Heather Lagergren's Portfolio

Portfolio Contents
Synthesis Beverages
Where Beer and Wine Combine
Synthesis Beverages
Simpler way of life
Horizon Portfolio Contents
Conservation
Organic
Pays homage
Stood the trial of time

Harvest
Inspirational Images
Inspirational Images
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Floor Plan
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VP VP VP VP VP
VP Sales Human Relations
Public Relations. Manuf./Prod Accounting Research/
Develop
President Meeting
Assist. Assist. Accounting Assist. Dir.

Assist. Accounts
Dir. Sales
Payable
Dir. Assist. Assist. Accounting Assist.
Assist. Dir.
Marketing
Payroll
Dir. Sales Reps. Dir.

Advertising Research/
Growth. Develop.
Dir. Dir.
Public Relations Travel
Events Assists. Product Dev.
Events Dir.
Manager Info/Tech
Dir.
Dir. Graphic Facilities Research Dev. Employee
Manuf./ Prod. Designer Coord.
Relations
Spatial Layout Designations

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C-2 C-2 C-2 C-2 C-2 C-2
C-1 C-1 C-1 C-1 C-1 C-1
C-2 C-2 C-2 C-2 C-2 C-2
C-1 C-1 C-1 C-1 C-1 C-1
C-2 C-2 C-2 C-2 C-2 C-2
C-1 C-1 C-1 C-1 C-1 C-1
C-2 C-2 C-2 C-2 C-2 C-2
Notes:
•All ceilings are 8’-0” unless noted otherwise
•All circulation is at 10’-0”
•Items marked with a C-1 or C-2 are hung down to a height of 8’-0”
Reflected Ceiling Plan

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The logo was designed to equally

represent the products from Tallgrass
Brewing Co. and Grace Hill Winery. The
wheat strand corresponds to the beer
produced at Tallgrass, while the green
grape corresponds to the wine produced
at Grace Hill.
The colors were selected for their

brightness, cohesiveness, and
representation.
Yellow represents both wheat and the

sunshine needed to grow both products.
Green represents both the grapes needed

for wine and the earth.
Blue represents water needed for

everything to grow.
Logo
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Reception Desk
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Tasting
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Right Side of Office

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Conference Room



Heather Lagergren Fall 2010
Portfolio Contents
Program
D i
Design concept t 1
Facts About Companies 2
Issues Regarding 3
Design Opportunities 4
Function‐based Layouts 5
Function‐based Layout Designations
i b d i i 6
Space Typical Square Footages 7
Adjacency Diagrams 9
Space Typicals 12
Table oof contennts

Signage Package
Exterior Signage 26
Interior Signage 27
Restroom Signage 30
Room and Workstation Designations 31
Signage Matrix 32
Furniture Specification
Furniture 33
Workstations 47
Wall Systems 57
Furniture Budget 59
Reception Desk Detailing
Plan 60
Enlarged Plan with Context 61
Reception Desk Enlarged Plan 62
Reception Desk Front Elevation 63
Reception Desk Side Elevation 64
Reception Desk Sections
Reception Desk Sections 65
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Materials and Manufacturer Information
U h lt
Upholstery 67
Flooring 68
Vertical Surface 69
Workstation and Cabinetry 70
Wall 71
Manufacturer Information
f f i 72
2
Drawings
Taable of ccontents cont.

Plan 73
Reflected Ceiling Plan 74
Spatial Layout and Designations 75
Portfolio Contents
Perhaps the most famous period of Kansas' history is the great Dust Bowl of the 1930's. While many people left to
f
find refuge elsewhere, those who were resolved not to abandon their homes stayed. From day to day, struggle to
f
struggle, only the most persistent and determined made it through. Living simpler lives, seizing every opportunity,
and having a strong power of will is what kept people going. Many Kansans today carry on these same principles.
They are known for their mid‐western work ethic and unwavering spirits.
Two local companies were recently founded by people with true Kansas spirit. Grace Hill Winery and the Tallgrass
Brewing Company were started by individuals who decided to risk everything by leaping into the unknown world of
entrepreneurship in order to follow their passions. Both highly successful on their own, Grace Hill and Tallgrass have
decided to merge under the umbrella of Synthesis Beverages Inc. and expand their markets throughout the United
States and internationally.
Design concept
The goal of this project is to design a centralized headquarters for the merger of Grace Hill Winery and Tallgrass
Brewing Company into an international business venture. The headquarters needs to pay homage to the strong
Kansas spirit of the founders and the people who came before them. High style, environmental consciousness, and
g p p g
close attention to details will come together to create a place for both companies to grow and mature.
1
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T ll B i C t t d b J ff Gill d hi if T i i A il 8 2006
•Tallgrass Brewing Company was started by Jeff Gill and his wife Tricia on April 8, 2006
•Manhattan, Kansas was chosen as the location of the brewery because the water is good for brewing beer and the
Faccts about the Commpanies

region is surrounded by the scenic Flint Hills
•Tallgrass currently brews 5 kinds of beer, ranging from OASIS, a high malt/high hops combination, to their renowned
India Pale Ale, Jeff's first home brew
ll b i l il bl di d ll i i di
•Tallgrass beer is currently available on tap and in cans across Kansas and several locations in surrounding states
•Grace Hill Winery was started in 2004, opening to the public in 2008
•Grace Hill Winery is currently located near Whitewater, KS
•Grace Hill currently has 12 different kinds of wine available, ranging from whites, pinks, and reds.
2
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Form
Kansas Brewing Inc. headquarters will be located just outside of Manhattan, KS in an existing building. The structural
f
integrity of the existing building needs to remain intact, allowing for only slight modifications if the design calls for
them. The approximate square footage of the building is7600 sq. ft.
Function
As the centralized headquarters, the building needs to foster the development of Kansas Beverages Inc. into its own
company while still accommodating needs of people from both companies. Some spaces within the headquarters
will serve specific purposes, while others may have various functions. Being able to adapt the space layout and
function will be key to maximizing the building's potential.
Issues rregardingg:
Economy
Both Grace Hill and Tallgrass deliver quality products to consumers while working within tight financial means. The
headquarters needs to reflect this practice. To accomplish getting high style while staying within a modest budget
will require extensive research on available products and making selections based on durability, design impact, and
value.
Time
In the corporate world, time is money. The faster people get their tasks done, the more profits the company
acquires. It has been statistically proven that well designed work environments increase productivity. The building
g y p y y g g p y, g g
design and layout needs to maximize productivity by encouraging workers to spend their time wisely, organizing the
spaces in the most practical way, and including design elements that will increase the rate at which people work.
Sustainability
Typical materials and methods for commercial projects are not sustainable, so extra care in making design decisions
is crucial to creating a more sustainable project. Sustainability goes beyond material selections, it encompasses
is crucial to creating a more sustainable project. Sustainability goes beyond material selections, it encompasses
every aspect of the design process, from the initial stages of planning until the product is with the end user.
Decisions regarding sustainability need to focus on reducing the building's energy usage, reducing its carbon
footprint, encouraging employees to implement more sustainable practices, creating a healthy work environment,
and taking advantage of passive systems.
3
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•Achieve at least a LEED Silver Certification
•Create a work environment that will foster the blending of both the wine and beer cultures into one unique
culture, where ideas can be shared and new approaches can be made
•Creating indoor/outdoor spatial relationships; methods of accomplishing this may include outdoor patios for use by
employees and visitors, utilizing operable windows to allow ventilation and day lighting, or designing an open,
Design oppportunitties
central courtyard
y
•Meet the current needs of the company and allow for future expansion or changing usage of the spaces
4
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Every space within the building falls under one or more of these categories as determined through client
observation, meeting, and design experience:
Communication Based (C)
Spaces that fall under this category may need to accommodate communication by phone, videoconferencing, or
face‐to‐face. While it may not be true of every space that falls under this category, communication based spaces
should have sufficient sound privacy.
Meeting Based (M)
based layyouts
Spaces that fall under this category need to accommodate more than one person at a given time. Meetings may be
conducted with people within the company or people outside the company. Meetings may also be more or less
formal
Other (O)
Spaces that fall under this category are part of the building's program and which do not fall completely under any of
g
the other categories.
Function-b
Storage/File Based (S)
Spaces that fall under this category have the need for adequate amounts of storage. Storage solutions may include
the use of file cabinets, overhead storage, shelving, closets, or any combination of these. The amount of storage
y p g j p py g p
needed will vary depending on the job title of the person occupying the space.
F
Work‐surface/ Presentation Based (W)
Work‐
Spaces that fall under this category need more table surfaces than other spaces for a variety of reasons, including
laying out papers or observing presentations. The amount of work‐surface needed will vary depending on the job
title of the person occupying the space.
title of the person occupying the space.
5
6
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Functioon-based layout deesignation s

7
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Spacee typical square ffootages

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Space tyypical squuare foootages connt.

Growth and Circulation sf= 2892
8
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VP VP VP President VP VP VP
Sales
Accounting
Meeting Board
Copy
Adjacenncy diagramm
Mechanical Room
Manufacturing/ Storage Room
production Human Resources
Server Room
Restrooms
Marketing/ Tasting/ Waiting Research/

Break Room
Public Relations Development
Reception
Entry
9
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VP President VP
Sales
Accounting
VP Marketing/ Mechanical Room
Public Storage Room Research/ VP
Adjacenncy diagramm
Relations S
Server Room D
Dev.
Restrooms
Human Resources
Manufacturing/
Production
VP
Copy VP
Break Room
Tasting/ Waiting
Reception
E t
Entry
10
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Meeting President
Break Room Tasting
VP Sales
Exec. Asst.
Board
Human Resources
Adjacenncy diagramm
VP
Mechanical Room Marketing/
Public VP
Storage Room
Server Room Relations
Restrooms
VP Accounting
Copy
Waiting
Research/
VP
Reception Dev.
VP Mfg./
g/
production
Entry
11
Function Designation: CM Portfolio Contents
Occupants include:
•President
Features include:
•Full sound privacy
Space for meeting with at least 4
•Space for meeting with at least 4
other people
Spacee typical
Size: 12’x18’
Square footage: 216 sf
12
Function Designation: CM Portfolio Contents
Occupants include:
•President
Features include:
Space for meeting with at least 4
•Space for meeting with at least 4
other people
Spacee typical
Size: 12’x16’
13
Function Designation: CM M SCW W Portfolio Contents
WM SWM CW
SM SC CWM
Occupants include:
•Vice President of Sales
•Vice President of Research/Development
•Vice President of Marketing/ Public Relations
•Vice President of Human Resources
•Director of Employee Relations/ Office
Manager
Vi P id t f A ti
•Vice President of Accounting
Spacee typical
•Vice President of Manufacturing/ Production
•Director of Manufacturing/ Production
•Director of Accounts Payable/Receivable
•Director of Payroll
Di fT
•Director of Travell
•Director of Marketing
•Director of Advertising
•Director of Public Relations
•Director of Research and Development
•Director of Sales
Features include:
•Full/ partial sound privacy
•Space for meeting with at least 2 other people
•Space for meeting with at least 2 other people
•Adequate storage and workspace
Size: 8’x10’
14
Function Designation: CM M SCW W Portfolio Contents
WM SWM CW
SM SC CWM
Occupants include:
•Vice President of Sales
•Vice President of Marketing/ Public Relations
•Vice President of Human Resources
•Director of Employee Relations/ Office Manager
•Vice President of Accounting
Vi P id t f M f t i / P d ti
•Vice President of Manufacturing/ Production
Spacee typical
•Director of Manufacturing/ Production
•Director of Accounts Payable/Receivable
•Director of Payroll
•Director of Research and Development
Di fT
•Director of Travell
•Director of Marketing
•Director of Advertising
•Director of Public Relations
•Director of Sales
Features include:
•Space for small meeting
Adequate storage & workspace
•Adequate storage & workspace
Size: 10’x12’
15
Function Designation: SC Portfolio Contents
CM
SW
SW
Occupants include:
•Executive Administrative Assistant
•Administrative Assistants
•Administrative Assistants
•Graphic/ Web Designer
•Events Manager
Features include:
Features include:
Spacee typical
•Partial/Full sound privacy
•Adequate work surface area
•Storage above, under work surfaces
Size:8’x8’
16
Function Designation: SC SW Portfolio Contents
S
SCM
Occupants include:
•Event Assistants
•Accounting Administrative Assistants
•Accounting Administrative Assistants
•US & International Sales Representatives
Assistant Product Developers
•Assistant Directors of Research
Features include:
Features include:
Spacee typical
•Work desk for each person
•Adequate amounts of storage
and workspace
Size: 6’x8’ (2)
17
Function Designation: SCM Portfolio Contents
Occupants include:
•International Sales Representatives
•US Sales Representatives
•US Sales Representatives
Features include:
person has their own work desk

•Each person has their own work desk
•Each
•Two tables can be pulled into center for
Spacee typical
collaboration or extra workspace
Size: 6’x8’ (4)
S
f t 192 f
18
Function Designation: S Portfolio Contents
O
Occupants include:
•Director of Information/Technology
•Facilities Coordinator
•Facilities Coordinator
Features include:
•Semi‐private
•Work surface with overhead storage
Spacee typical
Size: 6’x8’
19
Function Designation: O Portfolio Contents
Occupants include:
•Reception
Features include:
•42” high counter, 36” high counter
Spacee typical
Size: 6’x8’
20
Occupants include:
•Restroom
Features include:
•ADA toilet with clear distances
ADA sink with clear distances
•ADA sink with clear distances
Spacee typical
Size: 8’x8’
21
Function Designation: M Portfolio Contents
Occupants include: Size: 15’x18’, 12’x15’
•Board Room and Meeting Room
Features include:
•Board room for 10 people
Meeting room for 4 people
•Meeting room for 4 people
•Can be converted into lecture room for 36 people
Spacee typical
•Storage room attached with A/V support
22
Function Designation: SO Portfolio Contents
Occupants include:
•Tasting room
Features include:
•Partially private
Space for 16 guests, plus 1 bar tender
•Space for 16 guests, plus 1 bar tender
•Full height bar counter for guests
Spacee typical
•Under counter chillers
•Merchandise display behind bar and along adjacent wall
Size: 12’x15’
23
Occupants include:
•Employee Break Room
Features include:
•Seating for 8
Sink, Stove/Range, Fridge
•Sink, Stove/Range, Fridge
•Vending machines
Spacee typical
Size: 12’x24’
24
Function Designation: SWO Portfolio Contents
Occupants include:
•Mail room/ Copy room
Features include:
•Workstation for one permanent employee
Mailboxes for employees
•Mailboxes for employees
•Work surface counter
Spacee typical
•Two copiers (34”x69”) with proper clear distances
Size: 12’x20’
25
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14”
9’
Exterioor signag e
Description: Special Notes:
•2
2” deep channel letters mounted on a stainless
deep channel letters mounted on a stainless Bottom of sign is to be mounted 8
•Bottom of sign is to be mounted 8’ above the
above the
steel backing, illuminated from behind ground and centered above the entrance
Colors:
•Blue (R 86 G 148 B 160)
•Green (R 184 G 209 B 37)
•Yellow (R 224 G 179 B 5)

•Yellow (R 224 G 179 B 5)
Sign Type: EX‐1 26
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Description:
Description:
•Laminate, on top of ¼” aluminum plate
Colors:
•Blue (R 86 G 148 B 160)
8”
•Green (R 184 G 209 B 37)
Interioor signagee
•Yellow (R 224 G 179 B 5)
•Yellow (R 224 G 179 B 5)
Special Notes:
•1” tall font
•Grade 2 Braille‐ Black
•Mounted on the latch side of the door, 60” to
6”
the centerline of the sign a.f.f. and a minimum of
h li f h i ff d i i f
4” from the door frame
Sign Type: IS‐1 27
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8” 8”
Interioor signagee
6” 6”
•Laminate, on top of ¼” aluminum plate; with a •1” tall font
magnetic strip to attach engraved name plates •Grade 2 Braille‐ Black
Colors: d h l h d f h d ” h
•Mounted on the latch side of the door, 60” to the
•Blue (R 86 G 148 B 160) centerline of the sign a.f.f. and a minimum of 4” from
•Green (R 184 G 209 B 37) the door frame
Y ll (R 224 G 179 B 5)
•Yellow (R 224 G 179 B 5)
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Synthesis Beverages
Interioor signagee
Description: C l
Colors:
•1/2" thick painted acrylic letters mounted to back •Blue (R 86 G 148 B 160)
plate made of brushed aluminum laminated to 1/2" •Green (R 184 G 209 B 37)
black PVC. •Yellow (R 224 G 179 B 5)
•Center logo is mounted 1.5” from the wall and
illuminated from behind
Special Notes:
•To be mounted 5’‐6” on center a.f.f.
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8” 8”
Restro om signagge
6” 6”
•Laminate, on top of ¼” aluminum plate; with a •1” tall font
magnetic strip to attach engraved name plates •Grade 2 Braille‐ Black
Colors: M t d th l t h id f th d 60” t th
•Mounted on the latch side of the door, 60” to the
•Blue (R 86 G 148 B 160) centerline of the sign a.f.f. and a minimum of 4” from
•Green (R 184 G 209 B 37) the door frame
( )
•Yellow (R 224 G 179 B 5)
Sign Type: B‐1 30
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109 110 111 114 115 116

113
112
9 10 11 12 13 14 15 16
Room and Workkstation Deesignations

4 3
WS‐16 WS‐15 105 WS‐12 WS‐11
5 104 103
WS‐23 6 WS‐10
WS 24
WS‐24 106 WS 9
WS‐9
WS‐18 WS‐17 4A WS‐14 WS‐13
WS‐20 WS‐19
9 102
WS‐25 107 WS‐8
7 2
WS‐22 WS‐21 8 1
108 101
WS‐26 WS‐30 WS‐32 WS‐2 WS‐4 WS‐7

WS‐27 WS‐6
WS‐29 WS‐31 WS‐1 WS‐3
WS‐28 WS‐5
31
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Signagge matrix
32
Description: Portfolio Contents
Host Boat‐shaped Table with two Bases
Od #
Order #:
HS1060B12
Dimensions:
10‘ L, 60
10 L 60“ W Center, 48
W Center 48“ W End
W End
Manufacturer:
Coalesse
Confereence tablee
Manufacturer Contact Info:
Refer to Manufacturer Information page
Special Notes:
Two taps with Grade 1 veneer
Need wood color to complete order #
Stained Oak Dark
#3876
Graded‐in
Location in space: Room 104 Item #: TBL‐1 33
Host Round Table with one Tap
Od #
Order #:
HS6000D11
Dimensions:
48” diameter
48 diameter
Manufacturer:
Coalesse
Meeti ng Table
Special Notes:
One Tap with Grade 1 veneer
Need wood color # to complete order #
Stained Oak Dark
#3876
Graded‐in

Denizen 48” Round Table
With Touch Latch Power Access
With Touch Latch Power Access
Order #:
CODRNDP4829
Dimensions:
48” diameter, 29” H
Manufacturer:
Coalesse
Meeti ng Table
Special Notes:
Special Notes:
Column paint: 4138 Graphite Gloss
Base Default: Graphite Metallic
Stained Oak Dark
#3876
Graded‐in
Location in space: Growth Space Item #: TBL‐3 35

Enea Conference Table
Od #
Order #:
H35‐T2430W
Dimensions:
24” D x 30” H
Manufacturer:
Coalesse
Worrk table
Special Notes:
Base/Frame silver metallic
Need wood veneer # to complete order #
Stained Oak Dark
#3876
Graded‐in
Enea Café / Bar Height Table
Od #
Order #:
H35‐T3642W
Dimensions:
36” D x 42” H
Manufacturer:
Coalesse
Barr table
Special Notes:
Base/Frame silver metallic
Need wood veneer # to complete order #
Stained Oak Dark
#3876
Graded‐in
Location in space: Tasting Room Item #: TBL‐5 37
Denizen Tablet Table
Od #
Order #:
CODT163526‐9238
Dimensions:
35” W x 26” H x 16” D
Manufacturer:
Coalesse
Sidee Table
Special Notes:
Oak veneer top
Stained Oak Dark
#3876
Graded‐in
Location in space: Growth space Item #: TBL‐6 38
Aeron Work Chair
Od #
Order #:
AE12‐3‐A‐F‐B‐PJ‐XT‐BB‐3V01
Dimensions:
Depth: 17”
Height: Overall 42” max; Seat 15‐20 7/8”
Arm pad width: 27”
Chair width: 20 25”
Chair width: 20.25
Wor k Chair
Manufacturer:
Herman Miller
Special Notes:
N/A
Pellicle Classic
Pellicle Classic Leather Finish Finish
Color: Zinc Color: Smoke Color: Titanium Color: Smoke
Grade‐in Graded‐in Graded‐in Graded‐in
Location in space: Offices, workstations, reception, Room 102, Room 104, Room 113 Item #: CH‐1 39
Aeron Side Chair
Od #
Order #:
AE500P‐AJ‐XT‐SB‐3V01
Dimensions:
Depth: 19.25”
Height: Overall 36 3/8”; Seat 17 5/8”
Seat width: 20”
Manufacturer:
Herman Miller
Sidee chair
R f t M
f t I f ti
Special Notes:
N/A
Pellicle Classic
Pellicle Classic Leather Finish Finish
Color: Zinc Color: Smoke Color: Titanium Color: Smoke
Grade‐in Graded‐in Graded‐in Graded‐in
Location in space: Rooms 103, 109‐112, 114‐116, Growth spaces Item #: CH‐2 40
Circa 30° Inside‐facing Wedge‐seat
Od #
Order #:
451‐3730FI‐0‐69163‐4138
Dimensions:
Overall: 28“ D x 36 3⁄4“ W x 29 1⁄2“ H
Inside: 20“ D x 36 3⁄4“ W x 12 1⁄4“ H
Seat: 17 1⁄4“ H
Manufacturer:
Loungge chair
Coalesse
R f t M
f t I f ti
Special Notes:
N/A
Bravo
Color: Midas #4
COM: Arc Com
Location in space: Growth spaces Item #: CH‐3 41
Enea Café Barstool with Back, 19” Base
Wood Seat and Back
Wood Seat and Back
Order #:
Style #H350‐SB3119
Dimensions:
Overall: 19"D 19"W 421⁄4"H
Inside: 141⁄4"D 17"W 125⁄8"H
Manufacturer:
Barr stool
Coalesse
Special Notes:
Wood color # needed to complete order #
Stained Oak Dark
#3876
Graded‐in
Location in space: Tasting Room Item #: CH‐4 42
Meridian Bevel‐Pull Vertical File
Od #
Order #:
34‐18‐28‐5‐SS‐NT‐91‐V‐V‐V‐V‐V‐B1‐NO
Dimensions:
18” W x 28” D x 58.75” H
Manufacturer:
Herman Miller
Verticaal storagee
Special Notes:
N/A
Location in space: Workstations 10, 23 Item #: F‐1 43
Meridian Bevel‐Pull Vertical File
Od #
Order #:
34‐18‐22‐2‐SS‐NT‐91‐V‐V‐B1‐NO
Dimensions:
18” W x 22” D x 23.5” H
Manufacturer:
Herman Miller
Verticaal storagee
Special Notes:
N/A
Location in space: Item #: F‐2 44
Meridian Bevel‐Pull Freestanding Lateral File
Od #
Order #:
24‐36‐20‐2N‐SS‐NT‐91‐B1‐NO‐9P
Dimensions:
36” W x 20” D x 23.5” H
Manufacturer:
Herman Miller
Lateraal storagee
Special Notes:
N/A
Location in space: Item #: F‐3 45
Soundscapes Acoustical Canopies
White Hills and Valleys
White Hills and Valleys
Order #:
Hill Canopy #6258‐WH
Valley Canopy #6259‐WH
Valley Canopy #6259‐WH
Dimensions:
Hill Canopy: 46‐1/2" x 75" x 1‐1/4“
Valley Canopy: 46‐1/2" x 75" x 1‐1/4“
Manufacturer:
Ceilinng panel
Armstrong
Accessories:
e ded a g g ab es ((4) 30' Cables
•Extended Hanging Cables – ) 30 ab es
#625530
•Escutcheon Kit
#7006
Item #: C‐1 & C‐2 46
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Dimensions:
6’x6’ (4)
Manufacturer:
Herman Miller
Components include:
Frames
Fabric and Acoustical Tiles
Rail Tiles
Rectangular Work Surface
Worrkstation
Extended Corner Work Surface
D‐shaped Work Surface (shared)
B style Flipper Door Cabinets
Crepe
p Strand‐it Finish Wood Veneer
Color: Cadet Color: Green Apple Color: Metallic Champagne Color: White Oak
Graded‐in: Herman Miller COM: ARC COM Graded‐in: Herman Miller Graded‐in: Herman Miller
Item #: WS‐1 47
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Dimensions:
6’x6’ (4)
Manufacturer:
Herman Miller
Components include:
Frames
Rail Tiles
Worrkstation
Crepe
Item #: WS‐2 48
Portfolio Contents
Dimensions:
6’x6’ (4)
Manufacturer:
Herman Miller
Components include:
Frames
Rail Tiles
Worrkstation
Crepe
Item #: WS‐3 49
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Manufacturer:
Herman Miller
Components include:
Rectangular Work Surfaces
Extended Corner Work Surface with Ellipse End
Worrkstation
Crepe Strand‐it Finish Wood Veneer
C l A ti h k
Color: Artichoke C l B lti
Color: Baltic Color: Metallic Champagne Color: White Oak
Item #: WS‐4 50
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Manufacturer:
Herman Miller
Components include:
Extended Corner Work Surface with Ellipse End
Worrkstation
C l A ti h k
Item #: WS‐5 51
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Manufacturer:
Herman Miller
Components include:
Modesty Screen
Worrkstation
C l A ti h k
Item #: WS‐6 52
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Manufacturer:
Herman Miller
Components include:
Modesty Screen
Worrkstation
C l A ti h k
Item #: WS‐7 53
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Descriptions:
Intent 0026
Manufacturer:
Herman Miller
Worrkstation
Wood Veneer Finish
C l Li ht B
Color: Light Brown Walnut
W l t Color: Metallic Champagne
Graded‐in Herman Miller Graded‐in: Herman Miller
Location in space: Rooms 110, 117 Item #: WS‐8 54
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Descriptions:
Intent 0022
Manufacturer:
Herman Miller
Worrkstation
Wood Veneer Finish
C l Li ht B
Location in space: Rooms 111, 112, 115, 116 Item #: WS‐9 55
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Descriptions:
Intent 0028
Manufacturer:
Herman Miller
Worrkstation
Wood Veneer Finish
C l Li ht B
Location in space: Room 113 Item #: WS‐10 56
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Descriptions:
NanaWall SL60 (different from one shown; custom
sized panels)
Manufacturer:
NanaWall System, Inc.
Walll System
Finish
C l Al i
Color: Aluminum
Graded‐in NanaWall
Location in space: Room 104 Item #: W‐1 57
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Descriptions:
IrisWall (different size, pattern, and materials than
one shown)
Manufacturer:
Environmental Wall Systems
Walll System
Wood Veneer Finish
C l Li ht B
W l t Color: Aluminum
Customized Graded‐in: Environmental Wall Systems
Location in space: Rooms 109‐116; Workstations 5‐10, 23‐28 Item #: W‐2 58
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Furnitu re Budgeet
59
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Plan
P
60
61
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Enlaarged plaan within ccontext

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4 drawer under‐cabinet
Rec eption dessk Enlargeed plan

4
3 2
2 drawer lateral file
1
Scale: ½ ”= 1’‐0” 62
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Receeption deskk Front EElevation

3” diameter pipes
Wood Veneer Stainless Steel bands Stainless Steel countertops
Scale: ½ ”= 1’‐0” 63
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Recception deesk side el evation

Stainless Steel countertops Wood Veneer Stainless Steel
band
Scale: ½ ”= 1’‐0” 64
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Receptionn desk secttion

Stainless Steel countertops
Under‐counter Task Light
4 Drawer
Under‐cabinet
Metal Support bracket
Scale: ½ ”= 1’‐0” 65
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Receptionn desk secttion

Stainless Steel countertops
4 Drawer Rail System
Under‐cabinet
2 Drawer lateral file
Scale: ½ ”= 1’‐0” 66
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Pellicle Classic Leather
3V01 2110
Color: Zinc Color: Smoke
Graded‐‐in: Herman Miller
Graded Graded‐‐in: Herman Miller
Graded
Uphholstery
Finish Finish Upholstery fabric: Bravo
S8 XT #69163
Color: Smoke Color: Titanium Color: Midas #4
Graded COM: ARC COM
COM: ARC COM
67
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Rubber Flooring‐Noraplan Environcare
Rubber Flooring‐ Rubber Wall Base
#2931 #6205
Color: Smoky Fennel Color: Platinum Grey
Nora Nora
floooring
Broadloom Carpet
Broadloom Carpet‐
p ‐Deep Thoughts
p g Porcelain Tile
Porcelain Tile‐‐Serengeti Slate
g
#43335 #SS2T12
Color: Head Trip Color: Blue Nile
Mannington Commercial Mannington Commercial
68
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Vertical Surface fabric ‐
Vertical Surface fabric ‐ Crepe Finish Vertical Surface fabric ‐ Crepe
Vertical Surface fabric ‐
#9223 CN #9244
Color: Cadet Color: Metallic Champagne Color: Artichoke
Graded
Verticaal surfacee
Upholstery fabric‐Strand
Upholstery fabric‐Strand‐‐It Upholstery fabric‐Strand
Upholstery fabric‐Strand‐‐It
#68735 #68730
Color: Green Apple #6 Color: Baltic #1
COM: ARC COM COM: ARC COM
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Wood Veneer
Wood Veneer Wood Veneer
Wood Veneer
OK OU
Color: White Oak Color: Light Brown Walnut
Woorkstationss and cab inetry

Graded
Stained Oak Dark
#3876
Graded‐‐in: Coalesse
Graded
70
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Limestone Veneer
Color: Burnished Silver
T t
Texture: Honed
H d
American Limestone Company
wall
w
P i
Paint P i
Paint
Color: Banana Cream Color: Morning Sun
Sherwin Williams Sherwin Williams
71
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American Limestone Company Mannington Commercial
1905 Marilla Street
1905 Marilla Street PO Box 12281 (30703‐7004)
PO Box 12281 (30703‐7004)
Dallas, TX 75201 1844 U.S. Highway 41 S.E.
Phone: 214‐747‐2636 Calhoun, GA 30701
http://www.americanlimestone.com/ Phone: 800‐241‐2262
http://www.mannington.com/commercial
ARC COM
33 Ramland South NanaWall Systems, Inc.
Orangeburg, NT 10962 707 Redwood Highway
Phone: 800‐223‐5466 Mill Valley, CA 94941
Maanufacturrer Informmation
http://www.arc‐com.com/ Phone: 415‐383‐3148
http://www.nanawall.com
Armstrong
Phone: 1‐877‐ARMSTRONG Nora Rubber
http://www.armstrong.com 94 Glenn Street
Lawrence, MA 01843
Coalesse Phone: 1‐800‐332‐NORA
Phone 866 645 6952
Phone 866‐645‐6952 http://www nora com
http://www.nora.com
http://www.coalesse.com
Environmental Wall Systems, Ltd.
77 Milford Road, Ste. 283
Hudson, Ohio 44236
,
Phone: 1.800.528.0903
Herman Miller
Phone: 888‐443‐4357
http://www.hermanmiller.com
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Plan
P
73
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C‐2 C‐2 C‐2 C‐2 C‐2 C‐2
d Ceiling PPlan
C1
C‐1 C1
C‐1 C1
C‐1 C1
C‐1 C1
C‐1 C1
C‐1
C‐2 C‐2 C‐2 C‐2 C‐2 C‐2
C1
C‐1 C1
C‐1 C1
C‐1 C1
C‐1 C1
C‐1 C1
C‐1
Reflected
C‐2 C‐2 C‐2 C‐2 C‐2 C‐2
R
C1
C‐1 C1
C‐1 C1
C‐1 C1
C‐1 C1
C‐1 C1
C‐1
C‐2 C‐2 C‐2 C‐2 C‐2 C‐2
Notes:
ll l ’ ” l d h
•All ceilings are 8’‐0” unless noted otherwise
•All circulation is at 10’‐0”
•Items marked with a C‐1 or C‐2 are hung down to a height of 8’‐0”
74
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VP
VP VP
VP VP
VP VP
VP VP
VP Sales Human Relations
Public Relations. Manuf./Prod Accounting Research/
Develop
President Meeting
Spattial layoutt and desiggnations

Assist. Assist. Accounting Assist. Dir.
Assist. Accounts
Dir. Sales
Payable
Dir. Assist. Assist. Accounting Assist.
Assist. Dir.
Marketing
Payroll
Dir. Sales Reps. Dir.

Advertising Research/
Growth. Develop.
Dir. Dir.
Public Relations Travel
Events Assists. Product Dev.
Events Dir.
Manager Info/Tech
Dir.
Dir. Graphic Facilities
Graphic Research Dev
Research Dev. Employee
l
Manuf./ Prod. Designer Coord.
Relations
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“Water and Wind” Competition, DNA+
STRATA light “Water and Wind” Competition, DNA+
Fall 2009
The simple, elegant form of STRATA enhances elements of the existing DNA+ collection without detracting focus from their own beauty. While
there is a strong emphasis on the horizontal plane, the subtle curve adds interest and drama. Just as light rebounds off the cavern walls in
Antelope canyon, light travels into the surrounding space by deflecting off the center piece of Corian. Aligning the three parts of the light was
inspired by the layered soils of the canyon formations. The name is taken from the plural of stratum, which means “a layer of material, naturally
or artificially formed, often one of a number of parallel layers one upon another”.
Whether in a commercial space or private residence, STRATA is designed for anyone who finds the aesthetics of the Antelope collection
pleasing. Asides from being compliant for use in a wet environment, STRATA is environmentally safe both in its materials and the lights utilized.
Keeping in mind the design philosophies of DNA+, STRATA is designed to bring comfort, style, and an inviting illumination to the bath
environment.
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DNA+ Design Competition Process Book
Heather Lagergren Professor Cliff Shin Fall 2009

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“WIND and WATER” Competition Guidelines
Dramatic
“DNA+ is an innovative, avant-guard company with a design expression that

is positive, unique, beautiful, and with an energy conveying constant
evolution”
Positive
DNA+ is holding this international competition to generate a new feature to
the Antelope bath collection. The collection was inspired by Antelope
canyon in Arizona. Proposed designs must compliment existing elements of
the collection, as well as uphold the philosophies of having easy access, be
environmentally safe, and be compliant for use in a wet environment both
residentially and commercially. Entries submitted must fit in one of the Beautiful
following categories: furniture, accessory, or lighting.
The winning design will be determined by a jury comprised of members

from the DNA+ design and marketing teams.
The jury will award designs and concepts which are innovative and
manufacturable.
Unique
Inviting
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Material Options
Only the following materials were permitted for use in the design:
Wood
Corian
Aluminum or Stainless Steel
Glass
Acrylic Glass
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Technology Limitations
Die Casting is the process that uses a split metal tool die where molten metal is injected at high
pressure. The cast part is ejected from the tool die by ejector pins on one of the tool die halves.
The only materials that can be die cast are non-ferrous materials such as aluminum, zinc,
magnesium, and copper-based alloys. The advantages include a low cost for high volumes,
accuracy and ability for complicated designs, smooth surface on finished pieces, and fast
production rates.
Extrusion is the process of forcing hot or cold copper, brass, aluminum, steel, other metals, and
plastics through a shape-forming die. The material being extruded is plastically deformed from
compression in the die cavity. It is usually best to utilize the basic shapes provided and sharp
corners are usually avoided. Another common use for extrusion is to cut the material into smaller
pieces to be placed in molds or put through another process.
Tubing, just as it implies, refers to the manufacturing of tubes. In most all situations, tubes are
formed from either plastic or metal being extruded through dies. The extruded product can then
be dimensioned, cut, capped, and finished according to the specifications.
Thermoforming is the process by which flat sheets of plastic are heated then brought into
contact with a mold to form plastic parts in the shape of that mold. Vacuum action, pressure,
and/or direct mechanical force can be utilized to complete the process. Thermoforming is much
less expensive than injection molding pieces, and when done properly can have the same
tolerances and precise detailing.
Computer Numerical Control (CNC) refers to machines that read data from computers and
perform that given function. Some of the greatest benefits to using CNC are that difficult shapes
can easily be produced, complex 3D models are easily formed, large numbers of pieces can be
processed with consistency, the machines can easily transition to making different parts,
computer aided designs can easily be imported, and the amount of human errors are reduced.
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Clientele
High Status Well Traveled Loves Nature Artistic Urbane Lifestyle Fine Taste Adventurous
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Concepts to Pursue
Raindrop Sunset Antelope canyon walls Antelope collection hooks

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Form Study
Raindrop
Sunset
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Form Study
Sunset
Antelope canyon walls

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Form Study
Antelope canyon walls
Antelope canyon walls + Antelope collections hooks

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Form Study
Antelope canyon walls + Antelope collection hooks

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Form Study

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Form Study

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Final Concept Sketches
The final design came after many trials of trying to combine the “Antelope canyon walls” concept with the “Antelope collection
hooks” idea. The chosen design uses the assembly form of the hooks with the idea of reflecting light off a surface like in the
caverns of Antelope canyon.
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Blueprint: STRATA light
Top Front Right
SPECIFICATIONS LIGHTS CALL OUTS PROCESSES USED
Environment: Indoor A: (2) 12” long high power LED Under 1: Schedule 40 Aluminum Pipe Extrusion
Mounting Location: Ceiling pendent Cabinet lights, warm white Inner d= .364” Outer d= .54” Tubing
Light Emission: Diffused B: Flexible LED light strips 2: All edges are filleted 1/16” Thermoforming
Materials: 3/16” Aluminum, brushed
½” Corian, Glacier White
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STRATA light
The simple, elegant form of STRATA

enhances elements of the existing
DNA+ collection without detracting
focus from their own beauty. While
there is a strong emphasis on the
horizontal plane, the subtle curve
adds interest and drama. Just as light
rebounds off the cavern walls in
Antelope canyon, light travels into the
surrounding space by deflecting off
the center piece of Corian. Aligning
the three parts of the light was
inspired by the layered soils of the
canyon formations. The name is
taken from the plural of stratum,
which means “a layer of material,
naturally or artificially formed, often
one of a number of parallel layers one
upon another”.
Whether in a commercial space or

private residence, STRATA is
designed for anyone who finds the
aesthetics of the Antelope collection
pleasing. Asides from being compliant
for use in a wet environment, STRATA
is environmentally safe both in its
materials and the lights utilized.
Keeping in mind the design

philosophies of DNA+, STRATA is
designed to bring comfort, style, and
an inviting illumination to the bath
environment.
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Final Model Process
Bottom piece: 1. Made form and lightly sanded 2. Primed 3. Dry/Wet Sanded and applied more primer coats 4. Final coat
Rods: 1. Made form, assembled 2. Lightly sanded 3. Primed 4. Final coat

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Final Model Process
Center piece: 1. Made form 2. Spackled the edges 3. Sanded the edges and surface before priming 4. Final coat
Top piece: 1. Made forms 2. Lightly sanded before priming 3. Primed, then dry/wet sanded till surface was smooth 4. Final coat
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Final Model
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Assembly
Top plates will be attached to

ceiling with screws
Top of poles have external

thread, to be screwed into top
plate
Four screws will attach the top

aluminum part to the
connection plate (from the top)
Connector plate will be bolted
to the poles, openings in each
pole will allow wiring for the
lights to be threaded through
Connector plate will come pre-
attached to the Corian (either
by adhesives or screws)
Bottom of poles will be welded

to attachment piece of
aluminum
Attachment piece will be
connected to the base unit with
screws
All lights will be attached and
installed according to the
manufacturer’s specifications
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Usage
STRATA is designed to cast an inviting, warm-white light into its environment. Equip with high power LED’s, the lights themselves will last for
+50,000 hours, use minimal amounts of energy to operate, and be safe for the environment. Designed with the consumer in mind, STRATA is
easy to function, requires low maintenance, and goes beyond having only one lighting possibility. The STRATA is designed to serve three
functions, all controlled by the flick of a switch.
Mood Ambient Task
Lights on top of the Corian will be set to a Most tasks in the bathroom will only For situations that require maximum
dimmer switch, giving the user options for require that the lights in the base be lighting, both the lights in the base and on
setting their desired mood in the space. illuminated. The white of the Corian and top can be turned on simultaneously.
This setting is perfect for situations that the convex surface will help more of the
require only a soft glow. light to be directed into the space.
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Context Images
Shown with DNA+ sinks

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Conclusion
The DNA+ “Water and Wind” competition was a great opportunity to gain experience in designing something for real production.
As a student designer, I felt challenged to create something to compliment an existing collection, work within set technology and
material limitations, consider human use factor, understand manufacturability, and consider all the different aspects of product
design. I believe this project will be very beneficial for developing my portfolio.
What I enjoyed most about the project was that it was a competition. The thought of having a chance, even if small, of winning and
earning recognition as an emerging designer was very enticing.
My main criticism about the design process was that there wasn’t a lot of feedback from everyone in studio during the conceptual
phase. It would have been beneficial to everyone to have more open discussions about ideas.
There are always parts of a project that I wish I could redo or change, but for the most part I am satisfied with the work I
completed and end product.
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Works Cited
Bing images
Google images
http://www.dna-plus.com
http://www.engineersedge.com/manufacturing/computer-numerical-control.htm
http://www.engineersedge.com/manufacturing/die_cast_process.htm
http://www.engineersedge.com/extrusion.htm
http://www.engineersedge.com/plastic_thermoform.htm
http://www.environmentalLED.com
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Process Book
Heather Lagergren
IAPD: Design Workshop II
Instructor: William Yankey
Fall 2010
Portfolio Contents
Portfolio Contents Preliminary Ideas of 3 Related Pieces
Portfolio Contents Preliminary Ideas of 3 Related Pieces
Stained Glass
-rich colors,
interesting shapes
-VERY popular
within art nouveau
Portfolio Contents Inspirational Images: Modern/Multi-function

Portfolio Contents Inspirational Images: Modern/Multi-function
Portfolio Contents Ideation Sketches: Modern/ Multi-function
Portfolio Contents Inspirational Images: Art Nouveau
Bronze sculptures

Jewelry and jewelry box

Portfolio Contents Thoughts
Portfolio Contents Ideation Sketches: Art Nouveau
Portfolio Contents Refined Ideation Sketches from Mid-Critiques
Portfolio Contents Study Models of Lamps
Portfolio Contents Study Models of Table
Portfolio Contents Rhino Modeling
Portfolio Contents Context Image: 3 Piece Series
Portfolio Contents Table Tordue
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RISER rack
RISER rack
Student Design Competition 2010
Entry 54
Design Phase Portfolio Contents
Brainstorming problems and solutions

Problem 1: Placing bottles around the border of a tub has the issues of staining, falling, and making it uncomfortable to use the tub.
Most existing shower caddies are not aesthetically appealing, can fall off the shower head, and can’t be adjusted.
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Attachment Detail Shelf 1
Shelf 2
Wire Designs
Solution: By designing a versatile shelving system that utilizes available vertical space users can free up the area around the tub,
adjust the shelves for different bottles, add/remove shelves if necessary, have easier access to their products, and better organize.
Problem 2: The initial problem was having to stir liquids on the stove for extended periods of time. The problem evolved to try to
improve the mixer concept. Stand mixers are heavy and come with only one bowl, while hand mixers can be hard to maneuver.
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Attachment Detail Initial idea
Bottom view
Solution: The main feature of this new concept is the ability to attach the mixer to any pot or bowl. By combining the power and motion
of a stand mixer with the user ability of a hand held model, this design would accommodate a large variety of tasks. Some of the key
features include a digital timer, different attachments that can be released by a button, and have a comparable weight to a hand held
model.
Problem 3: Numerous people burn themselves from taking things out of the oven because it is difficult to pull out the rack or get their
hands around the pan. Also, people with arthritis or back problems can face difficulties lifting things out of the oven.
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Profile
Handle designs that would also be the release for the upwards mechanism
Solution: By combining the idea of a drawer pull out and roller lift system, this oven rack slides out for easier access while also lifting
upwards to eliminate the need to bend as far to remove items.
Chosen Concept: Oven rack Portfolio Contents
Track system Lift system
Revised Sketches
User Profile Portfolio Contents
Generational Back trouble Limiting physicality
For anyone who is passionate about cooking and interested in products that make it easier
Final Design Portfolio Contents
Making the 2D concept a 3D model

Renderings Portfolio Contents
Blueprint Portfolio Contents
Top
Front Side
A
B E
Call-outs Materials Specifications:

A) Outer frame of rack d= 1/4” Stainless steel rack
B) Rods of rack d= 1/8”, spaces 1.5” o.c. Stainless steel system Track system will adhere to sides of oven with Fiberflect tape. Install according to
C) Fiberflect tape Nomex fabric manufacturer’s instructions.
D) Connection rods d= 3/4” Silicone
E) Handle d= 1” Fiberflect heat-reflective tape
Exploded View Portfolio Contents
Nomex brand fiber outer coating

Silicone center around stainless steel rod
Removable rack
Handle
Scissor joint
Track system
Usage in context Portfolio Contents
Grip and pull
Slide over
Pull
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Handheld Device
Heather Lagergren
IAPD II Spring 2009
Professor Cliff Shin
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Contents
Design Purpose and Concept
Target Market/ Client Description
Future Technology
Current Product Research
Cell Phones
Scanners
Color Study
Magazines that appeal to target market
Universal remotes
Ideation Sketches: Round 1
Form Study
Revised Form Study
Final Design Sketches
Interface Sketches
3D Imaging of Final Model
Final Model Process
Final Model Pictures
Usage
Facts, Features, Benefits
Works Cited
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Design Purpose and Concept
In most households, women are responsible for cleaning,

managing the kids, shopping, and maintaining order. On
top of home responsibilities, many modern women are
also working full-time hours. Lives of women who fit this
mold are balancing acts that leave them tired and
searching for personal time. Many women I am sure have
imagined a device that would speed up the shopping
process, manage coupons and store discounts, and save
money by finding the best deals.
My design combines the familiarity and usability of remotes

and cell phones with bar-code scanner technology to form
a device that will help simplify shopping for busy women.
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Women who have to balance all of this…
Target Market
Job Status: Full-time employee
Age: 28-45
Economic Status: Middle- to Higher Income
Marital Status: Married with children
But want more time for all of these…

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Future Technology
2D Barcodes and Scanners
• 2D barcodes can hold details of the component suppliers,
materials used, and date the product was completed
• Improved 2D imagers can scan barcodes in any orientation,
eliminating the need for operators to hold the item perfectly
vertical or horizontal
• Advantages of the new products include higher image resolution,
motion tolerance that allows things to be scanned when the
operator is moving, faster reading speed, and a greater scanning
distance
More Advanced Interface within Remotes and Cell Phones

• Touch screen and sensor activated interface has quickly become
the new era of technology and if keeps improving its control and
speed
• 3D depth cameras that detect movement, magnetic amplifiers
that connect to a control, and Bluetooth technology are all new
innovations for remotes
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Current Product Research

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HTC Touch Diamond 2 $600 C

e
l
iPhone $250 l
P
LG Versa $200
h
o
n
e
Samsung Behold $150 s
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Intermec SF51 Cordless

Barcode Scanner $375
S
c
LS9203 Desktop Barcode
Scanner $320
a
n
n
InfoScan™2 Elite $170
e
r
s
NewSoft Presto BizCard Reader5 $130

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Various Scanner Designs
Simple Complex
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Color Study of Magazine Covers and

Remotes
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RGB: 192 RGB: 204, 153, 255 RGB: 255
RGB: 255, 253, 107 RGB: 255, 253, 107 RGB: 204, 102, 255
RGB: 249, 89, 39 RGB: 169, 208, 122
Colors followed the trend of not being overly bright but still grabbing attention
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RGB: 255, 177, 63 RGB: 255, 102, 204
RGB: 220, 30, 139 RGB: 255, 253, 107
RGB: 192
RGB: 51, 102, 204
Health magazines tended to have brighter, edgier colors than those of lifestyle magazines
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RGB: 88, 88, 88
RGB: 242, 242, 242
RGB: 51, 102, 204
RGB: 191, 191, 191
RGB: 51, 102, 204
RGB: 187, 218, 239
RGB: 191, 191, 191
Black was dominant

in almost every
remote.
RGB: 102, 204, 255
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RGB: 223, 225, 225
RGB: 242, 242, 242
RGB: 5, 140, 251
RGB: 217, 217, 217
RGB: 5, 140, 251
RGB: 187, 218, 239

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Hawk Fast, see everything
Fast, they see everything
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Owl Wise, never know they are there
Knowledgeable, never know they are there
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Tiffany’s…what more could
Jewelry Beautiful, elegant
a woman ask for
Every woman wants a nice bath tub Portfolio Contents
Baths Relaxing, sensual
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Yoga Yoga is good for the body, relaxing
For the mind, body, and soul
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Inspiration: Tiffany’s
Tiffany & Co. has been the world renowned

epitome of premier jewelry since 1837 .
What more could a woman ask for than a designer

piece of jewelry?
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Inspiration: Designer Purses
A purse is a stylistic reflection of the woman who

carries it. Purses house all women’s essentials and
are critical to how women function on a daily basis.
A device that can easily merge function with stylish design.

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Form Study
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Revised Form Study

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More Revisions…
•Smaller than original design
•Revisions were made to the

keyboard
•Symmetrical form for the top

piece was selected
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Final Design Sketches

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Interface Sketches
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3-D Imaging of Final Design

Top Closed Top Open Portfolio
Right Contents
Front Perspectives
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Final Model Process

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1. Carving forms out of 2. Carving out sliding 3. Making sure all pieces fit
foam mechanisms together before Bondo
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4. Bondo application 5. Wet sanding 6. Primer and wet sanding

and dry sanding again
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7. Finishing coats 8. Installing all small pieces 9. Screen design and

installation
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Final Model
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Usage
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Scan barcodes Search for Items Price Comparison
Scan barcodes to see the item’s If an item is out, you can look in the Since the device tallies in discounts,
information and keep track of your database to see what other stores coupons, and sales, you can compare
bill as you shop. will carry that item. prices for a specific item.
Scan any coupons, gift cards, or store credits before shopping and the device will store the
information. All the consumer has to do is designate the store and the device will have the
right information.
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Facts, Features, and Benefits
•Price $100-$150
•Compact design, ergonomically fit for women’s smaller hands
•Easy to follow functions with few buttons, “fool proof”
•Durable, made to be carried in a purse
•Easy to read display
•Environment friendly because it uses a rechargeable battery and eliminates paper
receipts
•Comes with charger, USB cable, removable lanyard, and computer software
Portfolio Contents
Works Cited
http://www.infosyncworld.com/news/n/9078.html
www.customplasticprinters.com
www.thebarcodewarehouse.co.uk
Google Image search
http://www.airport-int.com/categories/2d-imaging-scanning-technology/2d-imaging-
scanning-technology-future.asp
Angino, G.; Borgarelli, L.
American Astronomical Society, DPS Meeting #31, late abstracts, #59.50; Bulletin of the
American Astronomical Society, Vol. 31, p. 1593
http://adsabs.harvard.edu/abs/1999BAAS...31.1593A
http://www.bluetomorrow.com/content/section/230/342/
http://venturebeat.com/2009/01/11/ces-does-the-future-of-tv-lie-in-gesture-based-control/

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Stood the trial of time

Assist. Assist. Accounting Assist. Dir.

Dir. Sales Reps. Dir.

Spatial Layout Designations

C-2 C-2 C-2 C-2 C-2 C-2

C-1 C-1 C-1 C-1 C-1 C-1

C-2 C-2 C-2 C-2 C-2 C-2

C-1 C-1 C-1 C-1 C-1 C-1

C-2 C-2 C-2 C-2 C-2 C-2

C-1 C-1 C-1 C-1 C-1 C-1

C-2 C-2 C-2 C-2 C-2 C-2

Reflected Ceiling Plan

The logo was designed to equally

The colors were selected for their

Yellow represents both wheat and the

Green represents both the grapes needed

Blue represents water needed for

Right Side of Office

Table oof contennts

Taable of ccontents cont.

Faccts about the Commpanies

Functioon-based layout deesignation s

Spacee typical square ffootages

Space tyypical squuare foootages connt.

Marketing/ Tasting/ Waiting Research/

person has their own work desk

•Yellow (R 224 G 179 B 5)

109 110 111 114 115 116

Room and Workkstation Deesignations

WS‐26 WS‐30 WS‐32 WS‐2 WS‐4 WS‐7

WS‐29 WS‐31 WS‐1 WS‐3

Location in space: Room 113 Item #: TBL‐2 34

Location in space: Growth Space Item #: TBL‐3 35

Enlaarged plaan within ccontext

Rec eption dessk Enlargeed plan

Receeption deskk Front EElevation

Wood Veneer Stainless Steel bands Stainless Steel countertops

Recception deesk side el evation

Receptionn desk secttion

Receptionn desk secttion

Woorkstationss and cab inetry

C‐2 C‐2 C‐2 C‐2 C‐2 C‐2

C‐2 C‐2 C‐2 C‐2 C‐2 C‐2

C‐2 C‐2 C‐2 C‐2 C‐2 C‐2

Spattial layoutt and desiggnations

Dir. Sales Reps. Dir.

DNA+ Design Competition Process Book

Heather Lagergren Professor Cliff Shin Fall 2009

“WIND and WATER” Competition Guidelines

“DNA+ is an innovative, avant-guard company with a design expression that

The winning design will be determined by a jury comprised of members

Aluminum or Stainless Steel

Raindrop Sunset Antelope canyon walls Antelope collection hooks

Antelope canyon walls

Antelope canyon walls

Antelope canyon walls + Antelope collections hooks

Antelope canyon walls + Antelope collection hooks

Antelope canyon walls + Antelope collections hooks

Antelope canyon walls + Antelope collection hooks

Antelope canyon walls + Antelope collections hooks

Antelope canyon walls + Antelope collection hooks

Antelope canyon walls + Antelope collections hooks

Heather Lagergren's Portfolio

Heather Lagergren's Portfolio