -
w
-4-
Friday, June 17
150 n Sacred MuSic colloquiuM 2011
&
&
&
V
?
b
b
b
b
b
b
b
b
b
b
b
b
b
b
b
b
b
b
b
b
M
Ct
Ct
T
B
47
˙
.
œ
J
œ
i, fruc - tus
˙
˙
i,
œ
˙
œ
i, fruc - tus
œ
œ
œ
œ
œ
tus ven - - -
˙
˙
tu
œ
. œ
J
œ
œ
ven - tris tu -
œ
.
œ
j
œ
œ
tu - - - - -
œ
œ
.
œ
j
œ
ven - tris tu -
œ
œ
˙
tris tu -
w
œ œ
œ œ
i, et be - ne
œ
œ ˙
i,
˙
Œ
œ
i, et
w
i,
w
i,
˙
˙
dic - tus,
Œ
œ
œ œ
et be - ne -
œ œ
˙
be - ne - dict -
˙
Ó
˙
Œ
œ
et
Ó Œ
œ
fruc -
˙
˙
dict - tus
œ œ
œ
œ
tus, et be - ne -
Œ
œ
œ œ
et be - ne -
œ œ
˙
be - ne - dic -
&
&
&
V
?
b
b
b
b
b
b
b
b
b
b
b
b
b
b
b
b
b
b
b
b
M
Ct
Ct
T
B
52
œ œ ˙
tus ven - - -
Œ
˙
œ
fruc - tus
˙
œ
œ
dic - tus, fruc -
˙
˙
dic - tus
˙
Œ œ
tus fruc -
œ
œ
œ
œ
tris tu - - - - - - - - -
œ
œ
œ
œ
ven - tris tu - - -
œ œ ˙
tus ven -
œ
œ
œ
œ
fruc - tus ven - tris
œ
œ
œ
œ
tus ven - tris
˙
˙
˙
œ
œ
i, tu - - - - -
œ ˙
œ
tris tu - - - - -
œ
˙
œ
œ
tu - - - -
˙
˙
tu - i,
œ .
œ
J
œ
œ
œ
b
œ
œ
˙
œ
. œ
j
œ b
œ
i,
œ
œ
œ
œ
i, fruc -
w
˙
.
œ
J
œ
i, fruc - tus
œ
˙
œ
i, tu
œ œ
˙
fruc - tus ven -
œ
œ
˙
tus ven -
˙
˙
tu - - -
&
&
&
V
?
b
b
b
b
b
b
b
b
b
b
b
b
b
b
b
b
b
b
b
b
M
Ct
Ct
T
B
57
œ
. œ
J
œ
œ
ven - tris tu -
œ
œ
˙
œ
.
œ
j
œ
œ
tris tu - - -
œ
œ
˙
tris - tu
w
w
i,
˙
˙
i, tu - - - - - - -
˙
Œ
œ
i, A - - - - - - - - - - -
w
i.
w
i.
w
tu - - - -
˙
.
œ
j
œ
œ
˙
œ
Œ
œ
œ
œ
A - - - - - - -
˙
Ó
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Œ
œ
i. A - - - -
œ
œ ˙
i,
œ
˙
œ
œ
œ
œ
œ
Œ œ
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œ
A - - - - - -
œ
˙
œ
Œ
œ
œ
œ
A - - -
˙
œ
œ
. œ
J
œ
˙
men,
œ
˙
œ
-5-
Friday, June 17
Sacred MuSic colloquiuM 2011 n 151
&
&
&
V
?
b
b
b
b
b
b
b
b
b
b
b
b
b
b
b
b
b
b
b
b
M
Ct
Ct
T
B
62
œ
˙
œ
œ
˙
œ
˙
œ
Œ
men,
Œ
œ
œ
œ
a - - - - - - - - - - - - - - -
œ
œ
œ
œ
w
men,
œ
˙
œ n
œ
.
œ
j
œ
œ
a - - - - - - - - - - - -
œ
œ
œ
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œ
œ
œ
˙
Œ
œ
œ
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a - - - - - - -
˙
œ
œ
men, a - - - - - -
œ
˙
œ
œ
˙
œ
˙
Œ œ
men, a - - - - -
œ
œ
˙
œ
œ ˙
œ
œ
˙ œ
˙
˙
œ
œ
˙
&
&
&
V
?
b
b
b
b
b
b
b
b
b
b
b
b
b
b
b
b
b
b
b
b
M
Ct
Ct
T
B
66
w
men,
w
men,
œ
œ
œ
œ
œ
œ
œ
œ
œ
œ
men, a - - - - - - - - - - -
˙
Œ
œ
men, a - - - - - - - - - - - -
w
w
˙
Œ
œ
men, a - - - - - - -
œ
œ
œ
œ
œ
˙
œ
Ó Œ
œ
a - - - - -

œ
˙
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Œ
œ
œ
œ
a - - -
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œ
œ œ
men, a -
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˙
œ
men, a - - -
œ
˙
œ
men,
&
&
&
V
?
b
b
b
b
b
b
b
b
b
b
b
b
b
b
b
b
b
b
b
b
M
Ct
Ct
T
B
70
œ
œ
œ
œ
œ
œ
œ
œ
œ
œ
œ
œ
œ
œ
œ
œ
œ
œ
œ
œ
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a - - - - - - -
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.
œ
j
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w
men,
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men, a - - - - - -
œ
œ
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men, a - - - - - - -
œ
. œ
j
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men, a - - - - - -
˙
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œ
men, a - - - -
w
a - - -
œ
œ
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œ
œ
œ
œ
œ
œ
œ
˙
w
men.
w
men.
œ
œ ˙
men.
w
men.
w
men.
-6-
Friday, June 17
152 n Sacred MuSic colloquiuM 2011
4
4
4
,
,
,
,
,
¡
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¡
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REGINA CAELI
Gregor Aichinger 1564-1628
10/2004
regina caeli
Friday, June 17
Sacred MuSic colloquiuM 2011 n 153
4
4
4
,
,
,
,
,
,
,
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- 2 -
Friday, June 17
154 n Sacred MuSic colloquiuM 2011
4
4
4
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,
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,
,
,
,
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,
.
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- 3 -
Friday, June 17
Sacred MuSic colloquiuM 2011 n 155
4
4
4
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aI - - - aI - - -
. .
aI - - -

, .
Ie - Iu -
,
.
Ie - Iu -
,
.
Ie - Ie - Iu - Iu -
,
.
Ie - Iu -
.
.
ia.
.
.
ia.
.
.
ia. ia.
.
.
ia.
- 4 -
Friday, June 17
156 n Sacred MuSic colloquiuM 2011 Friday, June 17
Vespers
l
6:30 p.m. June 17, 2011
Conducted by William Mahrt
Sacred MuSic colloquiuM 2011 n 157 VeSPerS, Friday, June 17
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192 n Sacred MuSic colloquiuM 2011 VeSPerS, Friday, June 17
Saturday
l
11:30 a.m. June 18, 2011
Ember Day Mass,
Extraordinary Form
First Class Feast
Sacred MuSic colloquiuM 2011 n 193 Saturday, June 18
194 n Sacred MuSic colloquiuM 2011
Ember days
F
our times a year the Church sets aside three days to focus on God through His marvel-
ous creation. These quarterly periods take place around the beginnings of the four natural
seasons: the summer equinox, the fall solstice, the winter equinox, and the spring solstice.
These four times are each kept on a successive Wednesday, Friday, and Saturday and are known as
“Ember Days,” or, in Latin, Quatuor Tempora. The frst of these four times comes in winter, after
the Feast of St. Lucy; the second comes in spring, the week after Ash Wednesday; the third comes
in summer, after Pentecost Sunday; and the last comes in autumn, after Holy Cross Day.
These penitential times are spent fasting and partially abstaining, with the intentions of thanking
God for the gifts He gives us in nature, beseeching Him for the discipline to use them in modera-
tion, and assisting the needy. (Fasting and abstinence are no longer required by the new Code of
Canon Law. They are now done voluntarily.) The fasts, known as Jejunia quatuor temporum, or “the
fast of the four seasons,” are rooted in Old Testament practices of fasting four times a year. It is
very probable that these days were also instituted to counteract the pagan practices that took place
during the change of seasons.
The Liber Pontifcalis ascribes a law ordering the fast to Pope St. Callistus (217-222). It is, howev-
er, probably older. St. Leo the Great (440-461) considers it an apostolic institution. He also per-
mitted the conferring of priesthood and deaconate on the Saturdays of ember week. Eventually, in
Rome, all the minor orders were given as well, hence the reason for all the lessons on Saturday.
The following orders were conferred: tonsure after the Kyrie; door-keeper after the frst lesson; lec-
tor after the second lesson; exorcist after the third lesson; acolyte after the fourth lesson; subdea-
con after the ffth lesson; deacon after the epistle; and fnally ordination of priests before the last
verse of Veni Sancte Spiritus and before the Gospel.
The second, third, fourth, and ffth lessons refer to the harvest and to the offerings of the frst
fruits of the earth, with the intention of obtaining God’s blessing at the change of the season. The
ffth lesson never varies: it is the record of the miraculous preservation of the three young Hebrew
men in the furnace, followed by an extract of their canticle of praise and thanksgiving.
The 1962 Missal offers the option of a shortened Mass on Ember Saturday with just two lessons.
Despite the ancient origin of these days, and even though there was a belief that these days were of
apostolic institution, they were completely removed from the 1970 Roman Missal. It is a rare privi-
lege to participate in them in solemn form.
Saturday, June 18
Sacred MuSic colloquiuM 2011 n 195 Saturday, June 18
196 n Sacred MuSic colloquiuM 2011 Saturday, June 18
46 T/. P:r|s/ 8../ ./ C/:nt
M^SS l, Iuy .t .r|z. |n P:s./:/ T|m.
\!!!
· 

K Y- ii- c * c- lé- i-son. ||i Clii- sfc c-
‚··
lé- i-son. ||i Kv- ii- c c- lé- i-son. |i Kv-ii- c *
·
c- lé- i-son.

!\
·
G Lo- ii- a in cxcélsis Lc- o. £f in fci- ia pax lo-
· ·
ní-nihus honæ vo-lunfá- fis. Laudánus fc. Bcncdí-ci- nus
···
fc. Adoiánus fc. Glo-ii-fi-cánus fc. Giá-fi- as á-ginus
  ·
fi- hi piopfci nagnan glo- ii- an fu- an. Lo-ni-nc Lc- us,
·
Rcx cæ- lé-sfis, Lc- us !a- fci onní- pof-cns. Loninc !i-li
·
uni-géni-fc Jc- su Clii-sfc. Lo- ni-nc Lc- us, Agnus
First Lesson: Joel ii. 28-32
T
hus saith the Lord God: I will pour out my spirit upon all fesh: and
your sons and your daughters shall prophesy: your old men shall dream
dreams, and your young men shall see visions. Moreover upon my servants
and handmaids in those days I will pour forth my spirit. And I will shew
wonders in heaven; and in earth, blood, and fre, and vapour of smoke. The
sun shall be turned into darkness, and the moon into blood: before the great
and dreadful day of the Lord doth come. And it shall come to pass, that ev-
ery one that shall call upon the name of the Lord shall be saved.
Sacred MuSic colloquiuM 2011 n 197 Saturday, June 18
Second Lesson: Leviticus xxiii. 9-11, 15-17, 21
I
n those days the Lord spoke to Moses, saying: Speak to the children of
Israel, and thou shalt say to them: When you shall have entered into the
land which I will give you, and shall reap your corn, you shall bring sheaves
of ears, the frst fruits of your harvest, to the priest: Who shall lift up the
sheaf before the Lord, the next day after the Sabbath, that it may be accept-
able for you, and shall sanctify it. You shall count therefore from the mor-
row after the Sabbath, wherein you offered the sheaf of the frst fruits, seven
full weeks, even unto the morrow after the seventh week be expired, that is
to say, ffty days: and so you shall offer a new sacrifce to the Lord out of all
your dwellings: two loaves of the frst fruits, of two tenths of four leavened,
which you shall bake for the frst fruits of the Lord. And you shall call this
day most solemn, and most holy. You shall do no servile work therein. It
shall be an everlasting ordinance in all your dwellings and generations, saith
the Lord Almighty.
Third Lesson: Deuteronomy xxvi. 1-3, 7-11
I
n those days Moses said to the children of Israel: Hear, O Israel, the things
that I command thee today. When thou art come into the land which the
Lord thy God will give thee to possess, and hast conquered it, and dwell-
est in it: thou shalt take the frst of all thy fruits, and put them in a basket,
and shalt go to the place which the Lord thy God shall choose, that His
name may be invocated there. And thou shalt go to the priest that shall be in
those days, and say to him: I profess this day before the Lord thy God, who
heard us, and looked down upon our affiction, and labour, and distress; and
brought us out of Egypt with a strong hand, and a stretched out arm, with
great terror, with signs and wonders; and brought us into this place, and
gave us this land fowing with milk and honey. And therefore now I offer
the frst fruits of the land which the Lord hath given me. And thou shalt
leave them in the sight of the Lord thy God, adoring the Lord thy God. And
thou shalt feast in all the good things which the Lord thy God hath given
thee.
198 n Sacred MuSic colloquiuM 2011 Saturday, June 18
Fourth Lesson: Leviticus xxvi. 3-12
I
n those days the Lord said to Moses: Speak to the children of Israel, and
say to them: If you walk in my precepts, and keep my commandments,
and do them, I will give you rain in due seasons. And the ground shall bring
forth its increase, and the trees shall be flled with fruit. The threshing of
your harvest shall reach unto the vintage, and the vintage shall reach unto
the sowing time: and you shall eat your bread to the full, and dwell in your
land without fear. I will give peace in your coasts: you shall sleep, and there
shall be none to make you afraid. I will take away evil beasts: and the sword
shall not pass through your quarters. You shall pursue your enemies, and
they shall fall before you. Five of yours shall pursue a hundred others, and
a hundred of you ten thousand: your enemies shall fall before you by the
sword. I will look on you, and make you increase: you shall be multiplied,
and I will establish my covenant with you. You shall eat the oldest of the old
store, and, new coming on, you shall cast away the old. I will set my tab-
ernacle in the midst of you, and my soul shall not cast you off. I will walk
among you, and will be your God, and you shall be my people, saith the
Lord Almighty.
Sacred MuSic colloquiuM 2011 n 199 Saturday, June 18
Fifth Lesson: Daniel iii. 47-51
I
n those days, the Angel of the Lord went down with Azarias and his com-
panions into the furnace: and he drove the fame of the fre out of the fur-
nace, and made the midst of the furnace like the blowing of a wind bringing
dew. And the fame mounted up above the furnace nine and forty cubits: and
it broke forth, and burnt such of the Chaldeans as it found near the furnace,
the servants of the king, who were heating it. And the fre touched the three
young Hebrews not at all, nor troubled them, nor did them any harm. Then
these three as with one mouth praised, and glorifed, and blessed God in the
furnace, saying:
200 n Sacred MuSic colloquiuM 2011 Saturday, June 18
46 T/. P:r|s/ 8../ ./ C/:nt
M^SS l, Iuy .t .r|z. |n P:s./:/ T|m.
\!!!
· 

K Y- ii- c * c- lé- i-son. ||i Clii- sfc c-
‚··
lé- i-son. ||i Kv- ii- c c- lé- i-son. |i Kv-ii- c *
·
c- lé- i-son.

!\
·
G Lo- ii- a in cxcélsis Lc- o. £f in fci- ia pax lo-
· ·
ní-nihus honæ vo-lunfá- fis. Laudánus fc. Bcncdí-ci- nus
···
fc. Adoiánus fc. Glo-ii-fi-cánus fc. Giá-fi- as á-ginus
  ·
fi- hi piopfci nagnan glo- ii- an fu- an. Lo-ni-nc Lc- us,
·
Rcx cæ- lé-sfis, Lc- us !a- fci onní- pof-cns. Loninc !i-li
·
uni-géni-fc Jc- su Clii-sfc. Lo- ni-nc Lc- us, Agnus
Sacred MuSic colloquiuM 2011 n 201 Saturday, June 18
C/:nts /.r t/. Or4|n:rv ./ t/. M:ss 47
·
Lc- i, !í- li- us !a-fiis. Òui follis pcccá-fa nundi, ni-sc-
·
ié-ic no- his. Òui follis pcccá-fa nundi, suscipc dcpicca-
·
fi- oncn nosfian. Òui scdcs ad déx- fc-ian !a-fiis, ni-sc-
··
ié-ic no- his. Òuoni- an fu so-lus sancfus. Ju so-lus Lo-
· ·
ninus. Ju so-lus Alfíssinus, Jc- su Clii-sfc. Cun Sancfo
· ·
Spí-ii- fu, in glo-ii- a Lc- i !a- fiis. A- ncn.
^/t.rn:t|t. |nt.n:t|.n.
··

Glo- ii- a in cxcélsis Lc- o. £f in fci- ia pax.
!\

S Ancfus, * Sancfus, Sancfus Loni-nus Lc- us Sá-

ha- ofl. !lc- ni sunf cæ- li cf fci-ia glo- ii- a fu- a.
C/:nts /.r t/. Or4|n:rv ./ t/. M:ss 47
·
Lc- i, !í- li- us !a-fiis. Òui follis pcccá-fa nundi, ni-sc-
·
ié-ic no- his. Òui follis pcccá-fa nundi, suscipc dcpicca-
·
fi- oncn nosfian. Òui scdcs ad déx- fc-ian !a-fiis, ni-sc-
··
ié-ic no- his. Òuoni- an fu so-lus sancfus. Ju so-lus Lo-
··
ninus. Ju so-lus Alfíssinus, Jc- su Clii-sfc. Cun Sancfo
· ·
Spí-ii- fu, in glo-ii- a Lc- i !a- fiis. A- ncn.
^/t.rn:t|t. |nt.n:t|.n.
··

Glo- ii- a in cxcélsis Lc- o. £f in fci- ia pax.
!\

S Ancfus, * Sancfus, Sancfus Loni-nus Lc- us Sá-

ha- ofl. !lc- ni sunf cæ- li cf fci-ia glo- ii- a fu- a.
The Epistle: Romans v. 1-5
B
rethren, being justifed therefore by faith, let us have peace with God,
through our Lord Jesus Christ: by whom also we have access through
faith into this grace, wherein we stand, and glory in the hope of the glory
of the sons of God. And not only so, but we glory also in tribulations,
knowing that tribulation worketh patience, and patience trial, and trial
hope; and hope confoundeth not: because the charity of God is poured
forth in our hearts, by the Holy Ghost, who is given to us.
202 n Sacred MuSic colloquiuM 2011 Saturday, June 18
Sacred MuSic colloquiuM 2011 n 203 Saturday, June 18
Gospel: Luke iv. 38-44
A
t that time, Jesus rising up out of the synagogue, went into Simon’s house.
And Simon’s wife’s mother was taken with a great fever, and they besought
him for her. And standing over her, he commanded the fever, and it left her.
And immediately rising, she ministered to them. And when the sun was down,
all they that had any sick with divers diseases, brought them to him. But he
laying his hands on every one of them, healed them. And devils went out from
many, crying out and saying: Thou art the Son of God. And rebuking them
he suffered them not to speak, for they knew that he was Christ. And when it
was day, going out he went into a desert place, and the multitudes sought him,
and came unto him: and they stayed him that he should not depart from them.
To whom he said: To other cities also I must preach the kingdom of God: for
therefore am I sent. And he was preaching in the synagogues of Galilee.
204 n Sacred MuSic colloquiuM 2011 Saturday, June 18
C/:nts /.r t/. Or4|n:rv ./ t/. M:ss 7¯
··
so-lus sancfus. Ju so-lus Loni-nus. Ju so-lus Alfíssinus,
·
Jc-su Cliisfc. Cun Sancfo Spí-ii-fu, in glo- ii-
·
a Lc- i !afiis. Ancn.
CRIIO l

!\
·
C Rcdo in unun Lc- un, !aficn onnipof-énfcn, fa-

cfo-icn cæ-li cf fciiæ, vi-si-hí- li- un onni- un, cf in-
·
vi-si-hí- li- un. £f in unun Loni-nun Jc-sun Cliisfun,
·
!í-li- un Lc- i u-ni-gé-ni- fun. £f cx !afic na-fun anfc
·
onni- a s æ´cu- la. Lc- un dc Lc- o, luncn dc luni-nc,
·
Lc- un vc-iun dc Lc- o vc-io. Gé-ni-fun, non facfun, consuh-
76 T/. P:r|s/ 8../ ./ C/:nt
·
sfanfi- á-lcn !afii: pci qucn onni- a facfa sunf. Òui pio-

pfci nos loni-ncs, cf piopfci nosfian sa-lu-fcn dcscéndif dc
·
cæ- lis. £f incainá-fus csf dc Spí- ii-fu Sancfo cx ^a-ií- a
·
\íigi- nc: £f lono facfus csf. Ciu-ci-fí-xus éf- i- an pio
·
no-his: suh !onfi- o !i- lá-fo passus, cf scpulfus csf. £f
·
ic-suiié-xif féifi- a di- c, sccundun Sciipfu-ias. £f ascén-
·
dif in cælun: sc-dcf ad déxfc-ian !afiis. £f í-fc-iun vcn-

fu-ius csf cun glo-ii- a, ju-di-cá-ic vivos cf noifu- os:
·
cu-jus icgni non c-iif fi- nis. £f in Spí-ii-fun Sancfun,

Loni-nun, cf vi-vi-fi-cánfcn: qui cx !afic !i- li- oquc pio-
C/:nts /.r t/. Or4|n:rv ./ t/. M:ss 77
·
cé- dif. Òui cun !afic cf !í- li- o sinul ad-o-iá-fui, cf
·
conglo-ii-fi-cá-fui: qui lo-cu-fus csf pci !ioplé- fas. £f u-
·
nan sancfan caflo- li-can cf a-posfo- li-can £cclé-si- an.

Confí-fc- oi unun hapfísna in icnissi- o-ncn pccca-
· ·
fo- iun. £f cxspécfo ic-suiiccfi- o-ncn noifu- o- iun.

· ·
£f vi- fan vcnfu- ii s æ´-cu- li. A- ncn.
CRIIO lll

\
·
C Rcdo in unun Lc- un, !aficn onnipof-énfcn,

facfo- icn cæ-li cf fciiæ, vi- si-hí- li- un o-nni- un, cf
·
invi- si-hí- li- un. £f in unun Loninun Jc- sun Clii-
Sacred MuSic colloquiuM 2011 n 205 Saturday, June 18
76 T/. P:r|s/ 8../ ./ C/:nt
·
sfanfi- á-lcn !afii: pci qucn onni- a facfa sunf. Òui pio-

pfci nos loni-ncs, cf piopfci nosfian sa-lu-fcn dcscéndif dc
·
cæ- lis. £f incainá-fus csf dc Spí- ii-fu Sancfo cx ^a-ií- a
·
\íigi- nc: £f lono facfus csf. Ciu-ci-fí-xus éf- i- an pio
·
no-his: suh !onfi- o !i- lá-fo passus, cf scpulfus csf. £f
·
ic-suiié-xif féifi- a di- c, sccundun Sciipfu-ias. £f ascén-
·
dif in cælun: sc-dcf ad déxfc-ian !afiis. £f í-fc-iun vcn-

fu-ius csf cun glo-ii- a, ju-di-cá-ic vivos cf noifu- os:
·
cu-jus icgni non c-iif fi- nis. £f in Spí-ii-fun Sancfun,

Loni-nun, cf vi-vi-fi-cánfcn: qui cx !afic !i- li- oquc pio-
206 n Sacred MuSic colloquiuM 2011 Saturday, June 18
Sacred MuSic colloquiuM 2011 n 207 Saturday, June 18
208 n Sacred MuSic colloquiuM 2011 Saturday, June 18
Sacred MuSic colloquiuM 2011 n 209 Saturday, June 18
210 n Sacred MuSic colloquiuM 2011 Saturday, June 18
Sacred MuSic colloquiuM 2011 n 211 Saturday, June 18
&
&
V
?
2
4
2
4
2
4
2
4
Cantus
Altus
Tenor
Bassus
˙ ˙
œ œ
˙
Fac tus est re pen

˙ ˙
Fac tus


˙
˙
˙
œ
œ
te de cœ lo, de
œ œ
˙
˙
˙
est re pen te de
˙ ˙
œ œ
˙
Fac tus est re pen

˙ ˙
Fac tus
˙
˙
Ó
˙
cœ lo, de
˙
˙
˙
œ
œ
cœ lo so
w
˙
˙
te de cœ
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˙
est re pen te de
- - - - -
- - - - -
- - - -
- - -
&
&
V
?
C.
A.
T.
B.
4
œ œ ˙ w
cœ lo so nus
w
w
nus
˙
˙ œ
œ # ˙
lo so
˙
˙
w
cœ lo so
Ó
˙
œ
œ
˙
ad ve ni en
Ó
˙
œ
œ
˙
ad ve ni en
w
Ó
˙ N
nus ad
w Ó
˙
nus ad
œ
˙
œ #
˙
˙
tis Spi ri tus ve
˙
˙ œ œ ˙
tis Spi ri tus
œ
œ
˙
œ
˙
œ #
ve ni en tis Spi ri
œ
œ
˙
˙
. œ
J
œ
ve ni en tis Spi ri
˙
˙ œ
œ
œ
˙
he men
˙
˙ ˙
˙
ve he men
˙
˙
˙
˙
tus ve he men
˙
˙
˙
˙
tus ve he men
- - - - - - - - - - -
- - - - - - - - - - -
- - - - - - - - - -
- - - - - - - - - - -
Factus est repente de cælo sonus.
Jacob Handl (1540-1591)
[Iacobus Gallus Carniolus]
This engraving is given into the Public Domain
as a gift to those who sing and those who love Sacred Music
in honor of the XXI. Sacred Music Colloquium.
http://www.musicasacra.com
Suddenly there was heard a sound from heaven as of a rushing mighty wind where they were sitting,
and they were all filled with the Holy Spirit, proclaiming the wondrous works of God.
Acts of the Apostles 2:2, 4
Communio Domenicae Pentecostes
212 n Sacred MuSic colloquiuM 2011 Saturday, June 18
&
&
V
?
C.
A.
T.
B.
8
w
Œ
˙
œ
tis, u bi
w
˙
˙
tis, u bi
œ
˙
œ
˙
˙
tis, u bi e rant
˙
˙
˙
˙
tis, u bi e
œ
˙
œ œ
˙
œ
e rant se
˙
˙
˙
˙
e rant se den
˙
˙
˙
˙
u bi, u bi
˙
˙
.
˙
œ
rant, u bi e
œ
œ
˙
w
den
œ
œ
w
˙ #
˙
˙ ˙ ˙
e rant se den
œ
œ
˙
w
rant se den tes,
˙
˙
˙
˙
tes, et re ple
W
tes,
w
˙
˙
tes, et re
˙
˙
˙
˙
et re ple ti
- - - - -
- - - - - -
- -
- - - - - - - -
- - - - - - - -
&
&
V
?
C.
A.
T.
B.
12
˙
˙
w
ti sunt om
Ó
˙
˙
˙
et re ple
˙
˙
˙
˙
ple ti sunt om
˙
˙
w
sunt om nes
˙
w ˙
nes Spi ri
˙
˙
w
ti sunt om
˙ w
˙ #
nes Spi ri
.
˙ œ
w
Spi ri tu
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˙
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tu Sanc to, lo
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˙ œ
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nes Spi ri tu
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˙ w
tu Sanc to,
w
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-
&
&
V
?
C.
A.
T.
B.
16
w w
lo quen
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˙ ˙
. ˙
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tes ma gna li
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tes ma gna li
w

tes
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.
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tes ma gna li
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w
a De i,
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w
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ma gna li
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w
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w . ˙
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ma gna li
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ma gna li
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w
˙ #
a De
w w
ma
- - -
- - - - - - - -
- - - -
- - - - - - - - - -
- - - - - - - - -
Jacob Handl (1540-1591) :: Factus est repente de cælo sonus
Sacred MuSic colloquiuM 2011 n 213 Saturday, June 18
&
&
V
?
C.
A.
T.
B.
20
w
w
a De
˙
w
˙
a De
˙
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b
i, ma gna li
. ˙ b
œ
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gna li a De
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gna li a De - - - - - - -
- - - - - - - - - - -
- - - - - -
- - - - - - - -
&
&
V
?
C.
A.
T.
B.
24
w
w
a De
œ œ
w
˙
gna li a De
w
w
a De
œ
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˙
w
i.
˙
Œ
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œ
˙
i. Al le lu
˙
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œ
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œ œ œ
˙
i. Al le lu
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˙ œ
œ
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Al le lu
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ia, Al le lu
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ia, Al le lu
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ia, Al le lu
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ia, Al le lu
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ia, Al le lu
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œ
ia, Al le lu
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˙
˙
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ia, Al le lu - - - - - - - - - - -
- - - - - - - - - -
- - - - - - - - - - - -
- - - - - - - - - -
&
&
V
?
C.
A.
T.
B.
28
˙
˙
˙
˙
ia, Al le lu
˙
˙
˙
˙
ia, Al le lu
œ
œ #
˙
˙
˙
ia, Al le lu
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˙
˙
˙
ia, Al le lu
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˙ #
ia, Al le lu
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˙ b œ œ
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ia, Al le lu
˙
˙
˙
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ia, Al le lu
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˙ b
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ia, Al le lu
˙
Œ
œ œ
œ
˙
ia, Al le lu
˙
Œ
œ œ
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œ
ia, Al le lu
˙
Œ
œ œ œ
˙
ia. Al le lu
˙ Œ
œ œ
œ
˙
ia, Al le lu
˙
Œ
œ œ
œ
˙
ia, Al le lu
˙
˙ ˙
˙
ia, Al le lu
˙
˙
˙
˙
ia, Al le lu
˙
˙
˙
˙
ia, Al le lu - - - - - - - - - - - -
- - - - - - - - - - - - -
- - - - - - - - - - - -
- - - - - - - - - - - -
Jacob Handl (1540-1591) :: Factus est repente de cælo sonus
214 n Sacred MuSic colloquiuM 2011 Saturday, June 18
&
&
V
?
C.
A.
T.
B.
32
˙
˙
˙
˙
ia, Al le lu
˙
Œ
œ œ œ
˙
ia, Al le lu
˙
Œ
œ œ
˙
œ
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ia, Al le lu
œ
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ia, Al le lu
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ia, Al le lu
˙
. ˙ b œ
˙
ia, Al le lu
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˙
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ia, Al le lu
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ia, Al le lu
W
ia.
W
ia.
W #
ia.
W
ia.
W
W
W
W
- - - - - - - - -
- - - - - - - - -
- - - - - - - - -
- - - - - - - - -
Jacob Handl (1540-1591) :: Factus est repente de cælo sonus
Sacred MuSic colloquiuM 2011 n 215 Sunday, June 19
Trinity Sunday
l
10 a.m. June 19, 2011
Ordinary Form
216 n Sacred MuSic colloquiuM 2011 Sunday, June 19
Sacred MuSic colloquiuM 2011 n 217 Sunday, June 19
,
,
,
,
,
,
,
,
Mass for four voices
Kyrie eleison
William Byrd (c.1540-1623)
Cantus
[Soprano]
Altus
[Alto]
Tenor
[Tenor]
Bassus
[Baritone]
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218 n Sacred MuSic colloquiuM 2011 Sunday, June 19
30
1
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son.
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- - - - - - - -
,
,
,
,
,
lei
Variant scansion of Kyrie as either two or three syllables has been preserved as far as possible from the source. (The suggested
pronunciation as a disyllable is NLUL rather than than NLUMH.)
I.4.3: superfluous flat
III.3-4: ky . rie - - e . lei .
I.13: lower e flat removed from ks
I.25: lower e flat replaced in ks
III.31-2, 36: ky - rie . - e .
.
- son,
.
- Ky
. ,
ri
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.
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.
:
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son.
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- - - - - -
2
Sunday, June 19 Sacred MuSic colloquiuM 2011 n 219
Gloria in excelsis
/
i
,
,
,
,
Glo
,
,
,
ri
,
- a
,
- in
,
ex
,
cel
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,
,
,
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,
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,
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,
,
,
C.
A.
T.
B.
1
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in
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3
220 n Sacred MuSic colloquiuM 2011 Sunday, June 19
20
1
2
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Sunday, June 19 Sacred MuSic colloquiuM 2011 n 221
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222 n Sacred MuSic colloquiuM 2011 Sunday, June 19
60
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Sunday, June 19 Sacred MuSic colloquiuM 2011 n 223
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224 n Sacred MuSic colloquiuM 2011 Sunday, June 19
100
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Sunday, June 19 Sacred MuSic colloquiuM 2011 n 225
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9
226 n Sacred MuSic colloquiuM 2011 Sunday, June 19
Sunday, June 19 Sacred MuSic colloquiuM 2011 n 227
Credo in unum Deum
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.
vi
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si
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vi
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 ,
,
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/
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ni
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.
um
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.
vi
.
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,
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um,
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-
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Et
.
/
,
,
,
,
um
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.

ni
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.
um,
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et
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in
.
vi
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.
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,
,
.
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,
,
,
,
,
,
.
um
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in
.
vi
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.

in
,
vi
.
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ni
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-
- -
et
.
in
,
vi
.
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.
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.

- li
,
- -
10
228 n Sacred MuSic colloquiuM 2011 Sunday, June 19


/
,
,
,
,
.
in
.
u
. .
num
.
- - Do
.
mi
,
- num
.
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. .
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stum,
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.
in
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sum
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stum,
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fi
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in
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mi
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sum
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um.
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Et
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in
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u
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num
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sum
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-
20


/
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i
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i
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Chri
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stum,
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fi
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li
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i
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ni
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stum,
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li
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i
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ni
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ge
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ni
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pa
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tre
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ge
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et
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et
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pa
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tre
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te
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ni
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30


/
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,
,
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De
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um
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o,
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um
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cu
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o,
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um
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cu
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lu
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mi
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de
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cu
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-
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lu
.
men
.

- de
,
lu
.
mi
.
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.
-
-
11
Sunday, June 19 Sacred MuSic colloquiuM 2011 n 229


/
,
,
,
, .
rum
.
-
.
de
.
De
.
o
.
- ve
,
,
. .
ro,
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, ,
ro,
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.
-
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ge
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ni
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,
rum
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.
de
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De
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o
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ro,
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ge
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ni
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De
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o
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ro,
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ro,
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ge
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ni
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fa
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De
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o
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ro,
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De
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ro,
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fa
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40


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per
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per
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om
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per
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om
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per
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50


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per
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sunt.
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om
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per
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om
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om
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per
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om
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_
-
12
230 n Sacred MuSic colloquiuM 2011 Sunday, June 19
C.
T.
B.


/
,
,
,
,
Qui
.
pro
.
pter
.
- nos
.
ho
.

mi
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.
et
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pro
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pter
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stram
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lu
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de
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scen
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Qui
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,
Qui
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pro
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pter
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ho
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mi
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pro
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pter
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stram
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lu
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de
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scen
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60
C.
A.
T.
B.


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,
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,
,
dit
.
- de
.

. ,
,
,
,
.

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lis,
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- .
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in
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car
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.
Et
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car
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Ma
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spi
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spi
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.
de
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70


/
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ri
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,
.
gi
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- .
et
.
ho
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mo
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/
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,
,
ri
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gi
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ho
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mo
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fa
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ex
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Ma
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ri
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,
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gi
.
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-
13
Sunday, June 19 Sacred MuSic colloquiuM 2011 n 231


/
,
,
,
,
fa
.

,
,
,
. .
.
.
,
,
,
ctus
.
- - - - - - est.
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.
Cru
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ci
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- e
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ti
,
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est,
.
et
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ho
.

mo
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fa
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.
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.
Cru
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ci
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ti
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/

,
,
,
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mo
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,
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,
.

, . .
ctus
.
- - - - - est.
.
.
Cru
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ci
.
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.
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- e
.
ti
,
- -
,
,
,
,
, - .
et
.
ho
.
mo
.
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.

,
.
ctus
.
- - est.
. .
- -
80
C.
A.
T.


/
,
,
,
,
am
.
- pro
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no
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bis
.
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.
Pon
.

ti
,
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,
la
,
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,
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to,
.
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.
pas
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sus
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se
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pul
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am
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Pon
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se
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pul
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,
,
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am
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bis
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Pon
. ,

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,
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la
.
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.
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-
pas
.
sus
,
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.
se
.
-
C.
A.
T.
B.


/
,
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,
,
.
tus
.
- est.
.
- - - .
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.
re
.
sur
.
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est,
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.
Et
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re
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e,
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pul
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tus
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Et
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re
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sur
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Et
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re
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sur
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,
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.
.
e,
.
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-
90


/
,
,
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ter
.
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e,
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se
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e,
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.
se
.
cun
.
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,
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,
tu
.
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.
-
14
232 n Sacred MuSic colloquiuM 2011 Sunday, June 19


/
,
,
,
,
Et
.
a
,
scen
.
- dit
,
- in
,

.
.
lum,
.
-
.
se
.
det
.
- ad
.
dex
.

te
,
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.
- pa
. ,
,
,
,
tris,
.
-
,
se
,
-
/
,
,
,
,
Et
.
a
,
scen
.
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,
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,

.
.
lum,
.
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.
det
.
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.
dex
,
te
,
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.
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,
,
.
,
,
.
,
,
,
,
.
tris,
.
- - - -
/

,
,
,
,
tu
.
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.
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-
Et
.

a
,
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.
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,

.
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a
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.
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100


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et
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i
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110


/
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di
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-
.
ca
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.
vi
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vos
.
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mor
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tu
,
- os,
_
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.
cu
.
jus
,
- re
.
-
/
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,
,
,
glo
.

ri
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. ,
,
.
ca
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.
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.
vos
.
- et
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mor
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tu
,
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.
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-
cu
.
jus
,
-
/

,
,
,
,
re
.
-
.
vi
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vos
.
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mor
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tu
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- os,
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mor
.

tu
,
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.
cu
. ,
jus
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gni,
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re
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vos
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- et
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mor
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tu
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.
os,
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- .
cu
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jus
,
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gni
.
- non
.
15
Sunday, June 19 Sacred MuSic colloquiuM 2011 n 233


/
,
,
,
,
.
gni
.
- non
.
e
.
rit
.
- fi
.
,
.
nis,
.
-
.
cu
.
jus
,
- re
. .
gni
.
-
.
non
.
/
,
,
,
,
re
.
gni,
.
-
.
cu
.
jus
,
- re
. .
gni
.
-
.
non
.
e
.
rit
.
- fi
.
. ,
,
.
,
,
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/

,
,
,
,
.
non
.
e
.

rit
,
- fi
.
nis,
.
-
- .
cu
.
jus
,
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. .
gni
.
- non
.
e
.
rit
.
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.
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,
,
,
,
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e
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rit
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nis,
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jus
,
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.
gni,
.
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- .
cu
. ,
jus
,
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gni
.
-
120


/
,
,
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,
e
.
rit
.
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. .
nis.
.
-
- .
Et
.
in
.
Spi
.

ri
,
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.
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.
ctum
.
- Do
.

mi
,
- num,
.
- et
.
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,
,
,
,
nis,
.
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.
e
.
rit
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.
nis.
.
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.
Et
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in
.
Spi
.

ri
,
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. .
.
ctum
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,
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/

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,
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,
nis,
.
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.
e
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rit
.
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.
nis.
.
-
.
Et
.
in
.
Spi
.
ri
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.
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,
ctum
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. .
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-
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,
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non
.
e
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rit
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- fi
.

nis.
.
-
.
Et
.
in
.
Spi
.
ri
,
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.
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.
.
ctum
.
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.
mi
,
- num,
.
-


/
,
,
,
,
vi
.
vi
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- fi
,
- can
.
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.
-
.
et
.
vi
.
vi
,
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,
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-
- -
/
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,
,
,
vi
.
vi
,
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,
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.
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- vi
.
vi
,
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,
-
,
.
tem,
.
- qui
.

ex
,
pa
,
,
.
tre
.
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.
-
/

,
,
,
,
.
et
.
vi
.
vi
,
- fi
,
- can
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- tem,
.
-
.
qui
. ,
ex
,
pa
,
,
.
tre
.
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.
li
.
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.
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,
,
,
,
, - .
et
.
vi
.
vi
,
- fi
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_
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- .
qui
.
130


/
,
,
,
,
.
qui
.
ex
,
pa
,
,
.
tre
.
-
- .
fi
.
li
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.
-
,
que
,
- pro
.
ce
,

-
,
.
,
,
-
/
,
,
,
,
li
.
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.
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.
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.
ce
.
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,
,
.
,
,
,
,
dit,
.

- - - pro
,
ce
,

-
,
.
.
dit,
.
-
/

,
,
,
,
.
que
.
-
.
pro
.
ce
,
-
,
,
,
,
dit,
.
- fi
.
li
.
- o
.

- que
,
- pro
.
ce
,
-
,
,
,
,
dit,
.
-
,
,
,
,
,
,
ex
,
pa
,
,
.
tre
.
-
.
fi
.
li
.
- o
.
-
.
que
.
- pro
.
ce
,
-
,
.
,
,
.
.
dit,
.
- -
16
234 n Sacred MuSic colloquiuM 2011 Sunday, June 19


/
,
,
,
,
dit,
.
-
- .
qui
.
cum
.
pa
.
tre
.
- et
.
fi
.
li
.
- o
.
-
.
si
. ,
mul
,
- a
.
do
.
- -
/
,
,
,
,
.
qui
.
cum
.
pa
.
tre
.
- et
.
fi
.
li
.
- o
.
- si
.
mul
.
- a
.
do
.
- ra
.
- tur,
.
-
.
et
.
/

,
,
,
,
.
qui
.
cum
.
pa
.
tre
.
-
.
et
.
fi
.
li
.
- o
,
- si
.
mul
,
- a
.
do
.
- ra
.
-
,
.
tur,
.
- -
-
,
,
,
,
, .
qui
.
cum
.
pa
,
 ,
,
,
,
.
tre
.
- -
- .
et
.
fi
.
li
.
- o
.
-
- .
si
.
mul
.
-
140


/
,
,
,
,
ra
.
-
.
.
tur,
.
- -
.
et
.
con
.
glo
.
- ri
.
- fi
,
- ca
.
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.
-
.
qui
.
lo
.
-
/
,
,
,
,
con
.
glo
.
- ri
.
- fi
,
- ca
.
- tur,
.
- et
.
con
.

glo
,
- ri
.
- fi
,
- ca
.
-
,
.
,
,
,
,
.
tur,
. ,
- - - -
/

,
,
,
,
. ,
et
,
con
.
glo
.
- ri
,
- fi - ca
,
,
.
- tur,
.
-
.
et
.
con
.
glo
.
- ri
,
- fi - ca
,
,
.
-
,
. .
. ,
tur,
.
- - -
,
,
,
,
,
a
.
do
.
- ra
.
- tur,
.
-
- - .
et
.
con
.
glo
.
- ri
.

- fi
,
- ca
.
- tur,
.
-


/
,
,
,
,
cu
.
- tus
.
- est
.
.
per
.
Pro
.
phe
.
-
,
.
tas,
,
- per
, ,
Pro
,
phe
.
-
,
,
,
.
,
tas.
_
-
- - -
/
,
,
,
,
.
qui
. ,
lo
.
cu
.
- tus
.
- est
.
per
.
Pro
.
phe
.
-
.
tas,
.
- per
.

Pro
,
phe
.
- tas.
_
-
-
/

,
,
,
,
.
qui
. ,
lo
.
cu
.
- tus
.
- est
.
- .
per
. .
Pro
.
phe
.
-
,
.
.
tas.
_
-
- -
,
,
,
,
, .
qui
.
lo
.
cu
.
- tus
.
- est
.
.
per
.
Pro
.
phe
.
-
. .
tas.
_
-
- - - -
150


/
,
,
,
,
Et
.
u
.
nam
.
-
.
san
.
,
.
ctam
.
-
.
Ca
.
tho
.

- li
,
- cam,
.
- Ca
.
tho
.
- li
,
- cam,
.
- et
.
/
,
,
,
,
-
Et
.
u
.
nam
.
-
.
san
. .
.
ctam
.
- Ca
.
tho
.
- li
,
- cam,
.
- Ca
.
tho
.
- li
,
- cam,
.
-
/

,
,
,
,
-
Et
.
u
.
nam
.
-
.
san
. ,
,
.
ctam
.
- Ca
.
tho
.

- li
,
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.
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.
tho
.

- li
,
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.
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.
,
,
,
,
, -
Et
.
u
.
nam
.
-
.
san
. ,
,
.
ctam
.
-
- .
Ca
.
tho
.

- li
,
- cam,
.
- et
.
17
Sunday, June 19 Sacred MuSic colloquiuM 2011 n 235


/
,
,
,
,
A
.
po
.
- sto
.
- li
,
- cam
.
- Ec
.
cle
.
-
.
si
.
- am.
.
-
.
Con
. ,
fi
.

- te
,
- or
.
- u
.
num
.
-
/
,
,
,
,
.
et
.
A
.
po
.
- sto
.

- li
,
- cam
.
- Ec
.
cle
.
- si
. ,
- am.
_
-
.
Con
.
fi
.

- te
,
- -
/

,
,
,
,
A
.
po
.
- sto
,
-
,
. ,
li
,
- cam
.
- Ec
.
cle
.

-
,
.
si
.
- am.
.
-
.
Con
. ,
fi
.
- te
,
- or
.
- u
.
-
,
,
,
,
,
A
.
po
.
- sto
.

- li
,
- cam
.
- Ec
.
cle
.
-
.
si
.
- am.
.
-
.
Con
.
fi
.
- te
,
- or
.
- u
.
num
,
- bap
.
-
160


/
,
,
,
,
bap
.
tis
.
-
.
ma
.
- -
.
in
.
re
.
mis
.
- si
,
- o
.
- nem
.
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.

ca
,
- to
.
- -
/
,
,
,
,
or
.
- u
.
num
.
-
,
bap
,
tis
.
-
. ,
ma
.
- in
. .
re
.
mis
.
-
,
si
,
- o
.

- nem
,
- pec
.
-
/

,
,
,
,
.
num
.
- bap
.
tis
.
- ma
.
- in
.
re
.
mis
.

- si
,
- o
.
- nem
.
- pec
. .
ca
.
- to
.
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,
,
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,
,
,
,
,
tis
_
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.
- - in
.
re
.
mis
.
- si
,
- o
.
- nem
.
- pec
. .
ca
.
- to
.
- -


/
,
,
,
,
,
,
.
rum,
.
-
.
Et
.
ex
.
spe
.
-
.
cto
.
- re
,
sur - re
,
,
,
- xi
,
- o
.
- nem
.
- mor
.
tu
,
- o
.
-
.
rum,
.
- mor
.
-
/
,
,
,
,
,
ca
,
- to
.
-
, ,
,,
rum,
. ,
-
- -
Et
.
ex
.
spe
.
-
.
cto
.
- re
,
sur - re
,
.
,
- xi
,
- -
/

,
,
,
,
.
,
rum,
.
- Et
.
ex
.
spe
.
- cto
.
- re
.
sur
,
- re
,
- xi
,
- o
.
- nem,
.
- re
,
sur - re
,
,
,
- xi
,
- o
.
- -
,
,
,
,
,
.
rum,
.
-
.
-
Et
.
ex
.
spe
.
-
.
cto
.
- re
,

sur - re
,
,
,
- xi
,
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.
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.
- mor
.
-
170


/
,
,
,
, ,
tu
,
- o
.
- rum,
.
-
.
mor
.

tu
,
- o
.
-
.
.
rum
.
-
- .
et
.
vi
.
tam
,
- ven
,
-
/
,
,
,
,
o
.
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.
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.
tu
,
- o
.
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.
-
.
.
et
.
vi
.
tam
,
- ven
,
tu
.
- ri
.
- sæ
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cu
,
- li,
.
-
/

,
,
,
,
.
nem
.
-
.
mor
. ,
tu
,
- o
.
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et
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vi
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tu
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.
.
et
.
vi
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tam
,
- ven
,
tu
.
- ri
.
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.
cu
.
- li,
.
-
18
236 n Sacred MuSic colloquiuM 2011 Sunday, June 19


/
,
,
,
,
tu
.
- ri
.
- sæ
.

cu
,
- li,
.
-
.
et
.
vi
.
tam
,
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,
tu
.
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.
-
.
et
.
vi
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tam
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tu
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.
cu
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/
,
,
,
,
.
et
.
vi
.
tam
,
- ven
,
tu
.
- ri
.
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.
cu
,
- li,
.
- et
.
vi
.
tam
,
- ven
,
tu
.
- ri
.
- sæ
.
cu
.
- li,
.
-
.
/

,
,
,
,
tu
,
- ri
,
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cu
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.
-
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et
.
vi
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tam
,
- ven
,
tu
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.

cu
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.
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.
et
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,
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,
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.
vi
.
tam
,
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Sunday, June 19 Sacred MuSic colloquiuM 2011 n 237
238 n Sacred MuSic colloquiuM 2011 Sunday, June 19
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240 n Sacred MuSic colloquiuM 2011
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Sunday, June 19
Sacred MuSic colloquiuM 2011 n 241
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22
Sunday, June 19
242 n Sacred MuSic colloquiuM 2011
60
1
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23
Sunday, June 19
Sacred MuSic colloquiuM 2011 n 243
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24
Sunday, June 19
244 n Sacred MuSic colloquiuM 2011
30
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:
- - - - - Ag
'
:
nus
B
- De
B:
5
5
5
B
- -
1
2
G

i,
B
- Ag
B:
nus
5
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B 5
5
5
5
'
i,
:
- - - -
?
qui
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tol
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lis
5
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5
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B
:
nus
5
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B:
5
:
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tol
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5
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5
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i

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nus
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:
5
5
5
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B
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B
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5
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5
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5
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mun
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5 !
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0 ?
qui
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i

B
ta
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B
B
B:
5
5
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di,
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qui
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tol
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lis
5
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5
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mun
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di,
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0 ?
qui
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lis
5
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:
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40
1
2
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ta
B
- mun
B:
5
B
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di,
B
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0 ?
do
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:
na
5
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B B
bis
B
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tol
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lis
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5
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ca
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- ta,
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tol
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di,
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-
0

ta
:
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B
5
B
5
B
di,
:
- - - do
:
- -
25
Sunday, June 19
Sacred MuSic colloquiuM 2011 n 245
1
2
/
,
,
,
,
.
cem,
.
-
.
do
.:
na
,
- no
. .
bis
.
- pa
.
cem,
.
- pa
. .
cem,
.
- -
/
,
,
,
,
.
bis
.
- pa
.
.
cem,
.
- -
.
do
.:
na
,
- no
. .
bis
.
- pa
.
cem,
.
- do
.
:
na
,
- no
.
-
/
i
,
,
,
,
.
do
.:
na
,
- no
. .
bis
.
- pa
.
.
cem,
.
- -
.
do
.
:
na
,
- no
. .
bis
.
- pa
.
-
,
,
,
,
,
na
.
- no
. .
bis
.
- pa
.
.
.
:
,
.
.
cem,
_
- - - -
.
.
do
.
-
50
1
2
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,
,
,
,
- .
do
. ,
na
,
- no
.
bis
.
- pa
.
.
cem,
_
- -
.
do
.
:
na
,
- no
.
-
/
,
,
,
,
.
bis
. ,
- pa
. .
cem,
.
- -
.
do
.:
na
,
- no
. .
bis
.
- pa
.
.:
.
- - -
/
i
,
,
,
,
.
cem,
.
-
_
- .
do
. ,
na
,
- no
.
bis
.
- pa
.
cem,
.
-
,
,
,
,
,
,
na
,
- no
.
bis
.
- pa
.
cem,
.
- pa
.
.
cem,
.
- - do
.
:
na
,
- no
.
bis
.
- pa
.
-
Part of my complete edition of the published vocal works of William Byrd made available through the Choral Public Domain Library (http://www.cpdl.org).
For general editorial notes, please visit my user page at http://www.cpdl.org/wiki/index.php/User:DaveF.
All scores are made freely available according to the CPDL Licence for downloading, printing, performing and recording. No further conditions are
or can be attached, although it’s always good to hear of any performances.
Please do not, without consulting me, make copies of my scores available through other websites – there’s no need, first of all, as CPDL is always here,
and secondly by doing so you put these editions beyond my control and so will miss out on any updates and revisions.
1
2
/
,
,
,
,
.
bis
.
- pa
.
cem,
.
- do
.
na
.
- no
.
bis
.
- pa
.:
,
.
cem.
_
-
,
- -
/
,
,
,
,
cem,
.
- do
.
:
na
,
- no
. .
bis
.
- pa
.
cem,
.
- do
.
:
na
,
- no
. .
bis
, ,
- pa
, ,
,
.
,
cem.
_
-
-
/
i
,
,
,
,
_
.
do
.
:
na
,
- no
. .
bis
.
- pa
.
cem,
.
- pa
.
.
cem.
_
-
- -
,
,
,
,
,
Edition transposed down a tone from published pitch
Sources:
Polyphony: [William Byrd: Mass for four voices] (No title or publication information on any surviving edition; probably
printed in London by Thomas East, c.1592).
Plainsong: from the Liber Usualis, chosen for their mode rather than liturgical function. If the Mass is used liturgically,
performers may wish to substitute the proper chants.
I.12: bis - .
.
cem,
.
- do
.
na
.
- no
.:
bis
.
- pa
_
cem.
_
-
- -
26
Sunday, June 19
246 n Sacred MuSic colloquiuM 2011
T.| 1?. ó . 1J. 1, J, J, ó, 8÷10
!\

B £nc- dí-cinus * Lc- un cæ- li, cf co-ian
 
onnihus vivénfihus confi- fé- hinui c- i: qui- a
  ·
fc- cif no-hís- cun ni-sc- ii-coidi- an su- an.

1. Bc- nc-dícfus Lc- us vi- vcns in æ-vun, cf icgnun il-
·
lí- us. Bcncdícinus. Bcncdicinus Lcun

?. Confi- féni-ni il-li, fí- li- i !sia- cl, co-ian na-fi- o-ni-
·
hus, qui- a ipsc dispéisif vos in il-lis. Bcncdícinus.

J. !la- gcllá-hif vos oh in-iqui- fá-fcs vcsfias cf onni- un
·
ni-sc-ié-hi- fui vcsfiun. Bcncdícinus.

+. £f colli-gcf vos ah onni-hus na-fi- o-ni-hus, uh-i-cun-
·
quc dispéisi fu- é- ii- fis. Bcncdícinus.
Sunday, June 19
Sacred MuSic colloquiuM 2011 n 247
8.n.4|.|mus I.um 2

J. Cun convéisi fu- é- ii- fis ad il-lun in fo-fo coidc vc-

sfio cf in fo-fa á- nina vcsfia, uf fa-ci- á-fis co-ian illo
·
vc- ii-fá-fcn. Bcncdícinus.

ó. Junc ic-vci-fé-fui ad vos cf non ahscondcf a vo-his
·
fá-ci- cn su- an ánpli- us. Bcncdícinus.

7. £f nunc aspí-ci-fc, quæ fc- cif vo-híscun, cf confi-fé-
·
ni-ni il-li in fo-fo o- ic vcsfio. Bcncdícinus.

8. Bc- nc-dí-ci-fc Loni- nun jusfí-fi- æ cf cx-alfá-fc ic-
·
gcn sæ- cu-lo-iun. Bcncdícinus.

º. £-go in fciia capfi-vi-fá-fis nc- æ confí- fc- oi il-li

cf osféndo viifu-fcn cf na-jcsfá-fcn c-jus gcnfi pccca-
Sunday, June 19
248 n Sacred MuSic colloquiuM 2011
8.n.4|.|mus I.um 3
·
fo-iun. Bcncdícinus.

10. Convcifíni-ni, pccca-fo-ics, cf fá-ci-fc jusfí-fi- an co-

ian il-lo. Òuis scif, si vc-lif vos cf fá-ci- af vohis ni-sc-
·
ii- coidi- an´ Bcncdícinus.

11. Bc- nc- dí-ci-fc Loni-nun, onncs c-lécfi: cf onncs,

laudá-fc na-jcsfá- fcn il-lí- us. A- gi-fc di- cs læ-fí-fi- æ
·
cf confi-féni- ni il-li. Bcncdícinus.

1?. Jc- iu-sa-lcn, cí- vi-fas sancfa, fla- gcllá-hif fc in opé-
·
ii-hus nánu- un fu- á-iun. Bcncdícinus.

1J. Confí-fc-ic Loni-no in hono opc-ic cf hé-nc-dic ic-
·
gcn sæ-cu-lo-iun. Bcncdícinus.
Sunday, June 19
Sacred MuSic colloquiuM 2011 n 249
8.n.4|.|mus I.um 4

1+. \f í- fc-iun fahcinácu-lun fu- un ædi-fi-cé-fui in fc
·
cun gáudi- o, cf læfos fá-ci- af in fc onncs capfí-vos.
Bcncdícinus.

1J. £f dí- li-gaf in fc onncs ní-sc-ios in onni- a scu-
·
la sæ-cu-lo-iun. Bcncdícinus.
\c hlcss flc God of lcavcn, and hcfoic all living wc will piaisc lin: hccausc
lc las slown lis ncicv fo us. 1. Blcsscd hc God wlo livcs foicvci, hccausc lis
kingdon lasfs foi all agcs. ?. !iaisc lin, vou !siaclifcs, hcfoic flc Gcnfilcs,
flougl lc las scaffcicd vou anong flcn. J. !c scouigcd vou foi voui iniqui-
fics, huf will again lavc ncicv on vou all. +. !c will gaflci vou fion all flc
Gcnfilcs anong wlon vou lavc hccn scaffcicd. J. \lcn vou fuin hack fo lin
wifl all voui lcaif, fo do wlaf is iiglf hcfoic lin. ó. Jlcn lc will fuin hack fo
vou, and no longci lidc lis facc fion vou. 7. So now considci wlaf lc las
donc foi vou, and piaisc lin wifl full voicc. 8. Blcss flc Loid of iiglfcousncss,
and cxalf flc King of flc agcs. º. !n flc land of nv cxilc ! piaisc lin, and
slow lis powci and najcsfv fo a sinful nafion. 10. Juin hack, vou sinncis! do
flc iiglf hcfoic lin: pcilaps lc nav look wifl favoi upon vou and slow vou
ncicv. 11. Blcss flc Loid, all vou lis closcn oncs, and all wlo piaisc lis naj-
csfv. Kccp davs of jov, and givc gloiv fo lin. 1?. Ò Jciusalcn, lolv cifv, lc
scouigcd vou foi flc woiks of voui lands. 1J. !iaisc flc Loid foi lis goodncss,
and hlcss flc King of flc agcs. 1+. So flaf lis fcnf nav hc ichuilf in vou wifl
jov, and lc nav gladdcn wiflin vou all wlo wcic capfivcs. 1J. And all wlo
wcic iavagcd nav lc clciisl wiflin vou foi all gcnciafions fo conc.
Sunday, June 19
250 n Sacred MuSic colloquiuM 2011
55
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&
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bis,
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mi se re
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bis,
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bis,
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re no


.
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œ

- - - - - - - -
- - - - - - -
- - - -
- - - -
SANCTA TRINITAS

Antoine de Févin
c. 1470 – late 1511
Sunday, June 19
Sacred MuSic colloquiuM 2011 n 251
www.TheCaTholiCChoirbook.Com • Copying and sharing permiTTed under CreaTive Commons 3.0
56
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- - - - - - - -
- - - - - - - -
- - - - - -
- - - - -
Sunday, June 19
252 n Sacred MuSic colloquiuM 2011
57
www.TheCaTholiCChoirbook.Com • Copying and sharing permiTTed under CreaTive Commons 3.0
&
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- - -
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Sacred MuSic colloquiuM 2011 n 253
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58
&
V
V
?
&
?
b
b
b
b
b
b
27
. œ
J
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Tri ni tas,
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œ
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ni tas,
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tas,
˙
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ni tas,
27
. œ
j
œ
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O be a
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b
b
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31
œ
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Œ ‰
j
œ œ
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Sit no men Do mi
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J
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Sit no men Do mi
31
œ
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sit no men Do mi ni be

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sit no men Do mi ni be
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ni,

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j
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Sunday, June 19
254 n Sacred MuSic colloquiuM 2011
59
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&
V
V
?
&
?
b
b
b
b
b
b
35

j
œ
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Œ
ex hoc nunc,

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ex hoc nunc
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j
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j
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ctus ex hoc
35

j
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J
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ex hoc nunc, et us
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nunc
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nunc

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us que in sae cu
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que in sae cu


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et us que
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39


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in sae cu
39

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us que,
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Sunday, June 19
Sacred MuSic colloquiuM 2011 n 255
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60
&
V
V
?
&
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b
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43
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cu
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in sae cu
43
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lum,

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exhoc nunc et
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lum, ex hoc
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46
œ
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nunc et us que in

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et us que in
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sae
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us que
46
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w
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w
w
w
w
- - -
- - - - - - -
- - - - - - - - - - - - -
- - - - - - -
Sunday, June 19
256 n Sacred MuSic colloquiuM 2011
Soprano
Alto
Tenor
Bass
Andante (Sehr langsam)
1
A - ve Ma -
A - ve Ma -
ri - a
ri - a
gra - ti - a
gra - ti - a
ple - na
ple - na
Do - mi - nus
Do - mi - nus
te - cum.
te - cum.
te - cum.
7
Be - ne -
Be - ne -
di - cta tu in
di - cta tu in
mu - li - e - ri -
mu - li - e - ri -
bus
bus
et be - ne -
et be - ne -
di - ctus
di - ctus
fru - ctus ven - tris
fru - ctus ven - tris
13
tu - -
tu - -
i,
i,
Je -
Je -
sus,
sus,
Je -
Je -
sus,
sus,
Je -
Je -
Je -
Je -
sus.
sus.
sus.
sus.
Anton Bruckner
(1824-96)
Ave Maria
ed. 1/10/99
Copyright © 1999 by Choral Public Domain Library (http://www.cpdl.org)
Edition may be freely distributed, duplicated, performed, or recorded.
Sunday, June 19
Sacred MuSic colloquiuM 2011 n 257
21
San - cta Ma -
San - cta Ma -
ri - a,
ri - a,
San -
San -
cta
cta
Ma -
Ma -
san - cta Ma -
san - cta Ma -
ri -
ri -
a,
a,
San - cta Ma -
ri - a,
ri - a,
san -
san -
cta
cta
Ma -
Ma -
ri - a,
san - cta Ma -
san - cta Ma -
ri -
ri -
a,
a,
san - cta Ma -
26
ri - a,
ri - a,
ma
ma -
-
-
ri - a,
ma - ter
ma - ter
-
-
ter
ter
ma - ter
De -
De -
De -
De -
De -
- -
- -
- -
- -
- -
i,
i,
i,
i,
i, o - ra,
31
o - ra pro
o - ra pro
o -
o - ra pro
no - bis
no - bis
ra pro no - bis
o - ra- pro no - bis
no - bis
pec - ca -
pec - ca -
pec - ca -
pec - ca -
dim.
dim.
dim.
dim.
to - -
to - - -
to - - -
to -
- ri -
ri -
ri -
- - ri -
2
Sunday, June 19
258 n Sacred MuSic colloquiuM 2011
36
bus,
bus,
bus,
bus,
nunc et in
nunc et in
nunc et in
nunc et in
ho - ra
ho - ra
ho - ra
ho - ra
mor - tis
mor - tis
mor - tis
mor - tis
no - strae,
no - strae,
no - strae,
no - strae,
41
mor - tis
mor - tis
mor - tis
mor - tis
no - strae.
no - strae.
no - strae.
no - strae.
San - cta Ma -
San - cta Ma -
San - cta Ma -
San - cta Ma -
ri - a,
ri - a,
ri - a,
ri - a,
o - ra pro
o - ra pro
o - ra pro
o - ra pro
46
no - -
no - - -
no - -
no - - -
- -
-
- -
-
bis.
bis.
bis.
bis.
A -
A -
A -
A -
-
-
-
-
men.
men.
men.
men.
3
Sunday, June 19

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