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A BIBLIOGRAPHY OF LITERARY THEORY, CRITICISM AND PHILOLOGY
http://www.unizar.es/departamentos/filologia_inglesa/garciala/bibliography.html
by José Ángel GARCÍA LANDA
(University of Zaragoza, Spain)

FORM, STRUCTURE AND CONTENT IN LITERATURE

Bakhtin, Mikhail. "Problema soderzhaniia, materiala i formy v
slovesnom khudozhestvennom tvorchestve." ("The Problem of
content, Material and Form in Verbal Artistic Creation"). In
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Khudozhestvennaia literatura, 1975. 6-71.
_____. "Material and Device as Components of the Poetic
Construction." In Bakhtinian Thought: An Introductory Reader.
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_____. "Le problème du contenu, du matériau et de la forme dans
l'œuvre littéraire." In Bakhtin, Esthétique et théorie du roman.
Paris: Gallimard, 1978. 24-82.
Beardsley, Monroe C. "Form in Literature." (14. Style: Semantic and
Phonetic. 15. Literary Structure). In Beardsley, Aesthetics:
Problems in the Philosophy of Criticism. 2nd ed. Indianapolis:
Hackett, 1981. 220-66.*
Benzon, William L. "Literary Morphology: Nine Propositions in a
Naturalist Theory of Form." Psyart: An Online Journal for the
Psychological Study of the Arts. (August 2006).
http://www.clas.ufl.edu/ipsa/journal/2006_benzon01.shtml
2007
Brady, Frank, John Palmer and Martin Price, eds. Literary Theory and
Structure: Essays in Honor of W. K. Wimsatt. New Haven: Yale
UP, 1973.
Burke, Kenneth. Counter-Statement. New York, 1931. Rpt. Berkeley:
U of California P, 1968.
_____. The Philosophy of Literary Form: Studies in Symbolic Action.
1941.
_____. Philosophy of Literary Form: Studies in Symbolic Action.
Abridged pbk. New York: Vintage, 1957.
_____. The Philosophy of Literary Form. Rev. ed. 1967.

Derrida." In Eagleton. Margins of Philosophy. "Form and Content. London: Methuen. E. Hans-Georg. _____. Barcelona: RqueR editorial. Marxism and Literary Criticism. Elliott. Berkeley: U of California P. Sobre literatura. In Frye. form).* Fabb. Rollo Walter Brown. "Psychology and Form. Eagleton." In Perspectives on Drama. Seymour. Kamilla. 2002. 1982. London: Verso. R. Nigel. _____. "Design as a Creative Principle in the Arts. The Stubborn Structure. Terry. The Philosophy of Literary Form: Studies in Symbolic Action. Trans. 102-61. Gadamer. 56-65. Eco. "Form. Milano: Bompiani. 295-301. 155-74. Conclusiones estéticas y hermenéuticas. Berkeley: U of California P. _____. 3rd ed. _____. Ed. 1962." In The Writer's Art: By Those Who Have Practiced It. Crane. Frye. "Ideology and Literary Form. 1968." Encyclopaedia Britannica 11th ed. _____. 1976." New Literary History 2 (1971). 1970. Barcelona: Ariel. Ed. "Las suciedades de la forma.* (Pareyson. Umberto. S. Language and Literary Structure. Verdad y método: Fundamentos de una . 1989. Jacques. 1984. J." 1966. Calderwood and H. 1979. 1989. "Form as Fiction. 1973. L'Œuvre ouverte." BELL ns 2 (2004): 63-74. Cambridge (MA): Harvard UP." In Gadamer. _____. "On Defining 'Form'. 1921.* De Quincey. Barcelona: Planeta. "Literary Film Adaptation and the Form/Content Dilemma. 2nd ed. Cambridge (MA): Harvard UP. Toliver. Anna Cangogni. 2004._____. "Form and Meaning: A Note on the Phenomenology of Language. Trans. Chicago: U of Chicago P. Lincoln: U of Nebraska P. The Languages of Criticism and the Structure of Poetry. New York: Hutchinson. New York: Oxford UP.* _____. Obra abierta." In Eco. 1970. 91-102. Northrop. 1953. 20-36. L. 220-43. Criticism and Ideology. _____. _____." In Narrative across Media: The Languages of Storytelling. 1967." In Eagleton. "5. Toronto: U of Toronto P. Cambridge: Cambridge UP. Thomas. Ed. Obra abierta. Alan Bass." In Derrida. Marie-Laure Ryan. Opera aperta: forma e indeterminazione nelle poetiche contemporanee. Paris: Seuil (Points). "Style as Organic and as Mechanic. The Open Work. 211-22. 1978. 2002.* Chatman. The Open Work.

_____.: Tübingen: Niemeyer. In French Literary Theory Today: A Reader. _____.* (La violencia óntica de la imagen. Evanston: Northwestern UP. 1989.* Hough. Claudio. Teorías de la historia literaria: Ensayos de teoría. El fundamento ontológico de lo ocasional y lo decorativo. 1965. (Slavica). Tzvetan Todorov. An Essay on Criticism. Roman. _____. "13." In Hough. Ed. Logik und Literaturwissenschaft." In Aspects of Form. 1974. Graham. La posición límite de la literatura. hermenéutica filosófica. Holland. Princeton: Princeton UP. Schwegler. Hrushovski. (Trans. L'œuvre d'art littéraire. of 4th ed. 1983. Oxford: Oxford UP." Poetics Today 1. Gainesville (FL): PsyArt Foundation. Carter. 153-63. 157-62. Literature and the Brain. Ana Agud Aparicio and Rafael de Agapito. "Organic Form: A Metaphor. In Literary Style: A Symposium. 1951. Hasan." In Holland. Norman. Ed. London: Duckworth. Ed. Guillén Kahen. 1973. "Rime and Reason in Literature"." In Hough. Gombrich. London: Lund Humphries. 171-86. Gainesville (FL): PsyArt Foundation." Trans. Lüchinger and B.* _____. Form and Control. 139-76. Ruqaia. ed. Cambridge: . "15.* _____." In Holland. The Literary Work of Art: An Investigation on the Borderlines of Ontology. Philibert Secretan with N." In Guillén. R. "Formal Theory. 299-326." Poétique 27 (1976): 257- 81. 1966. "The Structure of Semiotic Objects: A Three- Dimensional Model. "Meditations on a Hobby Horse or the Roots of Artistic Form. "The Strategy of Form. "La stratégie de la forme. 3rd. 1977. Lausanne: L'Age d'Homme. Salamanca: Sígueme. 1971. 16-25. Das Literarische Kunstwerk: Eine Untersuchung aus dem Grenzgebiet der Ontologie. and Theory of Literature. Jenny. Ingarden.1-2 (1979): 365-76. An Essay on Criticism. Trans. Fredric. Seymour Chatman. Halle/Saale: Niemeyer. 1931. The Content Fallacy. Lancelot Law Whyte. 2009. Literature and the Brain. Madrid: Espasa-Calpe. E. 2009.* Jameson.). H. Trans. "De la forma a la estructura: fusiones y confusiones. La reconstrucción y la integración como tareas hermenéuticas). Benjamin. Marxism and Form: Twentieth-Century Dialectical Theories of Literature. Laurent. Logic.

"Structure et herméneutique. 2ª ed. 228). 1. Estructura del texto artístico. Kathleen McLaughlin and David Pellauer. "Critical Calculations: Measure and Symmetry in Literature. Ronald Vroon.* (Narrative configuration). 1977. Keen. 2001. vol. Struktura khudozhestvennogo teksta. 1984. Narrative Form. Paris: Seuil. Trans. 1991. Madrid: Ediciones Cristiandad. 1. 1970. In Theories of Authorship.* _____. Francis. Agustín Neiral. Trans.* Maestro. Ed. Pierre. Los materiales literarios: La reconstrucción de la literatura tras la esterilidad de la «teoría literaria» posmoderna. The Structure of the Artistic Text." In Temps et récit Tome I: L'intrigue et le récit historique. (Points) 2001. Mulhern. Peterson. vol. Ronald Vroon. 1982. R. 1983." PMLA 91 (1976): 367-75. 1984. Lukács. Madrid: Istmo. "'Ideology and Literary Form'--A Comment. (BFI Readers in Film Studies). Paris: Editions de la Maison des Sciences de l'Homme. Paul. 1987. _____. Trans. La struttura del testo poetico. Rpt. _____. _____. 1973. 191- 96. La configuration dans le récit de fiction. _____. Macherey. The Structure of the Artistic Text. Cambridge UP. 66-104. 1973. G. Chicago: U of Chicago P. 2003. Paris: Seuil. John Caughie. Ricœur. "La mise en intrigue: une lecture de la Poétique d'Aristote. Die Seele und die Formen. 1911. Iuri. Milan: Mursia. _____. Berlin: Fleischel. reader). Suzanne. _____. Moscow: Iskusstvo.* . La Structure du texte artistique. 1977. Essais. Temps et récit II. Trans. Jesús G. Paris: Seuil. (Points. Temps et récit: Tome II: La configuration dans le récit de fiction. Tiempo y Narración. "Literary Analysis: The Tomb of Structures." New Left Review 91 (1975): 80-7. Ann Arbor: Michigan Slavic Contributions. London: Routledge.* _____. (Author. Houndmills and New York: Palgrave Macmillan. 1981. 34-63. 2007. _____. _____. Victoriano Imbert. Ann Arbor. Paris: Gallimard. Trans. Vigo: Editorial Academia del Hispanismo. 1982. text." Extract. Time and Narrative." Esprit (november 1963). 1995. Georg.* Lotman.

Ed. 1965. Michael. 15-30. K. Ed. M. "Art as Technique. London: Longman. Robert Con Davis and Ronald Schleifer. "Technique as Discovery.* _____. "Technique as Discovery." Select. Defamiliarization) _____. Murphy. (Literariness. Petrograd. 1972. "Introduction: Pour une lecture des formes. 23-5. The Sense of Form in Literature and Language. Michael J. "Art as Technique. Lemon and Marion J." In Essentials of the Theory of Fiction." 1917. 1948. Foregrounding. Reis." In 20th Century Literary Criticism: A Reader. Englewood Cliffs (NJ): Prentice-Hall. White Plains (NY): Longman. 260-72. "Art as Technique. Durham (NC): Duke UP. 1988. Bloomington: Indiana UP. Time and Narrative. "Technique as Discovery. Riehl. _____. Ed." In Sborniki po teorii poeticheskogo iazyka II.* _____.* _____. Rpt. Ed." Vierteljahrsschrift für wissenschaftliche Philologie 22.* Shapiro. Viktor. In Russian Formalist Crtiticism: Four Essays. 48-56. London: Longman. Kathleen McLaughlin and David Pellauer. "Art as Technique. David Lodge.* _____. Trans. "Isskustvo kak priem. 1988._____. 1998.* _____. 101-14. Hoffman and Patrick D." In Rousset. "Bemerkungen zu dem Problem der Form in der Dichtkunst. Jean. Rousset. 1962. in Debating Texts. Madrid: Cristiandad." Rpt. Tiempo y narración II: Configuración del tiempo en el relato de ficción. I-XXVI. Wiliam Van O'Connor. Ed.* Shklovsky. Forme et signification. Ed. 1986." In The Critical Spectrum. London: Macmillan. 1959. volume 2. Rick Rylance. Gerald Jay Goldberg and Nancy Marmer Goldberg. in Twentieth-Century Literary Theory. Ed.* _____. 1994. 387- 400. in Forms of Modern Fiction. Ed." Selection. Minneapolis: U of Minnesota P. 70-83. Tropes. 3rd ed." In Contemporary Literary Criticism: Literary and Cultural Studies. 1963. 1988. Imagery." In Modern Criticism and Theory: A Reader. (Semaphores and Signs). 3-24. David Lodge.* . Mark.* _____. Ed. 1992. Chicago: U of Chicago P. "Technique as Discovery. 1987. Lee T. Newton. 1917. "Art as Technique. Paris: José Corti. 3-14. "Technique as Discovery. Houndmills: Macmillan. Schorer. _____." Hudson Review 1 (1948): 67-87. Lincoln: U of Nebraska P.

" In Théorie de la littérature: Textes des formalistes russes. 1987. Concepts of Criticism. 1963. Leningrad." In Wellek. Tynianov. Francisco Rodríguez Marín. Structure. White." In Modern Literary Theory: A Reader. "La notion de construction. forma. "Concepts of Form and Structure in Twentieth-Century Criticism. Trans. 1987.* _____. 1975.ro/eBooks/lls/RaduSurdulescu- FormStructuality/Prima%20Pagina. 1937. 3rd ed. Aspects of Form. of Dzieje szesciu pojec." In West. The Content of the Form. 1965. . Baltimore: Johns Hopkins UP. "L'art comme procédé. Russian Formalism. Narrative theory. mímesis. belleza. Théorie de la littérature 114-119. Structuralism. Wellek. Crisis and Criticism. Paris: Seuil. Editura Universitati din Bucuresti. Warsaw: Panstwowe Wydawnictwo Naukowe.unibuc. See also Aesthetics. René. "Form. Iuri. 2004. Whyte. Historia de seis ideas: Arte. 76-97. _____. Philip Rice and Patricia Waugh. London: Lund Humphries. West. Dramatic structure. Form. Ed. London: Arnold. 1951. Poetic structure. ed. "Art as Technique. Madrid: Tecnos. 2000._____. Trans. creatividad. From "Art as Technique.htm 2006-03-09 Tatarkiewicz. from Problema stikhotvornogo iazyka. New Haven: Yale UP. Hayden.* Surdulescu. 1924. Lancelot Law. 111-34. Julie Rivkin and Michael Ryan." In Todorov." In Literary Theory: An Anthology. Ed. Alick. Radu. London: Lawrence and Wishart." "Form and Content. Wladislaw. experiencia estética. (Tel Quel). Oxford: Blackwell. 2nd ed. 1996. Trans. Tzvetan Todorov. Ed. 54-68. 17-21. Style. 7-11. http://www. and Structurality in Critical Theory.