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  Institutional

 IP  Policy  -­‐  1  

Intellectual  Property  Policies  in  Higher  Education:    

a  case  study  at  Washington  &  Lee  University  

C.  Graham  Spice  

MSMT  Graduate  Student  

IUPUI  Music  and  Arts  Technology  

Fall  2010  

 
  Institutional  IP  Policy  -­‐  2  

Statement  of  objective  

Ownership  of  intellectual  property  within  the  context  of  higher  education  has  been  a  

contentious  issue  for  the  past  quarter  century.  Institutions  of  higher  learning  have  

addressed  these  concerns  by  establishing  institutional  policies  that  define  

ownership  of  intellectual  property  authored  by  university  professors  and  through  

faculty  contracts.    

Washington  and  Lee  University’s  Policy  on  Intellectual  Property  will  be  used  as  a  

vehicle  for  exploring  Intellectual  Property  ownership  in  higher  education.  The  

Policy  on  Intellectual  Property  used  by  Washington  and  Lee  University  takes  the  

generally  accepted  stance  of  a  study  of  liberal  arts  versus  that  of  research  

institutions  and  historical  business  practice:  

In  contrast  to  historical  business  practice,  the  tradition  of  academic  institutions  

is  to  give  faculty  members  the  right  to  retain  ownership  of  their  Intellectual  

Property.  (University,  2004)  

Historical  basis  for  copyright  

The  origins  of  copyright  law  began  as  a  direct  reaction  to  the  invention  of  the  

printing  press.  Copyright  statues  were  initially  established  as  a  legal  method  for  

churches  and  governments  to  limit  dissent  and  criticism.  The  first  legislation  

enacted  to  directly  address  copyright  law  was  England’s  Statute  of  Anne  in  1710.  

The  first  copyright  statute  provided  legal  protection  to  the  author  of  a  work  for  14  
  Institutional  IP  Policy  -­‐  3  

years  and  was  intended  to  encourage  ‘learned  Men  to  compose  and  write  useful  

Books’.  (Deazley,  2006)  

The  Statute  of  Anne  established  a  legal  right  of  the  author  to  control  the  economic  

concerns  of  a  copyrighted  work.  Other  countries  began  to  establish  their  own  

copyright  legislation  to  establish  similar  rights.  France  was  instrumental  in  

expanding  the  concerns  of  this  legislation  to  the  rights  of  the  author,  or  droit  

d'auteur.  French  copyright  law  split  the  rights  of  the  author  into  two  distinct  sets:  

proprietary  rights  and  moral  rights.  This  broader  scope  of  the  rights  of  the  author  

has  been  a  primary  influence  on  the  development  of  international  copyright  law  

such  as  the  Berne  Convention  for  the  Protection  of  Literary  and  Artistic  Works.  

(Wikipedia,  2010b)  

The  Berne  Convention  is  an  international  copyright  agreement,  first  accepted  in  

1886.  Each  country  in  the  Berne  Union  confirms  that  they  will  provide  automatic  

protection  for  works  of  authors  from  other  signatory  countries.  The  Berne  

Convention  also  established  the  principle  of  national  treatment:  legal  copyright  

protection  should  be  equal  in  every  way  to  the  copyright  protections  exercised  by  

its  own  citizens.  (Service,  2009)  

Congress  enacted  the  first  United  States  copyright  law  in  1790,  rejecting  the  French  

approach  of  informal  grants  of  copyright  adapted  from  the  Statute  of  Anne.  Because  

the  United  States  did  not  join  the  many  nations  at  Berne  to  consider  a  multilateral  

treaty  on  copyright  protection,  Congress  was  under  pressure  to  amend  the  
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copyright  laws,  resulting  in  the  International  Copyright  Act  of  1891.  This  act  

extended  American  copyright  protection  to  foreigners.  (Mak,  1989)  

Following  the  Rome  revision  to  the  Berne  Convention  in  1928,  “moral  rights”  were  

added  to  the  requirements  as  follows:  

Independently  of  the  author's  economic  rights,  and  even  after  the  transfer  of  

the  ...  rights,  the  author  shall  have  the  right  ...  to  object  to  any  distortion,  

mutilation,  or  other  modification  of,  or  other  derogatory  action  in  relation  to,  

the  ...  work,  which  would  be  prejudicial  to  his  honor  or  reputation.  

(Convention,  1979)  

Although  U.S.  copyright  law  was  significantly  different  from  that  established  by  the  

Berne  Convention,  resulting  in  the  United  States'  refusal  to  accept  the  Convention  

for  several  years,  the  United  States  changed  its  copyright  laws  quite  significantly  in  

the  1970s  and  subsequently  signed  the  Convention.  (Mak,  1989)  

The  Berne  Convention  requires  that  term  of  copyright  be  a  minimum  of  the  author’s  

lifetime  plus  50  years.  An  additional  requirement  of  Berne  is  that  there  not  be  any  

formal  registration  for  the  establishment  of  copyright.  Although  an  official  member  

of  the  Berne  Convention,  the  United  States  still  requires  copyright  registration  to  

receive  certain  legal  coverage.  

A  major  criticism  of  the  Berne  Convention  was  its  lack  of  enforcement  mechanisms.  

The  World  Trade  Organization  created  the  Agreement  on  Trade-­‐Related  Aspects  of  

Intellectual  Property  Rights  (TRIPS)  in  1995  to  address  these  concerns  by  creating  
  Institutional  IP  Policy  -­‐  5  

strong  enforcement  mechanisms.  Other  objectives  of  TRIPS  were  to  provide  more  

“order  and  predictability,  and  for  disputes  to  be  settled  more  systematically”.  

(Organization,  2010)  

Exclusive  rights  guaranteed  by  copyright  

Copyright  is  literally,  the  right  to  copy,  though  in  legal  terms  "the  right  to  

control  copying"  is  more  accurate.  Copyright  are  exclusive  statutory  rights  to  

exercise  control  over  copying  and  other  exploitation  of  the  works  for  a  

specific  period  of  time.  The  copyright  owner  is  given  two  sets  of  rights:  an  

exclusive,  positive  right  to  copy  and  exploit  the  copyrighted  work,  or  license  

others  to  do  so,  and  a  negative  right  to  prevent  anyone  else  from  doing  so  

without  consent,  with  the  possibility  of  legal  remedies  if  they  do.  (Wikipedia,  

2010a)  

The  French  copyright  notion  of  “moral  rights”  is  still  of  interest  today.  These  moral  

rights  differ  from  economic  rights  in  the  work  that  can  be  transferred  by  the  author  

to  other  people  in  the  same  way  as  any  other  property.  Moral  rights  are  non-­‐

transferrable  and  generally  include  attrition  along  with  the  ability  to  keep  the  work  

free  of  mutilation  or  distortion.    

Copyright  originally  was  intended  to  cover  the  written  word  but  with  the  

proliferation  of  analog  and  more  recently  digital  mediums  the  scope  of  copyright  is  

much  larger.  Copyright  now  covers  a  wide  range  of  media  including  videos,  audio  
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recordings,  computer  software,  maps,  photographs,  etc.  It  is  also  important  to  note  

that  copyright  is  not  able  to  protect  ideas,  only  their  fixation  or  expression.    

Fair  Use  

Fair  use  is  a  term  that  originated  in  the  United  States  describing  an  exception  to  the  

exclusive  rights  provided  by  copyright  law.  Many  countries  have  an  exemption  for  

educational  use  although  the  scope  of  these  exemptions  varies.  The  Wiki  of  English  

Teaching  maintains  a  list  of  what  copyright  exemptions  exist  for  teachers  in  various  

parts  of  the  world.  (Teflpedia,  2010)  

Chapter  one  of  the  Copyright  laws  of  The  United  States  in  section  107  states:  

Notwithstanding  the  provisions  of  sections  17  U.S.C.  §  106  and  17  U.S.C.  §  

106A,  the  fair  use  of  a  copyrighted  work,  including  such  use  by  reproduction  

in  copies  or  phonorecords  or  by  any  other  means  specified  by  that  section,  

for  purposes  such  as  criticism,  comment,  news  reporting,  teaching  (including  

multiple  copies  for  classroom  use),  scholarship,  or  research,  is  not  an  

infringement  of  copyright.  In  determining  whether  the  use  made  of  a  work  in  

any  particular  case  is  a  fair  use  the  factors  to  be  considered  shall  include:  

1. the  purpose  and  character  of  the  use,  including  whether  such  use  is  of  a  

commercial  nature  or  is  for  nonprofit  educational  purposes;  

2. the  nature  of  the  copyrighted  work;  


  Institutional  IP  Policy  -­‐  7  

3. the  amount  and  substantiality  of  the  portion  used  in  relation  to  the  

copyrighted  work  as  a  whole;  and  

4. the  effect  of  the  use  upon  the  potential  market  for  or  value  of  the  

copyrighted  work.  

The  fact  that  a  work  is  unpublished  shall  not  itself  bar  a  finding  of  fair  use  if  

such  finding  is  made  upon  consideration  of  all  the  above  factors.    

(Government,  2010)  

There  is  no  simple  test  to  determine  what  is  fair  use.  Section  107  of  the  Copyright  

Act  sets  forth  the  four  fair  use  factors  which  should  be  assessed  in  each  instance,  

based  on  the  particular  facts  of  a  given  case  to  determine  whether  a  use  is  fair  use:  

(Committee,  2007)  

1. What  is  the  character  of  the  use?    

2. What  is  the  nature  of  the  work  to  be  used?    

3. How  much  of  the  work  will  you  use?    

4. What  effect  would  this  use  have  on  the  market  for  the  original  or  for  

permissions  if  the  use  were  widespread?  

Intellectual  Property  positions  in  higher  education  

The  term  ‘intellectual  property’  has  recently  enjoyed  a  meteoric  rise  in  usage  

although  it  has  been  traced  as  far  back  as  1845.  The  Berne  Convention  created  an  

international  organization  in  1893  called  the  United  International  Bureaux  for  the  
  Institutional  IP  Policy  -­‐  8  

Protection  of  Intellectual  Property  (BIRPI).  The  term  began  to  command  more  

attention  in  1967  when  the  World  Intellectual  Property  Organization  (WIPO)  was  

established  as  an  agency  of  the  United  Nations.  (Lemley,  2005)  

Three  options  exist  for  the  ownership  of  Intellectual  Property  in  higher  education:  

author  ownership,  institutional  ownership  and  shared  ownership.  Liberal  arts  

institutions  generally  lean  towards  author  ownership  while  research-­‐oriented  

schools  rely  on  institutional  and  shared  ownership  to  maintain  funding  contracts.    

Washington  and  Lee  University  in  Lexington,  Virginia,  is  a  private  liberal  arts  

institution.  Leann  Shank,  the  General  Counsel  at  Washington  and  Lee,  offered  her  

thoughts  on  the  University’s  Policy  on  Intellectual  Property:  

The  underlying  philosophy  of  Washington  and  Lee’s  IP  Policy  is  to  encourage  

faculty  to  do  research  and  create  IP  that  they  will  own.  They  are  expected  to  give  

the  University  perpetual  rights  to  use  it.  Big  research  institutions  (like  the  

University  of  Texas)  are  a  different  animal.  They  rely  on  third  party  and  

government  grants  to  fund  the  creation  of  copyrightable  materials.  Ours  is  

meant  to  be  flexible  and  to  encourage  artistic  expression.  The  reward  is  allowing  

the  authors  to  own  the  IP.  (Spice,  2010)  

Shank  outlines  a  classic  argument  in  favor  of  copyright:  ownership  encourages  the  

creator  to  be  more  productive  as  a  result  of  the  work’s  ability  to  be  monetarily  

successful.  When  the  institution  claims  ownership  this  argument  would  suggest  that  

the  author  of  the  research  would  not  have  the  incentive  to  produce  quality  or  
  Institutional  IP  Policy  -­‐  9  

quantity  work.  This  argument  is  influenced  by  the  lengthy  legal  history  of  viewing  

an  individual’s  creative  output  within  the  context  of  common  law  property  rules.  

The  concept  of  viewing  intellectual  creations  as  property  can  be  dated  back  as  far  as  

the  16th  century.  There  are  passages  in  the  Talmud,  the  ancient  Jewish  text  from  200  

CE,  that  disallow  mental  crimes  such  as  stealing  ideas  from  other’s  minds.  Perhaps  

the  idea  of  framing  intellectual  output  as  property  came  from  the  “tragedy  of  the  

commons”  as  explained  by  Lemley:  “The  central  idea  here  is  that  joint  or  public  

ownership  of  a  piece  of  property  is  inefficient,  because  non-­‐owners  who  use  the  

property  have  no  incentive  to  take  care  of  it  and  will  therefore  overuse  it.”  (Lemley,  

2005)    

The  introduction  to  Washington  and  Lee  University’s  Policy  on  Intellectual  Property  

relies  on  the  University’s  mission  as  the  justification  for  the  author  ownership  

position.  McPherson  makes  a  similar  argument  for  author  ownership,  claiming  the  

mission  of  higher  education  “is  to  create  and  distribute  knowledge  in  order  to  enrich  

and  improve  the  lives  of  individuals  and  to  strengthen  society.”  With  this  mission  in  

mind,  McPherson  argues  that  the  incentive  to  invent,  create  and  improve  intellectual  

property  is  greatly  diminished  when  the  author  does  not  own  the  produced  work.  

(McPherson,  2009)  

In  addition  to  the  possible  monetary  success,  there  are  other  benefits  to  an  author  

ownership  IP  policy.  Publishable  works  enhance  career  opportunities  by  

establishing  the  author  as  an  expert  in  their  field.  Secondly,  the  author  is  able  to  
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share  research  in  conjunction  with  the  institution’s  academic  mission  (e.g.,  in  the  

classroom,  at  lectures,  etc.)  Third,  publication  of  original  works  is  of  general  benefit  

to  society.  Finally,  these  benefits  of  author  ownership  can  promote  the  continued  

development  of  the  research  as  the  owner  continues  to  establish  him  or  herself  

within  the  context  of  the  copyrighted  work.  

Institutional  ownership  of  profitable  intellectual  property  allows  for  obvious  

financial  benefits  to  the  university  but  most  institutional  IP  policies  are  quick  to  

point  out  that  the  primary  goal  of  universities  is  not  financial  gain.  Federal  law  

requires  that  the  university  own  all  intellectual  property  that  results  from  

sponsored  programs  grants,  cooperative  agreements,  and  contracts.  Institutions  

that  rely  on  third  party  funding  for  research  need  to  offer  guarantees  that  these  

private  parties  can  have  access  to  the  works  created.  Institutional  ownership  of  

intellectual  property  generated  by  employees  ensures  that  the  university  can  create  

such  guarantees.  (Myers,  2003)  

Historically,  control  over  copyrights  has  not  been  as  firmly  settled  as  the  

practices  governing  trademarks  and  patents,  probably  because  the  monetary  

rewards  for  academic  work  that  is  copyrightable  have  been  perceived  as  so  

small.  Many  colleges  and  universities  have  long  had  policies  asserting  

institutional  ownership  over  the  copyrights  to  faculty-­‐created  works,  but  they  

seldom  tried  to  enforce  them  until  recently.  With  the  advent  of  digital  technology  

and  the  growth  of  distance  education,  however,  the  potential  rewards  seem  

more  promising,  and  the  costs  and  effort  required  to  capture  those  rewards  
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more  reasonable.  As  a  result,  faculty  and  administrations  initiated  a  sometimes  

contentious  exchange  in  the  1990s  over  control  of  academic  work.  (Smith,  2002)  

Works  created  by  employees  of  an  institution  that  are  specified  in  a  job  description  

or  considered  general  duties  are  referred  to  as  “directed  works”  in  many  IP  policies  

in  higher  education.  These  directed  works  are  owned  by  the  employing  institution.  

Additionally,  non-­‐traditional  works  that  may  fall  under  institutional  ownership  

would  include  projects  funded  by  the  University  above  normal  contractual  

obligations.  Intellectual  property  policies  in  higher  education  generally  lean  towards  

flexible  application.  As  such,  most  policies  provide  for  exceptions  to  these  rules.  

(Committee,  2003)  Some  IP  policies  even  allow  for  income  sharing  with  authors  of  

directed  works.  (University,  1998)  

Shared  ownership  of  intellectual  property  can  come  into  play  when  an  individual  

effort  is  more  than  incidentally  assisted  by  University  resources.  Shared  ownership  

can  also  contribute  to  the  fair  distribution  and  management  of  income  created  by  

intellectual  property.    

The  IP  Policy  at  Washington  and  Lee  University  encourages  authors  to  consider  

sharing  profit  of  IP  with  the  university  to  aid  in  copyright  enforcement  and  

promotion.  The  policy  also  allows  for  this  shared  ownership  to  “take  equity  

positions  in  companies  licensed  to  market  or  use  Intellectual  Property.”  (University,  

2004)  

   
  Institutional  IP  Policy  -­‐  12  

Trends  in  Institutional  Intellectual  Property  Policies  

The  type  of  university  considering  the  policy  can  influence  the  decision  of  which  

model  to  follow  for  an  institutional  Intellectual  Property  Policy.  Most  of  the  private,  

liberal  arts  universities  IP  Policies  reviewed  follow  the  author  ownership  model.  

Most  of  the  large,  research-­‐focused  institutions  have  IP  policies  that  put  the  

ownership  of  employee-­‐generated  IP  with  the  institution.    

Another  trend  in  institutional  IP  Policies  is  a  flexibility  to  allow  for  joint  ownership.  

Because  the  policy  attempts  to  regulate  the  unseen,  flexibility  in  the  enforcement  of  

and  generation  of  IP  agreements  is  necessary.  All  reviewed  institutional  IP  Policies  

include,  at  minimum,  royalty  sharing  agreements  that  address  the  Berne  

Convention’s  attribution  requirements.  “Anyone  who  contributes  the  kind  of  

expression  protected  by  the  law  is  a  joint  author  if  the  contribution  is  intended  to  be  

part  of  an  integrated  whole.”  (Counsel,  2006)  

These  trends  in  overall  IP  policy  in  higher  education  may  not  apply  to  distance  

learning  resources.  A  study  conducted  in  2001  of  deans  of  colleges  of  education  in  

regards  to  their  ownership  of  distance  education  courses  found  that  “45%  of  the  

institution  owned  the  rights,  11%  indicated  the  faculty  had  the  rights,  and  24%  

indicated  those  rights  were  shared  (20%  indicated  "other,"  which  was  not  

explained).”  (Meyer,  2002)  

Another  common  feature  of  institutional  IP  Policies  is  a  clause  that  allows  the  

university  to  utilize  the  IP  generated  by  their  employee  for  free  in  teaching,  

extension,  research,  etc.  in  perpetuity.  This  option  also  allows  the  institution  to  
  Institutional  IP  Policy  -­‐  13  

continue  using  the  generated  IP  when  others  teach  the  course.  These  clauses  

generate  goodwill  between  the  authors  and  the  institutions,  encouraging  both  the  

author  and  institution  to  use  employee-­‐generated  IP  in  pedagogy.  

An  institution's  interests  may  also  be  changing  in  the  present  environment.  

Colleges  and  universities  may  have  an  interest  in  gaining  copyright  

ownership  in  order  to  control  the  dissemination  of  educational  materials  to  

rival  institutions,  to  ensure  continued  access  to  materials  used  in  key  courses,  

and  to  gain  licensing  fees  from  materials  that  prove  popular  or  valuable.  

However,  an  institution  may  have  equally  strong  countervailing  disincentives  

against  gaining  ownership.  The  full  benefits  of  copyright  cannot  be  achieved  

without  registration  of  the  work,  and  tracking  such  registrations  may  be  

costly  and  time-­‐consuming.  Vigorous  licensing  of  such  works  may  be  equally  

costly.  Some  institutions,  especially  smaller  colleges  without  an  established  

technology  transfer  office  or  previous  expertise  in  copyright  development,  

may  not  have  the  resources  to  devote  to  the  type  of  intellectual  property  

management  program  that  would  attend  acquisition  of  a  large  copyright  

portfolio.    

Clear  allocation  of  copyright  ownership  and  control  is  necessary  to  avoid  

disputes  over  electronic  course  materials.  Although  the  law  concerning  

authorship  of  educational  works  is  not  clear,  much  of  the  confusion  created  

by  the  academic  exception  to  the  works-­‐made-­‐for-­‐hire  doctrine  can  be  solved  

by  careful  license  drafting.  (Burk,  1998)  


  Institutional  IP  Policy  -­‐  14  

Creating  and  maintaining  high  ethical  standards  is  critical  for  the  reputation  of  an  

institution.  Establishing  a  strong  Intellectual  Property  Policy  is  one  of  the  steps  that  

a  university  can  take  to  help  their  employees  know  their  legal  rights  and  also  create  

a  public  record  of  the  institutional  intent.  Johns  Hopkins  University’s  Conflict  of  

Interest  Policy  reinforces  this  conclusion:  “public  confidence  in  the  University’s  

integrity  undoubtedly  ranks  among  its  greatest  assets.”  (University,  )  

Case  Study:  Washington  and  Lee  University’s  Intellectual  Property  Policy  

Washington  and  Lee  University’s  Intellectual  Property  Policy  was  formalized  in  

March  2004  in  response  to  questions  from  professors  about  their  intellectual  

property  rights.  The  policy  was  created  by  a  committee  of  faculty  and  

administration  and  is  based,  in  part,  on  related  policies  from  Tufts  University  and  

Lehigh  University.  It  has  not  been  revised  since  the  original  issue  but  Shank  noted  in  

a  recent  interview  that  it  is  “time  for  us  to  take  another  look  at  our  copyright  policy.”  

(Spice,  2010)  

The  general  format  of  Washington  and  Lee’s  IP  Policy  follows  the  Sample  

Intellectual  Property  Policy  available  at  the  American  Association  of  University  

Professors  website,  beginning  with  the  Introduction  that  contains  the  Policy  

Statement  and  Applicability  sections.  The  creation  of  intellectual  property  

simultaneously  creates  rights  that  could  be  shared  by  a  variety  of  players.  The  goal  

of  the  policy  is  to  encourage  the  creation  of  IP  and  help  employees  of  the  university  

be  more  aware  of  their  role  in  the  ownership  of  copyrights  and  patents.  The  Policy  
  Institutional  IP  Policy  -­‐  15  

Statement  concludes  by  relating  the  goals  of  the  policy  with  the  academic  mission  of  

the  university  through  the  encouragement  of  intellectual  property  generation  by  

their  faculty,  staff  and  students.  Following  a  brief  declaration  about  definitions  of  

applicable  terms  being  found  within  the  document,  the  actual  Policy  is  defined.  

The  Policy  begins  by  defining  what  types  of  materials  are  covered  by  the  policy.  The  

types  of  IP  covered  by  the  policy  include  text,  videos  and  motion  pictures,  music,  

images  and  computer  software.  Additionally,  patentable  works  such  as  patents,  

devices  and  software  excluded  from  copyrighted  materials  are  considered  IP.  Finally,  

trademarked  materials  and  trade  secrets  are  also  covered  under  this  policy.  

After  defining  the  traditional  and  non-­‐traditional  types  of  IP  covered  by  the  Policy,  

the  rules  of  Ownership  and  Use  are  detailed.  The  General  Rule  is  a  short  summary  of  

the  author  ownership  model  and  the  benefits  for  the  university  and  its  employees.    

The  Ownership  and  Use  section  continues  with  Patentable  Intellectual  Property  

definitions.  While  Washington  and  Lee’s  patent  policy  maintains  their  author  

ownership  stance,  circumstances  are  defined  where  the  University  can  assert  a  

shared  ownership  model  with  the  creator.  Washington  and  Lee  has  reviewed  a  few  

situations  where  patents  could  have  been  created  but  they  were  never  filed  for.  

(Spice,  2010)  

The  University’s  policy  on  Other  Intellectual  Property  continues  the  author  

ownership  stance.  Faculty  is  encouraged  to  discuss  copyrighted  works  that  have  

commercial  value  with  the  University.  On  initial  reading,  this  might  suggest  that  if  

there  is  money  to  be  made  the  University  wants  to  get  a  piece  of  it.  In  reality,  the  
  Institutional  IP  Policy  -­‐  16  

motivation  for  this  text  is  to  help  copyright  creators  know  their  rights.  Shank  

responds:  “Faculty  may  unknowingly  sign  contracts  to  create  works  for  a  contracted  

third  party.  This  is  heads-­‐up  for  faculty  to  save  rights  for  themselves  and  beware  of  

very  one-­‐sided  contracts.”  (Spice,  2010)  

The  last  two  sections  of  the  University’s  policy  on  Intellectual  Property  describes  

situations  where  a  private  party  sponsors  research.  Under  these  conditions,  the  

sponsor  of  the  research  program  generally  requires  that  the  University  own  all  the  

created  intellectual  property.  The  final  section  describes  Special  Agreements,  

providing  the  flexibility  to  create  agreements  between  the  University  and  the  

creator  to  determine  copyright  ownership.  

The  remainder  of  Washington  and  Lee  University’s  Intellectual  Property  Policy  

focuses  on  the  Administration  of  the  policy,  how  Royalties  will  be  received  and  

administered,  how  disputes  will  be  resolved  and  definitions  of  the  use  of  University  

trademarked  names  and  logos.  These  sections  continue  to  follow  the  standard  

practice  of  reviewed  IP  Policies  at  other  institutions  and  also  follow  the  sample  IP  

Policy  suggested  by  the  American  Association  of  University  Professors.  (Professors,  

2010)  

 
Conclusions  

After  reviewing  guidelines  for  the  establishment  of  Intellectual  Property  Policies  in  

higher  education,  the  IP  Policy  at  Washington  and  Lee  University  follows  these  

guidelines.  Although  the  motivations  for  creativity  will  always  be  a  topic  of  debate,  
  Institutional  IP  Policy  -­‐  17  

the  arguments  for  the  author  ownership  model  are  not  at  odds  with  these  

motivations  as  the  other  models  of  IP  ownership  could  be.    

United  States  copyright  law  and  digital  media  have  both  gone  through  major  

changes  in  the  last  30  years.  As  a  result,  higher  education  has  reacted  by  creating  

strong  Intellectual  Property  Policies  to  help  the  employees  understand  how  these  

changes  apply  to  the  ownership  of  their  works  and  encourage  them  to  continue  

creating.  

Most  importantly,  institutions  and  authors  of  intellectual  property  should  be  sure  to  

frame  the  discussion  of  copyright  ownership  within  the  core  mission  of  education.  

As  literary  scholar  F.  O.  Matthiessen  wrote  in  the  beginning  of  his  1941  book,  

American  Renaissance,  “The  true  function  of  scholarship,  as  of  society,  is  not  to  stake  

out  claims  on  which  others  must  not  trespass  but  to  provide  a  community  of  

knowledge  in  which  others  may  share.”  (Smith,  2002)  

   
  Institutional  IP  Policy  -­‐  18  

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