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A BIBLIOGRAPHY OF LITERARY THEORY, CRITICISM AND PHILOLOGY
http://www.unizar.es/departamentos/filologia_inglesa/garciala/bibliography.html

by José Ángel GARCÍA LANDA (University of Zaragoza, Spain)

FORM, STRUCTURE AND CONTENT IN LITERATURE

Bakhtin, Mikhail. "Problema soderzhaniia, materiala i formy v slovesnom khudozhestvennom tvorchestve." ("The Problem of content, Material and Form in Verbal Artistic Creation"). In Bakhtin, Voprosy literatury i èstetiki. Moscow: Khudozhestvennaia literatura, 1975. 6-71. _____. "Material and Device as Components of the Poetic Construction." In Bakhtinian Thought: An Introductory Reader. Ed. Simon Dentith. (Critical Readers in Theory and Practice). London: Routledge, 1994. _____. "Le problème du contenu, du matériau et de la forme dans l'œuvre littéraire." In Bakhtin, Esthétique et théorie du roman. Paris: Gallimard, 1978. 24-82. Beardsley, Monroe C. "Form in Literature." (14. Style: Semantic and Phonetic. 15. Literary Structure). In Beardsley, Aesthetics: Problems in the Philosophy of Criticism. 2nd ed. Indianapolis: Hackett, 1981. 220-66.* Benzon, William L. "Literary Morphology: Nine Propositions in a Naturalist Theory of Form." Psyart: An Online Journal for the Psychological Study of the Arts. (August 2006). http://www.clas.ufl.edu/ipsa/journal/2006_benzon01.shtml 2007 Brady, Frank, John Palmer and Martin Price, eds. Literary Theory and Structure: Essays in Honor of W. K. Wimsatt. New Haven: Yale UP, 1973. Burke, Kenneth. Counter-Statement. New York, 1931. Rpt. Berkeley: U of California P, 1968. _____. The Philosophy of Literary Form: Studies in Symbolic Action. 1941. _____. Philosophy of Literary Form: Studies in Symbolic Action. Abridged pbk. New York: Vintage, 1957. _____. The Philosophy of Literary Form. Rev. ed. 1967.

" New Literary History 2 (1971). Calderwood and H. Obra abierta. Paris: Seuil (Points). "Literary Film Adaptation and the Form/Content Dilemma. Seymour. S.* Fabb. "5. R. Derrida. Marxism and Literary Criticism. New York: Hutchinson. Umberto. Hans-Georg. 1968. 1973. Eagleton. L. form)." Encyclopaedia Britannica 11th ed. _____. Nigel. Opera aperta: forma e indeterminazione nelle poetiche contemporanee. 1967. Ed. 1989. 20-36." In Eco. _____. 1962. London: Methuen. Language and Literary Structure. 1989. In Frye. Marie-Laure Ryan. London: Verso. Cambridge (MA): Harvard UP. 2002." In Gadamer. 211-22. _____. Northrop. 1982. Verdad y método: Fundamentos de una . Lincoln: U of Nebraska P. 1976. E. The Languages of Criticism and the Structure of Poetry. The Open Work. _____. 1970. 1953." In The Writer's Art: By Those Who Have Practiced It. 1970. Gadamer._____. 2004. Margins of Philosophy. Milano: Bompiani. The Stubborn Structure. Sobre literatura. Thomas. Criticism and Ideology. 3rd ed. 91-102.* Chatman. Alan Bass. Cambridge (MA): Harvard UP. 56-65. The Philosophy of Literary Form: Studies in Symbolic Action. "Psychology and Form. 1978. 155-74. Barcelona: RqueR editorial. Elliott. 1984. Trans. "On Defining 'Form'. Cambridge: Cambridge UP. Rollo Walter Brown. "Form as Fiction." In Eagleton. "Design as a Creative Principle in the Arts. 220-43. 102-61. New York: Oxford UP.* _____. Toliver. _____. The Open Work. 2nd ed. 295-301. L'Œuvre ouverte. Berkeley: U of California P. Barcelona: Planeta." 1966. J. Berkeley: U of California P. 1979. Obra abierta. "Form and Meaning: A Note on the Phenomenology of Language.* De Quincey. "Ideology and Literary Form. Crane. 1921. Chicago: U of Chicago P. Jacques." In Eagleton. _____. Terry. Conclusiones estéticas y hermenéuticas.* (Pareyson." BELL ns 2 (2004): 63-74. _____. Ed. Eco. "Style as Organic and as Mechanic. Anna Cangogni." In Perspectives on Drama. 2002. Toronto: U of Toronto P. Frye. Barcelona: Ariel. "Form and Content. "Form. Kamilla. _____." In Derrida. "Las suciedades de la forma. Trans." In Narrative across Media: The Languages of Storytelling. Ed.

2009.* (La violencia óntica de la imagen. "The Structure of Semiotic Objects: A ThreeDimensional Model. "Organic Form: A Metaphor. _____. Cambridge: .* _____. ed. Salamanca: Sígueme. Princeton: Princeton UP.* _____. "15.: Tübingen: Niemeyer. Ed. 1966. 153-63. Oxford: Oxford UP. Madrid: Espasa-Calpe. Ruqaia. "Formal Theory. 2009. Trans. The Content Fallacy." Trans. "La stratégie de la forme. Schwegler. An Essay on Criticism. "The Strategy of Form. La reconstrucción y la integración como tareas hermenéuticas). Philibert Secretan with N. Tzvetan Todorov. Literature and the Brain.* Hough. Hasan." In Hough." In Aspects of Form. Seymour Chatman.* Jameson. 3rd. "Meditations on a Hobby Horse or the Roots of Artistic Form. Laurent. Lancelot Law Whyte. 1971. E. Fredric. Trans. Teorías de la historia literaria: Ensayos de teoría. Hrushovski. Graham." In Guillén. of 4th ed. An Essay on Criticism. 171-86. 1974. 299-326. (Trans. H." In Holland. and Theory of Literature. El fundamento ontológico de lo ocasional y lo decorativo. Lausanne: L'Age d'Homme. The Literary Work of Art: An Investigation on the Borderlines of Ontology. Marxism and Form: Twentieth-Century Dialectical Theories of Literature. London: Duckworth. Ingarden. R. London: Lund Humphries. Evanston: Northwestern UP. Gainesville (FL): PsyArt Foundation. 16-25." In Hough. Carter. Jenny. Form and Control. Benjamin. In Literary Style: A Symposium. Logik und Literaturwissenschaft. Logic.1-2 (1979): 365-76. (Slavica). "De la forma a la estructura: fusiones y confusiones. 1965." In Holland. Lüchinger and B. 1973. "13. Literature and the Brain. _____.hermenéutica filosófica. Roman. La posición límite de la literatura. Halle/Saale: Niemeyer." Poétique 27 (1976): 25781. 157-62. Gombrich. 1931. Ed. _____. Ed. L'œuvre d'art littéraire. "Rime and Reason in Literature". In French Literary Theory Today: A Reader.). 139-76. 1989. Holland. Das Literarische Kunstwerk: Eine Untersuchung aus dem Grenzgebiet der Ontologie." Poetics Today 1. 1951. Gainesville (FL): PsyArt Foundation. 1977. Claudio. Ana Agud Aparicio and Rafael de Agapito. Norman. 1983. Guillén Kahen.

228).* . Peterson.* Lotman. reader)." Esprit (november 1963). Chicago: U of Chicago P. Paris: Gallimard. Jesús G. 1982. Madrid: Ediciones Cristiandad. Madrid: Istmo." Extract. "Literary Analysis: The Tomb of Structures. 1987. 1984. 1982. The Structure of the Artistic Text. vol. In Theories of Authorship. "'Ideology and Literary Form'--A Comment.* _____. "Structure et herméneutique." In Temps et récit Tome I: L'intrigue et le récit historique. _____. 1983. Houndmills and New York: Palgrave Macmillan. John Caughie. 1973. La struttura del testo poetico. Paris: Seuil. 34-63.* _____. _____. Los materiales literarios: La reconstrucción de la literatura tras la esterilidad de la «teoría literaria» posmoderna. Macherey. Paul. vol. Paris: Seuil. _____. Tiempo y Narración. Trans. G. Milan: Mursia. 1970. Trans. 1973. Keen. Trans. R." New Left Review 91 (1975): 80-7. 1995. "Critical Calculations: Measure and Symmetry in Literature. 1911. La Structure du texte artistique. Pierre. _____. text. 2ª ed. Moscow: Iskusstvo. (Points. (BFI Readers in Film Studies). Ed. Agustín Neiral. Vigo: Editorial Academia del Hispanismo. The Structure of the Artistic Text. Ronald Vroon. 1. Estructura del texto artístico. Ricœur. Die Seele und die Formen. (Author. Ann Arbor. Iuri. 1991. _____. Struktura khudozhestvennogo teksta. Mulhern. 1. _____. Ann Arbor: Michigan Slavic Contributions. Berlin: Fleischel. (Points) 2001. Trans. 66-104.* Maestro. 2001.Cambridge UP. "La mise en intrigue: une lecture de la Poétique d'Aristote. Francis. Georg. Trans. Temps et récit: Tome II: La configuration dans le récit de fiction. Temps et récit II. 1977. Suzanne. Rpt.* (Narrative configuration). Ronald Vroon. Lukács. Kathleen McLaughlin and David Pellauer. London: Routledge. 2007. Paris: Seuil. Paris: Editions de la Maison des Sciences de l'Homme. Essais. _____. Time and Narrative." PMLA 91 (1976): 367-75. 1977. Victoriano Imbert. 2003. Narrative Form. 1981. 1984. 19196. _____. La configuration dans le récit de fiction.

1962. Chicago: U of Chicago P. "Art as Technique. Englewood Cliffs (NJ): Prentice-Hall. Forme et signification. Imagery. Ed." Hudson Review 1 (1948): 67-87. Lemon and Marion J. 1986. The Sense of Form in Literature and Language." In 20th Century Literary Criticism: A Reader. 1988. Bloomington: Indiana UP." In Essentials of the Theory of Fiction. M. Newton.* Shklovsky. "Technique as Discovery. Viktor. Wiliam Van O'Connor. Minneapolis: U of Minnesota P. London: Longman. in Debating Texts. 101-14." Vierteljahrsschrift für wissenschaftliche Philologie 22. Houndmills: Macmillan. Mark.* _____. Tiempo y narración II: Configuración del tiempo en el relato de ficción. Jean. "Art as Technique. 1992.* _____. London: Macmillan. Ed._____." In Contemporary Literary Criticism: Literary and Cultural Studies. Lincoln: U of Nebraska P.* _____.* Shapiro. "Technique as Discovery. Rpt. Ed. "Introduction: Pour une lecture des formes. David Lodge." In The Critical Spectrum. Petrograd. "Bemerkungen zu dem Problem der Form in der Dichtkunst. Kathleen McLaughlin and David Pellauer. 1987. 23-5." In Rousset. "Technique as Discovery. Tropes. I-XXVI. 70-83. Trans. 48-56. White Plains (NY): Longman. Rick Rylance. 1988." In Sborniki po teorii poeticheskogo iazyka II. Ed.* _____. "Technique as Discovery. Hoffman and Patrick D. _____.* _____. 1963. Defamiliarization) _____. Murphy. Michael. (Semaphores and Signs). Durham (NC): Duke UP. "Isskustvo kak priem. Reis. 1917. London: Longman. in Forms of Modern Fiction. Lee T. In Russian Formalist Crtiticism: Four Essays. David Lodge." Selection. (Literariness. 1994. Ed. Michael J. in Twentieth-Century Literary Theory. 1988.* _____. Riehl. Madrid: Cristiandad." In Modern Criticism and Theory: A Reader. "Technique as Discovery. "Art as Technique." 1917. 3rd ed. 3-24. 1948. Ed. K.* ." Select. Schorer. 387400. Rousset." Rpt. Foregrounding. Paris: José Corti. 1998. "Art as Technique. volume 2. Ed. Gerald Jay Goldberg and Nancy Marmer Goldberg. 3-14. 1959. Time and Narrative. "Art as Technique. 260-72. 1965. 1972. Robert Con Davis and Ronald Schleifer. _____. Ed. Ed.* _____. 15-30.

Iuri. Poetic structure. Leningrad. West. Aspects of Form. Russian Formalism.* _____.* Surdulescu." "Form and Content. Wladislaw. 2004. 17-21. Whyte. Baltimore: Johns Hopkins UP. 1996." In Théorie de la littérature: Textes des formalistes russes. London: Lund Humphries. 1975. 1924. 1987. of Dzieje szesciu pojec. creatividad. Warsaw: Panstwowe Wydawnictwo Naukowe. René. Trans.unibuc. "Concepts of Form and Structure in Twentieth-Century Criticism. Ed. forma. Form. "L'art comme procédé. Structuralism. Madrid: Tecnos. Lancelot Law. See also Aesthetics. 76-97. belleza. _____. The Content of the Form. London: Lawrence and Wishart. Francisco Rodríguez Marín. (Tel Quel). From "Art as Technique." In Literary Theory: An Anthology. Narrative theory. White. Ed. New Haven: Yale UP. 1965. Style. experiencia estética. from Problema stikhotvornogo iazyka. Théorie de la littérature 114-119. 1937." In Todorov. 54-68. 2000. Crisis and Criticism._____. . 1963. 1951. Philip Rice and Patricia Waugh. Radu. Tzvetan Todorov. 2nd ed. "La notion de construction. Ed. Trans. Historia de seis ideas: Arte." In Wellek. 1987. and Structurality in Critical Theory. Concepts of Criticism. Dramatic structure. 111-34. Julie Rivkin and Michael Ryan. Paris: Seuil." In Modern Literary Theory: A Reader. "Art as Technique. mímesis.htm 2006-03-09 Tatarkiewicz. London: Arnold. http://www. Alick. Structure. 3rd ed. Hayden. Editura Universitati din Bucuresti. "Form." In West. Trans. Oxford: Blackwell. 7-11. Wellek. ed.ro/eBooks/lls/RaduSurdulescuFormStructuality/Prima%20Pagina. Tynianov.