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Conference on College Composition and Communication

cccc 2012
St.Louis
2012 CCCC Annual Convention
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Writing Gateways
In March of 2012, we will convene in the elliptical shadow of one of the r 8IBUEPXSJUFSTCSJOHXJUIUIFN PSMFBWFCFIJOE
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world’s great structures, the St. Louis Gateway Arch—at 630 feet, the tallest through discursive and rhetorical gateways defined by multiple con-
human-made monument in the United States. Designed by futurist architect texts for writing?
Eero Saarinen and dedicated in 1968, the arch was constructed as a testa-
r 8IBUEPXFTUJMMOFFEUPLOPXBCPVUUSBOTJUJPOTJOUIFBDRVJTJUJPOPG
ment to what the Hartford Courant described as “the pioneer spirit of the
writing ability, especially in a digitally-mediated world?
men and women who won the West, and those of a latter day to strive on
other frontiers.” A symbol of hope and progress, the starting point of Lewis r )PXBSFJOTUJUVUJPOBMBOEQSPHSBNNBUJDQPMJDJFTBGGFDUJOHHBUFXBZT
and Clark’s expedition and the threshold of the Louisiana Purchase, the arch to access? How can writing assessment welcome students into higher
was designed to represent the triumph of American expansionist ideology. literacies instead of serving as exclusionary or discriminatory check-
But the arch’s symbol of manifest destiny and westward expansion also has points?
its down side. Through its door to history, we see the subjugation and exclu- r 8IBUMFHJTMBUJPO‡BUBMMMFWFMT‡JTDSFBUJOHOFXHBUFXBZTGPSFNQMPZ-
sion of indigenous people. We see the unbridled imposition of makeshift ment, research, teaching, and learning, and how should we respond?
law. We see the exploitation of foreign and migrant workers. And we see the
eventual destruction and overdevelopment of unspoiled land. Just as we often r 8IBUOFXHMPCBMBOEJOUFSOBUJPOBMHBUFXBZTBSFPQFOJOHVQGPSMJU-
associate movement through a gateway with gain (enlightenment, wisdom, eracy research and teaching, and with what new challenges?
employability), a successful passage can also mean loss: leaving behind one’s r )PXBSFFNFSHJOHEJHJUBMUFDIOPMPHJFTBOENVMUJQMFNPEFTPGDPN-
culture or language, taking on questionable new roles, or joining exclusionary munication becoming new rhetorical and informational gateways?
communities of practice. Like the portals in many literary, artistic, and faith
traditions, gateways are both transition points and checkpoints—thresholds r 8IBUTDIPMBSMZBOENFUIPEPMPHJDBMHBUFXBZTIBTUIFàFMEDPOTUSVDUFE 
that promise a welcome transformation, new state of being, or a journey and do they limit or open up possibilities for inquiry?
onward, and borders that can block, reject, and turn away. r 8IBUFMTFDBOXFMFBSOBCPVUUIFEJTDJQMJOFGSPNTUVEZJOHJUTQBTUUSBO-
The history of composition reflects a spirit of continuous exploration. We’ve sitions and the consequences of those who moved into new territories
seen movements through methodological and (inter)disciplinary orientations, of inquiry and teaching?
and expansions into new specialized areas of inquiry. We’ve experienced
r )PXEPFTUIFEJTDJQMJOFXFMDPNFJOOFXUFBDIFST TDIPMBST BOE
new territories of literacy: digital and multimodal forms of communication,
students? Who among all our publics—scholars in other disciplines,
rapidly expanding contexts of activity, and the formation and transformation
policy- and lawmakers, business leaders, and the general public—are
of genres. In practice, our field is fundamentally about the transitions that
turned away, and why?
literacy brings to individual lives and collective destinies, in the embodied
work of turning thought into words and other media. The very act of writing Further, I urge you to consider revitalizing our field’s historic roots in inter-
has been theorized as both inwardly and publicly transformative, the inscrip- and multidisciplinary inquiry. Scholars in many areas continue to produce
tion of language yielding to the recursions of contemplation, reconsideration, new knowledge greatly relevant to our own paths of research, and teachers
rhetorical deliberation, and change. Such transitions lead us to higher levels of in more and more areas of the curriculum continue to develop interests in the
knowledge and awareness—and to action. But the progress they represent is pedagogies of writing. In addition, CCCC members are pursuing exciting new
never ideologically neutral. Welcoming us to consider what it means to move collaborations with people in contexts beyond higher education, such as K-12
into and through our work with writing and rhetoric, in all its forms, purposes, schools, business and industry, nonprofits, government agencies, and prisons,
and contexts, the Gateway Arch offers an apt metaphor for our conference. to name a few. For this reason, you’ll find an additional category for propos-
What gateways are rhetoric and composition now creating? How does our field als: “interdisciplinary, multidisciplinary, and cross-contextual perspectives.”
monitor gateways created by others? Who is passing through these gateways, Proposals in this category don’t need to include presenters from other fields
and toward what future? Who or what is turned away or left behind? or settings, but, of course, we warmly welcome them.
As we look ahead to the 2012 convention, I invite you to consider some This call is being issued far enough ahead of the current annual convention
of the following questions occasioned by our conference theme. As always, to allow CCCC members to meet and plan their panels, SIGs, workshops, and
we will feature some sessions that explore and advance the theme and oth- other proposals on site. For those who will gather in Atlanta, please use this
ers that explore and advance the many areas of vigorous research, theorizing, opportunity to look ahead to the 2012 convention in St. Louis. To facilitate
and practice in our field at large. on-site meetings among those with similar interests who want to plan sessions,
we’ve set up a special Connected Community site where you can post queries
r )PXJTXSJUJOHSFMBUFEUPtransition—within courses and majors;
or link up with others. Please find a dedicated space at the new Connected
between disciplines and curricula; across structurally distinct systems
Communities site www.ncte.org/cccc/connectedcommunity
such as high school, community college, college/university, and work-
I eagerly look forward to receiving your proposals and seeing you in St.
place; from work, retirement, or post-military service to school; and
Louis in 2012.
from self-sponsored, non-academic worlds to classrooms, and back?
Chris M. Anson
How do we facilitate and study such transitions, and with what effect? North Carolina State University
2012 Program Chair

National Council of Teachers of English


1111 W. Kenyon Road, Urbana, Illinois 61801-1096
General Information Concurrent Sessions Audiovisual Equipment
Members of the Conference on College Compo- Members may propose whole sessions (75-minute CCCC is usually able to provide overhead projec-
sition and Communication and others who are sessions consisting of three or more participants) tors, with the accompanying projection screen,
interested in the goals and activities of the CCCC or submit a proposal as an individual, which will for concurrent sessions and workshops. You must
are invited to submit proposals for sessions and be combined into a panel by the Program Chair. indicate what equipment you need as part of your
workshops at the 2012 CCCC annual convention. Presenters may propose separately titled papers, per- proposal, and include a rationale for the neces-
Peer-reviewed submissions will comprise the formances, digital installations, visual presentations, sity of its integral use. Because of high costs and
greater part of the program, with the remainder etc., in whatever format best delivers the presenters’ limited availability of equipment, we may not be
consisting of sessions initiated by the Program ideas and engages the audience. In a panel where able to honor all such requests; in those cases,
Chair. CCCC Annual Convention programs are
more than 3 participants are proposed, formats such proposers will need to rent equipment at their
open to everyone, including scholars from other
as position statements and abstracts are acceptable. own cost or provide it themselves. If you request
disciplines. Nonmembers of CCCC are welcome
to submit proposals but are urged to join the or- Every panel must be designed to allow at least 15 AV equipment and it is assigned to you, you will
ganization. CCCC is a nonprofit organization and minutes of discussion and audience response. get a confirmation from the CCCC. If you do NOT
cannot reimburse program participants for travel receive a confirmation, the equipment will not be
or hotel expenses.
Workshop Sessions available for you at the conference.
Competition for a place on the program is intense Workshops provide opportunities for engaged
—many good proposals cannot be accepted. The introductions to new developments in the field Preregistration for Program Participants
percentage of the program devoted to a specific and participatory discussion of current ideas and CCCC depends on the support of everyone who
area (see area cluster list on the following page) is practice. Successful workshop proposals explain attends. Program participants must complete
determined by the number of proposals received in clearly how registrants will participate in workshop a registration form (or register online at www.ncte.
that area. All proposals are peer-reviewed without activities and must include a schedule indicating org/cccc/conv) and return it with payment when
names attached. Reviewers with special expertise in times, registrant activities, and speakers (only they accept their role in the program.
each area will advise the Program Chair on proposal the first 12 names will be listed on the program).
acception. Workshops are limited to 30-50 registrants and General Guidelines for Proposals
Deadline: To ensure participants receive an early carry an additional fee. 1. Follow the proposal format.
fall notification of program participation, all Preconvention Workshops are scheduled for a
electronic submissions must be received by 2. Be as specific and clear as possible about the
full day on Wednesday, 9:00 a.m.-5:00 p.m., or a focus and purpose of your proposals, and
11:59 p.m., May 6, 2011, Central Standard Time. half-day Wednesday, either 9:00 a.m.-12:30 p.m.
All mailed submissions must be postmarked by provide only the information requested. The
or 1:30 p.m.-5:00 p.m. Proposed Workshops with
April 29, 2011. intense reviewing procedure makes supple-
no evidence of active participation by registrants
mental material a hindrance.
will not be accepted.
Program Format 3. Meet the May 6th deadline for electronic
The 2012 CCCC Annual convention consists of SIGs proposals.
75-minute Concurrent Sessions offered Thursday SIGs convene for one-hour business meetings after 4. Notify Eileen Maley at NCTE immediately
through late Saturday afternoon. Additionally, the last Concurrent Session on Thursday and Fri- (1-800-369-6283 ext. 3674 or 217-278-3674)
special presentations by featured speakers will be day. Every SIG that wishes to meet must submit a of address changes.
organized by the Program Chair. Half-day and all- proposal each year that includes a statement of the 5. Official invitations will be sent to persons on
day workshops take place on Wednesday. Special group’s interest and potential value to CCCC mem- accepted proposals by late August.
Interest Groups (SIGs) meet Thursday and Friday bers as well as any special space requirements. The 6. Names appearing in the 2012 convention
for one hour business meetings. number of SIGs is limited by the number of meeting program will represent only peer-reviewed
rooms available. Presentation titles and speakers will proposals and paid registrations.
not be listed on the convention program.

####3CHOLARSFORTHE$REAM4RAVEL!WARD

The Conference on College Composition and sion page. Later in the process, you will need r 5JNFMJOFTTDPOUSJCVUFTUPBDVSSFOUJTTVF
Communication sponsors the Scholars for the to submit an expanded abstract (instructions in rhetoric or composition studies
Dream (SFD) Awards to encourage program below). r 5IFPSZ SFGFSFODFT B TQFDJàD UIFPSFUJDBM
participation and scholarship by members of 2. Your proposal will be reviewed in the Area framework within rhetoric or composition
historically underrepresented groups (African Cluster you choose. If your proposal is ac- studies, sharpening concept definitions or
Americans, Asian Americans, Mexican Ameri- cepted and you meet eligibility requirements presenting alternative viewpoints.
cans, Puerto Ricans and other Latino/a Ameri- for the travel award, you can compete for one r 3FTFBSDIQSPWJEFTFYQMPSBUJPOXJUIOFX
cans, and American Indians). Their presence and of the ten awards by submitting an expanded research techniques or creative use of
contributions are central to the full realization abstract. known techniques, demonstrates and fills
of our professional goals. 3. Candidates for travel awards should submit a research void, creates or improves an
To this end, the CCCC offers up to ten travel an expanded, 3- to 5-page abstract by October instrument for observing and analyzing
awards of $750 each, sponsors a reception for all 10, 2011 to the CCCC Administrative Assistant research data.
award winners, and gives a one-year membership at CCCC@ncte.org or 1111 W. Kenyon Rd.,
in NCTE and CCCC. Applications are submitted r 1FEBHPHZSFMBUFTTQFDJàD DSFBUJWFDMBTT-
Urbana, IL 61801. At that time, you will also room practices to particular theoretical
as part of 2012 CCCC Convention session pro- be asked to verify eligibility.
posal materials. Award winners will be notified frames, demonstrating potential for wider
in December. 4. The ten SFD Award winners will be notified application (beyond a particular personal-
in December 2011. ity’s successful pedagogy).
Eligibility and Submission Information The SFD Awards Selection Committee consid- The Potential. Whether theory, research, or
1. If you are from a historically underrepre- ers conference proposals in terms of originality, pedagogy, the presentation should hold promise
sented group, if you are an emerging scholar, significance, and potential. for future exploration and investigation.
and if you will be presenting at the CCCC The Problem. The presentation promises to de-
for the first time, you may apply by checking scribe a significant problem or issue in an original
the Dream checkbox on the online submis- way, meeting at least one of these criteria:

2
4HE,UIS!NTONIO-ARCUSCHI #####HAIRS-EMORIAL3CHOLARSHIP
4RAVEL!WARDS We invite applications for the 2012 CCCC Convention in St. Louis. To remember and
Two $1000 travel reimbursement awards are available honor the Chairs of CCCC who have passed away, the CCCC Executive Committee
to scholars from Mexico, Central, or South America has created scholarships of $750 each to help cover the costs of four, full-time graduate
who have papers accepted for presentation at the 2012 students who are presenting at the annual convention.
CCCC Convention in St. Louis. To apply, simply Full-time graduate students whose presentations were selected through the regular
submit a short statement describing your intention to peer-review process are eligible to apply. Applications include the follow:
attend the meeting and need for the funds (maximum 1. A one-page letter of application, introducing yourself, verifying you are a full-
300 words—email to cccc@ncte.org no later than time graduate student, and articulating your plans for a career in rhetoric and
June 10, 2011). Shortly after the proposal review composition studies.
process is finished, you will be notified if your request 2. A copy of your accepted 2012 CCCC program proposal.
has been funded. 3. A one-page CV.
Application deadline: October 10, 2011. Send materials to cccc@ncte.org or CCCC
Chairs’ Memorial Scholarship, 1111 W. Kenyon Road, Urbana, IL 61801

!2%!#,534%23
The clusters below are used to help organize the review of proposals and create the 7—Interdisciplinary, Multidisci- 11—Teaching Writing &
program. To ensure fairness and equal representation, proposals are generally accepted plinary, and Cross- Rhetoric
in proportion to numbers received in the clusters. Selecting a particular cluster neither Contextual Perspectives r #BTJD àSTUZFBS BEWBODFE &4-
advantages nor disadvantages your proposal. Beneath each cluster area are examples of r *OUFSEJTDJQMJOBSZBOENVMUJEJTDJ- r "MUFSOBUJWFPSFYQBOEFEQFSTQFDUJWFT
appropriate topics, but the listing is neither comprehensive nor exclusive. Sometimes a plinary scholarly and instructional (environmental, spiritual, etc.)
single proposal might fit into two or three areas, or a proposal might not fit well into any partnerships r $MBTTSPPNDBNQVTTJUVBUJPOTBOE
area. However, if you do not choose a category, your proposal will not be reviewed and r 3FTFBSDIPOXSJUJOHJOPUIFSEJTDJ- strategies
therefore will not be accepted for the program. Please consider these categories as a heu- plines and contexts r $PMMBCPSBUJWFXSJUJOH
ristic, and understand that in making a selection, you emphasize the primary focus of and r "EBQUBUJPOUPSIFUPSJDBOEDPNQPTJ- r %FTJHOBOEFWBMVBUJPOPG
the best reviewing audience for your proposal. Clusters are arranged alphabetically. tion of methods from other disci- assignments
plines r 3FTQPOTFUPTUVEFOUUFYUT
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1—Academic Writing 5—Information Technologies
into new sites of inquiry disclosure
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critical writing r 0OMJOFJEFOUJUJFT .Z4QBDF 
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3
0ROPOSAL&ORMFORTHE#####ONVENTION Online Coaching
Electronic proposals can be reviewed prior to final
Proposal Deadlines: Online, by 11:59 p.m. Central Time, May 6, 2011
submission by online coaches (former Stage I and II
Mailed, postmarked by April 29, 2011
CCCC proposal reviewers). Review does not guarantee
FAXED OR INCOMPLETE PROPOSALS WILL NOT BE PROCESSED. acceptance but is intended to enhance submissions.
SUPPLEMENTAL MATERIAL WILL NOT BE CONSIDERED. See http://www.ncte.org/cccc/conv. To qualify, your
You may propose yourself and/or colleagues for the program by completing the online proposal must be submitted online by April 14, 2011.
form available at http://www.ncte.org/cccc/conv/. H I would like an online coach
IMPORTANT REQUIREMENTS: All individuals whose sessions or papers are accepted
or who appear on the program must pay their CCCC registration fee at the time they accept To submit an online submission:
their role on the program. Concurrent sessions must have 3 presenters to be considered. Complete the online proposal form at
For 1-2 presenters, apply under Individual Presentations. http://www.ncte.org/cccc/conv/

CHECK APPROPRIATE CIRCLES: Check “NEW” for a person who is a first-time To submit a paper submission:
speaker/presenter. Check “ROLE” if willing to chair a session other than the one proposed. Complete a “set” consisting of Parts A, B, and C
(Volunteer only if you are certain to attend the convention.) Check “DREAM” if you are a Send to: Chris Anson
first-time presenter eligible for a Scholars for the Dream Travel Award. Check “GS” if you 2012 CCCC Program Chair
are a full-time graduate student. Check LCD or Internet if that technology is essential to NCTE, 1111 W. Kenyon Road
your presentation. See note about “Audiovisual Equipment” on page 2. Urbana, IL 61801-1096

0ART!'ENERAL)NFORMATION
1. TYPE OF SESSION/PROPOSAL See accompanying information regarding multiple submissions. Check one of the following:
H Concurrent Session (3 or more presenters) H Roundtable (5 or more presenters) Workshop:H Wed. Morning H Wed. Afternoon
H Special Interest Group/Business Meeting H Individual H All-Day Wed.
LEVEL EMPHASIS: Check one: H 2-year H 4-year H graduate H all
INTEREST EMPHASIS (if applicable): Check main one: H race/ethnicity H gender H class H sexuality H disability
MAJOR FOCUS (if applicable): Check main one:
H basic writing H two-year college H first-year composition H WAC/WID H Second Language
2. AREA CLUSTER NUMBER: See list on preceding page.
New Role Dream
3. Session contact person:
Name ____________________________________________ Institution ___________________________________________ LCD Internet GS
Home Mailing Address _______________________________________________________________________________________________
City _____________________________________________ State _____________________ Zip __________________________________
Phones: Office ________________ Home ____________________ E-mail: _____________________________ Fax: _________________
4. TITLE OF SESSION (or Presentation Title if this is an Individual Proposal): _______________________________________________________
________________________________________________________________________________________
5. DESCRIPTION OF SESSION (one sentence): _______________________________________________________________________________
________________________________________________________________________________________
If you are submitting an Individual Proposal, you have now completed Part A. Continue on to Part B on reverse.
6. PARTICIPANTS AND TITLES
• Chair (Name) ______________________________________ Institution ____________________________________________ New Role Dream
Home Address ________________________________________________________________________________________________________
City _____________________________________________ State _____________________ Zip __________________________________
LCD Internet GS
Phones: Office ________________ Home ____________________ E-mail: _____________________________ Fax: ___________________
• Speaker/Presenter 1 (Name) ___________________________ Institution ____________________________________________ New Role Dream
Home Address ________________________________________________________________________________________________________
City _____________________________________________ State _____________________ Zip __________________________________
LCD Internet GS
Phones: Office ________________ Home ____________________ E-mail: _____________________________ Fax: ___________________
Title of Presentation ____________________________________________________________________________________________________
• Speaker/Presenter 2 (Name) ___________________________ Institution ____________________________________________ New Role Dream
Home Address ____________________________________________________________________________________________
City _____________________________________________ State _____________________ Zip __________________________________
LCD Internet GS
Phones: Office ________________ Home ____________________ E-mail: _____________________________ Fax: ___________________
Title of Presentation ____________________________________________________________________________________________________
• Speaker/Presenter 3 (Name) ___________________________ Institution ____________________________________________ New Role Dream
Home Address ________________________________________________________________________________________________________
City _____________________________________________ State _____________________ Zip __________________________________
LCD Internet GS
Phones: Office ________________ Home ____________________ E-mail: _____________________________ Fax: ___________________
Title of Presentation ____________________________________________________________________________________________________

If you are proposing a Workshop that includes more speakers than space allows, please list the same information for each additional speaker/presenter up
to 12 speakers on a separate sheet. NOW COMPLETE PARTS B AND C.
4
0ART"3ESSION$ESCRIPTIONS
7. Briefly describe the focus and purpose of the proposed session; however, provide sufficient detail for the reviewers to evaluate the quality of the pro-
posal. Be mindful of the kind of criteria appropriate to the cluster for which you are proposing. For Workshop or SIG, please also specify meeting
day and space needs. Each proposal may use 7,000 characters (including spaces) in 10-point or larger to describe the session topic and each speaker’s
presentation. Do not refer to speakers by name. Rather, identify separate presentations by “Speaker 1” and the title of the presentation. Use the cor-
responding Speaker/Presenter number from Part A, Section 6. Use additional sheets if necessary.

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5
0ART#-ULTIPLE3UBMISSIONS#ERTIlCATION
(Not applicable to Workshops or SIGs)

This signed certification must accompany your submission.


No Multiple Submissions*
To ensure maximum participation and a fair process for reviewing proposals, the Executive Committee of CCCC has adopted a policy of no multiple sub-
missions. This policy reflects the Executive Committee’s commitment to include as many presenters as possible in the convention program.
Under this policy, a person may be proposed for one—and only one—speaking role in a Concurrent Session. The proposer of a session is responsible for
certifying that speakers listed on the proposal are not being proposed for any other speaking role. Chairing a session, participating in Workshops, or attend-
ing SIG or Caucus business meetings does not count as a speaking role.
8. H I certify that each speaker listed on the proposal is not being proposed for any other speaking role.

*NOTE: If Multiple Submissions Certification is not completed, proposals will be returned to the submitter.

0!24$&ULL 4IME'RADUATE3TUDENT3TATUS#ERTIlCATION
To ensure eligibility for the CCCC Chairs’ Memorial Scholarship as well as the benefits of a lower registration fee for the convention, full-time graduate
students are asked to certify their status.
9. H I certify that each speaker with “GS” checked in this proposal is a full-time graduate student.

3UBMISSION $EADLINES/NLINE SENDBYPM#34 -AY -AILED POSTMARKEDBY!PRIL 

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